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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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RAI LROADS<br />

The world <strong>of</strong> railroads is a world <strong>of</strong> random encounters. This is <strong>the</strong><br />

premise <strong>of</strong> a story written by Azorfn, one <strong>of</strong> <strong>the</strong> most popular Spanish<br />

authors, and published in <strong>the</strong> Madrid magazine Blanco y Negro. During<br />

a ten-minute stop on a train ride, a man named Adolfo leaves his compartment<br />

to buy some refreshments <strong>at</strong> <strong>the</strong> st<strong>at</strong>ion restaurant. The service<br />

is slow, he begins to run out <strong>of</strong> <strong>time</strong>, and <strong>the</strong>n he gets caught up in an<br />

argument with <strong>the</strong> waiter. A young woman, <strong>the</strong> daughter <strong>of</strong> <strong>the</strong> restaur<strong>at</strong>eur,<br />

intervenes; her appearance becomes a turning point in Adolfo's<br />

life. Attracted by her beauty, he ignores <strong>the</strong> voices <strong>of</strong> his friends urging<br />

him to hurry back to <strong>the</strong> pl<strong>at</strong>form-and <strong>the</strong> train leaves <strong>the</strong> st<strong>at</strong>ion with<br />

all <strong>of</strong> his luggage. But Adolfo soon celebr<strong>at</strong>es his wedding, and he will<br />

be <strong>the</strong> owner <strong>of</strong> <strong>the</strong> restaurant until his wife dies, twenty years l<strong>at</strong>er.<br />

<strong>In</strong> <strong>the</strong> second part <strong>of</strong> Azorfn's narr<strong>at</strong>ive, readers learn th<strong>at</strong> <strong>the</strong> story<br />

<strong>the</strong>y have followed thus far is being told by Adolfo to Antonio and Pepe,<br />

two young fellow travelers, while <strong>the</strong>y are approaching <strong>the</strong> very same<br />

st<strong>at</strong>ion th<strong>at</strong> he left on <strong>the</strong> spur <strong>of</strong> <strong>the</strong> moment as a widower only a short<br />

<strong>time</strong> ago: "When my wife died, everything was over for me. Even <strong>the</strong><br />

restaurant in <strong>the</strong> train st<strong>at</strong>ion was unbearable ... One day, as <strong>the</strong> express<br />

train was stopping, I boarded a car to greet a friend . . . And I<br />

didn't get <strong>of</strong>f ... The train started up and I stayed on board" (Blanco y<br />

Negro, 131). There is a moment <strong>of</strong> pr<strong>of</strong>oundly reflective silence, and<br />

<strong>the</strong>n Adolfo puts <strong>the</strong> story into perspective with an even more pr<strong>of</strong>ound<br />

philosophical observ<strong>at</strong>ion: "As Heraclitus said, 'Time is a little boy who<br />

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