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In 1926: living at the edge of time - Monoskop

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HUNGER ARTISTS 119<br />

exciting spectacle for <strong>the</strong> paying crowd: "His noble body, filled almost<br />

to <strong>the</strong> bursting point with all th<strong>at</strong> it needed, seemed to carry freedom<br />

around with it too. Somewhere in his jaws it seemed to lurk; and <strong>the</strong> joy<br />

<strong>of</strong> life streamed with such ardent passion from his thro<strong>at</strong> th<strong>at</strong> for <strong>the</strong><br />

onlookers it was difficult to bear <strong>the</strong> shock <strong>of</strong> it. But <strong>the</strong>y braced <strong>the</strong>mselves,<br />

crowded around <strong>the</strong> cage, and were reluctant ever to move away"<br />

(185).<br />

Rel<strong>at</strong>ed Entries<br />

Boxing, Bullfighting, Endurance, Mountaineering, Mummies, Six-Day<br />

Races, Action vs. Impotence, Au<strong>the</strong>nticity vs. Artificiality, Immanence vs.<br />

Transcendence, <strong>In</strong>dividuality vs. Collectivity, Immanence = Transcendence<br />

(De<strong>at</strong>h)<br />

References<br />

Johannes R. Becher, Maschinenrhythmen. Berlin, <strong>1926</strong>.<br />

Berliner Volks-Zeitung.<br />

Chronik <strong>1926</strong>.: Tag fur Tag in Wort und Bild. Dortmund, 1985.<br />

Franz Kafka, Ein Hungerkunstler (1924). <strong>In</strong> Kafka, Die Erzahlungen. Frankfurt,<br />

1961.<br />

Klaus Wagenbach, Franz Kafka: Bilder aus seinem Leben. Berlin, 1983.

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