In 1926: living at the edge of time - Monoskop

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CENTER VS. PERIPHERY 275 tric position in the European context. He explores "the possibility of accomplishing a raid [a long-distance flight] that would make the greatness of Spanish aviation known beyond our borders and that [would confirm] the indisputable glory won on the fields of Africa. Looking at a map of the world and examining the possible routes for such a raidwhich would reveal not only the merit of the pilot but the achievements of scientific research, and which would establish norms for future aerial navigation from one continent to another across seas and deserts-I understood that the flight to the Plata combined all this with the dangers of the ocean and of the equatorial region, a great incentive for any aviator. The enterprise would thus tighten the union between Spain and the young Castilian-speaking nations on the continent discovered by Columbus" (Franco, 5-6). [see Airplanes] Just as Franco conceives his project within a completely Eurocentric mapping, so the French travel writer Paul Morand has no doubt that America's Pacific Coast is the end of the Western world, "the Western Land's End" (Morand, 23). At the other extreme of the map, Morand describes a review theater in China but sees in it only a "tragically bad imitation" of the European model (67f£.). [see Revues, Roof Gardens]. Perpetuating age-old traditions of intellectual arrogance, these authors feel no ambivalence about the project of fighting "always and definitively the American despiritualization" (Heinrich Mann, 309). In even more aggressive tones, the Fascist novelist Mario Puccini defends the "simple, homey, provincial" elements of Italian culture against any influence of American Artificiality (259). Very few voices from the Periphery ever challenge such views of Europe as the implied Center. Somewhat surprisingly, the inhabitants of Buenos Aires and Argentinian politicians enthusiastically play along with the staging of Franco's flight to South America as the revival of a distant colonial past (Gumbrecht, 179f£.). For the Uruguayan-French novelist Jules Supervielle and for his Uruguayan-born hero Colonel Bigua, who seems to live in political exile in Paris, even the most gloriously romanticized image of the Periphery is still the image of a colonial space: "The colonial house with its old habits awaited him there beneath the sky, so blue, without a crack. Ah! To hear at Las Delicias ... , passing by his room three times a week, the live chickens that the shopkeeper held too tightly under his arm while taking them to the kitchen" (Supervielle, 211). Ramon del Valle-lncLin certainly comes close to political reality when he has the fictional Latin American dictator Banderas justify his
276 CODES government's repressive policies with imperialist slogans about the indigenous population, adopted from the Spanish colonial tradition: "So humble in appearance, yet they are ungovernable! The scientists are not wrong when they tell us that the original communal organization of the native has been defeated by Spanish individualism, the source of our leadership" (Valle-Incl
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In 1926
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Copyright © 1997 by the President
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CONTENTS User's Manual • IX Array
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User's Manual Where to Start Do not
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USER'S MANUAL xi implication. A his
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USER'S MANUAL xiii change in retros
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USER'S MANUAL xv philosophy" (the u
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AIRPLANES Airplanes look stout, rat
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AIRPLANES 5 the expert hands of Cas
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AIRPLANES 7 (Franco, 286). Since Fr
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AIRPLANES 9 for him because he is j
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AIRPLANES 11 Ramon Franco, De Palos
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AMERICANS IN PARIS 13 sion, to unde
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AMERICANS IN PARIS 15 precisely to
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AMERICANS IN PARIS 17 to pay for hi
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AMERICANS IN PARIS 19 am convinced
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References AMERICANS IN PARIS 21 8
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ASSEMBLY LINES 23 of labor-among in
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ASSEMBLY LINES 2S jamin expresses a
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AUTOMOBILES 27 because it looks lik
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AUTOMOBILES 29 Alluding to the pres
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AUTOMOBILES 31 for the huge apparat
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AUTOMOBILES 33 Thomas Mann, "Unordn
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BARS 35 But if Babe Ruth himself is
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BARS 37 tion like grammars. As if b
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BARS 39 into the sunlight and the h
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BARS 41 Lawrence S. Ritter and Mark
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BOXING 43 uses yet another boxing m
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BOXING 45 Chicago Tribune slanders
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BOXING 47 Harry Wills, the "Brown P
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BOXING 49 emplary record as a soldi
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BOXING 51 jealousy, but defeat make
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BOXING 53 Flaschenpost ins Eismeer
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BULLFIGHTING 55 danas." Despite Kes
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BULLFIGHTING 57 the famous toreador
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BULLFIGHTING 59 erotic desire: "The
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BULLFIGHTING 61 Action = Impotence
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CREMATION 63 phasize individuality.
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CREMATION 65 Individuality vs. Coll
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DANCING 67 Karl Gustav Vollmiiller.
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DANCING 69 Fascination with rhythm
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DANCING slowly around the floor, ob
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DANCING 73 seriousness of Ausdrucks
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ELEVATORS Three days before the cha
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ELEVATORS 77 "pater nosters"-has se
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References ELEVATORS 8 Uhr-Abendbla
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EMPLOYEES 81 obsession-with the con
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EMPLOYEES 83 roles, as is the case
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EMPLOYEES 85 anonymous underlings,
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ENDURANCE On Saturday, August 7, ni
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ENDURANCE 89 themselves against the
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ENDURANCE 91 hand, to the emergence
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ENGINEERS The first page of Walter
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ENGINEERS 95 more seriously than te
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ENGINEERS 97 against the modern spi
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ENGINEERS 99 "social engineering" m
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ENGINEERS 101 Gustav Stresemann, "S
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GOMINA 103 never loses its strong a
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GOMINA lOS industry transubstantiat
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GOMINA 107 Nicola Lepp, "Leclermyth
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GRAMOPHONES 109 gramophone makes pr
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GRAMOPHONES 111 duet GARDEL-RAZZANO
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GRAMOPHONES 113 Lessing, who is com
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HUNGER ARTISTS In his poem "Der Hun
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HUNGER ARTISTS 117 cline, hunger ar
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HUNGER ARTISTS 119 exciting spectac
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JAZZ 121 Tunney, who is famous for
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JAZZ 123 sake. Our age seeks art no
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JAZZ 125 John Fordham, Jazz: Histor
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LEAGUE OF NATIONS 127 land, and Spa
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LEAGUE OF NATIONS 129 Rhineland, wh
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References LEAGUE OF NATIONS 8 Uhr-
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MOUNTAINEERING 133 the form of a te
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MOUNTAINEERING 135 (106). This iron
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MOUNTAINEERING 137 beating triumpha
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MOUNTAINEERING 139 berger: "How wou
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MOVIE PALACES In downtown Buenos Ai
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MOVIE PALACES 143 shorts, which is
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MOVIE PALACES 145 sional world of f
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MOVIE PALACES 147 right kind of nou
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MUMMIES Early in the year, the smal
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MUMMIES 151 the past had reached th
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MUMMIES 153 vades the street life o
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MURDER On Sunday, August 8, the Ber
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MURDER 157 of the criminal, now red
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MURDER 159 it is based on a single
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MURDER 161 peatedly infringe on con
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MURDER 163 thesis of individuality
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OCEAN LINERS 165 I will confess to
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OCEAN LINERS 167 From the perspecti
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OCEAN LINERS 169 successful commerc
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OCEAN LINERS 171 couldn't understan
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POLARITIES 173 Periphery (Infinitud
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POLARITIES 175 did you find that po
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RAI LROADS The world of railroads i
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RAILROADS 179 as an emblem of rando
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RAILROADS 181 into the impulse to m
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RAILROADS 183 coextensive with the
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REPORTERS In its June 26 issue, the
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REPORTERS 187 (Kittler, 317), and a
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REPORTERS 189 Germany, and the Unit
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REVUES Wherever the French writer P
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REVUES 193 Moulin Rouge, featuring
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REVUES 195 thing [das Echteste]. Sh
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REVUES 197 Marcel Denise, "Les merv
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ROOF GARDENS 199 is the city. The c
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ROOF GARDENS 201 reached the stage
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SIX-DAY RACES In the Berliner Volks
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SIX-DAY RACES 205 day environment (
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STARS The promotional flier of Chri
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STARS 209 as a symptom of cultural
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STARS 211 remain clouded by unhappi
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STARS 213 striking inability to liv
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STARS 215 Hollywood than from Berli
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STRIKES British Trade Union Congres
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STRIKES 219 the government, whose d
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STRIKES 221 between Baldwin and Cha
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STRIKES 223 As if this were contrar
Page 242 and 243: TELEPHONES The student yearbook of
Page 244 and 245: TELEPHONES 227 Although in the Unit
Page 246 and 247: TELEPHONES 229 go to the castle wit
Page 248 and 249: TELEPHONES 231 workers' city.' Fred
Page 250 and 251: TIMEPIECES All kinds of timepieces
Page 252 and 253: TIMEPIECES 235 Death has instructed
Page 254 and 255: TIMEPIECES 237 structure, continuit
Page 256 and 257: TIMEPIECES 239 ognizable to him and
Page 258 and 259: WIRELESS COMMUNICATION An illustrat
Page 260 and 261: WIRELESS COMMUNICATION 243 that the
Page 262 and 263: WIRELESS COMMUNICATION 245 strategy
Page 264 and 265: WIRELESS COMMUNICATION 247 Toledo o
Page 266: References WIRELESS COMMUNICATION L
Page 270 and 271: ACTION VS. IMPOTENCE In Hemingway's
Page 272 and 273: ACTION VS. IMPOTENCE 255 Direct Act
Page 274 and 275: ACTION VS. IMPOTENCE 257 trickled d
Page 276 and 277: ACTION VS. IMPOTENCE 259 such words
Page 278 and 279: ACTION VS. IMPOTENCE 261 T. E. Lawr
Page 280 and 281: AUTHENTICITY VS. ARTIFICIALITY 263
Page 284 and 285: AUTHENTICITY VS. ARTIFICIALITY An i
Page 286 and 287: AUTHENTICITY VS. ARTIFICIALITY Wher
Page 290 and 291: CENTER VS. PERIPHERY 273 of artific
Page 294 and 295: CENTER VS. PERIPHERY 277 Educationa
Page 296 and 297: CENTER VS. PERIPHERY 279 Germany an
Page 298 and 299: IMMANENCE VS. TRANSCENDENCE Often,
Page 300 and 301: IMMANENCE VS. TRANSCENDENCE 283 (Na
Page 302 and 303: IMMANENCE VS. TRANSCENDENCE 285 Imm
Page 304 and 305: IMMANENCE VS. TRANSCENDENCE 287 nen
Page 306 and 307: IMMANENCE VS. TRANSCENDENCE 289 ion
Page 308 and 309: IMMANENCE VS. TRANSCENDENCE 291 the
Page 310 and 311: INDIVIDUALITY VS. COLLECTIVITY Indi
Page 312 and 313: INDIVIDUALITY VS. COLLECTIVITY 295
Page 320 and 321: MALE VS. FEMALE Heinrich Mann rathe
Page 322 and 323: MALE VS. FEMALE 30S scension: "Thos
Page 324 and 325: MALE VS. FEMALE 307 specific situat
Page 326 and 327: MALE VS. FEMALE 309 the same binary
Page 328 and 329: References MALE VS. FEMALE 311 Berl
Page 330 and 331: PRESENT VS. PAST 313 more convincin
Page 332 and 333: PRESENT VS. PAST 315 something has
Page 334 and 335: PRESENT VS. PAST 317 have become gr
Page 336 and 337: PRESENT VS. PAST 319 (1926). In Ant
Page 338 and 339: SILENCE VS. NOISE 321 that true sex
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SILENCE VS. NOISE 32S is, whenever
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SILENCE VS. NOISE 327 light enters
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SOBRIETY VS. EXUBERANCE Philosophic
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SOBRIETY VS. EXUBERANCE 331 has beg
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SOBRIETY VS. EXUBERANCE 333 bobbed
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SOBRIETY VS. EXUBERANCE 33S Walter
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UNCERTAINTY VS. REALITY 337 loss ("
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UNCERTAINTY VS. REALITY 339 no time
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UNCERTAINTY VS. REALITY 341 is seen
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UNCERTAINTY VS. REALITY 343 Those w
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UNCERTAINTY VS. REALITY 345 fession
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UNCERTAINTY VS. REALITY 347 only ba
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CODES COLLAPSED
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352 CODES COLLAPSED agree with Krac
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354 CODES COLLAPSED It must be the
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356 CODES COLLAPSED taking into acc
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AUTHENTICITY = ARTIFICIALITY (LIFE)
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360 CODES COLLAPSED "pure music" an
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362 CODES COLLAPSED as irresistible
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CENTER = PERIPHERY (INFINITUDE) The
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366 CODES COLLAPSED blurring of the
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368 CODES COLLAPSED aesthetic but a
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370 CODES COLLAPSED the provinces o
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IMMANENCE = TRANSCENDENCE (DEATH) T
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374 CODES COLLAPSED measure one's f
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376 CODES COLLAPSED after his Death
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378 CODES COLLAPSED If it's just on
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380 CODES COLLAPSED the self from l
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382 CODES COLLAPSED Agatha Christie
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384 CODES COLLAPSED the Italian nat
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386 CODES COLLAPSED foresight canno
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388 CODES COLLAPSED 26-47; Werneck
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MALE = FEMALE (GENDER TROUBLE) The
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392 CODES COLLAPSED young teacher n
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394 CODES COLLAPSED to historical c
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396 CODES COLLAPSED theme of forbid
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398 CODES COLLAPSED homosexuality h
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PRESENT = PAST (ETERNITY) The futur
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402 CODES COLLAPSED Wave the blood-
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404 CODES COLLAPSED Every freedom c
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406 CODES COLLAPSED raphy of the ci
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FRAMES
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412 FRAMES "learning" and "using" j
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414 FRAMES "historical" induction f
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416 FRAMES tions." If neohistorians
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418 FRAMES to underlie all the chan
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420 FRAMES environments-ranging fro
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422 FRAMES standing. What turned in
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424 FRAMES thought has confronted f
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426 FRAMES of hermeneutics and subj
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428 FRAMES awaken and preorient the
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430 FRAMES were potentially relevan
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432 FRAMES tions into an (illusory
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434 FRAMES worlds in their environm
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436 FRAMES notebook in which Flaube
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438 FRAMES able faculty my most pro
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440 FRAMES on June 18, again urging
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442 FRAMES The Year in the Book The
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444 FRAMES Epistemological Losses a
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446 FRAMES Being-just-present-at-ha
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448 FRAMES tricity and distance tha
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450 FRAMES Heidegger provides no ar
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452 FRAMES ducts the self-immunizat
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454 FRAMES More demanding than the
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456 FRAMES its Un-heim-lichkeit-not
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458 FRAMES fessor of pedagogy. A fr
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460 FRAMES the philosophy of histor
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462 FRAMES literature of 1926 (from
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464 FRAMES and past deconstruct the
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466 FRAMES before Heidegger. He men
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468 FRAMES cable binary logic, this
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470 FRAMES But the king remained si
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472 FRAMES room, a reproduction of
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474 FRAMES pate in the vibrant supe
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476 FRAMES subjecthood and agency r
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478 FRAMES ticity, like Heidegger a
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NOTES After Learning from History 1
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NOTES TO PAGES 420-424 483 Museum (
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NOTES TO PAGES 434-437 485 41. See,
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NOTES TO PAGES 439-441 487 noch zu
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NOTES TO PAGES 444-446 489 much mor
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NOTES TO PAGES 449-453 491 cura; se
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NOTES TO PAGES 456-460 493 70. An e
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NOTES TO PAGES 463-465 495 'zeitlic
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NOTES TO PAGES 469-470 497 fahren,
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ACKNOWLEDGMENTS THANKS to Ulla Link
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Alcantara Machado, Antonio de, 288,
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Hauptmann, Gerhart: Dorothea Angerm
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Sieburg, Friedrich, 99; "Adoration
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