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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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MOVIE PALACES 147<br />

right kind <strong>of</strong> nourishment for people, especially <strong>the</strong> young. Shop windows<br />

and billboards use <strong>the</strong> basest means in order to <strong>at</strong>tract <strong>the</strong> <strong>at</strong>tention<br />

<strong>of</strong> <strong>the</strong> masses ... This sultry, sensual <strong>at</strong>mosphere leads to ideas<br />

and stimul<strong>at</strong>ion <strong>at</strong> a <strong>time</strong> when a boy ought not yet to have an understanding<br />

<strong>of</strong> such things . . . Who will be surprised, <strong>the</strong>n, th<strong>at</strong> even<br />

among young people syphilis is beginning to find victims? And isn't it<br />

distressing to see how many physically weak and mentally corrupt<br />

young men receive <strong>the</strong>ir sexual initi<strong>at</strong>ion from a big-city whore? Nohe<br />

who wishes to <strong>at</strong>tack prostitution must first <strong>of</strong> all strive to abolish<br />

<strong>the</strong> mental predisposition toward it. He must clear away <strong>the</strong> filth <strong>of</strong> <strong>the</strong><br />

moral contamin<strong>at</strong>ion th<strong>at</strong> eman<strong>at</strong>es from <strong>the</strong> "culture" <strong>of</strong> our big cities,<br />

and must do so ruthlessly and unhesit<strong>at</strong>ingly. (Hitler, 278-279)<br />

Rel<strong>at</strong>ed Entries<br />

Americans in Paris, Bars, Dancing, Elev<strong>at</strong>ors, Employees, Endurance,<br />

Gomina, Mountaineering, Murder, Revue, Stars, Action vs. Impotence,<br />

Au<strong>the</strong>nticity vs. Artificiality, <strong>In</strong>dividuality vs. Collectivity, Present vs.<br />

Past, Sobriety vs. Exuberance, Action = Impotence (Tragedy), Immanence<br />

= Transcendence (De<strong>at</strong>h)<br />

References<br />

8 Uhr-Abendbl<strong>at</strong>t.<br />

Les Annees-memoire: <strong>1926</strong>. Paris, 1988.<br />

Roberto Arlt, El juguete rabioso (<strong>1926</strong>). Madrid, 1985.<br />

Anton Giulio Bragaglia, "Text from Critica Fascista" (<strong>1926</strong>). Stanford Italian<br />

Review (1990): 251-254.<br />

Chronik <strong>1926</strong>: Tag fur Tag in Wort und Bild. Dortmund, 1985.<br />

David A. Cook, A History <strong>of</strong> Narr<strong>at</strong>ive Film. New York, 1990.<br />

Adolf Hitler, Mein Kampf (<strong>1926</strong>). Munich, 1941.<br />

Wolfgang Jacobsen, Anton Kaes, and Hans Helmut Prinzler, eds., Geschichte<br />

des deutschen Films. Stuttgart, 1993.<br />

Siegfried Kracauer, "Kaliko-Welt: Die Ufa-Stadt zu Neubabelsberg" (<strong>1926</strong>). <strong>In</strong><br />

Kracauer, Das Ornament der Masse: Essays. Frankfurt, 1977.<br />

Siegfried Kracauer, "Kult der Zerstreuung: Dber die Berliner Lichtspielhauser."<br />

<strong>In</strong> Kracauer, Das Ornament der Masse: Essays. Frankfurt, 1977.<br />

Fritz Lang, Metropolis (<strong>1926</strong>). New York, 1973.<br />

Thomas Mann, "Unordnung und fruhes Leid" (<strong>1926</strong>). <strong>In</strong> Mann, Siimtliche<br />

Erziihlungen. Frankfurt, 1963.

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