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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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TIMEPIECES 237<br />

structure, continuity, and control. Thus, in Ramon del Valle-<strong>In</strong>clan's<br />

novel Tirano Banderas, c<strong>at</strong>hedral bells ring twelve <strong>time</strong>s before <strong>the</strong> outbreak<br />

<strong>of</strong> a revolution th<strong>at</strong> will end a bloody dict<strong>at</strong>orship: "The c<strong>at</strong>hedral<br />

clock fell silent. The twelve peals still hung in <strong>the</strong> air ... Stampedes <strong>of</strong><br />

gunpowder. Military bugle calls. A crowd <strong>of</strong> nuns, bareheaded and in<br />

<strong>the</strong>ir shirtsleeves, came to <strong>the</strong> pr<strong>of</strong>aned door <strong>of</strong> <strong>the</strong> convent shouting and<br />

praying" (Valle-<strong>In</strong>clan, 266). <strong>In</strong> a poem by Federico Garcia Lorca, when<br />

<strong>the</strong> paramilitary guardia civil <strong>at</strong>tacks a town <strong>of</strong> gypsies, all clocks come<br />

to a standstill:<br />

The town, free <strong>of</strong> fear,<br />

multiplied its g<strong>at</strong>es.<br />

Forty members <strong>of</strong> <strong>the</strong> civil guard<br />

came through <strong>the</strong>m to plunder.<br />

The clocks stopped,<br />

and <strong>the</strong> cognac in its bottles<br />

disguised itself as November.<br />

(Garcia Lorca, 456)<br />

Feeling victimized by <strong>the</strong> chaos th<strong>at</strong> results when all structured forms <strong>of</strong><br />

historical <strong>time</strong> vanish, Pr<strong>of</strong>essor Cornelius in Thomas Mann's story "Unordnung<br />

und fruhes Leid" ("Disorder and Early Sorrow") becomes an<br />

unlikely ally <strong>of</strong> Garcia Lorca's gypsies. He "h<strong>at</strong>es <strong>the</strong> newfangled ways<br />

because <strong>the</strong>y are lawless, incoherent, and aggressive" (498), and he<br />

<strong>the</strong>refore overreacts whenever his young servant Xaver Kleinsgutl mistakenly<br />

tears <strong>of</strong>f more than one sheet from <strong>the</strong> calendar on his desk:<br />

"Every morning, while <strong>the</strong> pr<strong>of</strong>essor is having his breakfast, he tears a<br />

leaf from <strong>the</strong> calendar in <strong>the</strong> study-but doesn't make <strong>the</strong> slightest effort<br />

to dust <strong>the</strong> room. Dr. Cornelius has <strong>of</strong>ten told him to leave <strong>the</strong> calendar<br />

alone, for he tends to tear <strong>of</strong>f two leaves <strong>at</strong> a <strong>time</strong> and thus to add to <strong>the</strong><br />

general confusion" (Mann, 512-513).<br />

More and more, it seems as if keeping <strong>time</strong> is keeping <strong>the</strong> world from<br />

falling apart. [see Present = Past (Eternity)] During <strong>the</strong> apocalyptic frenzy<br />

<strong>of</strong> a World War b<strong>at</strong>tle, Ernst Junger views his wristw<strong>at</strong>ch as "<strong>the</strong> only<br />

reality": "Only <strong>the</strong> little circle th<strong>at</strong> <strong>the</strong> w<strong>at</strong>ch makes on my wrist is still<br />

real. Ghosts may appear or <strong>the</strong> world may come to an end; nothing can<br />

surprise me <strong>at</strong> this point. I don't hear <strong>the</strong> shooting anymore-I'm beyond<br />

<strong>the</strong> point <strong>of</strong> noticing it. And my perception no longer registers individual

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