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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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USER'S MANUAL xiii<br />

change in retrospect; it also may suffer from <strong>the</strong> usual problems <strong>of</strong><br />

self-reflexive assessments.) At any r<strong>at</strong>e, <strong>the</strong> present appears to be a<br />

moment <strong>of</strong> gre<strong>at</strong> sophistic<strong>at</strong>ion when it comes to affirming th<strong>at</strong> some<br />

certainties and assumptions "no longer work"-and <strong>of</strong> even gre<strong>at</strong>er<br />

reluctance when it comes to filling <strong>the</strong> gaps th<strong>at</strong> <strong>the</strong> vanished certainties<br />

and assumptions have left. The present moment seems to correspond<br />

to <strong>the</strong> "end <strong>of</strong> metaphysics," as Derrida describes it in Of<br />

Gramm<strong>at</strong>ology: we are beyond metaphysics but will never really<br />

leave metaphysics behind us. We also lack strong altern<strong>at</strong>ives to<br />

options th<strong>at</strong> no longer seem viable. Marxism is but a nostalgic or<br />

embarrassing memory, especially in its more recent resurrections and<br />

reembodiments (good intentions will not fix an outd<strong>at</strong>ed epistemology!).<br />

Deconstruction has ei<strong>the</strong>r turned sour and sectarian (<strong>the</strong>re's an<br />

air <strong>of</strong> L<strong>at</strong>ter-Day-Saintliness about some <strong>of</strong> today's deconstructors in<br />

<strong>the</strong>ir black apparel), or has been absorbed by <strong>the</strong> general interpret<strong>at</strong>ive<br />

and hermeneutic mood. The charm (and <strong>the</strong> punch) <strong>of</strong> New<br />

Historicism has wi<strong>the</strong>red all too rapidly. And so on. To make m<strong>at</strong>ters<br />

worse, <strong>the</strong> author feels th<strong>at</strong> a gre<strong>at</strong> deal <strong>of</strong> pressure is being brought<br />

to bear upon his gener<strong>at</strong>ion to come up with something new, something<br />

not exclusively skeptical; but he thinks th<strong>at</strong> he is not particularly<br />

good <strong>at</strong> programm<strong>at</strong>ic writing-i.e., <strong>at</strong> <strong>the</strong> genre <strong>of</strong> writing th<strong>at</strong>,<br />

undoubtedly, is required here. Still, he feels th<strong>at</strong> he and <strong>the</strong> scholars<br />

<strong>of</strong> his gener<strong>at</strong>ion should become for <strong>the</strong> scholars <strong>of</strong> <strong>the</strong> next gener<strong>at</strong>ion<br />

wh<strong>at</strong> Reinhart Koselleck, Niklas Luhmann, Jean-Fran

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