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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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OCEAN LINERS<br />

<strong>In</strong> Ag<strong>at</strong>ha Christie's novel The Murder <strong>of</strong> Roger Ackroyd, Dr. James<br />

Sheppard not only commits <strong>the</strong> central crime, serves as first-person<br />

narr<strong>at</strong>or, and plays <strong>the</strong> genre-specific role <strong>of</strong> admiring companion and<br />

assistant to <strong>the</strong> detective, Hercule Poirot; as a physician, he also is<br />

<strong>of</strong>ficially in charge <strong>of</strong> his victim's health. A truly sophistic<strong>at</strong>ed criminal,<br />

Sheppard pr<strong>of</strong>its from this rel<strong>at</strong>ionship in order to build an alibi. Following<br />

a dinner <strong>at</strong> Ackroyd's home, he stabs his p<strong>at</strong>ient and returns to<br />

his own house, which he shares with his sister Caroline. There he receives<br />

a phone call and tells Caroline th<strong>at</strong> Ackroyd's butler is on <strong>the</strong> line:<br />

"Parker telephoning ... They've just found Roger Ackroyd murdered"<br />

(49). At this point, however (as will l<strong>at</strong>er become clear), Ackroyd's<br />

servants have not yet found <strong>the</strong>ir master's corpse. The telephone call thus<br />

gives <strong>the</strong> murderer a str<strong>at</strong>egic advantage: he can be <strong>the</strong> first to arrive <strong>at</strong><br />

<strong>the</strong> scene <strong>of</strong> <strong>the</strong> crime. So important is this detail in his master plan th<strong>at</strong><br />

when <strong>the</strong> detective <strong>at</strong> last confronts him with <strong>the</strong> carefully reconstructed<br />

facts, Sheppard speaks <strong>of</strong> it, with pretended irony, as his ultim<strong>at</strong>e defensive<br />

position: '''And <strong>the</strong> telephone call?' I asked, trying to rally. 'You have<br />

a plausible explan<strong>at</strong>ion for th<strong>at</strong> also, I suppose?'" (306). Not without a<br />

certain degree <strong>of</strong> pr<strong>of</strong>essional appreci<strong>at</strong>ion for <strong>the</strong> complexity <strong>of</strong> Sheppard's<br />

plot [see Murder]-and with even gre<strong>at</strong>er pride in his own intellectual<br />

achievement in unraveling it-Poirot indeed comes up with an<br />

answer:<br />

164

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