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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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ENGINEERS<br />

The first page <strong>of</strong> Walter Benjamin's book Einbahnstra{5e (One- Way<br />

Street) presents <strong>the</strong> reader with an enigm<strong>at</strong>ic dedic<strong>at</strong>ion: "This street is<br />

called / Asja Lacis Street / after her who / as an engineer / bulldozed it<br />

through <strong>the</strong> author." This is <strong>of</strong> course a vari<strong>at</strong>ion on <strong>the</strong> classical st<strong>at</strong>ement<br />

"Dedic<strong>at</strong>ed to her/him who inspired <strong>the</strong> author," a vari<strong>at</strong>ion specifically<br />

adapted to <strong>the</strong> nonmetaphorical meaning <strong>of</strong> Benjamin's metaphorical<br />

title. Asja Lacis appears as a street-laying engineer because<br />

Benjamin wants to thank her for having inspired <strong>the</strong> book which he<br />

entitles Einbahnstra{5e. Never<strong>the</strong>less, <strong>the</strong> violence inherent in <strong>the</strong> image<br />

<strong>of</strong> cutting <strong>the</strong> way for a street is a puzzling substitute for <strong>the</strong> r<strong>at</strong>her<br />

e<strong>the</strong>real influence <strong>of</strong> intellectual and artistic inspir<strong>at</strong>ion. The act <strong>of</strong> an<br />

engineer who manipul<strong>at</strong>es an engine or a space does not seem commensur<strong>at</strong>e<br />

with <strong>the</strong> free-and <strong>of</strong>ten loving-acceptance <strong>of</strong> such inspir<strong>at</strong>ion<br />

on <strong>the</strong> part <strong>of</strong> <strong>the</strong> artist. An implicit pun in Benjamin's wording, however,<br />

makes such a violent connot<strong>at</strong>ion plausible. Although <strong>the</strong> text says<br />

th<strong>at</strong> Asja Lacis cut <strong>the</strong> street through <strong>the</strong> author ("im Autor"), <strong>the</strong><br />

subtraction <strong>of</strong> just one letter ("im Auto") makes a car-emblem <strong>of</strong> <strong>the</strong><br />

engineer's skill-<strong>the</strong> vehicle for <strong>the</strong> breakthrough. [see Automobiles]<br />

This reading also explains Benjamin's choice for <strong>the</strong> book title. He wishes<br />

to emphasize th<strong>at</strong>, after initial resistance and hesit<strong>at</strong>ion (which made a<br />

certain amount <strong>of</strong> violence unavoidable), his commitment to <strong>the</strong> form <strong>of</strong><br />

thinking which Asja Lacis has inspired in him is now unconditional. It<br />

93

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