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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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STARS 211<br />

remain clouded by unhappiness. Babe Ruth, who enjoys <strong>the</strong> admir<strong>at</strong>ion<br />

<strong>of</strong> millions <strong>of</strong> American boys (Ritter and Rucker, 162-163), will never<br />

be a f<strong>at</strong>her. Rudolph Valentino, "who desper<strong>at</strong>ely wants a child," is<br />

blamed by his wife "for a miscarriage caused by reckless driving" (Morris,<br />

178). Valentino falls into a depression after his divorce from N<strong>at</strong>asha<br />

Rambova in January, and <strong>the</strong> Babe's wife suffers from nervous breakdowns<br />

which <strong>the</strong> press eagerly interprets as reactions to her spouse's<br />

notorious womanizing (Ritter and Rucker, 128-129). Charlie Chaplin's<br />

wife, Lita Grey, leaves him on November 30 and takes <strong>the</strong>ir little boys,<br />

Charles and Sidney (Robinson, 662-663). A brief reconcili<strong>at</strong>ion between<br />

Jack Dempsey and his wife after his loss <strong>of</strong> <strong>the</strong> world championship is<br />

merely a prelude to <strong>the</strong>ir final separ<strong>at</strong>ion. Such emotional emptiness and<br />

family woe in <strong>the</strong> life <strong>of</strong> <strong>the</strong> star only intensify <strong>the</strong> fans' desire to occupy<br />

a role by <strong>the</strong> side <strong>of</strong> <strong>the</strong> admired body. <strong>In</strong> Chaplin's case, <strong>the</strong> socially<br />

marginal life which he evokes repe<strong>at</strong>edly in his films makes <strong>the</strong>se fantasies<br />

particularly concrete:<br />

One night, ... coming out <strong>of</strong> Grauman's Egyptian [movie <strong>the</strong><strong>at</strong>er], I<br />

was striding <strong>the</strong> short distance between <strong>the</strong> <strong>the</strong><strong>at</strong>er and our favorite<br />

restaurant when I recognized, a few steps ahead <strong>of</strong> me, <strong>the</strong> familiar<br />

outline <strong>of</strong> Charlie. <strong>In</strong>stinctively, I slowed down, and I cannot express<br />

wh<strong>at</strong> melancholy overwhelmed me when I realized <strong>the</strong> total solitude <strong>of</strong><br />

<strong>the</strong> most popular man in <strong>the</strong> world ... At <strong>the</strong> corner <strong>of</strong> Cherokee Street<br />

an important event occurred-important for Charlie <strong>at</strong> least ... He<br />

met a dog. A f<strong>at</strong>, common mongrel who was sitting waiting for who<br />

knew wh<strong>at</strong>. And Charlie stopped, abruptly. He had found someone to<br />

talk to. And he started to question <strong>the</strong> dog, who probably recognized<br />

in him a comrade, because it <strong>of</strong>fered him its paw." (Robinson, 372)<br />

Stars never appear completely blameless in <strong>the</strong>ir publicized priv<strong>at</strong>e<br />

unhappiness. But although, <strong>at</strong> least in <strong>the</strong> case <strong>of</strong> male actors and <strong>at</strong>hletes,<br />

such responsibility does not detract from <strong>the</strong>ir popular appeal,<br />

reckless behavior and family crises may well affect <strong>the</strong> quality <strong>of</strong> <strong>the</strong>ir<br />

pr<strong>of</strong>essional performance-to <strong>the</strong> point <strong>of</strong> jeopardizing <strong>the</strong>ir entire careers.<br />

Following his divorce, Valentino is involved in a number <strong>of</strong> serious<br />

car accidents (Orbanz, 136). Since Babe Ruth scored only twenty-five<br />

home runs in <strong>the</strong> previous season, <strong>the</strong> press begins to ask "whe<strong>the</strong>r he<br />

e<strong>at</strong>s, drinks, or screws himself out <strong>of</strong> baseball," and he is "almost uni-

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