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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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AUTHENTICITY VS. ARTIFICIALITY<br />

An instinct to slaughter<br />

Families and providers,<br />

To fulfill <strong>the</strong> task<br />

Of <strong>the</strong> conqueror.<br />

(Brecht, 376)<br />

Both Au<strong>the</strong>nticity and Artificiality bear clear, frequently recurring<br />

marks <strong>of</strong> particular <strong>time</strong>s and spaces. Opting for Au<strong>the</strong>nticity means<br />

opting for tradition and <strong>the</strong> past (<strong>of</strong>ten with nostalgic enthusiasm),<br />

whereas opting for Artificiality means opting for <strong>the</strong> future (<strong>of</strong>ten with<br />

<strong>the</strong> impression <strong>of</strong> yielding to an inevitable f<strong>at</strong>e). Artificiality's future and<br />

Au<strong>the</strong>nticity's past are generally perceived as moving in opposite directions.<br />

The future seems always to be increasingly ahead <strong>of</strong> <strong>the</strong> present,<br />

whereas <strong>the</strong> past appears more and more remote. Past and future no<br />

longer meet in a chronotope <strong>of</strong> continuity, but <strong>of</strong>fer <strong>the</strong>mselves as diametrically<br />

opposed polarities. North America-and some<strong>time</strong>s <strong>the</strong> big<br />

cities <strong>of</strong> Europe-symbolize <strong>the</strong> world <strong>of</strong> Artificiality and, for better or<br />

worse, anticip<strong>at</strong>ion <strong>of</strong> <strong>the</strong> future. Au<strong>the</strong>nticity is seen as surviving in<br />

L<strong>at</strong>in America and in <strong>the</strong> geographic periphery <strong>of</strong> Europe, mainly in<br />

Spain and here and <strong>the</strong>re on <strong>the</strong> African continent. This mapping explains<br />

why Europe constitutes a horizon <strong>of</strong> desire for so many American<br />

intellectuals <strong>of</strong> <strong>the</strong> Lost Gener<strong>at</strong>ion and why, having arrived in Europe,<br />

many <strong>of</strong> <strong>the</strong>m discover th<strong>at</strong> <strong>the</strong> big European cities do not (or no longer?)<br />

<strong>of</strong>fer <strong>the</strong> longed-for Au<strong>the</strong>nticity. [see Americans in Paris] Therefore,<br />

many <strong>of</strong> <strong>the</strong>m move on from Paris or Berlin to Spain, which <strong>the</strong>y experience<br />

as a n<strong>at</strong>ion, as a country determined by its history, as a country<br />

th<strong>at</strong> ultim<strong>at</strong>ely acts and reacts emotionally-like a person. <strong>In</strong> <strong>the</strong> same<br />

way Ernest Hemingway tries to escape <strong>the</strong> Artificiality <strong>of</strong> <strong>the</strong> United<br />

St<strong>at</strong>es, Jorge Luis Borges rejects <strong>the</strong> complex connot<strong>at</strong>ion <strong>of</strong> Au<strong>the</strong>nticity<br />

<strong>at</strong>tributed to Argentina. But unlike Hemingway, Borges avoids <strong>the</strong> binary<br />

logic th<strong>at</strong> would lead an Argentinian intellectual to embrace Artificiality:<br />

"I do not want ei<strong>the</strong>r progressivism or creolism, in <strong>the</strong> current understanding<br />

<strong>of</strong> <strong>the</strong>se words. The first is a way <strong>of</strong> subjecting us to being<br />

almost North American or almost European, a persistent almost-beingo<strong>the</strong>rs;<br />

<strong>the</strong> second, once a term <strong>of</strong> action (<strong>the</strong> cavalryman's taunt to <strong>the</strong><br />

South American-he who went mainly on horseback mocking him who<br />

went mainly on foot), is today a term <strong>of</strong> nostalgia (timid craving for <strong>the</strong><br />

countryside)" (Borges, 14).<br />

267

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