MODERN AND CONTEMPORARY ASIAN ART - University of Sydney
MODERN AND CONTEMPORARY ASIAN ART - University of Sydney
MODERN AND CONTEMPORARY ASIAN ART - University of Sydney
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<strong>MODERN</strong> <strong>AND</strong> <strong>CONTEMPORARY</strong> <strong>ASIAN</strong> <strong>ART</strong>:<br />
A Working Bibliography<br />
2009 Version<br />
By John Clark & Thomas Berghuis, Ann Proctor, Phoebe Scott, Gabrielle Ewington, Martin<br />
Polkinghorne.<br />
View <strong>of</strong> Sun Yuan and Peng Yu installation at Gwangju Biennale 2004, photographed by John Clark<br />
With other contributions from Ajioka Chiaki, Edan Corkill, Michael Fitzhenry, Kikuchi Yôko, Lai<br />
Meilin, Helena Poropat, & Helena Spanjaard,<br />
1<br />
Department <strong>of</strong> Art History & Film Studies, R.C. Mills A26, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, NSW 2006, Australia
2<br />
INTRODUCTORY NOTES:<br />
This is a teaching and initial research bibliography which has been established over a number <strong>of</strong> years<br />
with Australian students who have no access to vernacular language materials in mind. For deep<br />
research, vernacular language speaking and reading ability is necessary, but this bibliography may<br />
also be useful for initial research by those without linguistic access to the art writings <strong>of</strong> the<br />
cultures concerned. It is usually updated every other year, depending on particular interests and<br />
available resources. Since this work originates as a personal teaching bibliography for different<br />
courses which naturally include frequent reference to my own works, I include lists <strong>of</strong> these at<br />
three places. The bibliography is available as a PDF file via the website <strong>of</strong> the Department <strong>of</strong> Art<br />
History and Film at:<br />
http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark<br />
Please contact the author at arthistory.enquiries@arts.usyd.edu.au or at ja.clark@.usyd.edu.au with any<br />
notable omissions or additions. It is desirable for speed and accuracy <strong>of</strong> updating if you can do<br />
so with a country-specific file <strong>of</strong> additions only saved in the same categories and in .doc format for<br />
PC, and only if the text mentioned is available via reasonable international circulation. Thematic<br />
or artist titles should be preceded by the name in square brackets eg [Xu Bing], [Noumea] to<br />
facilitate A-Z sorting. At the minimum a title should be held in a national library which can be<br />
accessed by international document request facilities. Some countries have valuable material in<br />
English but in obscure academic journals and some have extensive writings on modern art which<br />
are nonetheless difficult to access abroad because <strong>of</strong> small-volume and / or selective coterie<br />
circulation at home. But if a text is both important and can be found by international document<br />
search, it should be included.<br />
Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors<br />
follow the name <strong>of</strong> the work or artist. Artists who cross cultural boundaries are generally given<br />
under contemporary art sections by their culture <strong>of</strong> origination, although there are no hard-andfast<br />
rules for such affiliation, and some categories <strong>of</strong> overseas artists have been generated where<br />
there is sufficient material. There has been no attempt to restrict the bibliography to books<br />
alone, but obviously it is not possible to include too many journal articles, book reviews, or notes<br />
on particular exhibitions. Catalogues are usually included if little other material is available on a<br />
given artist or if they contain useful general essays. Since some works not dealing specifically<br />
with modern art also refer to its important proto-history in the 19th and early 20th centuries, they<br />
are also included here. In general, the art works referred to are after 1850.<br />
In general this bibliography seeks a balance between art historical quality, availability, and relevance.<br />
Thus texts <strong>of</strong> inadequate analytical or art historical reference have also been brought in since for<br />
some art cultures there is little other written work available in English. Many areas like modern<br />
history or writings on modern culture including literature are included on an ad hoc basis where<br />
these are available and seem useful, especially in areas where I have worked. Further suggestions<br />
for inclusion <strong>of</strong> minimum materials in political and cultural history adjacent to the field are<br />
welcome.<br />
For users <strong>of</strong> this bibliography in Australia:<br />
Works given are mostly those available in Australia and chiefly at the Australian National <strong>University</strong><br />
Library, National Library <strong>of</strong> Australia, The Canberra School <strong>of</strong> Art Library, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong><br />
Fisher Research and Schaeffer Fine Arts Libraries and private sources in Canberra and <strong>Sydney</strong>.<br />
In the <strong>Sydney</strong> area, after holdings <strong>of</strong> the <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> Fisher Research and Schaeffer Fine<br />
Arts Libraries, the best source for some <strong>of</strong> this material is probably the Art Gallery <strong>of</strong> New South<br />
Wales library which may be used for reference during weekdays. Fisher Research Library East<br />
Asian Collection is the recipient <strong>of</strong> an important ongoing donation <strong>of</strong> art catalogues via the
3<br />
National Art Center in Tokyo and also benefits from purchases under the Morrissey Bequest.<br />
Details <strong>of</strong> these may be accessed <strong>of</strong>f-campus by the library‘s English on-line catalogue, as well as<br />
by CJK terminals if one is available in your library for full details. The catalogues are almost all in<br />
Japanese but frequently include many plate titles and essays in English or other European<br />
languages. There are also quite extensive holdings <strong>of</strong> books on Asian Art at the State Library <strong>of</strong><br />
New South Wales, and especially <strong>of</strong> pre-Second World War books on India, including important<br />
runs <strong>of</strong> early Indian art journals.<br />
For their assistance in updating this bibliography at various times I am grateful to Edan Corkill,<br />
Kikuchi Yôko, Lai Meilian, Rhiannon Paget, Phoebe Scott, Michael Fitzhenry, Helena Spanjaard,<br />
Yvonne Low, Helena Poropat, and Thomas Berghuis. From 2007, I have placed this<br />
bibliography under the collective authorship <strong>of</strong> those doing the updating and their names are<br />
given on the title page.<br />
John Clark, June-August, 2009.
CONTENTS<br />
Please note that pagination given below may slightly vary with printer settings<br />
CONTENTS 4-11<br />
-----------------------------------------------------------------------------------------------------------------<br />
GENERAL WORKS ON ASIA AS A REGION 12<br />
Asian-Wide Surveys 12<br />
Museums, Art Centres and other Art Institutions1990's 12<br />
Museums, Art Centres and other Art Institutions 2000+ 13<br />
Asia-Wide New Art Practices and New Media 14<br />
Web Resources 15<br />
-----------------------------------------------------------------------------------------------------------------<br />
RELEVANT SERIALS IN ENGLISH 15<br />
-----------------------------------------------------------------------------------------------------------------<br />
NORTH-EAST ASIA 16<br />
Bibliographical Note 16<br />
CHINA-GENERAL 16<br />
General Problems <strong>of</strong> Modernity and Art 16<br />
Texts and Some Terms in Chinese 18<br />
Chinese Art before the 20 th Century (selected texts) 18<br />
Early Contacts with European Art 19<br />
Chinacoast and Trade Paintings 20<br />
Photography in China 21<br />
Photography in China 1980s-1990s 21<br />
Performance Art in China 1980s-1990s and after 22<br />
MAINL<strong>AND</strong> CHINA 1911 to present 23<br />
Albums 23<br />
Individual Artists 23<br />
Neo-traditional Art [guohua] 43<br />
Late Qing and Republican China before 1949 43<br />
Culture Contact in NE China and Manchuria 44<br />
Wartime Period and Yan‘an Base Areas 45<br />
1949-1966 45<br />
Selected Comparative Texts on Socialist Realism 46<br />
Art 1966-1976 47<br />
Art 1976-1989 48<br />
Art 1989-2000 49<br />
Art 2000+ 53<br />
Recent Ink Painting 59<br />
New Art Practices and New Media 59<br />
Selected Exhibitions in China - 1990s Present 59<br />
Selected Exhibitions outside China 62<br />
Art Institutions in China [Entries after 2005] 65<br />
Chinese Graphic Art since the Late 19th Century to 1949 65<br />
Chinese Graphic Art after 1949 66<br />
Selected Works on Modern Chinese Intellectual and Political History before 1949 67<br />
Selected Works on Modern Chinese Intellectual and Political History after 1949 68<br />
Women, Gender and Art 71<br />
Web Resources 71<br />
4
CHINA-HONG KONG <strong>AND</strong> MACAO 72<br />
General 72<br />
Individual Artists 73<br />
Hong Kong Ink Painting 76<br />
Oil Painting, Prints and Related Mixed Media 76<br />
Sculpture and Ceramics 77<br />
Art in Hong Kong Art in 1990s 77<br />
Art 2000+ 77<br />
Hong Kong Photography 78<br />
CHINA-TIBET 79<br />
General Works 79<br />
Individual Artists 79<br />
CHINA-TAIWAN/REPUBLIC OF CHINA 79<br />
Individual Artists 79<br />
Japanese Colonial Period<br />
General Works 1950s-1970s 83<br />
1970s-1980s 84<br />
1990s 84<br />
2000+ 85<br />
Taiwan Photography 86<br />
Political and Intellectual History <strong>of</strong> Taiwan 87<br />
Economy and Politics <strong>of</strong> Taiwan 87<br />
Film Taiwan [Entries from 2005] 87<br />
CHINA-OVERSEAS 87<br />
General Works 87<br />
Individual Artists 89<br />
Modern Chinese Art: Texts by John Clark 89<br />
-----------------------------------------------------------------------------------------------------------------<br />
JAPAN 90<br />
General Works 90<br />
Individual Artists 92<br />
Europeans in Meiji Japan 99<br />
Japonisme and cross-cultural dialogue 101<br />
Photography 103<br />
Meiji Art and Interaction with the ‗West‘ 104<br />
Nihonga: Painting in ‗Traditional‘ Japanese style since Meiji 106<br />
Prints since Meiji 107<br />
Art 1910s to 1930s 108<br />
War: 1930s-1940s 109<br />
Art since 1945, In General 110<br />
1945 to mid-1960s 111<br />
Late 1960s-1980s 111<br />
1990s 113<br />
2000+ 114<br />
New Media 115<br />
Crafts and Modern Design 115<br />
5
Popular Culture Including Advertising and Cinema 117<br />
Popular visual Culture Including Comics 119<br />
Domestic Architecture and Landscape Design 121<br />
Japanese Cities [all periods] 123<br />
General Texts on Modern Architecture 125<br />
Meiji Architecture 125<br />
1920s-1940s Architecture 125<br />
Architecture since 1945 126<br />
Architecture and Design 132<br />
Architectural Bibliographies 133<br />
Science, Technology and Their Representation . 134<br />
Selected Texts on Cultural and Intellectual History 134<br />
Modern Japanese thought 136<br />
General texts on Aesthetics 136<br />
Kuki Shûzô 136<br />
Kuki and his times 136<br />
Nishida Kitarô 137<br />
Watsuji Tetsurô 137<br />
Modern Japanese History 137<br />
Society 138<br />
Literary representations (selected) 139<br />
Web Resources 140<br />
Modern Japanese Art: Texts by John Clark 140<br />
Modern Aesthetics 142<br />
-----------------------------------------------------------------------------------------------------------------<br />
KOREA-REPUBLIC OF KOREA 142<br />
General works 142<br />
Individual Artists 143<br />
Colonial Period 146<br />
1950s-1960s 146<br />
1970s-1980s 146<br />
1980s-1990s 146<br />
2000+ 148<br />
Video and New Media 148<br />
Minjung Misul 149<br />
-----------------------------------------------------------------------------------------------------------------<br />
KOREA-DEMOCRATIC PEOPLE‘S REPUBLIC OF KOREA 149<br />
-----------------------------------------------------------------------------------------------------------------<br />
SOUTH-EAST ASIA 149<br />
Southeast Asia Modern Art in General 149<br />
Southeast Asian History: Selected 150<br />
-----------------------------------------------------------------------------------------------------------------<br />
MYANMAR [BURMA] 150<br />
General Works 150<br />
Individual Artists 151<br />
-----------------------------------------------------------------------------------------------------------------<br />
LAOS 151<br />
General Works 151<br />
Individual Artists 151<br />
-----------------------------------------------------------------------------------------------------------------<br />
6
THAIL<strong>AND</strong> 152<br />
Historical Context<br />
Before 1780s 152<br />
1780s to 1910s [Rama I to Rama V] 152<br />
1910s to 1940s [Rama VI to Rama VIII] 153<br />
1950s to present [Rama IX] 153<br />
Individual Artists 154<br />
Politics and Society 161<br />
Pre-Modern Thai Art (selected) 161<br />
Pre-Modern Thai Painting (selected) 162<br />
Thonburi & Ratanakosin (Rama I – Rama IV) 162<br />
Ratanakosin (Rama V – Rama VIII) 163<br />
After 1947 (Rama IX) 164<br />
General Works on Neo-traditional Art [plus group catalogues] 164<br />
General Works on Modern Thai Art 164<br />
Architecture and Environment 165<br />
Craft 165<br />
Reference 166<br />
Art Collections and Galleries 166<br />
Selected Major Exhibitions in Thailand (by year) 166<br />
Recent Thai Art overall 169<br />
Photography in Thailand 170<br />
1980s 170<br />
1990s 170<br />
2000+ 171<br />
Works on Modern Thai Literature in English 171<br />
Thai Music 172<br />
Thai Mentalities including Religions 172<br />
Thai Society 174<br />
Thai Economy 174<br />
Film, T.V., and Modern Media 174<br />
-----------------------------------------------------------------------------------------------------------------<br />
CAMBODIA 174<br />
General Works 174<br />
Individual Artists 175<br />
-----------------------------------------------------------------------------------------------------------------<br />
VIETNAM 176<br />
Art in General 176<br />
Individual Artists 177<br />
Art in the Colonial Period 179<br />
Art in the War Period 181<br />
Cultural Policies 181<br />
General History 181<br />
Women in Vietnam 182<br />
Vietnamese Literature 182<br />
Modern Art in General 182<br />
1990s and after 184<br />
Art 2000+ 186<br />
Overseas Vietnamese Artists 186<br />
-----------------------------------------------------------------------------------------------------------------<br />
7
INDONESIA 186<br />
General Works 186<br />
Individual Artists (including Bali) 188<br />
Raden Saleh, life and works 191<br />
Painting in Indonesia in the 19th century 191<br />
Art from Late 19th Century to 1945 192<br />
Art from 1945-1965 193<br />
Art since 1965 193<br />
Art in the 1990s 194<br />
Art 2000+ 195<br />
Selected Exhibitions (entries after 2000) 197<br />
Indonesia – Biennales (entries from 2005) 197<br />
Bali 198<br />
European Images <strong>of</strong> Southeast and Indonesia 199<br />
Craft Practices 199<br />
-----------------------------------------------------------------------------------------------------------------<br />
EAST TIMOR 199<br />
-----------------------------------------------------------------------------------------------------------------<br />
BRUNEI 199<br />
General Works 199<br />
Individual Artists 199<br />
-----------------------------------------------------------------------------------------------------------------<br />
MALAYSIA 199<br />
General Works 199<br />
Individual Artists 201<br />
1990s-2000+ 203<br />
-----------------------------------------------------------------------------------------------------------------<br />
SINGAPORE 204<br />
General Works 204<br />
General works on Nanyang Art and the Malayan period 204<br />
Individual Artists 206<br />
1990s- 2000+ 210<br />
Works on History and Culture in Malaysia and Singapore 213<br />
Selected Exhibitions 2000+ 214<br />
----------------------------------------------------------------------------------------------------------------------------<br />
PHILIPPINES 215<br />
General History 215<br />
Individual Artists 216<br />
Society, Thought and Culture 221<br />
Pre-Hispanic Philippine Myths and Society 221<br />
Rizal, José (1861-1896) 221<br />
General Art 222<br />
Art <strong>of</strong> the Spanish Period – general 222<br />
Art <strong>of</strong> the Spanish Period – academic art and its transitions 223<br />
Art <strong>of</strong> the American Period 223<br />
Art since 1945 in general 199<br />
1970s-1980s, including art with political commitment 223<br />
1990s 224<br />
2000+ 225<br />
Prints 226<br />
8
Photography 227<br />
New Media 227<br />
Crafts (including textiles, basketwork, carving, and ceramics) 227<br />
Women and Art, Women‘s Art 227<br />
----------------------------------------------------------------------------------------------------------------------------<br />
PACIFIC, OCEANIA, NEW ZEAL<strong>AND</strong> 227<br />
General Works 227<br />
Individual Artists 229<br />
----------------------------------------------------------------------------------------------------------------------------<br />
PAPUA NEW GUINEA 229<br />
----------------------------------------------------------------------------------------------------------------------------<br />
SOUTH ASIA 229<br />
INDIA 229<br />
General Works 229<br />
Individual Artists 231<br />
Art for the British 238<br />
Urban Popular Graphic Art in the 19th and 20th Centuries 239<br />
The British Art School System 240<br />
Art for the Establishment 240<br />
Fine Art Societies 241<br />
Neo-traditional Painting 241<br />
Nascent Counter-establishment 241<br />
Identity 242<br />
The New Establishments 243<br />
The Folk and the Modern 243<br />
Style, Criticism, and Identity 244<br />
1990s 245<br />
2000+ 246<br />
Indian Photography 247<br />
Indian Artists Abroad 248<br />
Web resources 248<br />
----------------------------------------------------------------------------------------------------------------------------<br />
NEPAL 249<br />
General Works 249<br />
Individual Artists 249<br />
----------------------------------------------------------------------------------------------------------------------------<br />
HIMALAYAN BORDERL<strong>AND</strong>S: KASHMIR, BHUTAN, SIKKHIM 249<br />
General Works 249<br />
Individual Artists 249<br />
----------------------------------------------------------------------------------------------------------------------------<br />
PAKISTAN 249<br />
General Works 249<br />
Individual Artists 250<br />
----------------------------------------------------------------------------------------------------------------------------<br />
BANGLADESH 251<br />
General Works 251<br />
Individual Artists 251<br />
----------------------------------------------------------------------------------------------------------------------------<br />
SRI LANKA/CEYLON 251<br />
General Works 251<br />
Individual Artists 224<br />
9
----------------------------------------------------------------------------------------------------------------------------<br />
MONGOLIA 252<br />
General Works 252<br />
Individual Artists 252<br />
----------------------------------------------------------------------------------------------------------------------------<br />
CIS <strong>AND</strong> OTHER 252<br />
----------------------------------------------------------------------------------------------------------------------------<br />
<strong>ASIAN</strong> <strong>ART</strong>IST TRANSNATIONAL ACTIVITY 252<br />
Asian Artists in Transnational Activity: Australia 252<br />
Asia and Australia [selected] 253<br />
Individual Artists 254<br />
Critical and Historical Studies 256<br />
Exhibitions and Reviews (selected) 257<br />
----------------------------------------------------------------------------------------------------------------------------<br />
Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark 259<br />
General Works 259<br />
Australia 259<br />
South Asia 259<br />
Southeast Asia 260<br />
----------------------------------------------------------------------------------------------------------------------------<br />
Asian artists transnational activity - North America 260<br />
General Works 260<br />
Individual Artists 262<br />
Asian artists transnational activity - Britain 266<br />
General Works 266<br />
Individual Artists 266<br />
Asian artists transnational activity - France 267<br />
General Works 267<br />
Individual Artists 268<br />
Asian artists transnational activity - Elsewhere in Europe 268<br />
General Works 268<br />
Individual Artists 269<br />
----------------------------------------------------------------------------------------------------------------------------<br />
PRE-HISTORIES OF EURAMERICAN <strong>MODERN</strong> <strong>ART</strong> 269<br />
----------------------------------------------------------------------------------------------------------------------------<br />
EURAMERICAN THEORIES OF <strong>MODERN</strong>ITY (selected) 269<br />
Theories, Logics, Ideologies 269<br />
Taxonomy and Evolutionary Speciation 270<br />
Literary and Linguistic Theories 270<br />
Cultural Hybridity and Cultural Comparison 270<br />
Cultural Globalization 272<br />
Theories <strong>of</strong> Art (selected) 273<br />
Art Movements 274<br />
Corporeal Theories (selected) 274<br />
----------------------------------------------------------------------------------------------------------------------------<br />
ASIA, AFRICA, <strong>AND</strong> ISLAM IN PRE-<strong>MODERN</strong> EURAMERICAN <strong>ART</strong> 275<br />
----------------------------------------------------------------------------------------------------------------------------<br />
NON-EURAMERICAN THEORIES <strong>AND</strong> POSITIONS ON <strong>MODERN</strong>ITY IN <strong>ART</strong> 275<br />
General 275<br />
Africa 276<br />
Australia 277<br />
10
Islamic World 277<br />
Meso- and South America 277<br />
----------------------------------------------------------------------------------------------------------------------------<br />
POSTCOLONIALISM <strong>AND</strong> ‗THIRD‘ CRITIQUES AT THE CENTRE 278<br />
----------------------------------------------------------------------------------------------------------------------------<br />
BIENNALES <strong>AND</strong> <strong>CONTEMPORARY</strong> <strong>ASIAN</strong> <strong>ART</strong> 281<br />
Museum and Exhibition Practice 281<br />
Asian Art: Modern and Contemporary [duplicates some sections above] 282<br />
Australia, Art and Asia [duplicates some sections above] 283<br />
Modern and Contemporary Exhibition Systems 285<br />
Museums, Art Centres and other Institutions 2000+ 286<br />
Curatorial Practice 288<br />
Biennales in Art Exhibition Systems 289<br />
Art, Markets and the Economy 290<br />
Art Dealers 292<br />
Cultures and Commodities 293<br />
Hybridity, Postcolonialism and Globalization [duplicates some sections above] 293<br />
Other Theories and Histories [duplicates some sections above] 294<br />
Biennales and Triennales by site 295<br />
Beijing 295<br />
Brisbane: Asia-Pacific Triennial <strong>of</strong> Contemporary Art [APT] 295<br />
Chengdu 298<br />
Fukuoka 298<br />
Guangzhou 299<br />
Gwangju/Kwangju 300<br />
Istanbul 302<br />
Kassel: Documenta 303<br />
Jogjakarta 304<br />
Johannesburg 304<br />
Kitakyushu 304<br />
Liverpool 304<br />
Lyon 305<br />
Manifesta 305<br />
Nanjing Triennial 305<br />
New Delhi 305<br />
Osaka 305<br />
São Paulo 305<br />
Singapore 305<br />
Shanghai 306<br />
Sharjah 308<br />
<strong>Sydney</strong> 308<br />
Taipei 309<br />
Venice 310<br />
Yokohama 312<br />
National Exhibitions at Biennales 312<br />
Biennales from an Asian Perspective 316<br />
Other Catalogues consulted 316<br />
11
GENERAL WORKS ON ASIAPACIFIC AS A REGION<br />
12<br />
Asian-Wide Surveys<br />
ArtAsiaPacific, ed., ArtAsiaPacific Almanac 2007, vol. 2, 2007.<br />
Clark, John, ‗Inter-Asian Criteria <strong>of</strong> Institutional Modernity in Art‘, 28th International Congress <strong>of</strong> the<br />
History <strong>of</strong> Art, Berlin, Kunstlerische Austausch/Artistic Exchange, Akademie Verlag, Berlin, 1993,<br />
655-668.<br />
Clark, John, ed., Modernity in Asian Art, <strong>Sydney</strong>, Wild Peony Press, 1993.<br />
Clark, John; Peleggi, Maurizio; Sabapathy, T.K. eds., Eye <strong>of</strong> the Beholder, <strong>Sydney</strong>, Wild Peony Press, 2006.<br />
Clark, John, ‗Ajia! Ajia!‘, Art Monthly Australia, April 1991.<br />
Clark, John, Modern Asian Art, <strong>Sydney</strong>, Craftsman House & Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press,<br />
1998<br />
Clarke, David, ‗Contemporary Asian Art and Its Western Reception‘ in Third Text, Vol. 16, Issue 3<br />
(September 2002), pp. 237-242<br />
‗Contemporary Arts <strong>of</strong> the Region: Australia and South East Asia‘, Special Issue, Artlink, Vol. 13,<br />
No.3&4, November-March 1993/94;<br />
Count 10 Before You Say Asia. Asian Art after Postmodernism. International Symposium 2008 Report.<br />
Tokyo: Japan Foundation, 2009.<br />
Dysart, Dinah & Fink, Hannah, eds, Asian Women Artists, <strong>Sydney</strong>, Craftsman House, 1996.<br />
Japan Cultural Forum, ed, Modern Art <strong>of</strong> Asia, Toto Shuppan, Tokyo, 1961<br />
Joubert, Lindy, ed., Educating in the Arts, The Asian: experience, Twenty-Four Essays, Dordrecht, Springer,<br />
2008.<br />
Kirker, Anne, ‗Focus on Asian Women Artists‘, Artlink, Vol. 20, No. 2, July 2000<br />
Lent, John A., ‗Asian Comic Art.‘ Art AsiaPacific issue 21 1999<br />
Lent, John A., ed., Asian Popular Culture, Boulder, Westview, 1995<br />
Newtonh, G., Picture Paradise. Asia-Pacific Photography 1840s-1940s. Canberra: National Gallery <strong>of</strong><br />
Australia, 2008.<br />
Turner, Caroline, ed., Art and Social Change: Contemporary Art in Asia and the Pacific, Canberra, Pandanus<br />
Books, 2005.<br />
Winther-Tamaki, Bert, "Asian Possessions <strong>of</strong> the Cubist Body: 'Home from Home'" Cubism in Asia;<br />
Unbounded Dialogues, International Symposium Report ed. by Yasuko Furuichi. (Tokyo: Japan<br />
Foundation, 2006), pp.304-311<br />
Museums, Art Centers and other Art Institutions 1990s<br />
‗A New Cure for Asian Art Curators‘, Asian Art News 9:4 1999<br />
‗Asia and Modernity‘, Special Issue <strong>of</strong> Humanities Research, 2, 1999 with articles by Clark, Lilley, Low,<br />
Labrador, Sang.<br />
‗Asian Art: Prospects for the Future.‘ International Symposium 1999 with articles by Elliott, Davenport,<br />
Mashadi, Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999.<br />
Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, <strong>Sydney</strong>, Angus and<br />
Robertson, 1974.<br />
Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/<br />
Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997.<br />
Manton, Neil, ‗The Arts <strong>of</strong> Diplomacy‘, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4,<br />
1996.<br />
McEvilley, Thomas, ‗Arrivederci Venice‘, On the ‗Third World‘ Biennials, Artforum International, Vol.32,<br />
Issue 3, November 1993<br />
Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society<br />
Galleries & <strong>Sydney</strong>, The Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta<br />
in Eyeline: contemporary visual arts, no.32, summer 1996; Art in America, February 1997;
13<br />
Ewington, Yang, Munroe in <strong>ART</strong> AsiaPacific, no.15, 1997; Owen, Michael. ‗Contemporary Art in<br />
Asia: Traditions/Tensions.‘ Third Text no.41 Winter 1997-98<br />
Poshyananda, Apinan, ‗A new cure for Asian art curators‘, Asian Art News, vol.9, no.4, 1999<br />
Seminar on Fine Arts <strong>of</strong> Southeast Asia, Bangkok; Association <strong>of</strong> Southeast Asian Institutions <strong>of</strong> Higher<br />
Learning, 1964.<br />
Turner, C., ‗Getting the Message‘ [Review <strong>of</strong> Adelaide Festival Sculpture Installations], Art &<br />
Australia, vol.32, no.1, Spring 1994.<br />
Museums, Art Centers and other Art Institutions 2000+<br />
‗Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations‘,<br />
Forum Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001<br />
Akira, Tatehatata, ‗A Trojan Horse?: Multiculturalism in International Art Exhibitions‘, Yasuko,<br />
Furuichi, ―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002<br />
<strong>ART</strong> AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Pr<strong>of</strong>ile 63<br />
Contemporary Asian Artists<br />
Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001.<br />
Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations;<br />
Atsuo, Yamamoto, ‗From Dualism to Oneness‘, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong><br />
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002<br />
Barucha, Rustom, ‗Beyond the Box: Problematising the New Asian Museum‘, Focas (Forum on<br />
Contemporary Art & Society), no.2, July 2001<br />
Bharucha, Rustom, ‗The New Asian Museum Beyond the Box: Problematising the New Asian<br />
Museum‘, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237.<br />
Benett, Tony, ‗The Rules <strong>of</strong> Culture: Exhibition and the Politics <strong>of</strong> Knowledge‘, Yasuko, Furuichi,<br />
―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002<br />
Berger, T., ‗Museums <strong>of</strong> the Future: Content Beats Size‘ C-Arts Asian Contemporary Art and Culture, Vol<br />
04, July-August 2008.<br />
Carroll, Alison, ‗A floating world‘, Art AsiaPacific 28, 2001<br />
Chang, Alexandra, ‗The Control <strong>of</strong> Fear: Art and the Epidemic as Excess‘ in Art Asia Pacific, No. 38<br />
(Fall 2003), pp. 54-57<br />
Clarke, David, ‗Contemporary Asian Art and Its Western Reception‘, Huangfu, Binghui, ed., Site+Sight:<br />
Translating Cultures, Singapore, Lasalle-SIA, 2002.<br />
Dodd, P. ‗Shifting Sites: Cultural Desire and the Museum‘, C-Arts Asian Contemporary Art and Culture,<br />
Vol 04, July-August 2008.<br />
Eley, Ge<strong>of</strong>f, ‗Politics, Culture and the Public Sphere‘, positions east asia cultures critique, Vol. 10, Number 1,<br />
Spring 2002<br />
Enwezor, Okwui. and Apinan Poshyananda, ‗Looking Ahead: Dialogues in Asian Contemporary Art,<br />
November 8-9, 2002‘ (Asia Society and Museum, New York), in Yishu: Journal <strong>of</strong> Contemporary<br />
Chinese Art, Vol. 2 No. 2, June 2003, p.112-121<br />
Findlay, Ian, ‗Looking For A New Vision‘, Asian Art News, vol. 13, no. 1, January/February 2003<br />
Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, The Japan Foundation Asia<br />
Center, 2002.<br />
Gao, Shiming, ‗Symposium: Edges <strong>of</strong> the Earth, Hangzhou; The Syndrome <strong>of</strong> Asia: Experience and<br />
Representation‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88.<br />
Gaweewong, Gridthiya, ‗On Under Construction and Localization‘, Mami, Kataoka, Under Construction:<br />
New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002<br />
Goldfine, Gil, ‗A Cultural Assembly on Mount Carmel‘, in Asian Art News, v. 17(5),<br />
September/October, 2007, pp. 76 – 81.<br />
Hoskote, Ranjit, ‗India Ink, Manila Envelope: Three Meditations on Art and the Global Media‘, Mami,<br />
Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia<br />
Center, 2002
14<br />
Hou Hanru; Obrist, Hans-Ulrich, ‗Cities on the move‘, Art AsiaPacific, 25, 2000<br />
Hui, Wang, ‗The Geneology <strong>of</strong> Asian Imaginaries‘, Yasuko, Furuichi, ―Asia in Transition: Representation<br />
and Identity‖, Japan Foundation Asia Center, 2002<br />
Kember, Pamela., ‗A Report on the Asian Art Archive‘, in FOCAS: Forum on Contemporary Art & Society,<br />
No. 5, January 2003, p.372-377.<br />
Lacayo, Richard, ‗The Rise and Rise <strong>of</strong> Asian Art‘, Time Magazine, March 31 2003<br />
Lee Weng Choy, ‗Tomorrow‘s Local Library: The Asia Art Archive in Context‘, Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.<br />
Mami, Kataoka, ‗Beyond a Progressive Asia: Under Construction Collective Exhibition‘, Mami,<br />
Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia<br />
Center, 2002<br />
Mania, Astrid, ‗Curation on the Move‘, ArtAsiaPacific, no. 47, 2006.<br />
McNeill, David, ‗Planet Art: Aesthetics and Labour in the Era <strong>of</strong> Globalisation‘, Huangfu, Binghui, ed.,<br />
Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002.<br />
Munroe, Alexandra, ‚Contemporary Art in Asia‘, Artforum International, Vol.35, Issue 8, April 1997<br />
Pi Li, ‗Fantasia: an imagination towards the daily life‘ Mami, Kataoka, Under Construction: New Dimensions<br />
<strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002<br />
Robinson, Joel D., ‗The Construction Sites <strong>of</strong> Asian Art‘ (The Exhibition <strong>of</strong> Under Construction: New<br />
Dimensions <strong>of</strong> Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo,<br />
2003), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.52-57.<br />
Shinkawa, Takashi, ‗Promenade in Asia, A collaborative exhibition‘, Art Asia Pacific, No.34, 2002.<br />
Tavassoli, Babak A., ‗A Fresh Figure <strong>of</strong> Paradise‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No.<br />
1, March 2004, p.95-103.<br />
Thompson, Jonathan, ‗Without Borders‘ (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4,<br />
2006.<br />
Woo, Lee Yong, ‗Globalism and the Vanity <strong>of</strong> Its System‘, Yasuko, Furuichi, ―Asia in Transition:<br />
Representation and Identity‖, Japan Foundation Asia Center, 2002<br />
Yasuko, Furuichi, ed., International Symposium 2002, ‗Asia in Transition: Representation and Identity‘,<br />
Report, Japan: Japan Foundation Asia Center, 2002<br />
Xu Jiang., ‗Earth Link and Cosmic Time‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1,<br />
March 2004, p.89-94<br />
Asia-Wide New Art Practices and New Media<br />
[Global Conceptualism] Global Conceptualism: Points <strong>of</strong> origin, 1950s–1980s, New York, Queens Museum<br />
<strong>of</strong> Art, 1999; Meyer, James, ‗Global Conceptualism‘: Points <strong>of</strong> Origin, 1950s-1980s‘, Artforum<br />
International, Vol.38, Issue 1, September1999<br />
[MAAP in Beijing 2002] Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing<br />
House<br />
[NIPAF] ‗1998 Nipaf Asian Performance Art‘, Art AsiaPacific, 22, 1999<br />
[Polypolis] Chang Tsong-zung, ‗Outer landscapes and inner dreams‘, Asian Art News, vol.12, no.1,<br />
2002; Seyfarth, Ludwig, ‗Asia in color and in black and white‘, Asian Art News, vol.12, no.1, 2002<br />
[Polypolis] Seyfarth, Ludwig, ‗Asia in Color And in Black And White, Polypolis Exhibition Review, Asian<br />
Art News, vol. 12, no. 1, January/February 2002; Chang, Tsong-zung, ‗Outer Landscapes And<br />
Inner Dreams‘, Polypolis Exhibition Review, Asian Art News, vol. 12, no. 1, January/February 2002<br />
[Translated Acts] Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter,<br />
No.24, February 2001; Kerr, Merrily, ‗Translated Acts: Asian Performance Art‘ Art AsiaPacific,<br />
no.35, 2002<br />
[Under Construction] Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The<br />
Japan Foundation Asia Center, 2002; Purvis, Jennifer, ‗Under Construction; New Dimensions <strong>of</strong><br />
Asian Art‘, Flash Art, Vol. XXXVI, No. 229, March-April 2003; ‗Under Construction: New<br />
Dimensions <strong>of</strong> Asian Art‘ Heartney, in Art Asia Pacific, No. 38 (Fall 2003), p. 74
15<br />
[Video] Kuraishi, Shino, ‗Serendipity‘, Art AsiaPacific 28, 2001<br />
Akiko Miyake, ed., let‘s talk about <strong>ART</strong> #0002, ‗Transexperiences‘, Kitakyushu: Center For<br />
Contemporary Art, 2002 [The conference was with Marina Abramovic, Chen Zhen, Simryn Gill,<br />
Hou Hanru, Huang Yongping, Ken Lum, Hans Ulrich Obrist on March 20, 2000].<br />
Birnbaum, Daniel, ‗How Latitudes Become Forms, Exhibition Review at Walker Art Center, Featuring<br />
Various Asian Artists, Artforum International, Vol.41, Issue 5, January 2003<br />
Clark, John, ‗Art In The Present Tense‘, in Asian Art News, v. 17(6), November/December, 2007, pp.<br />
110 – 117.<br />
Flores, Patrick D., ‗Renewing the Contemporary‘, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong><br />
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002<br />
Furuichi Yasuko, ed., Out <strong>of</strong> the Window: Spaces <strong>of</strong> Distraction, Tokyo, The Japan Foundation Asia Center,<br />
2004 [recent conceptualism in China, Japan, Korea]<br />
Furuichi, Yasuko, ‗Asia: The Possibility <strong>of</strong> a Collaborative Space – Under Construction Project, Mami,<br />
Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia<br />
Center, 2002<br />
Gakoumi, Dionissia, ‗Beyond Language‘, Artlink, Vol. 20, No. 2, July 2000<br />
Kamiya Yukie, ‗Communicative Approach, from Asia‘, Mami, Kataoka, Under Construction: New<br />
Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002<br />
Kim, Sunjung, ‗In Search <strong>of</strong> an Oasis‘, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art,<br />
Tokyo: The Japan Foundation Asia Center, 2002<br />
Levin, Kim ‗Gesture, performance, behaviour, attitude: asian influences on contemporary western art‘,<br />
Art Asia Pacific, vol.3, no.4, 1996.<br />
Machan, Kim, ‗Digital Luggage and Meaningful Relationships‘, Asian Art News, vol. 21, no. 3,<br />
September 2001<br />
Machan, Kim, ‗Vis.arts.online: Asian art on the internet‘, Artlink, Vol. 20, No. 2, July 2000<br />
Maerkle, Andrew, ‗Focal Point: Asian Video and Media Artists Take New York‘, ArtAsiaPacific, no. 48,<br />
2006<br />
Maxwell, Simeran, ‗Paradise from Within: Asian-Born Modernist Photography‘ in TAASA Review. The<br />
Journal <strong>of</strong> the Asian Art Society <strong>of</strong> Australia, v.17, No. 3, September 2008, p. 13-15.<br />
Sivanesan, Haema, ‗Mirror Worlds: Contemporary Video Art from Asia in <strong>Sydney</strong>‘ (review), Art Monthly<br />
Australia, no. 185, November 2005.<br />
Teh, David, ‗Mirror Worlds, Contemporary Video from Asia‘ (review), Art and Australia, vol. 43, no. 1,<br />
2005.<br />
WEB RESOURCES<br />
www.aaa.org.hk/links.html has the best set <strong>of</strong> Contemporary Asian Art links to date.<br />
http://universes-in-universe.de/asia/english.htm art resources listed by country and useful Biennale<br />
links elsewhere on the same site.<br />
http://faam.city.fukuoka.jp/cgi-bin/eng/link/link.cgi has a number <strong>of</strong> links to Asian art museums and<br />
in the same menu to other cultural organizations.<br />
http://qag.qld.gov.au/research/acapa includes a menu with access to Asian-art related activities <strong>of</strong> the<br />
Queensland Art Gallery, including the Asia-Pacific Triennale and also to the searchable Research<br />
Library catalogue.<br />
RELEVANT SERIALS IN ENGLISH<br />
[Journal articles on Asian art and artists are listed in the relevant sections and largely updated to March<br />
2007]<br />
Art Asia Pacific, since 1993.<br />
Art & Culture, since 1996.<br />
ArtForum International<br />
Art in America, has Asia related matters in most issues.
Art Monthly Australia, some issues.<br />
Artlink, some issues.<br />
Art & Text, articles in some issues, especially after 1994.<br />
Asian Art News, since 1991, some feature issues, cumulative index vol.4, no.6, 1994.<br />
Contemporary Visual Art<br />
Critical Inquiry<br />
Flash Art, some issues.<br />
Parkett<br />
positions: east asian cultures critique<br />
Public Culture<br />
Orientations, some features on modern art.<br />
Res, material culture and anthropology journal.<br />
South Atlantic Quarterly<br />
Third Text, largely theory-oriented.<br />
World Art, some contemporary artists [discontinued]<br />
Visual Art & Culture [discontinued]<br />
Yishu: Journal <strong>of</strong> Chinese Contemporary Art<br />
NORTHEAST ASIA<br />
Bibliographical Note<br />
There is good but selective bibliography up to 1999 by Britta Erickson Twentieth Century Chinese Art<br />
Bibliography & Individual Artists‘ Bibliographies available online at<br />
http://www.stanford.edu/dept/art/china.<br />
There is critical bibliography in Clark, John, ‗Art and Modernism in China, 1900-97: A review and<br />
documentation‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vol.29, 1997, 50-73, and Clark, John,<br />
‗Modernity in Chinese Art, 1850s-1990s: some chronological materials‘, Journal <strong>of</strong> the Oriental<br />
Society <strong>of</strong> Australia, vol.29, 1997, 74-169. Some texts cited in the latter are included here.<br />
CHINA-GENERAL<br />
16<br />
General Problems <strong>of</strong> Modernity and Art<br />
[Asian Art market] ‗Move over Van Gogh‘, Far Eastern Economic Review, 22 July 1993.<br />
Andrews, Julia, and Shen Kuiyi, eds, A Century in Crisis: Modernity and Tradition in the Art <strong>of</strong> Twentieth<br />
Century China, New York, Guggenheim Museum, 1998<br />
Birnie Danzker, Jo-Anne, Ken Lum, and Zheng Shengtian, eds., Shanghai Modern: 1919-1945, Ostfildern<br />
(Germany), Hatje Cantz, 2005<br />
China Modernity and Art, and a discussion <strong>of</strong> Modern Art in Japan and Korea, Taibei, Council for Cultural<br />
Planning and Development, 1990.<br />
Clark, John, ‗Modernity in Chinese Art, 1850s-1990s: Some chronological materials‘, Journal <strong>of</strong> the<br />
Oriental Society <strong>of</strong> Australia, vol. 29, 1997.<br />
Clark, John, Modernities <strong>of</strong> Chinese Art, Singapore, Institute <strong>of</strong> Contemporary Art, 2007<br />
Clarke, David, ‗Tradition and Innovation‘ [British Museum exhibition], <strong>ART</strong> AsiaPacific, no.15, 1997<br />
Croizier, R., ‗Art and Society in Modern China - A Review Article‘, The Journal <strong>of</strong> Asian Studies, vol.49,<br />
no.3, August 1990.<br />
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual),<br />
Rotterdam, NAI Publishers, 2006<br />
Fong, Wen C., ‗The Modern Chinese Art Debate‘, Artibus Asiae, vol.53, 1/2, 1993<br />
Gao Minglu, Inside Out: New Chinese Art, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1998.<br />
Gladston, Paul, ‗(More Writing on) The Wall: Reshaping (Gao Minglu‘s Vision <strong>of</strong>) Contemporary<br />
Chinese Art‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(3), September, 2007, pp. 103 – 110.
17<br />
Gladston, Paul, ‗Writing on the Wall (and Entry Gate): A Critical Response to Recent Curatorial<br />
Meditations on the ―Chineseness‖ <strong>of</strong> Contemporary Chinese Visual Art‘, in Yishu. Journal <strong>of</strong><br />
Contemporary Chinese Art, v. 6(1), March, 2007, pp. 26 – 33.<br />
Hearn, Maxwell and Smith, Judith G., eds., Chinese Art: Modern Expressions, New York, Metropolitan<br />
Museum <strong>of</strong> Art, 2001<br />
Jullien, François, The Impossible Nude: Chinese Art and Western Aesthetics [tr. De la Guardia, Maev],<br />
Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 2007.<br />
Kao, Mayching, ed, Twentieth Century Chinese Painting, Hong Kong, Oxford <strong>University</strong> Press, 1988<br />
[proceedings <strong>of</strong> a 1984 Hong Kong Conference, this covers most areas <strong>of</strong> modern Chinese<br />
painting in a general manner]<br />
Kuo, Jason, C., ‗Reviews <strong>of</strong> recent books on Modern Chinese Painting‘, Ars Orientalis, vol.20, 1991.<br />
Kuo, Jason C., Discovering Chinese Painting: Dialogues with Art Historians, Dubuque, Kendall/Hunt<br />
Publishing Company, 2000, 2006.<br />
Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland, Oregon, 1984<br />
Litzinger, Ralph A., 1959-, ‗Theorizing Postsocialism: Reflections on the Politics <strong>of</strong> Marginality in<br />
Contemporary China‘, The South Atlantic Quarterly, 101.1, Winter 2002<br />
Lu Peng, Bruce Doar tr., Artists in Art History: Case Histories <strong>of</strong> Artists in Art History and Art<br />
Criticism (Changsha: Hunan Fine Arts Publishing House, 2008), 873 pp<br />
Lu, Sheldon, H., China, Transnational Visuality, Global Postmodernity, Stanford, 2001.<br />
Merewether, C. ‗Forgetting the Memory <strong>of</strong> the Word: Writing Lessons in Contemporary Chinese Art‘<br />
in Re/Trace: Dialogues, pp. 62-69. Edited by Jagjit Chuhan, Angela Dimitrakaki, Emma Thomas,<br />
Liverpool: John Moores <strong>University</strong>, 2002<br />
Special Issue: fabrications, positions east asia cultures critique, vol 11. no.2 Fall 2003 [on fashion and<br />
modernity in East Asia]<br />
Sullivan, Michael, ‗Orthodoxy and Individuality in Twentieth Century Chinese Art‘, in Murck, C., ed.,<br />
Artists and Traditions, Princeton, Princeton UP, 1979.<br />
Sullivan, Michael, Art and Artists <strong>of</strong> Twentieth Century China, Berkeley, California <strong>University</strong> Press, 1996<br />
[reviews: Dal Lago in <strong>ART</strong> AsiaPacific, no.15, 1997, Croizier in The Journal <strong>of</strong> Asian Studies, 1997;<br />
Clark in Asian Studies Reviews, 1999].<br />
Sullivan, Michael, Chinese Art in the Twentieth Century, London, Faber & Faber, 1959.<br />
Sullivan, Michael, The Meeting <strong>of</strong> Eastern and Western Art, Palo Alto, Stanford UP, 1969 [the research and<br />
approach <strong>of</strong> this book are highly problematic], revised version, U. California Press, 1991.<br />
‗The Modern Chinese Landscape in New media Arts: A Conversation Among Fang Xia<strong>of</strong>eng, Chen<br />
Anying, Zhao Wenbing, and Jin Jianbo‘, in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8,<br />
Number 2, March/April 2009, pp 65-71.<br />
Tsuruta, T., ‗Kinhyakunenrai Chûgoku Gajin Shiryô‘, Bijutsu Kenkyû, nos 293-294, 303, 307; ‗Minkokuki<br />
ni okeru zenkoku kibo no bijutsu tenrankai: kinhyakunenrai chûgoku kaigashi kenkyû 1‘, Bijutsu Kenkyû,<br />
no.349; ‗Kaihôgo no zenkoku bijutsu tenrankai: Kinhyakunenrai Chugoku Kaigashi Kenkyû 2‘, Bijutsu<br />
Kenkyû, no.350; 2, Fu 1, Bijutsu Kenkyû, no.351 [Catalogue <strong>of</strong> the 1954 Second National Fine Arts<br />
Exhibition]; 2, Fu 2, Bijutsu Kenkyû, no.352 [Catalogue <strong>of</strong> the 1960 Third National Fine Arts<br />
Exhibition].<br />
Tsuruta, T., ‗Minkokuki bijutsugakkô sotsugyôdôgakuroku, Bijutsudantai kaiinroku shûsei‘, (Izumishi<br />
Kubosô Kinenbijutsukan), Kubosô Kinen bunka zaidan Tôyô Bijutsu Kenkyûjo Kiyô, 2,3,4, 1991.<br />
Tsuruta, T., Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972.<br />
Walker, Allan and Rarfiled Raz, ‗Documenta 12 Magazines Feature on Education. Cultures <strong>of</strong><br />
Assessment: Distinctive Characteristics <strong>of</strong> Assessment in U.K. Art and design Higher Education<br />
and their Implementation in China‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March,<br />
2007, pp. 73 – 84.<br />
Wan Qingli, ‗Traditionalism, Reform, and Modernism in Twentieth Century Chinese Painting‘,<br />
Orientations, 23, no.7, July 1992.
18<br />
Wu Hung, Transience: Chinese Experimental Art at the End <strong>of</strong> the Twentieth Century, Chicago: <strong>University</strong> <strong>of</strong><br />
Chicago Press, 1999<br />
Wu Hung, Remaking Beijing: Tiananmen Square and the Creation <strong>of</strong> Political Space, Reaktion Books, 2005<br />
Wu Hung and Kartherine R. Tsiang, Body and Face in Chinese Visual Culture, Cambridge, Mass., London,<br />
Harvard <strong>University</strong> Press, 2005<br />
Yü Christina Yü, ‗Documenta 12 Magazines Feature on Education. Some Thoughts on Art Game: An<br />
Experience <strong>of</strong> Agency in Contempoary Art‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1),<br />
March, 2007, pp. 85 - 90.<br />
Zheng Shengtian, ‗Documenta 12 Magazines Feature on Education. Interview with Zhu Naizheng‘,<br />
trans. Chunyee Li, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March, 2007, pp. 62 – 72.<br />
Texts and Some Terms in Chinese:<br />
MS: Meishu, Art, the only national art monthly, published by the Artists‘ Association. Generally the<br />
issue number equals the month, thus 1979-3, means the issue puiblished for March 1979. But for<br />
a brief period from 1960 until about 1964 it was published bi-monthly. Publication was<br />
suspended during the Cultural Revolution and restarted in 1977.<br />
MSJTX: Meishujia Tongxun, Information Bulletin <strong>of</strong> the Artists‘ Association, this is not usually available<br />
to non-members and foreigners and has only occasionally been available to this author. MSJY:<br />
Meishu Yanjiu, Art Research, quarterly, published by CAFA.<br />
MY: Meishuyanjiu, Art Research, published by the Central Academy <strong>of</strong> Fine Arts, Beijing.<br />
RMRB: Renmin Ribao, People‘s Daily, the <strong>of</strong>ficial CCP newspaper.<br />
Shijie Meishu, World Art.<br />
Xinmeishu: New Art, irregular journal <strong>of</strong> Zhejiang Academy <strong>of</strong> Fine Art.<br />
youhua: oil painting.<br />
zhongguohua: Chinese painting, sometimes used as a full form for guohua.<br />
ZMB: Zhongguo Meishubao, Fine Arts in China, published 1985-1989.<br />
ZYC: Zhongguo Yishujia Cidian, 5 Volumes, Dictionary <strong>of</strong> Chinese Artists, Changsha, Hunan Renmin<br />
Chubanshe, 1981-1985<br />
Chinese Art before the Twentieth Century (selected texts)<br />
Clunas, Craig, Superfluous Things: Material Culture and Social Status in Early Modern China, Urbana &<br />
Chicago, <strong>University</strong> <strong>of</strong> Illinois Press, 1991.<br />
Clunas, Craig, Pictures and Visuality in Early Modern China, London, Reaktion Books, & Princteon,<br />
Princeton <strong>University</strong> Press, 1997.<br />
Clunas, Craig, Fruitful Sites: Garden Culture in Ming Dynasty China, London: Reaktion Books, 1996<br />
Hay, John, ed., Boundaries in China, London: Reaktion Books, 1994<br />
Hay, Jonathan, Shitao: painting and modernity in early Qing China, Cambridge ; New York : Cambridge<br />
<strong>University</strong> Press, 2001.<br />
Shen and Marilyn Fu, Studies in Chinese Connoisseurship, Princeton, Princeton <strong>University</strong> Press, 1973.<br />
Siren, O., Chinese Painting, Ronald Press, New York, 1958<br />
Sullivan, M. The Birth <strong>of</strong> Landscape Painting in China, <strong>University</strong> <strong>of</strong> California Press, 1962.<br />
Wen C. Fong, Between Two Cultures: Late Nineteenth and Twentieth-Century Chinese Paintings from the Robert H.<br />
Ellsworth Collection in the Metropolitan Museum <strong>of</strong> Art, New Haven and London, 2001.<br />
Whitfield, R., ‗Landscape Painting in the Late Ch‘ing Period‘ in W. Watson, editor, Landscape Style in<br />
Asia, Percival David Foundation <strong>of</strong> Chinese Art, London, 1979.<br />
Wu Hung, The Double Screen: Medium and Representation in Chinese Painting, London, 1996.<br />
Wu Hung, Monumentality in Early Chinese Art, Stanford <strong>University</strong> Press, 1995.<br />
Wu Hung, Han Tang zhi jian de shi jue wen hua yu zhi wen hua, Beijing, 2003.<br />
Wu Hung, Han Tang zhi jian wen hua yi shu de hu dong yu jiao rong, Beijing, 2001.<br />
Wu Hung, Art in itr ritual context: essays on ancient Chinese art, Beijing shi, 2005
19<br />
Early Contacts with European Art<br />
Arnold, Lauren, Princely gifts and papal treasures: the Franciscan mission to China and its influence on the art <strong>of</strong> the<br />
West, San Francisco, Desiderata Press, 1999<br />
Barmé, Geremie, ‗The Garden <strong>of</strong> Perfect Brightness: A Manchu Vision <strong>of</strong> China‘, Paroissien, Leon, ed.,<br />
Visual Arts and Culture, Volume 1, Part 1 (1998), see http://www.chinaheritagequarterly.org/ No.<br />
8, December 2006:<br />
Yuanming Yuan, the Garden <strong>of</strong> Perfect Brightness<br />
Beurdeley, M. &. C, Giuseppe Castiglione, Rutland, Tuttle, 1971.<br />
Braat, J., Filedt Kok, J.P., H<strong>of</strong>enk de Graaff, J.H., Poldervaart,P., ‗Restauratie, conservatie en<br />
onderzoek van de op Nova Zembla gevonded zestiende-eeuwse prenten‘, Bullet van het<br />
Rijksmuseum, vol. 28, 1980.<br />
Cahill, James, ‗Late Ming landscape albums and European printed books‘, in Rosenwald, L.J., The Early<br />
Illustrated Book, 1982.<br />
Cahill, James, The Compelling Image: Nature and Style in Seventeenth Century Chinese Painting, Cambridge,<br />
Harvard <strong>University</strong> Press, 1982<br />
Delahaye, Hubert, ‗Du peu d‘effet de la peinture occidentale en Chine‘ in Jami, Catherine; Delahaye,<br />
Hubert, eds., L‘Europe en Chine, interactions scientifiques, religieuses et culturelles aux XVII e et XVIII e<br />
siécles, Paris, Collége de France, 1993.<br />
Edgerton, S.Y., The Heritage <strong>of</strong> Giotto‘s Geometry, [Chapter 8, Geometry and the Jesuits in the Far East],<br />
Ithaca, Cornell <strong>University</strong> Press, 1991.<br />
Franke, Wolfgang, China and the West, Oxford, Basil Blackwell, 1967<br />
Gilman, S.I. ‚ Lam Qua and the development <strong>of</strong> westernized medical iconography in China‘, Medical<br />
History, 30 (1) January 1986.<br />
Heinrich, Larissa, ‗Curing Chinese Culture: Lam Qua‘s medical portraiture‘, in Liu, Lydia, ed.,<br />
Translating Modernity, Durham, Duke <strong>University</strong> Press, 2007.<br />
Hsiang Ta (Xiang Da), ‗European influences on Chinese Art <strong>of</strong> the Later Ming and Early Ch‘ing<br />
Period‘ [original in Dongfang Zazhi , vol.27, no.1, January 10th, 1930, translated by Wang Tehchao],<br />
Renditions no.6, Spring 1976.<br />
Ijezerman, Hollandsche prenten als handelsartikel te Patani in 1602, ‘s Gravenhage, Gedenksschrift Koninlijk<br />
Insituuut voor Taal-, Land- en Volkenkunde van N.I., 1926<br />
Ishida Mikinosuke, ‗A Biographical Study <strong>of</strong> Giuseppe Castiglione (Lang Shih-ning), a Jesuit Painter in<br />
the Court <strong>of</strong> Peking under the Ch‘ing Dynasty‘, Memoirs <strong>of</strong> the Tôyô Bunko, 1960, p.79-121;<br />
Jeyns, Soame, ‗George Chinnery(1774-1852) with emphasis on the Chinese period (1825-1852) and the<br />
so-called Chinnery School <strong>of</strong> Chinese trade painting‘, in Watson, W., The Westward Influence <strong>of</strong> the<br />
Chinese Arts, from the n14th to the 18 th century , London, Percival David Foundation <strong>of</strong> Chinese Art,<br />
1973.<br />
Kôno Minoru, ed., Chûgoku Yôfû? Hyôgen no Dônyû? Meimatsu kara Shin jidai no kaiga, hanga, sashie-hon,<br />
Machida, Machida Shirtisu Kokusai Hanga Bijutsukan, 1995.<br />
Kraus, Werner, ‗Einige Bermerkungen zur chinesischen ―Trade Art‖ ‘, unpublished ‗finger exercises‘,<br />
n.d. [source <strong>of</strong> some German bibliography here].<br />
Loehr, G., ‗Missionary artists at the Manchu Court‘, Journal <strong>of</strong> the Oriental Ceramic Society, 34, 1962-63;<br />
Loehr, George, ‗The Sinicization <strong>of</strong> Missionary artists and their work at the Manchu court during the<br />
Eighteeenth Century‘, Cahiers d‘Histoire Mondiale, vol. VII, no.3, p. 795-815, 1963;<br />
Le Comte, L., Das heutige Sina, Nürnberg 1699<br />
Pelliot, Paul, ‗La Peinture et la Gravure Européennes en Chine au temps de Mathieu Ricci‘, T‘oung Pao,<br />
1922, 1-18;<br />
Pirazzoli-T‘Serstevens, M., Gravures des Conquêtes de l‘Empereur de Chine K‘ien-Long au Musée Guimet, Paris,<br />
Mus?e Guimet, 1969;<br />
Qing Imperial Court Painting, 25th Anniversary Special Issue <strong>of</strong> Orientations, vol.26, no.7, Jul-Aug 1995<br />
Ricci, Matteo [Nicola Trigault ed. Latin, 1615, tr. Louis J. Gallagher] China in the 16th Century: The<br />
Journals <strong>of</strong> Matteo Ricci, New York, New York, 1953
20<br />
Sandrart, Joachim von , Teutsche Academie der Bau- Bild- und Mahlerey Künste, Amsterdam 1679, reprint,<br />
München, Saur, 1992<br />
Sullivan, Michael, ‗Some possible sources <strong>of</strong> European influence on late Ming and early Ch‘ing<br />
painting‘, in Proceedings <strong>of</strong> the International Symposium on Chinese Painting, Taipei, National Palace<br />
Museum, 1972,<br />
Swiderski, Richard M., ‗The dragon and the straightedge, part 1: a semiotics <strong>of</strong> the Chinese response to<br />
European pictorial Space‘, Semiotica 81-1/2, (1990); ‗part 2: The ideological impetus <strong>of</strong> linear<br />
perspective in late Ming early Qing China‘, ibid, 82-1/2 (1990); ‗part 3: Porcelains, horses, and ink<br />
stones - the ends <strong>of</strong> acceptance‘, ibid, 82 -3/4, (1990).<br />
Topsfield Andrew, ‗Ketelaar‘s Embassy and the Farangi theme in the art <strong>of</strong> Udaipur‘, Oriental Art, new<br />
series, vol. XXX, no.4, Winter 1984/5.<br />
Vinograd, Richard, Boundaries <strong>of</strong> the Self, Chinese Portraits, 1600-1900, Cambridge, Cambridge <strong>University</strong><br />
Press, 1992;<br />
Chinacoast and Trade Paintings<br />
Berry-Hill, H. and S., Chinnery and China Coast Paintings, Leigh-on-Sea, 1970.<br />
Broadbent, J., China, Australia: Trade and Society 1788-1850, <strong>Sydney</strong>, Historic Houses <strong>of</strong> New South<br />
Wales, 2003.<br />
Chen Yuhuan, zhubian, Zhongshandaxue Lishixi, Guangdong bowuguan, bian, Xifangrenyanli de zhongguo<br />
qingdiao Views from the West, Beijing, Zhonghua shuju, 2001<br />
Cheng Cunjie, zhubian, Haiyi yizhen, 1820, Gems left by overseas trade: Cantonese export arts ad crafts from the<br />
18 th to early 20 th century, Shanghai, Shanghai guji chubanshe,2005<br />
Christies‘, Fine Chinatrade Paintings, Hong Kong, Christies‘ Swire, sale <strong>of</strong> 26-9-1989.<br />
Conner, Patrick, The China Trade 1600-1860, Brighton, Royal Pavilion, 1986<br />
Conner, Patrick, George Chinnery 1774-1852,artist <strong>of</strong> India and the China Coast, Woodbridge: Antique<br />
Collectors‘ Club, 1993<br />
Conner, Patrick, Chinese Views – Western Perspectives, 1770-1870, the Sze Yuen Tang Collection <strong>of</strong> China Coast<br />
Paintings and the Wallem Collection <strong>of</strong> China Coast Ship Portraits, London: Asia House, 1996.<br />
Conner, Patrick, & Iseki Masaki, Journey to the Far East: George Chinnery and the art <strong>of</strong> Canton, Macao and<br />
Hong Kong in the 19 th century¸ Tokyo: Tokyo Metropolitan Teien Museum, 1996<br />
Conner, P., & Leglouix, S., William Alexander, Brighton, Royal Pavilion,1981.<br />
Crossman,C.L., The China Trade: Paintings, Furniture, Silver, and other Objects, Princeton, 1972<br />
Exploring Marine Art, Hong Kong, Maritime Museum, 2007<br />
Gregory, M., In the Western Manner, Catalogue 53, London, Martyn Gregory Gallery, 1989.<br />
Ho Kam-chuen et al, Historical Pictures, Hong Kong Museum <strong>of</strong> Art, 1999 [3 rd ed],<br />
Hutcheon, R., Chinnery, The Man and the Legend, Hong Kong, 1975<br />
Lee, J.G., Philadelphians and the China Trade 1784-1844, Philadelphia Museum <strong>of</strong> Art/ <strong>University</strong> <strong>of</strong><br />
Pennsylvania Press, 1984.<br />
Lee, Sai Chong Jack, China trade painting: 1750s to 1880s unpublished PhD thesis, <strong>University</strong> <strong>of</strong> Hong<br />
Kong, 2005.<br />
Leglouix, S., Image <strong>of</strong> China: William Alexander, London; Jupiter Books, 1980<br />
Lu, Wenxue, Yuedu he lijie: 17 shiji-19shiji zhongqi ouzhoude zhongguotuxiang [Reading and understanding: The<br />
image <strong>of</strong> China in Europe from the 17th century to the mid-19th century] unpublished PhD thesis, Chinese<br />
<strong>University</strong> <strong>of</strong> Hong Kong, 2003.<br />
Orange, J. The Chater Collection; Pictures relating to China, Hong Kong, Macao, London, 1924.<br />
Tam, L.C.S.,et al, Hong Kong: The Changing Scene, Hong Kong Museum <strong>of</strong> Art, 1980<br />
Thompson, Jonathan, ‗The Rake‘s Progress‘ (George Chinnery), Asian Art News, vol. 15, no. 4, 2005.<br />
Ting, J.S.P., Hung V.W.Y., Gateways to China, Hong Kong Museum <strong>of</strong> Art, 1987.<br />
Ting, J.S.P., George Chinnery: His Pupils and Influence, Hong Kong Museum <strong>of</strong> Art, 1985.<br />
Ting, Joseph S.P. et al, East Meets West, Cultural relics from the Pearl River Delta Region, bilingual catalogue,<br />
Hong Kong, Museum <strong>of</strong> History, 2005
21<br />
Warner, J., Hong Kong Illustrated: Views and News, 1840-1890, Hong Kong, John Warner, 1981<br />
Wu, L., ‗A Newly discovered school <strong>of</strong> Chinese export painting‘, Orientations, vol.20, no.7, July 1989<br />
<strong>University</strong> Museum and Art gallery, The <strong>University</strong> <strong>of</strong> Hong Kong, Picturing Cathay: Maritime and<br />
Cultural Images <strong>of</strong> the China Trade, Hong Kong, 2002<br />
Van der Poel, Rosalien, Twintig export olioeverschilderijen uit China in de collectie van Museum Volkenkunde. Een<br />
nadere beschouwing, unpublished BA Thesis, Kunstgeshiednis, Universiteit Leiden, 2007<br />
Yangcheng Fengwu / Souvenir from Canton, Chinese Export Painting from the Victoria & Albert Museum,<br />
Guangzhou Meishuguan, 2003<br />
Photography in China<br />
Cartier-Bresson, H., China in Transition, London, Thames and Hudson, 1956<br />
Cook, Henrietta Rose, ‗Perceptions <strong>of</strong> Tradition in Post-Imperial Chinese Photography‘, Unpublished<br />
undergraduate dissertation, <strong>University</strong> <strong>of</strong> London, School <strong>of</strong> Oriental and African Studies, 2006.<br />
Crombie, Isobel; ‗Body Language: Contemporary Chinese Photography in TAASA Review. The Journal <strong>of</strong><br />
the Asian Art Society <strong>of</strong> Australia, v.17, No. 3, September 2008, p. 18-19<br />
Harris, David, Of battle and beauty : Felice Beato‘s photographs <strong>of</strong> China, Santa Barbara,: Santa Barbara<br />
Museum <strong>of</strong> Art & London : <strong>University</strong> <strong>of</strong> California Press, 1999.<br />
Jenner, W. J. F., China: a Photohistory, London, Thames & Hudson, 1988.<br />
Lum, Raymond, ‗Beijing 1933-46: The Photographs <strong>of</strong> Hedda Morrison‘, in Orientations, vol. 39, no. 5,<br />
June, 2008.<br />
Ma Yunzeng, Zhongguo sheyingshi, 1840-1937, Beijing, Zhongguo sheying chubanshe, 1987.<br />
Moore, Oliver, ‗Photography in China: a global medium locally appropriated‘, IIAS Newsletter no.44,<br />
Summer 2007.<br />
Moore, Oliver, ‗Zou Baoqi (1819-1869), Map-Maker and Photographer‘, in Hammond, Kenneth, ed.,<br />
The Human Tradition in Modern China, Lanham, PUBLISHER?, 2007<br />
Roberts, Claire, ‗In her view: Hedda Morrison‘s photographs <strong>of</strong> Peking, 1933-46‘, East Asian History, 4,<br />
December 1992.<br />
Roberts, Claire, ed., In her view: the photographs <strong>of</strong> Hedda Morrison in China and Sarawak 1933-67, Haymarket,<br />
N.S.W : Powerhouse Publishing, 1993.<br />
Roberts, Claire, ‗Captured city: Hedda Morrison‘s Peking‘, TAASA Review, vol.11, no.3, 2002<br />
Serfaty, Paul, ‗Retreat, Fantasy, Uncertainty‘, in Asian Art News, v. 18(3), May/June, 2008, pp. 78 – 81.<br />
Sumner, Christina, ‗In the Pblic Domain: Hedda Morrison in the Powerhouse Museum‘ in TAASA<br />
Review. The Journal <strong>of</strong> the Asian Art Society <strong>of</strong> Australia, v.17, No. 3, September 2008, p. 16-17<br />
Thiriez, Régine, ‗Photography and Portraiture in Nineteenth-Century China‘, East Asian History, nos<br />
17/18, June/December 1999.<br />
Thiriez, Régine, Barbarian lens: Western photographers <strong>of</strong> the Qianlong emperor‘s European palaces, New York,<br />
Gordon & Breach, 1998.<br />
Thomson, J., China The Land and Its People, Hong Kong, John Warner, 1977<br />
Tinari, Philip, ‗Review <strong>of</strong> 3030: New Photography in China‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v.<br />
6(1), March, 2007, pp. 122 – 127.<br />
Worswick, C., Spence, J., Imperial China, Photographs 1850-1912, London, Scolar Press, 1978.<br />
Wu Hung, Phantasmagoria: Recent Photographs by Miao Xiaochun, Chicago: Walsh Gallery, 2004.<br />
Wu Hung with Christopher Philips, Between Past and Future: New Chinese Photography and Video, New York<br />
and Chicago: International Center <strong>of</strong> Photography and Smart Museum <strong>of</strong> Art, 2004.<br />
Zhang, Hai‘er, Fotografien aus China, 1986-1989, Heidelberg : Edition Braus, 1990.<br />
Zhongguo Sheying, 1860-1912, Taibei, Xiongshi Tushu, 1979<br />
Photography in China 1980s-1990s and after<br />
Dewar, Susan, ‗Contemporary Chinese Photography‘, Art & Asia Pacific, vol.3, no.2, 1996.<br />
Dewar, Susan, ‗Photography in China‘, <strong>ART</strong> AsiaPacific, no.13, 1997.
Louie, Reagan, Toward a truer life : photographs <strong>of</strong> China 1980-1990, New York: Aperture Foundation &<br />
San Francisco, Friends <strong>of</strong> Photography, 1991.<br />
Smith, Karen, ‗Contagious desire, the other in contemporary Chinese art‘, Art AsiaPacific, 31, 2001<br />
Wu Hung, Beyond: recent photographs by RongRong and irni, Walsh Gallery, Chicago, 2005.<br />
Yu Shing-tak and Yang Shaoming.Contemporary Chinese photographs, Beijing, China Photographic<br />
Publishing House, 1985.<br />
Zhang Zhaohui, ‗A return to the real: new art and new spaces‘, Art AsiaPacific, 31, 2001<br />
22<br />
Performance in China 1980s-1990s and after<br />
"Animalworks in China." TDR: The Journal <strong>of</strong> Performance Studies 51.1 (Spring 2007): 63-91. [A<br />
Special Issue Guest-edited by Una Chaudhuri.]<br />
"Catalyst, Praxis, Habitat: Performative Objects in Chinese Time-based Art." Performance Research<br />
12.4 (Winter 2007): 147-162.<br />
"Down and Under, Up and Over: Animalworks by Sun Yuan and Peng Yu." Performance Paradigm #4<br />
(June 2008): 1-42.<br />
Berghuis, Thomas J., ‗Flesh Art: Body and Performance Art in Post-Mao China‘,online Chinese Type<br />
Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001.<br />
Berghuis, Thomas J., Performance Art in China, Hong Kong, Timezone 8, 2006<br />
Berghuis, Thomas, ‗Close Encounters – Performance art practices in China during the 1990s and the<br />
role <strong>of</strong> the mediated subject <strong>of</strong> the acting body in art‘, Peter Lewis and Hoor Al-Qasimi, ed.,<br />
Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah International Biennial,<br />
2003, pp. 034-038.<br />
Berghuis, Thomas, ‗Performance Art and The Art <strong>of</strong> Performance‘, in Contemporary Visual Arts +<br />
Culture Broadsheet, vol. 36, no. 3, September, 2007, pp. 186 – 189.<br />
Cheng Meiling, "Clandestine Interventions" in Public Art Review: International Art Issue (Fall/Winter<br />
2004): 26-29.<br />
Cheng Meiling, "Extreme Performance and Installation from China" in TheatreForum (Summer 2006):<br />
88-96. [the cover feature]<br />
Cheng Meiling, "Indexing Death in Seven Xingwei and Zhuangzhi Pieces" in Performance Research 11.2<br />
(June 2006): 24-38.<br />
Cheng Meiling, "Violent Capital: Zhu Yu on File‖ in TDR: The Journal <strong>of</strong> Performance Studies 49.3 (Fall<br />
2005): 58-77.<br />
Clapham, Rachel Lois, ‗A Chinese Frquency: Vital 07 – The Essence <strong>of</strong> Performance‘, in Yishu. Journal<br />
<strong>of</strong> Contemporary Chinese Art, v. 7(2), March, 2008, pp. 84 – 89.<br />
Daozi, ‗The Wisdom <strong>of</strong> the Body‘, Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November,<br />
2001, published Online at: http://www.chinese-art.com<br />
Gao Minglu, ―Private Experience and Public Happenings: The Performance Art <strong>of</strong> Zhang Huan‖<br />
(Translated by Alexa Olga) in Pilgramage to Santiago, Barcelona and Brussels, Cotthem Gallery,<br />
2001<br />
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art<br />
Gallery, <strong>University</strong> at Buffalo Art Galleries, and Millennium Art Museum, 2006<br />
Ling, Gao, ‗Art is Action‘, , Chinese Type Contemporary Art Magazine, Vol. 4, Issue 5, November, 2001,<br />
published Online at: http://www.chinese-art.com<br />
Merewether, Charles, ‗The spectre <strong>of</strong> being human‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.2, no.,<br />
June 2003<br />
Sanderson, Lesley, ‗Male Body Fatigue‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 7(3), May, 2008,<br />
pp. 78 – 85.<br />
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes<br />
a chronology for chiefly avant-garde and performance art since 1986]<br />
Xing Danwen, Danwen Xing, Wo-men: A Personal Diary <strong>of</strong> Chinese Avant Garde in the 1990s: Photographs,<br />
1993-1998, Zurich, Scalo Publishers, 2007 (Forthcoming)
MAIL<strong>AND</strong> CHINA, 1911 to PRESENT<br />
23<br />
Albums<br />
Between the thunder and the rain: Chinese paintings from the Opium War to the Cultural Revolution, 1840-1979, San<br />
Francisco, Asian Art Museum, 2000<br />
Bobot, M.-T., Collection des Peintures et Calligraphies Chinoises Contemporaines, Paris, Musée Cernuschi, 1985<br />
Brown, Claudia; Chou Ju-hsi; Transcending turmoil: painting at the close <strong>of</strong> China‘s empire, 1796-1911, Phoenix,<br />
Phoenix Art Museum, 1992.<br />
Eliséef, V., Exposition de la Peinture Moderne Chinoise, Paris, Musée Cernuschi, 1946<br />
Eliséef, V., Quatre Artistes Chinoises Contemporaines, [Pan Yu-lin, Lam Oi, Ou Seu-tan, Shing Wai], Paris,<br />
Musée Cernuschi, 1977<br />
Eliséef, V., Peintures Chinoises Traditionelles, 1975-80, Paris, Musée Cernuschi, 1981<br />
Ellsworth, R.H. et al, Later Chinese Painting and Calligraphy, 1800-1950, 3 volumes, New York, Random<br />
House, 1987<br />
Hajek, L., H<strong>of</strong>meister, A., Chinesische Malerei der Gegenwart,Prague, Artia, 1959<br />
Hua Junwu,ed., Contemporary Chinese Painting, Beijing, New World Press, 1981<br />
Moss.H., ed.,The Experience <strong>of</strong> Art, Hong Kong, Umbrella, 1983<br />
Strassberg, R.E., Nielsen, W.A., Beyond the Open Door, Pasadena, Pacific Asia Museum, 1987.<br />
Strassberg, R.E., Beyond the Open Door II, Pasadena, Pacific Asia Museum, 1991.<br />
Sun Jie, ed., A Selection <strong>of</strong> Contemporary Chinese Painting, Beijing, Zhao Hua Publishing House, 1981<br />
Tam, L.S., ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum <strong>of</strong> Art, 1984<br />
Tao Yongbai, ed., Oil Painting in China 1700-1985, Jiangsu Meishu Chubanshe, 1988<br />
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy <strong>of</strong> Arts, 1982<br />
Individual Artists<br />
For lists <strong>of</strong> albums see the bibliography in Kao, Mayching,ed, Twentieth Century Chinese Painting, Hong<br />
Kong, Oxford <strong>University</strong> Press, 1988 for a list <strong>of</strong> artists‘ albums, and for other lists <strong>of</strong><br />
reproductions see Laing, E.J., An Index to Reproductions by Twentieth Century Artists, Portland,<br />
Oregon, 1984. The publishing industry in both the People‘s Republic and Taiwan has also<br />
produced many single-artist multi-volume series in the 1990s.<br />
A number <strong>of</strong> artist‘s names become homonyms in English although written with different characters in<br />
Chinese. To obviate lengthy explanation in these cases I have simply identified the artist the<br />
medium or type <strong>of</strong> work e.g. Liu Wei, painter and Liu Wei, video installation, are two different<br />
artists working in those media whose personal names are actually written with different characters<br />
even though their surnames are identical. Sometimes the same artists also appears in later<br />
sections by country under ‗Asian Artists Transnational Activity‘.<br />
Ai Wei Wei: Chen Weiqing, ed., Fragments: Beijing, 2006, Hong Kong, Timezone 8, 2007; review,<br />
Artforum, vol. 45, Iss. 1, 2006; Adjaye, David, ‗Ai Wei Wei: House and Studio, Beijing‘, Artforum,<br />
vol. 44, Iss. 3, 2005; ‗Ai Wei Wei Urs Meile Gallery‘ (review) Flash Art, vol. XXXIX, no. 249,<br />
July-September, 2006; Colonello, Nataline, ‗Ai Weiwei: Beyond the Checkmate‘ in Art Asia Pacific,<br />
No. 40 (Spring 2004), pp. 52-58; Merewether, Charles, ed., Ai Weiwei Works: Beijing, 1993-2003,<br />
Hong Kong, Timezone 8, 2004. ; Merewether, Charles, ‗Ai Weiwei. The Freedom <strong>of</strong> Irreverence‘,<br />
in ArtAsiaPacific, No. 53, May/June, 2007, pp. 108 – 111. ; King, Natalie, ‗The is no future: An<br />
interview with Ai Weiwei‘, in art & Australia, vol. 45, no. 4, Winter 2008, June/July/August, pp.<br />
546 – 549; Coggins, David, ‗Ai Weiwei‘s Human Conceptualism‘, in Art in America, September<br />
2007, pp. 126 – 131; Eccles, Jeremy, ‗Ai Weiwei: Under Construction‘, in Art Monthly Australia,<br />
Issue No.: 211, July 2008, pp. 21 – 24. Berghuis, T. ‗Ai Weiwei: China‘s Social Consciousness‘, C-<br />
Arts Asian Contemporary Art and Culture, Vol 04, July-August 2008. ; ‗Interview with Ai Wei Wei‘
24<br />
<strong>ART</strong> iT, No. 21, Fall/Winter 2008, Birnie Danzker, J., ‗A Conversation with Ai Weiwei‘, in Yishu<br />
Journal <strong>of</strong> Contemporary Chinese Art, Volume 7, No. 4, July 2008, pp. 10-19; Lee, Mabel, Ai Weiwei<br />
Under Construction, in Contemporary Visual Art + Culture Broadsheet, vol 37, no. 3, pp196-199; Ai<br />
Weiwei, Catalogue, curated by Mark Wilson and Sue-An Van Der Zijpp, with texts by Karen<br />
Smith and Sue-An Van Der Zijpp, Groninger Museum-Nai Pblishers, 2008; Ai Weiwei, by Karen<br />
Smith, Hans Ulrich Obrist and Bernard Fibicher, Phaidon, London, 2009; Vine, Richard, ‗The<br />
way we were, the way we are: China's most outspoken artist reflects on the ongoing struggle for<br />
expressive freedom in the People's Republic.‘ (CHINA WATCH)(Ai Weiwei)(Interview) in Art in<br />
America 96.6 (June-July 2008): 99(3).<br />
Bai Yi Luo: Ling Ling Braude, ‗Bai Yi Luo. Contemporary Photographer Artist <strong>of</strong> China‘, in C Arts.<br />
Asian Contemporary Art and Culture, vol. 00, November/December, 2007, pp. 88 – 91.<br />
Big Tail Elephant Chiu, Melissa, ‗Static Interference: The Big Tail Elephant Group <strong>of</strong> Guangzhou.‘ Art<br />
Asia Pacific 24:1999; Lin, Yilin., Chen Shaoxiong, Xu Tan and Liang Juhui, ‗Big Tail Elephants in<br />
the 1990s‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.22-32.<br />
Bingyi Huang: Ikegami, Hiroko, ‗Emotions Are Beautiful: Bingyi‘s Unfashionable Faith in Painting‘, in<br />
Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(3), September, 2007, pp. 92 – 96.<br />
Cai Guoqiang, painter and installation art, New York: Cai Guoqiang, Day Dreaming, Taipei, Cherng Pin<br />
Gallery 1998; Zaya Octavio et al, Venice‘s Rent Collection Courtyard, Hong Kong & Vancouver,<br />
Annie Wong Art Foundation, 1999; Zhang Zhaohui, Cultural Metamorphosis: The Art <strong>of</strong> Xu Bing and<br />
Cai Guoqiang, unpublished MA in Curatorial Studies Thesis, Bard College, 1998; Zhang Qing,<br />
‗History challenges reality: the life and art <strong>of</strong> Cai Guoqiang‘, Yishu, vol.1, no.1, 2002; Zhang<br />
Zhaohui, ‗Tiandi zhi ji: Cai Guoqiang yu Xu Bing Suoshi biye zhanlan jihua shuomingshu‘, Jiangsu<br />
Huakan, 2, 1999; ‗Naoshima no commishon waaku: Cai Guoqiang Bunkadaikonyoku, Naoshima<br />
no tame no projekuto‘, Naoshima Tsûshin, vol.1, no.2, 1988; Hirano Akihiko & Takeuchi Hiroko<br />
eds., Cai Guoqiang ―From the Pan-Pacific‖ [translated by Dutz, Margaret E.], Iwaki, Iwaki City Art<br />
Museum, 1994; Cai Guoqiang in ―Ajia Shichô no Potensharu‖, Hôkokusho, Tôkyô, Kokusai<br />
Kôryûkikin ASEAN Bunka Sentaa, 1994, p.84-89; Heartney, Elanor, ‗Cai Guoqiang: illuminating<br />
the new China‘, Art in America, May 2002; Cultural Meeting Bath: Projects for the 20th century, New<br />
York, Queens Museum <strong>of</strong> Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998.]; Huang Du.<br />
‗Cai Guoqiang: From mystery and philosophy to reality.‘ Art AsiaPacific issue 20 1998; Naylor,<br />
Stephen, ‗A Gondola In Suburbia‘, Art Monthly Australia August 1999: 122; Bartelik, Marek, ‗Cai<br />
Guo-Qiang‘, Artforum International, Vol.40, Issue 10, Summer 2002; Stringa, Nico (ed), Terrecotte<br />
Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice Biennial), Cornuda: Antiga<br />
Edizoni, 2003.; Cai, Guo-Qiang, Bunker Museum <strong>of</strong> Contemporary Art, Kinmen Island: A Permanent<br />
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Recent Ink Painting [see also by artist name]<br />
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Berghuis, Thomas J., ―‘Transcending Media‘ and the Role <strong>of</strong> Contemporary Art Practices in China‖ in<br />
Mesh: New Media Art in Australia and Asia, No. 17, www.experiemta.org/mesh/mesh 17/berghuis<br />
Berghuis, Thomas J., ―Video-REAL: Video Art from China‖ in Videozone: 3 – The 3 rd International Video<br />
Art Biennial in Israel (Bilingual), Tel Aviv, Center for Contemporary Art, 2006<br />
Berghuis, Thomas, ‗Performance Art and its Constraints‘, in eds. Clark, John, Peleggi, Maurizio and<br />
Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art, <strong>University</strong> <strong>of</strong><br />
<strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 186-214.<br />
Huang Du, Outside the real: a new form <strong>of</strong> video art in China, <strong>Sydney</strong>, Gallery 4A, 1998 (review, Art<br />
AsiaPacific, 25, 2000<br />
Lu, Carol, ‗Clothes and Capsules: New Installation Art From China‘ in Flash Art, Vol. XXXVI, No. 231<br />
(July-September 2003), pp.94-96<br />
Maerkle, Andrew, ‗Furong Jiejie‘s 15 Minutes‘, ArtAsiaPacific, no. 48, 2006.<br />
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005<br />
Ou Ning, ‗Revealing Keys to the Riddle <strong>of</strong> Reality: Moving Images <strong>of</strong> the Pearl River Delta From 1999<br />
to 2003‘ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 15-21<br />
Ou Ning., ‗Shadows <strong>of</strong> Time‘, Simon Young (tran.), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3,<br />
No. 1, March 2004, p.63-69.<br />
Pi Li, ‗Chinese Contemporary Video Art‘ in Third Text, Volume 23, Issue 3 May 2009 , pp.303 – 307.<br />
Selected Exhibitions in China - 1990s-Present<br />
1993<br />
Gilbert & George, Nieuwenhuizen van, Martijn, ΄Les Infos du Paradis – Gilbert & George in China‘<br />
Parkett, No. 38, 1993<br />
1994<br />
Shui Tianzhong, Shao Dazhen et al, Meishu pipingjia niandu timingzhan, (1994 Youhua),Chengdu, Sichuan<br />
Meishuchubanshe, 1994.<br />
1995<br />
Liao Wen, Zhongguo dangdai yishuzhong de nuxing fangshi / Women‘s approach toChinese Contemporary Art,<br />
Beijing, Zhongguo Yishu Bowuguan, 1995, May.<br />
1996<br />
Huang Zhan et al, Shouceng Dangdai Yishu Xueshu Yaoqingzhan, 1996/1997,Guangzhou, Guangdong<br />
Lingnan Meishu chubanshe, 1996. [see reports in Hualangnos 5&6, 1996].<br />
Qiu Zhijie, Wu Meichun, ‗Xianxiang/Yingxiang‘ luxiang yishuzhan: Yishu yu lishi yizhi& Lu Xiang Yishu<br />
Wenxian, Hangzhou, The Authors, 1996.
60<br />
1997<br />
Leng Lin, Feng Boyi, Qian Zhijian, Zhang Xu, Zhongguo zhi Meng, ‗97 ZhongguoDangdai Yishu, Beijing,<br />
Sungari International Auctions, 1997.<br />
Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes<br />
a chronology for chiefly avant-garde and performance artsince 1986]<br />
Wu Meichun, ‗97 Zhongguo Luxiang Yishu Guanmo, Beijing, Zhongyang MeishuXueyuan Hualang, 1997.<br />
Zhu Qi, Xinyazhou, Xinchengshi, Xinyishu: ‗97 Zhonghan dangdai yishuzhan, Shanghai,Shanghai Dangdai<br />
Meishuguan, 1997.<br />
1998<br />
Feng Boyi, Cai Qing, Shengcun Hengji: ‗98 Zhongguo Dangdai Yishu NeibuGuanmozhan / Trace <strong>of</strong> Existence: A<br />
Private Showing <strong>of</strong> China Contemporary Art ‗98,Beijing, Art Now Studio, January 1998.<br />
0431.1998 Luxiang, Dian‘nao yishuzhan, Changchun, Jilinsheng Gongyeshiji Xuexiao, see Huang Yan in<br />
Yishujie, 11/12-1998.<br />
Huang Du, Kongjian yu Shijue/Space and Vision: The impression <strong>of</strong> transmuting dailylives in Beijing, 1998,<br />
Beijing, Dangdai Meishuguan, July<br />
Leng Lin, Shi Wo/It‘s Me [unrealized], Beijing, Xiandai Yishu Zhongxin, November.<br />
Liao Wen, Liang Xing Pingdai‘ Yishu zhan (Personal Touch) Tianjin, Taida DangdaiYishu Bowuyuan, 1998.<br />
Fan Di‘an et al, ‗98 [Fuzhou] Yataidiqu Dangdai Yishu Yaoqingzhan Zuopinji, Fuzhou, 1998.<br />
‗98 Shanghai Meishu Shuang Nianzhan [review by Gu Zhengfeng, ‗Tayue biangu deyichang sheng‘, Jiangsu<br />
Huakan, no.1, 1999].<br />
Jia Fangzhou, Lin Lin et al, Fanshi –Zishen yu Huangjing zhan, Beijing, BeijingshiJianshe Daxue,<br />
November 1998.<br />
Pi Daojian et al, 90 Niandai Zhongguo Shiyan Suimo / Experimental Wash Painting <strong>of</strong>China in the 90s, Hong<br />
Kong, Shijie Huaren Meishu Chubanshe, 1998.<br />
Schneider, Eckhard R., et al, Chuantong / Fansi: Zhonguo dangdai Yishuzhan; ImSpiegel der Eigenen Tradition,<br />
Austellung Zeitgenössischer Chinesischer Kunst, Beijing, Botschaft der Bundesrepublik Deutschland,<br />
November 1998. [report by FengHuanian in Jiangsu Huakan, 2, 1999]<br />
Yin Shuangxi, Beijing Qingnian Diaosujia Zuopin Lianzhan, Beijing Qingnian Diaosujia Chuangzuo<br />
Yanjiuzu, 1998.<br />
Zhang Zhaohui, Shu Hewen, Pianzhi/The Corruptionists, Beijing, The Curators,November 1998.<br />
1999<br />
Chang, Tsong-zung, Fast>>Forward: New Chinese Video Art, Macao, Centro de ArteContemporãnea de<br />
Macau & Hong Kong, TZ Hanart, 1999.<br />
Zhang Xiaogang, ed., Shanghe Meishuguan ‗99 Xueshu Yaoqing zhan, Chengdu,Shanghe Meishuguan, [16 th<br />
April to 15th May].<br />
Zhang Zhaohui, Cong Zhongguochufa xin yishu zhan / Departure from China; A NewChinese Art Exhibition,<br />
Beijing, Shiji Bowuguan, 1999 [unrealized, catalogue includesa chronology for 1995-1999]<br />
Li Xianting, Fenbenyixi / Poly Phenolrene, Beijing, Bow Gallery [May 8 th ].<br />
Xu Zhen, Yang Zhenzhong, Alexander Brandt, curators, Chaoshi / Art for Sale, [held inShanghai],<br />
Beijing, Xiandai Yishu Zhongxin.<br />
Wu Meichun, Qiu Zhijie et al, Houganxing: Yixing yu Wangxiang / Post sensibility:Alien Bodies and Delusion,<br />
Beijing, 1999.<br />
Wu Shixiong, Kong Ying, A Tour <strong>of</strong> Chinese Arts at the End <strong>of</strong> the the 20 th Century, Beijing Xinshikong<br />
Club, Asian Games Village.<br />
2000<br />
Ai Weiwei, Feng Boyi, Buhezuo Fangshi /Fuck Off, catalogue, 2000<br />
Gu Zhenqing, Yichang yu Richang / Unusual & Usual, Shanghai, Yuangong Xiandai Meishu Zhanlanguan,<br />
2000<br />
2001<br />
Weng Lin, Towards a New Image: Twenty Years <strong>of</strong> Contemporary Chinese Painting, [bilingual] Beijing, Beijing<br />
Visual Art Development Co., Ltd., 2001 [Cai Jin, Ding Yi, Fang Lijun, Liu Wei, Liu Xiaodong,
61<br />
Luo Zhongli, Mao Yan, Sun Liang, Wang Guangyi, Xu Jiang, Ye Yoingqing, Yu Hong, Yue<br />
Minjun, Yan Peiming, Yang Jiecang, Zeng Fanzhi, Zeng Hao, Zhang Xiaogang, Zheng Zaidong,<br />
Zhou Chunya].<br />
Navarra, Enrico, et al, Made by Chinese, Paris, Galerie Enrico Navarra & Hong Kong, Hanart TX.<br />
Pijnapppel, Johan, ‗Wang Jianwei, Material for Thinking‘, Art Asia Pacific, No.34, 2002.<br />
2002<br />
[Beijing Afloat], Feng Boyi curator, BTAP, Pijnappel, Johan, ‗Beijing Afloat at Beijing Tokyo Art<br />
Projects‘, Asian Art News, vol. 13, no. 1, January/February 2003<br />
Huang Zhuan and Pi Li, ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002<br />
Gao Minglu, ed., Chinese Maximalism, Beijing: Chongqing Publishing House<br />
Lim, Michelle., ‗History from Wood‘ (The Exhibition <strong>of</strong> Half a Century <strong>of</strong> Chinese Woodblock Prints: From<br />
the Communist Revolution to the Open Door Policy and Beyond, 1945-1998), in Asian Art News, Vol. 14,<br />
No. 1, January/February 2004, p.60-65.<br />
Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House<br />
Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia, Cornuda, Grafiche Antiga, 2003 [English<br />
essays by Dal Largo, Erickson, Stringa]<br />
2003<br />
[Chinese Maximalism] Yap, Chin Chin, ‗Chinese Maximalism‘ in Art Asia Pacific, No. 38 (Fall 2003), p.<br />
37<br />
[Left Wing (Cao Fei, Fang Lijun, Gu Dexin, Song Dong, Sui Jiangguo, Zhuang Hui, Du Zhenjun,<br />
Huang Yongping, Shen Shaomin)], Zhang, Zhaohui., ‗Left Wing at Left Bank Gallery‘, in Asian<br />
Art News, Vol. 14, No. 1, January/February 2004, p.76-77; ‗Left Wing: An Exhibition <strong>of</strong><br />
Contemporary Chinese Art‘ (Review) in Art Asia Pacific, No. 40 (Spring 2004), pp. 80-81<br />
[Twenty Year Anniversary <strong>of</strong> Hanart T.Z. Gallery] Thomson, Jonathan, ‗Themes and Variations‘, in<br />
History‘ in Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53<br />
Gao Minglu, Chinese Maximalism, Chongqing, Chongqing Publishing House, 2003<br />
Li Xianting, Curator‘s Notes on Prayer Beads and Brush Strokes, Beijing, Beijing Tokyo Art Projects, 2003<br />
Scarlett, Ken., ‗Changchun, China: to Confront or Confirm‘ in Artlink: The China Phenomenon, Vol. 23,<br />
No. 4, 2003, p.72.<br />
Shao Dazhen, et.al., eds., Symposium Papers for the First Beijing International Art Biennale, China, 2004<br />
(Bilingual), Beijing, Renmin meishu chubanshe, 2003.<br />
Tetmajer, Xenia., ‗The Power <strong>of</strong> the Public Realm at the 2500 Cultural Transmission Space‘ (review), in<br />
Asian Art News, Vol. 14, No. 2, March/April 2004, p.85.<br />
2004<br />
Coleman, Julia, ed. Critical Mass, London, Chinese Contemporary, 2004<br />
Zhang Zhaohui, Concrete Horizons, Wellington, Adam Art Gallery, 2004<br />
2005<br />
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005<br />
2006<br />
Absolute Images: Chinese Contemporary Art [Fang Lijun, Zhang Xiaogang, Yue Minjun, et.al.], Beijing,<br />
Arario Gallery, 2006<br />
Beautiful Cynicism [Anselm Kiefer, Wang Guangyi, et.al.], Beijing, Arario Gallery, 2006<br />
Chen Chieh-Jen, Hong Hao, et. al., Double –Kick Cracker: An Exhibition <strong>of</strong> Chinese Contemporary Art,<br />
Beijing, Tang Contemporary Art, 2006<br />
Fan Fang, et.al., Naughty Kids: The Chinese New Generation Born After 1970, Beijing, 2006<br />
Gu Zhenqing, et.al., Two Asias, Two Europes: An International Exhibition <strong>of</strong> Contemporary Arts, Hong Kong,<br />
Timezone 8 (Distributor)<br />
Gu Zhenqing, To Each His Own, Hong Kong, Timezone 8, 2006 (Distributor)<br />
Gu Zhenqing, Visual Production, Hong Kong, Timezone 8, 2006<br />
Köppel-Yang, Martina, et.al, Surplus Value, Beijing, Tang Contemporary Art Gallery, 2006
62<br />
Kung, Samuel, ed., Entry Gate: Chinese Aethetics <strong>of</strong> Hetrogeneity: 2006 MoCA Envisage, Shanghai, Museum<br />
<strong>of</strong> Contemporary Art, 2006<br />
Ng, Joseph, The Naked Truth: Six Chengdu-based Chinese Artists, Beijing, Tang Contemporary Art,<br />
2006<br />
Pi Li, Art Unforbidden: The Theme Exhibition <strong>of</strong> Art Beijing, Beijing, Tang Contemporary Art, 2006<br />
Pi Li, et.al., In the View, Beijing, Tang Contemporary Art, 2006<br />
Zhang Yonglin, ed., Second Shanghai Duolun Exhibition <strong>of</strong> Young Artists, Duolun Art Museum 2006<br />
Zhu Qi, Woman in a Society <strong>of</strong> Dual Sexuality, Beijing, Tang Contemporary Art Gallery, 2006<br />
2009<br />
Navin Rawanchaikul, Super China!, Ullens Center for Contemporary Art, Beijing, [review in Yishu<br />
Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, pp. 100-109].<br />
Selected Exhibitions outside China<br />
1989<br />
Jean-Hubert Martin¸ Les Magiciens de la Terre, Centre Pompidou, 1989 [exhibited Huang Yongping, Gu<br />
Dexin, Yang Jiechang]<br />
1990<br />
Fei Dawei, ed, Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu<br />
Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l‘art & Editions Carte<br />
Segrete, 1990<br />
1992<br />
‗Chinese Mainland Artists Exhibition‘(?), at California Institute <strong>of</strong> Art, September [report by Wang<br />
Shouzhi in Mingbao Yuekan, September 1993.<br />
1993<br />
Andrews, Julia, F.; Gao Minglu, Fragmented Memory: The Chinese Avant Garde in Exile Columbus, Ohio<br />
State <strong>University</strong>, Wexner Center for the Arts, 1993.<br />
1995<br />
Ballegeer, Jan Pieter, Ink and Light: Collision Dialogue Blending, Gent, Lineart, 1995.<br />
Wang Luyan, Chen Shaoping, Gu Dexin, Arbeit der Gruppe ―Neuer Maßstab‖ (4), Berlin, New Gallery<br />
Association<br />
Wang Luyan, Chen Shaoping, Gu Dexin, Grup Xin Kedu (―Nova Mida‖), Obra V<br />
1996<br />
Zhu Zhu, Zhongguo Banhua Jiezuo / Meisterwerke Chinesischer Grafik, Aachen, Ludwigforum für<br />
Internationale Kunst & Beijing, Zhongyang Meishuxeueyuan, n.d. [1996].<br />
1997<br />
Another Long March: Chinese Conceptual and Installation Art in the Nineties, Breda, Fundament Foundation.<br />
Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INIVA, 1997.<br />
1998<br />
Colman, Julia; Bois, Ludovic, Chinese Contemporary, 96-98, London, Chinese Contemporary Limited,<br />
1998.<br />
Fibicher, Bernard, Großschwanzelefan / Big Tail Elephant, Bern, Kunsthalle, 1998<br />
Gao Minglu, ed., Inside Out, San Francisco, Musem <strong>of</strong> Modern Art & New York, Asia Society.<br />
Keusen, Elle; Schmidt, Inge; Weihs, Helge, Per Video, Köln, Museum Ludwig, 1998.<br />
Solomon, Andrew, ‗China: 5,000 Years‘, Artforum International, Vol.36, Issue 9, May1998.<br />
Werner, Chris; Qiu Ping; Pitzen, Marianne, Die Hälfte des Himmels, Bonn, Frauenmuseum, 1998.<br />
1999<br />
Asian Art Triennale, Fukuoka, 1999.<br />
Biennale di Venezia, 1999.<br />
Smith, Karen & Pi Li, Representing the People, Beijing, The Courtyard Gallery & Newcastle, Tyne and<br />
Weir Museums, 1999.
63<br />
Tang Xin & Urle U, 1999 Cologne-Beijing, Beijing-Cologne Exchange Exhibition, Köln, Gothaer Kunstforum,<br />
1999.<br />
Wu Hong, Transience: Chinese Art at the End <strong>of</strong> the 20th Century, The Smart Museum <strong>of</strong> Art, <strong>University</strong> <strong>of</strong><br />
Chicago, 1999.<br />
Logan Collection, San Francisco, Limn Gallery, 1999.<br />
China 1999, San Francisco, Limn Gallery, 1999.<br />
Wu Meichun, Zheng Shengtian, Truths from the Open Door: Chinese Conceptual Photography, (Supported by<br />
the Annie Wong Foundation), Bangkok, Art Gallery <strong>of</strong> Chulalongkorn <strong>University</strong>, 1999.<br />
Fu Shen, Nouveau reflets de la terre natale – six peintres de Taiwan, Paris, Centre Culturel et d‘information de<br />
Taïpei à Paris, 1999.<br />
2000<br />
Jouanno, Evelyine; Hou Hanru, Paris pour escale, [incl. Chen Zhen, Huang Yongping, Shen Yuan, Wang<br />
Du, Yang Jiechang] Paris, ARC- Musée d‘Art Moderne de la Ville de Paris, 2000<br />
2001<br />
Nuridstany, Michel, Next Generation / Art Contemporain d‘Asie, Paris, [Galerie] Passage de Retz, 2001<br />
Storer, Russell, ‗Shanghai Star‘, Art Asia Pacific, No.34, 2002.<br />
2002<br />
[Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002;<br />
Ullens, Baronn Guy F and Binks, Hillary, ‗The Collecting Instinct‘, Asian Art News, vol. 12, no. 4,<br />
July/August, 2002; Croës, Marcel, ‗An Interview with Guy Ullens‘ [Paris-Pekin exhibition focus],<br />
Orientations, Volume 33, Number 8, October 2002<br />
2003<br />
[Alors la Chine?] Berghuis, Thomas J., ‗Alors la Chine? Paris‘ (Review) in Art Asia Pacific, No. 38 (Fall<br />
2003), pp. 79-80<br />
[Between Past and Future] Wu Hung, ‗About Between Past and Future: New Photography and Video from<br />
China‘ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, ‗Sixty Ways<br />
<strong>of</strong> Looking at China‘ (Review) in Art in America (June/July 2004), pp. 124-129<br />
[Chinese Maximalism] Yap, Chin Chin, ‗Chinese Maximalism‘ in Art Asia Pacific, No. 38 (Fall 2003), p.<br />
37<br />
[Public Space and Personal Eyes – A New Vision in China] Vnuk, Gordana, Public Space and Personal<br />
Eyes – A New Vision in China (Catalogue) Hamburg: Kampnagel, 2003<br />
[Rong Rong], Goodman, Johathan., ‗Rong Rong‘s East Village at Chambers Fine Art‘, in Yishu: Journal<br />
<strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108.<br />
[Wang Wei], Tinari, Philip., ‗If It Isn‘t Built, It Can‘t Be Torn Down: Notes on Wang Wei‘s Temporary<br />
Space‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.<br />
Chang, Tsongzung., ‗A Strange Heaven: Contemporary Chinese Photography‘ (A Strange Heaven:<br />
Contemporary Chinese Photography), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4,<br />
December 2003, p.59-67.<br />
Chiu, Melissa., ‗China Reinvented: The Art <strong>of</strong> Overseas Chinese Artists in the United States‘, in Clark,<br />
John., ‗Alors, la Chine?‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71<br />
Geczy, Adam., ‗Yang Jiechang‘ (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.<br />
Goodman, Jonathan, ‗Chen Zhen At P.S.1‘ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2<br />
No. 3, September 2003, p.105-106.<br />
Goodman, Jonahan., ‗Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art‘ (review), in<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94.<br />
Goodman, Jonahan., ‗Guo Brothers at Michael Goedhuis‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />
Vol.2, No.1, March 2003, p.98-100.<br />
Goodman, Jonathan., ‗Tseng Kwong Chi at Chambers Fine Art‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese<br />
Art, Vol. 2 No. 4, December 2003, p.91-93.<br />
Heartney, Eleanor, ‗One to One: Visions – Recent Photographs From China at Chambers‘ (Review) in<br />
Art in America (June/July 2004), pp. 172-173
64<br />
Köppel-Yang, Martina, ‗The Ping-Pong Policy <strong>of</strong> Contemporary Chinese Art‘ in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, June 2004, pp. 60-66<br />
Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003.<br />
Lu, Carol, ‗Chinese Pavilion Abolished‘ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p.<br />
51<br />
Przerwa, Xenia Tetmajer Von., ‗Too Much Flavor at Chambers Fine Art, New York‘ (review), in Yishu:<br />
Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123.<br />
Pollock, Barbara, ‗Mainland Dreams on Tape‘ in Art in America (June/July 2004), pp. 130-134<br />
Ulrich Obrist, Hans, ‗Madacity‘ (Review) in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 103<br />
2004<br />
Fei Dawei, et.al., The Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation,<br />
2004<br />
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery <strong>of</strong> Art, 2004<br />
Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago,<br />
Smart Museum <strong>of</strong> Art and The <strong>University</strong> <strong>of</strong> Chicago, 2004<br />
2006<br />
Cohen, Joan Lebold, ‗Chinese Art on Edge‘ (exhibition review), ArtAsiaPacific, no. 51, 2007.<br />
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual),<br />
Rotterdam, NAI Publishers, 2006<br />
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art<br />
Gallery, <strong>University</strong> at Buffalo Art Galleries, and Millennium Art Museum, 2006<br />
van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), The Hague, Waanders, 2006<br />
2007<br />
Goodman, Jonathon, ‗Breakout: Chinese Art Outside China‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese<br />
Art, v. 7(2), March, 2008, pp. 91 – 97.<br />
Haq, Nav, ‗China Power Station: Part 1 – Serpentine Gallery Offsite Project at the Battersea Power<br />
Station‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March, 2007, pp. 119 – 121.<br />
Mitchelson, Andrew, ‗VITAL: International Chinese Live Art Festival – Reflecting on Contemporary<br />
Practices‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March, 2007, pp. 111 – 118.<br />
Tinari, Philip, ‗The Real Thing: Contemporary Art from China‘, in ArtForum, vol. 46, no. 1, September,<br />
2007, pp. 454 – 456.<br />
2008<br />
Art and China‘s Revolution. [Exhibition Catalogue. Chiu, M. and Zheng Shengtian]. New York: Asia<br />
Society and Musuem, 2008.<br />
Silbergeld, Jerome, ‗Double Vision: Art Out Of Joint‘ [Reason‘s Clue], in Asian Art News, v. 18(5),<br />
Sept/Oct, 2008, pp. 64-72.<br />
Yao, Pauline J., ‘85 New Wave: The Birth <strong>of</strong> Chinese Contemporary Art‘, Exhibition, Ullens Center for<br />
Contemporary Art, Feb. 2008, in Flash Art, Vol. XLI, No. 258, Jan-Feb 2008, p. 145<br />
2009<br />
Hatch, Michael, Outside In: Chinese x American x Contemporary Art, Review in Yishu. Journal <strong>of</strong> Contemporary<br />
Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.<br />
Hatch, Michael, The Third Mind: American Artists Contemplate Asia, 1860-1989, Review in Yishu. Journal <strong>of</strong><br />
Contemporary Chinese Art, vol 8, no. 4, July/August 2009, pp. 74-87.<br />
Lee, Sohl, Outside In: Chinese x American x Contemporary Art, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art,<br />
vol 8, no. 4, July/August 2009, pp. 74-87.<br />
The China Project. [Exhibition Catalogue comprising three exhibitions: Three Decades, The Contemporary<br />
Chinese Collection; Zhang Xioagang Shadows in the Soul, William Yang, Life Lines], Brisbane:<br />
Queensland Art Gallelry, 2009.
65<br />
Art Institutions – China (entries after 2005)<br />
Fouraux, Alain, ‗Guangdong Museum <strong>of</strong> Art‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 1,<br />
2006.<br />
Movius, Lisa, ‗Shanghai gets Contemporary‘ Art in America, vol. 93, iss. 10, Nov 2005.<br />
Movius, Lisa, ‗Art Centre Opens in Shanghai‘, Art in America, vol. 93, iss. 6, Jun-Jul 2005.<br />
Norton, Lisa, ‗Documenta 12 Magazines Feature on Education. A Response to the Yan‘an Forum on<br />
Education in China‘ in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March, 2007, pp. 57 - 61.<br />
Wallace, Brian, et.al., eds., To the Watchtower: Red Gate Gallery and Contemporary Art in China, Hong Kong,<br />
Timezone 8, 2007 (Forthcoming)<br />
Zheng Shengtian, ‗Interview with Samuel Kung, Chairman and Director, Museum <strong>of</strong> Contemporary<br />
Art, Shanghai‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.<br />
Chinese Graphic Art since the Late 19th Century to 1949<br />
Barbizet-Lemmonnier, Laure. La colletion de gravures sur bois chinoises du Musee de Deux Guerres Mondiales,<br />
1937 – 1948. Paris, Université de Paris, Bibliothque de documentation internationale<br />
contemporaine, 1981.<br />
Bo Songian, and Johnson, David. Domesticated Deities and Auspicious Emblems: The Iconography <strong>of</strong> Everyday<br />
Life in Village China. Berkeley: <strong>University</strong> <strong>of</strong> California at Berkely Chinese Popular Culture<br />
Project, 1992.<br />
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Tang Xiaobing, ‗Decorating culture: Notes on Interior Design, Interiority, and Interiorization‘, Public<br />
Culture, vol.10, no.3, Spring 1998.<br />
Tang Xiaobing, ‗Orientalism and the question <strong>of</strong> Universality: The language <strong>of</strong> Contemporary Chinese<br />
Literary Theory‘, Positions, vol. 1, no.2, 1993.<br />
Tang Xiaobing, ‗The function <strong>of</strong> new theory: what does it mean to talk about post-modernism in<br />
China‘, Public Culture, vol.4, no.1, 1991.<br />
Tang Xiaobing: Global space and the nationalist discourse <strong>of</strong> modernity: the historicalthinking <strong>of</strong> Liang Qichao,<br />
Stanford, Stanford <strong>University</strong> Press, 1996<br />
Teiwes, F., Sun, W., The Road to Disaster: Mao, Central Politicians and Provincial Leaders in the emergence <strong>of</strong> the<br />
Great Leap Forward, 1955-1959, Armonk, N.Y., M.E.Sharpe, 1997.
71<br />
Teiwes, F., Sun, W., The tragedy <strong>of</strong> Lin Biao, riding the tiger during the cultural revolution, London, C.Hurst &<br />
Bathurst, Crawford Publishing, 1996.<br />
Van Crevel, M., Language Shattered: Contemporary Chinese Poetry and Duoduo, Leiden, Research School<br />
CNWS, 1996.<br />
Wang Gongwu, Annual Sir Herman Black Lecture <strong>of</strong> the Research Institute for Asia and the Pacific,<br />
<strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1993.<br />
Wang Hui, China‘s New Order: society, politics, and economy in transition, Cambridge, Mass.,: Harvard <strong>University</strong><br />
Press, 2003.<br />
Wang Hui, ‗Zhang Taiyan, the Individual and Modern Identity in China‘, The Stockholm Journal <strong>of</strong> East<br />
Asian Studies, vol.7, 1996<br />
Wang Jing, High Culture Fever, Politics, Aesthetics and Ideology in Deng‘s China, Berkeley, <strong>University</strong> <strong>of</strong><br />
California Press, 1996.<br />
Wang Jing ‗Culture as leisure and culture as capital‘, positions: east asia cultures critique,vol. 9, no.1 Spring<br />
2001.<br />
Wang Jing, introduction to ‗Special Issue: Chinese popular culture and the state‘, positions: east asia cultures<br />
critique, vol. 9, no.1 Spring 2001.<br />
Wei Jingsheng, The courage to stand alone, New York, Viking, 1997.<br />
Xu Ben, ‗ ―From Modernity to Chineseness‖: The Rise <strong>of</strong> Nativist Cultural Theory in Post-1989 China‘,<br />
Positions, vol.6, no.1, 1998.<br />
Xu, Ben, ―The Cultural Revolution and Modernity: the contradictory political implications <strong>of</strong><br />
postmodernism in China‖ in Journal <strong>of</strong> Contemporary China, 8 21 (1999), pp. 241-261<br />
Zha Jianying, China Pop, New York, New Press, 1995.<br />
Zhang Xudong, Chinese Modernism in the Era <strong>of</strong> Reforms, Durham, Duke <strong>University</strong> Press, 1997.<br />
Women, Gender and Art<br />
Bryan, kate, ‗The Personal Creative process‘, [grouop show by 14 female artists in Hong Kong], in<br />
Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 80-81.<br />
Croizier, Ralph, ‗Nine Straws in the Wind‘, [Young women artists in Beijing], Third Text, 31, Summer<br />
1995.<br />
Dai Jinhua, ‗Gender and Narration: Women in Contemporary Chinese Film‘, in Jing Wang and Bralow,<br />
Tani E., eds., Cinema and Desire: Feminist Marxism and Cultural Politics in the Work <strong>of</strong> Dai Jinhua,<br />
London and New York, 2002, pp. 99 - 138.<br />
Dal Lago, Francesca, ‗A Silent Revolution? Chinese Women‘s Art in Beijing‘, Art AsiaPacific, No.21,<br />
1999.<br />
Xu, Hong, ‗Dialogue; the awakening <strong>of</strong> women‘s consciousness‘, Art & Asia Pacific, vol.2, no.2, 1995.<br />
Xu, Hong, ‗The Spotted Leopard‘, Art & Asia Pacific, vol.1, no.2, 1994.<br />
Web Resources<br />
There are a large number <strong>of</strong> web sites dealing with contemporary Chinese art. For updates links see in<br />
particular the Asian Art Archives links page given under the Web Resources section.<br />
Websites: [some <strong>of</strong> these sites close down after a period]<br />
http://www.artbeatus.com<br />
Published by Artbeatus Gallery, Vancouver and Hong Kong.<br />
http://art.great-china.com/gallery.html<br />
Japan site, mostly in Chinese, titled Chinese Art Gallery.<br />
http://www2.artnet.com/ecohen.html<br />
Ethan Cohen Fine Art -Contemporary & Emerging Asian Artists gallery.<br />
http://www.asianartnow.de<br />
Leading continental European gallery focusing on Chinese contemporary art.<br />
http://www.asiasociety.org/arts/insideout/<br />
Asia Society online section on the groundbreaking Inside Out exhibition.
http://www.CCAA-association.org<br />
Chinese ContemporaryArt Association (Switzerland).<br />
http://www.chinaheritagequarterly.org/<br />
Quarterly on heritage and history issues from ANU, Canberra<br />
http://www.chinese-art.com<br />
Chinese Contemporary Art Bulletin<br />
http://www.connect-arte.com/archive/china/chinac.htm<br />
Image archive <strong>of</strong> top name artists.<br />
http://egg.tokyoweb.or.jp/comdex/newcc/new/guide.htm<br />
Japan since early 1997, New China Cybertown.<br />
http://www.hanart.com<br />
TZ Hanart Gallery (Hong Kong), contemporary art from the mainland.<br />
http://kaladarshan.arts.ohio-state.edu/exhib/gug/intr/china.html<br />
Ohio State <strong>University</strong> works <strong>of</strong> Guggenheim exhibition, ‗China: 5000 Years‘.<br />
http://www.redgategallery.com<br />
Red Gate Gallery, Beijing.<br />
http://www.shanghart.com<br />
Shanghart Gallery in Shanghai.<br />
http://www.stanford.edu/dept/art/china/<br />
Britta Erickson bibliography.<br />
http://www.the-people.org<br />
Chinese Arts Centre London.<br />
CHINA-HONG KONG <strong>AND</strong> MACAO<br />
72<br />
General<br />
Web site <strong>of</strong> Hong Kong Art Archive which includes bibliography: http://web.hku.hk/~hkaa/<br />
‗Supplement: Hong Kong, Macau, China‘, Asian Art News, vol.3, no.3, May-June 1993.<br />
Abbas, M. A., Hong Kong: culture and the politics <strong>of</strong> disappearance, Minneapolis: <strong>University</strong> <strong>of</strong> Minnesota<br />
Press, 1997.<br />
Acret, Susan., ‗An Archive <strong>of</strong> Visions‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.68-69.<br />
Art‘78, Hong Kong, Fung Ping Shan Museum, 1978<br />
Art‘81, Hong Kong, Fung Ping Shan Museum, 1981<br />
Benson and Hedges, Selection <strong>of</strong> Hong Kong Art, Hong Kong, Arts Centre, 1981.<br />
Chang, Tsong-zung, ‗A pact <strong>of</strong> separate peace‘, Art & Asia Pacific, no.1, supplement to Art &<br />
Australia, March 1993.<br />
Chang, Tsong-zung, ‗Art and art dealing in Hong Kong and Taipei‘, Art Monthly , 40, May 1991.<br />
Chang, Tsong-zung, ‗Visionaries and Icon Painters: One Aspect <strong>of</strong> Hong Kong Contemporary Art‘,<br />
Renditions, 1988.<br />
Chang, Tsongzung., ‗Economic Downturn in Hong Kong Breathes New Life into culture‘, in Artlink:<br />
The China Phenomenon, Vol. 23, No. 4, 2003, p.73.<br />
Chen, M., Ten Years <strong>of</strong> Hong Kong Painting, Hong Kong, Arts Centre, 1987<br />
Cheng, Scarlett, ‗At the cutting edge‘,[on women artists], Asian Art News, July/August 1994.<br />
Clarke, David, ‗Aspects <strong>of</strong> Art and Public Space in Hong Kong during the Handover Period. TAASA<br />
Review 8:1 March 1999<br />
Clarke, David, ‗Between East and West; Negotiations with Tradition and Modernity in Hong Kong<br />
Art‘, Third Text [to appear 1995]<br />
Clarke, David, ‗Hong Kong Art and the transfer <strong>of</strong> sovereignty‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia,<br />
vol. 29, 1997.<br />
Clarke, David, ‗Insular Expressions: Art in Hong Kong‘, Art Monthly Australia, no.17, December 1988.
73<br />
Clarke, David, Art & Place: Essays on art from a Hong Kong perspective, Hong Kong, Hong Kong <strong>University</strong><br />
Press, 1996 [review: Clark, Art AsiaPacific, no.18, 1998.<br />
Clarke, David, Hong Kong Art; Culture and Decolonization, London, Reaktion Books, 2001.<br />
Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1989<br />
Contemporary Hong Kong Art Biennial Exhibition, Hong Kong, Urban Council, 1979, 1981, 1989<br />
Fung, Anthony,‗Hong Kong as the Asian and Chinese Distributor <strong>of</strong> Pokemon‘, in International Journal <strong>of</strong><br />
Comic Art, Vol. 7, No. 1, Spring 2005, pp. 432-448.<br />
Ho, H-K., Turn <strong>of</strong> a Decade: A new generation <strong>of</strong> artists in the 80s, Hong Kong, Arts Centre, 1989<br />
Joliffee, H., ‗Macau Marvels‘, Asian Art News, vol.4, no.6, Nov-Dec 1994.<br />
Júnior, Antonio Conceicão., ‗Contemporary Art in Macao‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />
Vol. 3, No. 1, March 2004, p.70-73.<br />
Kee, Joan, ‗Art, Hong Kong, and Hybridity: A Task <strong>of</strong> Reconsideration‘, in Yishu: Journal <strong>of</strong> Contemporary<br />
Chinese Art, Vol. 2 No. 2, June 2003, p.90-98.<br />
Lamain, Kitty, ‗Art at the handover‘ [London exhibition reviews], Art AsiaPacific, no.17, 1998.<br />
Lau, Jaspar K. W., ‗Documenta 12 Magazines Feature on Education. Potentially Wise ? The Boom in<br />
Hong Kong Contemporary Arts Education‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1),<br />
March, 2007, pp. 103 – 110.<br />
Lau, Jaspar K. W., ‗HistoriCITY – A Roundtable on Art Historical Writing in and on Hong Kong‘, in<br />
Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 7(1), January, 2008, pp. 38 – 51.<br />
Lee, Quentin, ‗Delineating ‗Hong Kong‘ Intellectuals: speculations on intellectual problematics and<br />
Post / Coloniality‘, Third Text, 28/29, Autumn/Winter 1994.<br />
Leung, Po Shan, ‗In Anticipation <strong>of</strong> Men‘s Art: Re-reading Women‘s Art in Hong Kong‘, Sasha S.<br />
Welland (tran.), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.8-14.<br />
Ma, Eric Kit-Wai, ‗Re-Advertising Hong Kong: Nostalgia Industry and Popular History‘ in positions: east<br />
asia cultures critique, volume 9, number 1 (spring 2001), pp. 131-159<br />
Ma Lin et al, Contemporary Chinese Painting, Hong Kong, Chinese <strong>University</strong> <strong>of</strong> Hong Kong, 1986<br />
Man Fung-yi and Mok Yat-san, ‗Space Constraints and Re-creation: Interchangeability between<br />
Outdoor Sculpture and Public Art in Hong Kong‘, in Hong Kong Visual Arts Yearbook, Harold<br />
Mok ed., v. 1, 2008, pp. 167 – 179.<br />
Mok, Patrick, ‗The Invisible City‘, in Hong Kong Visual Arts Yearbook, Harold Mok ed., v. 1, 2008, pp.<br />
135 – 153.<br />
Pai, Maggie, ‗ Perspectives on 20th century Chinese Painting‘, [Xubaizhui International Symposium],<br />
Asian Art News, vol.6, no.1, Jan/Feb 1996.<br />
Tam, L.S., Hong Kong Artists: The Early Generation, Hong Kong, Urban Council, 1978<br />
Tam, L.S., Urban Council Art Award Winners, Hong Kong, Urban Council, 1978<br />
Tan Zhicheng, Dangdai Xiangang Yishujia Shuangnianzhan Xiangang Shizhengju 1979<br />
Tan Zhicheng, Xiangang Qianbei Yishujia, Xiangang Shizhengju, 1978<br />
Turn <strong>of</strong> a Decade: A New Generation <strong>of</strong> artists <strong>of</strong> the Eighties, Hong Kong, Arts Centre, 1989.<br />
Visual Art Society Annual Exhibition, Catalogue, Hong Kong Arts Centre, 1979.<br />
Visual Arts Society, Annual Exhibition, Hong Kong, Arts Centre, 1979<br />
Wong, A., Hong Kong Arts Centre Inaugural Exhibition, 1977<br />
Wong, Wendy Siuyi, and Cuklanz, Lisa M., The Emerging Image <strong>of</strong> the Modern Woman in Hong<br />
Kong Comics <strong>of</strong> the 1960s & 1970s‘, in International Journal <strong>of</strong> Comic Art, vol. 2, no. 2, Fall, 2000,<br />
pp. 33 – 53.<br />
Individual Artists<br />
Chan Gaylord: review, Asian Art News, vol.9, no.6, 1999<br />
Chan Kouchiang: Oliva, Achille Bonito. ‗Between East and West.‘ Asian Art News 8:6<br />
November/December 1998<br />
Chan, David T.W.: Findlay, Ian, ‗the breath <strong>of</strong> the dragon‘, Asian Art News, vol.10, no.1, 2000<br />
Chan, Gaylord: Thompson, Jonathan, ‗The Romantic Raconteur‘, Asian Art News, vol. 15, no. 6, 2005.
74<br />
Chan, Luis: Clarke, David, ‗Psychic Decolonization‘ Art Asia Pacific, vol.3, no.4, 1996.<br />
Chan, Paul: review, Asian Art News, vol. 16, no. 5, 2006; review, Artforum, vol 46, iss. 5, Jan 2005; Bellini,<br />
Andrea, ‗Paul Chan: Where Form Ends and Content Begins‘, Flash Art, vol. XXXVIII, no. 241,<br />
Mar-Apr, 2005; review, Flash Art, vol. XXXVIII, no. 240, Jan-Feb, 2005.<br />
Chen Fushan/Luis Chan: Lai, Mei-Lin, ‗A Short Review <strong>of</strong> From Reality to Fantasy: The Art <strong>of</strong> Luis Chan‘,<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Chen Fushan de shijie, Taibei,<br />
Xiongshi Meishu, 1973/4 Chen Fushan / Luis Chan, The World <strong>of</strong> Luis Chan, Singapore, National<br />
Museum, 1987; Chen Fushan/ Luis Chan, Luis Chan: Fifty Years <strong>of</strong> Artistic Career, Hong Kong,<br />
Urban Council, 1984<br />
Chen Yusheng: Gaylord Chan Hong Kong, Han Art 2, 1989<br />
Chen, Michael: Michael Chen, Hong Kong, Arts Centre, 1980<br />
Chiu, Caroline: ‗Caroline Chiu: A Chinese Wunderkammer‘ (review), ArtAsiaPacific, no. 47, 2006; review,<br />
Asian Art News, vol. 15, no. 1, 2005.<br />
Choi Tsang Tsou: Clarke, David, ‗Suspended in Ambivalence‘, Art AsiaPacific 29, 2001; Thomson,<br />
Jonathan, ‗A Vision From the Margins‘, Asian Art News, Vol. 13, Number 2, March/April 2003<br />
Choi Yan-chi: Choi Yan Chi‘s Painting , 1976-1986, and works <strong>of</strong> art in dialogue with poetry and dance, Hong<br />
Kong, Department <strong>of</strong> Fine Arts, <strong>University</strong> <strong>of</strong> Hong Kong, 1987; Senn, Rolf, Th., Turner,<br />
Mathew, Choi Yan-Chi, Künstler der Welt Series from Haus der Kulturen der Welt, Stuttgart,<br />
Edition Cantz, 1993.<br />
Chris Chan: Thomson, Jonathan, ‗Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in<br />
World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49<br />
Chu Hing-wah: Binks, Hilary, ‗Poignant Interactions‘, Asian Art News, vol.9, no.1, 1999<br />
Chu Honsun: Chu Honsun, Hong Kong, Arts Centre, 1983<br />
Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung: Chui Tze-hung, Kan Tai-keung, Ng Yiu-chung Hong Kong,<br />
Arts Centre, 1981<br />
Ding Yanyong; Only a Lifework would a triumph score, Hong Kong Plum Blossoms Gallery , 1988; Wang<br />
Runsheng, Ding Yanyong zuopin huiguzhan, Xiangang, Yishuzhongxin, 1979.<br />
Fang Zhaoling, Hong Kong, Fang Zhaoling, 1981; Clarke, David, ‗The insufficiency <strong>of</strong> tradition;<br />
paintings by Fang Zhaolin and Chu hing-Wah‘, Art & Asia Pacific, vol.2, no.3, 1995<br />
Fung Ming Chip: ‗Fung Ming Chip‘ (exhibition review), ArtAsiaPacific, no. 49, 2006; Serfaty, Paul<br />
‗Chinese tradition in the Modern World‘, ArtAsiaPacific, no. 43, 2005.<br />
Fung Ming-Chip: Binks, Hilary, ‗Reordering tradition‘, Asian Art News, vol.11, no.6, 2001<br />
Ha Bikchuen: Findlay, Ian., ‗A Singular Life‘, in Asian Art News, Vol.13, No.1, January/February 2003,<br />
p.68-69.<br />
Ha Bik-chuen: Pong, Melanie, ‗Sculptor at Work‘Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995;<br />
Findlay, Ian, ‗Ha Bik-chuen at Grotto Fine Art, Exhibition Reviews, Asian Art News, vol. 12, no.<br />
2, March/April 2002; Findlay, Ian, ‗A Singular Life‘, On Ha Bik-Chuen, Asian Art News, vol. 13,<br />
no. 1, January/February 2003<br />
Henderson, Gerald: Binks, Hilary, ‗Art and Alchemy‘ Asian Art News, vol.7, no.4, July/August 1997.<br />
Ho, Oscar: Millichap, John, ‗The Problem with Politics: An Interview with Oscar Ho‘, Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.<br />
Hon, Chi-fun: Thompson, Jonathan, ‗Cycles <strong>of</strong> Time‘ Asian Art News, vol. 16, no. 1, 2006.<br />
Hu Yongkai: Binks, Hilary, ‗Refinine Nostalgia‘, Asian Art News 9:1 1999<br />
Kan Taikeung, Kan Taiqiang huaji, Xinshiyushe, Xianggang, 1979<br />
Kong Ho: Brown, Glen R., ‗Toward Complexity‘, in Asian Art News , Vol. 14, Number 4 (July/August<br />
2004), pp. 54-57<br />
Koo Mei: Koo Mei, Hong Kong, City Hall, 1980; Koo Mei, Hong Kong, Arts Centre, 1981<br />
Kwong Yeu ting: Kwong Yeu Ting, Hong Kong, Arts Centre, 1983<br />
Lai, Victor: Binks, Hilary, ‗The pursuit <strong>of</strong> emotion‘, Asian Art News, vol.10, no.2, 2000<br />
Lam, Dominic Man-Kit: Binks, Hilary, ‗Towards simplicity and spirituality‘, Asian Art News, vol.11, no.1,<br />
2001
75<br />
Lam, Dominic Man-Kit: Thompson, Jonathan, ‗Opening Doors <strong>of</strong> Perception‘, Asian Art News, vol. 16,<br />
no. 1, 2006.<br />
Lau Pee-yee: ‗Lau Pui-Yee‘, Asian Art News, 2, no.1, Jan/Feb 1992.<br />
Lau Tin-yum: Lau tin-yum, Hong Kong, Arts Centre, 1983.<br />
Lee, Aries: Aries Lee, Hong Kong, The artist, 1984<br />
Leung Chi-wo, Tsang Tak-ping, Sara Wong Chi-hang, Young Hay: Kember, Patricia, et al, Moving Violations,<br />
Hong Kong, Asian Art Archives, 2002<br />
Leung Chiwo: Thomson, Jonathan, ‗The Negative Horizon‘, in Asian Art News, Vol. 14, No. 1,<br />
January/February 2004, p.54-59.<br />
Leung Mee Ping: Huangfu, Binghui, ‗Leung Mee Ping‘ in Art Asia Pacific, Issue 37 (2003), p. 59<br />
Liu Jian: Millichap, John, ‗Climbing the mountain‘ Asian Art News, vol. 7, no. 3,<br />
Lü Shoukun: Findlay, Ian., ‗Lü Shoukun at the Hong Kong Museum <strong>of</strong> Art‘ (review), in Asian Art News,<br />
Vol. 13, No. 3, May/June 2003, p.71-72.<br />
Lü Shoukun: Lai Mei-lin, ‗The Early Life and Art <strong>of</strong> Lü Shoukun‘, in Hong Kong Visual Arts Yearbook,<br />
Harold Mok ed., v. 1, 2008, pp. 89 - 116.<br />
Lui Chun Kwong: Thomons, Jonathan, ‗Stripes <strong>of</strong> Contemplation‘, in Asian Art News, Vol. 13, No. 6,<br />
November/December 2003, p.68-71.<br />
Lui Shou-kwan, Landscape Paintings by Lui Shou-kwan, Hong Kong, Fung Ping Shan Museum, 1985. ;<br />
Wucius Wong, Lui Shou-kwan, 1919-1975, Hong Kong, Lui Mui Sin-ping, 1979<br />
Mak Yuhin: Hong Kong, Arts Centre, 1983<br />
Mak, Antonio, Hin-yeung:, Asian Art News, 2, no.4, Jul/Aug 1992.<br />
Mak, Antonio: Clarke, David, ‗An invitation to words; The sculpture <strong>of</strong> Antonio Mak‘, Art & Asia<br />
Pacific, vol.2., no.3, October 1994; Thomson, Jonathan, ‗New Encounters‘, in in World Sculpture<br />
News, vol 15, no 1, Winter 2009, pp.34-37<br />
Mark Yee Fun: Recent Pottery <strong>of</strong> Mark Yee Fun, Hong Kong, Arts Centre, 1983<br />
Nancy Chu Woo: Asian Art News, 2, no.3, May June 1992.<br />
Ong, Jimmy: review, Art AsiaPacific 28, 2001<br />
Pan Xing Lei: Chen, Shieh-Wen, ‗When Art Clashes in the Public Sphere – Pan Xing Lei‘s Strike <strong>of</strong><br />
Freedom Knocking on the Door <strong>of</strong> Democracy in Hong Kong‘.<br />
Po Chung: review, Asian Art News, vol. 15, no. 1, 2005.<br />
Ren Rong: Binks, Hilary, ‗Shifting the limits‘ Asian Art News, vol. 7, no. 3, May/June 1997.<br />
Sah, Cynthia: Asian Art News, 2, no.4, Jul/Aug 1992.<br />
Shieh, Wilson: Chiu, Caroline, ‗Where I Work – Wilson Shieh‘, ArtAsiaPacific, no. 49, 2006; Goodbody,<br />
Bridget, ‗Wilson Shieh: Perhaps, Perhaps, Perhaps‘, ArtAsiaPacific, no. 46, 2005; review, Asian Art<br />
News, vol. 15, no. 4, 2005.<br />
Shieh, Wilson: Findlay, Ian, ‗The magic <strong>of</strong> fine line‘, Asian Art News, vol.11, no.6, 2001<br />
Shircore, Pat Elliott: Hacker, Arthur, [The past in process‘ Asian Art News, vol.7, no.5, 1997.<br />
Su Angela Sai Kee: Kember, Pamela., ‗From Science to Art‘, in Asian Art News, Vol.13, No.1,<br />
January/February 2003, p.64-67.<br />
Su, Angela Sai Kee: Kember, Pamela, ‗From Science To Art‘, On Angela Sai Kee Su, Asian Art News, vol.<br />
13, no. 1, January/February 2003<br />
The Para/Site Collective: Para/Site Art Space, ‗Navigating the dot‘, Yishu: Journal <strong>of</strong> Contemporary Chinese<br />
Art, vol.2, no., June 2003; Thomson, Jonathan., ‗The Collective Mind‘, in Asian Art News, Vol. 13,<br />
No. 3, May/June 2003, p.40-43.;Chan, Kaiyin., Kan Liang Yee-Woo Evelyna, Lau Kin-Wah<br />
Jaspar, Leung Wan-Yee Janice, Leung Chin-Fung Jeff, Li Man-Wai Tim, Man Ching-Ying,<br />
Phoebe, Tamshui, Tsang Tak-Ping, Wong Chi-Hang Sara, Yeung Yang, ‗Para/Site Collective‘,<br />
Lin, Shumin, ‗Limbo Zone‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003,<br />
p19-20.<br />
Ting Yen-yung [Ding Yanyong], Hong Kong, Arts Centre, 1979<br />
Ting, Walasse: Millichap, John, ‗Against the Tide‘, Asian Art News, 9:1 1999
76<br />
Toh Kee-cheung: Lee, Jack, ‗Toh Kee-cheung‘s Biography in Brief‘, in Hong Kong Visual Arts Yearbook,<br />
Harold Mok ed., v. 1, 2008, pp. 63 – 70.<br />
Tsang Kin Wah: ‗Tsang Kin Wah‘ (review), ArtAsiaPacific, no. 46, 2005; review, Asian Art News, vol. 15,<br />
no. 4, 2005.<br />
Tsang Tsou Choi: Thomson, Jonathan., ‗A Vision from the Margins‘, in Asian Art News, Vol. 14, No. 1,<br />
January/February 2004, p.48-51.<br />
Tse Kui Ying: Hong Kong, Arts Centre, 1979<br />
Tung Hing Yee: review, Asian Art News, vol.9, no.5, 1999<br />
Van Lau: Sculpture <strong>of</strong> Hong Kong Space Museum, 1978?<br />
Wong Alan: Alan L. Wong, Hong Kong, City Hall, April 1962; Alan L. Wong, Hong Kong, City Hall,<br />
October 1963<br />
Wong Hung-fei: Lee, Patrick: Binks, Hilary, ‗Visions dark, dreams fantastic‘, Asian Art News, vol.9, no.1,<br />
1999<br />
Wong Wai Yin: Thomson, Jonathan, ‗Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in<br />
World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49<br />
Wong Yan Kwai / Yank Wong: review, Asian Art News, vol.9, no.5, 1999<br />
Wong, Alan: Binks, Hilary, ‗A poet among painters‘, Asian Art News, vol.9, no.3, 1999<br />
Wong, Yank: Victor Lai, ‗Yank Wong‘, Asian Art News,vol.5, no2., March/April 1995.<br />
Woo, Nancy Chu: Watson, Robert C., ‗The dynamics <strong>of</strong> nature‘, Asian Art News, vol.11, no.2, 2001<br />
Wu Francis: Francis Wu, Hong Kong, Arts Centre, 1980<br />
Wu, Annie: review, Asian Art News, vol.9, no.5, 1999<br />
Wucius Wong [Wang Wuxie]: ‗Janus <strong>of</strong> the Chinese Vision‘, Orientations, September 1976; ‗The Inscapes<br />
<strong>of</strong> Wucius Wong‘, Orientations, May 1980 ;Wucius Wong, Hong Kong, Museum <strong>of</strong> Art, 1979;<br />
Wucius Wong, New York, Hanart, 1989, Binks, Hilary, ‗A Voyage Between Cultures‘, Asian Art<br />
News 9:3 1999; Chang, Arnold, Ring <strong>of</strong> Fire: The Art <strong>of</strong> Wucius Wong, New York, Kaikodo, 1998;<br />
Findlay, Ian, ‗The Need for Change‘ (interview with Wucius Wong), AsianArtNews, Vol. 19 No. 1<br />
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487 p.<br />
CHINA-OVERSEAS<br />
General Works<br />
‗USA East Coast‘, supplement, Asian Art News, vol.4, no.1, Jan-Feb 1994.<br />
‗USA West Coast‘, supplement, Asian Art News, vol.4, no.5, Sept-Oct 1994.<br />
Agahari, Rae, Beyond representation and difference: identity, migration, practice, A study <strong>of</strong> Eleven Asian Artists in<br />
Australia, B.A.Honours Thesis, Power Department <strong>of</strong> Fine Arts, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1994.<br />
Barmé, G., ‗Travelling Heavy: The Intellectual Baggage <strong>of</strong> the Chinese Diaspora‘, Problems <strong>of</strong> Communism,<br />
Volume XL, January-April 1991.<br />
Chang, Y.C. ed., China-Paris [1918-1960], Taibei, Taibei Fine Arts Museum, 1988
88<br />
Chiang, Yenchou, ‗Charting his Own Course‖, [Lee Kar-siu in Paris], Asian Art News, vol.4, no.1, Jan-<br />
Feb 1994.<br />
Chiba Shigeo in ―Chûgoku‖: Ajia no Nami, Fan Zhongming, Cai Guoqiang, Wang Xinping, Tôkyô, Tôkyô<br />
Gallery, 11-23 March 1991.<br />
Chiba Shigeo in Seisei 15-Nen, Chûgoku Gendai Bijutsu no Ayumi, Tôkyô, Tôkyô Gallery, 29 November to<br />
18 December, 1993. [Huang Rui, Ma Desheng, Wang Keping, Ai Weiwei, Yang Yiping, Yan Li;<br />
exhibition text by Li Xianting}.<br />
China Dream – Another Flow <strong>of</strong> Chinese Modern Art (Catalogue on Chinese Trade Painting) Fukuoka Asian<br />
Art Museum, 2004<br />
Chiu, Melissa, ‗Asian Contemporary Art in New York: A Curator‘s Perspective‘, in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.111.<br />
Clark, J., ‗Chinese Painters drawn to the magnet <strong>of</strong> Paris‘, Far Eastern Economic Review, 18-12-1986<br />
Clark, John, ‗Dilemmas <strong>of</strong> (Dis-) Attachment in the Chinese Diaspora‘, Visual Arts + Culture, vol.1,<br />
no.1, 1998.<br />
Cohen, J.L., ‗China‘s Artists Testing Wings in the West‘, Asian Wall Street Journal, 20/21-1-1984<br />
Ducrest, Jean-Pierre, ‗La peinture chinoise contemporaine et la France‘ special issue <strong>of</strong> Bulletin<br />
Association Française des amis de l‘Orient, no.44, Hiver 1999.<br />
Endô Nozomi, ‗The Asian Art Show: Problems involved in the planning <strong>of</strong> Exhibitions <strong>of</strong><br />
Contemporary Asian Art, Tôkyô‘, in Dai 4-Kai Ajia Bijutsuten [translated by Anderson, Stanley],<br />
Tôkyô ,Setagaya Bijutsukan, 1995.<br />
Findlay, I., ‗In from Exile‘, [James Chan Leong], Asian Art News, vol.4, no.6, November-December<br />
1994.<br />
Findlay, Ian, ‗Against the grain‘ [Hoo Mojong], Asian Art News, vol.5, no.3, Jul/Aug 1995.<br />
Fukunaga Osamu, Miyatake Hiroshi, Obigane Akio, Uchida Hideo eds., Creativity in Asian Art Now: Part<br />
3, Asian Installation Work [ translated by McClintock, Margaret], Hiroshima, Hiroshima City<br />
Museum <strong>of</strong> Contemporary Art & Tôkyô , Asahi Shimbun, 1984.<br />
Garrett, Louise, ‗Living in Time, Contemporary Artists from China‘ (Germany), Art Asia Pacific, No.34,<br />
2002.<br />
Hacker, Arthur, ‗In search <strong>of</strong> tranquility‘, [Christopher Cheung], Asian Art News, vol.7, no.5, September<br />
/ October 1997.<br />
Hay, J., ‗Ambivalent Icons: works by five Chinese artists based in the United States‘, Orientations, 23,<br />
no.7, July 1992.<br />
Hou Hanru, Uncertain Pleasure: Chinese Artists in the 1990s, Vancouver, Art Beatus, 1997 [Review: Tsang,<br />
Henry, Art AsiaPacific, no.17, 1998]<br />
Huangfu Binghui, In and Out: Contemporary Art from China and Australia, Singapore, LaSalle -SIA College<br />
<strong>of</strong> the Arts, 1997 [Review: Art AsiaPacific, no.17, 1998].<br />
Jana, R., ‗Assimilation or Alienation?‘, Asian Art News, vol.4, no.6, Nov-Dec 1994.<br />
Kayser, Christine, ‗In search <strong>of</strong> ultimate things‘ [Zao Wou-ki /Zhao Wuji], Asian Art News, vol.6, no.4,<br />
July/August, 1996<br />
Kember, Patricia, ‗Hairlooms‘ [Gu Wenda], Asian Art News, volume.7, no.5, September / October<br />
1997.<br />
Levin, G., ‗Changing Cultures: The recent immigration <strong>of</strong> Chinese artists to the U.S.‘, Asian Art News,<br />
vol.4, no.5, Sept-Oct 1994.<br />
Liu, Manni & Park, Jung E., ‗Bridging the old and new worlds‘, [Lampo Leung], Asian Art News, vol.7,<br />
no.5, September / October 1997.<br />
Magnan, K.F., ‗Blending Myth and Reality‘ [Tony Wong], Asian Art News, vol.4, no.6, Nov-Dec 1994.<br />
Millichap, John, ‗Moments <strong>of</strong> Time‘ [Yang Diu in Paris], Asian Art News, vol.6, no.5, September /<br />
October, 1996.<br />
Pierquin-Tian, O., Peintres et Sculpteurs Chinois a Paris, 1947-1987, Paris, Centre Chine, Maison des<br />
Sciences de l‘Homme, 1987
89<br />
Su Ruiping,ed., Overseas Chinese Artists Exhibition / Haiwai Yishujia Zhuanji, Taibei, Taibei Fine Arts<br />
Museum, 1984.<br />
Thea, Carolee., ‗On the Mid-ground: Hou Hanru: Selected Texts‘ (book review), in Art AsiaPacific, Issue<br />
38, Fall 2003, p.88.<br />
White Julia M., et al., Images Collecting: an exhibition <strong>of</strong> Tseng Yoho‘s works, (bilingual catalogue) Taipei,<br />
National Museum <strong>of</strong> History, 2002 [Ceng Youhe]<br />
Yang, Alice, Why Asia? Contemporary Asian and Asian American Art, New York, New York <strong>University</strong><br />
Press, 1999.<br />
Zhang Zhaohui, ‗Seeking a Spirit from history‘, Asian Art News, vol. 15, no. 1, 2005.<br />
Individual Artists<br />
Chan, Paul: Kent, Rachel, ‗Paul Chan. Art in Reverse‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 140<br />
- 143.<br />
Chann, George: Findlay, Ian, ‗The Sentiment <strong>of</strong> Memory‘, Asian Art News, vol. 16, no. 4, 2006.<br />
Jia Juanli: Findlay, Ian, ‗Reflections on a Court Life‘, Asian Art News, vol. 15, no. 6, 2005.<br />
Sanyu/Chang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ;<br />
Wong, Rita, Sanyu: l‘écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay,<br />
Koutozis, Krebs &Wong].<br />
Modern Chinese Art, Texts by John Clark:<br />
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications,<br />
2007.<br />
Clark, John, Modernities <strong>of</strong> Chinese Art, Singapore, Institute <strong>of</strong> Contemporary Art, 2007<br />
Clark, John ‗Post-modernism and recent expressionist tendencies in Chinese oil painting‘, Asian Studies<br />
Review, vol.15, no.2, November 1991.<br />
Clark, John, ‗‗Problems <strong>of</strong> Modernity in Chinese Painting‘, Oriental Art, New Series, XXXII, no.3, 1986,<br />
270-283, reprinted as Chapter Three here.<br />
Clark, John, ‗A Tale <strong>of</strong> Two Cities‘ [Beijing and Taibei], Art Monthly [Australia], no.29, April 1990,<br />
Clark, John, ‗Academicism in Chinese oil painting and a nascent avant-garde in the 1980s‘, in Duro,<br />
Paul, ed., Perspectives on Academic Art, Occasional Papers III, The Art Association <strong>of</strong> Australia,<br />
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Clark, John, ‗The Chinese Artists‘ Association‘, Art Monthly [UK], May 1986<br />
Clark, John, ‗Art and Modernism in China, 1900-97: A review and documentation‘, Journal <strong>of</strong> the Oriental<br />
Society <strong>of</strong> Australia, vol.29, 1997, 50-73.<br />
Clark, John, ‗Beyond Exile‘ in Modern Chinese Art Foundation, Provincie Bestuur van Oost-Vlaanderen,<br />
1999;<br />
Clark, John, ‗Chinese Artists in Paris‘, Far Eastern Economic Review, 16.12.1986. [Chinese translation:<br />
Meishu Shichao, Nanjing, no.4, 1987, 31-33].<br />
Clark, John, ‗Histories in the Modern‘, in Murray, Graeme; Syme, Meg; Knight, June; eds, Reckoning with<br />
the past: Contemporary Chinese Painting, Edinburgh, Fruitmarket Gallery, 1996, 17-20<br />
Clark, John, ‗La Peinture moderne à Taiwan‘ [traduit par Pierre-Étienne Will et Anne Cheng], Études<br />
Chinoises, vol.VII, no.1, Printemps, 1988, 29-63,<br />
Clark, John, ‗Liu Guosong‘s: The Road <strong>of</strong> Chinese Painting‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vols<br />
27 & 28, 1995-96, 33-56.<br />
Clark, John, ‗Modernity in Chinese Art, 1850s-1990s: some chronological materials‘, Journal <strong>of</strong> the<br />
Oriental Society <strong>of</strong> Australia, vol.29, 1997, 74-169, reprinted as Chapter Twenty Three here.<br />
Clark, John, ‗Official Reactions to Modern Art in China since the Beijing Massacre‘, Pacific Affairs,<br />
September, 1992, 334-352.<br />
Clark, John, ‗Dilemmas <strong>of</strong> (Dis-) attachment in the Chinese Diaspora‘, Paroissien, Leon, ed., Visual<br />
Arts and Culture, Volume 1, Part 1 (1998)<br />
Clark, John, ‗Playing with the Stars: Guan Wei‘s styles‘, essay for Guan Wei Exhibition Catalogue, Dr.<br />
Earl Lu Gallery, La Salle SIA, Singapore, 2000, 6-11.
90<br />
Clark, John, ‗Pop goes the Maosell‘, [Review <strong>of</strong> Mao Goes Pop, see Jose ed., below 1993], Art Monthly<br />
Australia, no.61, July [see also letters by Nicholas Jose & Huangfu Binghui in no.62 and Clark in<br />
no.63];<br />
Clark, John, ‗Problems <strong>of</strong> Modern Painting beyond Byzantium‘, Papers in Far Eastern History, Australian<br />
National <strong>University</strong>, Department <strong>of</strong> Far Eastern History, no.41, March 1990, pages 109-123.<br />
Clark, John, ‗Realism in Revolutionary Chinese Painting‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, July<br />
1991.<br />
Clark, John, ‗Some sketches <strong>of</strong> Modern Chinese Painting I, Beijing; II, Hong Kong, 1981; previously<br />
unpublished.<br />
Clark, John, ‗Swimming in the Transcultural Sea: John Young‘, Asian Art News, vol.4, no.3, May/June,<br />
66-69, 1994..<br />
Clark, John, ‗Taiwanese Painting and Europe‘, in Shaw, Yu-ming ed., China and Europe, Institute <strong>of</strong><br />
International Affairs, Taibei, 1986, 43-60.<br />
Clark, John, ‗Taiwanese Painting under the Japanese occupation‘, Journal <strong>of</strong> Oriental Studies, XXV, no.1,<br />
1987, 63-105.<br />
Clark, John, ‗The Exile‘s Return‘, Far Eastern Economic Review, June 28, 1984.<br />
Clark, John, 1998 ‗Dilemmas <strong>of</strong> [dis-]attachment in the Chinese diaspora‘, Visual Arts + Culture, vol.1,<br />
no.1, 1998.<br />
Clark, John, Ed., Chinese Art at the end <strong>of</strong> the Millenium, Beijing & Hong Kong, New Art Media, 2000<br />
Clark, John, Modern Asian Art, <strong>Sydney</strong>, Craftsman House & Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press,<br />
1998<br />
Clark, John, Stylistics section from ‗Modernity in Chinese and Thai Art <strong>of</strong> the 1980s and 1990s: Artists,<br />
Works, Institutions; A preliminary work-in-progress report on the Chinese Case‘ delivered in<br />
1999 at the Annual Conference <strong>of</strong> the Art Association <strong>of</strong> Australia and New Zealand.<br />
Clark, John., ‗Alors, la Chine?‘, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71.<br />
Clark, John., ‗Painting in Taiwan after 1945: A Political and Economic Background‘, in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol. 2, No.1, March 2003, p.62-76.<br />
JAPAN<br />
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Busson, Dominique, L'artisanat du Japon, Paris, Hermé, 2004, 123 p.<br />
Collectif, Butô(s), textes réunis et présentés par Colette Aslan et Béatrice Picon-Vallin, Paris, CNRS<br />
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Collectif, Casques, masques et armures des seigneurs de l‘ancien Japon /Helmets, Masks and armor <strong>of</strong> the Lords <strong>of</strong> old<br />
Japan, éd. bilingue, Paris, Torii links, 2003, 207 p.<br />
Collectif, Estampes japonaises : splendeurs du monde flottant au Grand Palais, Paris, nº hors-série de " Télérama<br />
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Collectif, Images du monde flottant. Peintures et estampes japonaises, XVIIe-XVIIIe siècles, Galeries nationales<br />
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Réunion des musées nationaux, 2004, 398 p.<br />
Collectif, Isamu Noguchi Sculptural Design, Maison de la Culture du Japon à Paris, Vitra Design Museum,<br />
2002, 320 p.<br />
Collectif, Kuroda, Paris, Maeght, 2002, 230 p.<br />
Collectif, Les arts du Japon à l‘époque d‘Edo, 1603-1868 : peinture, sculpture, estampe, porcelaine, textile, laque,<br />
armure, cat. d‘expo. Musée des beaux-arts de Valenciennes, Tournai (Belgique), La Renaissance du<br />
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Collectif, Moriyama Daidoh, cat. d‘expo. à la Fondation Cartier pour l‘art contemporain, Paris / Arles,<br />
Fondation Cartier / Actes Sud, 2003, 160 p.
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Collectif, Narahara Ikko : photographies 1954-2000, catalogue d‘expo. à la MEP, Paris, Maison européenne<br />
de la photographie, 2003, 211 p.<br />
Collectif, On Kawara. Consciousness, Meditation, Watcher on the Hills, cat. de l‘exposition au Consortium et<br />
à l‘Ikon Gallery, Dijon / Birmingham, Presses du réel / Ikon, 2002, 334 p.<br />
Collectif, Petites natures ?, installations de Kôichi Kurita et Yoshihiro Suda, texte de Dominique Truco,<br />
Paris, Maison de la culture du Japon, 2004, 16 p.<br />
Collectif, Ukiyo-e : 1730-1830 à Edo, Paris, Galerie Tanakaya, 2004, 84 p.<br />
Collectif, Within shops, éd. trilingue franç.-angl.-néerlandais, Berlin, Feierabend, 2003.<br />
Collectif, Yôkaï — Bestiaire du fantastique japonais, Paris, Maison de la culture du Japon, 2005, 144 p.<br />
Collectif, Yokoo Tadanori, catalogue d‘exposition, trad. Dominique Palmé, co-édition Fondation Cartier<br />
et Actes Sud, 2006.<br />
Conant, Ellen P (ed.), Challenging Past and Present : the metamorphosis <strong>of</strong> nineteenth-century Japanese art,<br />
Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2006.<br />
Clark, J., ‗Modernity in Japanese Painting‘, Art History, vol.9, no.2, June 1986, pp.213-231.<br />
Clark, J., ‗Some Models in Japanese Art History‘, The Burlington Magazine, vol.CXXVIII, no.1005,<br />
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Genshoku Gendai Nihon no Bijutsu [Modern Japanese Art in Natural Colours, text in Japanese only but<br />
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Date, Toshio, Outils japonais : tradition, esprit et usages, Vial, 2004.<br />
Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005.<br />
Delay, Nelly, L‘estampe japonaise, Hazan, Paris, 2001, 328 p.<br />
Delay, Nelly, Le jeu de l'éternel et de l'éphémère, Arles, P. Picquier, 2004.<br />
Delay, Nelly, Le monde des estampes japonaises, Paris, Gallimard, collection " Découvertes ", 2004.<br />
Delay, Nelly, Le regard audacieux : Peintres japonais de la tradition non conformiste, Paris, Phébus, 2005.<br />
Deneyer, Marc, Kujoyama, Cognac, Le Temps qu‘il fait, 2005, 146 p.<br />
Elisseef, Danielle, Les arts de l‘Extrême-Orient, Paris, PUF, coll. Que-sais-je ?, n° 77, 2003, 128 p.<br />
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Faure, Robert, L'esprit du geste : philosophie et pratique de la peinture à l'encre de Chine tch'an et sumi-e, Éd. du<br />
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Fei Ling and Pons, Philippe, Jeunes Japonais : vertige des corps, Paris, Autrement, 2002, 158 p.<br />
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Stewart David B., Yatsuka Hajime, Arata Isozaki : architecture, Los Angeles : Museum <strong>of</strong> Contemporary<br />
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Suzuki, H., ‗The "Blown Ro<strong>of</strong>" in Modern Japanese Architecture‘, Japan Echo, XIV, 1, 1987<br />
Suzuki, Shodo, Shodo Suzuki : Japanese landscape design = Suzuki Shodo no sekai : rando sukepu dezain, Tokyo :<br />
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Tadao Ando / a co-production, Michael Blackwood Productions, Saarlandischer Rundfunk. New York,<br />
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Takamatsu, Shin, The killing moon : and other projects / Shin Takamatsu. London : Architectural<br />
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Takamatsu, Shin, Works : the architectural <strong>of</strong> Shin Takamatsu, 1st ed. Tokyo, Japan : Graphic-sha, 1984.<br />
Takenaka Komuten, Ltd, Building for progress, [Osaka, 1950]<br />
Tanaka Kyokichi, ‗Quest for Tokyo in the Future‘, The Japan Architect, vol.63, June 1988.<br />
Tange Kenzo, & Kawazoe Noboru, Ise: Portotype <strong>of</strong> Japanese Architecture, Cambrdige, MIT, 1965.<br />
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Tokyo Metropolitan Teien Art Museum, Tokyo-to Teien Bijutsukan : the building and its history. English<br />
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Pollock, Naomi, Modern japanese house, Paris, Phaidon, 2005, 228 p.<br />
Rambach, Suzanne, RAMBACH Pierre, L‘art de dresser les pierres : autour de Sakutei-ki, le Japon au prisme des<br />
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133<br />
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+ Urbanism, 12, 1975<br />
Takamura Hideya, Japanese aesthetics in the commercial environment, Tokyo : Process Architecture, 1984.<br />
Temin, Christine, ‗Yoshio Taniguchi: Transforming Trash and Treasure‘, ArtAsiaPacific, no. 49, 2006.<br />
Yagi, Koji, Japan : climate, space, and concept, Tokyo : Process Architecture Publishing Co., 1981.<br />
Architectural Bibliographies<br />
(Architects listed with surname second)<br />
A103 Oct. 1979, Arata Isozaki, A336 Sep. 1980 Masato Otaka,<br />
A1070 Oct. 1983 Japanese Exposition Architecture, A703 Apr. 1982 Kazuo Shinohara, A1188 Jun.<br />
1988 Contemporary Japanese Domestic Architecture,<br />
A1085 Nov. 1983 An Architectural Guide to Tokyo, A753 Jun. 1982 Shinichi Okada, A1447 Jan. 1978<br />
Architectural Planning and Landscape Architecture in Japan, A65 Aug. 1979 Kisho Noriaki<br />
Kurokawa, A1122 Jan. 1984 Fumihiko Maki.<br />
A125 Nov. 1979 Togo Murano, A104 Oct 1979 Shizutaro Abe,<br />
A302 Aug. 1980 Kiyoshi Seike, A124 Nov. 1979 Kunio Maekawa,<br />
A340 Oct. 1980 Takeo Satow (Sato), A335 Sep. 1980 Isoya Yoshida,<br />
A835 Oct. 1982 Minoru Takeyama, A474 Apr. 1981 The Gardens <strong>of</strong> Japan,<br />
Cable, Carole, Contemporary Japanese domestic architecture : a bibliography <strong>of</strong> articles from 1963 to 1983 / Carole<br />
Cable. Monticello, Ill. : Vance Bibliographies, [1984]<br />
Cable, Carole, Fumihiko Maki : a bibliography / Carole Cable. Monticello, Ill. : Vance Bibliographies,<br />
[1984]<br />
Harmon, Robert B. (Robert Bartlett), The dimensions <strong>of</strong> Japanese architecture : a selected bibliography / Robert<br />
B. Harmon. Monticello, Ill. : Vance Bibliographies, 1979.<br />
Hugo-Brunt, Michael, Bibliography on Japan; architecture, planning and landscape architecture, Monticello, Ill.,<br />
Council <strong>of</strong> Planning Librarians, Mar. 1974.<br />
N<strong>of</strong>fsinger, James Philip, Lesser published Japanese architects : alphabetically arranged D-G / James Philip<br />
N<strong>of</strong>fsinger. Monticello, Ill. : Vance Bibliographies, 1981.<br />
N<strong>of</strong>fsinger, James Philip, Lesser published Japanese architects : alphabetically arranged, H / James Philip<br />
N<strong>of</strong>fsinger. Monticello, Ill. : Vance Bibliographies, 1981.<br />
N<strong>of</strong>fsinger, James Philip, Lesser published Japanese architects : alphabetically arranged, I / James Philip<br />
N<strong>of</strong>fsinger. Monticello, Ill. : Vance Bibliographies, 1981.<br />
N<strong>of</strong>fsinger, James Philip, Lesser published Japanese architects alphabetically arranged, S-Shibaoka / James Philip<br />
N<strong>of</strong>fsinger. Monticello, Ill. : Vance Bibliographies, 1982<br />
Sweeney, Robert L., Frank Lloyd Wright; an annotated bibliography, Losa Angeles, Hennesy & Ingalls, 1978.<br />
Vance Bibliographies, PO Box 229, Monticello, Illinois 61856:<br />
Vance, Mary A., Architecture in Japan : a bibliography / Mary Vance. Monticello, Ill. : Vance Bibliographies,<br />
[1987]<br />
Vance, Mary A., Tokyo architecture : recent journal articles / Mary Vance. Monticello, Ill., U.S.A. (P.O. Box<br />
229, Monticello 61856) : Vance Bibliographies, [1987]<br />
White, Anthony G. Arata Isozaki and Fumihiko Maki : a bibliographic update / Anthony G. White.<br />
Monticello, Ill., USA : Vance Bibliographies, [1990]<br />
White, Anthony G. Hiromi Fujii and Atsushi Kitagawara : a selected bibliography / Anthony G. White.<br />
Monticello, Ill. : Vance Bibliographies, [c1990]<br />
White, Anthony G. Hiroshi Hara : a selected bibliography / Anthony G. White. Monticello, Ill., USA :<br />
Vance Bibliographies, [1990]<br />
White, Anthony G. Junzo Yoshimura : a selected bibliography / Anthony G. White. Monticello, Ill. : Vance<br />
Bibliographies, [1990]<br />
White, Anthony G. Kazuo Shinohara : a selected bibliography / Anthony G. White. Monticello, Ill., USA :<br />
Vance Bibliographies, [1990]
134<br />
White, Anthony G. Kenzo Tange : a selected bibliography / Anthony G. White. Monticello, Ill., USA : Vance<br />
Bibliographies, [1990]<br />
White, Anthony G. Kiyonori Kikutake : a selected bibliography / Anthony G. White. Monticello, Ill., USA :<br />
Vance Bibliographies, [1990]<br />
White, Anthony G. Kunio Mayekawa : a selected bibliography / Anthony G. White. Monticello, Ill., USA :<br />
Vance Bibliographies, [1990]<br />
White, Anthony G. Shin Takamatsu : a selected bibliography / Anthony G. White. Monticello, Ill., USA :<br />
Vance Bibliographies, [1990]<br />
White, Anthony G. Shiro Kuramata and Masayuki Kurokawa : a selected bibliography / Anthony G. White.<br />
Monticello, Ill. : Vance Bibliographies, [c1990]<br />
White, Anthony G. Three Japanese architects : Isoya Yoshida, Tetsuro Yoshida, Takamasa Yoshizaka : a selected<br />
bibliography / Anthony G. White. Monticello, Ill. : Vance Bibliographies, [c1990]<br />
White, Anthony G. Yoshiro Taniguchi : a selected bibliography / Anthony G. White. Monticello, Ill., USA :<br />
Vance Bibliographies, [1990]<br />
Science, Technology, & Their Representation<br />
Lummis, C.D., ‗Introduction, Japanese critiques <strong>of</strong> technological Society", Journal <strong>of</strong> Social and Political<br />
Theory, 8, 3, Fall 1984.<br />
Matthew, Robert, Japanese science fiction : a view <strong>of</strong> a changing society , London ; New York : Routledge ;<br />
[Oxford, England] : Nissan Institute <strong>of</strong> Japanese Studies, <strong>University</strong> <strong>of</strong> Oxford, 1989<br />
McCormack, G., ‗Manchukuo: Constructing the past‘, East Asian History, 2, December 1991.<br />
Morris-Suzuki, T., ‗Concepts <strong>of</strong> nature and technology in Pre-Industrial Japan‘, East Asian History, 1,<br />
June 1991.<br />
Schodt, F.L., Inside the Robot kingdom: Japan, mechatronics, and the coming robotopia, Tokyo, Kodansha<br />
International, 1988.<br />
‗Technology in Modern Japan‘, Special Issue, Japanese Studies, 13, 2, September 1993, includes Low, M.,<br />
‗The birth <strong>of</strong> Godzilla: Nuclear fear and the ideology <strong>of</strong> Japan as victim‘.<br />
Selected Texts on Modern Japanese Cultural and Intellectual History<br />
Ammann, Jean-Christophe and Araki, Nobuyoshi, Araki Mythologie, Paris, Images modernes, 2001, 252<br />
p.<br />
Arai, Andrea G, ‗The "Wild Child" <strong>of</strong> 1990s Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Bellah, R., Beyond Belief: Essays on Religion in a Post-Traditional World, Harper and Row, 1970<br />
Blacker, C., The Japanese Enlightenment: A Study <strong>of</strong> the Writings <strong>of</strong> Fukuzawa Yukichi, Cambridge UP, 1964<br />
Bowring, R.J., Mori Ogai and the Modernization <strong>of</strong> Japanese Culture, Cambridge UP, 1979<br />
Braisted, W.R., tr. Meiroku Zasshi: Journal <strong>of</strong> the Japanese Enlightenment, Harvard UP, 1976<br />
Cazdyn, Eric M., ‗Representation, Reality Culture, and Global Capitalism in Japan‘, The South Atlantic<br />
Quarterly, 99.4, Fall 2000<br />
Ching, Leo T. S., 1962-, ‗"Give Me Japan and Nothing Else!": Postcoloniality, Identity, and the Traces<br />
<strong>of</strong> Colonialism‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Dale, P.N., The Myth <strong>of</strong> Japanese Uniqueness, Croom Helm, 1986, (rev.: Mulhern, C.L., Japan Quarterly,<br />
XXXIV, 3, 1987), rev. ed. Routledge, 1995.<br />
Doi, T., The Anatomy <strong>of</strong> Dependence, Tokyo, Kôdansha, 1973<br />
Doi, T., The Psychological World <strong>of</strong> Natsume Soseki, Cambridge, Harvard <strong>University</strong> Press, 1981<br />
Figal, Gerald, Civilization and monsters, spirits <strong>of</strong> modernity in Meiji Japan, Durham, Duke <strong>University</strong> Press,<br />
2000<br />
Fukuzawa, Yukichi, tr. Kiyooka, E., The Autobiography <strong>of</strong> Fukuzawa Yukuchi, Columbia UP, 1966<br />
Gluck, C., Japan‘s Modern Myths: Ideology in the Late Meiji Period, Princeton UP, 1985 (rev.: Brown, S.D.,<br />
Monumenta Nipponica, 41, 1, 1986)<br />
Hamaguchi, E., ‗A Contextual Model <strong>of</strong> the Japanese...‘, Journal <strong>of</strong> Japanese Studies, 11, 2, 1 1985
135<br />
Hamaguchi, E., ‗Towards a theoretical dialogue between Asia and the West‘, Japan Foundation Newsletter,<br />
XIV, 4, 1987.<br />
Harootunian, H., Overcome by Modernity, Princeton, Princeton <strong>University</strong> Press, 2000.<br />
Harootunian, Harry D., 1929-, ‗Japan's Long Postwar: The Trick <strong>of</strong> Memory and the Ruse <strong>of</strong> History‘,<br />
The South Atlantic Quarterly, 99.4, Fall 2000<br />
Hsu, F.L.K., Iemoto: The Heart <strong>of</strong> Japan, New York, Halsted Press, 1975<br />
‗The Japanese: Portrait <strong>of</strong> Change‘, Special Issue, Japan Echo, XV, 1988<br />
Irokawa, D., tr. Jansen, M.B., The Culture <strong>of</strong> the Meiji Period, Princeton UP, 1985 (rev.:Marshall, B.K.,<br />
Monumenta Nipponica, 41, 1, 1986. Waswo, A., Journal <strong>of</strong> Japanese Studies, 13, 1, 1987)<br />
Ivy, Marilyn, ‗Formation <strong>of</strong> Mass Culture‘, in Gordon, Andew, ed., Postwar Japan as History¸ Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1993.<br />
Ivy, Marilyn, ‗Revenge and Recapitation in Recessionary Japan‘, The South Atlantic Quarterly, 99.4, Fall<br />
2000<br />
Kamishima, J., ‗Modernization <strong>of</strong> Japan and the Problem <strong>of</strong> "IE" Conciousness‘, Acta Asiatica, 13,<br />
1967<br />
Kasza, Gergory J., The State and Mass Meida in Japan, 1918-1945, Berkeley, <strong>University</strong> <strong>of</strong> California<br />
Press, 1988.<br />
Koschmann, V., Revolution and Subjectivity in Post-War Japan, 1996.<br />
Kuwabara Takeo, Japan and Western Civilization, Tôkyô, Uinversity <strong>of</strong> Tôkyô Press, 1983.<br />
Minami, H., The Psychology <strong>of</strong> the Japanese People, U Toronto P, 1971<br />
Mitchell, R.H., Thought Control in Pre-War Japan, Cornell UP, 1976<br />
Mitchell, R.H., Censorship in Imperial Japan, Princeton UP, 1983<br />
Miyoshi, Masao ed., Postmodernism and Japan, Durham, Duke <strong>University</strong> Press, 1989 [except for two<br />
additions by Isozaki Arata and Oe Kenzaburô, the content is largely the same as the Special<br />
Issue <strong>of</strong> The South Atlantic Quarterly, vol.87, no.3, Summer 1988].<br />
Miyoshi, Masao & Harootunian, H.D., eds., Japan in the World, Durham, Duke <strong>University</strong> Press, 1993.<br />
Miyoshi, Masao, ‗The <strong>University</strong> and the "Global" Economy: The Cases <strong>of</strong> the United States and<br />
Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Najita,T., Harootunian,H.D., ‗Japanese revolt against the West: political and cultural criticism in the<br />
twentieth century‘, in The Cambridge History <strong>of</strong> Japan, vol.6, The Twentieth Century, Cambridge<br />
<strong>University</strong> Press, 1988.<br />
Pyle, K.B., The New Generation in Meiji Japan: problems <strong>of</strong> cultural identity 1885-1895, Stanford UP, 1969<br />
Rimer, J. Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar years, Princeton,<br />
Princeton <strong>University</strong> Press, 1990.<br />
Roden, D., Schooldays in Imperial Japan: a study in the culture <strong>of</strong> a student elite, Berkeley, <strong>University</strong> <strong>of</strong><br />
California Press, 1980<br />
Rubin, J., Injurious to Public Morals: Writers and the Meiji State, U Washington P, 1984<br />
Rubin, J., ‗From Wholesomeness to Decadence: The Censorship <strong>of</strong> Literature under the Allied<br />
Occupation‘, Journal <strong>of</strong> Japanese Studies, 11, 1, Winter 1985.<br />
Shillony, Ben-Ami, Politics and Culture in Wartime Japan, Oxford, The Clarendon Press, 1981.<br />
Shively, Donald, ed., Tradition and Modernization in Japanese Culture, Princeton, Princeton <strong>University</strong><br />
Press, 1971.<br />
Silverberg, M, ‗Modern Girl as Militant‘, in Berstein, Gail Lee, ed. Recreating Japanese Women, 1600-1945,<br />
Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1991.<br />
Silverberg, M, ‗Constructing a new cultural history <strong>of</strong> pre-war Japan‘, in Miyoshi Masao &<br />
Harootunian, H.D. eds., Japan in the World, Durham, Duke <strong>University</strong> Press, 1993<br />
Sugimoto, Y., Arnanson, J.P., Japanese Encounters with Postmodernity, London: KPI, 1995.<br />
Tamanoi, Mariko, ‗A Road to "A Redeemed Mankind": The Politics <strong>of</strong> Memory among the Former<br />
Japanese Peasant Settlers in Manchuria‘, The South Atlantic Quarterly, 99.1, Winter 2000<br />
Tanaka, T., ‗The Acceptance <strong>of</strong> Western Civilization in Japan (Meiji Period)‘, East Asian Cultural<br />
Studies, VI, March 1967
136<br />
Tanizaki Junichirô, In Praise <strong>of</strong> Shadows, [tr. Harper, T.J.. & Seidensticker, Edward G.], New Haven,<br />
Leete‘s Island Books, 1977.<br />
Toyama, S., ‗Reformers <strong>of</strong> the Meiji Restoration and the Birth <strong>of</strong> Modern Intellectuals‘, Acta Asiatica,<br />
13, 1967<br />
Tsurumi, S., An Intellectual History <strong>of</strong> Wartime Japan, Kegan Paul International, 1986.<br />
Tsurumi, S., A Cultural History <strong>of</strong> Post-War Japan, 1945-1980, Kegan Paul International, 1987.<br />
Yanagita, K., tr Morse, R.S., The Legends <strong>of</strong> Tono, Japan Foundation, 1975<br />
Yanagita, K., About our Ancestors: The Japanese Family System, UNESCO, Japanese Ministry <strong>of</strong> Education,<br />
1970.<br />
Yoda, Tomiko, ‗A Roadmap to Millennial Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Yoda, Tomiko, ‗The Rise and Fall <strong>of</strong> Maternal Society: Gender, Labor, and Capital in Contemporary<br />
Japan‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Yoshimoto, Mitsuhiro, 1961-, ‗The <strong>University</strong>, Disciplines, National Identity: Why is There No Film<br />
Studies in Japan?‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Modern Japanese Thought<br />
General Texts on Aesthetics:<br />
Marra, Michele, Modern Japanese Aresthetics: A Reader, Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 1999.<br />
Marra, Michael F., A History <strong>of</strong> modern Japanese Aesthetics, Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2001.<br />
Marra, Michael F., Japanese Hermeneutics: Current Debates on Aesthetics and Interpretation, Honolulu,<br />
<strong>University</strong> <strong>of</strong> Hawai‘i Press, 2002.<br />
Odin, Steve, Artistic Detachment in Japan and the West: Psychic Distance in Comparative Aesthetics, Honolulu,<br />
<strong>University</strong> <strong>of</strong> Hawai‘i Press, 2001.<br />
Okakura Kakuzô [Tenshin]<br />
See under Nihonga<br />
Kuki Shûzô:<br />
Kuki Shûzô, Le problème de la contingence, [tr. Omodaka Hisayuki], Tôkyô, <strong>University</strong> <strong>of</strong> Tokyo Press,<br />
1963.<br />
Kuki Shûzô [tr. Maeno Toshiyuki], Structure de l‘Iki, Tôkyô, Maison Franco-Japonaise, 1984.<br />
Kuki Shûzô, An essay on Japanese Taste: The Structure <strong>of</strong> ‗Iki‘ [tr. Clark, J.; ed. Matsui Sakuko & Clark, J.],<br />
<strong>Sydney</strong>, Power Publications, 1996.<br />
Kuki Shûzô, The structure <strong>of</strong> detachment : the aesthetic vision <strong>of</strong> Kuki Shûzô, (translated by Nara Hiroshi; with<br />
essays by J. Thomas Rimer and Jon Mark Mikkelsen), Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press,<br />
2004.<br />
Kuki and His Times:<br />
Clark, J., ‗The Structure <strong>of</strong> ‗Iki‘ by Kuki Shûzô‘, Asian Culture Quarterly, vol. XII, no.1, Spring 1984.<br />
Clark, J., ‗Sovereign Domains: The Structure <strong>of</strong> Iki‘, Japan Forum, vol.10, no.2, 1998.<br />
Dale, Peter N., The Myth <strong>of</strong> Japanese Uniqueness, London, Croom Helm, 1986 & London, Routledge,<br />
1990.<br />
Heidegger, Martin, ‗A Dialogue on Language‘ in his On the Way to Language, [translated by Peter D.<br />
Hertz], New York, Harper and Row, 1971.<br />
Hosoi Atsuko & Pigeot, Jacqueline, ‗La structure d‘iki‘, Critique, 29, no.308, January, 1973.<br />
Kuno Akira, ‗L‘esthétique de Shûzô Kuki‘ in Tamba Akira, ed., L‘Esthétique contemporaine du Japon, Paris,<br />
CNRS Editons, 1997.<br />
Light, Stephen, Shûzô Kuki and Jean-Paul Sartre: Influence and Counter-Influence in the Early History <strong>of</strong><br />
Existential Phenomenology, Carbondale, South Illinois <strong>University</strong> Press, 1987.<br />
Marra, Michael, Kuki Shuzo: a philospher‘s poetry and poetics, Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2004.
137<br />
Nakano Hajimu, ‗Kuki Shûzô and The Structure <strong>of</strong> Iki‘ in Rimer, J. Thomas, ed., Culture and Identity:<br />
Japanese Intellectuals during the Interwar Years, Princeton, Princeton <strong>University</strong> Press, 1990.<br />
Nomura Masaichi, ‗Sulla struttura dell‘ ―iki‖ di Kuki Shûzô e il sistema del gusto estetico giapponese‘ in<br />
Gururajamanjarika: Studi in Onore di Giuseppe Tucci, Napoli, 1974.<br />
Pincus, Leslie, ‗In a Labyrinth <strong>of</strong> Western Desire: Kuki Shuzo and the discovery <strong>of</strong> Japanese being‘, in<br />
Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke <strong>University</strong> Press,<br />
1993.<br />
Pincus, Leslie, Authenticating Culture in Imperial Japan: Kuki Shûzô and the Rise <strong>of</strong> National Aesthetics,<br />
Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1996 [review by Clark, J. Australian Journal <strong>of</strong> Art, 1997].<br />
Piovesana, G., Recent Japanese Phliosophical Thought, rev. ed., Tôkyô, Enderle, 1973.<br />
Nishida Kitarô:<br />
Adams, Robert, The feasibility <strong>of</strong> the philosophical in early Taishô Japan, PhD dissertation, <strong>University</strong> <strong>of</strong><br />
Chicago, 1991.<br />
Feenberg, A., Arisaka Yoko, ‗Experiential ontology: The origins<strong>of</strong> the Nishida philosophy in the<br />
doctrine <strong>of</strong> pure experience‘, International Philosophical Quarterly, vol.30, no.2, (June 1990), 173- 204.<br />
Nishida Kitarô, An Inquiry into the good, [tr. Abe Masao, Ives, C.], New Haven, Yale <strong>University</strong> Press,<br />
1990.<br />
Nishida Kitarô, Über das Gute, [tr. Pörtner, Peter] Hamburg, Gesellschaft für Natur und Völkerkunde<br />
Ostasiens, 1990.<br />
Watsuji Tetsurô:<br />
Befu Harumi, ‗Watsuji Tetsurô‘s Ecological Approach : its philosophical foundation‘, in Kalland, A. &<br />
Asquith, Pamela J., Japanese Images <strong>of</strong> nature: Cultural Perspectives, London, Curzon Press, 1997.<br />
Bellah, Robert N., ‗ Japan‘s cultural identity: some reflections on the work <strong>of</strong> Watsuji Tetsurô‘, Journal <strong>of</strong><br />
Asian Studies, vol.24, no.4, (August 1965), 573-94.<br />
La Fleur, William A., ‗A turning in Taishô: Asia and Europe in the early writings <strong>of</strong> Watsuji Tetsurô‘, in<br />
Rimer, J. Thomas, ed., Culture and Identity: Japanese Intellectuals during the Interwar Years, Princeton,<br />
Princeton <strong>University</strong> Press, 1990.<br />
Sakai Naoki, ‗Return to the West / Return to the West: Watsuji Tetsurô‘s anthropology and discussions<br />
<strong>of</strong> authenticity‘, in Miyoshi Masao & Harootunian, H.D. eds., Japan in the World, Durham, Duke<br />
<strong>University</strong> Press, 1993<br />
Watsuji Tetsurô, A Climate, [tr.Bownas, G.], Tôkyô, Japanese Government Printing Bureau, about<br />
1961.<br />
Watsuji Tetsurô, ‗The significance <strong>of</strong> ethics as the study <strong>of</strong> man‘, [tr. Dilworth David, A.], Monumenta<br />
Nipponica, vol. 24, no.4, (1971) 395-413.<br />
Modern Japanese History<br />
Austin, L., Japan: The Paradox <strong>of</strong> Progress, New Haven, Yale <strong>University</strong> Press, 1976<br />
Barshay, Andrew, State and Intellectual in Imperial Japan: The public man in crisis, Berkeley, <strong>University</strong> <strong>of</strong><br />
California Press, 1988.<br />
Berger, Gordon Mark, Parties Out <strong>of</strong> Power in Japan, 1931-1941, Princeton, Princeton <strong>University</strong> Press,<br />
1977.<br />
Burks, A.W., ed. The Modernizers, Boulder, Westview, 1985<br />
Crowley, James B., ed., Dilemmas <strong>of</strong> growth in pre-war Japan, Princeton, Princeton <strong>University</strong> Press, 1971<br />
Duus, Peter, Party Rivalry and Political Change in Taishô Japan, Cambridge, Harvard <strong>University</strong> Press, 1968.<br />
Duus, Peter, Scheiner, Irwin, ‗Socialism, Liberalism, and Marxism, 1901-1931‘, in Duus, Peter, ed., The<br />
Cambridge History <strong>of</strong> Japan, vol.6, Cambridge, Cambridge <strong>University</strong> Press, 1988.<br />
Duus, Peter, The Rise <strong>of</strong> Modern Japan, Boston, Houghton Mifflin, 1976.<br />
Garon, S., Molding Japanese Minds: The State <strong>of</strong> Everyday Life, Princeton: Princeton <strong>University</strong> Press, 1997.
138<br />
Gordon, Andrew, Labor and Imperial Democracy in Prewar Japan, Berkeley, <strong>University</strong> <strong>of</strong> California Press,<br />
1991.<br />
Halliday, Jon, A Political History <strong>of</strong> Japanese Capitalism, New York, Pantheon, 1975.<br />
Hane, M., Peasants, Rebels and Outcasts: The Underside <strong>of</strong> Modern Japan, Pantheon, 1982.<br />
Hoston, G., Marxism and the crisis <strong>of</strong> development in prewar Japan, Princeton, Princeton <strong>University</strong> Press,<br />
1986.<br />
Jones, H.J., Live Machines, Vancouver, <strong>University</strong> <strong>of</strong> British Columbia / Croydon, Paul Norbury, 1980<br />
Koschmann, J.V. ed. Authority and the Individual in Japan, Tôkyô, <strong>University</strong> <strong>of</strong> Tôkyô Press, 1978.<br />
Mackie, Vera, ‗Liberation and light: the language <strong>of</strong> opposition in Imperial Japan‘, East Asian History,<br />
no.9, June 1995.<br />
Mitchell, R.H., Thought Control in Prewar Japan, Itahca, Cornell <strong>University</strong> Press, 1976.<br />
Myers, R.H. & Peattie, M.R., The Japanese Colonial Empire, 1895-1945, Princeton, Princeton <strong>University</strong><br />
Press, 1984.<br />
Najita Tetsuo, Hara Kei in the Politics <strong>of</strong> Compromise, 1905-1915, Cambridge, Harvard <strong>University</strong> Press,<br />
1967.<br />
Najita Tetsuo, ‗Japan‘s Industrial Revolution in Historical Perspective‘, in Miyoshi Masao &<br />
Harootunian, H.D. eds., Japan in the World, Durham, Duke <strong>University</strong> Press, 1993.<br />
Nolte, Sharon H., Liberalism in Modern Japan: Ishibashi Tanzan and His Teachers, 1905-1960, Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1987.<br />
Notehelfer, F.G., Kotoku Shusui: Portrait <strong>of</strong> a Japanese Radical, Cambridge UP, 1971.<br />
Silberman, Bernard S. & Harootunian, Harry D., eds, Japan in Crisis: Essays in Taishô Democracy,<br />
Princeton, Princeton <strong>University</strong> Press, 1974.<br />
Smethurst, Richard J., A Social Basis <strong>of</strong> Japanese Militarism: The Army and the Rural Community, Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1974.<br />
Tanaka, Stefan, Japan‘s Orient: Rendering Pasts into History, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1993.<br />
Umetani, N., The Role <strong>of</strong> Foreign Employees in the Meiji Era in Japan, Tokyo, Institute for the Developing<br />
Economies, 1971.<br />
Yoshioka Hiroshi, ‗Samurai and self-colonization in Japan‘, in Pieterse, J.N. & Parekh, B. Eds., The<br />
decolonization <strong>of</strong> the imagination, London: Zed Books, 1995.<br />
Society<br />
DeVos, G.A., Socialization for Achievement, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1973<br />
Fuse, A., ‗Japanese Family in Transition‘, Japan Foundation Newsletter, XIII, 3, 4, 1984.<br />
Hardacre, Helen, Marketing the Menace Fetus in Japan, <strong>University</strong> <strong>of</strong> California Press, Berkeley, 1997<br />
Hendry, J., Webber, J., eds., Interpreting Japanese Society, Anthropological Approaches, Journal <strong>of</strong> the<br />
Anthropological Society <strong>of</strong> Oxford, Occasional Papers, no.5, 1986 (especially Part III. ‗The<br />
Significance <strong>of</strong> Leisure‘)<br />
Honda Masuko 本田和子, Kodomotachi no iru uchū 子ども達のいる宇宙 [The universe in which<br />
children live], Sanseidō, Tokyo, 1980<br />
Imada Erika 今田絵里香, Shōjo no shakaishi 少女の社会史 [A social history <strong>of</strong> girls], Keisō Shobō,<br />
Tokyo, 2007<br />
Ishida, T., Japanese Society, <strong>University</strong> Press <strong>of</strong> America, 1972<br />
Kumakura, I., ‗The Iemoto System in Japanese Society‘, Japan Foundation Newsletter, IX, 4, 1981<br />
Mackie, Vera, Creating Socialist Women in Japan: Gender, Labour and Activism, 1900-1937, Cambridge<br />
<strong>University</strong> Press, Cambridge, 1997.<br />
Mackie, Vera, Feminism in Modern Japan: Citizenship, Embodiment and Sexuality, Cambridge <strong>University</strong><br />
Press, Cambridge, 2003<br />
Maeda Ai, 前田愛 ‗Kodomotachi no hen‘yō – kindai bungakushi no naka de‘ 子ども達の変容—<br />
近代文学史のなかで [The transformation <strong>of</strong> childhood in the history <strong>of</strong> modern literature],<br />
Kokubungaku kaishaku to kyōzai no kenkyū 国文学解釈の研究, 30(12), 1985, pp. 32-41
139<br />
Morse, R., Sugimoto, S., Images <strong>of</strong> Japanese Society, Kegan Paul International, 1986 (rev.: Silverberg, M.,<br />
Monumenta Nipponica, 42, 3, Summer 1987).<br />
Nakane, C., Japanese Society, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1970.<br />
Powers, R.G. ‗The Study <strong>of</strong> Japanese Society: Figments <strong>of</strong> whose imagination?‘, Japan Foundation<br />
Newsletter, X, 5, 1983<br />
Shimokawa Kōshi 下川耿史, Kindai kodomoshi nenpyō (KKN) 近代子ども史年表 [A chronology <strong>of</strong><br />
modern children‘s history] 2 vols, Kawade Shobō Shinsha, Tokyo, 2002.<br />
Smith, R., Japanese Society: Tradition, Self and the Social Order, Cambridge UP, 1985.<br />
‗Symposium on "IE" Society‘, Journal <strong>of</strong> Japanese Studies, 11, 1, Winter 1985.<br />
Takahashi, Yuichiro, ‗Kabuki Goes Official: The 1878 Opening <strong>of</strong> the Shintomi-za‘, in Leiter, S.L. (ed),<br />
The Kabuki Reader, M.E. Sharpe, New York, 2002, pp. 123-151<br />
Tamanoi, Mariko Asano, ‗Songs as Weapons: The Culture and History <strong>of</strong> Komori (Nursemaids), in<br />
Modern Japan‘, The Journal <strong>of</strong> Asian Studies, 50(4), 1991, pp. 793-817.<br />
Tanaka, Stefan, ‗Childhood: Naturalization <strong>of</strong> Development into a Japanese Space‘, in Humphreys, S.C.<br />
(ed), Cultures <strong>of</strong> Scholarship, <strong>University</strong> <strong>of</strong> Michigan Press, Ann Arbor, 1997, pp. 21-56.<br />
Uno, Kathleen S., Passages to Modernity: Motherhood, Childhood and Social Reform in Early Twentieth Century<br />
Japan, <strong>University</strong> <strong>of</strong> Hawaii Press, Honolulu, 1999.<br />
Wakamatsu Shizuko 若松賤子, ‗Kodomo ni tsuite‘ 子供に付て [Regarding children, 1893] in<br />
Wasserman, Michel, Le Sacre de l‘hiver - La Neuvième Symphonie de Beethoven, un mythe de la modernité japonaise,<br />
Paris, Les Indes savantes, 2006, 129 p.<br />
Waswo, A., Japanese Society, 1868-1994, New York, Oxford <strong>University</strong> Press, 1996.<br />
Yokosuka Kaoru 横須賀薫 (ed), Jidōkan no tenkai, kindai Nihon kyōiku ronshū 児童観の展開 vol 5,<br />
Kokudosha, Tokyo, 1969, pp 58-68.<br />
Yokotani Teru 横谷輝, ‗Puroretaria jidōbungaku undō to wa nanika‘ プロレタリア児童文学運動<br />
とはなにか [What is the proletarian children‘s literature movement?], in Muramatsu Sadataka<br />
村松定孝 and Kami Shōichirō 上笙一郎, Nihon jidō bungaku kenkyū 日本児童文学, Miyai<br />
shoten, Tokyo, 1974, pp. 301-313.<br />
Yoshino, Kosaku, Cultural Nationalism in Contemporary Japan: a sociological enquiry, London, New York:<br />
Routledge, 1992<br />
Literary Representations [selected]<br />
Two overall surveys are:<br />
Keene Donald, Dawn to the West: Japanese Literature in the Modern Era, I Fiction, II Poetry and Drama, New<br />
York, Henry Holt and Company, 1984.<br />
Lewell John, Modern Japanese Novelists: A Biographical Dictionary,Tôkyô, Kôdansha International, 1993.<br />
Araki, Nobuyoshi, Love Hotel, trad. du japonais par Karine Chesneau, Denoël, 2004, 240 p.<br />
Copeland, Rebecca L., Lost Leaves: Women writers <strong>of</strong> Meiji Japan, <strong>University</strong> <strong>of</strong> Hawai‘i Press, Honolulu,<br />
2000<br />
Doak, K.M., Dreams <strong>of</strong> Difference: The Japanese Romantic School and the crisis <strong>of</strong> Modernity, Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1994.<br />
Dodd, Stephen, ‗Fantasies, Fairies, and Electric Dreams: Satô Haruo‘s critique <strong>of</strong> Taishô‘, Monumenta<br />
Nipponica, vol.49, no.3, 1994.<br />
Fowler, E., The Rhetroic <strong>of</strong> Confession: Shishôsetsu in Early Twentieth century Japanese Fiction, Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1988.<br />
Ivy, Marilyn, The Discourse <strong>of</strong> Vanishing: Modernity, Phantasm, Japan, Chicago, <strong>University</strong> <strong>of</strong> Chicago Press,<br />
1995.<br />
Jameson, Frederic, ‗Sôseki and Western Modernism‘, in Miyoshi Masao & Harootunian, H.D. eds.,<br />
Japan in the World, Durham, Duke <strong>University</strong> Press, 1993.<br />
Karatani Kôjin, Origins <strong>of</strong> Modern Japanese Literature, Durham, Duke <strong>University</strong> Press, 1993
140<br />
Karatani, Kôjin, Architecture as Metaphor, Cambridge, MIT Press, 1995.<br />
Lippet, Noriko Misuta, Reality and Fiction in Modern Japanese Literature, New York, M.E.Sharpe, 1980.<br />
Maeda Ai, The Text and the City, Fujii, J.A. (ed), Duke <strong>University</strong> Press, Durham, 2004<br />
Minear, Richard H., ‗Review Symposium: Orientalism and the Study <strong>of</strong> Japan‘, Journal <strong>of</strong> Asian Studies,<br />
XXXIX, no.3, May 1980<br />
Miyoshi Masao, Accomplices <strong>of</strong> Silence, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1974.<br />
Monnet, Lisa, Gender and Performance <strong>of</strong> Culture: Reading Contempoirary Japanese Fiction, Stanford, Stanford<br />
<strong>University</strong> Press, 1997.<br />
Monnet, Lisa, ‗Violence, gender, and sexuality,‘ Japan Forum, vol.8., no.1, 1996.<br />
Monnet, Lisa, ‗Montage, cinematic subjectivity and feminism in Ozaki Midori‘s Drifting in the World <strong>of</strong><br />
the Seventh Sense‘, Japan Forum 11:1 1999<br />
Morris, Mark, ‗Barthes/Japan: The texture <strong>of</strong> Utopia‘, in Rix, Alan & Mouer, Ross, ed., Japan‘s Impact on<br />
the World, Japanese Studies Association <strong>of</strong> Australia, 1984.<br />
Murphey, Joseph ‗Economies <strong>of</strong> culture: the Taishô bundan dallies with the Movies.‘ Japan Forum 11:1<br />
1999<br />
Murayama Masao, Thought and Behaviour in Modern Japanese Politics, London, Oxford <strong>University</strong> Press,<br />
1963<br />
Napier, Susan, The Logic <strong>of</strong> Inversion: Twentieth Century Japanese Utopias, Oxford, Nissan Occasional<br />
Papers, no.15, 1991.<br />
Napier, Susan, The fantastic in modern Japanese literature : the subversion <strong>of</strong> modernity, London : Routledge,<br />
1996.<br />
Reichert, Jim, In the Company <strong>of</strong> Men: Representations <strong>of</strong> Male-Male Sexuality in Meiji Literature, Stanford<br />
<strong>University</strong> Press, Stanford, 2006.<br />
Reyns-Chikuma, Chris, Images du Japon en France et ailleurs : Entre japonisme et multiculturalisme, Paris,<br />
L‘Harmattan, 2005, 250 p.<br />
Suzuki Tomi, Narrating the Self: Fictions <strong>of</strong> Japanese Modernity, Palo Alto, Stanford <strong>University</strong> Press, 1996<br />
Tanizaki Jun‘ichiro, Childhood Years: a Memoir, trans. by McCarthy, P., Kodansha, Tokyo, 1988<br />
Web Resources<br />
General sites:<br />
http://www.aaa.org.hk<br />
http://www.universes-in-universe.de/asia/jpn/english.htm<br />
Specific sites:<br />
http://www.dnp.co.jp/artscape/ mostly about contemporary art, has Japanese and English interface<br />
and sections on "art words"<br />
http://www.dnp.co.jp/artscape/reference/artwords/index.html<br />
http://www.dnp.co.jp/museum/nmp/nmp_j/people/people_frame.htmlhttp://www.hiho.ne.jp/gallery/index.htm<br />
people lists<br />
http://www.kodomo.go.jp/gallery/KODOMO_WEB/introduction/introduction_e.html National<br />
Diet Library, International Library <strong>of</strong> Children‘s Literature, visited 14 November 2008.<br />
http://rarebook.ndl.go.jp/ National Diet Library, Rare books database<br />
http://www.mfa.org/ Boston Museum <strong>of</strong> Fine Arts<br />
http://www.musabi.co.jp/list.html Musashino Bijutsu list <strong>of</strong> contributors<br />
http://www.momat.go.jp/search/ National Museum <strong>of</strong> Modern Art collection database<br />
http://plaza.bunka.go.jp/index.html new media, need to register (for free)<br />
http://www.mecenat.or.jp/doko/doko.html Association for Corporate Support <strong>of</strong> the Arts (Mecenat)<br />
list <strong>of</strong> newspaper articles about art but no links directly to the articles.<br />
http://www.asiasociety.org/arts/japan_guide/ The Asia Society‘s introduction to Japanese art page.<br />
http://www.art-museum.city.yokohama.jp/bizyutu/bizy03.html gallery& museum information.
141<br />
Modern Japanese Art: Texts by John Clark<br />
‗Modernity in Japanese Painting‘, Art History, vol.9, no.2, June 1986, 213-231<br />
‗Yôga in Japan: Model or Exception? Modernity in Japanese art, 1850s-1940s: an international<br />
comparison‘, Art History, vol.18, no.2, June 1995, 253-285.<br />
‗Modernism and Traditional Japanese-style Painting‘, Semiotica, 1, 1989, 1-18;<br />
‗Charles Wirgman (1832-1891), recent discoveries and re-evaluations‘, Proceedings <strong>of</strong> the 1988 Japan Studies<br />
Colloqium, London, The British Library, 1990, 261-276.<br />
‗Charles Wirgman‘, in Daniels, G., editor, Britain and Japan: Themes and Personalities, 1859-1991, [Japan<br />
Society <strong>of</strong> London Centennial Volume], London, Routledge and Kegan Paul, The Japan Society, 1991,<br />
54-63<br />
Japanese Exchanges in Art [with other contributions by Luke Gartlan, Colin Osman, and John Fraser],<br />
<strong>Sydney</strong>, Power Publications, 2001.<br />
‗Indices <strong>of</strong> Modernity: Changes in Popular Reprographic representation‘, in Elise K. Tipton and John<br />
Clark eds., Being Modern in Japan: Culture and Society from the 1910s to the 1930s, <strong>Sydney</strong>, Australian<br />
Humanities Research Foundation & Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2000, 25-49.<br />
‗Artist and the State: The Image <strong>of</strong> China in Japanese Painting, 1890s - 1940s‘, in Elise Tipton, ed.,<br />
Society and the State in Interwar Japan, London, Routledge, 1997.<br />
[translation, unpublished] Kumasaka Atsuko, ‗Sanshirô and British Painting‘, 1985, [Japanese original in<br />
Nihon Joshidagaku Kiyô, no.34, March 1985].<br />
‗Surrealism in Japan‘, in Surrealism: Revolution by Night, Lloyd, M., Gott, T., Chapman, C., Australian<br />
National Gallery, Canberra, 204-215.<br />
‗Dilemmas <strong>of</strong> Selfhood: Public and Private discourses <strong>of</strong> Japanese Surrealism in the 1930s‘, published<br />
as ‗Artistic Subjectivity in the Taisho and early Showa avantgarde 1945‘, chapter for Monroe,<br />
Alexandra, ed., Scream against the sky: Japanese Art after 1945, New York, Abrams & The<br />
Guggenheim Museum, 1995, 40-53.<br />
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935 <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales,<br />
1998. [originator <strong>of</strong> exhibition concept, writer <strong>of</strong> catalogue texts, translator <strong>of</strong> catalogue texts].<br />
Surrealism in Japan, [a consolidation <strong>of</strong> the two earlier papers with extensive, previously unpublished<br />
materials] Occasional paper no 28, <strong>of</strong> Japan Studies Centre, Monash Asia Institute, 1997, 80<br />
pages.<br />
‗The Art <strong>of</strong> Modern Japan Three Wars‘, Bulletin <strong>of</strong> the Japanese Studies Association <strong>of</strong> Australia, vol.11, no.2,<br />
August 1991, 38-42.<br />
‗Surface and Subterranean monuments in Modern Japanese Art‘ for The Nature <strong>of</strong> the Masterpiece in Europe<br />
and Japan, Sainsbury Centre <strong>of</strong> the <strong>University</strong> <strong>of</strong> East Anglia, Norwich, September 1997 [to date<br />
only published in Japanese translation].<br />
[Translation] Akasegawa Genpei‘s ‗The art that destroyed itself‘ in Reconstructions, Oxford, Museum <strong>of</strong><br />
Modern Art, 1985;<br />
[Translation] Iida Yoshikuni, ‗Sense <strong>of</strong> liberation in a black-market age‘, [unpublished paper for<br />
Reconstructions Exhibition Symposium, as above].<br />
‗Obscenity Deleted‘, 1979, [unpublished lecture to Institute <strong>of</strong> Contemporary Art on Japanese<br />
pornographic comics].<br />
‗The Conditions for Post-Modernity in Japanese Art <strong>of</strong> the 1980s‘, shortened version without tables in<br />
Sugimoto, Y., & Arnanson, ed., The Postmodernity Debate and the Japanese Experience, London, Kegan<br />
Paul International, 1994, 154-175;; French translation <strong>of</strong> a shortened form as ‗Modernisme et<br />
postmodernisme au Japon (Quelques notes à propos des années 1980)‘ in Tamba Akira ed.,<br />
L‘Esthétique contemporaine du Japon, Paris, CNRS Editions, 1997, 139-146.<br />
Review <strong>of</strong> the ‗Ôsaka Triennale‘, Art & Asia Pacific, 1996, vol.3, no.1.<br />
‗Modernities, Histories: the Japanese Case‘, 1995 [unpublished original <strong>of</strong> following shortened version];<br />
‗Modernités, Histoires; le cas japonais‘, [traduit par Lacoste, J.) in Harry Belleter, ed., Face à<br />
l‘Histoire , Paris, Centre Georges Pompidou, 1996,.
142<br />
‗Asian Modernisms‘ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002,<br />
pp. 102-111.<br />
‗Art History and Alterity: ‗Othering‘ as Process in Modern Asian Art Discourses‘ in Flores, Patrick D.<br />
ed., Commemorative Anthology on the retirement <strong>of</strong> Pr<strong>of</strong>essor Alice G. Guillermo, Manila, <strong>University</strong> <strong>of</strong> the<br />
Philippines, scheduled 2003.<br />
Modern Aesthetics:<br />
‗The Structure <strong>of</strong> "Iki" by Kuki Shûzô‘, Asian Culture Quarterly, 1984, XII, 1, 45-51.<br />
Review <strong>of</strong> Leslie Pincus, Authenticating Culture in Imperial Japan, Berkeley, <strong>University</strong> <strong>of</strong> California Press,<br />
1996, in The Australian Journal <strong>of</strong> Art, vol.XVI, 1997.<br />
Translator and annotator, Kuki Shûzô, An Essay on Japanese Taste - The Structure <strong>of</strong> Iki, [with a foreword<br />
by Nakano Hajimu, Co-edited with notes by John Clark and by Sakuko Matsui], 168 pages,<br />
<strong>Sydney</strong>, Power Publications, 1997.<br />
‗Sovereign Domains: The Structure <strong>of</strong> Iki‘, Japan Forum, vol.10, no.2, 1998, 197-209<br />
―Okakura Kakuzô [Tenshin] and Aesthetic Nationalism‘, forthcoming 2003-06-01<br />
Japanese Architecture:<br />
‗Japanese Architecture‘, Nuttgens, P., World‘s Great Architecture, Paul Hamlyn, London, 1980, 163-179.<br />
Review <strong>of</strong> Chris Fawcett, The New Japanese House, London, Granada Publishing, 1980, Architects‘<br />
Association Quarterly, vol.14, no.2, 1982, 83-84.<br />
‗Japanese Houses‘, Architects‘ Association Quarterly, vol.10, no.4, 1978, 46-47;<br />
Guide Notes:<br />
‗Art Sites in Japan: I Around Ueno‘, TAASA Review, vol.3, no.3, September 1994, 5-6. (507-508))<br />
‗Art sites around Japan II‘, TAASA Review, 1995. (509-511)<br />
KOREA-REPUBLIC OF KOREA<br />
General Works<br />
Kim, Youngna, ―Modern Korean Painting and Sculpture‖ in Clark, John, ed. Modernity in Asian Art,<br />
<strong>Sydney</strong>: Wild Peony Press, 1993, pp. 155-168;<br />
Kim, Youngna, ―The Nude in Modern Korean Painting‖ in Hitono Katachi, Hitono Karada (Human Figure<br />
in the Visual Arts in Asia), Tokyo: Heibonsham 1994, pp. 305-319 (in Japanese);<br />
Kim, Youngna, Modern, after 1910‖ in Korea: Sculpture, The Dictionary <strong>of</strong> Art, vol. 18, London:<br />
Macmillam, 1996, 300-310;<br />
Kim, Youngna,‖Modern Development‖ in Korea: Painting, The Dictionary <strong>of</strong> Art, vol. 18, London:<br />
Macmillam, 1996, pp. 325-327;<br />
Kim, Youngna, ―Korean Art Today: Contemporary Art and Social Change‖ in Visual Arts and Culture,<br />
1998;<br />
Kim, Youngna, ―Recent Contemporary Art and Social Change in Korea‖ in Lee, Sang-oak and Park,<br />
Duk-soo, ed., Perspectives on Korea, <strong>Sydney</strong>: Wild Peony Press, 1998, pp. 137-143;<br />
Kim, Youngna, ―Yi In-song‘s Local Colors: Nationalism or Colonialism‖ in Oriental Arts, Vol. XLVI,<br />
no. 4, 2000, pp. 20-30;<br />
Kim, Youngna, ―Korean Art and Culture at the End <strong>of</strong> the Century‖ in Oh, Kyong-dan, ed., Korean<br />
Briefing 1997-1999, The Asia Society, New York: M.E. Sharp, 2000;<br />
Kim, Youngna, ―Artistic Trends in Korean Painting During the 1930s‖ in Mayo, Marlene and Rimer,<br />
Thomas, ed., Japan and East Asia: War, Occupation, and Creativity, Hawaii: <strong>University</strong> <strong>of</strong> Hawaii<br />
Press, 2001, 121-146;<br />
Kim, Youngna, ―Millet‘s Peasant Image: The Receptive Phenomenon in Asia‖ in Seoul Journal <strong>of</strong> Korean<br />
Studies, Vol. 14, 2001, pp. 233-262;<br />
Kim, Youngna, ―Korean Students in Tokyo in the 1930s: Their Activities with Avant Garde Art‖<br />
(Japanese Language) in Gendai Geijutsu Genkyu, Tsukuba <strong>University</strong>, Vol. 4, 2001, pp. 3-22;
143<br />
Kim, Youngna, ―Let‘s Pause and Talk, Let‘s Pause and Drik‖ in IIAS Newsletter, Leiden: International<br />
Institute for Asian Studies, August 2000, p. 40;<br />
Kim, Youngna, Tradition, Modernity and Identity: Mod/Modern and Contemporary Korean Art, Seoul: Hollym<br />
Publisher with Korea Foundation, 2004 (Forthcoming);<br />
Kim, Youngna, ‗Postwar Abstract Art and Korea‘s Informel‘ in Woo, Hyesoo, Postwar Abstract Art in<br />
Korea and the West: Passion and Expression, Seoul: Samsung Museum <strong>of</strong> Modern Art, 2000<br />
Ahn, En_Young, Translatability and 20th century Korean art (1930s to 1990s), Unpublished PhD<br />
thesis, Australian National <strong>University</strong>, 2003<br />
En Young An, ‗South Korea, democracy and art‘, in Art Monthly Australia, Issu No.: 207, March 2008,<br />
pp. 29 – 33.<br />
‗Introduction to the Modern Oriental Painting <strong>of</strong> Korea‘, Han'guk Kundae Tongyanghwa, Seoul, Hwarang<br />
Namkyong, 1976<br />
Lee, Jiyoon, ‗Beyond Korea: Post 1989 Korean Contemporary Art‘, in TAASA Review. The Journal <strong>of</strong> the<br />
Asian Art Society <strong>of</strong> Australia, v. 17 (1) March, 2008, pp. 9 – 11.<br />
Modern Korea Art Exhibition for the Past 60 years, Seoul, Ministry <strong>of</strong> Information, 1973 [bilingual<br />
catalogue]<br />
National Museum <strong>of</strong> Contemporary Art, ed., 100 Masterpieces <strong>of</strong> Modern Korean paintings (1900-1960),<br />
Seoul, National Museum <strong>of</strong> Contemporary Art, 2002.<br />
National Museum <strong>of</strong> Contemporary Art, ed., A glimpse into Korean Modern Painting,[1920s-1960s] Seoul,<br />
National Museum <strong>of</strong> Contemporary Art, 1998<br />
Pak, Syeung-Gil, ed., Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971<br />
Roe, Jae-Ryung, The representation <strong>of</strong> national identity in Korean Art Exhibitions, 1951-1994, Ph D thesis, New<br />
York <strong>University</strong>, 1995.<br />
Roe, Jae-ryung, Contemporary Korean Art, <strong>Sydney</strong>, Australian Humanities Research Foundation, 2001<br />
Selected Works <strong>of</strong> 100 Modern Korean Sculptors and Painters, Seoul, 1965, [series <strong>of</strong> one volume per artist in<br />
Korean with some details in English]<br />
Selz, P.ed., Contemporary Korean Painting, Berkeley, Asian Humanities Press, 1979.<br />
So Chong-Ae, Public Funding for the Arts in the Republic <strong>of</strong> Korea, unpublished MA Thesis,<br />
Teachers‘ College, Columbia <strong>University</strong>, 2000<br />
Woo, Hyesoo, Postwar Abstract Art in Korea and the West: Passion and Expression, Seoul: Samsung Museum<br />
<strong>of</strong> Modern Art, 2000<br />
Yi Kyong-song, ‗Sixty years <strong>of</strong> Modern Korean Art‘, and accompanying chronology by Yi Ku-yol,<br />
English texts in the Korean catalogue Han'guk Kundae Misul, Seoul, National Museum <strong>of</strong> Modern<br />
Art, 1973.<br />
Yi Kyong-song, Modern Korean Painting, Seoul, Korean National Commission for UNESCO, 1971.<br />
Yoon, Jin-sup, A study on Korean modernism: with emphasis on avant-garde movement since 1956,<br />
Unpublished PhD Thesis, <strong>University</strong> <strong>of</strong> Western <strong>Sydney</strong>, 2000<br />
Individual Artists<br />
Bae Bien-U: Chung, Shinyoung, ‗Where I Work – Bae Bien-U‘, ArtAsiaPacific, no. 48, 2006.<br />
Bahc Yiso: Moon, Iris, ‗Divine Comedy: A Retrospective <strong>of</strong> Bahc Yiso‘ (exhibition review),<br />
ArtAsiaPacific, no. 50, 2006.<br />
Blupers (Rhie Joongjae): Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999<br />
Cho Duck-hyun: Fouser, Robert J., ‗Duck-Hyun Cho and the art <strong>of</strong> ―Memories‖‗, Third Text, no.33,<br />
Winter 1995- 1996. ; Fouser, Robert J., ‗Therapy and Psyche‘, Asian Art News, vol.6, no.2,<br />
Mar/Apr 1996.<br />
Cho Seihon: Fusco, Cassandra, ‗A Dialogue Of People And Place‘, in Asian Art News, v. 17(3), May/June,<br />
2007, pp. 50 – 56.<br />
Choi Hyunsoo: Seo Sounjpu, ‗Choi Hyunsoo, a Korean artist in Paris‘, Art AsiaPacific, vol.3, no.3, 1996.<br />
Choi Jeong-hwa: Lee, James B., ‗ Flim-flam and fabrication: an interview with Korean artist Choi Jeonghwa‘,<br />
Art AsiaPacific, vol.3, no.3, 1996 Asia Pacific, vol.3, no.4, 1996.
144<br />
Choi Jian: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Choi, Sunah: review, Flash Art, vol. XXXVIII, no. 244, October, 2005.<br />
Chung Suejin: review, Flash Art, vol. XXXIX, no. 250, Oct, 2006.<br />
Do-Ho Shu: Kee, Joan, ‗The Singular Pluralities <strong>of</strong> Do-Ho Shu‘, Art AsiaPacific, no.34, 2002. ; Stockman,<br />
Christine, ‗Do-ho Suh. Infinite points <strong>of</strong> Contact‘, in ArtAsiaPacific, No. 59, July/August, 2008,<br />
pp. 118 - 125.<br />
Gimhongsok: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002 ; Shinyoung Chung, ‗Wild Korea‘, in ArtAsiaPacific, No. 54,<br />
Jul/Aug, 2007, pp. 78 – 85.<br />
Ha Bik-chuen: Thomson, Jonathan, ‗Ha Bik-chuen at City Hall Exhibition Gallery‘ (Review) in World<br />
Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 49-50<br />
Ham Jin: Kee, Joan, ‗Ham Jin: Pretty Little Things‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 66-68. ;<br />
Nanjo, Fumio, ‗Ham Jin‘ in Art Asia Pacific, Issue 37 (2003), p. 7<br />
Ham Sup: review, Asian Art News, vol.11, no.4, 2001. ; Binks, Hilary, ‗Paper reborn in art‘, Asian Art<br />
News, vol.10, no.3, 2000<br />
Hong, Jackson: ‗Jackson Hong‘ (review), ArtAsiaPacific, no. 46, 2005.<br />
Hoon Kwak: ‗Hoon Kwak‘, Asian Art News, 2, no.3, May June 1992<br />
Hwang Changha: review, Art in America, vol. 93, iss. 10, Nov 2005.<br />
Hyungkoo Lee: Moon, Iris, ‗The Man Behind the Helmets: Hyungkoo Lee‘ in Art Asia Pacific, No. 41<br />
(Summer 2004), 28-29. ; Ng, Elaine W., ‗Hyunsook Lee: Queen <strong>of</strong> Seoul‘, in ArtAsiaPacific, No.<br />
56, Nov/Dec, 2007, p. 104 - 105.<br />
Jheon Soocheon: Maerkle, Andrew, ‗Jheon Soocheon: On Board the Moving Drawing‘, ArtAsiaPacific, no.<br />
47, 2006.<br />
Jin Yong Lee: ‗Jin Yong Lee‘ (review) ArtAsiaPacific, no. 47, 2006.<br />
Junebum Park: Butt, Zoe, ‗Junebum Park: Master Illusionist‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007, p.<br />
57.<br />
Jung Jong-Mee:, Findlay, Ian, ‗Of memory and culture‘, Asian Art News, vol.11, no.1, 2001<br />
Jung Ye Ondoo: Yukie, Kamiya, ‗Dreamweaver: Jung Ye Ondoo‘ in Art Asia Pacific, No. 39 (Winter<br />
2004), pp. 70-75<br />
Kang Ik-Joong: Kee, Joan. ‗Living on the Edge. Borders and Cultures in the work <strong>of</strong> Ik-Joong Kang.‘ Art<br />
AsiaPacific no.19 1998.<br />
Kang Jin-mo: Findlay, Ian. ‗The Soul <strong>of</strong> Rock: Kang Jinmo.‘ Asia-Pacific Sculpture News 2:1 Winter 1996.<br />
Kang Sun-Mee: Moon, Iris, ‗Kang Sun-Mee at Gallery Biim‘ (Review) in Art Asia Pacific, No. 39 (Winter<br />
2004), p. 85<br />
Kim Beom: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002<br />
Kim Bongtae: Findlay, Ian., ‗A World <strong>of</strong> Color and Space‘, in Asian Art News, Vol. 14, No. 2,<br />
March/April 2004, p.52-57.<br />
Kim Hong Joo: review, Flash Art, vol. XXXVIII, no. 245, November-December, 2005.<br />
Kim Ho-suk: Kim Hyun-do, ‗Disrupture: Politics and history in the art <strong>of</strong> Kim Ho-suk‘, Art AsiaPacific,<br />
no.14, 1997.<br />
Kim Soo-ja, Cho Kyung-sook, Yi Bul, Yun Suk-nam: Kim Sun-jung ‗Bauble, Bangles and beads‘, Art<br />
AsiaPacific, vol.3, no.3, 1996; Fouser, Robert J., ‗Wrapping Everyday Life: Kim Soo-Ja.‘ Asia-<br />
Pacific Sculpture News 2:2 Spring 1996; Schwabsky, Barry, ‗Kim Soo-ja‘, Art & Text 65, 1999;<br />
Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book Series, Kim Soo Ja: A Needle<br />
Woman, Kitakyushu: Center For Contemporary Art, 2000; Wei, Lilly, ‗Kim Sooja at Peter Blum‘,<br />
Art in America, Vol. 90, Issue 9, September 2002; Goodman, Jonathan, ‗Kim Sooja‘ in Art Asia<br />
Pacific, Issue 37 (2003), p. 51<br />
Kim Sora: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002
145<br />
Kim Whanki: Schwabsky, Barry, ‗Kim Whanki‘ [Seoul] Review, Art & Text 67, Nov. 1999- Jan. 2000<br />
Kim Yeong gil: Goodman, Jonathan, ‗Small marks, small spaces‘, Art AsiaPacific, 22, 1999<br />
Kim Youngae: Fusco, Cassandra, ‗An archaeology <strong>of</strong> experience‘, Asian Art News, vol.12, no.3, 2002. ;<br />
Fusco, Cassandra, ‗Traces <strong>of</strong> Time and Change‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007.<br />
Kim, Soo: review, Artforum, vol. 44, Iss. 8, 2006.<br />
Kimsooja: Pasini, Francesca, ed., Kimsooja: To Breathe: Respiare, Charta, Milan, 2006<br />
Ko, Jae: review, Artforum, vol. 45, iss. 5, 2007.<br />
Koo Jeong-A: ‗Koo Jeong-A Wins 2005 Hermes Korea Art Award‘, ArtAsiaPacific, no. 48, 2006. ; Macel,<br />
Christine, ‗Invisible Things‘, Flash Art, vol. XXXVIII, no. 245, November-December, 2005.<br />
Ku Ja-Young: Shinyoung Chung, ‗Ja-Young Ku: Illusion in the Post-Medium Condition‘, ArtAsiaPacific,<br />
no. 51, 2007.<br />
Kwak Hoon: ‗Hoon Kwak‘, Asian Art News, 2, no.3, May June 1992.<br />
Lee Bul: Lee, James B., ‗Desire under siege‘, World Art, no.3, 1995; Fukuoka Asian Art Museum,<br />
Contemporary Asian Artists-I 9Korea), Lee Bul: Monsters+Cyborg, Fukuoka: Fukuoka Asian Art<br />
Museum, 200; H<strong>of</strong>fmann, Frank, ‗Cyborgs and Karaoke‘¸ Art in America, May 2002; Kurzmeye,<br />
Roman, Lee Bul: in media res., Seoul, Ssamzie Art Project, 1999; Lee Bul, ‗Beauty and Trauma‘, Art<br />
Journal, vol.59, 3, Fall 2000; Obrist Hans-Ulrich with Lee Bul, ‗Cyborgs and Silicone‘ in Lee Bul,<br />
Seoul, Artsonje Center, 1998; Fouser Robert J., ‗The question <strong>of</strong> body ownership‘, Art AsiaPacific<br />
28, 2001; H<strong>of</strong>fman, Frank, ‗Lee Bul: cyborgs and karaoke‘, Art in America, May 2002; Kantor,<br />
Jordan, ‗Lee Bul‘, Artforum International, Vol.41, Issue 2, October 2002; H<strong>of</strong>fman, Frank, ‗Lee Bul:<br />
Cyborgs and karaoke‘, Art in America, Vol. 90, Issue 5, May 2002. Lee Bul, Theatrum Orbis<br />
Terrarum, Tokyo, Japan Foundation Asia Center, 2003; Rhee, Jieun, ―From Godess to Cyborg:<br />
Lee Bul and Mariko Mori‖ in N. Paradoxa, Vol. 14, 2004 (July, 2004) ; Lee Bul On Every New<br />
Shadow, Paris, Foundation Cartier pour l‘art contemporain, 2007.; Masters, HG., ‗Lee Bul.<br />
Wayward Tangents‘, in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 126 - 133. ; Lee, James B., ‗Yi<br />
Bul: the aesthetics <strong>of</strong> cultural complicity and subversion‘, Art & Asia Pacific, vol.2, no.2,<br />
Lee Mikyung: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002<br />
Lee, Il: review, Art in America, 94:9 (October 2006)<br />
Lee, Inhyeon: review, Artforum, vol. 45, iss. 4, 2006.<br />
Lee, Kyung-Lim: Cohen, Ronny, ‗New York: Kyung-Lim Lee‘, Artforum International, Vol.33, Issue 1,<br />
September 1994<br />
Lee, Yong-Baek: review, Flash Art, vol. XXXIX, no. 247, March-April, 2006.<br />
Li Chunmok: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Noh, Sang-kyoon: review, Artforum, vol. 44, Iss. 6, 2006.<br />
Paik Nam-jun /Nam June Paik: Tomkins, C., ‗Video Visionary‘, in The Scene: Reports on Post-Modern Art,<br />
New York, Viking Press, 1976; Becker, Williams, ed., Pink Video, Barrytown, Station Hill<br />
Imprints, 1998; Fouser, Robert J., ‗Looking for Chaemi : Nam June Paik and Korean Modernist<br />
Aesthetics‘, in Lee Sang-Oak, Park, Duk-soo, eds., Perspectives on Korea, <strong>Sydney</strong>, Wild Peony, 1998;<br />
Hanhardt, John G., The worlds <strong>of</strong> Nam June Paik, New York, Guggenheim Museum, 2000; Inamori<br />
Foundation Newsletter, no.3, August 1998 [prize citation]; Pacer, Alessandra, Nam June Paik à Vinci,<br />
San Gimignano, Arte Continua, 2002; Rhee Jong-soong, ‗Portapaik, Nam June Paik interviewed‘,<br />
Art AsiaPacific, vol.3, no.3, 1996; Stooss, Toni; Kellein, Thomas, eds., Nam June Paik: Video Time,<br />
Video Space, New York, Harry N. Abrams, 1993. Butt, Zoe, ‗The Moon is the oldest television‘,<br />
TAASA Review, vol.12, no.2, 2003; Rhee, Jieun, ―Reconstructing the Korean Body: Nam June<br />
Paik as Specular Border‖ in Oriental Art, Vol. XLVIII, No. 4 (2002), pp. 47-50 ; Decker-Phillips,<br />
Edith, Paik Video, Station Hill Arts Series, Barrytown, 1998.; Eine Data Base: Nam June Paik, La<br />
Biennale di Venezia, XLV Esposizione Internationale D‘Arte, Edition Gantz, 1993.; Kim, Alice,<br />
‗Coyotes and Wolves: An Interview with Nam June Paik‘, New Art Examiner, vol.28, no.7 (April,<br />
2001), p.41.; Millett, Kate, ‗Bonyari‘, Nam June Paik: Video Time, Video Space, pp.110-13.; Nam June
146<br />
Paik, John G. Hanhardt, Whitney Museum <strong>of</strong> American Art, New York, 1982. ; Nam June Paik:<br />
Videa ‗n‘ Videology 1958-73, Everson Museum <strong>of</strong> Art, Syracuse, New York, 1974. ; Paik, Nam<br />
June, ‗Expanded Education for the Paper-less Society‘ (1968), Nam June Paik: Videa ‗n‘ Videology<br />
1958-73, Everson Museum <strong>of</strong> Art, Syracuse, New York, 1974. ; Paik Nam June, Video Tte, Video<br />
Ttang, National Museum <strong>of</strong> Contemporary Art in Korea, Edition API, 1992. ; Ng, Elaine W.,<br />
‗Nam June Paik: 1932-2006‘, ArtAsiaPacific, no. 49, 2006; Hanhardt, John G., ‗Chance in a<br />
Lifetime‘, Artforum, vol. 44, Iss. 8, 2006; Devenport, Rhana, ‗A Transgressive Duet: Nam June<br />
Paik and Charlotte Moorman in Australia in 1976‘, Art and Australia, vol. 43, no. 1, 2005;<br />
Hanhardt, John, ‗Nam June Paik 1932-2006‘, Art in America, 94:4, April 2006; Goodman,<br />
Jonathan, ‗TV Buddha, Video Fish‘, Art AsiaPacific 29, 2001; Landi, Ann, ‗Screen Idyll‘, Art News,<br />
99, 6, 2000<br />
Park, Ga Hae: review, Art in America, 94.8 (Sept 2006)<br />
Park Seo-Bo: Soon Chun Co and Bloemink, B., Empty the Mind: The Art <strong>of</strong> Park Seo-Bo. New York:<br />
Assouline Publishing, 2009; Park Seo-Bo [Exhibition Catalogue, Beijing], Seoul and Beijing: Arario,<br />
200; Leffingwell, Edward, ‗Park Seo-Bo: at Arario‘, in Art in America 97.3 (March 2009): 146(1)<br />
Rhee, Jong-soong: Rhee, Jong-soong, ‗PortaPaik‘, Art Asia Pacific, vol.3, no.3 (1996), p.54. ;Rhee, Jieun,<br />
Performing the other : Asian bodies in performance and video art, 1950s-1990s, Boston <strong>University</strong> PhD,<br />
2002, AnnArbor <strong>University</strong> icr<strong>of</strong>ilms International, 2002.<br />
SEO: review, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006; review, Flash Art, vol. XXXVIII, no. 240,<br />
Jan-Feb, 2005.<br />
Seung Yul Oh: review, Eyeline, no. 61, Spring 2006.<br />
Shin Mye.ng-eun: Shikata Yukiko, ‗Identity Complex: Shin Myeong-eun deconstructs the dog‘, Art<br />
AsiaPacific, no.17, 1998.<br />
Shin Sang Ok: Cushman, Andy, ‗Shin Sang Ok, 1926-2006‘, ArtAsiaPacific, no. 50, 2006.<br />
Sook Jin Jo: review, Art in America, vol. 93, iss. 4, Apr 2005.<br />
Soong, Path: review, Art in America, vol. 93, iss. 9, Oct 2005.<br />
Sung Neung-Kyung: Green, Charles, ‗Sung Neung-Kyung‘, Artforum International, Vol.40, Issue 8, April<br />
2002<br />
Yong Soon Min: Park, Soyang, ‗Xen: Migration, Labor and Identity. Yong Soon Min with Allan de Souza‘<br />
(review), Third Text, vol. 9, no. 4, 2005.<br />
Yoon Jin-me: ‗Jin-me Yoon: Unbidden‘ (review) ArtAsiaPacific, no. 48, 2006.<br />
Young Sun Lim: review, Art in America, 94:4, April 2006.<br />
Colonial Period<br />
Park, Hyun Ok, ‗Korean Manchuria: The Racial Politics <strong>of</strong> Territorial Osmosis‘, The South Atlantic<br />
Quarterly, 99.1, Winter 2000<br />
Kim Youngna, ‗Artistic trends in Korean painting during the 1930s‘, in Mayo, Marlene J., Rimer J.<br />
Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960,<br />
Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2001, p.121-146.<br />
1950s-1960s<br />
National Museum <strong>of</strong> Contemporary Art, ed., An aspect <strong>of</strong> Korean Contemporary Art – in the 1950s to 1960s,<br />
Seoul, National Museum <strong>of</strong> Contemporary Art, 2000<br />
1970s-1980s<br />
Oh Kwang-su & Kim Bok-young, Korean Contemporary Art from the mid-1970s to mid-1980s: Age <strong>of</strong><br />
Philosophy and Aesthetics, Seoul, National Museum <strong>of</strong> Contemporary Art, 2002<br />
1980s and 1990s<br />
Ahn, En-Young, ‗Slowness <strong>of</strong> Speed‘, Art Monthly Australia, April 1999: 118<br />
Ahn, En-Young, Translatability, Modernism, and Postmodernism, Master <strong>of</strong> Visual Arts Thesis, <strong>Sydney</strong><br />
College <strong>of</strong> the Arts, 1994.
147<br />
Ahn, Soyeon, ‗Korean art in the 1990s‘, Artlink, Vol. 20, No. 2, July 2000<br />
Chattopadhyay, Collette. ‗A Korean WRAPsody.‘ Art AsiaPacific no. 21 1999.<br />
Chiba Shigeo, Ichikawa Masanori, Nakabayashi Kazuo, curators; texts by Chiba Shigeo, Ôno Ikuhiko,<br />
An aspect <strong>of</strong> Korean art in the 1990s, Tokyo, National Museum <strong>of</strong> Modern Art, 1996<br />
Choi, Eunju, ‗Contemporary Korean Art in Pluralism and the Issue <strong>of</strong> ‗Communication‘, Kuroda, Raiji,<br />
The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Choi, Tae-man, ‗Min Joong Art and its Testing Ground‘, Art & Asia Pacific, vol.1, no.4, 1994.<br />
Choi, Tae-man, ‗Min Joong art in Korea: Realism as a communication‘, in Fukuoka Art Museum, 4th<br />
Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.<br />
Choy, Linda, ‗Confucian Feminists‘, Art AsiaPacific, no.33, 2002.<br />
Circulating Currents: Japanese and Korean Contemporary Art, Nagoya, Nagoya Shiritsu Bijutsukan, 1995<br />
Focus on Korea, Art AsiaPacific, vol.3, no.3, 1996<br />
Fouser, Robert J, ‗The Wow Projects: Putting art into circulation‘, Art AsiaPacific, no.35, 2002.<br />
Fouser, Robert J., ‗Canned ambiguity: an exhibition <strong>of</strong> Korean art in Tokyo‘, Art AsiaPacific, no.16,<br />
1997.<br />
Hasegawa Yuko & Carols, Isabel, ―Last words on the Biennial‖ ‘, Flash Art, XXVIII, no.185, Nov/Dec,<br />
1995.<br />
Jung Hun Yee, ‗The Ssack exhibition at the Sonje Museum‘, Art & Asia Pacific, vol.3, no.2, 1996<br />
Jung Hun Yee, ‗The Ssack exhibition at the Sonje Museum‘, Art & Asia Pacific, vol.3, no.2, 1996<br />
Kee, Joan, ‗Confronting multiple colonization in contemporary Korean art‘, in Milford-Lutzker, Mary-<br />
Ann, ed., Postmodernism and the Postcolonial Debate in Contemporary Asian Art, Oakland, Mills, College,<br />
1998.<br />
Kent, Rachel, ‗Slowness <strong>of</strong> speed‘, Art AsiaPacific, 24, 1999<br />
Kim Hyun-do, ‗Videomatic, beauty kitsch and politics in contemporary Korean art‘, Art AsiaPacific,<br />
vol.3, no.3, 1996.<br />
Kim Soun-gui, ‗The Emptiness <strong>of</strong> Emptiness, Dream <strong>of</strong> the Butterfly‘, Art & Asia Pacific, vol.1, no.4,<br />
1994.<br />
Kim Youngna, ‗Korean Art Today: Contemporary Art and Social Change‘, Visual Arts + Culture, vol.1,<br />
no.1, 1998.<br />
Kim Youngna, ‗Recent Contemporary Art and Social Change in Korea‘, in Lee Sang-Oak, Park Duksoo,<br />
eds., Perspectives on Korea, <strong>Sydney</strong>, Wild Peony, 1998.<br />
Kim, Youngna, ‗Korean Art Today: Contemporary Art and Social Change‘, Paroissien, Leon, ed.,<br />
Visual Arts and Culture, Volume 1, Part 1 (1998)<br />
Kim Youngna, ‗Korean arts and culture at the end <strong>of</strong> the twentieth century‘ in Oh Kongdan, ed., Korea<br />
briefing, 1997-1999, challenges and change at the turn <strong>of</strong> the twentieth century, Armonk, Eastgate, 2000<br />
Lee Hwaik, ‗Painting Nothing‘ [monochome painting], Art AsiaPacific, vol.3, no.3, 1996 Gallery,1995.<br />
Lee Yongwoo, Information and Reality: Contemporary Art, Edinburgh, Fruitmarket Gallery, 1995.<br />
Lee, James B., ‗The year <strong>of</strong> art‘, Art & Asia Pacific, vol.2, no.3, 1995.<br />
Lee, James B., ‗Performance Art takes a stand‘ Asian Art News, vol.4, no.6, Nov-Dec, 1994.<br />
Lee, James B., ‗You are not here‘ [Korean art at Edinburgh], Art AsiaPacific, vol.3, no.3, 1996.<br />
Nahas, Dominique, ‗The eye <strong>of</strong> the tiger: a survey <strong>of</strong> contemporary Korean art‘, Art AsiaPacific, no.18,<br />
1998.<br />
Roe Jae-ryung, ‗From Chosun Dynasty to Segehwa‘, Art AsiaPacific, vol.3, no.3, 1996.<br />
Roe Jae-ryung, Contemporary Korean Art, <strong>Sydney</strong>, Craftsman House, 2001 [Ahn, En-Young, review <strong>of</strong> Art<br />
AsiaPacific, 35, 2002]<br />
Roe, Jae-ryung, ‗Korean Art at Home and Abroad: Staging a Culture‘, Art & Asia Pacific, vol.1, no.4,<br />
1994.<br />
Roe Jae-ryung, ‗Novel exposure‘ [Korean photography], <strong>ART</strong> AsiaPacific, no.13, 1997.<br />
Seo Seongrok, ‗Sensibility <strong>of</strong> a New Generation.‘ ‗Asian Art: Prospects for the Future.‘ International<br />
Symposium 1999.<br />
‗Supplement: Korea‘, Asian Art News, vol. 5, no.1, Jan-Feb 1995.
Young Y. Chung. ‗The Traditional Korean Wedding Robe.‘ TASSA Review, 7:3 1998.<br />
148<br />
2000+<br />
‗Contemporary Korean Photography‘ review, Art AsiaPacific, 34, 2002<br />
Ahn En-Young, ‗Reclaiming colours in Korean Art‘, Art Monthly Australia, no.153, September 2002.<br />
Chung, Shinyoung, ‗Yoon-Jean Lee, Bae Bien-U and Sang-Gil Kim: the Silent Seduction <strong>of</strong> Three<br />
Korean Photographers‘, ArtAsiaPacific, no. 48, 2006; ‗The People in the Time 1945-2005 – Sixty<br />
Years <strong>of</strong> Korean Photography‘ (review), ArtAsiaPacific, no. 46, 2005.<br />
Cohn, Don J., ‗Anyang Public Art Project: Out <strong>of</strong> Thin Air‘, in ArtAsiaPacific, No. 57, Mar/Apr, 2008,<br />
pp. 88 - 89.<br />
Goodman, Jonathan, ‗Il Lee, Chun Kwang-Young and Lee Ufan: International Abstraction,<br />
Generational Trajectories‘, ArtAsiaPacific, no. 51, 2007.<br />
Heartney, Elanor, ‗Korean Crossing‘ in Art in America, September 2004), pp. 60-65<br />
Kang Seungwan & Kelley, Jeff, leaning forward, looking back, eight contemporary artists from korea, Seoul,<br />
National Museum <strong>of</strong> Contemporary Art, & San Francisco, Asian Art Museum, 2003<br />
Kee, Joan, ‗Trouble in ―New Utopia‖‘ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004)<br />
Koplos, Janet, 'Korea and Japan mend fences', Art in America, Vol. 91, Issue 4, April 2003<br />
Menta, C.de, Peppermint Candy. Contemporary Art fiorm Korea [Exhibition Catalogue]. Santiago and Buenos<br />
Aries: Museo de Arte Contemporaneo de Santiago and Museo Nacional de Bellas Artes de<br />
Buenos Aires, 2007<br />
Moon, Iris, ‗Double Vision at the Jam-Packed Korean Pavillion‘, ArtAsiaPacific, no. 45, 2005; ‗Kim<br />
Chang-il: Redefining the Korean Collector Building up an Art Collection in a Crumbling Market‘<br />
in Art Asia Pacific, No. 40 (Spring 2004), pp. 30-31<br />
Moon, Iris, ‗Seoul: Until Now! City and Scene‘ (review) ArtAsiaPacific, no. 47, 2006.<br />
Seung-duk Kim, ‚Focus South Korea. Changing Times‘, in Flash Art, vol. xl, no. 255, July – September,<br />
2007, 90 – 94.<br />
General Works<br />
Sirmans, Franklin, ‗Busan Biennale 2004 – Chasm: Between Reality and Ideal, One on One With Manu<br />
D. Park‘ in in Art Asia Pacific, No. 41 (Summer 2004), pp. 36-37.<br />
Vine, Richard, ‗Busan Biennale: Sept 6-Nov 15‘.(BIENNIAL DIGEST), in Art in America 96.11 (Dec<br />
2008): 94(3).<br />
Vine, Richard. ‗Seoul Biennale: Sept 11-Nov 5‘, (BIENNIAL DIGEST) in Art in America 96.11 (Dec<br />
2008): 97(2).<br />
Video and new Media<br />
Hong Sung-Min, ‗Korean video <strong>of</strong> art now‘, Art AsiaPacific, 27, 2000<br />
Hyun Daiwon, ‗Promoting the Digital Content Industry in Korea, Focusing on Exporting Animation‘,<br />
in International Journal <strong>of</strong> Comic Art, Vol. 6, No. 1, Spring 2004, pp. 329-339.<br />
Jae-Woong Kwon, ‗New Type <strong>of</strong> Popular Culture in the Internet Age: An Analysis <strong>of</strong> the Korean<br />
Essay Cartoon‘, in International Journal <strong>of</strong> Comic Art, Vol. 7, No. 1, Spring 2005, pp. 320-350.<br />
Kim Hyun-do, ‗Videomatic, beauty kitsch and politics in contemporary Korean art‘, Art AsiaPacific,<br />
vol.3, no.3, 1996.<br />
Perlmutter, Harry, ‗Moving Time - Nam June Paik and 30 International Video Artists‘ (exhibition<br />
review), ArtAsiaPacific, no. 49, 2006.<br />
Song Seungmin, ‗Korean Independent Animation: Its Origin and Meaning‘, in International Journal <strong>of</strong><br />
Comic Art, Vol. 7, No. 1, Spring 2005, pp. 351-259.<br />
Sueen Noh, ‗‖To Be or Not to Be, That Is the Question‖: What Is Happening with Korean Comics,<br />
(Mauhwa), Today?‘, in International Journal <strong>of</strong> Comic Art, vol. 9, no. 2, Fall, 2007, pp. 454 – 477.<br />
Sueen Noh, ‗The Gendered Comics Market in Korea: An Overview <strong>of</strong> Korean Girls' Comics, Soonjung<br />
Manhwa‘, in International Journal <strong>of</strong> Comic Art, Vol. 6, No. 1, Spring 2004, pp. 281-298.
149<br />
Minjung Misul<br />
Choi, Tae-man, ‗Min Joong Art and its Testing Ground‘, Art & Asia Pacific, vol.1, no.4, 1994.<br />
Choi, Tae-man, ‗Min Joong art in Korea: Realism as a communication‘, in Fukuoka Art Museum, 4th<br />
Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.<br />
KOREA-DEMOCRATIC PEOPLE’S REPUBLIC OF KOREA<br />
Jana, Reena, ‗Art Under Control in North Korea‘ (book review), Artforum (Bookforum), vol 12, iss. 2,<br />
June-Sep 2005.<br />
Joren, G., ‗Artists at Work‘, Asian Art News, 2, no.3, May-June 1992.<br />
Korean Paintings <strong>of</strong> Today, Pyongyang, Foreign Languages Publishing House, 1980.<br />
The Korean Art Gallery, Pyongyang, Foreign Languages Publishing House, 1985.<br />
Portal, Jane, Art Under Control in North Korea, Reaktion Books, London, 2005.<br />
Suh Sung-rok, ‗The Battlefield is just in front <strong>of</strong> us‘, Art AsiaPacific, vol.3, no.3, 1996.<br />
SOUTHEAST ASIA<br />
Southeast Asian Modern Art in General<br />
[ARX5], Farnay, Rachel, ‗Minds <strong>of</strong> their own‘ Asian Art News, vol.9, no.1, 1999<br />
[ASEAN, 1989] First ASEAN Symposium on Aesthetics, Kuala Lumpur, Balai Seni Lukis Negara, 1989.<br />
[ASEAN, 1997 ] ‗ASEAN art awards 1996‘, Asian Art News, vol.7, no.1, Jan/Feb 1997.<br />
[ASEAN, 1998 ] Farnay, Rachel, ‗An ASEAN success story‘, Asian Art News, vol. 8, no.1,<br />
January/February 1998; Galligan, Gregory, ‗The ASEAN Art Awards‘, Art AsiaPacific,no.18,<br />
1998.<br />
[ASEAN, 1999] Jay, Sian E., ‗The Face <strong>of</strong> the new‘, [Philip Morris ASEAN Art Awards], Asian Art<br />
News, vol.9, no.1, 1999; Sian E, Jay, ‗The Face <strong>of</strong> the New‘, [ASEAN Art Awards] Asian Art<br />
News, 9:1 1999.<br />
[ASEAN, 2001] Jay, Sian E., ‗An ASEAN looking-glass‘, Asian Art News, vol.11, no.1, 2001; Lenzi,<br />
Iola, ‗Twelve ASEAN artists‘, Art AsiaPacific, 31, 2001<br />
[ASEAN, 2002] ‗An engaging vision‘[8 th Philip Morris ASEAN Art Awards], Asian Art News, vol.12,<br />
no.4, 2002; Jay, Sian E., ‗Sixth Sense‘ [Philip Morris ASEAN Art Awards], Asian Art News,<br />
vol.10, no.1, 2002<br />
Clark, J, ‗Modern Art in S.E.Asia‘, Special Null Issue <strong>of</strong> Art & Asia Pacific, 1993.<br />
‗Contemporary Arts <strong>of</strong> the Region: South East Asia and Australia‘, <strong>ART</strong>LINK, vol.13, nos 3 & 4,<br />
Nov/Mar, 1993/1994. [Thailand, Indonesia, Vietnam, the Philippines, Malaysia, Singapore,<br />
Australia].<br />
Asian Modernism: Diverse Development in Indonesia, the Philippines and Thailand, Tokyo, Asia Center, 1995,<br />
[reviews by Clark John, Asian Art News, vol.6, no.1, Jan/Feb 1996; Shimizu Toshio, ‗Asian<br />
Modernism‘, Art & Asia-Pacific, vol.3, no.1, 1996].<br />
Cooke, Anna Zeitlin, ‗The weavings <strong>of</strong> war: textiles from Vietnam, Laos, and Thailand‘, Art AsiaPacific,<br />
no.18, 1998.<br />
Eagle, M., ‗Shadows cast by others‘ [Adelaide Festival Installations], Art Monthly Australia, no.68, April<br />
1994.<br />
Ewington, Julie, ‗Between the cracks: Art and method in SE Asia‘, Art AsiaPacific, vol.3, no.4, 1996.<br />
Findlay, Ian., ‗Understanding Contemporary Southeast Asian Art by Marjorie Chu‘ (book review), in<br />
Asian Art News, Vol. 14, No. 2, March/April 2004, p.99-100.
150<br />
Furuichi, Y., Ushiroshoji, M., Sakonaka, Y., New Art from South-East Asia 1992, [bilingual], Tokyo, The<br />
Japan Foundation, 1992.<br />
Gaweewong, Jeab Gridthiya., ‗Towards a New Paradigm: Contemporary Art from Thailand and Nan<br />
Yang‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.104-107.<br />
Jay, Sean E., ‗In search <strong>of</strong> the future‘, other [Nokia awards], Asian Art News, vol.10, no.2, 2000<br />
Jay, Sian E, ‗Other Voices, Other Views‘, Asian Art News, 9:1 1999.<br />
Jay, Sian E, ‗A Winning Way‘, Asian Art News, 9:1 1999.<br />
Jones, Jason, ‚Could Installation Art be the New Mdium for Southeast Asia‘ in Explorations in Southeast<br />
Asian Studies (A Journal <strong>of</strong> the Southeast Asian Studies Student Association), Vol. 4 (Fall 2000)<br />
Little, Andrews, ‗Mekong Art & Culture Project: Bridging the regional divide‘, in ArtAsiaPacific, No. 59,<br />
July/August, 2008, pp. 86 - 87.<br />
Löschmann, Jörg, curaor, Identities versus Globalization?, Chiang Mai, Heinrich Böll Foundation, 2003<br />
Paras-Perez, Rod, ‗South-East Asian Sense and Sensibility: The well-filled space, the well-cut silence‘,<br />
Art & Asia Pacific, vol.1, no.4, 1994.<br />
Poshyananda, Apinan, ‗―Con Art‖ seen from the edge: the meaning <strong>of</strong> conceptual art in South and<br />
Southeast Asia‘, in Global Conceptualism: Points <strong>of</strong> origin, 1950s –1980s, New York, Queens Museum<br />
<strong>of</strong> Art, 1999<br />
Sabapathy, T.K., et al, Modernity and Beyond: Themes in South East Asian Art, Singapore, Singapore Art<br />
Museum, 1995.<br />
Sabapathy, T.K., ed., Past, Present, Beyond: Re-nascence <strong>of</strong> an Art Collection, Singapore: South and Souteast<br />
Asian Asian Gallery/ NUS Museums, 2002<br />
Seminar on Fine Arts <strong>of</strong> Southeast Asia, Bangkok; Association <strong>of</strong> Southeast Asian Institutions <strong>of</strong> Higher<br />
Learning, 1964.<br />
Tatehata Akira, ‗Crossroads <strong>of</strong> Culture: A survey <strong>of</strong> recent Southeast Asian art in Tokyo‘, Art<br />
AsiaPacific, no.17, 1998.<br />
Torres, Emmanuel, ‗The Coupling <strong>of</strong> Word and Image‘, Asian Art News, 9:1 1999.<br />
Turner, Caroline, ‗Asian Modernisms: The Birth <strong>of</strong> the modern in Southeast Asia‘, Art AsiaPacific,<br />
no.17, 1998.<br />
Ushiroshôji Masahiro et al, The Birth <strong>of</strong> Modern Art in Southeast Asia: Artists and Movements, Fukuoka,<br />
Fukuoka Art Museum, 1997.<br />
Zhuang Wubin, ‗Spotlight on Another Asia‘ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007<br />
Zhuang Wubin and Wim Melis, ‗Between Art and Documentary‘, Asian Art News, vol. 17, no. 1, Jan-<br />
Feb 2007<br />
Southeast Asian History: selected<br />
Anderson, Benedict, The Spectre <strong>of</strong> Comparisons: Nationalism, Southeast Asia and the World, London, Verso,<br />
1998.<br />
Hall, G.G.E., A History <strong>of</strong> South-East Asia, London, Macmillan, 1955, 1994<br />
Heine-Geldern, R., Concepts <strong>of</strong> State and Kingship in Southeast Asia, Ithaca, Data Paper no.18, South East<br />
Asia Program, Cornell <strong>University</strong>, 1956.<br />
Trankell, Ing-Britt and Summers, ed., Laura, Facets <strong>of</strong> Power and Its Limitations: Political Culture in Southeast<br />
Asia, Uppsala Press, 1998<br />
Yao, Souchou, House <strong>of</strong> Glass: Culture, Modernity, and the State in Southeast Asia, Singapore: The Insitute <strong>of</strong><br />
Southeast Asian Studies, 2001<br />
MYANMAR [BURMA]<br />
General Works<br />
Baily, J. T., ‗Some Burmese Paintings <strong>of</strong> the 17 th Century and Later – Part 3: Nineteenth Century<br />
Murals at Taung Thaman Kyang tawgyi‘, in Artibus Asiae, 1979.
151<br />
Daw Ohn Kyi, ‗Mandalay Under the British, 1886 – 1895‘, in Myanmar Historical Research Jounral, no. 4,<br />
December, 1999.<br />
Findlay, Ian, ‗Notes From Yangon‘, Asian Art News, vol. 12, no. 2, March/April 2002<br />
Jay, Sian E., ‗Changing times‘, Asian Art News, vo.11, no.4, 2001<br />
Jill Sheng Mei ‗In a World <strong>of</strong> Their Own‘, Asian Art News, July/Aug 1998 [Aung Myint, M.P.P. Yei<br />
Myint, Myanmar]<br />
Koh, Jay, ‗Art Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up<br />
Structures for Engagement‘, Focas (Forum on Contemporary Art & Society), no.2, July 2001<br />
Lee, Terry & Win, Min Chan, ‗Contemporary Art Scene <strong>of</strong> Myanmar‘, Kuroda, Raiji, ed., The First<br />
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Min Naing U, U Ba Nyan i bawa, Rangoon [?], 1974.<br />
Pettifor, Steven, ‗Contemporary Art from Myanmar at Dhara Dhevi Gallery‘ (review), Asian Art News,<br />
vol. 16, no. 4, 2006.<br />
Individual Artists<br />
Aung Myint: Ma Thanegi, ‗ A bridge to the future‘, Asian Art News, vol.12, no.4, 2002<br />
Aye Ko: Ma, Thenegi,‘Breaking Free‘, On Aye Ko, Asian Art News, vol. 12, no. 5, September/October,<br />
2002<br />
M.P.P. Yei Myint: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Moe, Soe: review, Asian Art News, vol. 15, no. 4, 2005.<br />
Muang Di: review, Ma, Thanegi, ‗Muang Di at New Treasure Gallery‘, Exhibition Reviews, Asian Art<br />
News, vol. 12, no. 2, March/April 2002<br />
Nay Nyo Say: Ma, Thanegi, ‗On Nay Nyo Say, Asian Art News, vol. 12, no. 5, September/October, 2002<br />
Nyein Chan Su: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Po Po: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,<br />
1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian<br />
Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Say, Nay Myo: review, Asian Art News, vol. 15, no. 3, 2005.<br />
Soe Moe: Ma Thanegi, ‗A narrative <strong>of</strong> light‘, Asian Art News, vol.12, no.4, 2002<br />
U Lun Gwye: Jay, Sian E., ‗In the footsteps <strong>of</strong> the masters‘, Asian Art News, vo.11, no.4, 2001<br />
________________________________________________________________________________<br />
LAOS<br />
General Works<br />
Campbell, Bronwyn, ‗Dreams and Reality in Laos‘, TAASA Review, vol.11, no.3, 2002<br />
Hyles, C., ‗Revolutionary street pictures <strong>of</strong> Laos‘, The Journal <strong>of</strong> the Asian Arts Society <strong>of</strong> Australia, 2, 3,<br />
August 1993.<br />
Phoummachanh, Nousay ‗Modern art in Laos‘, Fukuoka Art Museum, 4th Asian Art Show Fukuoka:<br />
Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.<br />
Sikounnavong, Kanha, ‗Loa Art: A Continuation from Tradition to Modern Life‘, Kuroda, Raiji, ed.,<br />
The<br />
First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Tanabe, Shigeharu and Keyes, Charles F., ed., Cultural Crisis and Social Memory: Modernity and Identity in<br />
Thailand and Laos, Hawai‘i: <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2002<br />
Individual Artists<br />
Douangdy Khanthavilay: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999
152<br />
[The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Kham Tanh Saliankham: Kham Tanh Saliankham: Winds <strong>of</strong> Artists in Residence 2001-, Fukuoka: Fukuoka<br />
Asian Art Museum, 2001<br />
Phouvanh Thammavong: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999<br />
THAIL<strong>AND</strong><br />
All personal names are given as habitually romanized by the artist or writer in question in Thai with the<br />
sequence <strong>of</strong> first or personal name first. Romanization is frequently, but not always, a<br />
transcription into roman letters <strong>of</strong> Thai orthography whose pronunciation rules in Thai are<br />
unfamiliar in English. For example, ‗Kamol‘ is actually pronounced ‗Gamon‘ in Thai,<br />
‗Poshyananda‘ is pronounced as ‗Posyanorn‘ et cetera. That is, final ‗l‘ in transcription is usually<br />
pronounced ‗n‘, and final consonants are <strong>of</strong>ten unpronounced, only semi-voiced, or otherwise<br />
varied. Thai romanizations thus vary considerably and usually transliterate Thai orthography<br />
without directly transposing Thai sounds. For convenience, romanization here largely follows<br />
Haas, Mary, Thai-English Students Dictionary, Stanford, Stanford <strong>University</strong> Press, 1964.<br />
Historical Context<br />
Before 1780s<br />
Facts and Fantasies [written records and book illustrations from the Zoomers and Kramers collections],<br />
Bangkok, National Library <strong>of</strong> Thailand, 2006<br />
Skilling, P.‗For merit and Nirvana: The production <strong>of</strong> art in the Bangkok Period.‘ Arts Asiatiques 62: 76–<br />
94.<br />
1780s to 1910s [Rama I to Rama V]<br />
Leonowens, Anna, The English Governess at the Siamese Court (1870) Singapore, Oxford <strong>University</strong> Press,<br />
1989.<br />
Smithies, M. ed., Early Accounts <strong>of</strong> Petchburi, Bangkok, The Siam Society, 1987.<br />
Smithies, M., Descriptions <strong>of</strong> Old Siam, Kuala Lumpur, Oxford <strong>University</strong> Press, 1995.<br />
Bowring, J., The Kingdom and People <strong>of</strong> Siam [1857], reprint with foreword by Wyatt, D., Kuala Lumpur,<br />
Oxford <strong>University</strong> Press, 1969.<br />
Chomchai, Prachoom, Chulalongkorn the Great, Tokyo, Centre for East Asian Cultural Studies, 1965.<br />
Landon, K.P., Siam In Transition, London, Oxford <strong>University</strong> Press, 1939.<br />
Low M<strong>of</strong>fat, A., Mongkut, King <strong>of</strong> Siam, Ithaca, Cornell <strong>University</strong> Press, 1961.<br />
Lysa, Hong, Thailand in the Nineteenth Century, Singapore, Institute South East Asian Studies, 1984.<br />
Pallegoix, Abbé, Description du Royaume Thai ou Siam, 1854, reprint, Farnborough, Gregg Interntional<br />
Publishers, 1969.<br />
Quaritch Wales, H.G., Ancient Siamese Government and Administration, New York, Paragon Reprint, 1965.<br />
Rabibhadana, Akin, The Organization <strong>of</strong> Thai Society in the early Bangkok Period, 1782-1873, Ithaca, Cornell<br />
<strong>University</strong> Southeast Asia Program, Data Paper, no.74, 1969.<br />
Rabibhadana, Akin, ‗Citizenship and Class Structure in the Early Bangkok Period‘, in Skinner, G.W.,<br />
Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell <strong>University</strong> Press, 1975.<br />
Reynolds, ‗A challenge to royal historical writing in late nineteenth century Thailand: the case <strong>of</strong> K.S.R.<br />
Kulab‘, Journal <strong>of</strong> the Siam Society vol.61, part 2, July 1973.<br />
Reynolds, C., ‗Sedition in Thai History: A nineteenth century poem and its critics‘, in Manas<br />
Chitakasem, Turton, A., eds., Thai Constructions <strong>of</strong> Knowledge, London. School <strong>of</strong> African and<br />
Oriental Studies, 1991.
Vella, W.F., Siam Under Rama III, Locust Valley, J.J.Augustin Ltd, 1957.<br />
Wilson., C.M., State and Society in the Reign <strong>of</strong> Mongkut, 1851-1968: Thailand on the Eve <strong>of</strong> Modernization,<br />
Ann Arbor, <strong>University</strong> Micr<strong>of</strong>ilms, 1971.<br />
153<br />
1910s to 1940s [Rama VI to Rama VIII]<br />
Chaiyan Rajchagool, The Rise and Fall <strong>of</strong> the Absolutist Monarchy: Foundations <strong>of</strong> the Modern Thai State from<br />
Feudalism to peripheral Capitalism, Bangkok, White Lotus, 1994.<br />
Mokarapong, Thawatt, History <strong>of</strong> the Thai Revolution, Bangkok, Chalermnit, 1972.<br />
Vella, W.F., Chaiyo!: King Vajravudh and the development <strong>of</strong> Thai Nationalism, Honolulu, <strong>University</strong> <strong>of</strong> Hawaii<br />
Press, 1978.<br />
1950s to Present [Rama IX] (See also ‘Thai Mentalities including Religion’ later)<br />
Anderson, B., ‗Withdrawal Symptoms: Social and Cultural Aspects <strong>of</strong> the October 6 Coup‘, Bulletin <strong>of</strong><br />
Concerned Asian Scholars, 9, 3, July-September 1977.<br />
Anderson, B., ‗Studies <strong>of</strong> the Thai State: The State <strong>of</strong> Thai studies‘, in Ayal, Eliezer B., ed. The Study <strong>of</strong><br />
Thailand: Analyses <strong>of</strong> Knowledge, Approaches, and Prospects in Anthropology, Art History,Economics, History<br />
and Political Science, Athens, Ohio, Center for International Studies, 1978.<br />
Anderson, B., Imagined Communities, [rev. ed.], London, Verso, 1991.<br />
Anderson, B., The Spectre <strong>of</strong> Comparisons, Nationalism, Southeast Asia and the World, London, Verso, 1998.<br />
Chula Chakrabongse, Prince, Lords <strong>of</strong> Life: The Paternal Monarchy <strong>of</strong> Bangkok 1782-1932, London, Alvin<br />
Redman, 1960.<br />
Dhiravat na Pombejra, Court, Company, and Campong, Essays on the VOC presence in Ayutthaya. Ayutthaya<br />
Historical Study Centre Occasional Paper 1, Phra Nakhon Sri Ayutthaya, Ayutthaya Historical<br />
Study Centre, 1992.<br />
Felicitation Volumes <strong>of</strong> Southeast-Asian Studies presented to His Highness Prince Dhaninivat Kromamum Bidyalabh<br />
Bridhyakorn, 2 vols., Bangkok, The Siam Society, 1965.<br />
Lysa, Hong, ‗Warasan Setthasat Kanmu‘uang Critical scholarship in post-1976 Thailand‘, in Manas<br />
Chitakasem, Turton, A., eds., Thai Constructions <strong>of</strong> Knowledge, London. School <strong>of</strong> African and<br />
Oriental Studies, 1991.<br />
McCargo, D., Chamlong Srimuang and the new Thai Politics, London, Hurst, 1997.<br />
Phongpaichit, Pasuk, ‗The Thai Middle Class and the Military: Social Perspectives in the Aftermath <strong>of</strong><br />
May 1992‘, Thailand Update, RIAP,1992<br />
Phumisak, Jit, tr. Reynolds, C., Thai radical discourse: the real face <strong>of</strong> Thai feudalism, Ithaca, Cornell <strong>University</strong><br />
Press, 1987.<br />
Phya Anuman Rajadhon, The Nature and Development <strong>of</strong> the Thai Language, Bangkok, the Promotion and<br />
Public Relations Sub-division, the Fine Arts Department, 2532 (1989).<br />
Prizzia, R., Thailand in Transition, The Role <strong>of</strong> Oppositional Forces, Honolulu, <strong>University</strong> <strong>of</strong> Hawaii Press,<br />
1985.<br />
Reynolds, C., Lysa, Hong, ‗Marxism in Thai historical studies‘, Journal <strong>of</strong> Asian Studies, vol.53, no.1, Nov<br />
1983.<br />
Reynolds, C. ed. National Identity and its Defenders: Thailand 1939-89, Melbourne, Monash <strong>University</strong><br />
Centre for SE Asian Studies, 1991; new editions with essay, ‗Thai identity in the age <strong>of</strong><br />
Globalization‘, Chiangmai, Silkworm Books, 2002<br />
Riggs, F., Thailand: The Modernization <strong>of</strong> a bureaucratic polity, Honolulu, East-West Centre Press, 1966.<br />
Sivaraksa, S., Siam in Crisis, Bangkok, Thai Inter-Religious Commissionfor Development, 1990.<br />
Special Issue: ‗Seven Hundred Years <strong>of</strong> the development <strong>of</strong> the Thai Language‘, Crossroads, vol.3, no.1,<br />
1986.<br />
Streckfuss, D., ed., Modern Thai Monarchy and Cultural Politics; the acquittal <strong>of</strong> Sulak Sivaraksa on the charge <strong>of</strong><br />
lésé majesté in Siam 1995, and its consequences, Bangkok, Santi Prahca Dhamma Institute, 1996.<br />
Sulak Sivaraksa, Siam in Crisis, Bangkok, Santi Pracha Dhamma Institute, 1980, 1990<br />
Terwiel, B.J., A History <strong>of</strong> Modern Thailand, 1767-1942, St. Lucia, <strong>University</strong> <strong>of</strong> Queensland Press, 1983.
154<br />
Wedel, Yuangrat, with Wedel, Paul, Radical Thought, Thai Mind, The development <strong>of</strong> revolutionary ideas in<br />
Thailand, Bangkok, Assumption Business Administration College, 1987.<br />
Wood, W.A.R., A History <strong>of</strong> Siam from the earliest times to the year A.D. 1781, with a supplement dealing with<br />
more recent events, Bangkok, 1924 & London, T. Fisher Unwin, 1926<br />
Wyatt, David K., Studies in Thai History, Chiangmai, Silkworm Books, 1994.<br />
Wyatt, David K., Thailand, A Short History, New Haven, Yale <strong>University</strong> Press & Chiangmai, Trasvin,<br />
1984.<br />
Individual Artists<br />
Anurak Chatanan: Anurak Chatanan & Toi Ungkavatanapong, Fact VS Fiction, Tadu Contemporary Art,<br />
Bangkok, March 25 - April 19, 1998.<br />
Apichatpong, Weerasethakul: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo:<br />
The Japan Foundation Asia Center, 2002; Gaweewong, Gridthiya, ‗Apichatpong Weerasethakul‘<br />
in Art Asia Pacific, Issue 37 (2003), p. 47<br />
Araya Rasdjarmeearnsook: Apinan Poshyananda, ‗Arya Rasdjarmrearnsook‘, Art & Asia Pacific, vol.2, no.3,<br />
1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo Exhibition, the National Gallery,<br />
Bangkok, December 7-30, 1995; Araya Rasdjarmrearnsook, Araya Rasdjarmrearnsook, Solo<br />
Exhibition, the National Gallery, Bangkok, 6-30.12.1994; Poshyananda, Apinan, ‗Araya<br />
Rasdjarmreansook‘ in Art Asia Pacific, Issue 37 (2003), p. 77. ; Curtin, Brian, ‗Araya<br />
Rasdjarmrearnsook: Matters <strong>of</strong> Life and Death‘, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 78<br />
– 79.<br />
Bhusit Poodsongkram: Bhusit Poodsongkram & Boonkwang Noncharoen, Impressionist Painting<br />
Exhibition, Voyage to London, June,1991 - April,1992.<br />
Boonkwang Noncharoen: Boonkwang Noncharoen & Bhusit Poodsongkram, Impressionist Painting<br />
Exhibition, Voyage to London, June, 1991 - April, 1992.<br />
Boonyavanishkul, Rearngsak: Watson, Robert C., ‗A Sculpted Surrealism‘, World Sculpture News, vol. 12, no.<br />
1, 2006.<br />
Cang Saee Tang [Tang Zhang]: Cang Saee Tang, Thadsanasin Kawiiniphon Cang Saee Tang, Published in Cang<br />
Sae Tang‘s funeral at Meeru Wadsuthaaraam, December 2, 2533 (1990); Cang Saee Tang, Visual<br />
Art-Poems by Tang Chang, 2nd ed. Bangkok, Samnakphim Sawaeng Haa, 2533 (1990); Cang Saee<br />
Tang, ‗Chiiwid Khwaamkhid Lae Khwaam Ngaam‘, Art World, Vol.4 No.2, February - April,<br />
2533 (1990); Cang Saee Tang, Jaam Chaw, Baang Bod Khong Bodkawii Phoor Kab Maee Phor Sor 2503-<br />
2514, Poets in Tang Chang‘s Institute <strong>of</strong> Modern Art, Bangkok, Saaj Song Syk Sid Borrisad Khled Thai<br />
Camkad, .2528 (1985); review, Asian Art News, vol.11, no.5, 2001.<br />
Chakraphan Posyakrit: Tira Intravutr, Chakrabhand Posayakrit:Thailand‘s Renaissance Man, Bangkok,<br />
Nuang-Nuang Books, 1985.<br />
Chalermchai Khosidphipat: ‗Anaakhod Cidtrakam Thai Naj Mum Morng, Chalermchai Khosidphipat‘, Phu<br />
Cadkaan Raj Wan, no date.<br />
Chalermchai Khositpipat: Hoskin, John, ‗A Question <strong>of</strong> attitude‘, Chalermchai Kositpipat, Panya<br />
Vijinthanasarn‘, Art & Asia Pacific, vol.2, no.3, 1995.<br />
Chalood Nimsamer: Silpakorn <strong>University</strong>, ‗Khyy Kab Aachaan Chalood, Sinlapin Haeng Chaad Saa Khaa<br />
Thudsanasin Pracampii 2541‘ Wang Tha Phra Art Forum, n.d.; Krom Sinlapaakorn ed.<br />
‗Rabiandphab, Ngaan Sinlapa Khong Chalood Nimsamer‘, Sinlapaakorn, Vol 29 No.4, pp.1-27<br />
September 2528 (1985); Krom Sinlapaakorn ed. ‗Kiaw Kab Ngaan Sinlapa Khong Chalood<br />
Nimsamer‘, Sinlapaakorn, Vol 29 No.4, pp.28-42, September 2528 (1985).<br />
Chatchai Puipia: Chatchai Puipia, Siamese Smile, The Lotus Hasn‘t Bloomed Yet, the Japan Cultural Center,<br />
Bangkok, December, 2-23, 1995; Chatchai Puipia, Paradise Perhaps, A Painting Exhibition, Bangkok<br />
<strong>University</strong> Art Gallery, Bangkok, December 8-20, 1997; Chatchai Puipia, Sa-Loke Fai, Silom Art<br />
Space, Bangkok, August 21 - September 26, 1993; Chatchai Puipia & Pinaree Sanpitak, Recent<br />
Works, the National Gallery, Bangkok, Maech 3-20, 1991. ; Preece, Robert and Gaweewong,<br />
Gridthiya. ‗An Interview with Chatchai Puipia.‘ Art AsiaPacific issue 22 1999; Gampell, Jennifer,<br />
‗Desperately seeking Chatchai‘, Art & Asia Pacific, vol.2, no.3, 1995; Pettifor, Steven ‗Art‘s
155<br />
soldier‘, Asian Art News, vol.9, no.6, 1999; Preece, Robert; Gaweewong, Gridthiya, ‗Cracking<br />
beneath the surface‘, Art AsiaPacific, 22, 1999. ; review, Art AsiaPacific, 34, 2002; review, Asian Art<br />
News, vol.11, no.5, 2001.<br />
Chavalit Soemprunsuk: Chavalit Soemprunsuk, Exhibition with Rity Jansen Heijtmajer, Bangkkok, Bhirasri<br />
Institute <strong>of</strong> Modern Art, 1986. ; Karnjariya Sukrung, ‗Chavalit‘s exhibitions display freedom and<br />
fear‘, Bangkok Post, January 16, 1994.<br />
Chumporn Apisuk: Apisuk, Chumpon, ‗At Concrete House..‘, Art & Asia Pacific, vol.2, no.3, 1995<br />
Damrong Wong-Uparaj; Damrong Wong-Uparaj, Damrong Wong-Uparaj, 30 Years <strong>of</strong><br />
Printmaking, British Council, Bangkok, October 8-31, 1991; Damrong Wong Uparaj, exhibition <strong>of</strong><br />
paintings <strong>of</strong> the Japan period, Bangkok, German Cultural Institute, December 1987<br />
Den Warnjing: Den Warnjing, Chiiwid Thai Chonnabod Naj Cidthrakam Thai, Marsi Gallery, Bangkok,<br />
April 30 - May 31, 1999.<br />
Fua Haribhitak: Fua Haribhitak, Exhibition <strong>of</strong> Art by Dr.Fua Haribhitak, the National Gallery, Bangkok,<br />
March 2-31, 1981.<br />
Hem Vejakorn: Cakkaphan Posayakrid, Nithadsakaan Phabwaadwicid, Khru Hem Vejakorn,the Art Center,<br />
Chulalongkorn <strong>University</strong>, March 21 - April 26, 1996<br />
His Majesty the King Rama IX: ‗Paintings fit for Royalty‘, The Nation, January 30, 1995.<br />
Huangtanpan, Somneuk: review, Asian Art News, vol. 16, no. 5, 2006.<br />
Ithipol Thangchalok: Ithipol Thangchalok, Recent Paintings, the National Gallery, Bangkok, December 12,<br />
1991- January 5, 1992.<br />
Jakapan Vilasineekul: Mountain and Sea, Bangkok, Chulaongkorn <strong>University</strong> Art Centre, 1997 Review:<br />
Pettifor, Art AsiaPacific,no.18, 1998. ; Pettifor, Steven., ‗Jakapan Vilasineekul at Numthong<br />
Gallery‘ (review), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.82.<br />
Jakkai Sributr: Pettifor, Steven, ‗In the realm <strong>of</strong> textiles‘, Asian Art News, vol.9, no.6, 1999. ; review,<br />
Asian Art News, vol.11, no.4, 2001<br />
Jianpinidnan, Kornkrit: review, Asian Art News, vol. 16, no. 5, 2006.<br />
Jiradaj Meemalai, Pornpilai Jongsoontornturakij: As big as it‘s small, Bangkok, Tadu, 2002<br />
Jirapat Tatsanasomboon: Pettifor, Steven, ‗Cultural Confrontation‘, in Asian Art News, v. 18(5), Sept/Oct,<br />
2008, pp. 114-117.<br />
Jitpratuk, Pomm: review, Asian Art News, vol. 16, no. 5, 2006.<br />
Kachacheewa, Anupong: review, Asian Art News, vol. 15, no. 4, 2005.<br />
Kamin Lertchaiprasert: Kamin Lertchaiprasert, Bangkok, Visual Dhamma Gallery & Dialogue Gallery,<br />
1991; Kamin Lertchaiprasert, Normal & Nature, Tadu Contemporary Art, Bangkok, August 9 -<br />
September 31, 1997; Kamin Lertchaiprasert, Kamin Lertchaiprasert, Problem - Wisdom,Queensland<br />
Art Gallery 1993 – 1995\; Kamin Lertchaiprasert, Nirad Thailand in Drawing (to spirit), the Art<br />
Gallery <strong>of</strong> Faculty <strong>of</strong> Painting, Sculpture & Graphic Arts, Silpakorn <strong>University</strong>, November, 2-21,<br />
1992; Kamin Lertchaiprasert, Gaw Ery Gaw Gai, Visual Dhamma Gallery, Bangkok August 14, -<br />
September 11, 1991; Pettifor, Steven, ‗The Process <strong>of</strong> Being‘, On Kamin Lertchaiprasert,<br />
Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002. ; Ng, Josef, curator,<br />
Kamin Lertchprasert, Bangkok, Tang Gallery 2007<br />
Kamol Phaosavasdi: Kamol Phaosavasdi & Montien Boonma, Content Sense,the National Gallery, Bangkok,<br />
January 14 - February 3, 1995; Khetsirin Knithichan, ‗A Sensible Approach to Nature‘, The<br />
Nation, November 23, 1995; Kamol Phaosavasdi & Vichoke Mukdamanee, Kamol & Vichoke<br />
Contemporary Art Exhibition, the Faculty <strong>of</strong> Painting Sculpture and Printmaking, Silpakorn<br />
<strong>University</strong> Bangkok, November 25- December 12, 1992; Pettifor, Steven, ‗Kamol Phaosavasdi at<br />
Bangkok <strong>University</strong>, Asian Art News, vol. 13, no. 1, January/February 2003. ; review, Asian Art<br />
News, vol.11, no.4, 2001; Pettifor, Steven.,<br />
Kamol Tassananchalee: Manid Sriiwanidchapuum, ‗Kamol Tassananchalee, dhek di heng wonkkaan<br />
silbhakaam Thay‘, Syaam Rath, Sabhdaawicaan, June 3-20, 2532 (1999); Kamol Tassananchalee &<br />
others, Kamol and His Artist Friends (An Art Exhibition, Kamol Tassananchalee and the Thai Art Council
156<br />
Participated Artists), the National Gallery, Bangkok, February 2-25, 2538 (1995). ; Brecelic,<br />
Thomas, ‗The Master <strong>of</strong> Connections‘, Asian Art News, vol.9, no.3, 1999<br />
Kanya Chareonsupkul: Brown, Glen, R., ‗Practical Spirutalism‘ Asian Art News, vol.5, no.6, Nov/Dec<br />
1995.<br />
Khien Yimsiri: Fine Arts Department, A Retrospective Art Exhibition <strong>of</strong> Khien Yimsiri, the National Gallery,<br />
Bangkok September 7 - November 7, 2522 (1979); Somporn Rodboon, The Life and Works <strong>of</strong><br />
Khien Yimsiri, Bangkok, SITCA Investment & Securities Public Company Limited, 1994<br />
Kosit Juntaratip: Kosit Juntaratip & Navin Rawanchaikul, Substanceaboutnonsubstance, Goethe Institut,<br />
Bangkok, January 11 - February 9, 1995.<br />
Kritsana Chaikitiwattana: Pettifor, Steven., ‗Grim Reality‘, in Asian Art News, Vol. 13, No. 3, May/June<br />
2003, p.44-46.<br />
Krue-on, Sakarin: Pettifor, Steven, ‗Something Old, Something new‘, World Sculpture News, vol. 12, no. 2,<br />
2006; review, Asian Art News, vol. 15, no. 1, 2005; review, Flash Art, vol. XXXIX, no. 249, July-<br />
September, 2006; Salus, Carol, ‗Recent art <strong>of</strong> Sakarin Krue-On: an interview‘ in Art Journal, 67.2<br />
(Summer 2008): p. 92.<br />
Kunavichayanont, Sutee: ‗Sutee Kunavichayanont: Stereotyped Thailand‘ review, ArtAsiaPacific, no. 48,<br />
2006; review, Asian Art News, vol. 15, no. 6, 2005.<br />
Limthamrong, Peerapong: review, Asian Art News, vol. 15, no. 4, 2005.<br />
Manit Poo-Aree: Manit Poo-Aree, Contemporary Art Exhibition by Manit Poo-Aree,The Gallery <strong>of</strong> Faculty <strong>of</strong><br />
Painting Sculpture and Printmaking, Silpakorn <strong>University</strong>, Bangkok, April 8-30, 1999.<br />
Manit Sriwanichpoom: Knithichan, Khetsirin, ‗City <strong>of</strong> Hell‘ <strong>ART</strong> AsiaPacific, no.13, 1997. ; Pettifor,<br />
Steven, ‗Looking glass reality‘, Asian Art News, vol.12, no.2, 2002. ; Manit Sriwanichpoom,<br />
paradise@the.mall, July - August, 1998 no place <strong>of</strong> exhibition; Manit Sriwanichpoom, This Bloodless<br />
War, Greed, Globalization, and the End <strong>of</strong> Independence, the Roadside Photo Exhibition, November,<br />
1997. Cit no place <strong>of</strong> exhibition; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale,<br />
Fukuoka: Fukuoka Asian Art Museum, 1999; Pettifor, Steven, ‗Looking Glass Reality‘, On Manit<br />
Sriwanichpoon, Asian Art News, vol. 12, no. 2, March/April 2002<br />
Mareeya Dumrongphol: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The<br />
Japan Foundation Asia Center, 2002<br />
Michael Shaowanasai: Chua, Ferreolus., ‗Interview with Michael Shaowanasai‘, in Vehicle: Contemporary<br />
Visual Arts, No.10, 2003, p.18-21.<br />
Michael Shaowanasai: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The<br />
Japan Foundation Asia Center, 2002<br />
Mitree Parahom: Pettifor, Steven ‗Defender <strong>of</strong> Tradition.‘ Asian Art News 9:5 September/October 1999<br />
Montien Boonma: Montien Boonma, Anusorn Naj Ngaan Phraradchathaan Phlerng Sob Naj Montien Boonma,<br />
Published in Montien Boonma‘s funeral at Meru Wad Chonlaprathaan Rangsarid, Nonthaburi,<br />
August 24, 2543 (2000); Montien Boonma, Works, 1990-1993, the National Gallery, Bangkok,<br />
February 25, - March 22, 1993. 2 books; Montien Boonma, Arte Amazonas, Goethe Institut,<br />
Bangkok, June 4 - 27, 1992; Montien Boonma & Kamol Phaosavasdi, Content Sense,the National<br />
Gallery, Bangkok, January 14 - February 3, 1995; Montien Boonma, ThaiiahT, the National<br />
Gallery, Bangkok, September 7 - October 3, 1990; Richard, Frances, ‗Montien Boonma‘, Artforum<br />
International, Vol.36, Issue 6, February 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art<br />
Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Montien Boonma, Report at The First<br />
Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian Art – Towards the 21 st Century‖,<br />
Fukuoka: Fukuoka Asian Art Museum, 1999; Poshyananda, Apinan, Montien Boonma: Temple <strong>of</strong> the<br />
mind, New York & Asia Society & London, Artis, 2003; Desai, Vishakha N., ‗Montien Boonma‘<br />
in Art Asia Pacific, Issue 37 (2003), p. 34; Heartney, Eleanor, ‗Parallel Lives‘ (Montien Boonma at<br />
Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-52; Koplos,<br />
Janet, ‗Mindfull Living‘ in Art in America (May 2004), pp. 90-95; Poshyananda, Apinan, Montien<br />
Boonma: Temple <strong>of</strong> the mind, New York & Asia Society & London, Artis, 2003. ; Kunavichavanont,<br />
Sutee and Apinan Poshyananda eds., Death Before Dying: The Return <strong>of</strong> Montien Booma, Thailand
157<br />
Office <strong>of</strong> Contemporary Art and Culture, 2006; Pettifor, Steven, ‗An uncommon spirit‘, Asian<br />
Art News, vol.11, no.1, 2001; Wongchirachai, Albert Paravi, ‗ Montien Boonma‘, Art & Asia<br />
Pacific, vol.2, no.3, 1995; Poshyananda, Apinan, a tribute, Art AsiaPacific, 31, 2001; Koh, Jay, ‗Art<br />
Activism and Cross-cultural Projects in Thailand and Myanmar: The Need to Open up Structures<br />
for Engagement‘, Focas (Forum on Contemporary Art & Society), no.2, July 2001.<br />
Montri Toesombat: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999Narin Ruttanachun: Narin Ruttanachun, Serenity 1987-1990, Goethe Institute,<br />
Bangkok, December 20 - March 15, 1991; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka<br />
Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka:<br />
Fukuoka Asian Art Museum, 1999; Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong><br />
Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pettifor, Steven., ‗Dressing Up<br />
Nature‘, in Asian Art News, Vol. 13, No. 1, January/February 2003, p.48-51.<br />
Natee Utarit: review, Art AsiaPacific, 27, 2000 ; Lenzie, Iola, ‗A Versatile Stylist‘, in Asian Art News, v.<br />
17(6), November/December, 2007, pp. 73 – 77. ; review, Asian Art News, vol.9, no.4, 1999;<br />
Pettifor, Steven, ‗Out Of His Own‘, On Natee Utarit, Asian Art News, vol. 12, no. 6,<br />
November/December, 2002<br />
Navin Production Co., Ltd. / Navin Rawanchaikul: Navin Rawanchaikul & Kosit Juntaratip,<br />
Substanceaboutnonsubstance, Goethe Institut, Bangkok, January 11 - February 9, 1995; Khetsirin<br />
Knithichan, ‗ ―Substance‖ is intended to shock‘ The Nation, January 16, 1995 ; Navin Production<br />
Co.,Ltd., Another day in <strong>Sydney</strong>, Published for the 11th Biennale <strong>of</strong> <strong>Sydney</strong>, Navin Production<br />
Co.,Ltd., 1998.<br />
Nawin Rawanchaikul: Pettifor, Steven, ‗An art world in a taxi‘, Asian Art News, vol.11, no.6, 2001<br />
Nim Kruasaeng: review, Asian Art News, vol.11, no.5, 2001; Pettifor, Steven, ‗In search harmony‘, Asian<br />
Art News, vol.10, no.2, 2000<br />
Nimmalaikaew, Uttaporn: Thompson, Jonathan, ‗Inevitable Cycles‘, Asian Art News, vol. 16, no. 4, 2006.<br />
Niti Wattaya: Niti Wattaya, Return <strong>of</strong> the Goldern Era, Dialogue 1991, Bangkok, May 21 - June 11, 1992;<br />
Pettifor, Steven., ‗Tracing Changes‘, in Asian Art News, Vol. 14, No. 1, January/February 2004,<br />
p.44-47.<br />
Nittaya Ueareeworakul: review, Pettifor, Steven, ‗Nittaya Ueareeworakul at Si-am Art Space‘, Exhibition<br />
Reviews, Asian Art News, vol. 12, no. 2, March/April 2002; Pettifor, Steven, ‗A mantra <strong>of</strong> unity‘,<br />
Asian Art News, vol.10, no.6, 2000<br />
Paitun Muangsomboon: Fine Arts Department, Paitun Muangsomboon National Artist Retrospective,the<br />
National Gallery, Dec. 25, 1989 – Feb. 15, 1990.<br />
Panya Vijinthanasarn: Panya Vijinthanasarn, Subversion <strong>of</strong> Truth, Tadu Contemporary Art, January 30 -<br />
March 8, 1998. ; review: Clark, Asian Art News, vol. 8, no.2, March/April 1998<br />
Paretas Hutangura: Paretas Hutangura, Facing the Alien, Solo Exhibition, January 3-22, 2538 (1995); Manid<br />
Sriiwanidchapuum, Mahadsacan Wan Samniak, Syaam Rath Sabhdaawicaan, p.58, April 11-17, 2542<br />
(1999). (2articles); Paretas Hutangura, The Miracle Days <strong>of</strong> Awakening, Tadu Contemporary Art,<br />
Bangkok, February 12 - March 14, 1999.<br />
Phaiboon Suwannakuud: Anusorn Ngaanphraraadchathaan Phlerngsob Phajboon Suwannakuud, March 21, 2526<br />
(1983): Praajta, ‗Samphad Siriwanna Suwannakuud, Raw Maj Daj Tung Caj Ca Con‘, Ploy Kaem<br />
Phed, no date; Phajboon Suwannakuud, ‗Som Porj Dork Lyang‘, Laeng Khen Ruam Ryang San, 2nd<br />
Bangkok, Samnakphim Duangkamon, 2518 (1975).<br />
Phaosavasdi, Kamol: Pettifor, Steven, ‗Media Man with a Conscience‘, Asian Art News, vol. 15, no. 6, 2005.<br />
Phaptawan Suwannakudt [daughter <strong>of</strong> Phaiboon] Carter, Michael & Gezcy, Framing Art, <strong>Sydney</strong>,<br />
<strong>University</strong> <strong>of</strong> New South Wales Press, 2005; Pettifor, Steven, ‗Between Tradition and Modernity:<br />
Phaptawan Suwannakudt‘, Asian Art News, September/October, 2004; Ewington, Julie, ‗Thai<br />
Vision, Australian Painter, in Recent Painting, Numthong Gallery, Bangkok, 2004; Power, Kevin;<br />
Flores, Patrick, in El Poder de Narrar / The Power <strong>of</strong> Narration, Espai d‘Art Contemporani de<br />
Castello, Valenciana, Spain, 2000; Datuin, Flaudette May, ‗The Queen, the Goddess, and the
158<br />
mural painter‘, Art Asiapacific, no.14, April 1997; Gampell, Jennifer, ‗Pr<strong>of</strong>ile‘, Far Eastern Economic<br />
Review, December 21, 1995.<br />
Phunsombatlert, Bundith: Pettifor, Steven, ‗Searching Out Obsessions‘, Asian Art News, vol. 17, no. 1, Jan-<br />
Feb 2007.<br />
Pichit Tangcharoen, Sumet Pongchinrit, Kongsak Gulgalngdon: Different Angles, Bangkok, Tadu, 2002<br />
Pinaree Sanpitak: Pinaree Sanpitak, Mother & Child, A Dialogue, Silom Art Space, Bangkok October 2-31,<br />
1993; Pinaree Sanpitak & Chatchai Puipia, Recent Works, the National Gallery, Bangkok, March 3-<br />
20, 1991: Pinaree Sanpitak, The Cross, the Egg, the Cow& the Squash, An Exhibition <strong>of</strong> Eclectic<br />
Works,Silom Art Space, Bangkok, November 9 - December 7, 2534 (1991): Pinaree Sanpitak,<br />
Womanly Abstract, About Studio/ About CafŽ/ A Reading Room, Bangkok, February 13, - April<br />
17, 1999. ‗Body and Soul: Pinaree Sanpitak and the art <strong>of</strong> life‘, Art AsiaPacific, no.21, 1999;<br />
review Art AsiaPacific, 33, 2002. ; Mertens, Brian, ‗Pinaree Sanpitak – Where I Work‘,<br />
ArtAsiaPacific, no. 51, 2007. ; Lenzi, Iola, ‗Pinaree Sanpitak: Art through The Breast‘, in C Arts.<br />
Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 62 – 67. ; Pettifor, Steve,<br />
‗Making <strong>of</strong>ferings‘, Asian Art News, vol.9, no.6, 1999.<br />
Piwat Nophiran: Jay, Sian, E., ‗All in a smile‘, Asian Art News, vol.10, no.1, 2000<br />
Plastic (& other) waste: review, Art AsiaPacific, 22, 1999<br />
Prajad Phongdam: Silpakorn <strong>University</strong>, ‗Chiiwid Lae Phonngaan Sinlapin Haeng Chaad Saa Khaa<br />
Thudsanasin Pracampii 2541‘ Wang Tha Phra Art Forum, n.d.<br />
Prasong Luemuang:Prasong Luemuang, Diary <strong>of</strong> a Village, Bangkok, British Council, 1991; Prasong<br />
Luemuang, Naam Thip - Pla Thong, Bangkok, Silom Art Space, 1991; Prasong Luemuang, Likhid<br />
Cak Muubaan, British Council Bangkok, December 9, 1991 - January 9, 1992: Prasong Luemuang,<br />
Water Moon,, Goethe Institut, Bangkok, November 23 - December 15, 1990.<br />
Prasong Padmanuja: Prasong Padmanuja, PRASONG PADMANUJA Retrospective, the National Gallery,<br />
Bangkok, July 14 - August 7, 1986.<br />
Pratuang Emchareon: Phatarawadee Phataranwik, ‗Pratuang & Bunying‘, The Nation, February 14, 1995.<br />
Prawat Laucharoen: review, Asian Art News, vol.11, no.5, 2001<br />
Rasdjarmrearnsook, Araya: Pettifor, Steven, ‗Embracing Taboos‘, Asian Art News, vol. 16, no. 4, 2006.<br />
Rawid Terdwong: Pinanong Paanchyyn, ‗Duaj Huachaj Khong Cidtrakorn‘, Krungthep Wanaathid, May 30,<br />
2542 (1999).<br />
Rirkrit Tiravanija: Rirkrit Tiravanija, Museum Studies 4, Rirkrit Tiravanija, Philadephia Museum <strong>of</strong> Art,<br />
April 1 - May 31, 1998; Yang, Alice, ‗The artist as chef - Rirkit Tiravanija‘, Art & Asia Pacific,<br />
vol.3, no.2, 1996; Rirkrit Tiravanija, Hyde-Antwi, Frank, Supermarket, Zürich, migros museum für<br />
gegenwartskunst, 1998; Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:<br />
Fukuoka Asian Art Museum, 1999<br />
Sabai, Soi: Teh, David, ‗Soi Sabai‘s Temporary Art Connections‘, ArtAsiaPacific, no. 50, 2006.<br />
Sakarin Khrue-on: review, Asian Art News, vol.10, no.6, 2000 ; Pettifor, Steven, Harvesting Art, in Asian<br />
Art News, v. 18(2), March/April, 2008, pp. 96 – 99.<br />
Sansern Milindasuta: Sansern Milindasuta, The Gardener, Bangkok, National Gallery 1993.<br />
Santi Thongsook: Yvan Cohen, ‗Artistic Witness to a Helter Skelter Urban Nightmare‘, The Nation,<br />
January 5, 1995.<br />
Saravudth Duangjumpa: West, Andrew. ‗Saravudth Duangjumpa: A Contemporary Thai Artist.‘ TAASA<br />
Review, 7:3 1998<br />
Sermsuk Thiensoonthorn: Sermsuk Thiensoonthorn, Outbound Conversation Between 1993-1998, Bangkok, the<br />
National Gallery, 6-28 February.<br />
Shaowanasai, Michael: Teh, David, ‗Michael Shaowanasai: Good: New Paintings 2549‘ (exhibition<br />
review), ArtAsiaPacific, no. 50, 2006.<br />
Silpa Phirasri [Corrado Feroci]: Silpa Bhirasri, Articles from the Catalogues <strong>of</strong> the Annual National Art Exhibition.<br />
Published in Silpa Bhirasri‘s funeral at Meero Naa Phlabphla Idsariyaaporn, Wat<br />
Thebsirintharaawaad, January 17, 2506 (1963): Silpa Bhirasri, Comments and Articles on Art,<br />
Bangkok, The National Association <strong>of</strong> Plastic Arts <strong>of</strong> Thailand, 1963; Silpa Bhirasri, Contemporary
159<br />
Art in Thailand, Bangkok, the Promotion and Public Relations Sub-division, the Fine Arts<br />
Department, 2532 (1989); ‗Chabap phiset 100 bi sastracaan silpa phirasri‘, Warasaan<br />
Mahawithayalaay Slipakorn, no.12, 2535 (1992); Damrong Wonguparad, Nithadsakaan Cidthrakam<br />
Phabthaj Lae Khormuun Kiawkab Chiiwid Lae Phonngaan Khong Pr<strong>of</strong>essor Silpa Bhirasri, Suun<br />
Thadsanasin Damrong Wonguparad, May 14 - June 30, 2541 (1998); Leesuan, Viboon, 1996, The<br />
Life and Works <strong>of</strong> Silpa Bhirasri, Bangkok: Sitca Group <strong>of</strong> Companies.<br />
Siriput Pullarp: Siriput Pullarp, The Elements <strong>of</strong> Humankind, Ceramic Art Exhibition,Queen Sirikit Naitonal<br />
Convention Center, Bangkok, November 25 - December 15, 1992<br />
Sittichai Pratchayaratikun: Sittichai Pratchayaraticun, Art Exhibition by Sittichai Pratchayaraticun, Design Line<br />
Gallery, Bangkok, January 6 - February 6, 1992.<br />
Somboon Hormienthong: review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News, vol.11, no.6,<br />
2001.<br />
Somboon Hormthienthong: Khetsirin Knithichan, ‗When is a stone not just a stone‘, The Nation, January 30,<br />
1995: Somboon Hormthienthong Work 1968-1989, Bangkok, National Gallery, 1989; Somboon<br />
Hormthienthong, Paper Work 1990-1992, Bangkok, Contempus Gallery 1993.<br />
Somchai Hattakitakosol: Somchai Hattakitakosol, Paintings, Bangkok, Monthien Hotel, 1993<br />
Sompop Budtarad: Sompop Budtarad, The Art Exhibition by Sompop Budtarad, Phonngaan 2535-2539,<br />
October, 4-31, 1996; Sompop Budtarad, Contemporary Art 2528-2535, December 21, 1992-<br />
January 30, 1993.<br />
Somporn Rodboon: interview, Asian Art News, vol.9, no.5, 1999<br />
Srithongdee, Thaweesak: review, Asian Art News, vol. 16, no. 5, 2006.<br />
Srivilasa, Vipoo: Pettifor, Steven, ‗Ceramic Narratives‘, World Sculpture News, vol. 11, no. 3, 2005.<br />
Sriwan Janehuttakarnkit: Sriwan Janehuttakarnkit, Sriwan Janehuttakarnkit 1993, Dialogue 1991, Bangkok,<br />
n.d.<br />
Supoj Sirirajanikorn Supoj Sirirajanikorn, The Lost Soul, Studio Xang, February 24 - March 31, 1996.<br />
Surasi Kusolwon, Gaweewong, Gridthiya, ‗Surasi Kusolwong‘ in Art Asia Pacific, Issue 37 (2003), p.<br />
48Surasit Saowakong: John Hoskin, ‗Surasit Saouakong, Recapturing the old Chiang Saen style <strong>of</strong><br />
Buddhist art‘, Sawsdee, n.d.; Rooseum, Malmö, ‗Surasi Kosolwon‘ (Review) in Frieze, Issue 83<br />
(May 2004), pp. 91-92<br />
Surojana Sethabutr: Pettfior, Steven, ‗Cracking potted traditions‘, Asian Art News, vol.12, no.1, 2002<br />
Sutee Kunavichayanont: Sutee Kunavichayanont, Works 1995 - 1998, Tadu Contemporary Art, Bangkok,<br />
1995 – 1998; Sutee Kunavichayanont, Flowing Tide, Silom Art Space, Bangkok, May 7 - June 18,<br />
1994. 2 books; Sutee Kunavichayanont, Flowing Tide, Allen Street Gallery, <strong>Sydney</strong>, Australia, no<br />
date; Sutee Kunavichayanont, Time and Mind, Drawing Installation by Sutee Kunavichayanont, Tin<br />
Sheds Gallery, <strong>Sydney</strong>, Australia, 1993; Sutee Kunavichayanont, Flowing Tide, unpublished MVA<br />
Research Paper, <strong>Sydney</strong> College <strong>of</strong> the Arts, 1993; Somrak Bunlung, ‗ ―Phawa Un Naaryynrom‖<br />
Pherm Chiiwid Chiiwaa Phaan Hun Silikhon‘, **** no data; Pettifor, Steven, ‗For All Times‘, On<br />
Sutee Kunavichayanont, Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002;<br />
Rodriguez, Hilda Maria, ‗Sutee Kunavichayanont‘ in Art Asia Pacific, Issue 37 (2003), p. 81. ;<br />
review Art AsiaPacific, 22, 1999. ; in Kee, Joan, ‗Transience and Time‘, Art AsiaPacific 28, 2001;<br />
Pettifor, Steven, ‗For all times‘ Asian Art News, vol.12, no.1, 2002. ; Manit Sriwanichpoom, Ing<br />
Kaanchanawich: History & Memory, Bangkok, Tadu, 2002.<br />
Taweesak Srithongdee: review, Asian Art News, vol.11, no.6, 2001; Lena., ‗Inflated Nostalgia: Solo<br />
Exhibition by Sutee Kunavichayonont‘, in Vehicle: Contemporary Visual Arts, No.2, 2001, p.6-8.<br />
Teerawat Kanama: Findlay, Ian, ‗ Teerawat Kanama at Surapon Gallery‘, Asiaweek, Exhibition Reviews,<br />
Thailand Feature, Asian Art News, vol. 12, no. 1, January/February 2002<br />
Thaiwijit Puangkasemsomboon: Thaiwijit Puangkasemsomboon, Recent Paintings, Bangkok, Visual Dhamma<br />
Gallery, 1991.<br />
Thammasak Boomcherd: Thammasak Boomcherd, Three Dimension Work, the National Gallery, Bangkok,<br />
January 8 - 31, 1999.<br />
Thanom Chakpadee: critic Pettifor, Steven, ‗Studios exposed‘, Asian Art News, vol.12, no.1, 2002
160<br />
Thasnai, Sethaseree: Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002<br />
Thavorn Ko-Udomvit: Phatarawadee Phataranawik, ‗In search <strong>of</strong> new horizons‘, The Nation, January 9,<br />
1995; Thavorn Ko-Udomvit, Art Exhibition by Thavorn Ko-Udomvit1989-1990, Seven Seas Gallery.<br />
The National Gallery, Fukuda Gallery, 1990; Thavorn Ko-Udomvit, Prints 1990-1992, Gallery<br />
APA, Japan; Silom Art Space, Bangkok, 1992; Thavorn Ko-Udomvit, Thavorn Ko-Udomvit1990-<br />
1991, Bangkok, NOB Gallery, n.d.<br />
Thawan Duchanee: Thawan Duchanee, Fukuoka, Fukuoka Art Museum, 1990; The Buddhist Art <strong>of</strong> Thawan<br />
Ducahnee/ Wenk, K/ Zurich 1981 [ NLA ef741.9593 T368W]; Thawan Duchanee, Thailand -- In<br />
Quest <strong>of</strong> the Ultimate Sacredness, Fukuoka Art Museum, the Japan Foundation ASEAN Culture<br />
Center Gallery, Japan, 1990; Ciraaporn Carernded & Pinanong Paanchyyn, ‗Man <strong>of</strong> GM, Thawan<br />
Duchanee‘, GM Magazine, Pak Lung, October 2535 (1992) unknown word; Joubert, Lindy,<br />
‗Thawan Duchanee‘, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />
Thawii Nanthakhwuang: Thawii Nanthakhwuang, Retrsopective 1949-1990, Bangkok, National Gallery,<br />
1990.<br />
Time and Being Group: review, Asian Art News, vol.11, no.1, 2001<br />
Tiravanija, Rikrit: Rirkrit Tiravanija, R. Stange & F. Waldvogel, Soccer Half Time Cookery Book, Verlag fur<br />
Moderne Kunst, Nurnberg, 2006; Birnbaum, Daniel, ‗The Lay <strong>of</strong> the Land‘ Artforum, vol 43, no.<br />
10, 2005; Cornwell-Smith, Philip, ‗Ramakien Unplugged‘, ArtAsiaPacific, no. 51, 2007; Griffin,<br />
Tim, ‗Remote Possibilities‘, Artforum, vol 43, no. 10, 2005; Leffingwell, Edward, ‗Rikrit Tirivanija<br />
at the Guggenheim‘ (review), Art in America, vol. 93, iss. 10, Nov 2005; Mertens, Brian, ‗Rikrit<br />
Tiravani Launches New Bangkok Venture‘, ArtAsiaPacific, no. 51, 2007; review, Parachute, 121,<br />
2006; review, Artforum, vol 43, iss. 6, February 2005; ‗Rikrit Tiravanija – ARC/Musee d‘Art<br />
Moderne‘, (review), Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005.<br />
Titapol Suwankusolsong: Phatarawadee Phataranawik, ‗A Structural Approach to Space‘, The Nation,<br />
February 20, 1995.<br />
Toi Ungkavatanapong: Toi Ungkavatanapong & Anurak Chatanan, Fact VS Fiction, Tadu Contemporary<br />
Art, Bangkok, March 25 - April 19, 1998.<br />
Udomsak Krisanamis: Udomsak Krisanamis, An Exhibition <strong>of</strong> Work by Udomsak Krisanamis, Goethe-<br />
Institut, Bangkok, January 9-31, 1990.<br />
Vane Group: Namtaa Rungaruun, ‗Rorj Jab Tii Khorbfaa Lae Bangsuan Caak Bantyk Khong<br />
―Kanghan‖‗, no date and publication‘s name<br />
Vasan Sitthiket: Wasan Sitthiket, Farmers Are Farmers, Tadu Contemporary Art, Bangkok, October 22 -<br />
November 29, 1998; Wasan Sitthiket, No Future, Sunday Gallery, December - January, 1996;<br />
Khetsirin Knithichan, ‗Vasan falls foul <strong>of</strong> the censors‘, The Nation, pp.c7-c8, February 13, 1995; I<br />
Love Thai Culture, the National Gallery, February 7 - March 3, 2538 (1995). The Nation January 14,<br />
1995 ; Wasan Sitthiket, Inferno, the National Gallery, June 5-7, 2534 (1991); Lenzi, Iola, ‗Activist,<br />
Anarchist, Artist: Vasan Sitthiket‘, <strong>ART</strong> AsiaPacific, Issue 36 (2002). ; Rooney, Sarah, ‗The agony<br />
and the ego‘, Art & Asia Pacific, vol.2, no.3, 1995. ; Pettifor, Steven, ‗Visual insurrection‘, Asian<br />
Art News, vol.11, no.2, 2001; review, Asian Art News, vol.12, no.3, 2002; review, Asian Art News,<br />
vol.10, no.5, 2000; Lenzi, Iola., ‗Vasan Sitthiket at Atelier Frank & Lee‘ (Singapore, review), in<br />
Asian Art News, Vol.13, No.1, January/February 2003, p.86-87.<br />
Viboon Leesuwan: Viboon Leesuwan, Poetic Colours on Sa-Paper, the Art Forum Gallery, Bangkok, March<br />
4-25, 1992; Viboon Leesuwan, Poetic Colours on Sa-Paper, Pacific Asia Museum & Department <strong>of</strong><br />
Art, CA, USA, March - April , 1990;<br />
Vichoke Mukdamanee: Vichoke Mukdamanee, The Worldview <strong>of</strong> Vichoke Mukdamanee, the National Gallery,<br />
Bangkok, October 5-31, 1998; Thomas Brecelic, ‗An Expanding Universe <strong>of</strong> Earthly Junk‘,<br />
Bangkok Post, May 25, 1996; Vichoke Mukdamanee, Modern Existence 1992, Solo Art Exhibition by<br />
Vichoke Mukdamanee, the National Gallery, Bangkok, February 6-28, 1992: Vichoke Mukdamanee<br />
& Kamol Phaosavasdi, Kamol & Vichoke Contemporary Art Exhibition, the Faculty <strong>of</strong> Painting
161<br />
Sculpture and Printmaking, Silpakorn <strong>University</strong> Bangkok, November 25- December 12. ; 1992.<br />
review, Asian Art News, vol.11, no.3, 2001<br />
Vijinthansarn, Panya: Pettifor, Steven, ‗A Painterly Pairing‘, Asian Art News, vol. 16, no. 3, 2006.<br />
Wannaa Juukhong: Pinanong Paanchyyn, ‗Duaj Huachaj Khong Cidtrakorn‘, Krungthep Wanaathid, May<br />
30, 2542 (1999).<br />
Watchara Parayoonkum: Pettifor, Steven, ‗Imprisoned In Time‘, in World Sculpture News, v. 14(1), Winter,<br />
2008, pp. 46 – 49.<br />
Wipawee Boriboon: Wipawee Boriboon, Solo Exhibition <strong>of</strong> Art by Wipavee Boriboon, Dialogue Gallery,<br />
Bangkok, December 7-26, 1991.<br />
Wiroon Thangjaroen: Wiroon Thangjaroen, A New Essence, Bangkok, Tadu Contemporary Art, May-June.<br />
Womanifesto: Nair, Varsha, ‗Womanifesto‘, Art AsiaPacific, 26, 2000; Pettifor, Steven, ‗A communion <strong>of</strong><br />
understanding‘, Asian Art News, vol.12, no.1, 2002<br />
Yuree Kensaku Pettifor, Steven, ‗Polished Darkness‘ in Asian Art News, Vol. 14, Number 3 (May/June,<br />
2004), pp. 50-53<br />
Politics and Society<br />
Basham, R., Political Authority in Thailand, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, RIAP Occasional Paper no.20, 1992.<br />
Brummelhuis, H. ten, Kemp, J.K., eds., Strategies and Structures in Thai Society, Amsterdam,<br />
Antropologisch-Sociologisch Centrum, 1984<br />
Brummelhuis, H. ten, ‗Abundance and avoidance: an interpretation <strong>of</strong> Thai individualism‘ in above.<br />
Embree, J.F., ‗Thailand - a loosely structured social system‘, American Anthropologist, vol.52, 1950.<br />
Hanks, L.M., ‗Merit and power in the Thai social order‘, American Anthropologist, vol.64, 1962.<br />
Hanks, L.M.,, ‗The Thai Social Order as Entourage and Circle‘ Skinner, G.W., Kirsch, A.T., eds., Change<br />
and Persistence in Thai Society, Ithaca, Cornell <strong>University</strong> Press, 1975.<br />
Hewison, K. ed., Political change in Thailand, democracy and participation, London, Routledge, 1997.<br />
Ishii, Y., ‗Church and State in Thailand‘, Asian Survey, vol. VII, no.10, October 1968.<br />
Moore, Frank, J., Thailand, New Haven, HRAF Press, 1974.<br />
Mulder, N., Inside Thai Society: an interpretation <strong>of</strong> everyday life,Bangkok, Duang Kamol, 1979, reprint 1990.<br />
Mulder, N., Inside Southeat Asia: Thai, Javanese and Filipino interpretations <strong>of</strong> everyday life, Bangkok, Duang<br />
Kamol, 1992.<br />
Phillips, H., ‗The Culture <strong>of</strong> Siamese Intellectuals‘, in Skinner & Kirsch, below.<br />
Reynolds, Craig J.,ed., National Identity and Its Defenders: Thailand Today, Thailand: Silkworm Books, 2000<br />
(1991,1993)<br />
Skinner, G.W., Kirsch, A.T., eds., Change and Persistence in Thai Society, Ithaca, Cornell <strong>University</strong> Press,<br />
1975.<br />
Terwiel, B.J., ‗Formal structures and informal rules: an historical perspective on hierarchy, bondage and<br />
the patron-client relationship‘ in Brummelhuis, 1984<br />
Ungpakorn, Giles J., A Coup for the rich: Thailand‘s politicial crisis¸Bangkok, Workers Democracy<br />
Publishing, 2007.<br />
Vaddhanaputi, C., ‗Cultural Dependency in Thai Society: Problems and Prospectives‘, New Asian Views,<br />
vol.3, no.2, United Nations <strong>University</strong>.<br />
Pre-Modern Thai Art [selected]<br />
Boisselier, Jean, The Heritage <strong>of</strong> Thai Sculpture, New York, Weatherhill, 1975.<br />
Bowie, T., ed. [essays by Griswold, Lyons, Subhadradis Diskul], The Arts <strong>of</strong> Thailand: A Handbook <strong>of</strong> the<br />
Architecture, Sculpture and Painting <strong>of</strong> Thailand (Siam), Bloomington, Indiana <strong>University</strong> Press, 1960.<br />
Brown, Robert L., ed., Art from Thailand, Mumbai, India, Marg Publications, 1999.<br />
Cummings, Mary, The Lives <strong>of</strong> the Buddha in the Art and Literature <strong>of</strong> Asia, Michigan Papers on South and<br />
Southeast Asia No. 20, Center for South and Southeast Asian Studies, The <strong>University</strong> <strong>of</strong><br />
Michigan, 1982.<br />
Elizabeth Lyons, Thai Traditional Painting, Thai Culture, New Series No.20, Bangkok, the Fine Arts<br />
Department, 1990.
162<br />
Fickle, D.H., Images <strong>of</strong> the Buddha in Thailand, Singapore, Oxford <strong>University</strong> Press, 1989.<br />
Rita Ringis, Thai Temples and Temple Murals, Singapore, Oxford <strong>University</strong> Press, 1990.<br />
Subhadradis Diskul, M.C., Art in Thailand, A Brief History, Bangkok, Amarin Press, 1986.<br />
Woodward, H.W.Jnr., ‗History <strong>of</strong> Art: Accomplishments and Opportunities, Hopes and Fears‘, Ayal,<br />
Eliezer B., ed. The Study <strong>of</strong> Thailand: Analyses <strong>of</strong> Knowledge, Approaches, and Prospects in Anthropology,<br />
Art History,Economics, History and Political Science, Athens, Ohio, Center for International Studies,<br />
1978.<br />
Pre-Modern Thai Painting [selected]<br />
Boisselier, J., Thai Painting, Tôkyô, Kôdansha International, 1976.<br />
Ginsburg, H., Thai Manuscript Painting, London, The British Library, 1989.<br />
Lyons, E., The Tosachât in Thai Painting, Bangkok, Fine Arts Department, 2nd.ed., 1990.<br />
Lyons, E., Thai Traditional Painting, Bangkok, Fine Arts Department, 2nd ed., 1990.<br />
Rajadhon, Phya Anuman, Thet Mahâ Chât, Bangkok, Fine Arts Department, 1990.<br />
Ringis, R., Thai Temples and Temple Murals, Singapore, Oxford <strong>University</strong> Press, 1990.<br />
Wenk, K., Thailändische Miniaturmalereien, Wiesbaden, Franz Steiner Verlag, 1965.<br />
Thonburi & Ratanakosin (Rama I-IV)<br />
Brudiyakara, Prince Bidyalabh, Accounts <strong>of</strong> the Gilt Lacquer Screen in the Audience Hall <strong>of</strong> Dusit displayed in the<br />
Museum <strong>of</strong> the Emerald Buddha Temple, Bangkok, Museum <strong>of</strong> Emerald Buddha Temple, n.d.<br />
Committee for the Rattanakosin Bicentennial Celebration, Rattanakosin Painting, Bangkok, 1982.<br />
Ishizawa Yoshiaki, Tai no Ji‘inhekiga to sekizô kenchiku, Tokyo, Mekon, 1989.<br />
Meechai Thongthiep, comp., Ramakien: The Thai Raamayana, Bangkok, Naga Books, 1993.<br />
No Na Pak Nam, Wat Dusidaram, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, June 2526 (1983).<br />
No Na Pak Nam, Cidtrakam Law Ryang, Somded Phracaw Taksin Mahaaraad Phra Phuu Kuu Caad, Bangkok,<br />
Muang Boran Publishing, 2536 (1993).<br />
No Na Pak Nam, Khru Khongpae & Khru Thongyu, Khrong Kaarn Nangsyy Cidtrakam Faphanang Series<br />
3, Bangkok, Muang Boran Publishing House, March 2530 (1987).<br />
No Na Pak Nam, Phra Acharn Nak, The Foremost Muralist <strong>of</strong> the Reign <strong>of</strong> King Rama I, Khrong Kaarn<br />
Nangsyy Cidtrakam Faphanang Series3.2, Bangkok, Muang Boran Publishing House, July 2530<br />
(1987).<br />
No Na Pak Nam, Buddhaisawan Chapel,[R1, after 1795] Mural Paintings <strong>of</strong> Thailand Series, Bangkok,<br />
Muang Boran Publishing House, February 2526 (1983).<br />
No Na Pak Nam, Farang Naj Sinlapa Thai, Bangkok, Muang Boran Publishing House 2529 (1986).<br />
No Na Pak Nam, Sinlapa Ciin Lae Khon Ciin Naj Thai, Bangkok, Muang Boran Publishing House 2530<br />
(1987).<br />
No Na Pak Nam, Wat Bangkae Yai, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, June 2534 (1991).<br />
No Na Pak Nam, Wat chong Nonsi, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, January 2525 (1982).<br />
No Na Pak Nam, Wat Maithepnimit,, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, July 2526 (1983).<br />
No Na Pak Nam, Wat Matchimawat, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, October 2526 (1983).<br />
No Na Pak Nam, Wat Pathumwanaram, Mural Paintings <strong>of</strong> Thailand Series Bangkok, Muang Boran<br />
Publishing House, February 2539 (1996).<br />
No Na Pak Nam, Wat Phra Sing, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran Publishing<br />
House, March 2526 (1983).<br />
No Na Pak Nam, Wat Phrachetuphon, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, March 2537 (1994).
163<br />
No Na Pak Nam, Wat Phumin and Wat Nong Bua, Mural Paintings <strong>of</strong> Thailand Series No. 2, Bangkok,<br />
Muang Boran Publishing House, October 2529 (1986).<br />
No Na Pak Nam, Wat Pradu Song Tham, Mural Paintings <strong>of</strong> Thailand Series No. 2, Bangkok, Muang<br />
Boran Publishing House, July 2528 (1985).<br />
No Na Pak Nam, Wat Ratchasittharam,Mural Paintings <strong>of</strong> Thailand Series No. 2, Bangkok, Muang Boran<br />
Publishing House, June 2525 (1982).<br />
No Na Pak Nam, Wat Somanat Wihan, Mural Paintings <strong>of</strong> Thailand Series Bangkok, Muang Boran<br />
Publishing House, July 2538 (1996).<br />
No Na Pak Nam, Wat Suthat Dhepwararam, Mural Paintings <strong>of</strong> Thailand Series Bangkok, Muang Boran<br />
Publishing House, March 2539 (1996).<br />
No Na Pak Nam, Wat Suwannaram, Mural Paintings <strong>of</strong> Thailand Series, 2nd eds., Bangkok, Muang<br />
Boran Publishing House, February 2540 (1997).<br />
No Na Pak Nam, Wat Thong Thammachat, [R3] Paintings <strong>of</strong> Thailand Series No. 2, Bangkok, Muang<br />
Boran Publishing House, May 2525 (1982).<br />
No Na Pak Nam, Wat Yai Intharam, Mural Paintings <strong>of</strong> Thailand Series, Bangkok, Muang Boran<br />
Publishing House, October 2525 (1982).<br />
No Na Pak Nam, Wiwadthanaakaan Laj Thaj, Bangkok, Muang Boran Publishing House, February 2534<br />
(1991).<br />
Paritta Chalermpow Koanantakool, Dance and Painting in 19th century Siam, Bangkok, Faculty <strong>of</strong><br />
Sociology and Anthropology, Thammasat <strong>University</strong>, Country Report Part 2, Traditional<br />
Performing Art in Southeast Asia, USM, Penang, Malaysia, 10-13 August, 1999.<br />
Phya Anuman Rajadhon, Thet Maha Chat, Thai Culture, New series No.21, Bangkok, The promotion<br />
and Public Relations Sub-Division, the Fine Arts Department, 2533 (1990).<br />
Poshyananda, A., Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols., Bangkok, Amarin<br />
Printing Group, 1993 [review by Clark, J., Art & Asia Pacific, vol.1, no.3, 1994].<br />
Subhadradis Diskul, M.C., History <strong>of</strong> the Temple <strong>of</strong> the Emerald Buddha, Bangkok, the Bureau <strong>of</strong> the Royal<br />
Household, n.d.<br />
Subhadradis Diskul, M.C., Rice, C.S., The Ramakian [Ramayana] Mural Paintings alongthe Galleries <strong>of</strong> the<br />
Temple <strong>of</strong> the Emerald Buddha, Bangkok, Government Lottery Office, 1981.[bilingual]<br />
Wiyada Thongmitr, Khrua In Khong‘s Westernized School <strong>of</strong> Thai Painting, Thai Painting Series No.1,<br />
Bangkok, Muang Boran Publishing House, 2522 (1979)<br />
Wyatt, Donald K., Temple Murals as an Historical Source, The case <strong>of</strong> Wat Phumin, Nan, Bangkok,<br />
Chulalongkorn <strong>University</strong>, 1993.<br />
Ratanakosin (Rama V-VIII)<br />
Chulathat Phayakharanon, Patterns and Evolution <strong>of</strong> Mural Paintings in Rattanakosin Period, from Technical<br />
Seminar on the Evolution <strong>of</strong> Arts and Culture <strong>of</strong> Rattanakosin Bicentennial, Bangkok, Thailand<br />
Information Center, Academic Resource Center, Chulalongkorn <strong>University</strong>, 17 August 2525<br />
(1982).<br />
Italians at the Court <strong>of</strong> Siam, The 50th Anniversary Celebration <strong>of</strong> His Majesty‘s Accession to the Throne,<br />
Bangkok, Amarin Printing and Publishing Public Compary Limited<br />
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Sculptures <strong>of</strong> Rattanakosin,<br />
Bangkok, A Publication <strong>of</strong> the Committee for the Rattanakosin Bicantennial Celebration to<br />
Commemorate the Rattanakosin Bicentennial, 2525 (1983).<br />
National Committee for Organizing the Celebrations for the 50th Anniversary <strong>of</strong> His Majesty‘s<br />
Accession to the Throne, Rattanakosin Art, the Reign <strong>of</strong> King Rama I-VIII, 2nd eds. Published in<br />
Commemoration <strong>of</strong> the 50th Anniversary <strong>of</strong> His Majesty‘s Accession to the Thorne, Bangkok,<br />
Amarin Printing and Publishing Public Company Limited, 1998.<br />
Pairote Samosorn, E-Sarn Mural Paintings,Bangkok, E-Sarn Cultural Center, 2532 (1989).<br />
Peleggi, Maurizio, Lords <strong>of</strong> Things, Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press, 2002.
164<br />
Peleggi, Maurizio, ‗Royal antiquarianism, European Orientalism and the production <strong>of</strong> archaeological<br />
knowledge in Modern Siam‘, in Goh Ben Lan; Ravi, Srilata; Rutten, Mario, eds., Europe in Asia,<br />
Asia in Europe, Leiden: KITVL & Singapore: ISEAS, 2005<br />
After 1947 (Rama IX)<br />
The Mural Painting <strong>of</strong> Wat Buddhapadipa, Bangkok, Amarin Printing Group, 1987.<br />
Art in the Reign <strong>of</strong> King Rama IX, Volume 1, Bangkok, Golden Jubilee Art Celebration Committee and<br />
Rama IX Art Museum Foundation, Published On the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM<br />
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.<br />
Art in the Reign <strong>of</strong> King Rama IX, Volume 2, Bangkok, Golden Jubilee Art Celebration Committee and<br />
Rama IX Art Museum Foundation, Published On the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM<br />
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.<br />
Art in the Reign <strong>of</strong> King Rama IX, Volume 3, Bangkok, Golden Jubilee Art Celebration Committee and<br />
Rama IX Art Museum Foundation, Published On the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM<br />
King Bhumibol Adulyadej‘s Accession to the Throne, 1996.<br />
Peleggi, Maurizio, The Politics <strong>of</strong> Ruins and the Business <strong>of</strong> Nostalgia, Bangkok, White Lotus, 2002.<br />
General Works on Neo-traditional Art [including Group Catalogues]<br />
Art and Environment, Bangkok, Silpakorn <strong>University</strong> & Goethe Institut, 1991.<br />
Art Exhibition by the members <strong>of</strong> the Faculty <strong>of</strong> Painting, Sculpture and Graphic Arts, Bangkok, Silpakorn<br />
<strong>University</strong> [6th], 1989, [7th] 1990, [8th] 1991.<br />
Change and Modernism in Thai Art, Canberra, Contemporary Art Space, 1991.<br />
Eight Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 1991.<br />
Hoskin, J., Ten Contemporary Thai Artists, Bangkok, Graphis, 1984<br />
Leesuwan, V., An Exhibition <strong>of</strong> Thai Art in the People‘s Republic <strong>of</strong> China Beijing, Centre <strong>of</strong> Fine Arts, 1985<br />
[some modern works illustrated]<br />
Pawlin, A., Dhamma Vision, Bangkok, Visual Dhamma Gallery, 1984.<br />
Thai-Australian Cultural Space, <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1994.<br />
The New Path, Bangkok, Con-tempus 1992.<br />
Third Thai Art ‗80, Bangkok, Bhirarsi Institute <strong>of</strong> Modern Art, 1980.<br />
White Group 4th Contemporary Water Colour Exhibition/ Bangkok, National Gallery, March 1985.<br />
General Works on Modern Thai Art<br />
Apinan Poshyananda, ‗Thai <strong>MODERN</strong>ism to (post?) modernISM, 1970s and 1980s (Seeing "Yellow"<br />
from a Thai perspective)‘, in Clark, J., ed., Modernity in Asian Art, <strong>Sydney</strong>, Wild Peony, 1993.<br />
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford <strong>University</strong> Press, 1992.<br />
Bhirasri, S. [Thai name <strong>of</strong> Ferroci, Corrado], Contemporary Art in Thailand, Bangkok, Fine Arts<br />
Department, B.E. 2532 [1989].<br />
Cate, Sandra, Making Merit, Making Art: A Thai Temple in Wimbledon, Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i<br />
Press, 2003<br />
Michaelsen, H., ‗State Building and Thai Painting and Sculpture in the 1930s and 1940s‘, in Modernity in<br />
Asian Art, 1993.<br />
Michaelsen, H., ‗Thailand in the 1980s‘, Art Monthly Australia, no.41, June 1991.<br />
Michaelsen, H., Die Entwicklung und die Konsequenzen der westlichen Einflüsse auf die zeitgenössische thailändische<br />
Malerie, Magisterarbeit, Ruhr Universität-Bochum, 1987.<br />
Pawlin, A., ‗Reaching beyond Tradition‘, Asian Art News, 1, no.3, Nov/Dec 1991.<br />
Pettifor, Steven, Flavours: Thai Contemporary Art, Bangkok, Thavibu Gallery, 2003<br />
Phillips, H., The Integrative Art <strong>of</strong> Modern Thailand, Berkeley, Lowie Museum <strong>of</strong> Anthropology and<br />
California <strong>University</strong> Press, 1992. [Review by Murray, S.E., Asian Art News, 2, no.2 Mar/ Apr<br />
1992].<br />
Piriya Krairiksh & Thongchua, P., Art in Thailand since 1932, Bangkok, Thamasat <strong>University</strong>, Thai Khadi<br />
Research Institute, 1982.
165<br />
Piriya Krairiksh, Thai Reflections on American Experiences, Bangkok, Bhirasri Institute <strong>of</strong> Modern Art, 1986<br />
Poshyananda, Apinan, ‗Portraits <strong>of</strong> Modernity in the Royal Thai Court‘, in Asian Art & Culture V(VIII,<br />
1), Winter, 1995.<br />
Rodboon, Somporn, ‗Contemporary Art Scene in Thailand‘, Kuroda, Raiji, ed., The First Fukuoka Asian<br />
Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Smithies, M., ‗The Bangkok Art Scene in the Early 1960s: A personal souvenir‘, Journal <strong>of</strong> the Siam<br />
Society, vol.66, July 1978.<br />
Wong-Uparaj, Damrong, Pr<strong>of</strong>essor Silpa Bhirasri, 1978.<br />
Architecture and Environment<br />
Kana Kammakaan Cadngaan Somphod Krung Radtanakoosin 200 Pii, Architectures <strong>of</strong> Rattanakosin,<br />
Bangkok, A Publication <strong>of</strong> the Committee for the Rattanakosin Bicantennial Celebration to<br />
Commemorate the Rattanakosin Bicentennial, 2525 (1983).<br />
Aasen, Clarence, Architecture <strong>of</strong> Siam, A Cultural History Interpretation, Kuala Lumpur, Oxford <strong>University</strong><br />
Press, 1996.<br />
Askew, Marc, Interpreting Bangkok, The Urban Question in Thai Studies, Bangkok, Chulalongkorn <strong>University</strong><br />
Printing House, 1994.<br />
Askew, Marc, Bangkok: Place, Practice and Representation, London, Routledge, 2002.<br />
Dumarçay, Jacques, The House in South-East Asia, (Tr.& Ed. Smithies, M.), Singapore, Oxford <strong>University</strong><br />
Press, 1990.<br />
Dumarçay, Jacques, The Palaces <strong>of</strong> Southeast Asia, Architecture and Customs [tr., ed. Michael Smythies],<br />
Singapore, Oxford <strong>University</strong> Press, 1991.<br />
Fox, James J., ed. Inside Austronesian Houses, Canberra, Australian National <strong>University</strong>, 1993.<br />
Sumet Jumsai, Naga, Cultural, Origins in Siam and the West Pacific, Singapore, Oxford <strong>University</strong> Press,<br />
1989.<br />
Moore, Elizabeth, et.al, Ancient Capitals <strong>of</strong> Thailand, Bangkok, Asia Books Co.,Ltd., 1996.<br />
Smithies, Michael, Old Bangkok, Singapore, Oxford <strong>University</strong> Press, 1993.<br />
Waterson, Roxana, The Architecture <strong>of</strong> South-East Asia through Travellers‘ Eyes, Kuala Lumpur, Oxford<br />
<strong>University</strong> Press, 1998.<br />
Roxana Waterson, The Living House, An Anthropology <strong>of</strong> Architecture in South-East Asia, Singapore, Thames<br />
and Hudson, 1997.<br />
Craft<br />
Bhirasri, Silpa, Thai Lacquer Works, Bangkok, The Promotion and Public Relations Sub-Division, the<br />
Fine Arts Department, 2532 (1989).<br />
Cohen, E., The Commercialized Crafts <strong>of</strong> Thailand: Hill tribes and lowland villages, Richmond, Curzon &<br />
Honolulu, <strong>University</strong> <strong>of</strong> Hawaii Press, 2000.<br />
Connors, Mary F., Lao Textiles and Traditions, Kuala Lumpur, Oxford <strong>University</strong> Press, 1996.<br />
Conway, Susan, Thai Textiles, London, British Museum Press, 1992.<br />
Fraser-Lu, Sylvia, Handwoven Textiles <strong>of</strong> South-East Asia,2nd Impression, Singapore, Oxford <strong>University</strong><br />
Press, 1990.<br />
Songsak Prangwatthanakun & Patricia Naenna, Lan Na Textiles, Yuan Lue Lao, Chiang Mai, the Center<br />
for the Promotion <strong>of</strong> Arts and Culture, Chiang Mai <strong>University</strong>, 2533 (1990).<br />
Subhadradis Diskul, M.C. ,The Lacquer Pavilion at Suan Pakkad Palace, Bangkok Princess Chumbhot <strong>of</strong><br />
Nagara Svarga.<br />
Thai Textiles, Threads <strong>of</strong> a Cultural Heritages, Chiang Mai, Center for the Promotion <strong>of</strong> Arts and Culture,<br />
Chiang Mai <strong>University</strong>, 1996.<br />
Wiboon Liisuwan, Directory <strong>of</strong> ThaiFolk Handicrafts, Bangkok ,The Industrial Finance Corporation <strong>of</strong><br />
Thailand, 2532 (1989).
Reference<br />
Joti Kalyanamitra, Six Hundred Years <strong>of</strong> Work by Thai Artists & Architecture, Bangkok, The Fine Arts<br />
Commission <strong>of</strong> the Association <strong>of</strong> Siamese Architects Under Royal Patronage, 1977.<br />
166<br />
Art Collection & Galleries<br />
The Thai Farmers Bank Art Collection, ‗Award from Contemporary Art Competition in the Year 1979-1995<br />
and Realistic Paintings in the Year 1994‘<br />
Moonlanithi Thanaakaan Krongtheb, Bua Luang Paintings, A Collection <strong>of</strong> Prize Winning Paintings from the<br />
1st to 19th Bua Luang Painting Competitions To Mark the 50th Anniversary (Golden Jubilee) Celebrations <strong>of</strong><br />
His Majesty the King‘s Accession to the Throne, Bangkok, Amarin Printing and Publishing Co., ltd.<br />
(plc), 2539 (1996).<br />
Pettifor, Steven, ‗A New Art Center For A New Era‘ [Bangkok Art and Culture Centre], in<br />
AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 96-99<br />
Pettifor, Steven, ‗A Fresh Face For Thai Art [Apinan Poshyananda on Bangkok Art and Culture<br />
Centre], in AsianArtNews, vol. 18, no. 6, Nov/Dec 2008, p. 100-101<br />
Sombat Permpoon Gallery, Amazingly fine, Amazingly Thai, Bangkok, Sombat Permpoon Gallery.<br />
Subhadradis Diskul M.C. et al.,The Suan Pakkad Palace Collection, 2nd printing, Bangkok, Princess<br />
Chombhot <strong>of</strong> Nagara Svarga, 1991.<br />
Thavibu Gallery, Numthong Gallery, Bangkok, Art AsiaPacific, no.34, 2002.<br />
TISCO 25 Anniversary,TISCO Contemporary Art Collection, Bangkok, Thai Investment and Securities<br />
Public Company Limited.<br />
Selected Major Exhibitions in Thailand (by Year) (material in some Australian public libraries)<br />
1951<br />
National Exhibition <strong>of</strong> Art, Bangkok, Silpakorn <strong>University</strong>, 10 November - 10 December.<br />
1958<br />
National Exhibition <strong>of</strong> Art, Bangkok, ‗Hor Sin Trong Khaam Anudsaawarii Thahaanaasaa‘, 15 March - 15<br />
April.<br />
1979<br />
Kaan Sadaeng Sinlapakam Haeng Chaad Khrang Thii 1, Bangkok, 15-30 November. Circulated Exhibition<br />
1982<br />
Vane Group, 3rd Exhibition <strong>of</strong> Paintings by Vane Group, Bangkok, the Bhirasri Institute <strong>of</strong> Modern Art,<br />
12-31 January.<br />
1984<br />
20 Artists, Paperwork,Bangkok, the Silpakorn <strong>University</strong> Art Gallery, 25 February - 12 March.<br />
Dhamma Vision, Bangkok, Visual Dhamma Gallery.<br />
1987<br />
Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion <strong>of</strong><br />
His Majesty the King‘s Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date.<br />
1988<br />
5 Young Artists <strong>of</strong> the Year‘88, Bangkok, the Art Gallery Silpakorn <strong>University</strong>, 2-14 June.<br />
1989<br />
5 Young Artists <strong>of</strong> the Year‘89, Bangkok, the Art Gallery Silpakorn <strong>University</strong>, 1-19 June.<br />
1990<br />
Asian International Art Exhibition, Kuala Lumpur, National Art Gallery, 17 December,1990-6 January<br />
1991.<br />
1991<br />
Bangkok Bank Ltd. Biographies <strong>of</strong> Thai Artists, Printed for IBRD/IMF Meeting, Bangkok, Thailand,<br />
1991.<br />
Parallel Views, An Exhibition <strong>of</strong> Contemporary Thai Art, Victoria, Australia, Luba Bilu Gallery, 4-28<br />
September.
167<br />
Somporn Rodboon, ‗Thai Contemporary, Works on Paper‘, no date.<br />
Change and Modernism in Thai Art, Canberra, Australia, Galleries 1 and 2, Gorman House, 14 March - 6<br />
April.<br />
The 8th Exhibition <strong>of</strong> Contemporary Art by Young Artists, On the Occasion <strong>of</strong> ―Silpa Bhirasri Day‖, Bangkok,<br />
the Silpakorn <strong>University</strong> Art Gallery, 15 September - 8 October.<br />
8th Art Exhibition by the Members <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic Arts Silpakorn <strong>University</strong>, The<br />
Centennial Celebration <strong>of</strong> Pr<strong>of</strong>essor Silpa Bhirasri, Bangkok, Faculty <strong>of</strong> Painting Sculpture and Graphic<br />
Arts Silpakorn <strong>University</strong>, 15 September - 5 October.<br />
3th Toshiba ―Brings Good Things to Life‖ Art Competition 1991, no date<br />
Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion <strong>of</strong> the Thirty Sixth Birthday<br />
Anniversary <strong>of</strong> Her Royal Highness Princess Maha Chakri Sirindhorn in the Year 1991, Bangkok, Thai<br />
Cultural Center, sponsored by Thai Farmers Bank, no date.<br />
Art and Environment, Bangkok, the Gallery <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic arts,<br />
Silpakorn <strong>University</strong>, 6-28 February.<br />
8 Actual Visions in Thai Contemporary Drawing, Bangkok, Dialogue Gallery, 10-24 November.<br />
Kaan Prakuad Sinlapakam Por Tor Thor Khrang Thii 6, Bangkok, the Art Gallery Silpakorn <strong>University</strong>, 2-19<br />
December.<br />
1992<br />
Krom Sinlapakorn, 73 Sinlapin Thaj Sid Silp Bhirasri, Bangkok, Phiphidtaphansathaan Haeng Caad,<br />
August - September.<br />
White Group, A Decade <strong>of</strong> White Group , Individual Project 1992.Bangkok, Silom Art Space Gallery 15<br />
October - 15 November, National Art Gallery 4 - 29 November<br />
Charity Auction for Special Olympics <strong>of</strong> Thailand, Bangkok, Dialogue 1991, 14-16 November<br />
Isan Group, The Sky Without Birds, The Earth Without Animals Bangkok, River City Department Store,<br />
13-23 November.<br />
The New Path, Bangkok, Queen Sirikit National Convention Center, 5-31 January.<br />
Creative Feminity, Bagnkok, Queen Sirikit National Convention Center, 3 May - 3 June.<br />
Modern Thai Prints & Works on Paper, An Exhibition to Mark Thailand Update 1992, <strong>Sydney</strong>, Australia,<br />
<strong>University</strong> <strong>of</strong> <strong>Sydney</strong> Staff Club, 8-15 October.<br />
Bangkok artists, Bangkok Matters, Bangkok, Silom Art Space, 28 March - 23 May.<br />
The 9th Exhibition <strong>of</strong> Contemporary Art by Young Artists, In Commemoration <strong>of</strong> ―The Centennial Celebration <strong>of</strong><br />
Pr<strong>of</strong>essor Silpa Bhirasri‖, Bangkok, the Silpakorn <strong>University</strong> Art Gallery, 21 August - 8 September.<br />
4th Toshiba ―Brings Good Things to Life‖ Art Competition 1994, no date.<br />
9th Art Exhibition by the Members <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic Arts Silpakorn <strong>University</strong>, The<br />
Centennial Celebration <strong>of</strong> Pr<strong>of</strong>essor Silpa Bhirasri, Bangkok, Faculty <strong>of</strong> Painting Sculpture and Graphic<br />
Arts Silpakorn <strong>University</strong>, 15 September - 5 October.<br />
Melancholic Trance, Bangkok, Visual Dhamma Gallery, 23 May - 30 June.<br />
Painting and Sculptures Exhibitions on the Occasion <strong>of</strong> the Bank <strong>of</strong> Thailand‘s 50th Anniversary, Bangkok,<br />
Bangkhunprom Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993. (book)<br />
Painting and Sculptures Exhibitions on the Occasion <strong>of</strong> the Bank <strong>of</strong> Thailand‘s 50th Anniversary, Bangkok,<br />
Bangkhunprom Palace 2-4 December 1992, Thailand Cultural Center 15-31 January 1993.<br />
(pamphlet)<br />
Cries from theHills, Children‘s Art Exhibition from 6 tribes(Karen, Hmong, Mien, Lisu, Lahu, Akha), 17-24<br />
October 2535 (1992) Circulated Exhibition in Thailand.<br />
The Decade <strong>of</strong> Printmaking, Bangkok, Queen Sirikit National Convention Center, 21 July - 10 August.<br />
Thai Farmers Bank, Thai Farmers Bank Painting Competition in the Celebrations for the Auspicious Occasion <strong>of</strong><br />
Her Majesty the Queen‘s Sixtieth Birthday Anniversary, Bangkok, Thai Cultural Center, no date.<br />
Multiple Drawing, Bangkok, the Gallery <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic Arts Silpakorn<br />
<strong>University</strong>, 24 August - 9 September.<br />
Thai Farmers Bank, Contemporary Art Exhibition 1992,Bangkok, the National Gallery, 8 June - 8 July.
168<br />
Exhibition <strong>of</strong> Art Instructors 1992 Faculty <strong>of</strong> Fine Arts Chiangmai <strong>University</strong>,Bangkok, the National Gallery, 18<br />
September - 10 October.<br />
Bangkok-Nagoya, Bangkok, the Art Gallery Silpakorn <strong>University</strong>, 7-28 October.<br />
1993<br />
Sai-Nam-Tai Contemporary Art Exhibition, Bangkok, Tridhos Gallery, 11 November - 31 December.<br />
Four Painters, Bangkok, the National Gallery, 9-28 December.<br />
White Group, People, Bangkok, the Silapkorn <strong>University</strong> Art Gallery, 1-25 December.<br />
The 38th National Exhibition <strong>of</strong> Art, the Centennial Celebration <strong>of</strong> Pr<strong>of</strong>essor Silpa Bhirasri, Bangkok, the<br />
Silpakorn <strong>University</strong> art Gallery, 15 September - 5 October.<br />
The 10th Exhibition <strong>of</strong> Contemporary Art by Young Artists, Commemorating Silpakorn <strong>University</strong>‘s 50th<br />
Anniversary, Bangkok, the Silpakorn <strong>University</strong> Art Gallery, 25 August - 10 September.<br />
Contemporary Thai/Japanese Art Exhibition, Beyond the Border, Tokyo, P3 art and environment, 9-23<br />
December; Bangkok, Silpakorn <strong>University</strong> Art Gallery, 14-27 February.<br />
Thailand -- Land <strong>of</strong> Thousands Ideas, Bangkok, the National Gallery, 9-30 January.<br />
1994<br />
Cobalt Blue Group, The 2nd Contemporary Art Exhibition by Cobalt Blue Group, Bangkok, the Imperial<br />
Queen‘s Park Hotel, 6-23 January.<br />
6th Toshiba ―Brings Good Things to Life‖ Art Competition 1994, no date.<br />
1st Art Exhibition by the Members <strong>of</strong> the College <strong>of</strong> Fine Arts, Bangkok, the National Gallery, 10-31 August.<br />
Tadsawat Group, 1st Art Exhibition, Bangkok, Place <strong>of</strong> Art, 30 October - 20 November.<br />
Water Group, Art Exhibition by Water Group, Bangkok, Art Forum Gallery, 4-25 February.<br />
2537 Art Exhibition, Bangkok, the Changing Exhibition Hall, Thailand Cultural Center, 21 November -<br />
18 December, sponsored by Bangkok <strong>University</strong>. cit<br />
Saang Saan Tamnaan Sin, 20 Pii Naew Ruam Sinlapin Haeng Prathed Thai 2517-2537, Bangkok, Queen<br />
Sirikit National Convention Center, October.<br />
1995<br />
Thai Farmers Bank, Contemporary Art Exhibition 1995, Bangkok, the National Gallery, 9-30 June.<br />
Thai Tensions, Bangkok, the Art Center, Center <strong>of</strong> Academic Resources, Chulalongkorn <strong>University</strong>, 1-30<br />
September.<br />
The Members <strong>of</strong> the Department <strong>of</strong> Graphic Arts, Faculty <strong>of</strong> Painting Sculpture and Graphic Arts,<br />
Graphic Arts Exhibition, Bangkok, Faculty <strong>of</strong> Painting Sculpture and Graphic Arts, 5-31 July.<br />
Nithadsakaan Cidtrakam Thai, 10 Pii Klum Thaan Kuud, Bangkok, Place <strong>of</strong> Art, 19 March - 9 April. 2<br />
books<br />
Exhibition <strong>of</strong> Contemporary Art, Toshiba ―Bring Good Things to Life‖, Bangkok, no date, no place <strong>of</strong><br />
exhibition<br />
1996<br />
Into the Next Decade, Tadu Contemporary Art, November 28, 1996.<br />
Into the Next Decade, Tadu Contemporary Art, 29 November 1996 - 25 January 1997.<br />
Cobalt Blue Group, The 3rd Art Exhibition by Cobalt Blue Group, Bangkok, the National Gallery, 8-30<br />
March.<br />
Symbolist, 1996 Art Exhibition, Bangkok, Place <strong>of</strong> Art, 5-24 January 1997.<br />
Liveart, Thailand First Performance Art Event, Bangkok, Concrete House, 6 July.<br />
W O M A N?, Bangkok, the Art Center, Center <strong>of</strong> Academic Resources, Chulalongkorn <strong>University</strong>, 8-<br />
31 August.<br />
Third Art and Cultural Festival, Temples, Cemeteries, Private-Residences, Public Buildings, Streets, Bridges, Walls,<br />
rivers and Canals, Open Spaces, Chiang Mai, Thailand, Chiangmai Social Installation, Faculty <strong>of</strong> Fine<br />
Arts, Chiang Mai <strong>University</strong>, 19 November - 19 February.<br />
1997<br />
Absolute Abstract, Bangkok, Tadu Contemporary Art, 28 March - 25 May.<br />
Painters‘ Pursuit, Bangkok, Tadu Contemporary Art, 7 June - 31 July.
169<br />
14th Art Exhibition by the Members <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic Arts, In Commemoration <strong>of</strong><br />
55th Aniiversary <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic Arts, Silpakorn <strong>University</strong>, Bangkok, the<br />
Gallery <strong>of</strong> the Faculty <strong>of</strong> Painting Sculpture and Graphic Arts, 15 September - 15 October.<br />
Hanoi Fine Arts Institute, Silpakorn <strong>University</strong>, Hue College <strong>of</strong> Arts, and Chiang Mai <strong>University</strong>,<br />
Contemporary Fine Arts Exhibition, no date.<br />
Golden Jubilee Art Exhibition, 50 Years <strong>of</strong> Thai Art on the Occasion <strong>of</strong> the 50th Anniversary <strong>of</strong> HM King Bhumibol<br />
Adulyadej‘s Accession to the Throne,Bangkok, Queen Sirikit National Convention Center. December<br />
1996 - January 1997<br />
1998<br />
Hers Group, Woman Opportunity, Bangkok, Tadu Contemporary Art, 18 December-18 January. 2 posters<br />
the pink, the bad & the ugly, the Art Center, Centers <strong>of</strong> Academic Resources, Chulalongkorn <strong>University</strong>,<br />
13-30 October 1998.<br />
Bangkok Art Project 1998, January Events 2542 (1999) cit<br />
73 Thai artists & 7 Asian artists, Bangkok Art Project 1998, Bangkok, Public Art in Community Lives Across<br />
the Ratanakosin Island, 8 December 1998 - 31 January 1999. 2 books<br />
Master Thai Artists in Japan, Bangkok, the Art Gallery, the Faculty <strong>of</strong> Painting Sculpture and Graphic<br />
Arts, Silpakorn <strong>University</strong>, 27 June - 15 July.<br />
5 Decades <strong>of</strong> the National Exhibition <strong>of</strong> Art 1949-1998, Bangkok, the Art Gallery Silpakorn <strong>University</strong>, 1-30<br />
June.<br />
Plastic (&other) Waste, Bangkok, the Art Center, Center <strong>of</strong> Academic Resources, Chulalongkorn<br />
<strong>University</strong>, 7 April - 1 May.<br />
1999<br />
New Essence, Bangkok, Tadu Contemporary Art, 13 May - 13 June.<br />
Womanifesto-II, Second International Women‘s Art Exchange, Bangkok, Saranrom Park, 13 March - 4 April.<br />
Vasha Nair, ‗Womanifesto II-- jogging ahead‘, n.paradoxa, Vol. 4., 1999.<br />
No Guarantee, <strong>Sydney</strong>, Australia, SCA Gallery, 30 September - 6 November.<br />
The members <strong>of</strong> Thai Art Department, Faculty <strong>of</strong> Painting Sculpture & Graphic Arts, Silpakorn<br />
<strong>University</strong>, Thai Art Exhibition, Bangkok the Art Gallery Silpakorn <strong>University</strong>, 24 May -11 June.<br />
The members <strong>of</strong> Thai Art Department, Faculty <strong>of</strong> Painting Sculpture & Graphic Arts, Silpakorn<br />
<strong>University</strong>, Thai Art Exhibition, Bangkok the Art Gallery Silpakorn <strong>University</strong>, 24 May -11 June,<br />
price list.<br />
2004<br />
Löschmann, Jörg, ed. Identities, versus Globalisation (Cat.), Chiangmai, Heinrich Böll Foundation, 2004<br />
2007<br />
Pettifor, Steven, ‗In Praise <strong>of</strong> the Spirit‘, in Asian Art News, v. 18(1), Jan/Feb, 2008, pp. 74 - 79.<br />
Recent Thai Art Overall<br />
Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford <strong>University</strong> Press, 1992.<br />
Apisuk, Chumpon, ‗Art <strong>of</strong> Dissent‘, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications,<br />
2007.<br />
First International Conference on Modern Art in Thailand ―Modern Art in Thailand 1932-1992, Changing<br />
Perspectives‖, organised by the Faculty <strong>of</strong> Fine and Applied Arts, Chulalongkorn <strong>University</strong>, 31 July<br />
- 2 August, 1992<br />
National Committee for Organizing the Celebrations for the 50th Anniversary <strong>of</strong> His Majesty‘s<br />
Accession to the Throne, Rattanakosin Art, the Reign <strong>of</strong> King Rama IX 2nd eds. Published in<br />
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________________________________________________________________________________<br />
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Raga dan Verba/Questioning the Act: Between the Body and the Verb, Jakarta, Ruangrupa, 2002<br />
Wisetromo, Suwarno, ‗Explorations in the Spirit <strong>of</strong> Subversion‘, Asian Art News, vol. 15, no. 6, 2005.<br />
Wisetrotomo, Suwarno, Portret: Agung Suryanto & Galam Zulkifi, Jakarta, Edwin‘s Gallery2005<br />
Wiyanto, Hendro, Anusapati: Genesis, Jakarta, Nadi Gallery, 2001
Wiyanto, Hendro, Ugo Untoro: Goro-Goro, Jakarta, Nadi Gallery, 2002<br />
Yunanto, Ardi, Kelana, Andang, et.al., eds., Karbon: Tigabelasan (Bilingual), Jakarta, Ruangrupa, 2006<br />
197<br />
Selected Exhibitions<br />
Achmad, Laila, Jakarta 32˚C, Jakarta, Ruangrupa, 2006<br />
Choices <strong>of</strong> the heart. Modern Indonesian paintings from Toeti Herati‘s collection. 50 th anniv. Republic <strong>of</strong><br />
Indonesia.‘. Museum voor Volkenkunde, Rotterdam. 1995Indarto, Kuss, et.al.,<br />
Crossing Boundaries. A Window to Twentieth Century Indonesian Art. Melbourne 2002. Exhibition catalogue<br />
Genta Plus, Bali, Biasa Art Space, 2006<br />
Kurniawan, Agung, Budiman in Wonderland, Yogyakarta, Kedai Kebun, 2005<br />
Mamanmoor, Re-Reading Landscape, Jakarta, Nadi Gallery, 2005<br />
Marianto, Dwi M. and Susanto, Mikke, eds., Young Arrows: Rhythem & Passion, Yogyakarta, Jogja Gallery,<br />
2006<br />
Parta, Seriyoga, Trans-it: A Sense <strong>of</strong> Two Cities, Bali, Biasa Art Space, 2005<br />
Perini, Susanna, It: An Approach to Indonesian Contemporary Art, Bali, Biasa Art Space, 2005<br />
Perini, Susanna, Ugo Untoro, Bali, Biasa Art Space, 2006<br />
van der Plas, Els, et.al., Orientation, Amsterdam, Leiden, and Yogyakarta, Gate Foundation, Stedlijk<br />
Museum de Lakenhal, and Cemeti Art Foundation, 1995-96<br />
Ruangrupa, Top Collection: A Photography Project, Jakarta, Ruangrupa, 2004<br />
Ruangrupa, Ok. Video: Sub/version, Jakarta Video Festival 2005, Jakarta, Ruangrupa, 2005<br />
Ruangrupa, For Sale! – Art Project About Consume in the City <strong>of</strong> Jakarta, Jakarta, Ruangrupa, 2006<br />
Sugiharto, Bambang, Beyond the Familiar: Riosid and Yus Herdiawan, Jakarta, Nadi Gallery, 2006<br />
Supangkat, Jim, Not I. Am I?, Jakarta, Nadi Gallery, 2001<br />
Supriyanto, Enin, All You Need is Love, Jakarta, Nadi Gallery, 2003<br />
Supriyanto, Enin, Kado, Jakarta, Nadi Gallery, 2003<br />
Supriyanto, Olympics, Jakarta, Nadi Gallery, 2004<br />
Supriyanto, Enin, Equatorial Heat: Indonesian Paintersb Exhibition at Sichuan Museum, Jakarta,<br />
Edwin‘s Gallery, 2004<br />
Supriyanto, Enin, AKU, Chairil, and aku, Jakarta, Nadi Gallery, 2005<br />
Susanto, Mikke, How Red is Red, Jakarta, Nadi Gallery, 2004<br />
Susanto, Mikke, Ambarwati, Nunuk, et.al., eds., Biennale Jogja VIII: Di Sini&Kini (Bilingual),<br />
Yogyakarta, Taman Budaya Yogyakarta, 2006<br />
Susanto, Mikke, Ambarwati, Nunuk, and Suseno, Indro, Icon: Retrospective [Indonesian Art <strong>of</strong> the 1970s<br />
to 2000+], Yogyakarta, Jogja Gallery, 2006<br />
Wiyanto, Hendra, Fantasy <strong>of</strong> Body, Jakarta, Nadi Gallery, 2000<br />
Wiyanto, Hendra, Reading Frida Kahlo, Jakarta, Nadi Gallery, 2001<br />
Wiyanto, Hendra, Pink Project, Jakarta, Nadi Gallery, 2001<br />
Wiyanto, Hendra, Boat, Jakarta, Nadi Gallery, 2001<br />
Wiyanto, Hendro, Eye, Jakarta, Nadi Gallery, 2002<br />
Wiyanto, Hendro, Exodus <strong>of</strong> Objects, Jakarta, Nadi Gallery, 2005<br />
Wiyanto, Hendro, et.al., The Broken Mirror: Portrait <strong>of</strong> the Self, Magelang, Langgeng Gallery, 2005<br />
Wiyanto, Hendro, ‗Contemporary Coziness‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,<br />
November/December, 2007, pp. 40 – 42.<br />
Zaelani, Rizky A. Object(ify), Jakarta, Nadi Gallery, 2004<br />
Zaelani, Rizki A., The Orinary, Jakarta, Nadi Gallery, 2005<br />
Indonesia – Biennales [from 2005]<br />
[7 th Yogyakarta Biennial] Effendy, Rifky, ‗7 th Yogyakarta Biennial‘ (Review) in Art Asia Pacific, No. 40<br />
(Spring 2004), p. 80<br />
Review (Yogyakarta Biennale 2006), Asian Art News, vol. 16, no. 1, 2006.<br />
Review, (CP Biennale 2006, Indonesia), Asian Art News, vol. 15, no. 6, 2005.
Wardani, Farah, ‗Indonesia‘s Biennale Bubble‘, ArtAsiaPacific, no. 50, 2006.<br />
Wiyanto, Hendro, ‗CP Biennale‘s Story Ends‘, ArtAsiaPacific, no. 48, 2006<br />
Wiyanto, Hendro, ‗OK Video Art Festival 2005‘ (review), ArtAsiaPacific, no. 47, 2006.<br />
198<br />
Bali<br />
Covarrubias, M, Island <strong>of</strong> Bali, [1937]¸London,KPI, 1986.<br />
Crossing Boundaries. Bali: A Window to Twentieth Century Indonesian Art, Melbourne, Asia Society <strong>of</strong><br />
AustralAsia, 2002<br />
Curnow, Heather, ‗Women Artists in Bali‘, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />
Couteau, Jean, Bali Today 2. Love and Social Life. Jakarta, Kepustakaan Populer Gramedia, 2008<br />
Djelantik, A.A. M., Balinese Painting, Singapore, Oxford <strong>University</strong> Press, 1990.<br />
Djelantik, A.A.M., essay in Contemporary Balinese Art, Jakarta, National Museum, 1995.<br />
Edleson,M.J. et al, Neka Museum; Guide to the Painting Collection, Ubud, Museum Neka, 1986.<br />
Eiseman, Fred B. Jr., Bali:Sekala & Niskala, vol. I, Essays on Religion, Ritual, and Art, Singapore, Periplus<br />
Editions, 1990.<br />
Farney, Rachel. ‗New Sprits in Bali.‘ [Seniwati Gallery <strong>of</strong> Art by Women] Asian Art News 8:6 Nov/Dec<br />
1998.<br />
Forge, A., and others, Donald Friend‘s Bali, <strong>Sydney</strong>, Art Gallery New South Wales, 1990.<br />
Forge, A., Balinese Traditional Painting, <strong>Sydney</strong>, Australian Museum, 1978.<br />
Friend, Donald, The Donald Friend Diaries (Volume 1)Edited by Anne Gray, National Library <strong>of</strong><br />
Australia, 2001<br />
Geertz, Hildred, Images <strong>of</strong> Power: Balinese Paintings made for Gregory Bateson and Margaret Mead, Honolulu,<br />
<strong>University</strong> <strong>of</strong> Hawaii Press, 1994.<br />
Kam, G., Perceptions <strong>of</strong> Paradise, Images <strong>of</strong> Bali in the arts, Bali, Yayasan Dharma Seni Museum Neka, 1993.<br />
Kam, Garrett, ‗Spiral to the Sky‘, World Sculpture News, vol. 12, no. 2, 2006.<br />
Ostrom, Richard, ‗Bali's Transition from a Traditional to a Modern Society: Some Op-Art Warnings<br />
about the Trade-<strong>of</strong>fs‘, in International Journal <strong>of</strong> Comic Art, Vol. 4, No. 2, Fall 2002, pp. 229-240.<br />
Mateer, John, ‗Crossing Boundaries: Bali: A window to twentieth century Indonesian art‘, Art Monthly<br />
Australia, Number 158, March 2003<br />
Moerdowo, R.M., Reflections on the Balinese tradtional and modern arts, Jakarta, Balai Pustaka, 1983.<br />
Murti, Krisna, ‗From tourism to globalism‘, Art & Asia Pacific, vol.1, no.3, 1994.<br />
O‘Brien K. Sutasoma: The ancient tale <strong>of</strong> a Buddha- Prince from 14 th century Java, Singapore, 2008 (although<br />
not modern, the story underpins much <strong>of</strong> Javanese and Balinese society today).<br />
Pearce, B., ‗Donald Friend and bali‘ Art & Asia Pacific, vol.1, no.3, 1994.<br />
Rhodius, H., Darling, J., Walter Spies and Balinese Art, Amsterdam, Tropical Museum, 1980.<br />
Rhodius, H., Darling, J., Walter Spies, Den Haag, L.J.C. Boucher, 1964.<br />
Spanjaard, Helena, Poineers <strong>of</strong> Balinese Painting: The Rudolf Bonnet Collection, Amsterdam: KIT Publishers,<br />
2007.<br />
Sudarta, G, M, Seni Lukis Bali Dalam Tiga Generasi, Gramedia, Jakarta, 1975.<br />
Suteja Neka, The Development <strong>of</strong> Painting in Bali: Selections from the Neka Art Museum, Ubud: Yayasan<br />
Dharma Seni Museum Neka, 1989<br />
Suteja Neka. and Yayasan Dharma Seni Museum Neka, Pengantar Koleksi Lukisan Museum Neka, Ubud:<br />
Yayasan Dharma Seni Museum Neka. 1995<br />
Vickers, A., ‗Kitsch and Craft on Bali‘, Art & Asia Pacific, vol.1, no.3, 1994.<br />
Vickers, A., ‗The King <strong>of</strong> Bali‘, in Terra Australis, The Furthest Shore, <strong>Sydney</strong>, Art Gallery New South<br />
Wales, 1988.<br />
Vickers, A., Bali: A Paradise created, Harmondsworth, Penguin, 1989.<br />
Vickers, Adrian, ‗Bali High Art‘, Art AsiaPacific, no.14, 1997.<br />
Wright, A., ‗Bali: Showcase <strong>of</strong> Indonesian Art‘, Asian Art News, 1, no.3, Nov/Dec 1991.<br />
Wright, A., ‗The Senewati Gallery <strong>of</strong> Women‘s Art‘, Art & Asia Pacific, vol.2, no.2, 1995.
199<br />
European Images <strong>of</strong> S.E. Asia and Indonesia<br />
Bastin, J., Brommer, B., Nineteenth Century Prints and Illustrated Books <strong>of</strong> Indonesia, Utrecht/Antwerpen,<br />
Het Spectrum, 1979.<br />
Bastin, J., Rohatgi, P., Prints <strong>of</strong> Southeast Asia in the India Office Library, London, Her Majesty‘s Stationary<br />
Office, 1979.<br />
Loos-Haxman, J.de, Verlaat Rapport Indië, Den Haag, Mouton & Co., 1968.<br />
Loos-Haxman, J.de, Dagwerk in Indië, Uitgeverij, T.Wever Framekern, 1972.<br />
India Office Library, The Raffles Drawings in the India Office library, Kuala Lumpur, Oxford <strong>University</strong><br />
Press, 1978.<br />
Nieuwenhuys, Rob, Met vreemde ogen, Baren en oudgasten Komen en blijven, Fotografische documenten uit het oude<br />
Indië 1870-1920, Amsterdam Querido, 1988, 1998.<br />
Scalliet, Marie-Odette et al, Pictures from the Tropics: Paintings by Western Artists during the Dutch Colonial<br />
Period in Indonesia, Amsterdam, Koninklijk Instituut voor de Tropen, 1999.<br />
Craft Practices<br />
Dhamija, J., ‗The cosmology <strong>of</strong> textiles‘, Art & Asia Pacific, vol.2, no.2, 1995.<br />
Soemantri, Hilda, ‗Modern Indonesian Ceramics‘, in Taylor Nora E. ed, Studies in Southeast Asian Art:<br />
Essays in honor <strong>of</strong> Stanley J.O‘Connor, Ithaca, SEAP Cornell <strong>University</strong>, 2000<br />
EAST TIMOR<br />
Barrkman, ‗Boats, Crocodile Ancestors and Mermaid Myths in the Art and Craft <strong>of</strong> Timor-Leste‘ in<br />
TAASA Review. The Journal <strong>of</strong> the Asian Art Society <strong>of</strong> Australia, v.17, No. 4, Dec 2008: 12-15.<br />
Bennet, James, ‗East Timor Museum‘, Art AsiaPacific, 30, 2001<br />
Holder, Jo. ‗An East Timorese Exhibition in Australia‘, Art AsiaPacific, no.14, 1997.<br />
BRUNEI<br />
General Works<br />
Individual Artists<br />
bin Omar, Zakaria: Zakaria bin Omar in Winds <strong>of</strong> Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art<br />
Museum, 2001<br />
Mahaddi B. Hj. Matzain: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka<br />
Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale<br />
1999 [The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Pg. Zainin B. Pg. Mansor: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka<br />
Asian Art Museum, 1999<br />
MALAYSIA<br />
General Works<br />
Asia-Pacific Sculpture News 2:3 Summer 1996 Malaysia Feature with articles by Laura Fan and Ian Findlay.<br />
‗The Arts in Malaysia‘, Supplement, Arts & The Islamic World, vol.5, no.1, Spring-Summer, 1988.<br />
Asian Watercolours ‗88, Petaling Jaya, Malaysian Water Colour Society, 1988.
200<br />
Chong, Weng-ho, ‗Submission and recalcitrance: looking for art and the other thing in Kuala Lumpur‘,<br />
Art Monthly Australia, no.68, April 1994.<br />
Dawa, Mohammed Najib Ahmad, ed., Susurmasa, Timelines, Malaysian Art with 50 years National<br />
Gallery, Kuala Lumpur, Balai Seni Lukis Negara / National Art Gallery, 2008.<br />
Esa, Sulaiman, „Time to take a hard look at our artists‟, The Malay Mail, 1971.<br />
Exhibition <strong>of</strong> Painting, Sculpture, Graphic and Handicraft from Private Collection, Kuala Lumpur, Muzium Seni<br />
Negara Malaysia, 1982.<br />
Fairley, Gina, ‗The Uneven Face <strong>of</strong> the Malaysian Art World‘, in AsianArtNews, Vol. 19 No. 1<br />
January/February 2009, pp. 66-71.<br />
Jamal, Syed Ahmad, ed., Crafts and the Visual Arts, [The Encylopedia <strong>of</strong> Malaysia, vol.14], Singapore,<br />
Archipelago Press, 2007.<br />
Jamal, Syed.Ahmad., ed., Malaysian Art 1965-1978, London, The Commonwealth Institute, 1978.<br />
Jamal, Syed.Ahmad., Seni Lukis Malaysia 57-87 , Kuala Lumpur, Balai Seni Lukis Nagara, 1987.<br />
[bilingual]<br />
Lai Chee Kien, Building Merdeka. Independence Architecture in Kuala Lumpur, 1957-1966. Kuala Lumpur:<br />
Petronas, 2007Langenbach, R., ‗The Third Salon Malaysia‘, Asian Art News, 2, 6, Nov/Dec 1992.<br />
Mahamood, Muliyadi, ‗An Overview <strong>of</strong> malaysian Contemporary Cartoons‘, in International Journal <strong>of</strong><br />
Comic Art, Vol. 5, No. 1, Spring 2003, pp. 292-304.<br />
Nur Hanim Mohamed Khairuddin, Contemporary Visual Arts Discourse, Yayasan Ksenian Perak, 2003.<br />
Pameran Terbuka 1987, Kuala Lumpur, Balai Seni Lukis Nagara, Feb/March, 1987.<br />
Pameran Terbuka 1988, Kuala Lumpur, Balai Seni Lukis Nagara, Jan/Feb, 1988.<br />
Pameran Terbuka, 1990, Kuala Lumpur, Balai Seni Lukis Negara, 9-28 Januari, 1990.<br />
Piyadasa,R., Pengolahan lanskap tempatan dalam Seni Moden Malaysia, 1930-1981, (The Treatment <strong>of</strong> the<br />
Local Landscape in Modern Malaysian Art, 1930-1981) Kuala Lumpur, Muzium Seni Negara,<br />
1981.<br />
Piyadasa, R., ‘An assessment <strong>of</strong> the Malaysian Expressionist and Abstract Expressionist Commitment<br />
<strong>of</strong> the Sixties‘, Catalogue, Kuala Lumpur, National Art Gallery, 1973.<br />
Piyadasa, R., ‗The MARA School <strong>of</strong> Art and Design‘, Malaysian Panorama, vol.3, no.4.<br />
Piyadasa, R., Esa, Sulaiman, Towards a Mystical Reality, Kual Lumpur, 1974.<br />
Provencher, Ron, ‗Remembering "The Chief," Rejab Had: Cartoonist, Story Teller, Teacher, and<br />
Philosopher‘, in International Journal <strong>of</strong> Comic Art, Vol. 5, No. 1, Spring 2003, pp. 290-291.<br />
Rajah, Niranjan ‗Sacred Pictures, Secular Frames‘, Art AsiaPacific, no.17, 1998.<br />
Rajah, Niranjan, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: ―Asian<br />
Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Raslan, Karim., ‗Looking for a New Direction‘, Asian Art News, vol.4, no. 1, Jan-Feb 1994.<br />
Sabapathy, T.K., Piyadasa,R., Modern Artists <strong>of</strong> Malaysia, Kuala Lumpur, Dewan Bahasa dan Pustaka,<br />
1983.<br />
Sabapathy, T.K., ed. Vision and Idea: Relooking Modern Malaysian Art, Kuala Lumpur, National Gallery,<br />
1994.<br />
Saidon, Hasnul J. &Yong , Beverly, Between Generations: 50 years across modern art in Malaysia, Kuala<br />
Lumpur & Pinang, <strong>University</strong> <strong>of</strong> Malaysia, Valentine Willie Fine Art & Universiti Sains Malaysia,<br />
2007.<br />
Seni Lukis Malaysia- 25 tahun, penyusunan dan teks Kuala Lumpur, 1982.<br />
‗Supplment Singapore & Malaysia‘, Asian Art News, vol.2, no.6, Nov-Dec 1992.<br />
Tan Chee Khuan, Pelukis-pelukis Perintis Malaysia: Pioneer Arts <strong>of</strong> Malaysia, Lembaga Muzium Negeri,<br />
1992.<br />
Tan Chee Khuan, Pelukis-perintis Seni Lukis Malaysia: Pioneers <strong>of</strong> Malaysian Art, Kuala Lumpur, 1994<br />
Tan Chee Khuan, Penang Artists 1920 – 1990, Penang, The Art Gallery, 1992<br />
Wharton, Dolores, Contemporary Artists <strong>of</strong> Malaysia, New York, Asia Society, 1971 [collection now at<br />
Cornell <strong>University</strong>].
201<br />
Zain, Ismail, & Piyadasa, Redza, Modern Malaysian Art 1930-1973, ASEAN Mobile Exhibition<br />
Catalogue, Kuala Lumpur, National Art Gallery, 1974.<br />
Yeoh Jinleng [curator], Semangat Pelopor Seni / Pioneer Art groups <strong>of</strong> the 1950s and 1960s, Kuala Lumpur,<br />
Balai Seni Lukis Negara, 1997.<br />
Individual Artists<br />
Anwar, Ahmad Zakii: Findlay, Ian, ‗Waiting in the shadows‘, Asian Art News, vol.11, no.6, 2001. ; Wang<br />
Zineng, ‗Ahmad Zakii Anwar: Seeking the Divine‘, in C Arts. Asian Contemporary Art and Culture,<br />
vol. 02, March/April, 2008, pp. 68 – 72.<br />
Bamadhaj, Nadia: review Art AsiaPacific, 33, 2002<br />
Chang Fee Ming: Kam, Garrett, ‗Surp[rises <strong>of</strong> an ephemeral life‘, Asian Art News, vo.11, no.4, 2001. ;<br />
Pettifor, Steven, ‗A River‘s Story‘, in Asian Art News, Vol. 14, Number 4 (July/August 2004), pp.<br />
62-63<br />
Charles Cham: Munroe, B., ‗Behind the mask [Charles Cham], Asian Art News, vol.7, no.6, November-<br />
December 1997.<br />
Chong Kam Kow: Asian Art News, 2, no.5, Sep/Oct 1992; Chong Kam Kow, Frederikshavn, Frederikshavn<br />
Art Museum, 1988.<br />
Faizal Mohd Zulkifli: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999<br />
Gill, Simryn: Pastor-Roces, Marian, ‗Simryn Gill: Slow Release‘, Art & Text 56, Feb.-Apr. 1997;<br />
Nakamura, Nobuo and Miyake, Akiko, ed., CCA Artist‘s Book Series, Simryn Gill: A Small Town at<br />
the Turn <strong>of</strong> the Century, Kitakyushu: Center For Contemporary Art, 1998; Simryn Gill in Akiko<br />
Miyake, ed., Let‘s Talk About Art #0002, ‗Transexperiences‘, Kitakyushu: Center For<br />
Contemporary Art, 2002; Eastburn, Melanie, ‗Simryn Gill at the Art Gallery <strong>of</strong> New South<br />
Wales‘, Asian Art News, vol. 12, no. 6, November/December, 2002; Bush, Kate, ‗Portfolio:<br />
Simryn Gill‘, Artforum International, Vol.41, Issue 6, February 2003: review, Kitakyushu,<br />
Contemporary Visual Art, 29, 2000; Selected Work, <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 2002; A<br />
small town at the end <strong>of</strong> the century, Kitakyushu, CCA, 2000; Lee Weng Choy, ‗Local Cocunuts:<br />
Simryn Gill and the politics <strong>of</strong> identity‘, Art AsiaPacific, no.16, 1997; Carruthers, Asley, ‗Simryn<br />
Gill, Dalam‘, Focas (Forum on Contemporary Art & Society), no.3, January 2002. ; Tang, Jeannine,<br />
‗Throwback and Pearls‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3, September,<br />
2007, pp. 157 – 159; Scrimgeour, Alexander, ‗Simryn Gill‘, in Artforum, Vol 47, Iss. 10, Summer<br />
2009, p. 339.<br />
Hussein, Ibrahim: Ibrahim Hussein: a retrospective, Kuala Lumpur, Balai Seni Lukis Negara, 1986; Willetts,<br />
William, Ibrahim Hussain, Kuala Lumpur 1975.<br />
Jamal, Syed Ahmad: Sabapathy, T.K., Syed Ahmad Jamal: a historical overview, Kuala Lumpur, Nanyang<br />
Gallery <strong>of</strong> Art, 1994; review, Art AsiaPacific, 30, 2001;<br />
Jamal, Syed Ahmad: review, Art AsiaPacific, 30, 2001<br />
Khoo Sui Hoe: Lee Khai, ed., The painted world <strong>of</strong> Khoo Sui Hoe, Pinang, Lembaga Muzium Negeri Pulau<br />
Pinang, 2007.<br />
Lam, Ivan: Fairley, Gina, ‗Twelve Degrees <strong>of</strong> Separation‘, in Asian Art News, v. 18(2), March/April,<br />
2008, pp 60 – 64.<br />
Latiff Mohidin: Sabapathy, T.K., ed., Pago - Pago to Gelombang: 40 Years <strong>of</strong> Latiff Mohidin, Singapore,<br />
Singapore Art Museum, 1994.; Raslan, K., ‗The Line from Point to Point‘, Art & Asia Pacific,<br />
supplement to Art & Australia, Sept 1993. Piyadasa, R., entry on Latiff Mohidin in Piyadasa, R.<br />
& Sabapathy, T. K. , Modern Artists <strong>of</strong> Malaysia, Kuala Lumpur, Dewan Bahasa dan Pustaka, 1983.,<br />
Piyadasa, R., ‗Abdul Latiff – the artist, an appreciation‘ Pameran Retrospektif Abdul Latiff, Kuala<br />
Lumpur, National Art Gallery, 1973. Sabapathy, T.K., Voyage: Kembara Latiff Mohidin, Kuala Lumpur,<br />
Petronas Galeri, 2007.Sabapathy, T.K., „The Rimba Series: an introduction‟, and „In Conversation‟ in Latiff<br />
Mohidin: Rimba Series, Kuala Lumpur, Petronas Galeri, 1998. Translations from German and<br />
English: Mohidin, Latiff, translator: Woyzeck: Antologi Drama Jerman, Kuala Lumpur, Dewan<br />
Bahasa dan Pustaka, Kementerian Pelajaran Malaysia, 1987. Mohidin, Latiff, translator:
202<br />
Rabindranath Tagore, Gitanjali, Kuala Lumpur, Dewan Bahasa dan Pustaka, Kementerian<br />
Pelajaran Malaysia, 1986, reprint Petronas, 2006.Mohidin, Latiff, translator: Mishima Yukio,<br />
Dantal Impia [Modern Nô Plays tr Donald Keene], Kuala Lumpur, Dewan Bahasa dan Pustaka,<br />
Kementerian Pelajaran Malaysia, 1981Mohdin, Latiff, translator, Tao Te Ching, [Daodejing], Kuala<br />
Lumpur, Petronas, 2007Mohdin, Latiff, translator, Rumi: Puisi Puisi, Omar Khayyam: Rubaiyat,<br />
Kuala Lumpur, Petronas, 2007.Mohidin, Latiff, translator, Goethe‘s Faust [incomplete,<br />
unpublished]. Poetry and other writing: Mohidin, Latiff, Puisi I 1963-1972 / Gesammelte Gedichte<br />
I [bilingual Bahasa Melayu/German, tr. Iskander Ungelehrt, Unkel, Verlag Horlemann, 200?.<br />
Mohidin, Latiff, Sajak-Sajak Dinihari (Midnight Poems), 1996. Mohidin, Latiff, Rawa-Rawa<br />
[Marshland], 1992. Mohidin, Latiff, Sajak-Sajak DINIHARI, Kajang, Makruf Publisher, 1983.<br />
Mohidin, Latiff, Sajak Sajak Lengkap (1963-1994), [diperkemalkan oleh Baha Zain], Petronas,<br />
2007. Mohidin, Latiff, Pesisir Waktu [Edge <strong>of</strong> Time], 1981. Mohidin, Latiff Serpihan dari pedalaman<br />
[Fragments <strong>of</strong> Interior], kuala lumpur, system intermedia 1979. Mohidin, Latiff, Wayang Pak<br />
Dalang [Puppeteer‘s Wayang], 1977. Mohidin, Latiff, Kembara Malam [Night Travel], 1974.<br />
Mohidin, Latiff, Sungai Mekong [Mekong River], 1971. Writings on Art: Mohidin, Latiff, Garis<br />
Latiff Mohidin Dari Titik ke Titik, [1988], tr. Adibah Amin as Line: Latiff Mohidin from point to point,<br />
Kuala Lumpur: Dewan Bahasa dan Pustaka, Kementerian Pendidikan Malaysia, 1993.<br />
Mahati: Fan, Laura, ‗Telling Tales: the latest exhibition by the Malaysian group Mahati‘, Art & Asia-<br />
Pacific, vol.3, no.1, 1996.<br />
Mahir, Umibaizurah: Fairley, Gina, ‗Camouflaged Feminism‘, in World Sculpture News, v. 14(1), Winter,<br />
2008, pp. 40 – 45.<br />
Mokhtar, Hayati: Fairley, Gina, ‗Near Invisible Lines‘, Eyeline, no. 60, 2006.<br />
Multhalib, Abdul: Fairley, Gina ‗Architecture Defining Sculpture‘, World Sculpture News, vol. 11, no. 3,<br />
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Chua, Ferreolus., ‗The President‘s Young Talents Exhibition 2003‘ (Singapore Art Museum), in Vehicle:<br />
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Chua, Ferreolus., ‗Safari: Group Exhibition by Yong Taisi and Wong Huiling‘ (Utterly Art Gallery), in<br />
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Fenner, Felicity, ‗Science Fictions, Singapore Arts Festival‘ (Review) in Art Asia Pacific, No. 39 (Winter<br />
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Goh, Sylvia., ‗Hé (Harmony)‘ (review <strong>of</strong> Yen Chua and Wang Qing), in Vehicle: Contemporary Visual Arts,<br />
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Gunalan, Nadarajan., ‗180 KG: A Travelling Exhibition by Singapore Artists‘ (Cemeti Art House,<br />
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He, Ziyan., ‗Oi! Oi! 1,2,3…Everybody Let‘s Say En-Tro-Py!: The Young Artists Exhibition 2002‘<br />
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Ho, Tzu Nyen., ‗Plura Plura Sakura: Young Artists Exhibition 2001‘ (Plastique Kinetic Worms), in<br />
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Kwok, Kian Chow. ―Introduction‖ in Venice Biennale 2001 – Singapore [exhibition catalogue]. Singapore:<br />
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Lee, Wen. “FOI3: ideology:irony:imagination” in The Future <strong>of</strong> Imagination 3 [catalogue].<br />
Singapore Art Museum & The Substation, 2006.
215<br />
Leow, Vincent., and Lim Kok Boon, ‗Deriving Spaces: Nokia Singapore Art 2001‘ (curator‘s note,<br />
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Lim, Kok Boon., ‗Less Than Picture Perfect: Naked Perfection‘ (Singapore Art Museum), in Vehicle:<br />
Contemporary Visual Arts, No.8, 2002, p.8-9.<br />
MAAP in Singapore 2004 –Gravity (Catalogue)<br />
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Noordin, Shirlene., ‗Forty: An Exhibition by Angkatan Pelukis Aneka Daya‘ (<strong>ART</strong>rium MITA<br />
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Reaney, Colin., ‗Spending Time with Raffles: Getting to Know You, Raffles‘ (Exhibition by students<br />
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Stone, Julian., ‗Space Invaders: Futuristic Incursions, Print Exhibition by 10 Regional Artists‘ (Utterly<br />
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The, Patricia., ‗A Decade for Change‘ (Singapore Modern: Art in the 1970s, Singapore Art Museum), in<br />
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Wong, Chee Meng., ‗Art on a Platter, Anyone? Performance, Installation and Group Exhibition by<br />
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Yip, May., ‗Alpha 3.0: GPS Piece- A Web, Walkabout by tsunami.net, A New Media Exhibition Held at<br />
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Flores, Patrick D., ‗Painting as Colonial Reconversion‘ in Power, Kevin, ed., ‘98 Cien Años Despues,<br />
Communitat Valenciana & Manila, Cultural Center <strong>of</strong> the Philippines, 1998.<br />
Flores, Patrick D., ed., Perspectives on the Vargas Museum Collection: from Revolution to Republic: the art <strong>of</strong> Luna,<br />
Amorsolo, Edades, Quezon City, Department <strong>of</strong> Art Studies, <strong>University</strong> <strong>of</strong> the Philippines, 1999<br />
Flores. Patrick D., Painting History: revisions in Philippines Colonial Art, Manila, National Commission for<br />
Culture and the Arts, 1998.<br />
Pilar, Santiago Albano, Pamana: The Jorge B. Vargas Collection, Quezon City, <strong>University</strong> <strong>of</strong> the Philippines,<br />
Jorge B. Vargas Museum, 1992<br />
Santiago, Luciano, P. R., ‗The Painters <strong>of</strong> Flora de Filipinas (1877 – 1883)‘, in Philippine Quarterly <strong>of</strong><br />
Culture and Society 21, 1993.<br />
Santiago, Luciano, P. R., ‗Philippine Academic Art: The Second Phase (1845 – 98)‘, in Philippine<br />
Quarterly <strong>of</strong> Culture and Society , vol. 17, March 1989.<br />
Sastres, Luis, et al, Cien Años de Pintura en España y Portugal (1830-1930), Tomo V, Madrid,1991.<br />
Sta Maria, Felice, ed., Reales Ordenes para establacimiento de las Escuela de Pintura y Academia de Bellas Artes en<br />
las Islas Filipinas, Madrid/Manila, 1848 [mimeo, ANU]<br />
Art <strong>of</strong> the American Period<br />
[see in general Edades and Francisco below]<br />
Bautista, Donna Aelred C., Modernism in Philippine Art: a study <strong>of</strong> Polemical Texts 1928-1955, MA Thesis,<br />
College <strong>of</strong> Arts and Letters, <strong>University</strong> <strong>of</strong> the Philippines, May 1992.<br />
Art since 1945 in general<br />
Carroll, Alison, ‗East and West? A different story: the impact <strong>of</strong> Mexico on 20 th century Asian art<br />
[largely Philippines‘], Art Monthly Australia, issue 213, September 2008.
224<br />
Coseteng, A. M. L., ed., Philippine Modern Art and Its Critics, Manila, UNESCO National Commission <strong>of</strong><br />
the Philippines,1972 [Anthology <strong>of</strong> Critical Reviews]<br />
Duldulao, M. D., Contemporary Philippine Art from the 50s to the 70s, Quezon City, Vera-Reyes, 1972<br />
Duldulao, M. D., The Philippine Art Scene, Hong Kong, Toppan Printing Co., 1987.<br />
Flores, Patrick, ‗Post-war, Pre-Martial Law: Neo-realism, Late Abstraction (Philippine Art, 1945-1965)‘<br />
[lecture given in Madrid & Barcelona, 2006], in Luz: Traces <strong>of</strong> Depiction, Manila, National Museum<br />
<strong>of</strong> the Philippines, 2007<br />
Guillermo Alice G., Sining Biswal: an essay on Philippine Visual Arts, Manila, Cultural Center <strong>of</strong> the<br />
Philippines, 1989<br />
Guillermo Alice G., et al, Sculpture in the Philippines: from Anito to Assemblage and other essays, Manila,<br />
Metropolitan Museum <strong>of</strong> Manila, 1991.<br />
Reyes, C., Conversations on Philippine Art, Manila, Cutural Center <strong>of</strong> the Philippines, 1989.<br />
1970s-1980s, including art with political commitment<br />
Benesa, Leonidas V., et al, Contemporary Philippine Art, Hong Kong, Hong Kong Museum <strong>of</strong> Art, 1980<br />
Dementillo, Ricaredo, ‗Filipino Artists in the early 1970s‘, Solidarity, 1973<br />
Guillermo, A.G. ‗A decade <strong>of</strong> fruition and renewal‘, Art Monthly Australia, 41, June 1991.<br />
Guillermo, A.G., ‗The Eye is the Silent Witness: Political art in the post Marcos Era‘, Art & Asia<br />
Pacific, vol.1, no.1, 1993.<br />
Guillermo, Alice G., Protest Revolutionary Art in the Philippines, 1970-1990, Quezon City, <strong>University</strong> <strong>of</strong> the<br />
Philippines Press, 2001.<br />
Ledesma, Purita Kalaw, The struggle for Philippine art, Manila, Purita Kalaw Ledesma, 1974<br />
Reyes, Cid, Conversations on Philippine Art, Manila, Cultural Center <strong>of</strong> the Philippines, 1989<br />
Roces, M.P., Exchange Manila-Berlin, Berlin, RAAB Galerie, 1988<br />
Torres, E., Philippine abstract painting, Manila, Cultural Center <strong>of</strong> the Philippines, 1994.<br />
1990s<br />
‗Philippines Feature‘, including ‗Coming into a new phase‘; Orlina, Ramon ‗Facing up to Change‘;<br />
Diaz, Silvana, ‗Art to the People‘; Asian Art News, vol. 7, no. 3, May/June 1997.<br />
‗Supplement: The Philippines‘, Asian Art News, vol.3, no.5, Sept-Oct 1993.<br />
Bose, Santiago, ‗Struggle in Baguio: The Arts Guild Makes a Difference‘, Artlink, Vol. 13, No.3&4,<br />
November-March 1993/94<br />
Defoe, Ruben, D.F., ‗Heroism wears new hats‘, Asian Art News, vol. 6, no.3, May / June 1996.<br />
Ewington, J., ‗Archipelago Art‘, Art & Asia Pacific, vol.1, no.1, 1993.<br />
Ewington, J., ‗Cross-Currents- Salubungang Agos‘, Art & Asia Pacific vol.1, no.3, 1994.<br />
Fajardo Brenda V., ‗Contemporary Visual arts in the Philippines‘, in Japan Foundation ed., Contemporary<br />
Philippine Culture: Selected papers on Art and Education, Manila Japan Foundation, 1998.<br />
Flores, Patrick & Bromfield, David, ‗The perils <strong>of</strong> performance: Mike Parr in the Philippines‘, Art &<br />
Asia-Pacific, vol.3, no.1, 1996.<br />
Flores, Patrick, ‗Sorties into the City: The Art <strong>of</strong> Elmer Borlongan and Emmanuel Garibay‘, Artlink,<br />
Vol. 19, No. 3 September1999<br />
Guillermo, Alice G., ‗Witnesses to unfolding history‘, Asian Art News, vol.10, no.3, 2000<br />
Guillermo, Alice, ‗Visions <strong>of</strong> the Millennium‘, Asian Art News 9:3 1999<br />
Guillermo, Alice, ‗The essence <strong>of</strong> form‘, [Philippines‘ Sculpture] Asia-Pacific Sculpture News, vol.1, no.2,<br />
Spring 1995.<br />
Guillermo, Alice G., ‗An Iconography <strong>of</strong> Political Art‘, in Asian Art News, Vol. 14, Number 4<br />
(July/August 2004), pp. 58-61<br />
Hildawa, Sid Gomez, ‗An Overview <strong>of</strong> the Philippine Contemporary Art Scene (1994-1998), Kuroda,<br />
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
H<strong>of</strong>fie, P., ‗Accounting for Fun‘, [Baguio Art Festival 1993] Art Monthly Australia, no.67, March 1994;<br />
Ho<strong>of</strong>man, Ingrid, ‗Enjoin to the Philippines‘, Artlink, Vol. 18, No. 4 December 1996
225<br />
Javelosa, Jeannie E., ‗Introduction to Philippines Art & Culture‘, Artlink, Vol. 13, No.3&4, November-<br />
March 1993/94<br />
Javelosa, Jeannie E., ‗Indigenous Statements Now‘, Artlink, Vol. 13, No.3&4, November-March<br />
1993/94<br />
Labarador, Anna, ‗Weaving impressions: the Bontoc people <strong>of</strong> the Philippines‘, Art AsiaPacific,no.18,<br />
1998.<br />
Labrador, A.P., ‗A most unfashionable frill: Restringing multicultural beads into one national strand‘,<br />
Art & Asia Pacific, vol.1, no.1, 1993.<br />
Labrador, A.P., ‗Beyond The fringe: making it as a Filipina contermporary artist‘, Art & Asia Pacific,<br />
vol.2, no.2, 1995.<br />
Labrador, Ana, P., ‗The projects <strong>of</strong> nationalism: celebrating the centenary in Philippines contemporary<br />
art.‘ Humanities Research 2: 1999<br />
Looby, Keith, ‗Does the Avant-Garde begin or end in Asia?‘, Art & Asia Pacific, vol.1, no.4, 1994.<br />
Mayo, Rachel, ‗Replanting Culture: The indigenous Art Movement‘, Art & Asia Pacific, vol.1, no.1,<br />
1993.<br />
Mayo, Rachel, ‗Pillow Talk‘ [Dan Raralio], Art & Asia Pacific, vol.3, no.2, 1996.<br />
Mayo, Rachel, ‗Salingpusa: Manila on Canvas‘, Art & Asia Pacific, vol.2, no.3, 1995<br />
Radok, Stephanie and Roberts, Neil, ‗An Australian Creates Space in Manila‘, Artlink, Vol. 13, No.3&4,<br />
November-March 1993/94<br />
Roces, M.P, ‗Ethos Bathos Pathos: Contemporary Art Practice in the Philippines‘, Art & Asia Pacific,<br />
no.1, supplement to Art & Australia, March 1993.<br />
Torres, E., ‗Internationality: Towards a New Internationalism‘, Art & Asia Pacific, vol.1, no.1, 1993.<br />
Torres, Emmanuel, ‗Drawing takes its place‘, Asian Art News, vol.10, no.4, 2000<br />
Torres, Emmanuel, ‗Upbeat and kicking into the new millenium‘, Asian Art News, vol.10, no.3, 2000<br />
Zaballero, Phyllis; ‗Vermont Works‘, Asian Art News, vol. 7, no. 3, May/June 1997.<br />
Willie Valentine, Faith + The City: a survey <strong>of</strong> contemporary Filipino art, Kuala Lumpur, Valentine Willie Fine<br />
Art, 2000<br />
2000+<br />
‗Surry <strong>of</strong> Exhibitions 2000-2002‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.90-100.<br />
Baluyut, Pearlie S., ‗A Judge‘s Observation‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.75-78.<br />
Cañete, Reuben Ramas., ‗Bridges Across Rivers: Art as Systemic Practice Among Bulakenyos‘, in<br />
Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.27-31.<br />
Canta, Marilyn R., ‗Installation Art in the Philippines: Sourcing Traditional and Contemporary<br />
Aesthetics‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.49-55.<br />
Capistrano-Baker, Florina H., ‗Mapping the New Millennium: Ethnicity, Alterity, Identity [Imag(in)ing<br />
Self and the Other in a Postmodern World‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002,<br />
p.8-10.<br />
Chua, Ferreolus., ‗Mula sa Puso: Filipino Art Sweeps into Town‘ (review), in Vehicle: Contemporary Visual<br />
Arts, No.7, 2002, p.52-56.<br />
Conde-Prieto, Ma Teodora., ‗From Punla to Sibol: The Growth <strong>of</strong> Regional Art‘, in Pananaw 4:<br />
Philippine Journal <strong>of</strong> Visual Arts, 2002, p.32-33.<br />
Datuin, Flaudette May V., ‗Land, Locality, and Communion: The International Baguio Arts Festival‘, in<br />
Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.34-40.<br />
Fairley, Gina, ‗Alternative X: Creating a Scene in the Philippines‘, Eyeline, no. 61, Spring 2006.<br />
Fairley, Gina, ‗Cultural Malling in Manila: the New Ayala Museum Bridges Culture and Consumerism‘,<br />
Art Monthly Australia, no. 179, May 2005.<br />
Fairley, Gina, ‗Manila 2006‘, Art and Australia, vol. 44, no. 3, 2006.<br />
Fairley, Gina, ‗An award <strong>of</strong> its time‘ [2008 Ateneo Art Award], Asian Art News, vol.18, no.4,<br />
July/August 2008.<br />
Fairley, Gina, ‗Photography Rising‘, in Asian Art News, v. 18(4), July/August, 2008, pp. 69-73.
226<br />
Florentino, Eric., ‗Four Postmortems and an Ominous Carnival (or, The Freak Show Manifesto)‘, in<br />
Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.71-73.<br />
Flores, Patrick D., ed.,. Pananaw no.6, Philippine Journal <strong>of</strong> Visual Arts, 2007 [on criticism and curation]<br />
Flores, Patrick D.; Cajipe-Endaya, Imelda; Cruz, Joselina, Koh, Jay, convenors, Locus: Interventions in Art<br />
Practice, Manila, National Commission for Culture and the Arts, Lopez Museum & Pananaw ng<br />
Sining Bayan, 2005.<br />
Flores Patrick D., Crafting Economies, Tokyo, The Japan Foundation, 2001.<br />
Flores, Patrick D., ‗At the crossroads‘, Asian Art News, vol.10, no.3, 2000<br />
Flores, Patrick D., ‗Central Station‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, 11-16.<br />
Flores, Patrick D., ‗Loss and leaving‘, Art AsiaPacific 28, 2001<br />
Garcia, Nona., ‗Luck‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.74.<br />
Guillermo, Alice G., ‗Bamboo in the Sea Wind‘ (The First Bagabas International Eco-Arts), in World<br />
Sculpture News, Vol.9, No.3, Summer 2003, p.50-52.<br />
Guillermo, Alice G., ‗From the Familiar to the Abstract‘, in Asian Art News, Vol. 14, No. 2,<br />
March/April 2004, p.58-63.<br />
Guillermo, Alice G., ‗Yankee Doodles‘, in Asian Art News, Vol. 13, No. 6, November/December 2003,<br />
p.52-55.<br />
Labrador, Ana P., ‗Eating their words‘, Art AsiaPacific 29, 2001<br />
Labrador, Ana P., ‗Out <strong>of</strong> order‘, Art AsiaPacific, 25, 2000<br />
Legaspi-Ramirez, Eileen C., ‗Traversing Centre and Fringe: Problems <strong>of</strong> Engagement in Unstable<br />
Democratic Spaces‘, Focas (Forum on Contemporary Art & Society), no.3, January 2002<br />
Pastor Roces, Marian, ‗Letter to an Artist concerning her Death‘, in Huangfu, Binghui, Site+Sight:<br />
Translating Cultures, Singapore, La Salle-SIA, 2002.<br />
Pereira, Sharmini, ‗To talk with a degree <strong>of</strong> serendipity‘, Artlink, Vol. 20, No. 2, July 2000<br />
Pettifor, Steven, ‗Arkuiris at Art Centre SM Megamall‘ (review), Asian Art News, vol. 15, no. 3, 2005.<br />
Ramirez, Eileen Lagaspi, ‗Living and Dying. Somber Memoir and Other Fictions in Contemporary<br />
Philippine Art‘, in C Arts. Asian Contemporary Art and Culture, vol. 02, March/April, 2008, pp. 114<br />
– 116.<br />
Ruiz, Jose Tence., ‗Atras /Avant: Lessons from a Continuing Reinvention <strong>of</strong> the Thirteen Artists<br />
Award‘, in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.56-65.<br />
Samson, Ditas R., ‗The Beauty and the Bounty: Angono Recalled and Reinterpreted‘, in Pananaw 4:<br />
Philippine Journal <strong>of</strong> Visual Arts, 2002, p.17-26.<br />
Tan, Pearl., ‗The Philippine Art Awards: An Observer‘s Evaluation‘, in Pananaw 4: Philippine Journal <strong>of</strong><br />
Visual Arts, 2002, p.66-70.<br />
Torres, Emmanuel., ‗One Face <strong>of</strong> Filipino Art‘, in Asian Art News, Vol.13, No.1, January/February<br />
2003, p.56-60.<br />
Tuazon, Wire Rommel G., ‗Artist-Run-Spaces: Art Initiatives in the Case <strong>of</strong> Surrounded by Water‘, in<br />
Vehicle: Contemporary Visual Arts, No.6, 2002, p.44-47.<br />
Valeriano, Lourdes Lee., ‗Identity and Invisibility: Contemporary Filipino-American Art in New York‘,<br />
in Pananaw 4: Philippine Journal <strong>of</strong> Visual Arts, 2002, p.41-48.<br />
Prints<br />
Benesa, Leonidas V., The Printmakers, Manila, Department <strong>of</strong> Public Information, 1975<br />
Cajipe-Endaya, Imelda et al, Filipino Engraving 17th to 19th Century, Manila: Ylang Ylang Graphic Group,<br />
1980<br />
Cajipe-Endaya, Imelda, ‗Notes on an Unknown Artist <strong>of</strong> the 18 th century‘, Archipelago, ca.1979<br />
Pilar, Santiago Albano & Cajipe-Endaya, Imelda, Limbag Kamay: 400 Years <strong>of</strong> Philippine Printmaking,<br />
Manila, Cultural Center <strong>of</strong> the Philippines, 1993
227<br />
Photography<br />
Fairley, Gina, ‗Letter from Manila‘ [recent photography], Art Monthly Australia, issue #213, September<br />
2008<br />
Guardiola, Juan, El Imaginario Colonial: Fotografía en Filipinas durante el periodo español, 1860-1898, Manila,<br />
National Museum & Barcelona, Casa Asia, 2006.<br />
Vergara, Benito M., Displaying Filipinos: Photography and Colonialism in early 20 th century Philippines, Quezon<br />
City, <strong>University</strong> <strong>of</strong> the Philippines Press, 1995.<br />
New Media<br />
Crafts (including textiles, basketwork, carving, and ceramics)<br />
Anderson, Nola, ‗Writing about Craft‘, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />
Baradas, David B., ‗Woven Textiles the Enduring Tradition‘, Artlink, Vol. 13, No.3&4, November-<br />
March 1993/94<br />
Capistrano-Baker, Florina H., et al, Basketry <strong>of</strong> the Luzon Cordillera, Philippines, Los Angeles, UCLA<br />
Fowler Museum <strong>of</strong> Cultural History, 1998.<br />
Lane, Robert, Philippine Basketry: an appreciation, Manila, Bookmark, 1986<br />
Women and Art, Women’s Art<br />
Chattopadhyay, Colette, ‗At home and abroad, contemporary Filipina views‘, Art AsiaPacific, 22, 1999<br />
Cajipe-Endaya, Imelda, ‗Images <strong>of</strong> Women by Women‘, Artlink, Vol. 13, No.3&4, November-March<br />
1993/94<br />
Datuin, Flaudette, ‗At the fringes in the Philippines‘, Artlink, Vol. 20, No. 2, July 2000.<br />
Datuin, Flaudette M.V., Home, Body, Memory, Filipina artists in the visual arts, 19 th century to present, Quezon<br />
City, <strong>University</strong> <strong>of</strong> the Philippines Press, 2002.<br />
Herrera, Ma. Victoria T., ‗Women in the Philippine Art World‘, paper for conference Women Imagining<br />
Women¸ Manila, Cultural Center <strong>of</strong> the Philippines, 1999.<br />
Kintanar, Thelma B., Ventura, Sylvia M., Self-Portraits: twelve Filipina Artists Speak, Manila, Ateneo de<br />
Mainal <strong>University</strong> Press, 1999.<br />
PACIFIC, OCEANIA, NEW ZEAL<strong>AND</strong><br />
[There is a flourishing art press in New Zealand which is too large to index here]<br />
General Works<br />
[Devotion: the religious, the domestic, the pacific] review, Art AsiaPacific, 24, 1999<br />
[Fiji] Teaiwa, Tersia K., ‗Our Pacific: Contemporary Art in Fiji‘, Art AsiaPacific, no.17, 1998.<br />
[New Zealand] ‗Focus on New Zealand‘, Art AsiaPacific, 23, 1999 [many articles & reviews]; Dale,<br />
Richard, ‗Going East: post-orientalism in contemporary New Zealand Art‘, Art AsiaPacific, 23,<br />
1999; Davis, Leigh, ‗Maori Bay Quarry: Maori prophets in the work <strong>of</strong> Colin McCahon‘, Art Asia<br />
Pacific, no 23, 1999 Focus on New Zealand. Art AsiaPacific, no 23, 1999 Focus on New Zealand;<br />
Fraser, Viriginia, ‗Te Papa Tongarewa‘, Art Monthly Australia, no.110, June 1998; Leonard, R. &<br />
Vercoe, C., ‗Sisters are doing it: fashion, dance, art: New Zealand‘s Pacific Sisters‘, Art<br />
AsiaPacific, no.14, 1997; McAloon, William, ‗Casino Art in New Zealand‘, Art Asia Pacific, vol.3,<br />
no.4, 1996.<br />
[Noumea] Lewis-Harris, Jacky, ‗Our identity lies ahead‘, Art AsiaPacific, 31, 2001; Giakoumi, Dionissia,<br />
‗A New Meeting Place in the Pacific: Centre Culturel Tjiboau, Noumea‘, Art AsiaPacific, no.21,<br />
1999; Kasarherou, Emmanuel, ‗Portraits Kanak‘, Art AsiaPacific, vol.3, no.3, 1996; Sandra,<br />
Maillot Win-Nemou, ‗An exhibition <strong>of</strong> Torres Strait Islander Art in Noumea‘, Art AsiaPacific,<br />
no.14, 1997; Stevenson, Karen, ‗Creating Together: The inaugural exhibition at Centre Culturel
228<br />
Tjibaou, Noumea‘, Art AsiaPacific, no.21, 1999; Ewington, Julie, ‗Noumea-Tokyo‘, Art<br />
AsiaPacific, 23, 1999<br />
[Samoa] Mallon, Sean, ‗Samoan art hsitories‘, Art AsiaPacific, 32, 2001; Stevenson, Karen, ‗Picturing<br />
Paradise‘, Art AsiaPacific, no.13, 1997; Stevenson, Karen, ‗The 7th Pacific Festival <strong>of</strong> Art in<br />
Samoa‘, Art AsiaPacific, no.14, 1997; Vanya Taule‘alo, ‗Ua sii matalalaga: Creating New Patterns<br />
in Pacific Art‘, Art Monthly Australia,<br />
[Torres Straits] Thomas, Nicholas, ‗Islands <strong>of</strong> History‘, Art AsiaPacific 28, 2000<br />
[Vanuatu] Bolton, Lissant, ‗The New Vanuatu Cultural Centre‘, Art AsiaPacific, vol.3, no.3, 1996;<br />
Thomas, Nicolas, ‗Dance party‘, The Vanuatu Cultural Centre Mini National Arts Festival, Art<br />
AsiaPacific, vol.3, no.3, 1996.<br />
‗Indigenous Arts <strong>of</strong> the Pacific‘, Special Issue, Artlink, vol.16, no.4, Summer 1996<br />
‗New colours from old worlds‘ review, Art AsiaPacific, 24, 1999<br />
‗Pacific Arts Symposium‘, Art & Asia Pacific, vol.1, no.1, 1993.<br />
‗Pacific arts, 8 th Festival <strong>of</strong>‘ Cochrane, Susan, ‗Undercurrents‘, Art AsiaPacific, 31, 2001<br />
‗Tatutai sculpture symposium‘ Vercoe, Caroline, ‗Navigating pacific Art‘, Art AsiaPacific, 22, 1999<br />
Auckland Art Gallery Toi O Tâmaki, Art Asia Pacific supplement no.23, 1999<br />
Cochrane, Susan, ‗We are the artists <strong>of</strong> today: recent sculpture from the Solomon Islands and Vanuatu‘,<br />
Art AsiaPacific, no.18, 1998.<br />
Cochrane, Susan, Bérétara: Contemporary Pacific Art, <strong>Sydney</strong>, Halstead Press, 2001.<br />
Craw, R., ‗Anthropology or the other‘, Art & Asia Pacific, supplement to Art & Australia, September<br />
1993.<br />
Elias, Ann, ‗Kowtowing to Commerce‘, Art & AsiaPacific, vol.3, no.1, 1996.<br />
Hayes, Michael, ‗Burning Bridges, The contentious California conference ―Rewriting the Pacific‖‘, Art<br />
AsiaPacific, vol.3, no.3, 1996<br />
Jahnke, Robert, ‗Tribal Art and its Incorporation into Contemporary Art‘, in eds. Clark, John, Peleggi,<br />
Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art,<br />
<strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 9-28.<br />
Jose, Nicholas, ‗Asia & Oceania Influence - <strong>Sydney</strong>‘, Artlink, Vol. 16, No. 4 Summer 1996<br />
Kaino, Lorna, The Necessity <strong>of</strong> Craft: Development and Women‘s Craft Practices in the Asia-Pacific Region, Perth,<br />
<strong>University</strong> <strong>of</strong> Western Australia Press, 1995. [Review, Labrador, Ana P., in Art AsiaPacific, vol.3,<br />
no.1, 1996.]<br />
Kidd, Courtney. ‗Oceans and Others: Navigating Pacific Territory.‘ Art Monthly Australia, December<br />
1998 to February 1999 no.116.<br />
Lewis-Harris, J., ‗Printed, beaten, and coiled‘, Art & Asia Pacific, vol.2,no.2, 1995.<br />
Menzies, Louise, ‗Islanded: Contemporary Art from New Zealand, Singapore and Taiwan, Adam Art<br />
Gallery‘, (exhibition review) ArtAsiaPacific, no. 50, 2006.<br />
Morse, Marcia, ‗Not Venice, Hawaii: The Contemporary Museum Biennial <strong>of</strong> Hawaii artists‘, Art &<br />
Asia-Pacific, vol.3, no.1, 1996.<br />
Mosby, Tom Byra Mixie, ‗ Playthings: Dance machines from the Torres Strait Islands‘, Art AsiaPacific,<br />
no.14, 1997.<br />
Naylor, Stephen, ‗Public/Private Tumatanui/Tumataiti: The 2 nd Auckland Triennial, Art Monthly<br />
Australia, No. 170 (June, 2004), pp. 16-18<br />
Page, Maude, ‗Contemporary Art at the Pacific Festival <strong>of</strong> Arts‘, Art AsiaPacific, no.14, 1997.<br />
Pirating the Pacific, <strong>Sydney</strong>, Powerhouse Museum, 1993, [review by Martin Terry in Art Monthly Australia,<br />
no.66, December-February 1993-94].<br />
Rees, Simon, ‗1 st Auckland Triennial‘, Art AsiaPacific, no.33, 2002.<br />
Rosi, Pamela, ‗Shigeyuki Kihara: Subverting Dusky Maidens and Exotic Tropes <strong>of</strong> Pacific Paradise‘,<br />
ArtAsiaPacific, no. 51, 2007.<br />
Searle, R., ‗Melanesia‘, Art Monthly Australia, no.66, December-February 1993-94.<br />
Teaiwa, Theresa and Launiuvao, Juliette, ‗Canoe Culture‘, ArtAsiaPacific, no. 47, 2006.
Thomas, Nicholas & Losche, Diane, Double Vision: Art Histories and Colonial Histories in the Pacific,<br />
Cambridge, Cambridge <strong>University</strong> Press, 1999.<br />
Thomas, Nicolas, ‗Marked men‘, Art AsiaPacific, no.13, 1997.<br />
Thomas, Nicolas, ‗Pacific Presences‘, Art Monthly Australia, no.86, Dec 1995-Feb 1996.<br />
Thomas, Nicolas, ‗What shall we tell them ? Pacific Art, politics and culture‘, Art & Asia Pacific,<br />
vol.1.no.4, 1994.<br />
Vercoe, Corline, ‗Postcards as a signature <strong>of</strong> place‘, Art & Asia-Pacific, vol.3, no.1, 1996.<br />
Von Reiche, Steven, ―Pacific festival <strong>of</strong> Arts Workshop report‘, Art AsiaPacific, no.14, 1997.<br />
229<br />
Individual Artists<br />
Baerhart, Laurence: Batten, John, ‗Laurence Aberhart: Macau and China‘ [Photography], Art AsiaPacific,<br />
no.33, 2002.<br />
Cotton, Shane: Tillers, Imants, ‗Locating Shane Cotton‘, Art AsiaPacific no.21 1999.<br />
Fong, Luise: Vaigro, W., ‗Luise Fong: cosmographies; a pathologists‘s diary‘, Art & Asia Pacific, vol.2,<br />
no.2, 1995.<br />
Hammond, Bill: Smith, Allan, ‗Bill Hammond Paints New Zealand‘, Art AsiaPacific, no 23, 1999 Focus on<br />
New Zealand.<br />
Jahnke, Robert: Thomas, Nicolas, ‗Shadow and Substance: the recent work <strong>of</strong> Robert Jahnke‘, Art &<br />
Asia Pacific, vol.1, no.1, 1993.<br />
Kahukiwa, Robyn: Diamond, Jo, ‗Robyn Kahukiwa: Nurturing Maori Identity‘, Art AsiaPacific, no.33,<br />
2002.<br />
Kuage, Mathias: review, Art AsiaPacific, 25, 2000<br />
Laita, Lily; O‘Neill, Anne: Stevenson, Karen, ‗Negotiating ‗tradition‘: the art <strong>of</strong> Lily Laita and Anne<br />
O‘Neill‘, Art AsiaPacific,no.18, 1998.<br />
Parekowhai, Michael: Barr, Jima and Mary, ‗ The Indefinite Article: Michael Parekowhai‘s riff on<br />
representation‘, Art Asia Pacific, no 23, 1999 Focus on New Zealand.<br />
Pule, John: Thomas, Nicolas, ‗Lost Gods: The paintings <strong>of</strong> John Pule‘, Art & Asia Pacific, vol.1.no.4,<br />
1994; Thomas, Nicolas, ‗Oceans Apart‘, Asian Art News, vol.7, no.3, May/June 1997.<br />
Reihana, Lisa: Page, Maude, ‗Interdigitatimg Reihanamations: Lisa Reihana‘s Video Weavings.‘ Art<br />
AsiaPacific no.21, 1999.<br />
Tan Yukking, ‗Individual Experience‘, in Asian Art News, v. 18(5Sept/Oct, 2008, pp. 82-3.<br />
PAPUA NEW GUINEA<br />
Mel, Michael, ‗Tradition and bilas in New Guinea‘, Art & Asia-Pacific, vol.3, no.1, 1996.<br />
Simons, Susan; Stevenson, Hugh, Luk Luk Gen! Look Again: Contemporary Art from Papua New Guinea,<br />
Townsville, Perc Tucker Regional Gallery, 1990.<br />
Smalley, S.F., Contemporary Art <strong>of</strong> Papua New Guinea, New York, Bridgewater State College, 1989.<br />
Waiko, John, ‗Through our own eyes: Contemporary Art in Papua New Guinea", Art & Asia Pacific,<br />
vol.1, no.4, 1994.<br />
SOUTH ASIA<br />
INDIA<br />
General Works<br />
Appasamy, J., ‗25 years <strong>of</strong> Indian Art‘, Lalit Kala Contemporary, no.15.<br />
Appasamy, J., An Introduction to Modern Indian Sculpture, New Delhi, Indian Council for Cultural Relations<br />
& Vikas Publications 1970.<br />
Appasamy, J., The Critical Vision: Selected Writings, New Delhi, Lalit Kala Akademi, 1985.
230<br />
Archer, W.G., India and Modern Art, London, George Allen & Unwin, 1959.<br />
Award Winners: National Exhibition <strong>of</strong> Art, 1955-1990, New Delhi: Lalit Kala Akademi, n.d. (probably<br />
1990 or soon after, given the publication is an exhibition catalogue).<br />
Chaudhuri N.C., The Autobiography <strong>of</strong> an Unknown Indian, [London, Macmillan, 1951] Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1968.<br />
Chaudhuri N.C., Thy Hand Great Anarch!, India 1921-1952, London, [Chatto & Windus 1987], The<br />
Hogarth Press, 1990.<br />
Clark, J., ‗Modern Indian Art: Some Literature and Problematics‘, Occasional Paper, no.21, Research<br />
Institute for Asia and the Pacific, 81-page Review, ISBN 0 86758 916 7, 1994.<br />
Clark, John, ‗Recent books on Indian and Pakistani art‘, in art & Australia, v. 45(1), Spring, 2007, p.<br />
129.<br />
Dalmia, Yashodhara, The Making <strong>of</strong> Modern Indian Art: The Progressives, New Delhi: Oxford, 2002.<br />
Dalmia, Yashodhara, et.al., Contemporary Indian Art: Other Realities, Bombay: Marg, 2002.<br />
Dehejia, Harsha V. Despair and modernity : reflections from modern Indian painting, New Delhi,: Motilal<br />
Banarasidass Publishers, 2000.<br />
Dhamija, R., ed., Sixty Years <strong>of</strong> Writing on Arts & Crafts in India [from Roopa-lekha 1928-1988], New Delhi,<br />
Sterling Publishers, 1988.<br />
Elliott, D., Musgrave, V., Alkazi, E., India: myth and reality, Aspects <strong>of</strong> Contemporary Art, Oxford, Museum<br />
<strong>of</strong> Modern Art, 1982.<br />
Fischer, Eberhard & Pathy Dinanath, Amorous delight: the Amarushataka Palm Leaf Manuscript, Zürich,<br />
Artibus Asiae Publishers at Museum Rietberg, 2006 [artibusasiae@rietb.stzh.ch]<br />
Ghose, D.C., Bibiliography <strong>of</strong> Modern Indian Art, New Delhi, Lalit Kala Akademi, 1980.<br />
Goetz, H., ‗The great crisis from traditional to modern art‘, Lalit Kala Contemporary, no.1.<br />
Inden, R., Imagining India, Oxford, Blackwell, 1990.<br />
Indian Aesthetics and Art Activity, Simla, Indian Institute <strong>of</strong> Advanced Study, 1968.<br />
Indische malerei der Gegenwart, [Bonn, Hannover, Hamburg, Bayreuth]Catalogue, 1982.<br />
Jain, Jyotindra (ed.), India‘s Popular Culture. Iconic spaces and fluid images. Mumbai, Marg Publications, 2007.<br />
Kapur Geeta, When was Modernism: Essays on contemporary cultural practice in India, New Delhi, Tulika, 2000.<br />
Kapur, Geeta ―Representational Dilemnas <strong>of</strong> the Nineteenth-Century Painter: Raja Ravi Varma‖, in<br />
When was Modernism: Essays on Contemporary Cultural Practice in India, Tuliki, New Delhi, 2000, 145-<br />
78<br />
Kapur, G., Bartholomew, R., Padamsee, A., Contemporary Indian Art, London, Royal Academy <strong>of</strong> Art,<br />
1982.<br />
Kapur, Geeta, Contemporary Indian Art, London, Royal Academy <strong>of</strong> Arts & Festival <strong>of</strong> India, 1982.<br />
Kapur, Geeta, ―A Stake in Modernity: Brief History <strong>of</strong> Contemporary Indian Art‖ in Caroline Turner,<br />
ed., Tradition and Change: Contemporary Art <strong>of</strong> Asia and the Pacific, Brisbane: <strong>University</strong> <strong>of</strong><br />
Queensland Press, 1993.<br />
Kapur, ―Riddles <strong>of</strong> the Sphinx‖, exhibition catalogue exhibition catalogue on Gulammohammed<br />
Sheikh, Pathvipath/ Journeys, CMC Gallery, New Delhi, 1991.<br />
Kapur, Geeta and Sambrani, Chaitanya, crossing generations: diverge – Forty Years <strong>of</strong> Gallery Chemould<br />
(Exhibition at the National Gallery <strong>of</strong> Modern Art, Mumbai), Mumbai: Gallery Chemould, 2003<br />
Kaul, M., Trends in Indian Painting, New Delhi, Dhoomimal Ramchand, 1961.<br />
Lynn, V., Singh, M.G., Bawa, M., Shah, H., India Songs: Multiple streams in Contemporary Indian Art,<br />
<strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1993.<br />
Mair, Victor, H., ‗Picture-storytelling in recent and modern India‘, chapter 4 <strong>of</strong> Painting and performance:<br />
Chinese picture recitation and its Indian genesis Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press,1988.<br />
Milford-Lutzker, Mary-Ann, ‗Shakti: The Power <strong>of</strong> Women‘s Art in India‘, Orientations, Volume 33,<br />
Number 6, June 2002 [including: B. Prabha, Anjolie Ela Menon, Madhvi Parekh, Nalini Malani,<br />
Vasundhara Tewari, Arpita Singh and Arpana Caur]<br />
Mitter, Partha, Indian Art, New Delhi: Oxford:<strong>University</strong> Press, 2001.
231<br />
Parimoo, R., ‗Modern Movement in Indian Sculpture‘, Special QuarterlyIssue <strong>of</strong> Kalavritt no.19,<br />
January-March 1990.<br />
Patel, G., Sokolowski, T., Herwitz, D.A., Contemporary Indian Art, New York, New York <strong>University</strong><br />
Press, 1985.<br />
Pereira, José; Pal, Pratapaditya, eds., India and Portugal: Cultural Interactions, Mumbai, Marg Publications,<br />
2001 [Marg, vol.53, no.2]<br />
Prakash. Uma, ‗A New Face On The Block‘, , in Asian Art News, v. 18(4), July/August, 2008, pp. 108-<br />
111.<br />
Purohit, V, Arts <strong>of</strong> Transitional India, 2 vols, Bombay, Popular Prakashan, 1988.<br />
Rohatgi, Pauline; Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai,<br />
Marg Publications, 1997.<br />
Rush, Dana, ‗The Idea <strong>of</strong> India – West African Vodun Art and Thought‘, Art Asia Pacific, No.34, 2002.<br />
Sadwelkar, Baburao, ―Bombay Art Society: Story <strong>of</strong> a Hundred Years‖ in Story <strong>of</strong> a Hundred Years:<br />
Bombay Art Society 1888-1988, Bombay: Bombay Art Society, 1989.<br />
Dalmia, Yashodhara and Sambrani, Chaitanya, et. al, Indian Contemporary Art Post-Independence, New<br />
Delhi: Vadehra Art Gallery, 1997.<br />
Sarkar, Kamal, Bharater Bhaskar o Chitra-shilpi, Calcutta, 1984 [unseen by me, apparently the only artists‘<br />
biographical dictionary].<br />
Singh, B.P., India's culture: the state, the arts, and beyond, Delhi; New York: Oxford <strong>University</strong> Press, 1999.<br />
Six Indian Painters, London, The Tate Gallery, 1982.<br />
Ajay J., Sinha, ―Contemporary Indian Art: A Question <strong>of</strong> Method‖ Art Journal Fall 1999<br />
Sinha, Gayatri, Indian Art: An Overview, New Delhi, Rupa & Co., 2003<br />
Subramanyam, K.G., The Living Tradition: Perspectives on Modern Indian Art, Calcutta, Seagull Books, 1987.<br />
Subramanyam, K.G., Moving Focus, New Delhi, Lalit Kala Akademi, 1978.<br />
Subramanyam, K.G., The Creative Circuit, Calcutta, Seagull Books, 1992.<br />
Individual Artists<br />
Abdus Shakoor Shah: Jamal, Osman., ‗Imagining Ballads‘, in Asian Art News, Vol. 14, No. 2, March/April<br />
2004, p.71-73.<br />
Agarwal, Ravi: Menezes, Meera, ‗The Labour Behind the Images‘, interview with Ravi Agarwal in Art India,<br />
Vol. Xiii, Iss. III & IV, 2008-9, p. 45-46.<br />
Altaf, Navjot: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999; Navjot Altaf, Report at The First Fukuoka Asian Art Trienale [The 5 th Asian Art<br />
Show], Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Anita Dube: Akira Tatehata, ‗Anita Dube‘ in Art Asia Pacific, Issue 37 (2003), p. 86<br />
Arakkal, Yusuf: Doctor, Geeta, ‗An Artist <strong>of</strong> his time‘, Asian Art News, vol.6, no.4, July / August, 1996.<br />
Atul Dodiya: Nanjo, Fumio, ‗Atul Dodiya‘ in Art Asia Pacific, Issue 37 (2003), p. 71<br />
Ayisha Abraham, Rummana Hussain, Anita Dube, Sheela Gowda and Pushpamala N: Andrews, Jorella, ‗Telling<br />
Tales: Five Contemporary Women Artists from India‘, Third Text, n43, Summer 1998, 81-9.<br />
Baij, Ramkinkar: Ahuja, Naman J., Ramkinkar through the eyes <strong>of</strong> Devi Prasad, The School <strong>of</strong> the Arts &<br />
Aesthetics, JNU, New Delhi. ; Appasamy, J., Ramkinker, New Delhi, Lalit Kala Akademi, 1961;<br />
Prasad, D., ‗Ram Kinkar: A tribute‘, Art Heritage, 9, 1989-90; Subramanyam, K.G.,<br />
‗Remembering Ram Kinkar‘, Art Heritage, 9, 1989-90; Subramanyam, K.G., text for Ramkinker,<br />
Calcutta, Birla Academy <strong>of</strong> Art and Culture, 1972, in his Moving Focus, 1978.<br />
Bajaj, Sugata: Prakash, Uma, ‗Between nature and Tradition‘, in Asian Art News, v. 18(5), Sept/Oct,<br />
2008, pp. 118-121.<br />
Bartholomew, Pablo: Zhuang Wubin, ‗History‘s Eyes‘, in Asian Art News, v. 17(6), November/December,<br />
2007, pp. 96 – 101.<br />
Bhatt, Jyoti: Bordewekar, Sandhya, ‗Negotiating the Traditional and the Modern‘, Art India, vol ix, issue<br />
ii, quarter ii, 2004.
232<br />
Bhattacharjee, Bikash: Dutta, Adip, ‗Beyond Appearances‘, Art India, Volume X, Issue IV, Quarter IV,<br />
2005; Maitra, Romain, ‗The Desert <strong>of</strong> the Real‘, tribute to Bhattacharjee, in Art India, Vol XIII,<br />
Iss. I, Quarter I, (2008) p. 141-143<br />
Biswa, Sutapa: Tawadros, Gilane. ‗Sutapa Biswas: Rememberance <strong>of</strong> Things Past and Present.‘ Third Text<br />
no.22 Spring 1993<br />
Bose, Nandalal: ‗Nalandal [Bose] Number‘, The Visvabharati Quareterly, nos. 1,2,3,4 combined, May 1968-<br />
April 1969; Bartholomew R., ed., Nalandal Bose: A Collection <strong>of</strong> Essays, Centenary Volume, New<br />
Delhi, Lalit Kala Akademi, 1983; Subramanyam, K.G., ‗The Drawings <strong>of</strong> Nalandal Bose‘, Art<br />
Heritage, no.2, 1979. ; Quintanilla, Sonya Rhie, ‗Beyond the Bengal School: Nationalism and<br />
Cultural Regeneration in the Art <strong>of</strong> Nandalal Bose‘, in Orientations, vol. 36, no. 2, March, 2008.;<br />
Bose, Supratik, ‗Growing Up With Nandalal Bose‘, in Orientations, vol. 36, no. 2, March, 2008.<br />
Brahma, Dhirendranath: Ganguli, K.K., Drawings and Paintings <strong>of</strong> Dhirendranath Brahma, Calcutta, Birla<br />
Academy <strong>of</strong> Art and Culture, 1990.<br />
Burman, Chila Kumari: Pettifor, Steven, ‗The Layering <strong>of</strong> Self‘, Asian Art News, vol. 16, no. 6, Nov-Dec<br />
2006.<br />
Burman, Sakti: Kumar, Kavi, ‗A Third Continent‘, Asian Art News, vol.6, no.6, Nov/Dec 1996.<br />
Caur, Arpana: Prakash, Uma, ‗The Spirit Ascending‘, Asian Art News, vol. 16, no. 2, 2006.<br />
Chandra, Avinash: ‗Avinash Chandra 1931-1991.‘ Third Text no.16/17 Autumn/Winter 1991<br />
Chhachhi, Sheba: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999. ; Prakash, Uma, ‗Marginalized Voices‘, in World Sculpture News, v. 14(1), Winter,<br />
2008, pp. 50 – 53.<br />
Chowdhury, Jogen: Prakash, Uma, ‗The Tension <strong>of</strong> the Eccentric‘, Asian Art News, vol. 17, no. 1, Jan-Feb<br />
2007; review, Asian Art News, vol. 16, no. 3, 2006.<br />
Coomaraswamy: Lipsey, R., Coomaraswamy: 3: His Life and Work, Princeton, Princeton <strong>University</strong> Press,<br />
1977; Coomaraswamy, A.K., Fundamentals <strong>of</strong> Indian Art, Jaipur: The Historical Research<br />
Documentation Programme, 1985.<br />
Devi, Ganga: Jain, Jyotindra, ‗Ganga Devi: Tradition and Expression in Madhubani Painting.‘ Third Text<br />
no.6 Spring 1989; Jain, Jyotindra, Ganga Devi: Tradition and expression in Mithila painting,<br />
Ahmedabad, Mapin Publishing [review: Dalmia, Art AsiaPacific, no.18, 1998.]<br />
Dodiya, Atul: review, Art AsiaPacific, 25, 2000; Hoskote, Ranjit, ‗Atul Dodiya: The possibilities <strong>of</strong><br />
political art‘, Art AsiaPacific, no.33, 2002. ; review, ArtAsiaPacific, no. 49, 2006; review, Asian Art<br />
News, vol. 16, no. 3, 2006; Nagy, Peter and Gayatri Sinha, Atul Dodiya: Broken Branches, New York,<br />
Bose Pacia, 2003; review, Asian Art News, vol.11, no.3, 2001<br />
Dube, Anita: Kapoor Kamala, ‗Sieve-o-physis‘, Art AsiaPacific, 26, 2000. ; Miller-Lewis, Karin, ‗The<br />
Illegitimacy <strong>of</strong> Violence‘ (review), Art India, volume X, issue iii, quarter iii, 2005.<br />
Gaitonde, V.S.: Karunakar, P., ‗V.S.Gaitonde‘, Lalit Kala Contemporary, 19 & 20.<br />
Galhotra, Vibha: ‗A Universal Vision‘, AsianArtNews, Vol. 19 No. 1 January/February 2009, pp. 76-79.<br />
Gawde, Sunil: Jumabhoy, Zehra, ‗The Seductions <strong>of</strong> Form‘ Art India, volume X, issue iii, quarter iii, 2005.<br />
Geier, Helen: review Art AsiaPacific 29, 200; Nagy, Peter and Sinha, Gayatri, Atul Dodiya: Broken Branches,<br />
New York: Bose Pacia, 2003.<br />
Gobhai, Mehlli: Hoskote, Ranjit, ‗Transforming traditions‘ Asian Art News, vol.6, no.6,<br />
November/December 1996.<br />
Gojin Fujita: Pagel, David, ‗Grafing Territory‘ 2003‘ in Art Asia Pacific, No. 39 (Winter 2004), pp. 48-52<br />
Gowda, Sheila: Lynn, Victoria, ‗Dung heap: sensuality and violence in the art <strong>of</strong> Sheela Gowda‘, Art Asia<br />
Pacific, vol.3, no.4, 1996. ; Adajania, Nancy, ‗Sheela Gowda: Narrating India‘, ArtAsiaPacific, no.<br />
51, 2007.<br />
Gujral, Satish: Sinha, Gayatri, Santo Datta and Gautam Bhatia, Satish Gujral: An Artography, Roli Books,<br />
New Delhi, 2006; Satish Gujral: A Retrospective, exh. cat., National Gallery <strong>of</strong> Modern Arts, New<br />
Delhi.<br />
Gupta, Mahindra Bhusan: Roy, A., Paintings <strong>of</strong> Mahindra Bhusan Gupta, Calcutta, Birla Academy <strong>of</strong> Art and<br />
Culture, 1987.
233<br />
Gupta, Shilpa: Pijnappel, Johan, ‗Shilpa Gupta: Please dispose after use‘, Art AsiaPacific, no.35, 2002. ;<br />
Sardesi, Abhay, ‗Holding on to her Conscience‘, Art India, volume X, issue I, quarter I, 2005. ;<br />
Gopinath, Suman, ‗Shilpa Gupta. Participating by default‘, in Flash Art, vol. XLI, no. 258, Jan-<br />
Feb, 2008, pp. 108 – 109; Sardesai, Abhay, ‗I Support Piracy‘, interview with Shilpa Gupta in Art<br />
India, Vol. Xiii, Iss. III & IV, 2008-9, p. 37-38.<br />
Gupta, Subodh: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The<br />
5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,<br />
1999; Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002. ; Anath, Deepak, ‗Subodh Gupta‘, ArtAsiaPacific, no. 48, 2006;<br />
Menezes, Meera, ‗Made in India‘, Art India, volume X, issue iii, quarter iii, 2005; Menezes, Meera,<br />
‗The Home and the World‘, Art India, vol 9, issue 1, quarter 1, 2004. ; Prakash, Uma, ‗From<br />
Global To Local‘, in World Sculpture News, v. 13(3), Summer, 2007, pp. 28 – 32, Likandawala,<br />
Arshiya, ‗Empire <strong>of</strong> Steel‘, (why Subodh is considered the ne Czar <strong>of</strong> contemporary Indian art0 in<br />
Art India, Vol XIII, Iss. I, (2008), p.52-54<br />
Haldar, Asit Kumar: Kamboj, B.P., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1990;<br />
Mukhophadhyay, A., Asit Kumar Haldar, New Delhi, Lalit Kala Akademi, 1991.<br />
Havell, E.B.: Banerji, Debashish, ‗The Orientalism <strong>of</strong> E.B. Havell‘, Third Text, 58, vol. 16, no1, 2002;<br />
Havell, E.B., Indian Sculpture and Painting, London, John Murray, 1908,[reprints as Chapter IV his<br />
‗The Future <strong>of</strong> Indian Art‘]<br />
Hebbar, K.K.: Krishnan, S.A., ‗Hebbar‘, Lalit Kala Contemporary, no.10.<br />
Husain M.F.: Herwitz, Daniel, ‗Indian Histories: the recent work <strong>of</strong> M.F.Husain;‘, Art AsiaPacific,no.18,<br />
1998; Chopra, Suneet, ‗A popular contemproary‘, Asian Art News, vol.6, no.2, Mar/Apr 1996;<br />
Tagore, Sundaram, ‗A Story <strong>of</strong> a Jagged Line: The Art Of M.F. Husain.‘ Art AsiaPacific issue 19<br />
1998. ; Herwitz, Daniel, ‗Maqbool Fida Husain: the Artist as India‘s National Hero‘, Third Text,<br />
vol. 20, no. 1, January, 2006. ; Nath, Deeksha, ‗Indian Painter Incites Religious Controversy‘,<br />
ArtAsiaPacific, no. 50, 2006; ‗A Life Revisited‘ (interview with M.F.Husain) Asian Art News, vol.<br />
16, no. 1, 2006. ; Appasamy, J., ‗Husain‘, Lalit Kala Contemporary, no.10; Bartholomew, R., Kapur,<br />
Shiv S., Husain, 2nd ed., New York, Abrams, 1979.<br />
Hussain, Farhad: Prakash, Uma, ‗The Mundane Uncovered‘, in Asian Art News, v. 17(5),<br />
September/October, 2007, pp. 66 – 71.<br />
Hussain, Rumana: Kapoor, Kamala, ‗ Home Nation‘, <strong>ART</strong> AsiaPacific, no.13, 1997.<br />
Joshi, Anant: Jumabhoy, Zehra, ‗Shadow play‘, Art India, volume X, issue iii, quarter iii, 2005.<br />
Kahlon, Rajkamal: Miller-Lewis, Karin, ‗Haunted by History‘ Art India, volume X, issue iii, quarter iii,<br />
2005.<br />
Kallat, Jitish: Camper, Fred, ‗War Against Terror‘ (review), Art India, volume X, issue I, quarter I, 2005;<br />
Sardesi, Abhay, ‗Orphans in the Storm‘, Art India, volume x, issue ii, quarter ii, 2005; Sengupta,<br />
Paula, ‗Please let me hurt you, please‘ (review), Art India, vol 9, issue 1, quarter 1, 2004; Raja,<br />
Minakshi, ‗New Horse for Old‘, Art India, vol 9, issue 1, quarter 1, 2004; Mami, Kataoka, ed.,<br />
Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan Foundation Asia Center, 2002:<br />
Hoskote, Ranjit, ‗Jitish Kallat‘ in Art Asia Pacific, Issue 37 (2003), p. 54 ; Citron, Beth, ‗Jitish<br />
Kallat: Copyright 2007‘, in ArtAsiaPacific, No. 55, September/October, 2007, pp. 108 – 109;<br />
Gairley, Gina, ‗Navigating Contemporary India‘, in AsianArtNews, Vol. 19 No. 3 May/June 2009,<br />
pp. 92-96; Sarkar, Shiladitya, ‗When Thoughts Come with Self-Pasting Adhesive…‘, interview<br />
with Jitish Kallat in Art India, Vol. Xiii, Iss. III & IV, 2008-9, p. 47-48.<br />
Kallat, Jitish, Gupta, Shilpa: Mehta, Anupa, ‗Ideas <strong>of</strong> the self and the other‘, Asian Art News, vol.10, no.6,<br />
2000; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum,<br />
1999; Wong, Nicole, ‗Jitish Kallat at Bose Pacia Modern‘, Asian Art News, vol. 13, no. 1,<br />
January/February 2003
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Kanwar, Amar: Singh, Devika, ‗Amar Kanwar. The compasss that keeps spinning‘, in ArtAsiaPacific, No.<br />
59, July/August, 2008, pp. 126 - 131.; Van Nieuwenhuyzen, Martijn, ‗Amar Kanwar. Collecting<br />
Evidence‘, in Flash Art, vol. XLI, no. 258, Jan-Feb, 2008, pp. 106 - 107.<br />
Kapoor, Anish: Raza, Sara, ‗Anish Kapoor: My Red Homeland‘ (exhibition review), ArtAsiaPacific, no. 50,<br />
2006; Sardesi, Abhay, ‗Encounter-Anish Kapoor‘, Art India, vol 9, issue 1, quarter 1, 2004; review,<br />
Artforum, vol. 44, Iss. 9, 2006; review Foss, Paul. ‗Anish Kapoor: Regen Projects‘..Art in America<br />
97.5 (May 2009):p.161 (2); Jones, Caroline A., ‗Anish Kapoor‘ in Artforum, vol. 47, Iss. 2, Oct.<br />
2008, p. 377.<br />
Kapur, Madhoor : Khandekar, Reunka, ‗In search <strong>of</strong> secrets‘, Asian Art News, vol.6, no.2, Mar/Apr 1996.<br />
Keyt, George: Goonetileke, H.A.I., George Keyt Drawings, Colombo, The George Keyt Foundation, 1990;<br />
Russel, M., George Keyt, Bombay, Marg, 1950; George Keyt Exhibition, Colombo, Lionel Wendt<br />
Gallery, 1983.<br />
Khakhar, Bhupen: Kapur, Geeta, ‗Lightness <strong>of</strong> being: Bhupen Khakhar‘s recent watercolours‘, <strong>ART</strong><br />
AsiaPacific, no.14, 1997; Khopkar Arun, ‗Saint Bhupen‘, <strong>ART</strong> AsiaPacific, no.14, 1997; Bartelik,<br />
Marek, ‗Bhupen Khakhar‘, Artforum International, Vol.41, Issue 5, January 2003<br />
Khambatta, Arzan: Prakash, Uma, ‗A Determined Vision‘, World Sculpture News, vol. 12, no. 4, 2006.<br />
Khandekar, Sanjeev: Magar, Nivedita, ‗Of Corporeality and Capitalism‘ (review), Art India, Volume X,<br />
Issue IV, Quarter IV, 2005.<br />
Kher, Bharti: Menezes, Meera, ‗Composite Creatures, Hyrbid Selves‘Art India, vol IX, issue iii, quarter iii<br />
2004; Mami, Kataoka, ed., Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: The Japan<br />
Foundation Asia Center, 2002 ; Majumdar, Minhazz, ‗Bharti Kher: Transformative Vision‘, in<br />
ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 134 - 139.<br />
Khurana, Sonia: Menezes, Meera, ‗Multiple Exposures‘, Art India, vol X, issue i, quarter i, 2005.<br />
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Style, Criticism, and Identity<br />
Note: the Lalit Kala Akademi has from time to time has published small monographs on important<br />
individual artists, some <strong>of</strong> which are in the National Library in Canberra. In <strong>Sydney</strong>, Schaeffer<br />
Library also has volumes 1-22 <strong>of</strong> Lalit Kala Contemporary]<br />
Art India, Vol. 6, Issue 2 (Quarter 2, 2001), Special Issue on ‗The Art <strong>of</strong> Writing on Art [Includes<br />
Pr<strong>of</strong>iles on Akbar Padamsee, Rekha Rodwittiya & Kiran Subbaiah; Focus on ‗Public Art‘]<br />
Art India, Vol. 8, Issue 4 (Quarter 4, 2003), Special Issue on ‗The Art <strong>of</strong> Humour‘<br />
Chandrashekhar, Indira and Seel, Peter C. (eds.), body.city: siting contemporary culture in India, Berlin: House<br />
<strong>of</strong> World Cultures and New Delhi: Tulika Books, 2003.<br />
Clark, J., ‗Individual creation and the Indian imaginary: conversations with Swaminathan and Arpita<br />
Singh‘, Art & Asia-Pacific, no.2, June 1993.<br />
Dalmia, Yashodhara, et al, Indian Contemporary Art Post Independence, New Delhi, Vadehra Art Gallery,<br />
1997.<br />
Desai, Vishakha N., ―Engaging Tradition in the Twentieth-Century Arts <strong>of</strong> India and Pakistan‖ in<br />
Conversations with Traditions: Nilima Sheikh, Shahzia Sikander, New York: Asia Society, 2001.<br />
Dube, A., catalogue essay for Seven Young Sculptors, New Delhi, KasauliArt Centre, 1985.<br />
Dube, Anita, Questions and Dialogue, exhibition catalogue Faculty <strong>of</strong> Fine Arts, March 1987.<br />
Ganguli, K.K., Drawings and Paintings <strong>of</strong> Dhirendranath Brahma, Calcutta, Birla Academy <strong>of</strong> Art and<br />
Culture, 1990.<br />
Hoskote, Ranjit, ‗Bhupen Khakhar: 1934-2003 In Memoriam‘ in Art Asia Pacific, No. 41 (Summer<br />
2004), pp. 68-70<br />
James, J., essay for Sculpture: The Madras metaphor, New Delhi, Art Heritage, 1991.<br />
Kapur, Geeta, ‗When was modernism in Indian/ Third World art/‘, South Atlantic Quarterly, vol.92,<br />
no.3, Summer 1993.<br />
Kapur, Geeta, ‗Modern Indian Painting: A Synoptic View‘, Journal <strong>of</strong> Arts and Ideas, October-December,<br />
1982<br />
Kapur, Geeta, Pictorial Space: A Point <strong>of</strong> View on Contemporary Indian Art, New Delhi, Lalit Kala Akademi,<br />
1977.<br />
Kapur, Geeta, Place for People, [text for exhibition], Bombay, JehangirArt Gallery; New Delhi, Rabindra<br />
Bhavan, 1981.
245<br />
Kapur, Geeta, The Centre-Periphery Model or How are we Placed?‘, Art Monthly Australia, 1990/ Third<br />
Text nos 16/17, Autumn Winter 1991.<br />
Kapur, Geeta,, ‗Contemporary Cultural Practice: Some Polemical categories‘, Third Text, no.11, Summer<br />
1990.<br />
Kapur, Geeta,, K.G.Subramanyan, New Delhi, Lalit Kala Akademi, 1987.<br />
Lynn, Victoria, [on the organization <strong>of</strong> the Indian Triennale] Art & Australia, vol.24, no1.<br />
Okada, Amina ‗Kesu Das: The Impact <strong>of</strong> Western Art on Mughal Painting.‘ Marg 49:4 June 1998<br />
Patel, G., ‗Contemporary Indian painting‘, Daedalus, vol. 118, no.4, Fall, 1989.<br />
Ramaswamy, S. ed., Beyond Appearances? Visual Practices and Ideologies in Modern India, Sage Publications,<br />
New Delhi, 2003.<br />
Sheikh, Gulammohammed, ed., Contemporary Art in Baroda, New Delhi, Tulika, 1997.<br />
1990s<br />
‗Supplement: India‘, Asian Art News, vol.5, no. 2, March-April 1995<br />
Andrews, Joerlla. ‗Telling Tales: Five Contemporary Women Artists from India.‘ [Ayisha Abraham,<br />
Rummana Hussain, Anita Dube, Sheela Gowda, Pushpamala N] Third Text no. 43, Summer<br />
1998Bean, Susan S., Timeless Visions: Contemporary Art <strong>of</strong> India, Peabody Essex Museum, 1999.<br />
Bharucha, Rustom, ‗The Rushdie Affair: Secular Bigotry and the Ambivalence <strong>of</strong> Faith‘, Third Text, n11,<br />
Summer 1990, 61-69<br />
Cohen, Andrew L., Sirhandi, Marcella C., guest editors, ‗Contemporary Indian Art‘ [six papers], Art<br />
Journal, vol. 58, no.3, Fall 1999.<br />
Dalmia, Yashodhara, ed., Contemporary Indian Art: Other Realities, Mumbai, Marg Publications, 2002.<br />
Deshpande, Satish, ―Imagined Economies: Styles <strong>of</strong> Nation-Building in Twentieth Century India,‖<br />
Journal <strong>of</strong> Arts and Ideas, nos. 25 -26, December 1993<br />
Fink, Hannah, ‗Bizarre Bazaar‘, Art & Australia, [review <strong>of</strong> Indian Triennale] vol.32, no.1, Spring 1994.<br />
Ghose, Arun, ‗Galleries in Calcutta today‘, ‗Voices from Calcutta‘,Asian Art News, vol.6, no.2, Mar/Apr<br />
1996.<br />
Hoskote, Ranjit, ‗Back to the World: Anxiety and Exhilaration in Contemporary Indian Art.‘in Furuichi,<br />
Y., ed., Asian Art: Prospects for the Future, Tokyo, Japan Foundation Asia Center, 1999.<br />
Hoskote, Ranjit, ‗The Moderns: The National Gallery <strong>of</strong> Art Mumbai‘, Art AsiaPacific, no.16, 1997.<br />
Hoskote, Ranjit, Atul Dodiya: Bombay Labyrinth/ Laboratory, Tokyo: Japan foundation Asia Center, 2001<br />
Indira, Chandrasekhar and Peter C. Seel, eds., body.city: siting contemporary culture in India, Berlin and New<br />
Delhi: House <strong>of</strong> World Cultures and Tulika Books, 2003.<br />
Jain, Madhu, ‗Not a Pretty Picture‘, India Today, August 15, 1994.<br />
Kapoor, Kamala, ‗Bombay Report‘, Art Asia Pacific, vol.3, no.4, 1996.<br />
Kapur, Geeta, ‗When was modernism in Indian/Third World Art‘, South Atlantic Quarterly, vol.92, no.3,<br />
Summer 1993.<br />
Kapur, Geeta; Rajadhyaksha, Ashish, ‗Bombay/Mumbai, 1992-2001‘ in Blazwick, Iwona, ed., Century<br />
City: Art and Culture in the Modern Metropolis, London, Tate Gallery Publishing, 2001;<br />
Karode, Roobina, ‗Fresh Signs <strong>of</strong> Digression and Direction in Contemporary Indian Art‘, Kuroda,<br />
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Karode, Roobina, Report at the The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar:<br />
―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Kidd, Courtney, ‗Fire and Life: kindling Australian-Indian cultural exchange‘, Art AsiaPacific,no.18,<br />
1998.<br />
Loxley, Anne, ‗Khovar dreamings: contemporary tribal art in South Bihar, India‘, Art AsiaPacific, no.18,<br />
1998.<br />
Lynn, Victoria et al, India Songs: Multiple Streams in Contemporary Indian Art, <strong>Sydney</strong>, Art Gallery <strong>of</strong> New<br />
South Wales, 1993.<br />
Malani, Nalini] Pijnappel, Johan, ‗A doomsday oracle‘, Art AsiaPacific, 30, 2001<br />
Mathur, Saloni. ‗Revisualising the Missionary Subject: History, Modernity and Indian Women.‘ Third<br />
Text no.37 Winter 1996-97.
246<br />
Matt, Gerald, et. al., Kapital and Karma: recent positions in Indian art, Vienna: Kunsthalle Wien, 2002.<br />
McEvilley, Thomas, ‗Fifty Years <strong>of</strong> Indian Art, A conference in Mumbai‘, Art AsiaPacific, no.16, 1997.<br />
Mehta, Anupa, ‗Art in Mumbai‘, Asian Art News, vol.10, no.6, 2000; Srinivasan, Sumitra, ‗The Road<br />
Ahead‘, Asian Art News, vol.6, no.6, 1996.<br />
Muroi, Hisashi, ‗Cultural Mythologies‘, Art AsiaPacific, 24, 1999<br />
Murti, Isna ‗Coming into Their Own: contemporary sculpture in India.‘ Asia-Pacific Sculpture News 2:1<br />
Winter 1996<br />
Murti, Isna ‗Crisis in the House <strong>of</strong> Art‘, Asian Art News, July/Aug 1994.<br />
Niranjana, T., Sudhir, P., Dhareshwar, V., Interrogating Modernity: Culture and Colonialism in India, Seagull<br />
Books, Calcutta, 1993.<br />
Panikkar, Shivaji, ed., Twentieth-Century Indian Sculpture: the Last Two Decades, Bombay: Marg, 2000.<br />
Prakash, Siddhartha, ‗Art in the capital‘, ‗Art for the Environment‘, ‗An art form ignored‘,<br />
[photography] Asian Art News, vol.6, no.2, Mar/Apr 1996.<br />
Rahman, Ram ‗ Sahmat: a political postcard from India‘, Art AsiaPacific, no.14, 1997<br />
Ramaswamy, S. ed., Beyond Appearances? : Visual Practices and Ideologies in Modern India, New Delhi: Sage<br />
Publications, 2003.<br />
Sen, Geeti, ‗A new iconography: Indian woman artists in exhibition‘, Art AsiaPacific,no.18, 1998<br />
Sheikh, G.M.ed., Contemporary Art in Baroda, New Delhi: Tulika, 1997.<br />
Sinha, G., ‗India Songs‘ Art & Asia Pacific, vol.2, no.2, 1995.<br />
Sinha, Gayatri, ed., Expressions & Evocations: Contemporary Women Artists <strong>of</strong> India, Mumbai, Marg<br />
Publications, 1996<br />
Sinha, Modhurima, Call <strong>of</strong> the Real: Contemporary India Artists from Bengal, Ahmedabad: Mapin, 2003.<br />
Swanimathan, J., The Perceiving Fingers, Bhopal: Bharat Bhavan, 1987<br />
Swanimathan, J., ―The Cygan: An Auto-bio note‖, exhibition catalogue, Vadehra Art Gallery, New<br />
Delhi, 1993. Tagore, Sundaram, ‗A struggle for modernism‘, II, Asian Art News, vol.6, no.1,<br />
Jan/Feb 1996.<br />
Tagore, Sundaram, ‗Towards Identity‘, I, Asian Art News, vol.5, no.6, Nov/Dec 1995.<br />
Tuli, Neville, The Flamed Mosaic: Indian Contemporary Painting, 1997<br />
2000+<br />
Adajania, Nancy, ‗India‘s New Progessives‘, ArtAsiaPacific, no. 50, 2006.<br />
Adajania, Nancy, ‗The Mutable Aesthetic <strong>of</strong> New Mediatic Realism‘, Art India, Volume X, Issue IV,<br />
Quarter IV, 2005.<br />
Akira, Tatehata et al, Private Mythology: Contemporary Art from India, exhibition catalogue, Tokyo, Japan<br />
Foundation Asia Center, 1998.<br />
Ananth, Deepak, ‗Indian Bazaar. Notes on Six Contemporary Indian Artists‘, in Flash Art, vol. XLI, no.<br />
258, Jan-Feb, 2008, pp. 98 - 100.<br />
Appadurai, Arjun, ‗The Thing Itself‘, Art India, volume X, issue iii, quarter iii, 2005.<br />
Art India, Vol ix, Issue ii, (Quarter ii, 2004) special issue on ‗negotiating the popular‘.<br />
Art India, Vol IX, Issue iii (Quarter iii 2004) special issue on ‗the festival aesthetic‘.<br />
Art India, Vol X, Issue i, (Quarter i, 2005) Special issue on ‗video art‘.<br />
Art India, Vol X, Issue ii (Quarter ii, 2005), Special Issue on ‗Heritage‘.<br />
Art India, Vol XI, Issue i (Quarter i, 2006), Special Issue on ‗Printmaking‘.<br />
Art India, Vol. 7, Issue 1 (Quarter 1, 2002), Special Issue on ‗Net Culture‘<br />
Art India, Vol. 8, Issue 1 (Quarter 1, 2003), Special Issue on ‗State <strong>of</strong> the Art Market‘<br />
Art India, Vol. 8, Issue 1 (Quarter 1, 2003), Special Issue on ‗State <strong>of</strong> the Art Market‘<br />
Art India, Vol. XIII, Issue III & IV, (2008) Special Issue –Interviews with Indian Artists<br />
Art India, Vol XIII, Iss. II, (2008) The Gallery Issue p.<br />
Art India, Vol XIII, Iss. I, (2008) The Art Market Issue p.<br />
‗Artists Dictionary: A Survey <strong>of</strong> Contemporary Indian Art‘ in Flash Art, Vol XLI, No. 258, Jan-Feb<br />
2008, pp. 110-119.
247<br />
Bordewekar, Sandhya, ‗Reality Bites‘, Art India, Volume X, Issue IV, Quarter IV, 2005.<br />
Bordewekar, Sandhya, The Aert <strong>of</strong> the matter. Which are the major privately sponsored art awards in<br />
India today?‘ in Art India, Vol XIII, Iss III & IV, 2008, p. 7779<br />
Dadi, Iftikhar, ‗Art, Archaeology and the Museum in India‘ (book review), Art Journal, vol. 63, iss. 3,<br />
2006.<br />
Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations: Contemporary Art <strong>of</strong> India and<br />
Pakistan, New Delhi, Oxford <strong>University</strong> Press, 2007.<br />
Findlay, Ian, ‗Indian voices, universal spirit‘, Asian Art News, vol.11. no.2, 2001<br />
Gupta, Latika, ‗Two Hats Are Better Than One‘, interview with curator Gayatri Sinha, in Art India, Vol<br />
XIII, Iss. III & IV, 2008, 63.<br />
Gupta, latika, ‗Role Play (India‘s first live art festival, KHOJ LIVE 08: Perfornmance art festival), in Art<br />
India, Vol XIII, Iss. I, (2008) p. 118-120kaleka<br />
Hoskote, Ranjit, ‗India: A Long Time Coming‘, ArtAsiaPacific, no. 45, 2005.<br />
Lewis, David, ‗World in Flux‘ Art India, volume X, issue ii, quarter ii, 2005.<br />
Lokhandwala, Arshiya Mansoor, ‗Re-claiming the Body‘, Art India, volume X, issue i, quarter i, 2005<br />
(special issue on video art);<br />
Malhotra, Priya, ‗A Multitude <strong>of</strong> Voices‘, Asian Art News, vol. 15, no. 6, 2005.<br />
Melwani, Lavina, ‗All in the Family: the Ahuja Collection <strong>of</strong> Indian Contemporary Art‘, ArtAsiaPacific,<br />
no. 43, 2005.<br />
Möntmann, Nina, ‗Mumbai‘, Artforum, vol. 45, iss. 4, 2006.<br />
Nielsen, Henrikke, ‗The Artist Lives and Works in.. Baroda/ Bombay/ Calcutta/ Mysore/ Rotterdam/<br />
Trivandrum‘ (review), ArtAsiaPacific, no. 47, 2006.<br />
Pande, Alka, The Margi & the Desi: between tradition and modernity, exhibition catalogue, New Delhi: Gallery<br />
Espace, 2004<br />
Patel, Chitra Prasad, ‗On the Path to Prominence: Cultivating the Landscape for Contemporary Indian<br />
Art‘, in Orientations, vol. 35, no. 5, June, 2007, pp. 83 – 86.<br />
Pijnappel, Johan, ‗Art in Exile?‘, Art India, volume X, issue I, quarter I, 2005 (special issue on video art).<br />
Sambrani, Chaitanya et. al., Edge <strong>of</strong> Desire: recent art in India, London: Philip Wilson Publishers, 2004.<br />
Sambrani, Chaitanya, ‗Here, out, there ( and somewhere in between): contemporary art in India,<br />
Australian and New Zealand Journal <strong>of</strong> Art, vol.3, no.2, 2002<br />
Sambrani, Chaitanya, ‗Home and away: Contemporary Indian art in the international arena‘, Art Monthly<br />
Australia, no.153, 2002.<br />
Sambrani, Chaitanya, ‗Printing across borders: the Aar-Paar Project‘, in Art Monthly Australia, No. 171<br />
(July, 2004), pp. 12-15<br />
Sansone, Valentina, ‗Artist‘s Dictionary. A Survey <strong>of</strong> Contemporary Indian Art‘, in Flash Art, vol. XLI,<br />
no. 258, Jan-Feb, 2008, pp. 110 - 119.<br />
Sardesi, Abhay, ‗Object at the Centre‘, Art India, volume X, issue iii, quarter iii, 2005.<br />
Sengupta, Ratnottama., ‗A City <strong>of</strong> Remarkable Narratives‘, in Asian Art News, Vol. 14, No. 1,<br />
January/February 2004, p.68-73.<br />
Shahane, Girish, ‗Altered Egos‘, Art India, vol 9, issue 1, quarter 1, 2004, special issue on ‗identity‘.<br />
Sood, Pooja, ‗In the fast lane. The new buzz around contemporary Indian Art‘, in Flash Art, vol. XLI,<br />
no. 258, Jan-Feb, 2008, pp. 102 - 104.<br />
Snell, Ted, ‗Edge <strong>of</strong> Desire: Recent Art from India‘, Art and Australia, vol. 42, no. 3, 2005.<br />
Tharu, Susie, ‗Common Threads, Different Weaves‘, Art India, volume X, issue ii, quarter ii, 2005.<br />
Vali, Murtaza, ‗Indian Summer‘ (review), ArtAsiaPacific, no. 48, 2006.<br />
Yun Chea Gab, Cho Il-sung, Gwak June K., Sambrani, Chaitanya, Hungry God: Indian Contemporary Art,<br />
Beijing & Seoul, Arario Gallery, 2006.<br />
Zitzewitz, Karin, ‗Mapping South Asian Art‘, Art India, vol ix, issue ii, quarter 11, 2004.<br />
Indian Photography<br />
Barath, Stephanie Roy, ‗John Edward Saché: Master <strong>of</strong> the Picturesque in TAASA Review. The Journal <strong>of</strong><br />
the Asian Art Society <strong>of</strong> Australia, v.17, No. 3, September 2008, p. 7-9
248<br />
De Souza, David, ‗Faith in Colour‘, Art India, vol IX, issue iii, quarter iii, 2004.<br />
Dehejia, Vidaya (with contributions by Charles Allen) India through the lens: photography 1840-1911,<br />
Washington, D.C.: Smithsonian Institution Ahmedabad, Mapin, 2000.<br />
Dewan, Jane, ‗Sun pictures from the city <strong>of</strong> gold; early photography in Bombay‘ in Rohtagi, Pauline;<br />
Godrej, Pheroza; Mehrotra, Rahul; eds. Bombay to Mumbai: changing perspectives, Mumbai, Marg<br />
Publications, 1997.<br />
Falconer, John, ‗India: Pioneering Photographers 1850-1900‘, Orientations, Volume 32, Number 9,<br />
November 2001<br />
Falconer, John, India: pioneering photographers, 1850-1900, London: The British Library and The Howard<br />
and Jane Ricketts Collection, 2001.<br />
Gordon, Sophie,‘The Royal Tour In India‘ TAASA Review. The Journal <strong>of</strong> the Asian Art Society <strong>of</strong> Australia,<br />
v.17, No. 3, September 2008, p. 10-12.<br />
Gupta, Sunil, ed., An Economy <strong>of</strong> signs: contemporary Indian photographs, Boston: Rivers Oram Press, 1990.<br />
Gutman, Judith Mara, Through Indian eyes, New York : Oxford <strong>University</strong> Press : International Center <strong>of</strong><br />
Photography, 1982.<br />
Henisch, Heinz K., The painted photograph, 1839-1914 : origins, techniques, aspirations, <strong>University</strong> Park, Pa.:<br />
Pennsylvania State <strong>University</strong> Press, 1996<br />
Hight, Eleanor M., and Sampson, Gary D., eds., Colonialist Photography. Imag(in)ing race and place. London<br />
and New York, Routledge, 2002.<br />
Jaana, Reena, ‗Contemporary tales from India‘, [photography], Asian Art News, vol.7, no.5, Sept/Oct<br />
1997.<br />
Museum <strong>of</strong> <strong>Sydney</strong>, Encountering India : colonial photography 1850-1911, <strong>Sydney</strong> : Historic Houses Trust <strong>of</strong><br />
N.S.W., 1997.<br />
Patel, Divia, ‗The Indian Amateur‘s Photographic Album in TAASA Review. The Journal <strong>of</strong> the Asian Art<br />
Society <strong>of</strong> Australia, v.17, No. 3, September 2008, p. 4-6.<br />
Pelizzari, Maria Antoinella, ed., Traces fo India: Photography, Architecture, and the Politics <strong>of</strong> Representation,<br />
1850-1900, Montréal, Canadian Centre for Architecture & New Haven, Yale <strong>University</strong> Press,<br />
2003.<br />
Pinney, Christopher, Camera Indica, London, Reaktion Books, 1998.<br />
Reilly, James M., Care and Identification <strong>of</strong> 19 th century Photographic prints, Rochester, Kodak Books, 1986l,<br />
2001<br />
Sharma, Satish, ‗Rotigraphy: Indian street photography‘, Art AsiaPacific, no.13, 1997.<br />
Sharma, Satish; Gray, Michael, A Shifting Focus: Photography in India 1850-1900, London: The British<br />
Library, 1995.<br />
Srivatsan, R, Conditions <strong>of</strong> visibility : writings on photography in contemporary India; Mumbai, Popular<br />
Prakashan, 2000.<br />
Worswick, Clark; Embree, Ainslee, The last empire: photography in British India, 1855-1911, London :<br />
Gordon Fraser Gallery, 1976.<br />
Zhuang Wubin and Wim Melis, ‗Between Art and Documentary‘, Asian Art News, vol. 17, no. 1, Jan-<br />
Feb 2007.<br />
Zhuang Wubin, ‗Spotlight on Another Asia‘ (review), Asian Art News, vol. 17, no. 1, Jan-Feb 2007.<br />
Indian Artists Abroad<br />
Carver, Antonia, ‗Century City: Art & Culture in the Modern Metropolis‘, Art AsiaPacific, no.33, 2002.<br />
Martin, Courtney J. ‗South Asian American Art Now – Queens Museum <strong>of</strong> Art‘ (review), Flash Art, vol.<br />
XXXVIII, no. 242, May-Jun, 2005.<br />
Mohanti, P., ‗East-West Encounter‘, Art Monthly [UK], no.132, December-January 1989-90<br />
Web resources:<br />
www.artindia.com Website <strong>of</strong> the leading English Language Journal on Art in India. The Art India<br />
Journal <strong>of</strong>fers a good resource for people working in the field and this bibliography lists the<br />
themes <strong>of</strong> special issues from 2002-2003 under their most appropriate subdivisions.
NEPAL<br />
249<br />
General Works<br />
Jolliffe, H., ‗A Community at the Crossroads‘, Asian Art News, vol.4, no. 5, September/October 1994.<br />
‗Nepalese Contemporary Art reaches out to the World‘, Asian Art News, 2, no.4, Jul/Aug 1992.<br />
Nepali, Uttam, ‗Modern Contemporary Art: A View from Nepal‘, Kuroda, Raiji, ed., The First Fukuoka<br />
Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
O‘Riordan, Maurice, ‗A political stand‘, [Ragini Upadhayay-Grela], Asian Art News, vol.5, no.3, Jul/Aug<br />
995.<br />
‗The Art <strong>of</strong> Nepal‘, Special Issue, Orientations, Volume 32, Number 5, September 2001<br />
Individual Artists<br />
Dongol, Sarita: Sarita Dongol in Winds <strong>of</strong> Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,<br />
2001<br />
Sashi Shah: Asian Art News, 2, no.5, Sep/Oct 1992.<br />
Shobha Wagley: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Uma Shankar Shah: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The<br />
5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,<br />
1999<br />
HIMALAYAN BORDERL<strong>AND</strong>S; KASHMIR, BHUTAN, SIKKHIM, MUSTANG<br />
General Works<br />
‗Artists on Spirituality‘, ArtAsiaPacific, no. 51, 2007.<br />
Tulku, Mynak, R., ‗Arts <strong>of</strong> Bhutan‘, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka:<br />
Fukuoka Asian Art Museum, 1999.<br />
Virtue, Gerry, ‗Tashi Kabum: A Mustang Treasure revealed‘ in Annear, Judy, ‗Yasumasa Morimura and<br />
Yukio Mishima – Seasons <strong>of</strong> Passion in TAASA Review. The Journal <strong>of</strong> the Asian Art Society <strong>of</strong><br />
Australia, v.17, No. 2, June 2008, p. 6-8.<br />
Individual Artists<br />
Karma, Leki Dorji: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Penjor, Tashi: Tashi Penjor in Winds <strong>of</strong> Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum,<br />
2001<br />
PAKISTAN<br />
General Works<br />
Ali, Atteqa, ‘Impassioned Voices: Art as Social Commentary in Pakistan‘, ArtAsiaPacific, no. 46, 2005.<br />
Art India, Volume ix, issue iv, quarter iv, 2004, special issue on ‗art in Pakistan‘.<br />
Carroll, Alison, ‗Postcard from Pakistan‘, Art AsiaPacific, no.21, 1999.<br />
Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998.<br />
Galligan, Gregory, ‗Painting Over the Lines: Contemporary art from Pakistan‘, <strong>ART</strong> AsiaPacific, Issue<br />
36 (2002)
250<br />
Hashmi, Salima, ‗Looking Back, Looking Forward: Pakistani Art in the 90‘s‘, Kuroda, Raiji, The First<br />
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Hashmi, Salima, ‗Women artists in the Muslim World: a fresh perspective from Pakistan‘, in Fukuoka<br />
Art Museum, 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum,<br />
1994<br />
Hashmi, Salima, ‗Radicalising tradition: painting in Pakistan‘, Artlink, Vol. 20, No. 2, July 2000<br />
Hashmi, Salima, essays in Dalmia, Yashodhara & Hashmi, Salima , Memory, Metaphor, Mutations:<br />
Contemporary Art <strong>of</strong> India and Pakistan, New Delhi, Oxford <strong>University</strong> Press, 2007<br />
MacKenzie, John M., Orientalism: History, Theory and the Arts, Manchester, New York: Manchester<br />
<strong>University</strong> Press, 1995.<br />
Mirza, Quddus, ‗A particular language‘, Art AsiaPacific, 24, 1999<br />
Mirza, Quddus, ‗Cross-Connecting Identities‘, Art India, volume X, issue I, quarter I, 2005 (special issue<br />
on video art).<br />
Mirza, Quddus, ‗Letter from Pakistan: Broadcast News‘, Art India, Volume X, Issue IV, Quarter IV,<br />
2005.<br />
Mirza, Quddus, ‗Letter from Pakistan: De-Fused Identities‘, Art India, vol 9, issue i, quarter i, 2004.<br />
Mirza, Quddus, ‗Letter from Pakistan: Using Popular Imagery‘, Art India, vol ix, issue ii, quarter ii, 2004.<br />
Mirza, Quddus ‗Show me the Money (a moral position vis-a vis the art market), in Art India, Vol XIII,<br />
Iss. I, (2008), p. 57-59<br />
Pettifor, Steven, ‗Contemporary Art from Pakistan: Asia House‘ (review), Asian Art News, vol. 16, no. 6,<br />
Nov-Dec 2006.<br />
Sambrani, Chaitanya, ‗Printing across borders: the Aar-Paar Project‘, in Art Monthly Australia, No. 171<br />
(July, 2004), pp. 12-15<br />
Sharma, Prageeta, ‗Playing with a Loaded Gun: Contemporary Art in Pakistan at Apex Art‘ (Review) in<br />
Art Asia Pacific, No. 39 (Winter 2004), p. 83<br />
Vali, Murtaza, ‗Pakistan goes global!‘ , in ArtAsiaPacific, No. 56, Nov/Dec, 2007, p. 76 - 77.<br />
Vali, Murtaza, ‗Paradise Found & Lost‘, in ArtAsiaPacific, No. 57, Mar/Apr, 2008, pp. 88 - 89.<br />
Whiles, Virginia, ‗In and Out <strong>of</strong> Pakistan‘, Third Text, n52 Autumn 2000, 103-111<br />
Wright, Stephen, ‗Beyond Borders: Art <strong>of</strong> Pakistan‘ (review), Parachute,100, 2005.<br />
Individual Artists<br />
Araeen, Rasheed: Jamal, Osman, ‘The Soul Of A Minimalist‘, in World Sculpture News, v. 14(2), Spring,<br />
2008, pp. 45 – 49.<br />
Chugtai, Abdul Rahman : ‗Chugtai, Abdul Rahman‘, Orientations, June 1973<br />
Dadi, Iftikhar: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Kazi, Durriya: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999; Durriya Kazi and David Alesworth, Report at The First Fukuoka Asian Art Trienale<br />
[The 5 th Asian Art Show], Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999<br />
[The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Khan, Naiza: Hashmi, Salima, ‗Bodying Forth‘, Art India, vol IX, issue iii, quarter iii 2004.<br />
Qureshi, Imran: Whiles, Virginia, ‗Imran Qureshi‘, Art AsiaPacific, no.33, 2002.<br />
Raja, Sabeen: review, Flash Art, vol. XXXVIII, no. 242, May-Jun, 2005.<br />
Shahzia Sikander: Desai, Vishakha N., ‗Shahzia Sikander‘ in Art Asia Pacific, Issue 37 (2003), p. 36<br />
Shakar, Ali: ‗Shakar Ali‘, Orientations, April 1973.<br />
Sikander, Shahzia: Jaana, Reena, ‗Cultural Weaving‘, Asian Art News, vol. 7, no. 2, March/April 1997;<br />
Goodman, Joanna, ‗Small Pleasures‘, World Art, #15, December 1997; Schwabsky, Barry, ‗Shazia<br />
Sikander/‖Out <strong>of</strong> India‖‘, Artforum International, Vol.36, Issue 8, April 1998. ; Goodbody, Bridget
251<br />
L., ‗From Lover to Foe and back Again‘, ArtAsiaPacific, no. 43, 2005; review, Artforum, vol 46, iss.<br />
5, Jan 2005; review, Art in America, vol. 94, iss. 1, Jan 2006.<br />
BANGLADESH<br />
General Works<br />
‗Supplement on Rickshaw Painting‘ to Fukuoka Art Museum ed., 4th Asian Art Show Fukuoka: Realism as<br />
an Attitude, Fukuoka, Fukuoka Art Museum, 1994.<br />
Anuar, Zanita, ‗Impressions <strong>of</strong> the 8 th Asian Art Biennale in Bangladesh‘, Artlink, Vol. 20, No. 2, July<br />
2000<br />
Choudhury, Subir, ‗Art <strong>of</strong> Bangladesh: Contemporary trends among the artists <strong>of</strong> the 90‘s‘, Kuroda,<br />
Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Jamal, Osman ‗To bear witness[four women artists], Asian Art News, vol.10, no.5, 2000<br />
Zhang Wubin, ‗Voices <strong>of</strong> Resistance‘, Asian Art News, vol. 15, no. 1, 2005.<br />
Individual Artists<br />
Ahmed, Kamal: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Amin, Rashid: review, Asian Art News, vol.12, no.2, 2002<br />
Chowdhury, Swapan: Jamal, Osman, ‘A Man <strong>of</strong> His Time‘, Asian Art News, vol. 16, no. 3, 2006.<br />
Ilsma, Aminul: Jamal, Osman, ‗The making <strong>of</strong> a Bangladeshi artist‘, Asian Art News, vol.9, no.6, 1999<br />
Karmaker, Ashoke: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The<br />
5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,<br />
1999<br />
Shahabuddin: Jamal, Osman, ‗The spirit <strong>of</strong> violence‘, Asian Art News, vol.11, no.3, 2001<br />
SRI LANKA/CEYLON<br />
General Works<br />
Bandaranaike, S., ‗The Kataluva Murals‘, Orientations, vol.13, no.1, January, 1982.<br />
Gunaratna, D.M., ‗A Living Legacy: The Contemporary Art Scene <strong>of</strong> Sri Lanka‘, Kuroda, Raiji, The First<br />
Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Perera, Anoli, ‗ A new order‘ Art AsiaPacific, 26, 2000<br />
Preece, Robert, ‗In time <strong>of</strong> War‘, Asian Art News, vol.7, no.3, May/June 1997<br />
Individual Artists<br />
Bari Kumar: Jana, Reena. ‗Other Ways <strong>of</strong> Seeing.‘ Asian Art News 8:6 November/December 1998<br />
Coomaraswamy, Ananda: Bandaranaike, S., ‗Ananda Coomaraswamy and approaches to the study <strong>of</strong><br />
traditional Sri Lankan art and Society‘, in P.E.P. Deraniyagala Commemoration Volume, Columbo, Sri<br />
Lanka, 1980.<br />
Daraniyagala, Justin: Justin Daraniyagala, Catalogue with essay by Ellen Dissanayake, Colombo, Deutsche<br />
Bank, 1992.<br />
de Alwis, Tissa: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
Keyt, George: see India<br />
Muhammaed Cader, Anoli Peera, Rahju, Senaka Senanayake, Jagath weerasinghe, Laki Senanayake: Preece,<br />
Robert, & Giddens, Sarah, ‗Artist‘s Voices‘, Asian Art News, vol.7, no.3, May/June 1997
252<br />
Peries, Ivan: Bandaranayake, Senake, ‗Ivan Peries: (Paintings 1939-1969) - The predicament <strong>of</strong> the<br />
bourgeois artist in the societies <strong>of</strong> the Third World‘, Third Text n2, Winter 187/88, 76-92<br />
Senanayake, Senaka: Sardesi, Abhay, ‘Interview‘, Art India, vol 9, issue 1, quarter 1, 2004.<br />
Thenuwara, Chandraguptha: Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999<br />
[The 5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999<br />
MONGOLIA<br />
General Works<br />
See entries in 1994 Fukuoka Asian Triennale Catalogue<br />
Sosor, Ochir, ‗Fine Art in Mongolia Today‘, Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale,<br />
Fukuoka: Fukuoka Asian Art Museum, 1999<br />
Uranchimeg, Tsultem, ‗Art <strong>of</strong> Mogolian Nomads‘, Ushiroshoji, Masahiro, et.al., Modern Paintings <strong>of</strong><br />
Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002<br />
Ushiroshoji, Masahiro, et.al., Modern Paintings <strong>of</strong> Mongolia: Its Origin up to Today, Japan: Sankei Shimbun,<br />
2002<br />
Yamaki, Yuko, ‗The Development <strong>of</strong> Modern Mongolian Art‘, Ushiroshoji, Masahiro, et.al., Modern<br />
Paintings <strong>of</strong> Mongolia: Its Origin up to Today, Japan: Sankei Shimbun, 2002<br />
Individual Artists<br />
Munkhtsetseg Jalkhaajav: Findlay, Ian, ‗From the heart <strong>of</strong> Mongolia‘, in AsianArtNews, Vol. 19 No. 3<br />
May/June 2009, pp. 73-77.<br />
Sarantsatsralt, Ser-Od: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian<br />
Art Museum, 1999<br />
Su Xingping: Zhang Zhaohui, ‗A Human Narrative‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006.<br />
Usehbayar, Zagdin: Kuroda, Raiji, ed., The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art<br />
Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The<br />
5 th Asian Art Show]: Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum,<br />
1999<br />
CIS <strong>AND</strong> OTHER<br />
Asia Yesterday - Today - Tomorrow. The World <strong>of</strong> Polar Forces March 20 - 25 1998 [Kazakstan - Erbosyn<br />
Meldibekov, Zhazira Dzhanabaeva, Kanat Ibragimov/ Indonesia - Aramaiani, Semsar Siahaan,<br />
Hanura Hosea]<br />
Catching, Rebecca, ‗Lida Abdul. Landscapes <strong>of</strong> Rememberance‘, in ArtAsiaPacific, No. 57, Mar/Apr,<br />
2008, pp. 110 - 115.<br />
Ibraeva, Valeria., ‗Kazakhstan Contemporary Art Moves Ahead‘, in Asian Art News, Vol. 13, No. 4,<br />
July/August 2003, p.46-53.<br />
Merewether, C., Kurdistan: In the Shadow <strong>of</strong> History.,Co-Curator with Susan Meiselas, Bellevue Art<br />
Museum, Seattle; Festival Internacional de Fotografia, Ayuntamiento de Madrid; Nederlands<br />
Foto Institutut, Rotterdam, 1999-2000.<br />
<strong>ASIAN</strong> <strong>ART</strong>IST TRANSNATIONAL ACTIVITY<br />
‗Transnational activity‘ includes artists <strong>of</strong> Asian ancestry working in the given zones and also artists<br />
who have moved from an Asian country <strong>of</strong> birth.<br />
Asian Artist Transnational Activity: Australia<br />
(There is a flourishing art press in Australia which is too large to fully index here)
253<br />
Barnes, Carolyn; Wright, William; John Young, Fisherman‘s Bend, Craftsman House, 2005.<br />
Barnes, Carolyn, ‗Integral Histories: John Young‘s ‗Double Ground‘ Paintings‘, Art and Australia, vol.<br />
43, no. 3, 2006.<br />
Bolton, Ken, ‗Guan Wei: Unfamiliar land‘ (review), Eyeline, no. 62, Summer 2006-7.<br />
Chiu, Melissa, ‗Rough Trade: Curating Cultural Exchange in Australia‘, in Ang et al eds. Alter/Asians:<br />
Asian-Australian identities in art, media and popular culture, Pluto Press, <strong>Sydney</strong>, 2000.<br />
Clark, John, ‗An Australian Creative Space: where is Australian-Asian art now?‘, in Waite Dianne, ed.,<br />
Green, Charles & Stubbs, Mike, curators, 2006/ Contemporary Commonwealth/ , Melbourne,<br />
Australian Centre for the Moving Image & National Gallery <strong>of</strong> Victoria, 2006, 26-33.<br />
Clark, John, ‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, in Dever, Maryanne, ed.,<br />
Australia and Asia: cultural transactions, Surrey, Curzon Press, 1997.<br />
Clark, John, Australian Art and Asia -Then and Now‘, Occasional Paper No.19, Research Institute for Asia<br />
and the Pacific, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1992<br />
Crosby, Alexandra, ‗Djuwadi: Folding the Relational into Art‘ in TAASA Review. The Journal <strong>of</strong> the Asian<br />
Art Society <strong>of</strong> Australia, v.17, No. 2, June 2008, p. 18-20.<br />
Cvorco, Uros, ‗What will the Neighbours Think?‘, Broadsheet, vol. 35, no. 2, 2006.<br />
Devenport, Rhana, ‗Beauty, Shadow-Play and Silhouettes‘, Art and Australia, vol. 44, no. 3, 2006<br />
[Sangeeta Sandrasegar, Guan Wei, Nusra Latif Qureshi, Emil Goh, Renee So, Ah Xian, Liza<br />
Lim].<br />
Dirgantoro, Wulan, ‗Permission to Fire‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 3,<br />
September, 2007, pp. 190 – 191.<br />
Dysart, Dinah; King Natalie; Hou Hanru; Guan Wei, <strong>Sydney</strong>, Craftsman House, 2006.<br />
Koop, Stuart, ‗Asia Exchange: Rapt! Satellite‘, Art and Australia, vol. 44, no. 3, 2006.<br />
Pennings, Mark and Danni Zuvela, ‗Korea/Australia‘ (review <strong>of</strong> exhibition at Insititute <strong>of</strong> Modern Art,<br />
Brisbane), Art and Australia, vol. 42, no. 3, 2005.<br />
Roberts, Claire, ‗The Slow Art <strong>of</strong> Ah Xian‘, Art and Australia, vol. 43, no. 3, 2006.<br />
Australia and Asia [selected]<br />
ARX [Artists‘ Regional Exchange, website list supplied by Pam Zeplin]<br />
Australian Academy <strong>of</strong> the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21 st<br />
century, 3 volumes, Canberra, Australian Government Publishing Service, 1998.<br />
Birrell, Bob, Rapson, Virginia, ‗Two Australias: Migrant settlement at the end <strong>of</strong> the 21 st century‘, People<br />
and Place, vol.10, no.1, 2002.<br />
Broinowski, Alison , The Yellow lady: Austraian Impressions <strong>of</strong> Asia, Melbourne, Oxrford Unviersity Press,<br />
1992.<br />
Broinowski, Alison ,. ‗Asianization and its Discontents‘, Meanjin, vol. 57, no.3, 1998.<br />
Butler, Roger, ed., The Europeans: Emigré artists in Australia, 1930-1960, Canberra, National Gallery <strong>of</strong><br />
Australia, 1997.<br />
Chinese Heritage <strong>of</strong> Australian Federation Project: http://www.chaf.lib.latrobe.edu.au/kwong_sue_duk.htm<br />
Curnow, Wynstan , Imants Tillers and the ‗Book <strong>of</strong> Power‘, <strong>Sydney</strong>, Craftsman House, 1998.<br />
Dixson, Miriam ,The Imaginary Australian: Anglo-Celts and Identity -1788 to the present, <strong>Sydney</strong>, UNSW<br />
Press, 1999.<br />
Facey, A. B., A Fortunate Life, Ringwood, Viking, 1985.<br />
Foss, Paul, ed., Island in the Stream: Myths <strong>of</strong> Place in Australian Culture, <strong>Sydney</strong>, Pluto Press, 1988.<br />
Gibson, Ross, South <strong>of</strong> the West: Postcolonialism and the Narrative construction <strong>of</strong> Australia, Indiana <strong>University</strong><br />
Press, Bloomington and Indianapolis, 1992.<br />
Grenville, Kate, The Secret River, Melbourne, Text Publishing, 2005.<br />
Hage, Ghassan & Couch, Rowena, eds., The Future <strong>of</strong> Australian Multiculturalism , <strong>Sydney</strong>, The <strong>University</strong><br />
<strong>of</strong> <strong>Sydney</strong>, 1999.<br />
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, <strong>Sydney</strong>, Pluto Press,<br />
2003.
254<br />
Hage, Ghassan, White Nation: Fantasies <strong>of</strong> White supremacy in a multi-cultural society, <strong>Sydney</strong>, Pluto Press,<br />
1998.<br />
Keating, Paul , Engagement: Australia faces the Asia-Pacific‘, <strong>Sydney</strong>, Pan Macmillan 2000.<br />
Khoo, Siew-Ean, ‗Inter-marriage in Australia: patterns by ancestry, gender, and generation‘, People and<br />
Place, vol.12, no.2, 2004, 35-44.<br />
May, Harvey, Australian Multicultural Policy and Television Drama in Comparative Contexts PhD thesis at<br />
http://adt.library.qut.edu.au/adt-qut/public/adt-QUT20040715.130731/.<br />
Manne, Robert, The Barren Years: John Howard and Australian Political Culture, Melbourne, Text Publishing,<br />
2001.<br />
Manne, Robert, The Way we Live Now: the controversies <strong>of</strong> the nineties, Melbourne, Text Publishing, 1998.<br />
Manton, Neil, Cultural Relations: the other side <strong>of</strong> the diplomatic coin, ACT, Homosapien Books, 2003.<br />
McCullough, Allan & Susan, Encyclopedia <strong>of</strong> Australian Art, St. Leonards, Allen & Unwin, 1994.<br />
Reynolds, Henry, Frontier: reports from the edge <strong>of</strong> White settlement, <strong>Sydney</strong> Allen & Unwin, 1987.<br />
Reynolds, Henry, The Other Side <strong>of</strong> the Frontier; Aboriginal resistance to the European Invasion <strong>of</strong> Australia,<br />
Ringwood, Penguin Books, 1981.<br />
Rolls, Eric , Sojourners: The epic story <strong>of</strong> China‘s centuries-old relationship with Australia, St. Lucia, <strong>University</strong> <strong>of</strong><br />
Queensland Press, 1992.<br />
Special Issue: ‗Australian Perceptions <strong>of</strong> Asia‘, Australian Cultural History, no.9, 1990.<br />
Stuart, Francis, ‗Nineteen Forty-One: Reminiscences <strong>of</strong> a Britsh/Australian Diplomat in Bangkok and<br />
Canberra in the Prelude to War‘, Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia, vol.31, Supplment, 1999.<br />
Stuart, Francis, Towards Coming-<strong>of</strong>-Age: a Foreign Service Odyssey, Nathan, Griffith <strong>University</strong>, Centre for<br />
the Study <strong>of</strong> Australian-Asian Relations, 1989.<br />
Walker, David, Anxious Nation: Australia and the Rise <strong>of</strong> Asia, 1850-1939¸ St. Lucia, <strong>University</strong> <strong>of</strong><br />
Queensland Press, 1999.<br />
Individual Artists<br />
Ah Xian: Ah Xian, ‗Self-exile <strong>of</strong> the soul‘, TAASA Review, vol.8, no.1, March 1999;Roberts, Claire,<br />
‗Fishes and dragons‘, Art AsiaPacific, 26, 2000; Feinstein, Roni, ‗A journey to China‘, Art in<br />
America, February 2002; Jaivin, Linda, ‗Ah Xian, recent works in porcelain‘, Art AsiaPacific, no.33,<br />
2002; Chiu, Melissa, ‗Ah Xian‘ in Art Asia Pacific, Issue 37 (2003), p. 31<br />
Ahn Pil Yun: Cho Lisa Mira, ‗The Swallowed Moon‘, Art Monthly Australia , no.96, December 1996.<br />
Benyon, Kate: Koop, Stuart, ‗Warrior Girl‘, Art AsiaPacific 29, 2001; Helen McDonald, ‗Global City<br />
Dreaming‘ in Art Asia Pacific, No. 39 (Winter 2004), pp.57-64<br />
Boag, Yvonne: Kidd, Courtney, ‗Yvonne Boag in South Korea‘, Art Monthly Australia, no.88, April 1996<br />
Cai Guoqiang: Franch, Blair, ‗Outside the Real‘, Gallery 4A, <strong>Sydney</strong> [Huang Du, Zhang Peili, Cai<br />
Guoqiang], Art & Text 64, Feb.-Apr. 1999;<br />
Camel Byrne: Bravaic, Milica., ‗Signal from ―There‖: Solo Exhibition by Carmel Byrne‘ (Plastique Kinetic<br />
Worms, Singapore), in Vehicle: Contemporary Visual Arts, No.2, 2001, p.11.99<br />
Chou, Irene (Zhou Luyun): Binks, Hilary. ‗The Universe Within.‘ Asian Art News 8:6,1998<br />
Cruz, Maria: Sullivan, Eve, ‗Maria Cruz, Songlines‘, Art Asia Pacific, no.34, 2002.<br />
Dadang Christanto: review, Art AsiaPacific, 30, 2001; Eastburn, Melanie ‗ In the Public Domain. Dadang<br />
Christanto, Washing the Wound‘ in TAASA Review. The Journal <strong>of</strong> the Asian Art Society <strong>of</strong> Australia,<br />
v.17, No. 4, December 2008, p. 25<br />
Dang, Dacchi: review, Art AsiaPacific, 35, 2002.<br />
Fairweather, Ian: Abbott-Smith, N., Ian Fairweather: Pr<strong>of</strong>ile <strong>of</strong> a painter, Brisbane, <strong>University</strong> <strong>of</strong> Queensland<br />
Press, 1978; Bail, M., Ian Fairweather, <strong>Sydney</strong>, Bay Books, 1981; Bail, Murray et al, Fairweather,<br />
<strong>Sydney</strong>, Craftsman House, 1994.<br />
Friend, D.: Friend, D., Donald Friend in Bali, <strong>Sydney</strong>, Collins, 1972. Donald Friend‘s Bali, Exhibition<br />
catalogue. 9 Feb. – 25 March 1990, Art Gallery <strong>of</strong> NSW., Donald Friend, ‗The Cosmic Turtle‘<br />
Bali 1976<br />
Gill, Simryn: Lee Weng Choy, ‗Simryn Gill‘ in Art Asia Pacific, Issue 37 (2003), p. 65
255<br />
Goh Emil: Sullivan, Eve, ‗Parallel Visions: Emil Goh‘ in Art & Australia, Vol. 41, No. 3 (Autumn 2004),<br />
pp. 426-432; Dyson, Francis, ‗Interlace‘ (Review) in Broadsheet, Vol. 33, No. 3 (September-<br />
November 2004), pp. 22-23<br />
Gu Wenda: Eastburn, Melanie, ‗Wenda Gu, 2 Exhibitions in Australia‘, Art Asia Pacific, No.34, 2002;<br />
Easturn, Melanie, ‗A Drama Of Nations‘, On Gu Wenda, Asian Art News, vol. 12, no. 5,<br />
September/October, 2002; ‗Interview with Wenda Gu‘ in Contemporary Visual Art + Culture<br />
Broadsheet, Vol 37, no. 4, p. 259<br />
Guan Wei: Green, Charles, ‗Guan Wei‘ Review, Art & Text 67, Nov. 1999-Jan. 2000; Pai, Maggie,<br />
‗Complex Cycles‘ Asian Art News, vol. 8, no.2, March/April 1998; review, Asian Art News,<br />
vol.11, no.1, 2001; Roberts, Claire, ‗What goes around comes around: The Art <strong>of</strong> Guan Wei.‘ Art<br />
AsiaPacific no. 21, 1999; Annear, Judy, ‗Juggler <strong>of</strong> Systems‘Asian Art News, vol.5, no.5, 1995.<br />
review, Art AsiaPacific 28, 2001.; Eastburn, Melanie, ‗Guan Wei‘s Perilous Journeys‘,<br />
ArtAsiaPacific, no. 50, 2006.<br />
Guo Jian: review, Art AsiaPacific, 31, 2001; review, Asian Art News, vol.11, no.3, 2001<br />
Hanh Ngo: Cree, Laura Murray, ‗Cross-cultural translations‘, Art AsiaPacific, 32, 2001<br />
Howard, Ian: Forsyth, Graham, ‗Hide and Seek‘, Asian Art News, vol. 15, no. 2, 2005.<br />
Hu Ming: The Oil Painting <strong>of</strong> Hu Ming (Catalogue), <strong>Sydney</strong>: Peony Press, 2004<br />
Lee Hyun Mi: O‘Toole, Phil. ‗Paper Tigers: The Artwork <strong>of</strong> Hyun Mi Lee.‘ TAASA Review, 7:3 1998.<br />
Lee, Lindy; Johnson, Tim; Tyndall, Peter: review, Art AsiaPacific, 34, 2002<br />
Leong, Greg Kwok-keung: review, Art AsiaPacific, 27, 2000<br />
Lindy Lee: Hutchings, Peter, ‗Once More With Feeling: Art and Disappearance‘, On Lindy Lee, Art &<br />
Text 36, May 1990; Baume, Nicholas, ‗Pr<strong>of</strong>ile, Lindy Lee: Black is not as black as all that‘, Art &<br />
Text 47, January 1994; Elias, A. ‗Through a glass darkly‘, Art & Asia Pacific, vol.1, no.2, 1994;<br />
Michael, Linda, ‗A Relationship <strong>of</strong> Moments‘, Asian Art News, Vol. 13, Number 2, March/April<br />
2003; Ceczy, Adam, ‗The Installations <strong>of</strong> Lindy Lee‘, <strong>ART</strong> AsiaPacific, Issue 36 (2002)<br />
Lo, Andrew: review, Art AsiaPacific, 34, 2002<br />
Makigawa Akio: Hynes, Victoria. ‗Matter and Spirit: Akio Makigawa and Toshiaki Izumi.‘ World Sculpture<br />
News 5:2 Spring 1999; Bromfield, David, ‗Point <strong>of</strong> Heaven‘ Asia-Pacific Sculpture News, vol.1, no.2,<br />
Spring 1995.<br />
Morrison, Hedda: Ennis, H., ‗Hedda Morrison‘, Art Monthly Australia, 50, June 1992; Morrison, H., A<br />
Photographer in Old Peking, Singapore, Oxford <strong>University</strong> Press 1985; Morrison, H., Travels <strong>of</strong> a<br />
Photographer in China, 1987.<br />
Parr, Mike: Juers, Evelyn, ‗Mike Parr‘ at Roselyn Oxley9 Gallery, Art & Text 41, January 1992; Parr,<br />
Mike, ‗Daybreak, Manila Performance‘, Art Monthly Australia, no.81 July, 1995; Geczy, Adam,<br />
‗Focusing the mind through the body: an interview with Mike Parr‘, Artlink, Vol. 23, No.1;<br />
Scheer, Edward A., ‗The Veil <strong>of</strong> the Liminal. Mike Parr‘s Brides‘, Parkett, no.62, 2001<br />
Phaptawan Suwannakudt: Pettifor, Steven, ‗Between Tradition and Modernity‘ in Asian Art News, Vol. 14,<br />
Number 5 (September/October 2004), pp. 81-83<br />
Pike, Jimmy & Zhou Xiaoping: Kapetopoulos, Fotis, ‗New Lines <strong>of</strong> Communication‘, On Zhou Xiaoping<br />
and Jimmy Pike, Artlink, Vol. 16, No. 4 Summer 1996; Lowe, Pat, ‗Jimmy Pike in China‘ Art<br />
Monthly Australia, no.100, June 1997; McCullough, Susan ‗Parallel Perspectives‘, Asian Art News,<br />
vol.7, no.4, July/August 1997.<br />
Preston, Margaret: North, I., ed., The Art <strong>of</strong> Margaret Preston, Adelaide, The Art Gallery Board <strong>of</strong> South<br />
Australia, 1980.<br />
Sandrasegar, Sangeeta: Carsley, Gary, ‗Karma Chameleons‘, Art India, vol ix, issue ii, quarter ii, 2004.<br />
Sansom, Gareth: Gareth Sansom, [catalogue for 7th Indian Triennale], Melbourne, Australian Exhibitions<br />
Touring Agency, 1991; Sansom, G. [interview] ‗Responding to India‘, Art Monthly Australia,<br />
no.41, June, 1991.<br />
Savandhary Vongpoothorn: Fink, Hannah, ‗Rythmic Air‘, Art AsiaPacific, 24, 1999<br />
Shen Jiawei: Zai Jian Revolution, Catalogue, 4A Gallery, 2002; Eastburn, Melanie, ‗Shen Jiawei at Gallery<br />
4A‘, Asian Art News, vol. 12, no. 6, November/December, 2002; Hill, Peter, ‗Red Eye‘, <strong>Sydney</strong>
256<br />
Morning Herald, 11 October 2002; James, Bruce, ‗Artist with awesome promise must escape the<br />
mosh pit‘, <strong>Sydney</strong> Morning Herald, 2 October 2002; McDonald, John, ‗The Third World by Shen<br />
Jiawei‘ in East West Arts, Number 1 (September-November 2004), p. 6<br />
Shen Shaomin: McDonald, John, ‗Shen Shaomin: Bones <strong>of</strong> Contention‘ in East West Arts, Number 1<br />
(September-November 2004), pp. 68-75; Van Proyen, M., ‗Shen Shaomin: Experimental Studio‘,<br />
in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol. 7 No. 6, November 2008, pp. 97-103.<br />
Song Ling: ‗Song ling in Conversation with Paul Gladston‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />
Vol.7, No.6, November 2008, p.50-60.<br />
Tan Laurens: Genocchio, Benjamin, ‗Glocalism‘, Art AsiaPacific, 22, 1999<br />
Thomas, Rover: White, Sheona, ‗Roads Cross, Rover Thomas‘, Art & Asia Pacific, vol.1, no.4, 1994.<br />
To, Hiram: McAlera, D., ‗Hiram To: Performing Attitudes‘, World Art, 1, 1995.<br />
Wang Zhiyuan: Roberts, Claire, ‗The Art <strong>of</strong> Wang Zhiyuan: A state <strong>of</strong> flux‘, Art AsiaPacific, no.33, 2002.<br />
Yang, William: Yang, W., ‗I ask myself, am I Chinese?‘, Art & Asia Pacific, vol.1, no.2, 1994.<br />
Young, John: Jackson, Mark, ‗John Young‘ Review, Art & Text 41, January 1992; Chiu, Melissa; Clark,<br />
John; Hutchings, Peter; Lindsay, Frances, john young; the double ground paintings, <strong>Sydney</strong>, Australian<br />
Art Promotions, 1995; Coulter-Smith, Graham; Davidson, Christina; Forsyth, Graham, John<br />
Young: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz City, 1993; review, Art<br />
AsiaPacific, 22, 1999; Young, John: Silhouettes and Polychromes, 1979-1992, Melbourne, Schwartz<br />
City, 1993<br />
Zhang Peili: Franch, Blair, ‚‘―Outside the Real―‘, Gallery 4A, <strong>Sydney</strong> [Huang Du, Zhang Peili, Cai<br />
Guoqiang], Art & Text 64, Feb.-Apr. 1999;<br />
Critical and Historical Studies<br />
‗Travellers, Journeys, Tourists‘, issue <strong>of</strong> Australian Cultural History, no.10, 1991, edited by Horne, J. &<br />
Walker, D.<br />
Ang, Ien; Stratton, John, ‗The Asian Turn‘, Art & Text, no.50, January, 1995.<br />
Australian Perceptions <strong>of</strong> Asia, issue <strong>of</strong> Australian Cultural History, no.9, 1990, edited by Walker, D.<br />
Baume, Nicholas, ‗Guest in Venice: Australia‘s Biennale Pavilion‘, Art & Text 31, Dec.-Feb. 1989<br />
Broinowski, Alison, The Yellow Lady; Australian impressions <strong>of</strong> Asia, Melbourne, Oxford <strong>University</strong> Press,<br />
1992.<br />
Carroll, A, ‗Parallels: Nationalism in Filipino, Indonesian, and Australian Art‘, Art & AsiaPacific, no.1,<br />
supplement to Art & Australia, March 1993.<br />
Carroll, A, ‗To a friendly nation, far away‘, Art Monthly Australia, no.88, April 1996.<br />
Chang, Virginia Yen-ju. Impressions <strong>of</strong> Asian Art in Australians‘ Eyes: The Development <strong>of</strong> Asian Art<br />
Exhibitions in Art Gallery <strong>of</strong> New South Wales. Research paper, Master <strong>of</strong> Arts, Museum Studies,<br />
<strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1999.<br />
Chiu, Melissa, ‗The blank in the page‘, Eyeline, no.31, Spring 1996.<br />
Clark, J., ‗Fragments <strong>of</strong> origin; Asian women artists‘ group at the Blaxland Gallery‘, Asian Art News,<br />
July/August 1994.<br />
Clark, J., Australian Art and Asia -Then and Now‘ Occasional Paper No.19, Research Institute for Asia<br />
and the Pacific, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, July 1992.<br />
Clark, John, ‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, Dever, Maryanne, ed.,<br />
Australia and Asia: cultural transactions, Surrey, Curzon Press, 1996<br />
Collins, D, ‗Asian Art in Australia‘, Art & Australia, vol.30, no.3, Autumn 1993.<br />
Collins, D., Asian Art and Australia: 1830s-1930s, M.A. Thesis, Canberra, Australian National <strong>University</strong>,<br />
1992.<br />
Eagle, M., ‗The Mikado Syndrome: was there an Orient in Asia for the Australian "Impressionist"<br />
Painters?‘, Australian Journal <strong>of</strong> Art, Vol.VI, 1987.<br />
Galbally, A., ‗Australian Artists Abroad: 1880-1914‘, in Galbally & Plant, 1978, above.<br />
Gallbally, A. & Plant, M., co-editors, Studies in Australian Art, Melbourne, Department <strong>of</strong> Fine Arts,<br />
<strong>University</strong> <strong>of</strong> Melbourne, 1978.
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Gallbally, A., ‗Aestheticism in Australia‘, in Bradley, A. and Smith, T., eds., Australian Art and<br />
Architecture: Essays presented to Bernard Smith, Melbourne, Oxford <strong>University</strong> Press, 1980.<br />
Geczy, Adam, ‗Buddha: Radiant Awakening‘, Art AsiaPacific, no.35, 2002.<br />
Genocchio, Benjamin, ‗Between Mirrors: an interview with Lindy Lee‘, Eyeline, 31, Spring 1996.<br />
Gerstle, D., Milner, A., eds. Europe and the Orient, Canberra, The Humanities Research Centre <strong>of</strong><br />
Australian National <strong>University</strong>, 1994.<br />
Gerstle, D., Milner, A., Recovering the Orient: Artists Scholars, Appropriations, Chur, Harwood Academic<br />
Publishers, 1994.<br />
Green, Charles, ‗Un<strong>of</strong>ficial World: Postcolonial and the Metropolis‘, On the Position <strong>of</strong> Australian Art,<br />
Art & Text 43, September 1992<br />
Hage,Ghassan, White Nation: Fantasies <strong>of</strong> White supremacy in a multi-cultural society, <strong>Sydney</strong>, Pluto Press,<br />
1998.<br />
Hage, Ghassan, Against Paranoid Nationalism: searching for hope in a shrinking society, <strong>Sydney</strong>, Pluto<br />
Press,2003.<br />
Hamilton, A, ‗Fear and Desire: Aborigines, Asians and the National Imaginary‘, in Australian Perceptions<br />
<strong>of</strong> Asia above.<br />
Hamilton, A, ‗Trading Image; Art at the ‗Asia‘ Junction‘, Art & Australia, vol.30, no.3, Autumn 1993.<br />
Hamilton, A., ‗Dreaming the Lotus: Aesthetic dialogue with ‗Asia‘?,in Caroll, 1990.<br />
Hjorth, Larissa, ‗Neo-Tokyo: Japanese Art Now‘, Art AsiaPacific, no.35, 2002.<br />
H<strong>of</strong>fie, P., ‗The reluctant tourist; a mythical narrative on nationalism‘, Art Monthly Australia, 59, May<br />
1993.<br />
Howard, I., ‗Dialogues <strong>of</strong> differences‘ [Australia/Vietnam], Asian Art News, vol.5, no.2, Mar/April<br />
1995.<br />
Lane, T., ‗A burlesque <strong>of</strong> a burlesque: Aestheticism and the aesthetic interior <strong>of</strong> Victoria‘, Historic<br />
Environment, vol.3, no.3, 1984.<br />
McClean, Ian, ‗White aborigines: colonial imperatives <strong>of</strong> Australian Colonialism‘, Third Text, no.22,<br />
Spring 1993.<br />
McQueen, H., The Black Swan <strong>of</strong> Trespass, <strong>Sydney</strong>, Alternative Publishing Cooperative Ltd., 1979.<br />
Ross, Helen, ‗Arx 4 Torque-the last session <strong>of</strong> the first day‘, Art Monthly Australia, no.79, May, 1995.<br />
Scarff, Julian, ‗Australian New Media artists in Beijing‘, Art AsiaPacific, 27, 2000<br />
Storer, Russel, ‗Artists-run Initiatives and Alternative Spaces in <strong>Sydney</strong> and Singapore‘ (Master <strong>of</strong> Arts<br />
Dissertation, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 2004)<br />
Walker, D., and Ingleson, J., ‗The Impact <strong>of</strong> Asia‘, in Meaney, N., ed., Under New Heavens: Cultural<br />
Transmission and the Making <strong>of</strong> Australia, Melbourne, Heinemann Educational Australia, 1989.<br />
Walker, D., Anxious Nation: Australia and the Rise <strong>of</strong> Asia, 1850-1939¸ St.Lucia,<strong>University</strong> <strong>of</strong> Queensland<br />
Press, 1999.<br />
White, R., ‗Sun, sand, and syphilis: Australian soldiers and the Orient, Egypt 1914‘, in Australian<br />
Perceptions <strong>of</strong> Asia, 1990.<br />
White, R., Inventing Australia: Images and Identity 1688-1980, <strong>Sydney</strong>, 1981.<br />
Exhibitions and Reviews [selected]<br />
Adelaide Biennial 1994, Broket, David, ‗East West Passage‘, [featuring works <strong>of</strong> North and South East<br />
Asian artists at the 1994 Adelaide Biennial <strong>of</strong> Australian Art], Art & Text 48, May 1994<br />
Argonauts <strong>of</strong> the Timor Sea (2004), Barlow, Geraldine, ‗Argonauts <strong>of</strong> the Timor Sea‘ (Review) in Broadsheet,<br />
Vol. 33, No. 3 (September- November 2004), pp. 54-57<br />
Art from Australia, curated Carroll, A, [catalogue <strong>of</strong> touring exhibition to Bangkok, Jakarta, Manila,<br />
Kuala Lumpur, Singapore], Melbourne, Australian Exhibitions Touring Agency, 1990 [artists<br />
exhibited: Micky Allan, John Davis, Richard Dunn, Anne Ferran, Fiona Hall, Imants Tillers,<br />
Caroline Williams, John Young].<br />
Asia Pacific Artists Initiative: Kin, Natalie, ‗USEby‘, ArtAsiaPacific, 30, 2001<br />
Asia Traffic 2004, Sambrani, Chaitanya, ‗Home and Away: Higways and Bylanes in Asian Art‘ in<br />
Broadsheet, Vol. 33, No. 3 (September- November 2004), pp.24-31
258<br />
AWAS!: review, Art AsiaPacific 29, 2001<br />
Corsini, Marco., ‗Memory and Subjectivity, Small World: Group Exhibition by Shaun Wilson and<br />
Adam Cuthbert‘ (CAST- Contemporary Artist Service Tasmania, Hobart), in Vehicle: Contemporary<br />
Visual Arts, No.9, 2003, p.26-29.<br />
Dysart, Dinah and Michael, ‗Asian Galleries – Art Gallery <strong>of</strong> New South Wales‘ in Art & Australia, Vol.<br />
41, No. 4 (Winter 2004), pp. 541-543<br />
East and West: The Meeting <strong>of</strong> Asian and European Art, curated Carroll, A, [Exhibition and catalogue],<br />
Adelaide, Art Gallery <strong>of</strong> South Australia, 1985.<br />
Edge to Edge: Australian Contemporary Art to Japan, Tokyo, Japanese Museums and the Australian<br />
Bicentennial Authority, 1998 [ artists exhibited: Julie Brown-Rrap, Richard Dunn, Bill Henson,<br />
Lindy Lee, John Nixon, Mike Parr, Jacky Redgate, Imants Tillers, Peter Tyndall, Ken Unsworth,<br />
Jenny Watson].<br />
Friis-Hansen, D., ‗Locating the Australian Imaginary‘ [Review <strong>of</strong> ‗Inner-Land‘ exhibition in Tokyo], Art<br />
& Asia Pacific, vol.1, no.3, 1994.<br />
Guess who‘s coming to dinner: review, Art AsiaPacific 28, 2001<br />
Heartney, Eleanor., ‗Parallel Lives: Montien Boonma at Asia Society and Chen Zhen at P.S.1‘, in Art<br />
AsiaPacific, Issue 38, Fall 2003, p.50-52.<br />
I Thought I Knew But I Was Wrong (Travelling Video Art Exhibition), Glass, Alexie and Tutton, Sarah, ‗I<br />
Thought I Knew But I Was Wrong‘ (Review) in Broadsheet, Vol. 33, No. 3 (September- November<br />
2004), pp.18-19; Palmer, Daniel, ‗Medium Without Memory: Australian Video Art‘ in Broadsheet,<br />
Vol. 33, No. 3 (September- November 2004), pp. 20-21<br />
Localities <strong>of</strong> Desire: Contemporary Art in an International World, curated by Ewington, Julie & Murphy,<br />
Bernice, <strong>Sydney</strong>, Museum <strong>of</strong> Contemporary Art, 1995.<br />
MAAP 2004, MAAP in Singapore 2004 –Gravity (Catalogue), Brisbane: MAAP, 2004; Machan, Kim,<br />
‗Gravity – Leap Into the Void‘ (Review) in Broadsheet, Vol. 33, No. 3 (September- November<br />
2004), pp. 14-16<br />
Nine Lives: Vietnam/Australia: Carruthers, Ashley, ‗In search <strong>of</strong> dissidence‘, Art AsiaPacific 28, 2001<br />
Out <strong>of</strong> Asia, curated Carroll, A., [Exhibition and Catalogue] Melbourne, Heide Gallery, 1990. [artists<br />
exhibited: Micky Allan, Tony Clark, Matthys Gerber, Pat H<strong>of</strong>fie, Tim Johnson, Ge<strong>of</strong>f Lowe,<br />
Fiona MacDonald, Susan Norrie, Robert Owen, Gareth Sansom]<br />
Parossien, Leon, ‗The Biennale <strong>of</strong> <strong>Sydney</strong> – A Partisan View<strong>of</strong> Three Decades‘ <strong>of</strong> Three Decades‘ in<br />
Art & Australia, Vol. 41, No. 1 (Autumn 2004), pp. 60-69<br />
Raffel, Suhanya., ‗―Two Sites, One Vision‖ in Queensland‘, in The Journal <strong>of</strong> the Asian Arts Society <strong>of</strong><br />
Australia, Vol. 13, No. 1, March 2004, p.22.<br />
Sager, Janine Fenton., ‗Connecting Audience with Art, Review <strong>of</strong> Australian Exhibition: ―Anita and<br />
Beyond‖‘ (Penrith Regional Gallery & The Lewers Bequest, Western <strong>Sydney</strong>), in Vehicle:<br />
Contemporary Visual Arts, No.9, 2003, p.30-35.<br />
Seeto, Aaron, ‗Flacit Momentums and Tactical Interventions‘ (On Asian-Australian Artists) in East West<br />
Arts, Number 1 (September-November 2004), pp.108-109<br />
Southern Skies: Chinese Artists in Australia,O‘Dea Madeline, ed., Beijing, Australian Embassy, 2008.<br />
Systems End: Contemporary Art in Australia, <strong>Sydney</strong>, Wright, Wiliam; Spark, Jo, eds. Sherman Galleries,<br />
1996 [to Osaka, Hakone, Seoul, Gaoxiong; reports: The Weekend Australian, 20-21 April, 1996;<br />
Shimizu Toshio, ‗Systems End‘, <strong>ART</strong> AsiaPacific, no.14, 1997.]<br />
Thai-Australian Cultural Space [Joan Grounds, Noelene Lucas, Montien Boonma, Vichoke Mukdamanee,<br />
Kamol Phaosavasdi], <strong>Sydney</strong>, Art Gallery New South Wales, 1994; Menzies, Jackie, ‗A Thai-<br />
Australian Art Exhibition‘, Artlink, Vol. 13, No.3&4, November-March 1993/94<br />
The Asian Interface, Australian Artists and the Far East, curated, Menzies, J., Exhibition and check-list,<br />
<strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1983.<br />
Tôkyô Connection, Australian Artists‘ Studio in Tôkyô, Melbourne, Australian Exhibitions Touring Agency,<br />
1990 [artists in residence in Tôkyô 1987-1990: Liz Coates, 1987; Diane Mantzaris, 1987; Noelene<br />
Lucas, 1987; Janet Laurence, 1988; Ge<strong>of</strong> Kleem, 1988; Mark Hindraker, 1988; Ge<strong>of</strong>frey Weary,
259<br />
1988; Jennifer McCamley, 1989; Clinton Gar<strong>of</strong>ano, 1989; Andrew Petrusevics, 1989; Paul<br />
Thirkell, 1989; Bette Mifsud, 1990].<br />
Transcultural Painting [Tony Clark, Lindy Lee, Linda Marrinon, John Young] Melbourne, Asialink 1994.<br />
[to Guangzhou, Hong Kong, Taiwan]; Wang, Chia Chi Jason, ‗A Veil in Between‘ [on<br />
Transcultural painting Exhibition in Taiwan], Art & Asia Pacific, vol.1, no.4, 1994<br />
Witnessing to Silence: Art and Human Rights, edited by Caroline Turner and Nancy Sever, Canberra, ANU<br />
Humanities Resewarch Centre, 2003<br />
Yin-Yang: China in Australia, Edwards, Zeny et al, <strong>Sydney</strong>, National Trust S.H.Ervin Gallery, 2008.<br />
Modernity in Asian Art, Australia, South Asia, Southeast Asia: Texts by John Clark<br />
General Works<br />
Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications, 2007.<br />
Modernities <strong>of</strong> Chinese Art, Singapore, Institute <strong>of</strong> Contemporary Art, 2007<br />
Modern Asian Art, <strong>Sydney</strong>, Fine Arts Press, <strong>Sydney</strong> & <strong>University</strong> <strong>of</strong> Hawai‘i Press, Honolulu, 1998<br />
Editor, Modernity in Asian Art, Wild Peony Press, <strong>Sydney</strong> [US‘ distribution <strong>University</strong> <strong>of</strong> Hawaii Press]<br />
1993, including paper ‗Open and Closed Discourses <strong>of</strong> Modernity in Asian Art‘1992<br />
‗Kindai Ajia no bijutsu gensetsu ni okeru ―taka‖ ‘ (tr. Morino Yutaka, Fujiwara Sadao) in Shimamoto<br />
Kan, Kasuya Makoto, hen, Bijutsushi to Tasha, Kyôto, Kôyô Shuppan, 2000; English original to be<br />
published as ‗Art History and Alterity: ‗Othering‘ as Process in Modern Asian Art Discourses‘ in<br />
Flores, Patrick D. ed., Commemorative Anthology on the retirement <strong>of</strong> Pr<strong>of</strong>essor Alice G. Guillermo, Manila,<br />
<strong>University</strong> <strong>of</strong> the Philippines, [in editing, scheduled 2003].<br />
‗Asian Modernisms‘ [reprinted from Humanities Research, no.2, 1999] in Marg, Spring, vol. 53, no.2, 2002.<br />
‗Inter-Asian Criteria <strong>of</strong> Institutional Modernity in Art‘, in Kunstlerische Austausch/Artistic Exchange,<br />
Akademie Verlag, Berlin, 1993.<br />
‗What in the context <strong>of</strong> contemporary art, is your vision <strong>of</strong> a future art?‘, on the refereed web journal<br />
www.anthology-<strong>of</strong>-art.net, in February, to be published later in an anthology from Jochen Gerz,<br />
Braunschweig College <strong>of</strong> Art, 2003.<br />
‗On Two Books by Edward W. Said‘, Bicitra Seni, Jilid 2, [from Pusat Seni, Universiti Sains Malaysia,],<br />
1996.<br />
‗Art Goes Non-Aligned‘ [Four Exhibitions in Jakarta including the Art <strong>of</strong> the Non-Aligned Movement,<br />
April 1995], Art & Asia Pacific, vol.2, no.4, 1995.<br />
‗Ajia ! Ajia!‘, Art Monthly Australia, no.39, April, 1991<br />
‗Asian Artists at the 2001 Venice Biennale‘, IIAS Newsletter, November, no.26, 2001<br />
"Contemporary Arts: Asia", review <strong>of</strong> Asia Society New York Roundtable, Journal <strong>of</strong> the Asian Arts<br />
Society <strong>of</strong> Australia, vol.2, no.1, January, 1993.<br />
‗Once Again the East‘, [The new Asian Gallery, Art Gallery <strong>of</strong> New South Wales], Art Monthly<br />
Australia, no.30, May, 1990.<br />
Australia<br />
Australian Art and Asia -Then and Now‘, Occasional Paper No.19, Research Institute for Asia and the<br />
Pacific, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>, 1992<br />
‗Playing with the Stars: Guan Wei‘s styles‘, essay for Guan Wei Exhibition Catalogue, Dr. Earl Lu<br />
Gallery, La Salle SIA, Singapore 2000.<br />
‗Crossings‘, essay for the catalogue curated by William Wright, The Rose Crossing: Contemporary Art in<br />
Australia, <strong>Sydney</strong>, Sherman Galleries, 1999.<br />
‗Art and its ‗others‘ - recent Australian-Asian visual exchanges‘, in Dever, Maryanne, ed., Australia and<br />
Asia: cultural transactions, Surrey, Curzon Press, 1997.<br />
‗Systems End‘, catalog essay in Tseng Fang-ling, Huang Pei-yi, editors, Systems End, Contemporary Art in<br />
Australia, Gaoxiong, Gaoxiong Shili Meishuguan, 1996.
260<br />
‗The position <strong>of</strong> the transcultural: an end to hyphenation?‘, [essay on the work <strong>of</strong> John Young] in<br />
Lumby, Kathy & Robinson, Julia eds, Antipodean Currents, Ten Contemporary Artists from<br />
Australia, Washington, John F. Kennedy Centre for the Performing Arts, 1994.<br />
‗Swimming in the Transcultural Sea: John Young‘, Asian Art News, vol.4, no.3, May/June, 1994.<br />
‗Sons‘: an essay for a catalogue <strong>of</strong> works by Yvonne Boag, Mirabel Fitzgerald, and Patsy Payne<br />
exhibited at Silpakorn <strong>University</strong> Bangkok, 1998<br />
‗William Robinson‘, Asian Art News, vol.4 no.6, December, 1994.<br />
Review: ‗Fragments <strong>of</strong> origin: Asian Women Artists‘ Group at Blaxland Gallery; Fresh Art: 20 Young<br />
Artists at the S.H. Ervin Gallery: Moet & Chandon Touring Exhibition at the Art Gallery <strong>of</strong> New<br />
South Wales‘, [Three Reviews <strong>of</strong> <strong>Sydney</strong> Exhibitions], Asian Art News, vol. 4, no.4, July/August<br />
1994.<br />
South Asia<br />
Modern Indian Art: Some Literature and Problematics, Occasional Paper, no.21, Research Institute for Asia<br />
and the Pacific, 1994.<br />
‗Two Modern Indian Painters: Arpita Singh and Swaminathan‘, Art & Asia Pacific, supplement to Art<br />
and Australia, 1993<br />
Review <strong>of</strong> Bankim Chandra Chatterjee, tr. Marian Madden and S.N.Mukherjee, The Poison Tree: Three<br />
Novellas, New Delhi, Penguin Books India, 1996, The Journal <strong>of</strong> the Oriental Society <strong>of</strong> Australia,<br />
vol.31, 1999.<br />
Review <strong>of</strong> Jyotindra Jain, Kalighat Painting: Images from a Changing World, Ahmedabad, Mapin Publishing,<br />
1999; Yashodhara Dalmia, The making <strong>of</strong> Modern Indian Art: The Progressives, New Delhi, Oxford<br />
<strong>University</strong> Press, 2001; Gulamohammed Sheikh, editor, Contemporary Art in Baroda, New Delhi,<br />
Tulika, 1997; forthcoming in Art AsiaPacific, 2003<br />
Review <strong>of</strong> Geeta Kapur, When was Modernism: Essays on Contemporary Cultural Practice in India, New Delhi,<br />
Tulika, 2000, Australian and New Zealand Journal <strong>of</strong> Art, no.2, 2002<br />
Southeast Asia<br />
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, <strong>Sydney</strong>, Power Publications,<br />
2007.<br />
‗The Transfer: Art in Colonial Southeast Asia‘, in Mashadi, Ahmad, ed., Visions and Enchantment:<br />
Southeast Asian paintings, Singapore, Singapore Art Museum, 2000.<br />
‗Mooi Indie and Persagi from the perspective <strong>of</strong> a Modern Asian Art‘ in Sidharta, Amir & Purnomo,<br />
Ninsih, eds, Dari Mooi Indie Hingga Persagi, Tangerang, Museum Universitas Pelita Harapan, 1997<br />
‗Into the Forest: Interview with Yeoh Jin-leng‘, Art & Asia Pacific, vol. 1, no.2, 1994.<br />
Review:‗Panya Vijinthanasarn at Tadu Contemporary Art‘ Asian Art News, vol.8, no.2, 1998.<br />
‗Asian Modernism: Diverse Developments in Indonesia, the Philippines, and Thailand‘, Asian Art News,<br />
vol.6, no.1, January/February, 1996.<br />
Review: Apinan Poshyananda, Western-Style Painting and Sculpture in the Royal Thai Court, 2 vols, Amarin<br />
Printing Group, Bangkok,1993; in Art & Asia Pacific, vol.2.no.1, July 1994.<br />
Review <strong>of</strong> Apinan Poshyananda, Modern Art in Thailand, Singapore, Oxford <strong>University</strong> Press, 1992, Art<br />
Monthly Australia, April, 1993.<br />
Review <strong>of</strong> Anne Richter, Arts and Crafts <strong>of</strong> Indonesia, London, Thames & Hudson, Australian Book Review,<br />
December, 1993.<br />
Asian Artists Transnational Activity – North America<br />
General Works<br />
‗Above & Beyond‘ review, Art AsiaPacific, 22, 1999<br />
‗Art Directory‘, Art AsiaPacific, no.34, 2002.<br />
Asian Traditions/Modern Expressions: Asian-American Artists and Abstraction, 1945-1970, Rutgers, Jane<br />
Voorhees Zimmerli Art Museum, 1997. [Review: Roe Jae-ryung, Art AsiaPacific, no.17, 1998.]
261<br />
Becker, Carol, ‗The Romance <strong>of</strong> Nomadism: A Series <strong>of</strong> Reflections.‘ Art Journal Summer 1999.<br />
Berghuis, Thomas J . and Pell, Karl, 'Domain Asia @ Art Dot Com: Asian art in technological times',<br />
IIAS Newsletter, No.25, July 2001<br />
Berghuis, Thomas J., ''Translated Acts': Body, Self and Performance', IIAS Newsletter, No.24, February<br />
2001<br />
Borum, Jenifer P, ‗New York:‖Asia/America‖, Artforum International, Vol.33, Issue 1, September 1994<br />
Brett, Guy, ‗Earth and Museum -- Local or Global?‘ Third Text no.6 Spring 1989.<br />
Chang, Alexandra, ‗Locating Asian American Art: Redefinitions‘ in Art Asia Pacific, No. 41 (Summer<br />
2004), pp. 40-41<br />
Chang, Alexandra, ‗Taeko Baba: Reinventing the Self‘ in Art Asia Pacific, No. 39 (Winter 2004), pp. 30-<br />
32<br />
Chang, Alexandra, ‗Urban Improv: On the Road with the Brainstormers‘ in Art Asia Pacific, No. 40<br />
(Spring 2004), pp. 36-39<br />
Chattopadhyay, Colette, ‗From Zen to Pop Culture‘,<br />
Chattopadhyay, Colette, ‗Shifting Peceptions‘, Art AsiaPacific 29, 2001;<br />
Chattophadhyay, C., ‗An Emerging Dialogue‘ Asian Art News, vol.7, no.5, September / October 1997.<br />
Chattophadhyay, C., ‗Korean-American Artists in California‘, Asian Art News, vol. 6, no.3, May / June<br />
1996.<br />
Chattophadhyay, C., ‗Out <strong>of</strong> Hong Kong‘, Asian Art News, vol.6, no.5, September / October, 1996.<br />
Chattophadhyay, C., ‗The pacific and beyond‘], Asian Art News, vol.6, no.2, Mar/Apr 1996;<br />
Chattophadhyay, Collette, ‗Public Offerings‘, Art AsiaPacific, 33, 2002;<br />
Chattophadyay, ‗ Flight pattersn: landscapes <strong>of</strong> te pacific Rim‘, Art AsiaPacific, 31, 2001;<br />
Chong, Doryun, ‗Korean American Views‘, Art AsiaPacific 29, 2001;<br />
Doran, Valerie C., ‗Interview with Vishakha N. Desai, Senior Vice President, Asia Society and Director,<br />
Asia Society Museum, Orientations, Volume 32, Number 8, October 2001<br />
Erickson, Britta, ‗San Francisco Asian Art Museum opening‘ in Art Asia Pacific, No. 38 (Fall 2003), p.<br />
17<br />
Evans, Tim, ‗Asian Roots‘ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18<br />
Fu-Chia-Wen Lien ‗The Body as Metaphor for Feminist Expression‘, Asian Art News, 8:4, August 1998.<br />
Gaur, Umesh, ‗American Collectors <strong>of</strong> Contemporary Indian Art in the Northeast‘, Orientations, Volume<br />
33, Number 6, June 2002<br />
Goodman, Joanthan, ‗The first steps‘, Art AsiaPacific, 25,<br />
Goodman, Jonathan, ‗Form inside the body, Art AsiaPacific, 32, 2001;<br />
Goodman, Jonathan., ‗Conditions <strong>of</strong> Anonymity: the Performance Art <strong>of</strong> Kim Sooja‘, in Art AsiaPacific,<br />
Issue 38, Fall 2003, p.58-59.<br />
Goodman, Jonathan., ‗Miguel Trelles at Taller Boricua‘ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese<br />
Art, Vol. 2 No. 2, June 2003, p.124-125.<br />
Greenstein, M.A., ‗Virtual Daydreams: Three exhibitions <strong>of</strong> Asian Art in Los Angeles‘, Art AsiaPacific,<br />
no.21, 1999.;<br />
Gustafson, Paula, ‗‘Twisting the box‘, [Mattress factory] Art AsiaPacific 28, 2001<br />
Gustafson, Paula, ‗Faces from the Past: First Nations Masks <strong>of</strong> Canada‘, Art AsiaPacific, no.21, 1999.<br />
Jaana, Reena, ‗Building Bridges, Asian Art News, vol.6, no.6, November/December 1996.<br />
Jaana, Reena, ‗Dialogue Face to Face‘, Asian Art News 9:1 1999.<br />
Jaana, Reena, ‗Fashioning Trends‘, Asian Art News 9:4 1999.<br />
Jaana, Reena, ‗The intuitive Eye‘, Asian Art News 9:4 1999.<br />
Jaana, Reena,‘The freshest <strong>of</strong> visions‘, Asian Art News, vol.5, no.6, Nov/Dec 1995.<br />
Jana, Reena, ‗Fashioning Trends‘, Asian Art News, vol.9, no.4, 1999<br />
Jana, Reena, ‗Fresh Visions‘, Art AsiaPacific, 26, 2000<br />
Jana, Reena, ‗Unfolding identities‘, Asian Art News, vol.9, no.1, 1999<br />
Kee, Joan, ‗Transience and Time‘, Art AsiaPacific 28, 2001
262<br />
Kenney, Aaron., ‗My Painted Dreams by Mahvash Mossaed‘ (book review), in Asian Art News, Vol. 14,<br />
No. 2, March/April 2004, p.101.<br />
Kerr, Merrily, ‗Translated Acts: Asian Performance Art‘ Art AsiaPacific, no.35, 2002.<br />
Kim Yu-yeon, ‗In the eye <strong>of</strong> the tiger, Korean artists in America‘, Art AsiaPacific, vol.3, no.3, 1996<br />
Kim, Kunmja Paik, ‗New Acquisitions <strong>of</strong> Korean Painting‘, Orientations, Volume 34, Number 1, January<br />
2003 [including Yi Eung-nok, 1860s]<br />
Kosasa, Karen K. ‗Crossings 2003: Korea/Hawai‘i‘ (Review) in Art Asia Pacific, No. 39 (Winter 2004),<br />
p. 81<br />
Laster, Paul, ‗Down the Rapid Hole With Terence Koh‘ in Art Asia Pacific, No. 39 (Winter 2004), pp.<br />
66-69<br />
Leung, Laura Kateri, ‗Dream So Much‘ (Review) in Art Asia Pacific, No. 38 (Fall 2003), p. 18<br />
Lin, Xiaoping, ‗Globalism or Nationalism? – Cai Guoqiang, Zhang Huan, and Xu Bing in New York‘ in<br />
Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296<br />
Machida, Margo, Asia/America: Identities in Contemporary Asian American Art, New York, The Asia<br />
Society, 1993.<br />
Machida, Margo, Shifting Identities <strong>of</strong> Asian Women in America, Henry Street Settlement Abrons Arts<br />
Center, June 24-July 28, 1995.<br />
Magnan, Kathleen Finlay, ‗A View from within‘ Asian Art News, vol.6, no.1, Jan/Feb 1996.<br />
Millichap, John, ‗An Infinite Variety: Chui Faising.‘ World Sculpture News 3:2 Summer 1997.<br />
Nakamura, Eric, ‗Report: The Year Otaku Broke‘ [Superflat] Review, Art & Text 73, May-July 2001;<br />
Phillips, Kristy, 'Asia and the White Cube: A Project for Revitalizing Asian Art in Museums', IIAS<br />
Newsletter, No. 29, November 2002<br />
Rosenblum, Robert, ‗Takashi Murakami‘, Artforum International, Vol.40, Issue 9, May 2002<br />
Silberman, Seth Clark, ‗Red Beans and Rice: Asian Artists in the New South‘ (review), ArtAsiaPacific,<br />
no. 48, 2006.<br />
Sirmans, Franklin, ‗The 2004 Whitney Biennial: One on One with Shamin Momin‘ in Art Asia Pacific,<br />
No. 40 (Spring 2004), pp. 16-18<br />
Spalding, David., ‗Weaving History: An Interview with Dinh Q. Lê‘, in Art AsiaPacific, Issue 38, Fall<br />
2003, p.68-70.<br />
Wallace, Keith, ‗The beauty <strong>of</strong> rupture‘, Art AsiaPacific, 24, 1999<br />
Wang, Dan.S., ‗Medium(s) Asian-American Artists‘, Art AsiaPacific, no.33, 2002.<br />
Wang, Shipu., ‗Swinging on Hyphenation: An Inquiry into the Construct <strong>of</strong> an Asian American Art‘, in<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.41-51.<br />
Wei, Lilly, ‗Conversations: Nilima Sheikh & Shahzia Sikander‘, Art AsiaPacific, no.35, 2002.<br />
Wei, Lilly., ‗On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America‘, in Art<br />
AsiaPacific, Issue 38, Fall 2003, p.28-30<br />
Winther-Tamaki, Bert, Art in the encounter <strong>of</strong> Nations: Japanese and American artists in the early postwar years,<br />
Honolulu, <strong>University</strong> <strong>of</strong> HWoodson, Yoko, ‗Acquisitions <strong>of</strong> Japanese Art: 1988-2002‘,<br />
Orientations, Volume 34, Number 1, January 2003<br />
Yang, Alice, ‗Shifting identities <strong>of</strong> Asian Women in America‘, Art & Asia-Pacific, vol.3, no.1, 1996.<br />
Individual Artists<br />
Bai Bien-U: review, Art AsiaPacific, 32, 2001<br />
Bose Santiago; Villa, Carlos: review, Art AsiaPacific, 30, 2001<br />
Cai Guoqiang: Heartney, Elanor, ‗Cai Guoqiang: illuminating the new China‘, Art in America, May 2002;<br />
Schwabsky, Barry, ‗Tao and physics: The art <strong>of</strong> Cai Guo Qiang‘, Artforum International, Vol.35,<br />
Issue 10, Summer 1997; Cultural Meeting Bath: Projects for the 20th century, New York, Queens<br />
Museum <strong>of</strong> Art, 1997 [review: Goodman, Art AsiaPacific,no.18, 1998; Heartney, Elanor, ‗Cai<br />
Guo-Qiang: Illuminating the new China‘, Art in America, Vol. 90, Issue 5, May 2002; Goodman,<br />
Jonathan, ‗Cai Guo-Qiang an Explosion Event: Light Cycle over Central Park at the Asia Society‘<br />
(Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 84; Poshyananda, Apinan, ‗Cai Guo-Qiang‘
263<br />
in Art Asia Pacific, Issue 37 (2003), p. 76; Lin, Xiaoping, ‗Globalism or Nationalism? – Cai<br />
Guoqiang, Zhang Huan, and Xu Bing in New York‘ in Third Text, Vol. 18, Issue 4 (July 2004),<br />
pp. 279-296<br />
Cheang, Shu Lea: Chua, Lawrence, ‗An odd circuit‘, Art AsiaPacific, 27, 2000<br />
Chen Longbin:Karetzky, Patricia. ‗Between Two Cultures: Chen Longbin.‘ World Sculpture News 4:3<br />
Summer 1998.<br />
Cheng Emily: Wei, Lilly, ‗Time reading‘, Asian Art News, vol.6, no.2, Mar/Apr 1996. ; Goodman,<br />
Jonathan., ‗Ornament as Knowledge, Ornament as Desire: the Art <strong>of</strong> Emily Cheng‘, in Yishu:<br />
Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.52-58; ‗Parsing Form and<br />
Spirit‘, Emily Cheng in Conversation with Suzanne de Vegh, in Yishu: Journal <strong>of</strong> Contemporary<br />
Chinese Art, Vol.7, No.6, November 2009, p.33-37.<br />
Chin, Mel: Kent, Rachel, ‚New York Scene‘, Art AsiaPacific, 32, 2001<br />
Chong, Teresa: review, Art AsiaPacific, 34, 2002<br />
Chu Hung: Findlay, Ian, ‗Kuang Jian at Palette Collections Gallery‘, Exhibition Reviews, Thailand<br />
Feature, Asian Art News, vol. 12, no. 1, January/February 2002<br />
Chu, Josie: review, Asian Art News, vol.10, no.5, 2000<br />
Chuang Che: Findlay, Ian, ‗Searching For A Balance <strong>of</strong> Forces‘, in Asian Art News, v. 17(3), May/June,<br />
2007, pp. 78 – 83.<br />
Chun Seong: Kee, Joan, ―suspended in ambivalence‘, Art AsiaPacific 29, 2001<br />
Cody Choi: Park, Kyung Mee, ‗Cody Choi‘ in Art Asia Pacific, Issue 37 (2003), p. 7<br />
Dakoji, Pratibha: Cohen, Joan Lebold,‘The traveler Rests‘ Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />
Dave, Vinod: review, Art AsiaPacific, 25, 2000<br />
Diao, David: Anderson, Paul A, ‗David Diao: Critical painting and the Racial Sublime‘, Third Text, no.33,<br />
Winter 1995-6, 41-50.<br />
Do-Ho Suh: Momin, Shamin, ‗Do-Ho Suh‘ in Art Asia Pacific, Issue 37 (2003), p. 69; Chung, Shinyoung,<br />
‗Do-Ho Suh‘ in Art Asia Pacific, No. 38 (Fall 2003), p. 75<br />
Emily Cheng: Malhotra, Priya, ‗Wholeness in a Fragmented World‘ in Asian Art News , Vol. 14, Number<br />
4 (July/August 2004), pp. 36-40<br />
Fang Lijun: review, Art AsiaPacific, 25, 2000; Wang, A.J., ‗Beauty in Despair: New Works by Fang Lijun,<br />
in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, Number 2, March/April 2009, pp. 43-49.<br />
Gang Zhao: review, Art AsiaPacific, 27, 2000<br />
Glen Kaino: Joo, Eumgie, ‗Revolutions per Minute‘ in Art Asia Pacific, No. 38 (Fall 2003), pp. 38-39<br />
Gu Wenda: Erickson, Britta, ‗Gu Wenda‘s silent selves and pseudo characters‘, Art AsiaPacific, 26, 2000<br />
Hak Kyung Cha: deSouza, Allan. ‗The Spoken Word: Theresa Hak Kyung Cha‘s ―Dictee‖.‘ Third Text<br />
no.24 Autumn 1993; Richard, Frances, ‗Theresa Hak Kyung Cha‘, Artforum International, Vol.40,<br />
Issue 1, September 2001; Chiu, Melissa, ‗The Crisis <strong>of</strong> Calligraphy and the New Way <strong>of</strong> Tea: An<br />
Interview with Wenda Gu‘, , Orientations, Volume 33, Number 3, March 2002<br />
Hashmi, Zarina: Patel, Samir S., ‗Zarina: Edges <strong>of</strong> Her World‘, in ArtAsiaPacific, No. 54, Jul/Aug, 2007,<br />
pp. 72 – 77.<br />
Higuchi Ikuyo: Cohen, Joan Lebold, ‗Notes from a studio‘ Asia-Pacific Sculpture News, vol.1, no.2, Spring<br />
1995.<br />
Hiroshi Senju: Radlauer, Steve, ‗Universal Waterfalls‘, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p.<br />
76-82<br />
Hu Yongkai: Binks, Hilary, ‗Looking Homeward‘ Asian Art News, vol.7, no.3, May/June 1997.<br />
Huang Chi-yang (Zhiyang): review, Art AsiaPacific, 31, 2001; Pollack, B., review, ‗Huang Zhiyang:<br />
Peripheral Vision‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, No. 3, May/June 2009.<br />
Hung Liu: Brown, Glen ‗Ambiguous Narratives‘, Asian Art News 9:5 September/October 1999.<br />
Jim Soo Kim: Heartney, Eleanor, ‗An Art <strong>of</strong> Tender Recuperation‘ in Art in America (July 2003), pp. 80-<br />
85<br />
Jinchi, Pouran: review, Art AsiaPacific, 32, 2001<br />
Kai Hoang, That Bui, Vi Ly: Jana, Reena, ‗The intuitive eye‘, Asian Art News, vol.9, no.4, 1999
264<br />
Kaur, Permindar: Chambers, Eddie. ‗―Cold Comfort‖: Permindar Kaur.‘ Third Text no.36 Autumn 1996.<br />
Ken Lum: Between the sky and the earth [Ken Lum, Frank Tam, Yan Peiming, Yang Jiechang, Zhou Tiehai],<br />
Hong Kong, <strong>University</strong> Art Gallery, 1998; Monshouwer, Saskia, 'Ken Lum, Photo-mirrors:<br />
Presenting new reflections', IIAS Newsletter, No.22, June 2000; Ken Lum, In Search <strong>of</strong> Wabi Sabi,<br />
Kitakyushu: CCA, 2001<br />
Kim Soonj Oh: Chattophadhyay, C., ‗Of parts and process‘, Asian Art News, vol.6, no.6,<br />
November/December 1996; review, Art AsiaPacific, 25, 2000<br />
Kim Young: Jana, Reena, ‗The Displaced Self‘, Asian Art News, vol.10, no.1, 2000<br />
Koh, Terence: Laster, Paul, ‗Reading Terence Koh‘, in ArtAsiaPacific, No. 53, May/June, 2007, pp. 76 –<br />
77.<br />
Komagata Katsuya: review, Art AsiaPacific, 25, 2000<br />
Kosuge, Michihiro: Taylor, Sue, 'Michihiro Kosuge at Laura Russo', Art in America, Vol. 91, Issue 2,<br />
February 2003<br />
Kunishima Seiji: Chattophadhyay, C., ‗Poetry in Stone: Seiji Kunishima.‘ World Sculpture News 2:4 Autumn<br />
1996.<br />
Kusama Yayoi: Lumpkin, Libby, ‗Yayoi Kusama‘, Artforum International, Vol.37, Issue 1, September 1998;<br />
review, Art AsiaPacific, 24, 1999<br />
Kuwahara Masahiko: review, Art AsiaPacific, 32, 2001<br />
Kwon Sowon: review, Art AsiaPacific, 31, 2001<br />
Lampo Leung: Leung, Lampo, ‗Recoding the Roots: Genetic Reformation and Culture Synthesis in the<br />
Era <strong>of</strong> Globalization‘ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 83-88<br />
Lee Mingwei: review, Art AsiaPacific, 22, 1999; Tsai, Eugenie, ‗Talk: Lee Mingwei – The Tourist‖ in Art<br />
Asia Pacific, No. 40 (Spring 2004), pp. 44-47<br />
Lee Sang Nam: review, Art AsiaPacific, 21, 1999; Goodman, Jonathon, ‗Concerning the Spiritual in Art:<br />
The Resolute Path <strong>of</strong> Sangnam Lee‘, Art AsiaPacific, no.35, 2002.<br />
Lin Lin: Croizer, Ralph, ‗ "Going to the World": the life and death <strong>of</strong> Billy Harlem (Lin Lin), Journal <strong>of</strong><br />
the Oriental Society <strong>of</strong> Australia, vol. 29, 1997.<br />
Lin Maya: review, Art AsiaPacific, 24, 1999<br />
Liu Hong: Brown, Glenn R., ‗Ambiguous narratives‘, Asian Art News, vol.9, no.5, 1999<br />
Michael Joo: Park, Kyung Mee, ‗Michael Joo‘ in Art Asia Pacific, Issue 37 (2003), p. 75<br />
Mori Mariko: review, Art AsiaPacific, 24, 1999<br />
Murakami Takashi: Kent, Rachel, New York Scene‘, Art AsiaPacific, 32, 2001; Briggs, Patricia, ―Painting<br />
at the Edge <strong>of</strong> the World, Exhibition Review at Walker Art Center, [Artists include Takashi<br />
Murakami and Hisroshi Sugito], Artforum International, Vol.39, Issue 10, Summer 2001<br />
Nasreen Mohamedi: Malhotra, Priya., ‗Nasreen Mohamedi at Talwar Gallery‘ (review), in Asian Art News,<br />
Vol. 13, No. 6, November/December 2003, p.92-93.<br />
Nguyen Minh: review, Art AsiaPacific, 32, 2001<br />
Nguyen Quang Huy: Lenzi, Iola, ‗Hanoi Paris Hanoi: The evolving art <strong>of</strong> Truong Tan and Nguyen Quang<br />
Huy‘, <strong>ART</strong> AsiaPacific, Issue 35 (2002)<br />
Nikki S. Lee: Momin, Shamin, ‗Nikki S. Lee‘ in Art Asia Pacific, Issue 37 (2003), p. 68<br />
Noguchi Isamu: Chattophadhyay, C., ‗A Noguchi Legacy: Isamu Noguchi‘s site-specific sculpture.‘ Asia-<br />
Pacific Sculpture News 1:4 Autumn 1995; Winther-Tamaki, Bert, ―The Rejection <strong>of</strong> Isamu<br />
Noguchi's Hiroshima Cenotaph: A Japanese American Artist in Occupied Japan,‖ Art Journal<br />
vol.53, no.4 (Winter 1994), pp.23-27.<br />
Ono Yoko: Dimitrakaki, Angela. ‗Yoko Ono: Have You Seen The Horizon Lately?‘ Third Text no.42<br />
Spring 1998; Monroe, Alexandra, with Hendricks, Jon, eds., Yes: Yoko Ono, New York, Japan<br />
Society & Harry N. Abrams, 2000; Schwendener, Martha, Yoko Ono‘, Artforum International,<br />
Vol.39, Issue 5, January 2001; Lopez, Sebastian, 'YES YOKO ONO', IIAS Newsletter, No.24,<br />
February 2. ; Goodman, Jonathan, ‗The answer is yes‘, Art AsiaPacific, 30, 2001; Tiravanija, R ―In<br />
Another Country‘ (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer 2009, p. 281<br />
Pien, Ed: review, Art AsiaPacific 29, 2001
265<br />
Ping Chong: Yang, Alice, ‗Chinoiserie‘ Art & Asia Pacific, vol.3, no.2, 1996. ; Kee, Joan. ‗Balancing Act:<br />
Tention and tenacity in Asian American art‘ Art AsiaPacific no. 20 1998<br />
Prema Murthy: Reckitt, Helena, ‗From Bindi Girls To Space Invaders: Prema Murthy‘ in Art Asia Pacific,<br />
No. 39 (Winter 2004), pp. 34-35<br />
Qin Feng: Malhotra, Priya., ‗Power from Turmoil‘, in Asian Art News, Vol. 13, No. 6,<br />
November/December 2003, p.64-67.<br />
Qiu Zhijie: review, Art AsiaPacific, 32, 2001; Vine, Richard."Customs delay prompts Chinese artist's<br />
freewheeling improv‘. In Art in America 97.5 (May 2009): 32(1).<br />
Revri, Anil: interview, Asian Art News, vol.11, no.2, 2001<br />
Rina Banerjee: Momin, Shamin, ‗Rina Banerjee‘ in Art Asia Pacific, Issue 37 (2003), p. 67<br />
Rirkit Tiravanija: Yang, Alice, ‗The artist as chef - Rirkit Tiravanija‘, Art & Asia Pacific, vol.3, no.2, 1996;<br />
Gaweewong, Gridthiya, ‗Rikrit Tiravanija‘ in Art AsiaPacific, Issue 37 (2003), p. 46; Tiravanija,<br />
Rirkit, ‗In Another Country‘ (interview with Yoko Ono) in Artforum, Vol. 47, Iss. 10, Summer<br />
2009, p. 281<br />
Sangnam Lee: Park, Kyung Mee, ‗Sangnam Lee‘ in Art Asia Pacific, Issue 37 (2003), p. 73<br />
Sarah Sze: Chiu, Melissa, ‗Sarah Sze‘ in Art Asia Pacific, Issue 37 (2003), p. 32<br />
Shang Xuhong: Grown, Glen R., ‗Minimal Magic‘, Asian Art News, vol.10, no.2, 2000<br />
Shelly Bahl: Dewan, Deepali, ‗Shelly Bahl‘ in Art Asia Pacific, Issue 37 (2003), p. 37<br />
Shimomura, Roger: Brown, Glenn R., ‗Identity and experience‘ Asian Art News, vol.12, no.2, 2002<br />
Sikander, Shahzia: review Art AsiaPacific 29, 2001; Friis-Hansen, Dana, ‗Full Blown: the expansive vision<br />
<strong>of</strong> miniaturist Shazia Sikander‘, Art AsiaPacific, no.16, 1997; review, Asian Art News, vol.9, no.1,<br />
1999.<br />
Soong, Path: Gordon, Jeff, ‗Chaos Defined‘, , Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />
Sowon Kwon: Akira Tatehata, ‗Sowon Kwon‘ in Art Asia Pacific, Issue 37 (2003), p. 85<br />
Szeto Keung: Millichap, John, ‗Wanderer between cultures‘, Asian Art News, vol.6, no.2, Mar/Apr 1996.<br />
Tachibana Seiko: Brown, Glenn R., ‗Seeking the universal‘, Asian Art News, vol.11, no.1, 2001<br />
Tam, Frank: Findlay, Ian, ‗An explorer <strong>of</strong> cultures‘, Asian Art News, vol.6, no.6, November/December<br />
1996; Gustafson, Paula, ‗The meeting <strong>of</strong> spirituality and materialism‘, Asian Art News, vol.10,<br />
no.5, 2000<br />
Taneike, Chiyomi: Brown, Glenn R., ‗Metaphorical journeys‘, Asian Art News, vol.12, no.1, 2002<br />
Teching Hsieh: Lee Weng Choy, ‗Teching Hsieh‘ in Art Asia Pacific, Issue 37 (2003), p. 66<br />
Teraoka Masami: Hess Lydia, ‗Masami Teraoka‘, Art & Asia-Pacific, vol.3, no.1, 1996.<br />
Thep Thavonsouk: Findlay, Ian, ‗Timeless Moments‘ in Asian Art News, v. 18(1), January/February, 2008,<br />
pp. 130 – 135.<br />
Theresa Chong: Goodman, Jonathan, ‗Theresa Chong‘ in Art Asia Pacific, Issue 37 (2003), p. 49<br />
Ting, Walasse: Millichap, John, ‗Against the tide‘, Asian Art News, vol.9, no.1, 1999<br />
Tran T. Kim-Trang: Small, Irene V., ‚Blind Spot‘, Art AsiaPacific, 30, 2001<br />
Truong Tan: Bradford Edwards: Hussfeld, Barbara, ‗Cultural Collisions‘ Asian Art News, vol.5, no.5,<br />
Sep/Oct 1995; Lenzi, Iola, ‗Hanoi Paris Hanoi: The evolving art <strong>of</strong> Truong Tan and Nguyen<br />
Quang Huy‘, <strong>ART</strong> AsiaPacific, Issue 35 (2002)<br />
Tseng Kwong Chi & Lee, Nikki S.: Samm, Irene V., ‚Spectacles <strong>of</strong> invisibility‘, Art AsiaPacific 28, 2001<br />
Tseng Yuho/ Zeng Yuhe: review , Art News, 99, 6, 2000<br />
Wang Du: Kent, Rachel, ‚New York Scene‘, Art AsiaPacific, 32, 2001<br />
Way, John: Johnson, Robert Flynn, ‗The art <strong>of</strong> John Way‘, Asian Art News, vol.11, no.5, 2001<br />
Wong [Dian Shui-lu]:Chattophadhyay, C. ‗Dancing with the Tao‘, Asian Art News, vol.6, no.4,<br />
July/August, 1996.<br />
Xie Dejing/ Hsieh Tehching: Johnston Jill, ‗Tehching Hsieh: Art‘s willing captive‘, Art in America,<br />
September 2001<br />
Xin Fei: Millichap, John, ‗Life Lines‘, Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />
Xu Bing: Xu Bing & Cai Guoqiang at Bard review, Art AsiaPacific, 22, 1999; Goodman, Jonathon, ‗Xu<br />
Bing: Cultural Translator‘, Art AsiaPacific, no.35, 2002; Doran, Valerie C., ‗Xu Bing: A Logos for
266<br />
the Genuine Experience‘, Orientations, Volume 32, Number 8, October 2001; Nanjo, Fumio, ‗Xu<br />
Bing‘ in Art Asia Pacific, Issue 37 (2003), p. 70; Chattopadhyay, Collette, ‗Beyond Iconography:<br />
The Power <strong>of</strong> Graffiti – Xu Bing and Public Art‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 32-<br />
35; Wei, Lily, ‗On Chinese Artists and the Market Place‘ (Xu Bing and Zhang Huan) in Art Asia<br />
Pacific, No. 38 (Fall 2003), pp. 28-30; Xu Bing, Tobacco Project: Shanghai (Catalogue), Shanghai<br />
Gallery <strong>of</strong> Art, 2004; Lin, Xiaoping, ‗Globalism or Nationalism? – Cai Guoqiang, Zhang Huan,<br />
and Xu Bing in New York‘ in Third Text, Vol. 18, Issue 4 (July 2004), pp. 279-296;<br />
Yamamoto, Lynne: review, Art AsiaPacific, 22, 1999; review, Contemporary Visual Art, 23<br />
Yamashita, Kumi: Koplos, Janet, 'Kumi Yamashita at Kent', Art in America, Vol. 91, Issue 1, January 2003<br />
Yang Ying Feng, Gary Lichtenstein: Jaana, Reena,‘Crossing Divides‘, Asian Art News, vol.5, no.5, Sep/Oct<br />
1995.<br />
Yoong Soon Min: review, Art AsiaPacific, 22, 1999; Poshyananda, Apinan, ‗Yong Soon Min‘ in Art Asia<br />
Pacific, Issue 37 (2003), p. 7<br />
Yung, Larry: Lawrence, Patrick, ‗Towards Closure‘, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p.<br />
71-75.<br />
Zhang Huan: Wei, Lily, ‗On Chinese Artists and the Market Place‘ (Xu Bing and Zhang Huan) in Art<br />
Asia Pacific, No. 38 (Fall 2003), pp. 28-30; Lin, Xiaoping, ‗Globalism or Nationalism? – Cai<br />
Guoqiang, Zhang Huan, and Xu Bing in New York‘ in Third Text, Vol. 18, Issue 4 (July 2004),<br />
pp. 279-296<br />
Zhang Jian-jun: Wong, Aida-Yuen, 'Vestiges <strong>of</strong> Time/ Elemental Spring: Zhang Jian-Jun and Barbara<br />
Edelstein in Guangdong', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003, Spring Issue<br />
Zhang Peili: Cohen, Joan Lebold,‘A Studio Visit with Zhang Peili.‘. Asia-Pacific Sculpture News 1:4 Autumn<br />
1995; review, Art AsiaPacific, 25, 2000; Isreal, Nico, ‗New York: Zhang Peili‘, Exhibition Review,<br />
Artforum International, Vol.38, Issue 3, November1999; Gladston, P. ‗RecurringIntimations <strong>of</strong><br />
Disorder: A Conversation with Zhang Peili‘, in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8,<br />
Number 2, March/April 2009, pp. 50-58.<br />
Asian Artists Transnational Activity – Britain<br />
General Works<br />
Abbott, Guy Mannes, ‗Drawing space‘, Art AsiaPacific, 30, 2001.<br />
Braddock, Kevin, ‗A sense <strong>of</strong> self‘, Art AsiaPacific, 26, 2000.<br />
Guha, Tania, ‗Transition <strong>of</strong> Riches‘, Third Text, n25, Winter 1993-94, 81-86.<br />
Lew, Christopher Y., ‗Amy Cham Inside Out‘, ArtAsiaPacific, no. 46, 2005.<br />
Periz, Ingrid, ‗One Way or Another: Asian American Art Now‘ (review), Eyeline, no. 62, Summer 2006-<br />
7.<br />
Individual Artists<br />
Alvi, Tariq: Preece, Robert, ‗The aesthetic obsessions <strong>of</strong> Tariq Alvi‘, Art AsiaPacific, 32, 2001.<br />
Arnish Kapoor: Jana, Reena, ‗Arnish Kapoor: Between Poetry and Prose‘ in Art Asia Pacific, No. 40<br />
(Spring 2004), pp. 24-25; Bryson, Norman, ‗Kapoor‘s Vertigo‘ in Parkett, No. 69 (2003), pp.104-<br />
115; Forster, Kurt W., ‗A Word in the Giant‘s Ear‘ in Parkett, No. 69 (2003), pp. 116-125;<br />
Warner, Marina, ‗The Perforate Self or Nought is Naught‘ in Parkett, No. 69 (2003), pp. 126-141.<br />
Biswas, Sutapa; Lubaina Himid; Boyce, Sonia: Tawadros, Gilane, ‗Beyond the Boundary: The Work <strong>of</strong><br />
Three Black Women Artists in Britain‘, Third Text, n8/9, Autumn/Winter 1989, 121-150.<br />
El Sahali, Ibrahim: Beier, Ulli, ‗The Right to Claim the World: Conversation with Ibrahim El Salahi‘,<br />
Third Text n23, Summer 1993, 23-30: Sudanese artist working in Quatar, England and Germany.<br />
Fu, Julie, Yin Xuizhan: Preece, Robert. ‗Chinese Art, Manchester Style.‘ Asian Art News 8:6,1998.<br />
Hatoum, Mona: Guha, Tania, ‗Andrea Fisher/Mona Hatoum.‘ Third Text no.28/9 Autumn/Winter 1994.<br />
Li Yuan-chia: Brett, Guy, ‗Li Yuan-chia 1929-1994‘, Third Text, 28/9, Autumn/Winter 1994, 3-4:<br />
obituary; Overy, Paul, ‗After a long silence: the works <strong>of</strong> Li Yuan-chia‘, Third Text, 55, 2001, 51-<br />
62; Hill, Katie, ‗Li Yuan jia‘, Art AsiaPacific, 32, 2001.
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Liao, Jeff Chien-Hsing: review, Art in America, 94.9, October 2006.<br />
Lubaina Himid; Boyce, Sonia; Hatoum, Mona: Tawadros, Gilane, ‗Black Women in Britain: A Personal and<br />
Intellectual Journey‘, Third Text, n15, Summer 1991, 71-76.<br />
Medalla, David: Brett, Guy, ‗David Medalla: From Biokineticism to Synpotic Realism‘, Third Text, n8/9,<br />
Autumn/Winter 1989, 79-106; Brett, Guy, ‗David Medalla: From Biokineticism to Synoptic<br />
Realism.‘ Third Text no.8/9, Autumn/Winter, 1989; Terra, Jun, ‗David Medalla in London‘, Third<br />
Text, n30, Spring 1995.<br />
Ocampo, Manuel: review, Art AsiaPacific, 22, 1999.<br />
Qu Leilei: Bright, Susan, ‗A Journey into Memory‘ Asian Art News, vol. 8, no.1, January/February 1998.<br />
Runa Islam: Farver, Jane, ‗Runa Islam‘ in Art Asia Pacific, Issue 37 (2003), p. 44.<br />
Shen Yuan: Carver, Antonia, ‗Shen Yuan: Just like a fish in water‘, Art AsiaPacific, no.35, 2002;<br />
Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute <strong>of</strong> International Visual Arts and<br />
Arnolfini Centre & Chisenhale Gallery, 2001.<br />
Singh, Amrit & Rabindra: review, Asian Art News, vol.11, no.4, 2001; Nakamura, Nobuo and Miyake,<br />
Akiko, ed., CCA Artist‘s Book Series, Shen Yuan: The Tongue, Kitakyushu: Center For<br />
Contemporary Art, 1999.<br />
Tsao, Richard: review, Art in America, vol. 93, iss. 9, Oct 2005.<br />
Vong Phaophanit: Hylton, Richard. ‗Phaiphanit and Piper.‘ Third Text no31 Summer 1995; Dyer,<br />
Richard, ‗Vong Phaophanit: Ash and Silk Wall‘, Third Text, n26, Spring 1994, 91-93; Obussier,<br />
Claire, ‗Vong Phaophanit‘, Art AsiaPacific 29, 2001; Desai, Vishakha N., ‗Vong Phaophanit‘ in Art<br />
Asia Pacific, Issue 37 (2003), p. 35.<br />
Wong, Sue-en: review, Art in America, 94.9, October 2006.<br />
Yanagi Yukinori: Dyer, Richard, ‗Yukinori Yanagi: Union Jack Ant Farm‘, Third Text, n27, Summer 1994,<br />
91-93; Winther-Tamaki, Bert, Yukinori Yanagi; Image, Nation & Transnation. Co-Editor, primary<br />
author, with essays by graduate students <strong>of</strong> the Visual Studies Ph.D program. CD Rom.<br />
<strong>University</strong> <strong>of</strong> California, Irvine. 1998.<br />
Bhimji: Dewan, Deepali, ‗Zarina Bhimji‘ in Art Asia Pacific, Issue 37 (2003), p. 38; Jumabhoy, Zehra,<br />
‗Vanishing Acts‘, interview with Zarina Bhimji in Art India, Vol XIII, Iss. III & IV, 2008, p. 84-85<br />
Asian Artists Transnational Activity – France<br />
General Works<br />
Clark, John, ‗Chinese Artists in Paris‘, Far Eastern Economic Review, 16.12.1986. [Chinese translation:<br />
Meishu Shichao, Nanjing, no.4, 1987, 31-33].<br />
Clark J., ‗Chinese Artists in France‘, in Fisher, Jean & Mosquera, Gerardo, eds., Over Here, Cambridge,<br />
MIT Press, 2004<br />
Fei Dawei, ed., Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu<br />
Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l‘art & Editions Carte<br />
Segrete, 1990<br />
Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INiVA, 1997<br />
Jouanno, Evelyne; Hou Hanru, Paris pour escale, [escale= ‗port <strong>of</strong> call‘]; Paris, ARC- Musée d‘Art Moderne<br />
de la Ville de Paris, 2000 (Foreword by Suzanne Pagé, Preface by Laurence Bossé, other texts by<br />
Gilane Tawadros, Michel Wieviorka, 27 artists, 6 Chinese: Chen Zhen, Huang Yongping, Shen<br />
Yuan, Wang Du, Yang Jiechang).<br />
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery <strong>of</strong> Art, 2004<br />
Teil, D. ‗Indian Painters in Paris", Lalit Kala Contemporary, no.4.<br />
Individual Artists<br />
Chang Yu/Sang Yu: Wong, Rita, Sanyu [Chang Yu] Catalogue Raisonnée, Taipei, Lin & Keng Gallery 2001 ;<br />
Wong, Rita, Sanyu: l‘écriture du corps, Paris Musée Guimet, 2004 [essays by Andrews, Hay,
268<br />
Koutozis, Krebs &Wong]; Pai, Maggie, ‗Escaping from the exile <strong>of</strong> memory‘, Asian Art News,<br />
vol.11, no.1, 2001; Wang, Eugene Y., ‗Sanyu Catalogue Raisonne: Oil Paintings‘, Review on Chang<br />
Yu, Orientations, Volume 33, Number 2, February 2002.<br />
Chen Jianzhong: Liang,K.C., Chan Kin-chung, Guangzhou, Lingnan Publishing House, 1981; Jouffroy, A.,<br />
Chan Kin-chung, Paris, Galerie Art Yomiuri, 1981; Asian Art News, 2, no.1, Jan/Feb 1992.<br />
Chen Zhen: Corrin, Lisa, G., et al, Chen Zhen, London, Serpentine Gallery, 2001; Chiu, Melissa,<br />
‗Chen Zhen in Art Asia Pacific, Issue 37 (2003), p. 33; Heartney, Eleanor, ‗Parallel Lives‘ (Montien<br />
Boonma at Asia Society and Chen Zhen at P.S. 1) in Art Asia Pacific, No. 38 (Fall 2003), pp. 50-<br />
52<br />
Cui Guotai: Karetzky, P. E., ‗Cui Guotai: Rust Never Sleeps, in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol<br />
8, Number 4, July/August 2009, pp.32-40.<br />
Du Zhenjun: Du Zhenjun: Être humain trop lourd (Catalogue), Paris : stream-tease.tv (art involvement), 2003<br />
Huang Yongping: Hou Hanru, Huang Yongping, [La Biennale de Venise 48 e Exposition Internationale<br />
d‘Art, Pavillon Français], Paris, Association Française d‘Action Artistique-Ministère des Affaires<br />
Etrangères, 1999 ; La Collection: Fondation Cartier pour l‘art contemporain, Paris, Fondation Cartier<br />
pour l‘art contemporain, 1998; Hou Hanru, ‗Huang Yong Ping‘ in Art Asia Pacific, Issue 37<br />
(2003), p. 55<br />
Ju Ming: Nuridsany, Michel. ‗Shadow Boxing at the Place Vendome: Ju Ming.‘ World Sculpture News 4:1<br />
Winter 1998.<br />
Kawamata Tadashi: Rosen, Miriam, ‗Tadashi Kawamata‘, Artforum International, Vol.36, Issue 8, April<br />
1998; review Art AsiaPacific 29, 2001; Gould, Claudia, ‗Balkon- Kwamata‘s Miracle‘ Parkett, No.<br />
35, 1993; Pontegnie, Anne, ‗Tadashi Kawamata‘, Artforum International, Vol.39, Issue 6, February<br />
2001<br />
Shen Yuan: Tawadros, Gilane et al, Shen Yuan, London & Bristol, Institute <strong>of</strong> International Visual Arts<br />
and Arnolfini Centre & Chisenhale Gallery, 2001; Tawadros, Gilane., ‗The Leftovers <strong>of</strong><br />
Translation: The Works <strong>of</strong> Shen Yuan‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4,<br />
December 2003, p.78-87.<br />
Szeto Lap: Binks, Hilary, ‗Of light and silence‘, Asian Art News, vol.10, no.4, 2000<br />
Wang Du: Wang Du Magazine: je veux être un média, no.1, été, 2001, Paris, Design Mental<br />
Yan Peiming: Besson, Christian, Yan Peiming, Paris, Éditions Hazan, 1999; Marcadé, Bernard, Yan Pei-<br />
Ming, les assuats de la peinture‘, Artpress, Juillet/ Août, 1989 ; Botz-Bornstein, T., ‗The<br />
Transcendental Blandness <strong>of</strong> Yan Pei-Ming‘sw International landscapes, in Yishu Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol 8, Number 4, July/August 2009, p. 18-31.<br />
Yang Jiechang: ‗Domino, Christophe, ‗Enlightened writings‘, Asian Art News, vo.11, no.4, 2001; review,<br />
Asian Art News, vol.9, no.1, 1999; Geczy, Adam, ‗Yang Jiechang‘ (Review Gallery 4A, <strong>Sydney</strong>) in<br />
Art Asia Pacific, No. 38 (Fall 2003), pp. 77-78<br />
Zhao Wuji / Zao Wou-ki: Cheng, F., Zao Wou-ki, Paris, Grand-Palais, 1981; Zhao Wuji, Hong Kong Arts<br />
Centre, 1982; Leymarie, J., Zao Wou-ki, Paris, Editions Cercle d‘Art, 1986;<br />
Zhu Dechun / Chu Te-chun: Juin, H.L., Chu Teh-Chun, Paris, Musée de Poche, Gamma, 1979; Chu Tehchun,<br />
Hong Kong, Institute for the Promotion <strong>of</strong> Chinese Culture, 1986; Binks, Hilary, ‗Passion<br />
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Asian Artists Transnational Activity – Elsewhere in Europe<br />
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Acret, Susan, ‗49 th Venice Biennale: Northern Hemisphere Blues‘, Art AsiaPacific, no.33, 2002.<br />
Kapoor, Kamala ‗Art across oceans: The ‗Containers 96‘ exhibition in Copenhagen‘, Art AsiaPacific,<br />
no.14, 1997.<br />
Komissar, Mariann, ‗Crosscurrents: Indian, Norwegian & British Artists in Oslo‘, Art AsiaPacific, no.21,<br />
1999.<br />
Malik, Dr. Sarita, ‗DNA Asia: Mapping the Future <strong>of</strong> South Asian Arts in the UK‘ in Art Asia Pacific,<br />
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Vos, Ken, ‗Sharing Collections and Presenting Cultural Heritage in Asian-European Exchange:<br />
AEMUS conference ‗Marketplace <strong>of</strong> Museum‘s‘, IIAS Newsletter, No. 28, July 2002<br />
Wear, Eric Otto, ‗ Uncertainties at the Sao Paolo Bienal‘, Asian Art News, vol. 7, no. 2, 1997.<br />
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Individual Artists<br />
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Berlin, East-West: Garrett, Louise, ‗East-West in Berlin‘, Art AsiaPacific, 30, 2001<br />
Cai Guoqiang: Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice<br />
Biennial), Cornuda: Antiga Edizoni, 2003<br />
Chu, Julia Nee: Asian Art News, 2, no.4, Jul/Aug 1992.<br />
Dai Pedro: Tseng Yung-lu, ‗Pedro Dai‘, Free China Review,Aug-Sep,1986<br />
Gupta, Snil: Carver, Antonia, ‗Getting them between the eyes: an interview with Sunil Gupta‘, Art<br />
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Hanayo: review, Art AsiaPacific, 30, 2001<br />
Kabir, Shahid: Karim, Ziaul, ‗Process and memory‘, Asian Art News, vol. 8, no.2, 1998.<br />
Lopez, Sebastian: Preece, Robert, ‗On gatekeeping‘, Art AsiaPacific, 30, 2001<br />
Ming Fay: Magnan, Kathleen, F., ‗The Alchemist <strong>of</strong> Spirits‘, Asian Art News, July/August 1994.<br />
Ngan Wayne: Asian Art News, 2, no.2, Mar/Apr 1992.<br />
Qadri, Soham: Kwint, Marius, ‗Modernism Beyond Modernity‘, in Asian Art News, v. 18(2), March/April,<br />
2008, pp. 80 – 85.<br />
Sah, Cynthia: Millichap, John. ‗‗A Feeling for Stone: Cynthia Sah.‘ Asia-Pacific Sculpture News 2:1<br />
Shiota, Chiharu: Koplos, Janet, 'Chiharu Shiota at Kenji Taki', Art in America, Vol. 91, Issue 4, April 2003<br />
Wilfredo Lam: Tancock, John, ‗Wilfredo Lam‘ in Art Asia Pacific, No. 40 (Spring 2004), pp. 60-64<br />
Xiao Qin / Hsiao Ch‘in: Asian Art News, 2, no.1 Jan/Feb 1992.<br />
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Summer 2001<br />
Grewal, Inderpal, ‗Travelling Barbie: Indian Transnationality and New Consumer Subjects‘ in positions:<br />
east asia cultures critique, volume 7, number 3 (winter 1999), pp. 799-826<br />
Griffin, Tim, ‗Global Tendencies – Globalism and the Large Scale Exhibition‘ in Artforum (November<br />
2003), pp. 154-162<br />
Hirst, P.; Thompson, G., Globalization in Question, Cambridge, Polity, 1996.<br />
Holton, Robert J., Globalization and the Nation-state, Basingstoke, Macmillan, 1998.<br />
Hopkins, A.G., ed., Globalization in World History, London, Pimlico, 2002.<br />
Huang, D, ‗A few questions on the relationship between the development <strong>of</strong> Chinese contemporary art<br />
and the development <strong>of</strong> contemporary international art‘, in The First Academic Exhibition <strong>of</strong> Chinese<br />
Contemporary Art, Hong Kong, China Oil Painting Gallery, Ltd., 1996, pp. 39 – 43.<br />
Jameson, Fredric; Miyoshi Masao, eds. The Cultures <strong>of</strong> Globalization, Durham N.C., Duke <strong>University</strong><br />
Press, 1998.<br />
Jantjes, G., ed., A Fruitful Incoherence: Dialogues with Artists on Internationalism, London, Institute <strong>of</strong><br />
International Visual Arts, 1998.<br />
King, Anthony. ―The Times and Spaces <strong>of</strong> Modernity‖ in Global Modernities, ed. Featherstone et al.<br />
London: Sage, 1995, 108-123.<br />
King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991.<br />
Kristeva, Julia, Nations without Nationalism, New York, Columbia <strong>University</strong> Press, 1993.<br />
Lee, Pamela M., ‗Boundary Issues: The Art World Under the Sign <strong>of</strong> Globalism‘ in Artforum<br />
(November 2003), pp. 164-167<br />
Liu, Lydia H., ‗Beijing Sojourners in New York: Postsocialism and the Question <strong>of</strong> Ideology in Global<br />
Media Culture‘ in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 763-797<br />
Merewether, C., ‗Translation and Transnationalism: Reading the Local Otherwise.‘ In ARS 01:<br />
Unfolding Perspectives, pp. 57-66. Helsinki: Museum <strong>of</strong> Contemporary Art, Kiasma, 2002.<br />
Meyer, James, ‗The Global Exhibition‘ in Artforum (November 2003), pp. 154-162<br />
Nagahara, Yutaka, 1952-, ‗Monsieur le Capital and Madame la Terre Do Their Ghost-Dance:<br />
Globalization and the Nation-State‘, The South Atlantic Quarterly, 99.4, Fall 2000<br />
Ong Aihwa, Flexible Citzizenship: the cultural logics <strong>of</strong> transnationality, Durham, Duke <strong>University</strong> Press, 1999.<br />
Papastergiadis, Nikos & Araeen, Rasheed, ‗a monument against monuments‘ in Best, Susan & Green,<br />
Charles, eds. in the every day, critical and theoretical speculations on the 11th biennale <strong>of</strong> sydney, <strong>Sydney</strong>,<br />
Artspace, 1998.<br />
Rifas, Leonard, ‗Globalizing Comic Books from Below: How Manga Came to America‘, in International<br />
Journal <strong>of</strong> Comic Art, Vol. 6, No. 2, Fall 2004, pp. 138-171.<br />
Robertson, R., Globalization: Social Theory and global culture, London, Sage, 1992.
273<br />
Sakai, Naoki, 1946- ‗"You Asians:" On the Historical Role <strong>of</strong> the West and Asia Binary‘, South Atlantic<br />
Quartely, 99.4, Fall 2000<br />
Schein, Louisa, ‗Diaspora Politics, Homeland Erotics, and the Materializing <strong>of</strong> Memory‘ in positions: east<br />
asia cultures critique, volume 7, number 3 (winter 1999), pp. 698-729<br />
Tai, Mikala, ‗Defining and Curating the Global‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36,<br />
no. 3, September, 2007, pp. 171 – 173.<br />
Tomlinson, John, The Globalization <strong>of</strong> Culture, Cambridge, Polity Press, 1999.<br />
Theories <strong>of</strong> Art [selected]<br />
Ben-Amos, Dan, ‗The seven strands <strong>of</strong> tradition‘, Journal <strong>of</strong> Folklore Research, no.21, 1984.<br />
Bourdieu, Pierre, The Rules <strong>of</strong> Art: Genesis and Structure <strong>of</strong> the Literary Field, [1992, tr. Emanuel, S.],<br />
Cambridge, Polity Press, 1996.<br />
Couteau, Jean, ‗Toward a Consensual Definition <strong>of</strong> Contemporary Art?‘, in C Arts. Asian Contemporary<br />
Art and Culture, vol. 02, March/April, 2008, pp. 38 – 49.<br />
Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998.<br />
Adorno, T., Aesthetic Theory, [1970] London, Routledge and Kegan Paul, 1984,<br />
Adorno, T., Horkheimer, M., The Dialectic <strong>of</strong> Enlightenment [1944, 1969], London, Verso, 1979<br />
Adorno,T., Minima Moralia [1951], London, Verso, 1978<br />
Anderson, P., ‗Modernity and revolution‘, New Left Review, no.152, July/August 1985<br />
Baumann, Z., Legislators and Interpreters, Ithaca, Cornell <strong>University</strong> Press, 1987<br />
Berman, Marshall, All that is Solid Melts into Air: The Experience <strong>of</strong> Modernity, Simon and Shuster, New<br />
York, 1982<br />
Bürger, P., Theory <strong>of</strong> the Avant-garde, [1974], Minneapolis,<strong>University</strong> <strong>of</strong> Minnesota Press, 1984<br />
Crary J., Suspensions <strong>of</strong> perception: attention, spectacle and modern culture, Cambridge Mass., MIT Press, 2001.<br />
Eagleton, T., ‗Capitalism, Modernism, and Postmodernism‘, New Left Review, no.152, July/August 1985<br />
Eliot, T.S, Tradition and the Individual Talent, 1919, various editions.<br />
Foster, H., ed., Postmodern Culture [originally The Anti-Aesthetic], Port Townsend, The Bay Press, 1983,<br />
and London, Pluto Press,1987;<br />
Foster, H., Recodings, Seattle, Bay Press,1985<br />
Graburn, Nelson, Ethnic and Tourist Arts, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1976.<br />
Greenberg, C., Modernist Painting, 1965, reprinted in Frascina, ed., Modern Art and Modernism, Harper and<br />
Row, New York, 1982.<br />
Guilbaut, Serge, How New York Stole the Idea <strong>of</strong> Modern Art, Chicago: <strong>University</strong> <strong>of</strong> Chicago Press, 1983.<br />
Harvey, D., The Condition <strong>of</strong> Postmodernity, Oxford, Basil Blackwell, 1989.<br />
Haskell, F., Past and Present in Art and Taste, New Haven, Yale <strong>University</strong> Press, 1987 [review by Duro,<br />
P., Art History, vol.11, no.4, December 1988].<br />
Hess, W., Dokumente zum Verständnis der modernen Malerei, Hamburg, Rowolts Taschenbuch Verlag, 1956;<br />
H<strong>of</strong>mann, W., Grundlagen der Modernen Kunst, Stuttgart, Alfred Kröner Verlag, 1978;<br />
Huyssen, A., ‗Mapping the Postmodern‘, New German Critique, 33, Fall 1984, 5-52;<br />
Huyssen, A., ‗The Search for Tradition: Avant-Garde and Postmodernism in the 1970s‘, New German<br />
Critique, 22, Winter 1981, 23-40;<br />
Iversen, M., ‗The Positions <strong>of</strong> Postmodernism‘, Oxford Art Journal, 12:1, 1989, pages 31-34;<br />
Jameson, F., ‗Marxism and Postmodernism‘, New Left Review, 176, November / December 1989, 31-45;<br />
Jameson, F., ‗Postmodernism: the cultural logic <strong>of</strong> late capitalism‘ New Left Review, 146, July/August<br />
1984, 53-92;<br />
Jameson, F., ‗The Politics <strong>of</strong> Theory: Ideological Positions in the Post modernism debate‘, New German<br />
Critique, 33, Fall 1984;<br />
Jameson, F., Postmodernism, Durham, Duke <strong>University</strong> Press, 1992.<br />
Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.<br />
Lyotard, J-F,, The Postmodern Condition, Minneapolis, <strong>University</strong> <strong>of</strong> Minnesota Press, 1984;<br />
Matisse, H., Écrits et propos sur l‘art, Paris, Hermann, 1972;<br />
Mercer, Kobena, ‗Black Hair/Style Politics‘, New Formations, no.3, Winter 1987.
274<br />
Nietzsche, ‗Notes‘ (1873). In W. Kaufmann, editor and translator, The Portable Nietzsche, Viking Press,<br />
1954<br />
Nochlin, L., Realism, Harmondsworth, Penguin, 1971.<br />
Pollock, G., ‗Artists‘ mythologies and media genius, madness and art history‘, Screen, 21, no.3, 1980<br />
Pollock, G., and Orton, F., Vincent Van Gogh, Artist <strong>of</strong> his time, Oxford, Phaidon, 1978.<br />
Ray, W., The Logic <strong>of</strong> Culture: authority and identity in the modern era, Oxford, Blackwell Publishers, 2001.<br />
Rubin, William, ed.. & curator, ―Primitivism‖ in Twentieth Century Art, New York, The Museum <strong>of</strong><br />
Modern Art, 1984.<br />
Schmidt, B., Postmoderne - Strategie des Vergessens, Darmstadt und Neuwied, Hermann Luchterhand<br />
Verlag, 1986.<br />
Sontag, Susan, ‗On Style‘ &‘Notes on ―Camp‖‘, in Against Interpretation, New York, Farrar, Straus,<br />
Giroux, 1961, 1966.<br />
Spooner, Brian, ‗Weavers and dealers: The Authenticity <strong>of</strong> an Oriental Carpet‘, in Appadurai, Arjun,<br />
ed., The Social Life <strong>of</strong> Things, Cambridge, Cambridge <strong>University</strong> Press, 1986.<br />
Walker, J.A., Art in the age <strong>of</strong> mass media, London, Pluto Press, 1983<br />
Wollheim, R., On Art and the Mind, Cambridge, Harvard <strong>University</strong> Press,, 1974<br />
Zaya, Octavio; Michelson, Anders, Interzones: A work in progress, Tabapress, 1996.<br />
Art Movements<br />
Ackerman, J., ‗The Demise <strong>of</strong> the Avant-Garde‘, Comparative Studies in Society and History 11, no. 4,<br />
October, 1969<br />
Bürger, Peter, Theory <strong>of</strong> the Avant-Garde,[1974,1980] (tr. Shaw, M.; foreword by Schulte-Sasse, Jochen),<br />
Minneapolis, <strong>University</strong> <strong>of</strong> Minnesota Press, 1984.<br />
Calinescu, M., Five Faces <strong>of</strong> Modernity, Durham : Duke <strong>University</strong> Press, 1987.<br />
Calinescu, M., ― ‗Avant-Garde‘: Some Terminological Considerations‖, Yearbook <strong>of</strong> Comparative and<br />
General Literature, 23/4, 1974, at pg. 69.<br />
Danto, Artur C., After the end <strong>of</strong> art: contemporary art and the pale <strong>of</strong> history, Princeton, Princeton <strong>University</strong><br />
Press, 1997.<br />
Lehman, David, ―Politics, Protest and the Avant-Garde‖, Dissent, Fall 1998.<br />
Hess, T.B. & Ashberry, J., Avant-Garde Art, London, Collier-Macmillan, 1967, 1968.<br />
Jones, Caroline, Machine in the Studio, Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 2000.<br />
Krauss, Rosalind .E., The 0riginality <strong>of</strong> the Avant-Garde and Other Modernist Myths, Cambridge, The MIT<br />
Press, 1986, 1993.<br />
Poggioli, Renato, The Theory <strong>of</strong> the Avant-Garde, [1962, tr. Fitzgerald, G.], Cambridge, The Belknap Press,<br />
1968.<br />
Szabolsci, M., ―Avant-Garde, Neo-Avant-Garde, Modernism: Questions and Suggestions‖, New Literary<br />
History: Modernism and Postmodernism, III/1, Autumn, 1971.<br />
Wood, P., ed., The Challenge <strong>of</strong> the Avant-Garde, New Haven, CT : Yale <strong>University</strong> Press ; London : Open<br />
<strong>University</strong>, 1999.<br />
Corporeal Theories (selected)<br />
Ames, Roger T. and Kasulis Thomas P., with Dissanayake, Wimal, Self as body in Asian theory and practice,<br />
Albany : State <strong>University</strong> <strong>of</strong> New York Press, c1993.<br />
Butler, Judith, Bodies that matter: on the limits <strong>of</strong> discursive sex, New York, Routledge, 1993.<br />
Elkins, James, Pictures <strong>of</strong> the body : pain and metamorphosis, Stanford, Calif. : Stanford <strong>University</strong> Press, 1999<br />
Haraway, Donna, Simians, Cyborgs and Women: the reinvention <strong>of</strong> Nature, New York, Routledge, 1991<br />
Kemp, Martin and Wallace, Marina, Spectacular Bodies: The Art and Science <strong>of</strong> the Human Body from Leonardo<br />
to Now, Berkeley: <strong>University</strong> <strong>of</strong> California Press, 2000<br />
Kristeva, Julia [tr. Roudiez, Leon S.], Powers <strong>of</strong> Horror: An essay on abjection, New York, Columbia<br />
<strong>University</strong> Press, 1982.<br />
Merleau-Ponty, Maurice, Phenommenology <strong>of</strong> Perception, London: Routledge & Kegan Paul, 1962<br />
Leder, Drew, The Absent Body, Chicago: <strong>University</strong> <strong>of</strong> Chicago Press, 1990
275<br />
Zito, Angela and Barlow, Tani E., Body, subject & power in China, Chicago : <strong>University</strong> <strong>of</strong> Chicago Press,<br />
1994.<br />
ASIA, AFRICA <strong>AND</strong> ISLAM IN PRE-<strong>MODERN</strong> EURAMERICAN <strong>ART</strong><br />
Bugner, L. ed., The Image <strong>of</strong> the Black in Western Art, in progress 1989, Menil Foundation distributed by<br />
Harvard <strong>University</strong> Press.<br />
1. Vercoutter, J., From the Pharoahs to the Fall <strong>of</strong> the Roman Empire<br />
2. From the Early Christian Era to the ―Age <strong>of</strong> Discovery‖<br />
2.1. Devisse, J., Courtes, J.M., From the demonic threat to the incarnation <strong>of</strong> Sainthood<br />
2.2. Devisse, J., Mollat, M., Africans in the Christian ordinance <strong>of</strong> the world, 14th to 16th centuries<br />
3. Africa and Europe 16th to 18th centuries [in progress]<br />
4 From the American Revolution to World War I, Dalton, Karen C.C., associate editor<br />
4.1. Honour, H., Slaves and Liberators<br />
4.2 Honour, H., Black Models and White Myths<br />
Coombs, A.E.S., ‗―For God and For England‖:contributions to an image <strong>of</strong> Africa in the first decade<br />
<strong>of</strong> the twentieth century‘, Art History, Vol.8, No.4 ,December 1985<br />
Coombs, A.E.S., Edwards, S., ‗Site Unseen: Photography in the Colonial Encounter. Images <strong>of</strong><br />
Subconscious Eroticism‘, Art History, vol.12, no.4, December 1989<br />
Coombs, A.E.S., Lloyd,J., ‗―Lost and Found‖ at the Museum <strong>of</strong> Mankind‘, Art History, vol.9, no.4,<br />
December 1986<br />
Daniel, N., Islam and the West, the Making <strong>of</strong> an Image, 1962<br />
Daniel, N., The Arabs and Mediaeval Europe, London and Beirut, Longman, 1975<br />
Daniel, N., The Cultural Barrier, Edinburgh UP, 1975<br />
Farago, Claire, Reframing the Renaissance: visual culture in Europe and Latin America, 1450-1650, New Haven,<br />
Yale <strong>University</strong> Press, 1995 [see essays by Farrago, Klein, Mitchell].<br />
Gerstle, D., Milner, A., eds., Europe and the Orient, Canberra, The Humanities Research Centre <strong>of</strong><br />
Australian National <strong>University</strong>, 1994.<br />
Gruzinski, Serge, Painting the conquest : the Mexican Indians and the European Renaissance (translated by Deke<br />
Dusinberre), Paris: Unesco : Flammarion, 1992<br />
Islam and the Medieval West, [catalog], Binghampton, State <strong>University</strong> <strong>of</strong> New York, 1975.<br />
Lach, D.F., Asia in the Making <strong>of</strong> Europe, 3 vols., Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 1965, 1994.<br />
Lévine, David, dir., Americas Lost, Paris, Bordas SA, 1992<br />
Mackerras, C., Western Images <strong>of</strong> China, Hong Kong, Oxford <strong>University</strong> Press, 1989<br />
The Meeting <strong>of</strong> Two Worlds. Cultural Exchange between East and West during the Period <strong>of</strong> the Crusades, Ann<br />
Arbor, <strong>University</strong> <strong>of</strong> Michigan Museum, 1981<br />
Wichmann, Siegfried, (Entwicklung and Leitung), Weltkulturen und moderne Kunst München, Verlag<br />
Bruckmann, 1972<br />
NON-EURAMERICAN THEORIES <strong>AND</strong> POSITIONS ON <strong>MODERN</strong>ITY<br />
General<br />
Archer-Straw, Petrine, New World Imagery‖ Contemporary Jamaican Art, London, South Bank Centre, 1995.<br />
Ahmad, A., ‗Orientalism and After: Ambivalence and Cosmopolitanism in the work <strong>of</strong> Edward Said‘,<br />
Economic and Political Weekly, 25.7.1992.<br />
Ahmad, A., In Theory, London, Verso, 1992.<br />
Ahmad, A., ‗ ―Third World Literature‖ and the Nationalist Ideology‘, Journal <strong>of</strong> Arts & Ideas, nos. 17/18,<br />
June 1989.<br />
Ahmad, Aijaz, On Communalism and Globalization: Offensives <strong>of</strong> the Far Right, New Delhi: Three Essays<br />
Press, 2002.<br />
Biggs, Bryan et al, Trophies <strong>of</strong> Empire, Liverpool, Bluecoats Gallery, 1994.
276<br />
Fanon, F., The Wretched <strong>of</strong> the Earth, Harmondsworth, Penguin, 1965<br />
Kapoor, Geeta, ‗Globalisation and Culture.‘ Third Text no.39 Summer 1997<br />
Kapoor, Geeta. ‗Contemporary Cultural Practice: Some Polemical Categories.‘ Third Text no.11<br />
Summer 1990<br />
Okakura Kakuzô [Tenshin], The Ideals <strong>of</strong> the East, London, John Murray, 1903,<br />
Okakura Kakuzo [Tenshin], ‗Notes on Contemporary Japanese Art‘, International Studio, 16, April 1902,<br />
126-30.<br />
Okakura, Kakuzô [Tenshin], Collected English Writings, 3 volumes, Tokyo, Heibonsha, 1984<br />
O‘Hanlon, R., ‗Recovering the subject Subaltern Studies and Histories <strong>of</strong> Resistance in Colonial South<br />
Asia‘, Modern Asian Studies, 22, 1, 1988.<br />
R<strong>of</strong>el, Lisa, ‗Modernity and its Discontents‘, positions east asia cultures critique, Vol. 9, Number 3, Winter<br />
2001<br />
Africa<br />
Abiodun, Rowland et al, Yoruba: Art and Aesthetics, Zurich, Center for African Art & Rietberg Museum,<br />
1991.<br />
Appiah, Kwame Anthony, review, Critical Inquiry, no.17, Winter 1991.<br />
Appiah, Kwame Anthony, In my father‘s house: Africa in the philosophy <strong>of</strong> culture, New York, Oxford<br />
<strong>University</strong> Press, 1992.<br />
Ekpo, Denis, ‗How Africa Misunderstood the West: The Failure <strong>of</strong> Anti-West Radicalism and<br />
Postmodernity‘, Third Text, n35, Summer 1996, 3-13.<br />
Enwezor, Owiu; Zaya, Octsavio, ―Moving In: eight contemporary African artists‘, Flash Art, XXIX,<br />
186, Jan/Feb 1996.<br />
Gabriel, T.H., Third Cinema in the Third World, Ann Arbor, UMI Research Press, 1982<br />
Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for African Arts, 2001<br />
Hassan, Salah M., ‗The modernist experience in African art: towards a critical understanding ‗ in<br />
Hassan, Salah M., Altbach, Phillip G., The muse <strong>of</strong> modernity: essays on culture and development in Africa,<br />
Trenton & Asmara, Africa World Press, 1990<br />
Hassan Salah M.; Enwezor, Okwui, New Visions: recent works by Six Contemporary African Artists,<br />
Eatonville: Zora Neal Hurston National Museum <strong>of</strong> Fine Arts, 1995.<br />
Hassan, Salah M., Oguibe, Olu, Authentic / Ex-Centric: Conceptualism in Contemporary African Art, Ithaca,<br />
Forum for African Arts, 2001.<br />
Hylton, Richard, ‗Re-Framing Africa: Reading the Contemporary: African Art from Theory to the<br />
Marketplace edited by Olu Oguibe and Okwui Enwezor‘, Third Text, n50, Spring 2000, 122-4:<br />
McEvilley, T., Fusion: West African Artists at the Venice Biennale, New York, Museum for African Art,<br />
1993.<br />
Mudimbe, Y.Y., The Invention <strong>of</strong> Africa: Gnosis, Philosophy, and the Order <strong>of</strong> Knowledge, Bloomington, Indiana<br />
<strong>University</strong> Press, 1988.<br />
Ngugi wa Thiong‘o, Decolonising the Mind, London, James Carrey, 1986<br />
Ngugi, wa Thiongo, Moving the Centre: The Struggle for Cultural Freedom, London, Heinemann, 1993.<br />
Oguibe, Olu, The painting and prints <strong>of</strong> Uzo Egonu: 20 th century Nigerian artist, PhD Thesis SOAS, 1992<br />
Oguibe, Olu, ‗In ―The Heart <strong>of</strong> Darkness‖‘, Third Text, no.23, 1993.<br />
Oguibe, Olu, Uzo Egonu: An African artist in the West, London, Kala Press, 1995.<br />
Oguibe, Olu; Enwezor, Okwui, Reading the contemporary: African Art from Theory to Marketplace, London, in<br />
IVA, 1999.<br />
Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from Theory to Marketplace, London,<br />
inIVA,1999.<br />
Pollack, Barbara, ‗Okui Enwezor: recharting borders‘, Art News, 100, 11, 2001<br />
Pietz, William, ‗The Problem <strong>of</strong> Fetish‘, part 1, Res, no.9, Spring 1985; part 2, Res, no.13, Spring 1987,<br />
part 3a Res, no.16. Autumn 1988<br />
Senghor,Léopold Sédar, Liberté III: Négritude et Civilisation de l‘Universel, Paris, Seuil,
277<br />
Australia<br />
Cramer, Sue, C., ed., Postmodernism: A consideration <strong>of</strong> the appropriation <strong>of</strong> aboriginal imagery , Brisbane,<br />
Institue <strong>of</strong> Modern Art, 1989.<br />
Dallas, C., ‗Conjuring Tricks‘, Artscribe, September/October,1989<br />
Fry, T., ‗Art as Ethnocide: The Case <strong>of</strong> Australia‘, Third Text, no.5.<br />
Fry, T., Willis, A-M., ‗Aboriginal Art:Symptom or Success?‘, Art in America, July 1989.<br />
Gascoigne, John, The enlightenment and the origins <strong>of</strong> European Australia, Cambridge, Cambridge <strong>University</strong><br />
Press, 2002.<br />
Gibson, Ross, Postcolonialism and the narrative construction <strong>of</strong> Australia, Bloomington, Indiana <strong>University</strong><br />
Press, 1992<br />
Gunew, Sneja & Rizvi, Fazal, Culture, Difference, and the Arts, <strong>Sydney</strong>, Allen and Unwin, 1994.<br />
Gunew, Sneja, Framing Marginality, Multicultural Literary Studies, Melbourne, Melbourne <strong>University</strong> Press,<br />
1994.<br />
Murphy, B., ‗‗Provincialism Refigured‘ or Culture Disfigured?‘, Art Monthly [Australia], no.15, October<br />
1988 [reply to Smith,T., below]<br />
Smith, T., ‗Provincialism Refigured‘, Art Monthly [Australia], no.13, August 1988 [and the reply to<br />
Murphy, no.15, in no.16, 1988].<br />
Smith, T., ‗Second person/first peoples: writing about post-colonial art‘, Art Monthly Australia, 64,<br />
October 1993<br />
Smith, T., ‗The Provincialism Problem‘, Art Forum, 1974, reprinted in Taylor, P. ed., Anything Goes:<br />
Smith, Terry, What is Contemporary Art?, <strong>Sydney</strong>, Artspace, 2001.<br />
Smith, Terry, Transformations in Australian Art, Volume One: The Nineteenth Century – Landscape, Colony and<br />
Nation; Volume Two, The Twentieth Century, Modernism and Aboriginality, <strong>Sydney</strong>, Craftsman House,<br />
2002 [review by Ian Maclean, Art Monthly Australia, no.164, October, 2003]<br />
The Islamic World<br />
Ali, W., Modern Islamic Art: Development and Continuity, Gainesville, <strong>University</strong> Press <strong>of</strong> Florida, 1997<br />
Ali, W., ed., Contemporary Art from the Islamic World, London, Scorpion Publishing, 1989<br />
A History <strong>of</strong> Turkish Painting, Seattle, <strong>University</strong> <strong>of</strong> Washington Press, 1988.<br />
Khatbi, Abdelkébir, L‘art contemporain arabe, Paris, Institut du Monde Arabe, 2001<br />
Renda G., Kortepeter, Carl M., eds, The Transformation <strong>of</strong> Turkish Culture, Princeton, Kingston Press,<br />
1986<br />
Meso- and South America<br />
Baddeley, Oriana, ‗Nostalgia for a New World‘, Third Text, n21, Winter 1992/93, 29-34.<br />
Berelowitz, Jo-Anne, ‗Conflict over ―Border Art‖: Whose subject, whose border, whose show?‘, n40,<br />
Autumn 1997, 69-83<br />
Berg, Stephen, ‗An Introduction to Oswald de Andrade‘s Cannibalist Manifesto‘, n46, Spring 1999, 89-<br />
91<br />
Camnitzer, Luis, ‗Spanglish Art‘, Third Text, n13, Winter 1990/91, 43-47.<br />
Canclini, Nestor Garcia, ‗Remaking Passports: Visual Thought in the Debate on Multiculturalism‘, Third<br />
Text, n28/9, Autumn/Winter 1994, 139-146.<br />
Canclini, Néstor García, Hybrid Cultures: Strategies for entering and leaving modernity, Minneapolis, <strong>University</strong><br />
<strong>of</strong> Minnesota Press, 1995<br />
Craven, David, ‗The Latin American Origins <strong>of</strong> ―Alternative Modernity‖‗, Third Text, n36, Autumn<br />
1996, 29-44<br />
Goldman, Shifra M., ―Metropolitan Splendors: The buying and selling <strong>of</strong> Mexico‘ Third Text, 14, Spring<br />
1991.<br />
Goldman, Shifra M., ‗How Latin American Artists in the US View Art, Politics and Ethnicity in a<br />
Supposedly Multicultural World‘, Third Text, n16/17, Autumn/Winter 1991, 188-192.<br />
Goldman, Shifra M., ‗Metropolitan Splendors: The Buying and Selling <strong>of</strong> Mexico‘, n14, Spring 1991,
278<br />
Goldman, Shifra M., Dimensions <strong>of</strong> the Americas: Art and social change in Latin America and the United States,<br />
Chicago, Chicago <strong>University</strong> Press, 1994.<br />
Gray, Nicola, ‗Excellente: Hybridity and Travel in Art from Mexico City and Beyond; El Super Show<br />
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BIENNALES <strong>AND</strong> <strong>CONTEMPORARY</strong> <strong>ASIAN</strong> <strong>ART</strong><br />
By John Clark, with inclusions from Thomas Berghuis, Emma Duffy, Helen Grace, Francis Maravillas,<br />
and Martin Polkinghorne.<br />
N.B. This bibliography is not comprehensive and mostly contains just the works the author has<br />
consulted, with the addition <strong>of</strong> some he otherwise considers relevant.<br />
Museum & Exhibition Practice<br />
Allwood, John The Great Exhibitions, London, Studio Vista, 1977.<br />
Aoki Shigeru & Kitazawa Noriaki, ‗Bankoku Hakurankai no Jidai‘, in Nihon Yôga Shôshi, Tokyo, Bijutsu<br />
Shuansha, 1994 [rev.ed.].<br />
Barker, Emma, ed., Contemporary Cultures <strong>of</strong> Display. London, Yale <strong>University</strong> Press, 1999.<br />
de Cauter, Lieven ‗The Panoramic Ecstasy: On World Exhibitions and the Disintegration <strong>of</strong><br />
Experience‘, Theory, Culture and Society, Vol. 10, 1993, 1-23.<br />
Bennett, Tony, Pasts Beyond Memory : Evolution, Museums, Colonialism, London, Routledge, 2004.<br />
Cerver, Francisco Asensio, The architecture <strong>of</strong> museums ; New York : Hearst Books International, 1997<br />
Findling, John E. ed Historical Dictionary <strong>of</strong> World‘s Fairs and Expositions 1851 – 1988, Greenwood Press,<br />
New York, 1990<br />
Frick Fine Arts Library bibliography, International Exhibitions [Library Guide Series no.42], available<br />
online from www.library.pitt.edu/subject-guides/arthistory/<br />
Greenberg, Renee, Ferguson Bruce and Nairne, Sandy , ‗Introduction‘ in R. Greenberg, B.W. Ferguson,<br />
S. Nairne eds. Thinking about Exhibitions, Routledge, London and New York, 1996.
282<br />
Greenhalgh, Paul ‗Education, Entertainment and Politics: Lessons from the Great International<br />
Exhibitions‘ in Vergo, Peter ed The New Museology. Reaktion Books, London, 1991, 74-98<br />
Greenhalgh, Paul, Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World‘s Fairs, 1851-<br />
1939, Manchester, Manchester <strong>University</strong> Press, 1988.<br />
Grynstejn, Madeleine, ‗The Pittsburgh biennial – The Carnegie International: a history in brief‘, in<br />
Heinrich, B., ed., Das Lied von der Erde / The Song <strong>of</strong> the Earth, catalogue, Kassel, Museum<br />
Fridericianum, 2000.<br />
Hotta-Lister, Ayako, ‗Japan‘s Participation in Exhibitions‘, Appendices A and B to her The Japan British<br />
Exhibition <strong>of</strong> 1910, Richmond, Curzon Press, 1999.<br />
Karp, Ivan, ‗Culture and Representation‘ in Karp, Ivan & Lavine, S., eds Exhibiting Cultures: The Poetics<br />
and Politics <strong>of</strong> Museum Display, Smithsonian Institution Press, Washington DC, 1991.<br />
Kreps, Christine K (2003) Liberating culture : cross-cultural perspectives on museums, curation, and heritage<br />
preservation (London ; New York : Routledge).<br />
Mitchell, Timothy, ‗The World as Exhibition‘, Comparative Studies in Society and History, vol 31, no.2, 1989.<br />
Mitchell, Timothy, ‗Orientalism and the Exhibitionary Order‘ in N. Mirzoeff ed. The Visual Culture<br />
Reader 2 nd edition, Routledge, London and New York, 2002.<br />
Pastor Roces, Marion ‗Crystal Palace Exhibitions‘ in Mosquera Gerard & Fisher, Jean (eds) Over Here:<br />
International Perspectives on Art and Culture , Boston, MIT Press, 2005.<br />
Preziosi, Donald, Brain <strong>of</strong> the earth's body : art, museums, and the phantasms <strong>of</strong> modernity, Minneapolis,<br />
<strong>University</strong> <strong>of</strong> Minnesota Press, 2003.<br />
Preziosi, Donald & Farago, Claire (eds), Grasping the world : the idea <strong>of</strong> the museum, Burlington, Ashgate<br />
Publishers, 2004<br />
Šola, Tomislav, Essays on museums and their theory : towards the cybernetic museum, Helsinki : Finnish<br />
Museums Association, 1997<br />
Sherman Daniel & Rog<strong>of</strong>f, Irit (eds) Museum culture : histories, discourses, spectacles, Minneapolis, <strong>University</strong><br />
<strong>of</strong> Minnesota Press, 1994<br />
Asian Art, Modern and Contemporary [duplicates some sections above]<br />
Akbar, Shireen, curator, Rickshaw Painting: Traffic Art in Bangladesh, Fukuoka, Fukuoka Asian Art<br />
Museum, Fukuoka, 1994<br />
Clark, John, ‗Modernities in Art: how are they ―other‖?‘ in World Art Studies: exploring Concepts and<br />
Approaches, eds. Wilfried van Damme and Kitty Zijlmans, Amsterdam: Amsterdam <strong>University</strong><br />
Press, 2006.<br />
Clark, John ‗A spectacle <strong>of</strong> questions‘, Asian Art News, vol.16, no.1, January/February, 2006, 68-72.<br />
Clark, John, ‗Between the worlds: Chinese art at Biennales since 1993‘ in Yishu, A journal <strong>of</strong> Chinese<br />
Contemporary Art, 2005 [Extended version reprinted as Chapter Three here]<br />
Clark, John, Entry on ‗Modern and Contemporary Asian Art‘ in Grove Art Online / The Dictionary <strong>of</strong> Art,<br />
New York, Oxford <strong>University</strong> Press, September 2005<br />
Clark, John, on ‗Japanese Contemporary Art and Globalization‘ presented at conference<br />
‗Globalization, Localization, and Japanese Culture in the Asia Pacific Region‘ organized by the<br />
International Center for Japanese Studies, Kyoto, and the Department <strong>of</strong> Japanese Studies <strong>of</strong> the<br />
National <strong>University</strong> <strong>of</strong> Singapore from October 28 th to 30 th , 2004. [reprinted as Chapter Two<br />
here]<br />
Clark John, essay for www.anthology-<strong>of</strong>-art.net ‗What in the context <strong>of</strong> contemporary art, is your vision<br />
<strong>of</strong> a future art?‘, February, 2002.<br />
Clark, John, ‗Asian Modernisms‘, Humanities Research, 2, 1999 & Marg, March 2002.<br />
Clark, John editor and contributor, Chinese art at the end <strong>of</strong> the millennium, Hong Kong, New Art Media,<br />
2000<br />
Clark, John, ‗Modern Asian Art: its construction and reception‘, in Asian Contemporary Art Reconsidered,<br />
Tokyo, Japan Foundation Asia Center, 1998.
283<br />
Clark, John, Modern Asian Art, <strong>Sydney</strong>, Craftsman House & Honolulu, <strong>University</strong> <strong>of</strong> Hawai‘i Press,<br />
1998.<br />
Clark, J., ‗The Conditions for Post-Modernity in Japanese art <strong>of</strong> the 1980s‘, in Sugimoto, Y., ed., The<br />
Postmodernity Debate and the Japanese Experience, London, Kegan Paul International, 1994<br />
Clark, John, Editor and Contributor, Modernity in Asian Art, <strong>Sydney</strong>, Wild Peony Press, 1993.<br />
Clarke, David, ‗Contemporary Asian Art and its Western Reception‘, Third Text, vol. 16, no. 3, 2002,<br />
237-242.<br />
Flores, Patrick, ‗Place and Presence: Conditions <strong>of</strong> Possibilities in Contemporary Asia Art‘,<br />
unpublished Power Lecture, Museum <strong>of</strong> Contemporary Art, <strong>Sydney</strong>, unpaginated, 2002.<br />
Friede, Claus, Seyfarth, Ludwig, eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities,<br />
Hamburg, Kunsthaus Hamburg ,2000.<br />
Kishi, Sayaka, ‗Bijutsukan ―Ajia‖ to deau toki – Fukuoka Ajia Bijutsukan no setsuritsu to tenkai‘, in<br />
Hirano Kenichirô, kanshû, Sengô nihon no kokusai bunka kôryû, Tokyo, Chikusô Shobô, 2005<br />
Lee Weng-Choy, ‗Just What Is It that Makes the Term Global-Local So Widely Cited, Yet So<br />
Annoying?‘ in Flight Patterns, exhibition catalogue, The Museum <strong>of</strong> Contemporary Art, Los<br />
Angeles, 2000<br />
Mertens, Brian, ‗Womanifesto 2001‘, Art AsiaPacific, no.36, 2002.<br />
McEvilley, Thomas: ‗Towards a World-class City‘, Art in America, Sept 1995 Vol 83 No 9 p45<br />
Napack, Jonathan: ‗Alternative visions‘: (Art in America Nov 2002 Vol 90 Issue 11) p94-9<br />
Nuridsany. Michel, China Art Now, [tr. Pickford, Susan] Paris, Flammarion, 2004<br />
Poshyananda, Apinan, cur. & ed., Traditions/Tensions, New York, Asia Society, 1995.<br />
Sekai Bijutsu Zenshû, Tokyo, Heibonsha, 1928-30<br />
Tipton, Elise; Clark, John, eds, Being Modern in Japan: Culture and Society from the 1910s to the 1930s,<br />
<strong>Sydney</strong>, Australian Humanities Research Foundation and Honolulu, <strong>University</strong> <strong>of</strong> Hawaii Press,<br />
2000.<br />
Turner, Caroline. Ed., Art and Social Change: Contemporary Art in Asia and the Pacific,, Canberra, Pandanus<br />
Books,2005<br />
Vine, Richard: ‗Asian Futures‘ Art in America July 1998 Vol 86 No 7 p34-43<br />
Vine, Richard: ‗The Wild, Wild East‘, Art in America Sept 2003 Vol 91 Issue 9 p40-9<br />
Wee, C.J. W-L: (2003) ‗Creating High Culture in the Globalized ‗Cultural Desert‘ <strong>of</strong> Singapore‘ in The<br />
Drama Review, Vol 47, No 4, Winter 2003)<br />
Weisenfeld, G., Mavo: Japanese artists and the avant-garde 1905-1931, Berkeley, <strong>University</strong> <strong>of</strong> California<br />
Press, 2002<br />
Australia, Art and Asia [duplicates some sections above]<br />
Australian Academy <strong>of</strong> the Humanities, Knowing Ourselves and others: The Humanities in Australia into the 21 st<br />
century, 3 volumes, Canberra, Australian Government Publishing Service, 1998<br />
Barnes, Carolyn; Wright, William; John Young, Fisherman‘s Bend, Craftsman House, 2005.<br />
Birrell, Bob, Rapson, Virginia, ‗Two Australias: Migrant settlement at the end <strong>of</strong> the 21 st century‘, People<br />
and Place, vol.10, no.1, 2002<br />
Broinowski, Alison , The Yellow lady: Austraian Impressions <strong>of</strong> Asia, Melbourne, Oxrford Unviersity Press,<br />
1992;<br />
Broinowski, Alison ,. ‗Asianization and its Discontents‘, Meanjin, vol. 57, no.3, 1998<br />
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Foster, Hal ; Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, Art since 1900: modernism,<br />
antimodernism, postmodernism, London, Thames & Hudson, 2004 [See reviews by Clark in Yishu:<br />
Journal <strong>of</strong> Contemporary Chinese Art , no.15, December 2005, and McNeil David, ]<br />
Guillory, John, ‗Canon‘ in Lentricchia, Frank; McLaughlin, Thomas, Critical Terms for Literary Study,<br />
Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 1990.<br />
Habermas, Jürgen The Theory <strong>of</strong> Communicative Action, 2 vols, [tr. Thomas McCarthy], London,<br />
Heinemann, 1984<br />
Heidegger, Martin , ‗The Age <strong>of</strong> the World Picture‘, The Question Concerning Technology and Other Essays,<br />
trans. W. Lovitt, Harper, New York, 1977.<br />
Heinich, Nathalie, Le triple jeu de l‘art contemporain, Paris, Les Éditions de Minuit, 1998; [summary in<br />
Schaeffer, Jean-Marie: Think Art, Rotterdam, Witte de With, 1998]<br />
Holmes, Brian, ‗Maps, Global Solidarities‘, Paris, Piet Zwart Institute, 2003 [from pzwart.wdka.hro.nl]<br />
Homes, Brian, ‗Flowmaps, the imaginaries <strong>of</strong> global integration‘, Paris, Piet Zwart Institute, 2003<br />
Sakai, Naoki ‗‗You Asians‘: On the Historical Role <strong>of</strong> the West and Asia Binary‘, The South Atlantic<br />
Quarterly, vol. 99, no.4, 2001, 789-817.<br />
Sakai, Naoki ‗Modernity and Its Critique: The Problem <strong>of</strong> Universalism and Particularism‘ in M.<br />
Miyoshi and H.D. Harootunian eds. Postmodernism and Japan, Duke <strong>University</strong> Press, Durham and<br />
London, 1989.<br />
Biennales and Triennales by Site [only lists material available to John Clark]<br />
Beijing:<br />
2003<br />
The First Beijing International Art Biennale, China 2003, Promotional Brochure, Beijing International Art<br />
Biennale Office<br />
The Conference <strong>of</strong> the First Beijing International Art Biennale, China 2003 – Originality: Contemporaneity and<br />
Locality, Handbook, Beijing International Art Biennale Office, 2003<br />
Zhang Zhaohui, ‗A Mixed Bag‘, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.48-53.;<br />
Smith, Karen., ‗Review <strong>of</strong> the Inaugural Beijing Biennale‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />
Vol. 2 No. 4, December 2003, p.88-90.<br />
Smith, Karen, ‗1 st Beijing Biennale‘ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 78<br />
Wang Meiqin, ‗The Beijing Biennale: The Politics <strong>of</strong> Chinese Characteristics‘, in Yishu Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol. 7, No. 4, July 2008, pp. 20-31<br />
2005<br />
The Second Beijing International Art Biennale, China 2005, Promotional Booklet, Beijing International Art<br />
Biennale Office, 2005<br />
2008<br />
Don, Katherine, ‗Beijing Biennale: July 8-Aug 12‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec<br />
2008): 110(2)<br />
Brisbane: Asia-Pacific Triennial <strong>of</strong> Contemporary Art [APT]<br />
Overall<br />
Marravillas, Francis, ‘Cartographies <strong>of</strong> the Future: The Asia-Pacific Triennials and the Curatorial<br />
Imaginary‘, Cartographies <strong>of</strong> the Future: The Asia-Pacific Triennials and the Curatorial<br />
Imaginary‘ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia<br />
Research Institute, National <strong>University</strong> <strong>of</strong> Singapore, Singapore, 19-22 February 2004, revised<br />
version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild<br />
Peony, 2006<br />
Turner, Caroline, ‗Cross-Cultural Engagements in Asian Art: The Fukuoka Triennale and the Asia-<br />
Pacific Triennial‘ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia<br />
Research Institute, National <strong>University</strong> <strong>of</strong> Singapore, Singapore, 19-22 February 2004, revised
296<br />
version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild<br />
Peony, 2006<br />
APT I 1993<br />
[reviews and articles] Artlink, 13, 3 & 4, November-March 1993/95; Art Monthly Australia 65,<br />
November 1993; Asian Art News, vol.3, no.6, November-December 1993;<br />
Britton, Stephanie, ‗Review <strong>of</strong> the Conference Identity Tradition and Change: Contemporary Art <strong>of</strong> the Asia<br />
Pacific Region‘, Artlink, Vol. 13, No.3&4, November-March 1993/94,<br />
correspondence: Art Monthly Australia, no.67, March 1994; no.68, April 1994,<br />
Ewington, J., ‗Identity, Tradition & Change: Photography at the Asia-Pacific Triennale, Phot<strong>of</strong>ile, 40,<br />
1994;<br />
Ewington, J., Nguyen Quan, Torres, E. in Art & Asia Pacific, vol.1, no.2, 1994;<br />
Gallagher, Jane, , An analysis <strong>of</strong> critical categories operant in the Asia-Pacific Triennale, B.A. Unpublished<br />
Honours Thesis, Power Department <strong>of</strong> Fine Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>1994;<br />
Hall, Doug, Queensland Asia Pacific Triennial Bulletin, vol. 1 no.2, 1992 .<br />
H<strong>of</strong>fie, P., ‗1993 Asia Pacific Triennial‘, Art & Asia Pacific, supplement to Art & Australia, September<br />
1993;<br />
Hogan, J., ed., The First Asia-Pacific Triennal <strong>of</strong> Contemporary Art, Brisbane, Queensland Art Gallery, 1993.<br />
Mendelssohn, Joanna, ‗Review: First Asia-Pacific Triennial <strong>of</strong> Contemporary Art, Queeensland Art<br />
Gallery‘, Artlink, Vol. 13, No.3&4, November-March 1993/94;<br />
Roces, Marion Pastor, ‗A certain critical mass‘, Art Monthly Australia, , no. 63, Nov 1993;<br />
Turner, C., ed., Tradition and Change, Contemporary Art <strong>of</strong> Asia and the Pacific, Brisbane, <strong>University</strong> <strong>of</strong><br />
Queensland Press, 1993.<br />
Turner, Caroline, ‗Introduction – From Extraregionalism to Intraregionalism‘, in The First Asia Pacific<br />
Triennial <strong>of</strong> Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1993.<br />
Wallace, Linda, ‗The Asia-Pacific Triennial <strong>of</strong> Contemporary Art‘, Review, Art & Text 47, January<br />
1994;<br />
Williamson, Claire, ‗Remapping the Asia-Pacific‘, Art Monthly Australia, no.65, Nov 1993;<br />
APT II 1996<br />
Clark, J. & Gutman, P., ‗The Second Asia-Pacific Triennial <strong>of</strong> Cotemporary Art: A Conversation‘,<br />
Eyeline, no.32, 21-23<br />
Ewington, Lee, Ushiroshoji, Losche in <strong>ART</strong> AsiaPacific, no.15, 1997<br />
Flores, Mehta, Kent, in Eyeline: contemporary visual arts, no.32, summer 1996;<br />
Gibson in Flash Art, Jan- Feb 1997;<br />
McDonald, J. <strong>Sydney</strong> Morning Herald, 5th October 1996;<br />
Mendelsohn, Hall & McCulloch, Thomas, Turner, Howard, McCulloch, in Asian Art News, vol.7, no.1,<br />
Jan/Feb 1997;<br />
Stein in Art in America, June 1997;<br />
Turner, C. & Devenport, Rhana, [catalog] The Second Asia-Pacific Triennale <strong>of</strong> Contemporary Art, Brisbane,<br />
Queensland Art Gallery, 1996<br />
Turner, C. & Devenport, Rhana, [Explanatory pull-out] in <strong>ART</strong> AsiaPacific, no.13, 1997;<br />
Clark, John 1996 ‗The Second Asia-Pacific Triennial <strong>of</strong> Cotemporary Art: A Conversation‘, Eyeline,<br />
no.32, 21-23.Turner, C., Devenport, R. eds., Present Encounters: papers from the conference <strong>of</strong> the Second<br />
Asia-Pacific Triennale <strong>of</strong> Contemporary Art, Brisbane, Queensland Art Gallery & Griffith <strong>University</strong>,<br />
1996;<br />
APT III 1999<br />
Artlink, Vol. 20, No. 2, July 2000, Special Issue, ‗the long stare: seeing contemporary asian art now‘;<br />
Carroli, Linda, ‗A virtual region‘, Art AsiaPacific, 27, 2000;<br />
Chiu, Melissa, ‗Duplicitous Dialogue‘, Art AsiaPacific, 27, 2000;<br />
Clark, John ‗Panel Report on Commodification/Patronage/Censorship‘ in C. Turner and M. Low eds.<br />
Beyond the Future, Conference Proceedings, The Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art,<br />
Brisbane, Queensland, 2000.
297<br />
Dale, Robert 1999/2000 ‗Reviews: The Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art‘, Eyeline,<br />
no.41.<br />
Fink, Hannah, ‗Fizzle‘, Art AsiaPacific, 27, 2000; Jackson, Beth, ‗Improbable Architectures‘, Art<br />
AsiaPacific, 27, 2000;<br />
Foley, Matt 1999 Ministerial Statement, Queensland Parliamentary Hansard, 26 August 1999.<br />
Gibson, Jeff, ‗Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art‘, Artforum International, Vol.38, Issue 5,<br />
January 2000;<br />
Green, Charles, ‗Beyond the Future: The Third Asia-Pacific Triennial‘, Art Journal, vol. 58, no. 4, 1999,<br />
81-87.<br />
Hall, Doug The Courier-Mail, 23 April 1999.<br />
Hall, Doug, ‗Foreword‘, in Beyond the Future: The Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art,<br />
exhibition catalogue, Queensland Art Gallery, Brisbane, 1999.<br />
Hall, Doug, The Age, 10 September 1999.<br />
Holder, Jo & Moore, Catriona ‗Going Glocal – APT3: Beyond the Future‘, Realtime, 34, p.24.<br />
Low, Morris, ‗Hybrid transplants at the Queensland Art Gallery‘, Artlink, Vol. 20, No. 2, July 2000;<br />
McNamara, Andrew, ‗The Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art: To the point <strong>of</strong><br />
distraction! Entertaining Diversity‘, Eyeline, no. 42, Autumn/Winter, 1999/2000, 31-33.<br />
Miki, Akiko, ―Evaluating the Asia-Pacific Triennial‘, Artlink, Vol. 20, No. 2, July 2000;<br />
Taylor, Roger, ‗A dynamic <strong>of</strong> cultures‘, Asian Art News, vol.9, no.6, 1999;<br />
Turner C., Low, M. eds, Beyond the Future: papers from the conference <strong>of</strong> the Third Asia-Pacific Triennale <strong>of</strong><br />
Contemporary Art, Brisbane, Queensland Art Gallery & Griffith <strong>University</strong>, 1999; ;<br />
Turner, Caroline, ‗Introduction‘ in C. Turner and M. Low eds. Beyond the Future, Conference<br />
Proceedings, The Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art, Brisbane, Queensland, 2000.<br />
Turner, Caroline, ‗Journey Without Maps: The Asia Pacific Triennial‘ in Beyond the Future: The Third<br />
Asia-Pacific Triennial <strong>of</strong> Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane,<br />
1999.<br />
Turner, Caroline; H<strong>of</strong>fie, Pat; Carroll, Alison; and Raffel, Suhanya, ‗on understanding the Asia-Pacific<br />
Triennial‘, Artlink, Vol. 20, No. 2, July 2000;<br />
Ushiroshoji, Masahiro, ‗The APT and Fukuoka: a comparison‘, Artlink, Vol. 20, No. 2, July 2000<br />
APT IV 2002<br />
Eastburn, Melanie, ‗A Decade Of Challenges‘, APT4 Review, Asian Art News, vol. 12, no. 6,<br />
November/December, 2002<br />
Gibson, Jeff, ‚Asia-Pacific Triennial <strong>of</strong> Contemporary Art‘, Artforum International, Vol.41, Issue 1,<br />
September 2002<br />
Grace, Helen, ‗Asia-Pacific Triennial <strong>of</strong> Contemporary Art 2002: islands <strong>of</strong> promise in the dark waters<br />
<strong>of</strong> a new world order‘, Eyeline, no. 50, 2002/2003, 24-27.<br />
Ng., Elaine W. ‗Queensland Looks East‘, ArtAsiaPacific, no. 45, 2005 (APT 4 and new Qld art gallery)<br />
Sambrani, Chaitanya, ‗Austerity – Excesss – Invention: the Asia-Pacific Triennial 2002‘, Art Monthly<br />
Australia November 2002, no.155;<br />
Seear, Lynne, Ed., Asia-Pacific Triennale <strong>of</strong> Contemporary Art, Brisbane, Queensland Art Gallery, 2002.<br />
Thomas, Morgan, ‗Asia-Pacific Triennial 2002: we are not the world‘, Eyeline, no. 50, 2002-03, 32-33.<br />
Wu Hung, ‗Mapping Contemporaneity‘ in APT 2002: Asia Pacific Triennial <strong>of</strong> Contemporary Art, exhibition<br />
catalogue, Queensland Art Gallery, Brisbane, 2002<br />
APT V 2006<br />
APT5 In Review. The 5 th Asia-Pacific Triennial <strong>of</strong> Contemporary Art.. Queensland Government. 2007.<br />
Birnie Danzker, Jo-Anne, ‗The Asia-Pacific Triennial‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, v.<br />
6(2), June, 2007, pp. 22 – 41.<br />
Fairley, Gina, ‗Connections and the Future‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (review <strong>of</strong><br />
Fifth Asia Pacific Triennal, Brisbane)<br />
Geczy, Adam, ‗Revelation <strong>of</strong> the Brand‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36, no. 1,<br />
March, 2007, pp. 44 – 45.
298<br />
Keehan, Reuben, ‗Brisbane so much to answer for…‘, in Contemporary Visual Arts + Culture Broadsheet,<br />
vol. 36, no. 1, March, 2007, pp. 38 – 41.<br />
Martin-Chew, Louise, ‗The 5 th Asia-Pacific Triennial <strong>of</strong> Contemporary Art‘, in art & Australia, vol. 44,<br />
no. 3, Autumn 2007, March/April/May, pp. 332 – 335.<br />
Ming Wai Jum, Alice, ‗Aesthetic politics and built form loosely speaking‘, in Contemporary Visual Arts +<br />
Culture Broadsheet, vol. 36, no. 1, March, 2007, pp. 42 - 43.<br />
Seear, Lynne; Raffel, Suhanya, The 5 th Asia Pacific Triennial <strong>of</strong> Contemproary Art, Brisbane, Queensland Art<br />
Gallery Publishing, 2006.<br />
Chengdu<br />
2007<br />
Erickson, Britta, ‗Do We Have Time for the Subtleties <strong>of</strong> Guohua‘, in Yishu. Journal <strong>of</strong> Contemporary<br />
Chinese Art, v. 7(1), January, 2008, pp. 56 - 58.<br />
Hatch, Michael, ‗Reboot – The Third Chengdu Biennale: A Review‘, in Yishu. Journal <strong>of</strong> Contemporary<br />
Chinese Art, v. 7(1), January, 2008, pp. 59 – 69.<br />
Lu Hong, ‗Only When Things Belong to the World, Can They Belong to a Nation‘, in Yishu. Journal <strong>of</strong><br />
Contemporary Chinese Art, v. 7(1), January, 2008, pp. 54 – 55.<br />
Shen Kuiyi, ‗Construction and Expansion <strong>of</strong> Contemporary Art‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese<br />
Art, v. 7(1), January, 2008, pp. 52 – 53.<br />
Vine, Richard, ‗Report from Chengdu. Committed to Ink‘, in Art in America, January 2008, pp. 66 – 69.<br />
Fukuoka:<br />
Overall<br />
Chen, E.H., ‗The Imagined Trans-Asian Community and the Fukuoka Asian Art Triennale‘, in Yishu<br />
Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, Number 1, January/February/April 2009, pp 61-66.<br />
[Fukuoka Ia] Asian Artists Exhibition Part I: Contemporary Asian Art Show, Fukuoka, Fukuoka Fine Arts<br />
Museum, 1980.<br />
[Fukuoka Ib] Asian Artists Exhibition Part I: India, China & Japan, Fukuoka, Fukuoka Fine Arts<br />
Museum, 1979.<br />
[Fukuoka II] 2nd Asian Art Show, Fukuoka; Special Section: Art <strong>of</strong> Bali, Fukuoka, Fukuoka Fine Arts<br />
Museum, 1985<br />
[Fukuoka III] 3rd Asian Art Show, Fukuoka, Fukuoka, Fukuoka Fine Arts Museum, 1989.<br />
Fouser, Robert, ‗Asia as a state <strong>of</strong> mind‘, Art AsiaPacific, 24, 1999;<br />
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 00-01, Fukuoka: Fukuoka Asian Art<br />
Museum, 2001;<br />
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 01-02, Fukuoka: Fukuoka Asian Art<br />
Museum, 2002<br />
Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 99-00, Fukuoka Asian Art Museum,<br />
2000;<br />
Fukuoka Asian Art Museum, Asian Collection 50: Fukuoka: Fukuoka Asian Art Museum, 2000;<br />
Matsuura, Jin, ‗Notes on Artist in Residence Program‘, Winds <strong>of</strong> Artists in Residence 2001-, Fukuoka:<br />
Fukuoka Asian Art Museum, 2001;<br />
Murata, Makoto, ‗Asia as an Art Museum‘, Art AsiaPacific, 24, 1999;<br />
1994 4 th Asian Art Show<br />
4 th Asian Art Show Fukoka, ed and pub Fukuoka Art Museum<br />
4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994.<br />
1999 1 st Fukuoka Asian Art Triennale<br />
1 st Fukuoka Asian Art Triennale 1999 [5 th Asian Art Show]<br />
Jin, Matsuura and Masae, Kamachi, The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show],<br />
Seminar: ―Asian Art – Towards the 21 st Century‖, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin,<br />
Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]:
299<br />
Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Kuroda, Raiji,<br />
The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Ushiroshoji,<br />
Masahiro, ‗The APT and Fukuoka: a comparison‘, Artlink, Vol. 20, No. 2, July 2000<br />
2002 2 nd Fukuoka Asian Art Triennale<br />
Kuroda Raiji ‗Ajibi no 5-nen – kôryûjigyô wo chûshin ni‘, in Fukuoka Asian Art Museum Collection Now:<br />
Soul <strong>of</strong> Asia, Sapporo, Hokkaidôritsu Kindaibijutsukan, 2004<br />
Matsuura Jin, ‗Notes on the artist-in-residence programme‘, in Artisto in rejidensu seikaten, Fukuoka,<br />
Asian Art Museum, 2002.<br />
Ushiroshôji Masahiro, ‗ ―Ajia Bijutsukan‖ to iu arikata – sono imi, hôhô, shisutemu‘, Ritsumeikan Gengo<br />
Bunka Kenkyû, vol.13, no.4, 28 February 2002<br />
Fouser, Robert J., ‗2 nd Fukuoka Asian Art Triennale‘, <strong>ART</strong> AsiaPacific, Issue 36 (2002) Kazuyo, Kondo;<br />
Tomomichi, Nakao; and Yuko, Yamaki, ed., Imagined Workshop: The 2 nd Fukuoka Asian Art<br />
Triennale 2002, Fukuoka: Fukuoka Asian Art Museum, 2002; Turner, Caroline, 'Imagined<br />
Workshop', 2 nd Fukuoka Asian Ar Triennial Review, IIAS Newsletter, No. 29, November 2002;<br />
Nakao Tomomichi hoka hen, Dai 2 kai Fukuoka ajia bijutsu toriennare 2002 : the 2nd Fukuoka Asian<br />
art triennale 2002, Fukuoka-shi : Fukuoka Ajia Bijutsukan, 2002.<br />
2005 3rd Fukuoka Asian Art Triennale<br />
The 3rd Fukuoka Asian Art Triennale 2005, Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum,<br />
2005<br />
Nagoya, Satoru, ‗Yokohama and Fukuoka Triennials Report‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb,<br />
2006<br />
Rawanchaikul, Toshiko, ‗How were the artists selected?‘, in The 3rd Fukuoka Asian Art Triennale 2005,<br />
Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum, 2005.<br />
Guangzhou: Guangzhou Triennale<br />
2002<br />
Wu, H., ‗Global and Local‘, in The First Guangzhou Triennial, Reinterpretation: A Decade <strong>of</strong> Experimental<br />
Chinese Art, Wu, H., Wang, H., and Feng, B., eds., Guangzhou, Guangdong Museum <strong>of</strong> Art,<br />
2002. pp. 396 – 399.<br />
Wu Hung with Wang Huangshang & FengBoyi, 1 st Guangzhou Triennial: Re-interpretation: a decade <strong>of</strong><br />
Experimental Chinese Art (1990-2000), Guangzhou, Guangdong Museum <strong>of</strong> Art, 2002<br />
Li, Zhe., ‗Stepping Out in Guangzhou‘, in Asian Art News, Vol.13, No.1, January/February 2003, p.52-<br />
55.<br />
Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade <strong>of</strong> Experimental Chinese Art,<br />
Guangdong: Guangdong Museum <strong>of</strong> Art, 2002.<br />
Wu Hung, ‗Contesting Global/Local: Chinese Experimental Art in the 1990s‘, Orientations, Volume 33,<br />
Number 9, November 2002.<br />
Spalding, David, ‗The First Guangzhou Triennial,‘ Flash Art, Vol. XXXVI, No. 229, March-April 2003.<br />
Li, Zhe, ‗Stepping Out In Guangzhou‘, 2002 Guangzhou Triennial Review, Asian Art News, vol. 13, no.<br />
1, January/February 2003.<br />
Wong, Aida-Yuen, 'Vestiges <strong>of</strong> Time/ Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in<br />
Guangdong', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003, Spring Issue.<br />
Köppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', Yishu: Journal <strong>of</strong> Chinese<br />
Contemporary Art, March 2003, Spring Issue<br />
2005<br />
Clark, John, ‗A Spectacle <strong>of</strong> Questions‘, Asian Art News, vol. 16, no. 1, 2006.<br />
Koegel, Eduard, ‗How to Urbanise a Special Economic Zone? The 2005 Biennale <strong>of</strong> Urbanism and<br />
Architecture in Shenzhen‘, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.<br />
Goodbody, Bridget, ‗Beyond the Delta‘, ArtAsiaPacific, no. 46, 2005. (Guangzhou triennial)<br />
Pi Li, ‗The Second Guangzhou Triennial‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006<br />
Spalding, David, ‗Second Guangzhou Triennale‘, Artforum, vol. 44, Iss. 8, 2006
300<br />
Vine, Richard, ‗Cities on the make: reflecting China's runaway building boom, the second Guangzhou<br />
Triennial examined the forces driving today's urban development and globalized art‘, Art in<br />
America, 94.8 (Sept 2006)<br />
Vine, Richard, ‗Through a Chinese Lens‘, review, Art in America, vol. 93, iss. 6, Jun-Jul, 2005<br />
(Guangzhou photo biennial)<br />
2006<br />
D-Lab/The Second Guangzhou Triennial BEYOND: an extraordinary space <strong>of</strong> experimentation for modernization,<br />
Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru,<br />
Hans Ulrich, Guo Xiaoyan).<br />
The Second Guangzhou Triennial BEYOND: an extraordinary space <strong>of</strong> experimentation for modernization<br />
(Exhibition Catalogue), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru;<br />
Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan).<br />
The Second Guangzhou Triennial BEYOND: an extraordinary space <strong>of</strong> experimentation for modernization<br />
(Exhibition Guide), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru;<br />
Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan).<br />
2008<br />
Borysevicz, Mathieu, ‗Guangzhou Triennial: Sept 6-Nov 16‘.(BIENNIAL DIGEST) in Art in America<br />
96.11 (Dec 2008): 112(2).<br />
Thomson, Jonathan, ‗The Main Rvent‘, Asian Art News, v. 18(5), Sept/Oct, 2008, pp. 94-99.<br />
Tsiu, H., ‗Premature Farewell and Recycled Urbanism: Guangzhou and Shanghai Biennale in 2008‘, in<br />
Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 54-60.<br />
Gwangju/Kwangju:<br />
Lee, S. ‗Contradictions, Violence, and Multiplicity in the Globalization <strong>of</strong> Culture: The Gwangju<br />
Biennale‘, in YishuJournal <strong>of</strong> Contemporary Chinese Art, Vol 8, Number 1, January/February/April<br />
2009, pp. 54-60.<br />
1995<br />
Kwangju Biennale 1995: Beyond the Borders (Catalogue), Kwangju Biennale Press, 1995;<br />
Heartney, Eleanor B., ‗More on the Kwangju Biennale‘, Art & Asia-Pacific, vol.3, no.1, 1996;<br />
Bonami, Francesco, ‗Kwangju (Korea): ―By the Borders, our Borders‖, Flash Art, XXVIII, no.185,<br />
Nov/Dec, 1995;<br />
Lee, James B., ‗The inaugural Kwangju Biennale‘, Art & Asia Pacific, vol.3, no.2, 1996;<br />
Hasegawa Yuko & Carlos, Isabel, ‗Last words on the Biennial‖‘, Flash Art, XXVIII, no.185, Nov/Dec,<br />
1995;<br />
1996<br />
Kim Hwan et al. ‘95 Kwang-ju International Contemporary Art Festival Catalogue. Kwang-ju, Kwnag-ju City<br />
Gallery 1995.<br />
Jin Young-sun & Chung Joon-mo (Editors), The First Kwangju International Biennale. Volume 1. International<br />
Exhibition <strong>of</strong> Contemporary Art: Beyond the Borders. Seoul, Life & Dream Publishing Co. 1995.<br />
(Director General <strong>of</strong> Visual Arts: Lee Yongwoo).<br />
Lee, James B., ‗Pursuing global stature‘, (Asia: Korea) <strong>ART</strong>news Nov 1995 v94 n9 p224(2)<br />
Lee, James B, The call to globalization: a booming economy has meant a proliferation <strong>of</strong> artists,<br />
galleries, and museums. But when will the West catch on? (Korea '95) (includes related articles on<br />
artists Lee Bul and Lee Sang-Hyun) <strong>ART</strong>news April 1995 v94 n4 p126(4) Heartney, Eleanor: Into<br />
the international arena. (contemporary art, Kwangju Biennale, South Korea) Art in America April<br />
1996 v84 n4 p50(5)<br />
1997<br />
Kim, Su-ki (Editor), 97 Kwangju Biennale: Unmapping the Earth, Kwangju, Kwangju Biennale Press.<br />
(Artistic Director: Lee Young-chul)
301<br />
97 Kwangju Biennale: Unmapping the Earth (Catalogue), Kwangju: Kwangju Biennale Press, 1997; Fouser,<br />
Robert J., ‗The Kwangju Biennale‘, Art AsiaPacific, no.18, 1998; Roe, Jae-Ryung, ‗ ‘97 Kwangju<br />
Biennale‘, Artforum International, Vol.36, Issue 8, April 19981998<br />
Jay, Martin: ‗Kwangju: From Massacre to Biennale. Salmagundi Fall 1998 I Issue 20 p15-26)<br />
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43))<br />
2000<br />
Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space, Kwangju, Kwangju Biennale Press 2000.<br />
(Artistic Director: Oh Kwang-su)<br />
Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space: The Special Exhibition, Kwangju, Kwangju<br />
Biennale Press 2000. (Artistic Director: Oh Kwang-su)<br />
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Kwangju Biennale 2000: Man + Space, Kwangju: Kwangju Biennale Press, 2000;<br />
Art News, 99, 6, 2000;<br />
Fouser, Robert J., ‗Picnic in an art garden‘, Art AsiaPacific 29, 2001<br />
2002<br />
Chung, Guyon (Editor), Gwangju Biennale 2002 Project4 Connection, Gwangju, Gwangju Biennale Press<br />
2002. (Curator: Chung Guyon).<br />
Gwangju Biennale 2002 Project 1 PAUSE, Project2:THERE , Project3 Stay <strong>of</strong> Execution. Exhibition Guide.<br />
Gwangju, Gwangju Biennale Press 2002<br />
Hou Hanru, ‗Event city and pandora‘s box: curatorial notes on the 2002 Gwangju Biennale‘, Yishu,<br />
vol.1, no.2, 2002;<br />
Kee, Joan, ‗2002 Gwangju Biennale‘, <strong>ART</strong> AsiaPacific, Issue 36 (2002);;<br />
Kim, Youngna, ‗Let‘s Pause & Talk, Let‘s Pause & Drink‘, IIAS Newsletter, No. 28, July 2002<br />
Lee Weng Choy, ‗Biennale time and the specters <strong>of</strong> exhibition‘, FOCAS, vol. 4, 2002<br />
Min, Yong Soon (Editor), Gwangju Biennale 2002 Project2:THERE: Sites <strong>of</strong> Korean Diaspora, Gwangju,<br />
Gwangju Biennale Foundation 2002. (Artistic Director: Sung Wan-kyun).<br />
Napack, Jonathan, 'Alternative Visions', Gwangju Biennial Review, Art in America, Vol. 90, Issue 11,<br />
November 2002<br />
Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Conception, Gwangju, Gwangju Biennale<br />
Press 2002. (Curators : Sung Wan-kyung, Charles Esche, Hou Hanru).<br />
Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Realization, Gwangju, Gwangju Biennale<br />
Press 2002. (Curators : Sung Wan-kyung, Charles Esche, Hou Hanru).<br />
Sung, Wan-kyung (Editor), Gwangju Biennale 2002 Project3 Stay <strong>of</strong> Execution, Gwangju, Gwangju<br />
Biennale Press 2002. (Curator: Sung Wan-kyun).<br />
Sung Wan-kyung; Esche, Charles; Hou Hanru [idea and conception] Project 1 Pause: Conception & Project 1<br />
Pause: Realization, Gwangju, Gwangju Biennale Press, 2002<br />
Korean Biennnale Foundation, 2002; Kwangju Biennale 2002 – Project 4: Connection (Catalogue) Kwangju<br />
Biennale 2002, Korean Biennnale Foundation, 2002;<br />
‗Photo: Gwangju Biennial 2002‘, in Vehicle: Contemporary Visual Arts, No.6, 2002, p.16-19<br />
2004<br />
Gwangju Biennale 2004 Viewer-Participants Discission Papers: The Audience, Who Are They?, Gwangju<br />
Biennale Foundation, 2004<br />
Gwangju Biennale 2004. Press Open, (Press briefing for Biennale Opening, In Korean), Gwangju<br />
Biennale Foundation, 2004<br />
Gwangju, A Grain <strong>of</strong> Dust, A Drop <strong>of</strong> Water<br />
Gwangju, Biennale Ecometro,<br />
Busan Contemporary Art Exhibition, Busan Sea Art Festival<br />
Busan Sculpture Project São Paolo 26 th Biennial<br />
Breuvart, Valerie, ‗Gwangju Biennale 2004‘ review, Artforum, vol 46, iss. 5, Jan 2005.
302<br />
Clark, John, ‗Three Recent Biennales in Asia: Gwangju, Busan and Shanghai‘, Art and Australia, vol. 42,<br />
no. 3, 2005<br />
Heartney, Eleanor, ‗Report from Korea I: Biennial Anxiety‘, Art in America, vol. 93, iss. 5, May 2005<br />
(Gwangju, Busan biennials)<br />
Jheon Soocheon, Social landscape, 2004 Gwangju Biennale, Seoul, Jheon Soocheon, 2004<br />
Judd, Craig, ‗Gwangju Biennale 2004: A Viewer-Participant Memoir‘, Eyeline, no. 56, Summer 2004-5<br />
Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain <strong>of</strong> Dust. A Drop <strong>of</strong> Water. Gwangju, Gwangju<br />
Biennale Foundation 2004. (Artistic Director: Lee Wong-yu).<br />
Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain <strong>of</strong> Dust. A Drop <strong>of</strong> Water .:Korea Express Site 2<br />
Gwangju, Gwangju Biennale Foundation 2004. (Curators: Shim Jae-wook & Jung Gun-ho).<br />
Moon, Iris, ‗Rethinking Art Along the East-West Axis: The 2004 Gwangju Biennale‖ in Art Asia Pacific,<br />
No. 40 (Spring 2004), p. 27;<br />
Clark, John, ‗Three Biennales‘, Art and Australia, March 2005.<br />
2006<br />
Gwangju Biennale 2006, ‗Fever variations: Press Release‘, Gwangju Biennale Foundation, 2006<br />
Gwangju Biennale 2006, Open Forum: World Contemporary Art and International Biennales, Gwangju<br />
Biennale Foundation, 2006<br />
Clark, John, ‗A Narrowing <strong>of</strong> Horizons: The Shanghai and Gwangju Biennales 2006‘, Art Monthly<br />
Australia, no. 196, December 2006-February 2007.<br />
Fenner, Felicity, ‗Gwangju Biennale‘, Art and Australia, vol. 44, no. 3, 2006.<br />
Han Kyung ah (Editor), Gwangju Biennale 2006: Fever Variations, Seoul, Designhouse Co. Ltd, 2006.<br />
(Artistic Director: Kim Hong-hee. Curators: Wu Hung, Binghui Huangfu, Shaheen Merali,<br />
Jacquelynn Baas, Cristina Ricupero, Beck Jee-sook, Chris Gilbert, Cira Pascual Marquina).<br />
Lee, Pamela M., ‗2006 Singapore Biennale/6th Gwangju Biennale‘ Artforum, vol. 45, Iss. 3, 2006<br />
Lee, Weng-Choy, ‗Eastern Front‘ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss.<br />
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2008<br />
Heartney, Eleanor., ‗Gwangju Biennale: Sept 5-Nov 9‘.(BIENNIAL DIGEST)., in Art in America 96.11<br />
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Tinari, Philip, ‗2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale‘ in in<br />
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1987 1 st Biennial<br />
1989 2 nd Biennial<br />
1992 3 rd Biennial<br />
1995 4 th Biennial<br />
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1997 5 th Biennial<br />
Martinez, Rosa, ‗On life beauty, translations and other difficulties‘, from<br />
http://www.iksv.org/bienal/english/arsiv.asp?ms=3<br />
1999 6 th Biennial<br />
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kavcer<br />
2001 7 th Biennial<br />
Atagök, Tomar; Plate, Susan, ‗The Istanbul Biennial: the digestible other‘, Third Text, 55, 2001, page<br />
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Hori, Motoaki, ‗Between East and West: The 7 th International Istanbul Biennial‘, Art AsiaPacific, no.35,<br />
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2003 8 th Biennial<br />
Cameron, Dan, ‗Concept‘, from http://www.iksv.org/bienal/english/arsiv.asp?ms=3<br />
Nahas, Dominique, ‗Preview: The 8 th International Istanbul Biennial‘ in Art Asia Pacific, No. 38 (Fall<br />
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Heartney, Eleanor, ‗Mending the Breach‘ in Art in America (January 2003), pp. 74-79;<br />
Kent, Rachel, ‗2003 Istanbul Biennial: Poetic Justice‘ in Art & Australia, Vol. 41, No. 3 (Autumn 2004),<br />
pp. 278-279<br />
2005 9 th Biennial<br />
Esche, Charles & Kortun, Vasif, ‗Concept‘ from<br />
http://www.iksv.org/bienal/bienal9/english/?Page=Concept<br />
Esche, Charles & Kortun, Vasif, ‗Interview‘ in MetropolisM, Amsterdam, September 2005, from<br />
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Henrikkson, Minna, ‗Email interview with Vasif Kortun and Charles Esche‘, Framework , Issue 3, June<br />
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2007 10 th Biennial<br />
Fairly, Gina, ‗On The Edge <strong>of</strong> Optimism‘, in Asian Art News, v. 17(6), November/December, 2007, pp.<br />
86 – 91.<br />
Storr, Robert, and Hou Hanru, ‗Not only possible but also necessary: Art in the Present Tense‘, in<br />
ArtAsiaPacific, No. 53, May/June, 2007, pp. 84 – 89.<br />
Tsui, Hilary, ‗10 th Istanbul Biennial: Staging a Communitarian Utopia‘, in Yishu. Journal <strong>of</strong> Contemporary<br />
Chinese Art, v. 7(1), January, 2008, pp. 86 – 95.<br />
2009<br />
Thomson, Jonathan, ‗Notes from Istanbul, in AsianArtNews , Vol. 18, no. 6 Nov/Dec 2008, p. 86-89<br />
Thomson, Jonathan, ‗The Challenges Of An Emerging Art Market‘, [interview with Emin Mahir<br />
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Kassel: Documenta<br />
General Texts:<br />
Blok, René; Glaser, Martin, et al, Das Lied von der Erde / The Song <strong>of</strong> the Earth, Kassel, Museum<br />
Fridericianum, 2000<br />
Glasmeier, Michael; Stengel, Karin, eds., 50Jahre/Years documenta, Archive in Motion, [bilingual<br />
retrospective catalogue & texts], Göttingen, Steidi Verlag, 2005<br />
1992 Documenta IX<br />
Galloway, David: ‗Documenta 9 The Bottom Line‘ Art in America Sept 1993 v81 n9 p55<br />
1997 Documenta X artistic director Catharine David<br />
2002 Documenta XI artistic director artistic director Okwui Enwezor]<br />
Downey, Anthony: (2003) . ‗The Spectacular Difference <strong>of</strong> Documenta XI‘ Third Text, Volume 17,<br />
Number 1 (March 2003), pp. 85-92<br />
Enwezor, Okwui, et al, Documenta IX: Platform Five, Exhibition catalogue, Hatje Cantz Verlag, 2002<br />
Enwezor, Okwui et al, Créolité and creolization: Documenta 11_Platform 3, Kassel, documenta und Museum<br />
Fridericianum-Veranstaltungs Gmbh, 2003<br />
Lopez, Sebastian, 'Starting Points: 'Documenta'', IIAS Newsletter, No.25, July 2001
304<br />
Nochlin, L, Holert T., Higgs, M. Meyer, J., ‗Platform Muse: Documenta 11‘ Artforum International Sept<br />
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Heartney, Eleanor: ‗A 600-hour Documenta‘ Art in America Sept 2002 v90 i9 p86(10)<br />
Lee Weng Choy, ‗Biennale time and the specters <strong>of</strong> exhibition‘, FOCAS, vol. 4, 2002<br />
2006<br />
Birnie Danzker, Jo-Anne, ‗documenta 12‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(3),<br />
September, 2007, pp. 33 – 47.<br />
Clark, John, ‗Uncertain Identity‘, in Asian Art News, v. 17(5), September/October, 2007, pp. 86 – 91<br />
Kremer, Boris, ‗The Show They Love to Hate‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 36,<br />
no. 3, September, 2007, pp. 160 – 161.<br />
Legaspi-Ramirez, Eileen, ‗Fragile Insinuations‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,<br />
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Scotini, Marco, ‗Documenta 12‘, in Flash Art, vol. xl, no. 255, July – September, 2007, pp. 66 – 67.<br />
Yang Jiechang and Köppel-Yang, Martina, ‗Réne Block‘s Waterloo: Some Impressions <strong>of</strong> documenta<br />
12, Kassel‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(4), December, 2007, pp. 93 – 100.<br />
Jogjakarata<br />
2007<br />
Bianpoen, Carla, ‗The State <strong>of</strong> A Nation And A Biennale‘, in Asian Art News, v. 18(2), March/April,<br />
2008, pp. 103 – 105.<br />
Wang Zineng, ‗Jogja Biennale IX: Whereto?‘, in C Arts. Asian Contemporary Art and Culture, vol. 02,<br />
March/April, 2008, pp. 122 – 126.<br />
Johannesburg<br />
1995 Johannesburg 1 st Biennale<br />
1997 Johannesburg, 2 nd Biennale<br />
Hong Kong, etc., (curated by Hou Hanru, organized by Johannesburg Biennale)<br />
Becker, Carol ‗Interview with Okwui Enwezor‘. (artistic director <strong>of</strong> the Second Johannesburg Biennale<br />
art exhibition) Art Journal, Summer 1998 1998 Vol 57 No 2 p101-8<br />
Becker, Carol, ‗The second Johannesburg Biennale‘, Art Journal, Summer 1998 v57 n2 p86(15)<br />
Diawara, Manthia, ‗Moving company, the Second Johannesburg Biennale‘ Artforum International, March<br />
1998 Vol 36 No 7 p86<br />
Heartney, Eleanor, ‗Mapping the postcolonial‘ Art in America, June 1998 v86 n6 p51(4)<br />
Kitakyushu Biennale<br />
2003<br />
Inaga, Shigemi et al. 7 th Kitakyushu Biennale : Art for Sale: Intimacy between Aesthetics and Economy..<br />
Kitakyushu, Kitakyushu Municipal Museum <strong>of</strong> Art 2003. (Curator: Makiko Matake).<br />
Liverpool Biennial:<br />
2000<br />
Bond, Antony, curator, Trace: The International Exhibition, Liverpool, Liverpool Biennial <strong>of</strong><br />
Contemporary Art, 2000.<br />
2002<br />
Biggs, Lewis, ed., International 2002, Liverpool, Liverpool Biennial <strong>of</strong> Contemporary Art, 2002.<br />
2004<br />
Domela, Paul, ed., international 04, Liverpool, Liverpool Biennial <strong>of</strong> Contemporary Art, 2004.<br />
2006<br />
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Lyon Biennial
305<br />
2001<br />
Budge, Andrew, ‗Partage d‘exotismes‘; do ‗magicians‘ grow wise or just old‘, Third Text 58, vol.16, 1, 2002<br />
Prat, Thierry & Raspail, Thierry (Artistic Directors), Partage D‘Exotismes, Volume, 5 th Biennale d‘Art<br />
Contemporrin de Lyon, 2000<br />
Manifesta: [site varies]<br />
Domela, Paul, ed., Manifesta: C<strong>of</strong>fee Break, Liverpool, Liverpool Biennial, 2005<br />
Moscow:<br />
Nanjing Triennial<br />
2008<br />
Pepper, France, ‗Nanjing Triennial: Sept 10-Nov 10‘.(BIENNIAL DIGEST) in Art in America 96.11<br />
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1991<br />
Hideki Nakamura, JAPAN, Triennale India 1991- Yoshio Kitayama, Mio Shirai, Miran Fukuda, The Japan<br />
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Osaka Triennale<br />
1995<br />
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São Paulo: São Paulo Bienal<br />
1991<br />
1994<br />
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1996<br />
1998<br />
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2002<br />
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2006<br />
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2006<br />
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Cruikshank, Alan, ‗Interview: Fumio Nanjo Artistic Director Singapore Biennale 2006‘, Broadsheet, vol.<br />
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Fenner, Felicity, ‗Report From Singapore I. Religion, Law, Commerce, Art‘, in Art in America, April<br />
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Heartney, Eleanor, ‗Report From Singapore II. Temples <strong>of</strong> Art‘, in Art in America, April 2007, pp. 69 –<br />
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Gill, Simryn, Guide to the Murals at Tanjong Pagar Railway Station, Singapore, Singapore, Simryn Gill &<br />
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Kirker, Anne, ‗Decentralisation Works: Singapore Biennale 2006‘, Eyeline, no. 62, Summer 2006-7.<br />
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Thompson, Jonathan, ‗A Willingness to Engage‘, Asian Art News, vol. 16, no. 6, Nov-Dec 2006, (review<br />
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Kendzulak, Susan, ‗Interview with Fumio Nanjo, Artistic Director <strong>of</strong> the Singapore Biennale‘, Yishu:<br />
Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.<br />
Hill, Jo Martin, ‗A Tale <strong>of</strong> Two Biennales: Singapore and Shanghai‘, Yishu: Journal <strong>of</strong> Contemporary Chinese<br />
Art, vol. 5, no. 4, Dec 2006<br />
Slater, Ben, editor, belief: Exhibition Short Guide, Singapore, National Arts Council, 2006<br />
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2008<br />
Birnie Danzker, J., ‗Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale‘ in Yishu<br />
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Cruz, Joselina. ‗Projecting Southeast Asia‘, C Arts. Asian Contemporary Art and Culture, vol. 05, Sept/Oct,<br />
2008, pp. 18-28.<br />
Fairly, Gina, ‗Curating the 2008 Singapore Biennale‘ in Asian Art News, v 18(2), Mar/Apr 2008, p. 106 7<br />
Fenner, Felicity, ‗Singapore Biennale: Sept 11-Nov 16‘.(BIENNIAL DIGEST) in Art in America 96.11<br />
(Dec 2008): 101(3).<br />
Lee Weng Choy, ‗Process <strong>of</strong> Selection: 2008 Singapore Biennale Interviewed‘, in Contemporary Visual<br />
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Tinari, Philip, ‗2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale‘ in in<br />
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Wang, Zineng. ‗Crosscurrents art Osage Singapore: up the ante for new media art‘ in C Arts. Asian<br />
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Shanghai:<br />
1996<br />
1998<br />
‘98 Shanghai Art Biennale Exhibition Catalogue (in Chinese), Shanghai Art Museum, 1998<br />
2000<br />
Shanghai Biennale 2000 Exhibition Guide, Shanghai Art Museum, 2000<br />
Chen Long (Editor), Shanghai Biennale 2000: Shanghai Spirit., Shanghai, Shanghai Shuhua Chubanshe,<br />
2000. Curator‘s Group: Fang Zengxian, Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu<br />
Hou Hanru, ‗A naked city, Art AsiaPacific, 31, 2001;<br />
Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu, 2000 Shanghai Biennale, Shanghai, Shanghai Shuhua<br />
Chubanshe, 2000.<br />
Wu Hung, ‗The 2000 Shanghai Biennale‘, Art AsiaPacific, 31, 2001<br />
Ken Lum, ‗Shanghai Biennale‘, Review, Art & Text 65, 1999<br />
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307<br />
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Genocchio, Benjamin, ‗Letter from Shanghai‘, Art Monthly Australia, Number 157, March 2003<br />
Xu Jiang & Li Xiangyang (Chief Editors), 2002 Shanghai Biennale: Urban Creation.. Shanghai, Shanghai<br />
Art Museum 2002. Curator‘s Group: Fan Di-an, Alanna Heiss, Wu Jiang, Li Xu, Klaus<br />
Biesenbach, Yuko Hasegawa.<br />
Wu changfu & Lu Yongyi (Editors), Urban Creation: Selected Works <strong>of</strong> International Students‘ Exhibition,<br />
Shanghai Biennale 2002.<br />
Xu Jiang and Li Xiangyang, ed., 2002 Shanghai Biennale, The Shanghai Biennial,‘ Flash Art, Vol. XXXVI,<br />
No. 229, March-April 2003Shanghai: Shanghai Art Museum, 2002<br />
2003 5 th Biennial<br />
Urban Creation curated by Alanna Heiss, Fan Di‘an, Xu Jiang, Li Xu, Klaus Biesebach, Hasegawa Yûko,<br />
organized by Shanghai Art Museum and Shanghai Gt Courtyard Cultural Investments Ltd.<br />
Vine, Richard: ‗Shanghai Accelerates‘: Art in America Feb 2005 Vol 93 Issue 2 p104-113)<br />
Clark, John, ‗Three Recent Biennales in Asia: Gwangju, Busan and Shanghai‘, Art and Australia, vol. 42,<br />
no. 3, 2005<br />
Lu, Carol, ‗A Flawed Biennale‘ (Shanghai Biennale 2004), Flash Art, vol. XXXVIII, no. 240, Jan-Feb,<br />
2005<br />
2004<br />
Fang Zengxian & Xu Jiang (Chief Editors), 2004 Shanghai Biennale. Techniques <strong>of</strong> the Visible. Shanghai,<br />
Shanghai Fine Art Publishers, 2004. (Chief Curator: Xu Jiang. Curators: Sebastian Lopez, Zheng<br />
Shengtian, Zhang Qing.<br />
2006<br />
Clark, John, ‗A Narrowing <strong>of</strong> Horizons: The Shanghai and Gwangju Biennales 2006‘, Art Monthly<br />
Australia, no. 196, December 2006-February 2007.<br />
Fang Zengxian & Xu Jiang (Chief Editors), 2006 6 th Shanghai Biennale: HyperDesign.. Shanghai, Shanghai<br />
Fine Art Publishers, 2006. (Artistic Director: Zhang Qing. Curators: Zhang Qing, Huang Du,<br />
Lin Shumin, Wonil Rhee, Jonathan Watkins, Gianfranco Maraniello).<br />
Hill, Jo Martin, ‗A Tale <strong>of</strong> Two Biennales: Singapore and Shanghai‘, Yishu: Journal <strong>of</strong> Contemporary Chinese<br />
Art, vol. 5, no. 4, Dec 2006<br />
Koop, Stuart, ‗A Busy Week in a Frantic Century: Shanghai Biennale‘, Eyeline, no. 62, Summer 2006-7.<br />
Lee, Weng-Choy, ‗Eastern Front‘ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss.<br />
1, 2006<br />
Slater, Ben (Editor), Belief: Exhibition Short Guide, Singapore Biennale 2006. Singapore, National Arts<br />
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Tinari, Philip, ‗6th Shanghai Biennale‘, Artforum, vol. 45, Iss. 3, 2006<br />
Vine, Richard, ‗Report from Shanghai I. Relfections in a Chinese Mirror‘, in Art in America, May 2007,<br />
pp. 74 – 79.<br />
Zhang Qing, ‗The Undesignable‘ (Shanghai biennale 06), Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5,<br />
no. 4, Dec 2006.<br />
2008<br />
Birnie Danzker, J., ‗Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale‘ in Yishu<br />
Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 6-15.<br />
Catching, Rebecca, ‗Translocal motion sickness. Shangha biennale gone <strong>of</strong>f the rials?‘, in Contemporary<br />
Visual Art + Culture Broadsheet, Vol 37, no. 4, p. 246-249<br />
Movius, Lisa, ‗Shanghai Biennale: Sept 8-Nov 16‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec<br />
2008): 107(4).<br />
The 7 th Shanghai Biennale 2008, in Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol. 7 No. 5, September 2008,<br />
pp. 49-61.<br />
Tsiu, H., ‗Premature Farewll and Recycled Urbanism: Guangzhou and Shanghai Biennale in 2008‘, in<br />
Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 54-60.
308<br />
Sharjah:<br />
2003<br />
Peter Lewis (Editor), Sharjah International Biennial 6 Guide. United Arab Emirates, Sharjah International<br />
Biennial, 2003. (Director: Hoor Al-Qasimi).<br />
Turner, Grady, ‗Fast Forward in the Persian Gulf (Report From the U.A.E.‘ in Art in America<br />
(November 2003), pp. 86-91.<br />
2009<br />
Lee, Pamela M., ‗Sharjah Biennal 9‘ in Artforum, Vol. 47, Iss. 9, Summer 2009, p. 326.<br />
Thomson, J., ‗New Strategies for Exciting Art‘, in AsianArtNews, Vol. 19 No. 3 May/June 2009, pp. 84-<br />
88.<br />
<strong>Sydney</strong>: Biennale <strong>of</strong> <strong>Sydney</strong>:<br />
1998<br />
Fink, Hannah, ‗Speechless‘ Art AsiaPacific, 23, 1999<br />
2002<br />
Chen Hsiang-chun, Elsa, ‗ Identity Politics? Allegorical Existence? On the way to the fantastic‘, Yishu,<br />
vol.1, no.2, 2002;<br />
Duncan, Michael, 'Self-created worlds', <strong>Sydney</strong> Biennale Review, Art in America, Vol. 90, Issue 10,<br />
October 2002<br />
2004<br />
Felicia Fenner, ‗On Reason and Emotion‘ (Interview with Isabel Carlos), in in Art & Australia, Vol. 41,<br />
No. 4 (Winter 2004), pp. 557-559;<br />
‗No Big Picture [2004 Biennale <strong>of</strong> <strong>Sydney</strong>]‘ (Commentaries by Alex Gawronski, Jacqueline Millner and<br />
Adam Geczy) in Broadsheet, Vol. 33, No. 3 (September- November 2004), pp. 48-53<br />
2006<br />
Macdonald, Ewan & Parker, Luke editors, 2006 Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong><br />
<strong>Sydney</strong>, 2006<br />
Merewether, Charles, ‗Zones <strong>of</strong> Contact‘, Art & Australia, vol.43, no.4, Winter 2006.<br />
Merewether, Charles, ‗Interview‘, Broadsheet, Contemporary Visual Arts + Culture, June-August, 2006<br />
Merewether Charles, ‗Taking Place: acts <strong>of</strong> survival for a time to come‘, Macdonald, Ewan & Parker,<br />
Luke editors, 2006 Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong> <strong>Sydney</strong>, 2006<br />
Mordue, Mark, ‗Cultural Chamelon‘ [interview with Charles Merewether], The Weekend Australian, May<br />
20-21, 2006, R6.<br />
2008<br />
‗Revolutions. Forms that turn: Carolyn Christov-Bakargiev in conversation with Russell Storer‘, in art<br />
& Australia, vol. 45, no. 4, Winter 2008, June/July/August, pp. 602 – 608.<br />
Begg, Zanny, ‗confusion, a trip to the dentist and the biennale <strong>of</strong> <strong>Sydney</strong>: in conversation with Carolyn<br />
christov-bakargiev and michael rakowitz‘, in Contemporary Visual Arts + Culture Broadsheet, vol. 37,<br />
no. 2, June, 2008, pp. 90 – 97.<br />
Bianpoen, Carla, ‗Revolutions – Forms that Turn. An Electronic Interview with Carolyn Christove-<br />
Bakargiev on the 2008 Biennale <strong>of</strong> <strong>Sydney</strong>‘, in C Arts. Asian Contemporary Art and Culture, vol. 02,<br />
March/April, 2008, pp. 78 – 80.<br />
‗Carolyn Christov-Bakargiew on Turning Upside Down‘, in Flash Art, Vol. XLI, No. 260,May-June<br />
2008, p. 87.<br />
Clark John, The 1968 ―Euronale‖ <strong>of</strong> <strong>Sydney</strong> and other matters‘, in Contemporary Visual Art + Culture<br />
Broadsheet, Vol 37, no. 3, p. 176-7.<br />
Gardner, Anthony, ‗Biennale <strong>of</strong> <strong>Sydney</strong> 2008‘, in Artforum, Vol 47, Iss. 2, p. 405<br />
King, Natalie, ‗Carolyn Christov-Bakargiev on the Biennale <strong>of</strong> <strong>Sydney</strong>‘, in Flash Art, vol. XLI, no. 260,<br />
May/June, 2008, p. 87.
309<br />
McNeill, David, ‗Cultural Dialogue – And Exchange‘, in Contemporary Visual Arts + Culture Broadsheet,<br />
vol. 37, no. 1, March, 2008, pp. 28 – 30.<br />
Volk, Gregory, ‗The wheel is turning: a high-spirited, nuanced selection stirred up venues old and new<br />
at the latest <strong>Sydney</strong> Biennale‘.(REPORT FROM SYDNEY) in Art in America 96.10 (Nov 2008):<br />
63(7).<br />
Taipei: Taipei Biennial<br />
1996<br />
Lee Yulin (Chief Editor), 1996 Taipei Biennial: The Quest for Identity (Essays), Taipei, Taipei Fine Arts<br />
Museum, 1996. (Executive Curator: Alice B.H. Lin).<br />
Lin, Alice B.H., 1996 Taipei Biennial: The Quest for Identity 11 Exhibition Catalogue, Taipei, Taipei Fine Arts<br />
Museum, 1996. (Curator in Chief: Yulin Lee).<br />
1998<br />
Chang, Fangwei & Miki, Akikio (Editors), Site <strong>of</strong> Desire 1998 Taipei Biennial Exhibition Catalogue, Taipei,<br />
Taipei fine arts museum, 1998. (Associate Curators:Chang Fangwei & Miki Akikio).<br />
2000<br />
The Sky is the Limit 2000 Taipei Biennial exhibition Catalogue, Taipei, Taipei Fine Art Museum, 2000.<br />
(Curators: Jérôme Sans & Manray Hsu).<br />
Devenport, Rhana, ‗The sky is the limit‘, Art AsiaPacific, 30, 2001<br />
2002<br />
Taipei Biennial Great Theatre <strong>of</strong> the World Exhibition Guide, Taipei, Taipei Fine Art Museum 2002.<br />
(Curators: Bartomeu Mari & Chia Chi Jason Wang).<br />
Yu, Sharleen (Editor), 2002 Taipei Biennial Great Theatre <strong>of</strong> the World Exhibition Catalogue, Taipei, Taipei<br />
Fine Art Museum 2002. (Curators: Bartomeu Mari & Chia Chi Jason Wang).<br />
Wang, Jason Chia Chi, 'From Shadow Magic to the Spectacle', Yishu: Journal <strong>of</strong> Chinese Contemporary Art,<br />
March 2003, Spring Issue.<br />
Quintero, Craig, Art as Theatre: Staging the Taiwanese Biennial', Yishu: Journal <strong>of</strong> Chinese Contemporary<br />
Art, March 2003, Spring Issue.<br />
Kim, Yu Yeon, '2002 Taipei Biennial: Great Theatre <strong>of</strong> the World', Yishu: Journal <strong>of</strong> Chinese Contemporary<br />
Art, March 2003, Spring Issue.<br />
2004<br />
Huang, Andrew, ‗Art into Life‘ (Taipei Biennale 2004), Asian Art News, vol. 15, no. 1, 2005.<br />
Vanderlinden, B. (Editor), Do You Believe in Reality Taipei 2004 Exhibition Catalogue, Taipei, Taipei Fine<br />
Art Museum, 2004. (Curators: Barbara Vanderlinden & Amy Huei-hua Cheng).<br />
2006<br />
Clark, John, ‗Global Intentions‘, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (Taipei biennial)<br />
Kendzulak, Susan, ‗Do You Believe in Reality‘ (Taipei Biennial 2004), Flash Art, vol. XXXVIII, no. 240,<br />
Jan-Feb, 2005.<br />
Kendzulak, Susan, ‗Taipei Biennial 2006‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(1), March,<br />
2007, pp. 19 – 25.<br />
Vine, Richard, ‗Report from Taipei II. The Blurennial‘, in Art in America, June/July 2007, pp. 108 – 111.<br />
Yu, Sharleen & Chou, Freya (Editors), Dirty Yoga 2006 Taipei Biennial Exhibition Catalogue, , Taipei, Taipei<br />
Fine Art Museum, 2006. (Curators: Dan Cameron & Jun-jeh Wang).<br />
2008<br />
Birnie Danzker, J., ‗Post-West: Guangzhou Triennial, Taipei Biennial, and Singapore Biennale‘ in Yishu<br />
Yishu Journal <strong>of</strong> Contemporary Chinese Art, Vol 8, No. 1, January/February/April 2009, pp. 6-15.<br />
Pollack, Barbara, ‗Taipei Biennial: Sept 13-Jan 4‘.(BIENNIAL DIGEST) in Art in America 96.11 (Dec<br />
2008): 104(3).<br />
Venice: La Biennale di Venezia<br />
Overall:
310<br />
Alloway, Lawrence, Venice Biennale, 1895-1968: from Salon to Goldfish Bowl, London, Faber & Faber, 1969.<br />
Di Martino , Enzo: (2005) The History <strong>of</strong> the Venice Biennale 1895- 2005 (Venezia, Italy Papiro Arte).<br />
Moravia, Alberto in dialogue, Capellini, Lorenzo, photographs, 1974-78 Cronache della nuova Biennale,<br />
Milano, Electa, 1978.<br />
Rizzi, Paolo & Di Martino, Enzo Storia della Biennale 1895-1982. Electa, Milano, 1982.<br />
Main Catalogues and general texts by year:<br />
1990 44 th Biennale<br />
1993 45 th Biennale<br />
New Chinese Painting, advised by Francesca dal Largo for overall curator Achille Bonita Oliva, also with<br />
catalogue text on Chinese avant-garde by Li Xianting in Aperto, Difference/Indifference: curated by<br />
Kong Chang‘an / Lau-k‘ung Chan<br />
Blackall, Judith, ‗The Transit <strong>of</strong> Venice‘, Art & Text 46, September 1993;<br />
Verzotti, Giorgio, ‗‖Aperto 93‖: The better biennale‘, Artforum International, Vol.32, Issue 2, October<br />
1993;<br />
McEvilley, Thomas, ‗1993 Venice Biennale: Venice the Menace‘, Artforum International, Vol.32, Issue 2,<br />
October 1993<br />
1995 46 th Biennale<br />
Lasschuyt, Helga, ‗The Venice Biennale Game‘, Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />
Nanjô Fumio, Dana Frijs-Hansen et al (Editors), La Biennale di Venezia 1995:TransCulture, [Bilingual],<br />
The Japan Foundation & Fukutake Science and Culture Foundation, Tokyo, 1995. (Curators:<br />
Nanjô Fumio, Dana Frijs-Hansen)<br />
1997 47 th Biennale<br />
Bryson, Norman and Gilbert Rolfe, ‗XLVII Venice Biennale‘, Art & Text 59, Nov. 1997-Jan. 1998;<br />
Kent, Rachel, ‗The Venice Biennale: Japan, Korea and Taiwan‘, Art AsiaPacific,no.18, 1998<br />
Cai Guoqiang [overall curator Germano Celant]; As People‘s Republic <strong>of</strong> China: Chao Ge, Chen Yifei,<br />
Hong Ling, Hu Jiancheng, Liu Gang, Liu Xiaodong, Shen Ling, Sun Weimin, Wan Jiyuan, Weng<br />
Yuping, Yu Hong, Yuan Yunsheng, Xie Dongmin [commissioners Sun Weimin & Giovanni<br />
Iovane, organiser unclear from Biennale catalogue]<br />
1999 48 th Biennale<br />
Dal Largo, Francesca, ‗Open And everywhere‘, Art AsiaPacific, 25, 2000<br />
Huang Yong Ping & Jean-Pierre Bertrand, French Pavilion Catalogue,48 th Biennale di Venezia, Association<br />
Francaise d‘Action Artistique, 1999. (Commissioners: Hou Hanru & Denys Zacharopoulos<br />
Schwabsky, Barry, ‗48 th Venice Biennale‘, Art & Text 67, Nov. 1999-Jan. 2000<br />
Szeeman, Harald, d‘APERtutto / APERTO over ALL, 1999<br />
Stringa, N., Terrecotte Cinesi dalla 48 th Biennale di Venezia ( Cai Guoqiang), Cornuda, Garfiche Edizioni<br />
2003.<br />
Withers, Rachel, ‗Allied Forces‘, Venice Biennial Review (CHECK), Artforum International, Vol.37, Issue<br />
9, May 1999.<br />
2001 49 th Biennale<br />
Szeeman, Harald, Plateau <strong>of</strong> Humanity, 49 th Biennale di Venezia, 2001.<br />
Clark, John, ‗Review <strong>of</strong> Asian Art at the Venice Biennale‘, IIAS Newsletter International Institute for Asian<br />
Studies, Holland, November 2001.<br />
Clark, John, ‗Asian Artists at the 2001 Venice Biennale‘, IIAS Newsletter November, no.26, 2001<br />
Siegel, Katy, ‗Human, all too human, Venice Biennial Review, Artforum International, Vol.40, Issue 1,<br />
September 2001<br />
Birnbaum, Daniel, ‗More is less‘, Venice Biennial Review, Artforum International, Vol.40, Issue 1,<br />
September 2001;<br />
Pijnappel, Johan, ‗Asia at Venice‘, Asian Art News, vol.12, no.1, 2002; Chua, Kevin, ‗ In Venetian<br />
Waters: Singapore at the 49 th Venice Bienale‘, Focas (Forum on Contemporary Art & Society), no.3,<br />
January 2002;
311<br />
Choy, Lee Weng, ‗Biennale Time and the Specters <strong>of</strong> Exhibition‘, Focas (Forum on Contemporary Art &<br />
Society), no.3, January 2002<br />
2003 50 th Biennale<br />
Clandestine: Liu Zheng, Curator: Francesco Bonami<br />
Clark, John., ‗Venice in Full Flow‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.46-50.;<br />
Dreams and Conflicts: the Dictatorship <strong>of</strong> the Viewer: La Biennale di Venezia: 50 th International Art Exhibition, La<br />
Biennale di Venezia 50 th :2003, Venezia, Marsilio, 2003. (Director: Francesco Bonami).<br />
Fan, Di‘an., ‗Synthi-scapes‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.10-16.<br />
Genocchio, Benjamin, ‗The Big One Venice – Conflicting Agendas: No Buzz at Venice 2004‘ in Art<br />
Asia Pacific, No. 38 (Fall 2003), pp.42-47;<br />
Hou, Hanru., ‗Z.O.U.- Zone <strong>of</strong> Urgency‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June<br />
2003, p.21.<br />
Lenzi, Iola., ‗The Pioneering Sprit‘, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.51-53;<br />
Lin, Shumin, ‗Limbo Zone‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9.<br />
Lum, Ken, ‗Interview with Hou Hanru‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June<br />
2003, p.52-57<br />
Ou, Ning., ‗The U-thèque Organization: An End or a Beginning?‘, in Yishu: Journal <strong>of</strong> Contemporary<br />
Chinese Art, Vol. 2 No. 2, June 2003, p.33-51.<br />
Utopia Station Obrist Hans-Ulrich & Nesbit Molly & Rirkrit Tiravanija, at 50th Biennale di Venezia,<br />
2003.<br />
Vetrocq, Marcia E., ‗Venice Biennale‘: ―Every Idea But One‖ in Art in America (September 2003), pp.<br />
76-87<br />
Vetrocq, Marica E., ‗New curator for the Venice Biennale‘, Art in America, Vol. 90, Issue 5, May 2002;<br />
Vetrocq, Marica E., 'Venice Biennale takes shape', Art in America, Vol. 91, Issue 2, February 2003;<br />
Zones <strong>of</strong> Urgency: curated by Hou Hanru, see also Li Luming, ed., Guangdong Kuaiche / Canton Express,<br />
Changsha, Hunan Meishu Chubanshe, 2003. ]<br />
A Panel Discussion: Looking Forward from Venice: The Prospects <strong>of</strong> Contemporary Chinese Art‘, in<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.50-61.<br />
2005 51 st Biennale<br />
Always a Little Further: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia<br />
50 th :2003, Venezia, Marsilio, 2003. (Director: Rosa Martinez).<br />
Participating Countries/Collateral Events: La Biennale di Venezia, 51st International Art Exhibition: La<br />
Biennale di Venezia 50 th :2003, Venezia, Marsilio, 2003.<br />
The Exoperience <strong>of</strong> Art: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia<br />
50 th :2003, Venezia, Marsilio, 2003. (Director: Maria de Corral).<br />
Raza, Sara, ‗West and Center: An Asian presence at 51 st Venice Biennale‘, ArtAsiaPacific, no. 45, 2005<br />
Nagy, Peter, ‗The Home and the World‘ Art India, volume X, issue iii, quarter iii, 2005. (un<strong>of</strong>ficial<br />
Indian pavilion – Venice)<br />
2007 52 nd Biennale<br />
‗Contemporary Art in Greater China: Under Pressure A Discussion at the 52 nd Venice Biennale‘, in<br />
Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(3), September, 2007, pp. 8 – 24.<br />
Eds. ‗Venice Biennale 52 nd International Art Exhibition: Around the World‘, in ArtAsiaPacific, No. 53,<br />
May/June, 2007, pp. 90 – 97.<br />
Gregos, Katerina, ‗52 nd Venice Biennial‘, in Flash Art, vol. xl, no. 255, July – September, 2007, pp. 63 –<br />
65.<br />
Maerkle, Andrew, ‗The Cook, The Curator, The Bike and The Festivals; Venice, Kassal, Munster‘, in<br />
ArtAsiaPacific, No. 53, May/June, 2007, pp. 98 – 101.<br />
Storr, Robert, and Hou Hanru, ‗Not only possible but also necessary: Art in the Present Tense‘, in<br />
ArtAsiaPacific, No. 53, May/June, 2007, pp. 84 – 89.<br />
Teo, Wendy, ‗52 nd Venice Biennale‘, in Yishu. Journal <strong>of</strong> Contemporary Chinese Art, v. 6(3), September,<br />
2007, pp. 25 – 32.
312<br />
Yokohama: Yokohama Triennale:<br />
2001<br />
aica Japan Newsletter no.2, in November 2001 ‗Yokohama Toriennaare 2001 kôki – sono tenmatsu no<br />
kojinteki memorandamu‘.<br />
Kent, Rachel, ‗2001 Yokohama Triennale‘, Art Asia Pacific, No.34, 2002.<br />
Makabe Kaori, Mikami Yutaka, Yokohama Triennale <strong>of</strong>fice, eds., [curators: Nakamura Nobuo, Nanjô<br />
Fumio, Tatehata Akira, Kohmoto Shinji], Yokohama 2001, Yokohama, The Organizing<br />
Committee <strong>of</strong> the Yokohama Triennale, 2001.<br />
Phillips, Christopjher, ‗‘Crosse currents in Yokohama‘, Art in America, January 2002<br />
Robinson, Joel David, ‗Toward a new synthesis‘, Asian Art News, vol.12, no.1, 2002;<br />
Robinson, Joel David, ‗ Toward A New Synthesis‘ Yokohama 2001 Review, Asian Art News, vol. 12,<br />
no. 1, January/February 2002<br />
Takshima Naoyuk ‗Yokohama triennale‘, Art AsiaPacific, 32, 2001<br />
Yokohama, 2001, statements from the Triennale‘s curators are at<br />
http://www.jpf.go.jp/yt2001/2/info.html<br />
2005<br />
Cash, Stephanie, ‗Yokohama Triennale Trouble‘, Art in America, vol. 93, iss. 2, Feb 2005.<br />
Isozaki Arata, statement on the Yokohama Triennale, www.jpf.go.jop/yt2005/e/inquiry.htm accessed on<br />
13 th October 2004<br />
Kondo, Ken‘ichi , ‗Yokohama 2005: International Triennale <strong>of</strong> Contemporary Art‘ (review),<br />
ArtAsiaPacific, no. 48, 2006<br />
Koplos, Janet, ‗On the Waterfront: the second Yokohama Triennale, set in warehouses in an active port<br />
zone, had a subtext <strong>of</strong> international movement‘, Art in America, 94.4 (April 2006)<br />
Nagoya, Satoru, ‗Yokohama and Fukuoka Triennials Report‘, Flash Art, vol. XXXIX, no. 246, Jan-Feb,<br />
2006<br />
Shinoda Takatoshi, Koyama Naomi, Tabata Mikiko, Yokohama Triennale, The Second Yokohama<br />
Triennale, Yokohama, Yokohama, The Organizing Committee for Yokohama Triennale, 2005.<br />
Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi,<br />
Kitagawa Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?,<br />
Yokohama, Bank<strong>ART</strong>1929, 2005.<br />
2008<br />
Koplos, Janet, ‗Yokohama Triennale: Sept 13-Nov 30‘.(BIENNIAL DIGEST) in Art in America 96.11<br />
(Dec 2008): 99(3).<br />
Tinari, Philip, ‗2008 Gwangju Biennale, Singapore Biennale 2008, 3rd Yokohama Triennale‘ in in<br />
Artforum, Vol. 47, Iss. 5, January 2009, p. 199.<br />
National Exhibitions at Biennales<br />
China:<br />
São Paolo:<br />
Chang Tzong-zung, Chinese Contemporary Art at São Paulo: 1 – The remaking <strong>of</strong> Mass Culture; 11 –<br />
Wakefulness and the Weightless Present, at 22 nd Biennial <strong>of</strong> São Paolo, Hong Kong, Hanart TZ<br />
Gallery, 1994<br />
Chang Tzong-zung, Catalogue <strong>of</strong> Five Chinese artists in 22 nd Biennial <strong>of</strong> São Paolo, 1994<br />
Chang Tzong-zung, Ho Siu-kee, Hong Kong Arts Development Council, at 23 rd São Paolo Biennial,<br />
1996<br />
Chang Tsong-zung, Special Exhibition: Qiu Shi-hua, Fundação de São Paolo, at 23 rd São Paolo Biennial,<br />
Hong Kong, Hanart TZ Gallery, 1996. (Curator: Chang Tsong-zung)<br />
Fan Di‘an & Pi Li (Editors), The 25th São Paulo Biennial: Here and now: Chinese art in the process <strong>of</strong><br />
urbanization, [curated by Fan Di‘an, assistant Pi Li], Beijing, China International Exhibition<br />
Agency, 2002
313<br />
Huang Du, The 26 th São Paolo Biennial: Chinese Pavilion: Landscape <strong>of</strong> Deterritoralization [artist: Qu Yan]¸<br />
Beijing, China International Exhibition Agency, 2004<br />
Pong, Melanie , Josette Balsa, Stephen T.N Cheung, Una Shannon & Louisa Teo (Editors), The Other<br />
Face: Three Chinese Artists ar the Centenary Exhibition. Milan, Zanzibar 1995. (Curator : Chang<br />
Tsong-zung).<br />
Venice:<br />
Dal Largo, Francesca, ‗New Chinese Painting‘ in Catalogue 45 th Biennale di Venezia, 1993<br />
Dal Largo, Francesca, ‗Chinese art at the Venice Biennale‘ in Clark, John ed., Chinese art at the end <strong>of</strong> the<br />
millennium, Hong Kong, New Art Media, 2000, 158-166.<br />
Chang Tsong-zung, The other face, in Catalogue 46 th Biennale di Venezia, 1995<br />
Goodbody, Bridget, ‗No Introductions Necessary‘, ArtAsiaPacific, no. 45, 2005 (China pavilion at<br />
Venice Biennale 05)<br />
Hou Hanru, ‗Everyday Miracles: Four Women Artists. The Chinese Pavilion at the 52 nd Venice<br />
Biennale‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, v. 6(2), June, 2007, pp. 8 – 13.<br />
Huang Du (Editor), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Exhibition Guide, Beijing,<br />
China International Exhibition Agency, 2003. (Curators : Fan Di‘an & Wang Yong).<br />
Huang Du & Van Dong (Editors), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Beijing, China<br />
International Exhibition Agency, 2003.<br />
Szeeman, Harald, d‘APERtutto / APERTO over ALL, 1999, including Venice‘s Collection Courtyard:<br />
organized by Cai Guoqiang, [later published as Stinga, Nico, Terrecotte Cinesi dalla 48 A Biennale di<br />
Venezia, Nove, Antiga Edizioni, 2003]<br />
Szeeman, Harald, ‗Harald Szeeman talks to Chinese artists about Venice, CCAA and curatorial<br />
strategies‘ in Wu Hung, ed., Chinese Art at the Crossroads: between past and future, between East and<br />
West, Hong Kong, New Art Media, 2001<br />
Hou Hanru, Canton Express, project for ―Z.O.U – Zone <strong>of</strong> Urgency‖, 50th Biennale di Venezia,<br />
Changsha, Hunan Arts Publishing House, 2003.<br />
Hou Hanru, One Man, Nine Animals: Huang Yong Ping‘s project for the French pavilion in Venice Biennale, Paris,<br />
Association Française d‘Action Artistique, 1999<br />
Fan Di‘an, Wang Yong, assistant Huang Du, China National Pavilion, 50th Biennale di Venezia, Beijing,<br />
China International Exhibitions Agency & Guangzhou, China Guangdong Museum <strong>of</strong> Art, 2003<br />
Lu Jie, ‗About the Chinese Presentation at the 2005 Yokohama Triennale‘, Yishu: Journal <strong>of</strong> Contemporary<br />
Chinese Art, vol. 4, no. 4, Dec. 2005.<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005, issue focusing on artists from PRC,<br />
Hong Kong, Taiwan and Singapore at the Venice Biennale/ Chinese presence at other<br />
biennale/triennial event.<br />
Regular Fragile – Liu Jianhua. Project for the 50 th Biennale Di Venezia – China Pavilion, Shanghai,<br />
ShangH<strong>ART</strong>, 2003.<br />
China-HongKong:<br />
Binks, Hilary, ‗A larger identity‘, Asian Art News, vol.11, no.5, 2001.<br />
Chang Tsong-zung, Hong Kong pavilion, at 49 th Biennale di Venezia, Hong Kong, Hong Kong Arts<br />
Development Council, 2001<br />
Chang Tsong-zung, Venice Hong Kong, Magic at Street Level, Hong Kong pavilion, at 49 th Biennale di<br />
Venezia, Hong Kong, Hong Kong Arts Development Council, 2001.<br />
Ford, Norman, ‗‗STAR FAIRY‘ as Collateral Damage: Hong Kong at the 52 nd Venice Biennale‘, in<br />
Orientations, vol. 35, no. 5, June, 2007.<br />
Ford, Norman, ‗One the Road to Venice, or, A Parrot Speaks for Me. The Hong Kong Pavilion at the<br />
52 nd Venice Biennale‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, v. 6(2), June, 2007, pp. 18 – 21.<br />
Ford, Norman, ‗You are not in China anymore or, handing over and over and over‘, in Contemporary<br />
Visual Arts + Culture Broadsheet, vol. 36, no. 4, December, 2007, pp. 232 – 234.<br />
Para Site Collective,[curated by Para Site], Navigating the Dot, artists from Hong Kong, China Hong Kong,<br />
Arts Development Board, 2003
314<br />
Thompson, Jonathan, ‗Challenges and Questions‘ (Hong Kong Art Biennial) Asian Art News, vol. 16,<br />
no. 2, 2006.<br />
Investigation <strong>of</strong> a journey to the west by micro+polo: artists from hohg kong china, at 51st Biennale di Venezia<br />
Hong Kong, Hong Kong Arts Development Council, 2005.<br />
Navigating the Dot, Artists from Hong Kong, China, at 50 th Biennale di Venezia, Hong Kong, Hong Kong<br />
Arts Development Council, 2003. (Commissioner: Darwin Chen; Curator: Para/Site Collective).<br />
China-Tawain<br />
Hongjohn Lin, ‗Acting Out from Atopia. The Taiwan Pavilion at the 52 nd Venice Biennale‘, in Yishu:<br />
Journal <strong>of</strong> Contemporary Chinese Art, v. 6(2), June, 2007, pp. 14 – 17.<br />
Lin, Shumin, ‗Limbo Zone‘, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9.<br />
Indonesia:<br />
review, (CP Biennale 2006, Indonesia), Asian Art News, vol. 15, no. 6, 2005.<br />
Review (Yogyakarta Biennale), Asian Art News, vol. 16, no. 1, 2006.<br />
Pruss, Jaana & Ochs, Alexander (Editors), Arahmaiani I 11June 2002 (catalogue for 50 th Biennale di<br />
Venezia with essay About Arahmaiani by Kraus, Werner) , Berlin, Pruss & Ochs Gallery, 2003.<br />
Iran:<br />
Aghdashiou, A., H. Khosrojerdi, Dreams & Conflicts, Venice Biennale 2002, pamphlet.<br />
Ahmad Nadalian: Dreams and Conflicts, 50 th Biennale di Venezia, 2003, brochure.<br />
Behrooz Daresh, brochure for 50 th Biennale di Venezia, 2003.<br />
Japan:<br />
Bangladesh:<br />
Kuroda, Raiji (Commissioner), Document: Japanese Artists in the 7 th Asian Art Biennial Bangladesh<br />
1995,Exhibition Catalogue, the Japan Foundation, 1995<br />
Makoto Nakamura & Masayuki Kuriyama (Editors) Japan, Asian Art Biennale Bangladesh 1999, Exhibition<br />
Catalogue, The Japan Foundation, 1999<br />
Makoto Nakamura (Commissioner) Report on Japan‘s participation in the 9 th Asian Art Biennale Bangladesh<br />
1999, The Japan Foundation, 1999<br />
Yuri Mitsuda (Commissioner & Editor), Embracing Life, Japan at the 10 th Asian Art Biennale Bangladesh,<br />
Exhibition Catalogue, The Japan Foundation, 2002<br />
Yuri Mitsuda (Commissioner & Editor), Embracing Life, Japan at the 10 th Asian Art Biennale Bangladesh,<br />
Report, The Japan Foundation, 2002<br />
Mori Tsukasa, Tsubaki Noboru, Kitayama Yoshio & Domoto Yuum:, Report on Japan‘s Participation, 11 th Asian<br />
Art Biennale, Bangladesh 2003, The Japan Foundation, 2003<br />
Tsubaki Noboru, Kitayama Yoshio & Domoto Yuum: Japan at the 11 th Asian Art Biennale, Bangladesh, 2003,<br />
Exhibition BrochureThe Japan Foundation, 2003<br />
São Paolo:<br />
Tadayasu Sakai, Japan at the 10th Sao Paulo Bienal: Akira Kamiyama, Katsura Funakoshi, Kanji Wakae,<br />
The Japan Foundation, 1989<br />
Kunio Motoe, Masato Kobayashi : The Art <strong>of</strong> Luminosity, Tokyo, The Japan Foundation, 1996<br />
Kazuo Yamawaki, Kimio Tsuchiya : After the Deluge, 25th Sao Paulo Bienal, Tokyo, The Japan<br />
Foundation, 2002.<br />
Shuji Takatori, Toshihiro Kuno, 24th Sao Paulo Bienal, Tokyo, The Japan Foundation, 1998.<br />
Venice:<br />
City <strong>of</strong> Girls – Japanese pavilion, Venice Biennalwe : 7th International Architecture Exhibition, 2000<br />
Giappone, La Biennale di Venezia 1996: VI Mostra Internazionale di Architettura, Exhibition Brochure, The<br />
Japan Foundation, 1996<br />
Giappone – XLVIII Biennale di Venezia 1999, Dove Va L‘Arte? Whither the Arts, Exhibition Catalogue, The<br />
Japan Foundation, 1999<br />
Eriko Osaka (Editor), Giappone – XLVIIII Biennale di Venezia 2001: fast and Slow, The Japan Foundation,<br />
2001
315<br />
Hasegawa, Yuko & The Japan Foundation (Editors), Heterotopias, Japanese Pavilion, the 50 th Venice<br />
Biennale 2003, The Japan Foundation, 2003. (Organiser: The Japan Foundation; Commissioner:<br />
Yuko Hasegawa.<br />
Shimizu, Toshio, ‗Japan and Korea at the 48 th Venice Biennale‘, Art AsiaPacific, 25, 2000<br />
The Japan Foundation, ed., Venezia Biennale - Nihonsanka 40nen / The Venice Biennale, 40 years <strong>of</strong> Japanese<br />
participation, [Bilingual], Tokyo, The Japan Foundation & Mainichi Newspapers, 1995<br />
Korea:<br />
Kim Yoon-Soo & Li Guang-Jun (Organisers), Korean Painting at the Beijing International Art Biennale, China<br />
2003, The Korean Culture & Arts Foundation, 2003<br />
La Biennale di Venezia, The 49 th International Art Exhibition, Korean Pavilion: Do-Ho Suh, Seoul, The Korean<br />
Culture and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)<br />
La Biennale di Venezia, The 49 th International Art Exhibition, Korean Pavilion: Michael Joo, Seoul, The Korean<br />
Culture and Arts Foundation, 2001. (Commissioner Kyung-Mee Park)<br />
Kee, Joan (Editor), Landscape <strong>of</strong> Differences, The Korean Pavilion, the 50 th Venice Biennale 2003, Seoul,<br />
Korean Culture & Arts Foundation, 2003. (Commissioner: Kim Hong-hee).<br />
Kim Sunjung, Kim Heejin, & Kim Jang Un (Editors), Secret beyond the door, The Korean Pavilion, the 51 st<br />
Venice Biennale, Seoul, Korean Culture & Arts Foundation, 2005. (Commissioner: Kim<br />
Sunjung).<br />
Rhee Jong Soong, ‗Clay Idols: The new Korean pavilion at the Venice Biennale‘, Art & Asia-Pacific,<br />
vol.3, no.1, 1996;<br />
Rhee Jong Soong, ‗Clay Idols: The new Korean pavilion at the Venice Biennale‘, Art & Asia-Pacific,<br />
vol.3, no.1, 1996<br />
Shimizu, Toshio, ‗Japan and Korea at the 48 th Venice Biennale‘, Art AsiaPacific, 25, 2000 ‗Supplement:<br />
Korea‘, Asian Art News, vol. 5, no.1, Jan-Feb 1995.<br />
Malaysia<br />
Zhang Wubin, ‗The Ascent <strong>of</strong> the Image‘ (review <strong>of</strong> First Kuala Lumpur International Photography<br />
Biennale), Asian Art News, vol. 15, no. 6, 2005.<br />
Zhang Wubin, ‗Setting New Goals‘, (interview regarding First Kuala Lumpur International<br />
Photography Biennale), Asian Art News, vol. 15, no. 6, 2005<br />
Philippines:<br />
Flores, Patrick D., M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Catalogue.<br />
Going for a Ride. M201: In God We Trust, 5oth Biennale di Venezia, 2003, Exhibition Pamphlet<br />
Singapore:<br />
Chua, Kevin, ‗Singapore in the 49 th Venice Biennale‘, FOCAS, no.3, January 2002, p.274.<br />
Clark, John, ‗Venice Biennale‘, Asian Art News, vol.13 no.5, September 2003<br />
Khor Koh Wah, commissioner, Mike (Lim Tzay Chuen), Singapore: National Arts Council & Singapore<br />
Art Museum, 2005<br />
Langenbach, Ray, ‗Garlands <strong>of</strong> Love: Socialist Realist aesthetics in Singapore‘, in Clark, John; Pelegggi,<br />
Maurizio; Sabapathy, T.K. eds, Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild Peony Press, 2006.<br />
Langenbach, Ray, Hidden Things, (on the occasion <strong>of</strong> the exhibition ‗A work by Lim Tzay Chuen‘),<br />
Singapore: LaSalle-SIA, 2005.<br />
Lee Weng Choy & Langenbach, Ray, ‗Athens, Singapore‘ [a dialogue] in Friede, Claus, Seyfarth, Ludwig,<br />
eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities, Hamburg, Kunsthaus<br />
Hamburg ,2000.<br />
Singapore, Singapore: Singapore Art Museum, National Heritage Board, 2001<br />
Singapore, Tan Swie Hian, Francis Ng, Heman Chong, Singapore: National Arts Council, National Heritage<br />
Board, 2003,<br />
Yap, June, ‗Performing. The Singapore Pavillion‘, in C Arts. Asian Contemporary Art and Culture, vol. 00,<br />
November/December, 2007, pp. 10 – 13.<br />
China-Taiwan:
316<br />
Arttaiwan, 46th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 1995. (Commissioners: Tsai Chinfen<br />
& Paolo De Grandis.<br />
Yang Wen-i & Enrico Pedrini, VOC: Handle with care [Huang Yongping & Yang Maolin], 1997 Taiwan<br />
pavilion: curated by Shih Ju-jen, 1999.<br />
Yang We-I & Chen, Odile (editors), VOC: Handle With Care, Huang Yong-ping & Yang Mao-lin, 48 th<br />
Biennale di Venezia, Taiwan, Lin & Keng Gallery, 1999.<br />
Kao Chien-hui, Taiwan pavilion at 49 th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2001<br />
Lei Yi-ting (Editor), Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Taipei,<br />
Taipei Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min).<br />
Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Exhibition Guide, Taipei, Taipei<br />
Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min).<br />
Thailand:<br />
Poshyananda, Apinan (Commissioner), Dreams and Conflicts: The Dictatorship <strong>of</strong> the Viewer,, Thai Pavilion,<br />
5oth Biennale di Venezia,, Office <strong>of</strong> Contemporary Art & Culture, Ministry <strong>of</strong> Culture, Thailand,<br />
2003. (Co-ordinators: Somsak Chowtadapong & Samart Chansoon).<br />
Poshyananda, Apinan (Commissioner), Those Dying Wishing to Stay, Those Living Preparing to Leave, Montien<br />
Boonma & Araya Rasdjarmrearnsook, Thai Pavilion, 51 st Biennale di Venezia, Office <strong>of</strong> Contemporary<br />
Art & Culture, Ministry <strong>of</strong> Culture, Thailand, 2005. (Curators: Panya Vijinthanasarn, Luckana &<br />
Sutee Kunavichayanont).<br />
United Kingdom:<br />
Bowness, Sophie; Phillpot, Clive, eds., Britain at the Venice Biennale, London, The British Council, 1995<br />
Britain and the São Paulo Bienal 1951-1991 / A Grã-Bretanha e a Bienal de São Paulo 1951-1991, with essays<br />
by Margaret Garlake and Guy Brett, The British Council Brazil, 1991.<br />
Furlong, William et al, Venice Biennale 1999, Wimbledon, Wimbledon School <strong>of</strong> Art Research Centre in<br />
association with Audio Arts Magazine, 1999<br />
Furlong, William et al, Venice Biennale 2001: Research Symposium March 2000, Wimbledon, Wimbledon<br />
School <strong>of</strong> Art Research Centre in association with Audio Arts Magazine, 2000<br />
Furlong William, et al, International; Venice Agendas 2003, a series <strong>of</strong> three breakfast meetings, Wimbledon,<br />
Wimbledon School <strong>of</strong> Art Research Centre in association with Audio Arts Magazine, 1999<br />
Biennales from an Asian perspective<br />
Burke, Gregory, ‗Distance Up Close: The Asian Biennials‘, ArtAsiaPacific, no. 50, 2006.<br />
Maerkle, Andrew, ‗Curating by Committee: Behind Asia‘s Biennials‘, ArtAsiaPacific, no. 50, 2006.<br />
Sinha, Gayatri, ‗Locating Biennales, Revising Frameworks‘, Art India, volume X, issue ii, quarter ii,<br />
2005.<br />
Other Catalogues consulted by Year <strong>of</strong> Publication [duplicates some sections above]<br />
1968<br />
When attitudes became form Bern, Szeeman, Harald, curator, Bern, Kunsthalle, 1968.<br />
1985<br />
Art in the 20 th Century, Painting and Sculpture 1905-1985, Joachimides, Christos M.; Rosenthal Norman;<br />
Schmied, Wieland, German , London, Royal Academy <strong>of</strong> Arts & Munich, Prestel Verlag, 1985.<br />
Reconstructions: Avant-Garde Art in Japan 1945-1965, Kaido, K., and Elliott, D., Oxford, Museum <strong>of</strong><br />
Modern Art, 1985<br />
1987<br />
Beyond the open door, contemporary paintings from the People‘s Republic <strong>of</strong> China, mostly chosen Nielsen,<br />
Waldemar A., essay by Strassberg, Richard L., organized by Pacific Asia Museum, Pasadena,<br />
1987.<br />
Peintres et Sculpteurs Chinois à Paris, Pierquin-Tian, Odile, typescript catalogue <strong>of</strong> exhibition, Paris, Centre<br />
de Recherches et de Documentation sur la Chine contemporaine, EHSS, 18 May to 3rd June<br />
1987
317<br />
1989<br />
Magiciens de la terre, Martin, Jean-Hubert, overall curator, Paris, Centre Georges Pompidou, 1989<br />
Europalia 89: Japan in Belgium, Nakahara Yûsuke et al, Gent, Museum van Hedenndaagse Kunst, 1989.<br />
[Belgium, 28.10.1989- 7.1.1990]<br />
Against Nature: Japanese Art in the 1980s, Halbreich, Kathy; Kômoto Shinji, Nanjô Fumio; Sokolowski,<br />
Thomas; New York, New York <strong>University</strong> Grey Art Gallery, 1989. [Toured USA, 15.6.1989-<br />
12..2.1991]<br />
1990<br />
Art Chinois 1990 Demain pour Hier curated by Fei Dawei, organized by Association Française d‘Action<br />
Artistique & Les Domaines de l‘Art, Pourrières & Editions Carte Segrete<br />
Tezuka Osamu ten = Osamu Tezuka , Osamu Tezuka, et al, Tokyo, Tokyo Kokuritsu Kindai Bijutsukan,<br />
1990<br />
Japan Art Today, Namba Hideo, Okada Takahiko, Tokyo, Sezon Museum <strong>of</strong> Art, 1990. [sent to<br />
Scandinavia, 24.1.1990-25.8.1991]<br />
Japansicher Kunst der Achtziger Jahre, Kondô Yukio; Nanjô Fumio; Weiermaier, Peter; Frankfurt, for the<br />
Frankfurter Kunstverein, Edition Stemmle, 1990. , [Frankfurter Kunstverein then 15.2.1991-<br />
7.4.1991, Museum der moderner Kunst, Wien]<br />
A Primal Spirit, Hara Toshio; Fox, Howard T., Tokyo, Hara Museum <strong>of</strong> Contemporary Art & Los<br />
Angeles, Los Angeles County Museum <strong>of</strong> Art, 1990. [USA, toured 10.3.1990-22.9.1991]<br />
1991<br />
Exceptional Passage curated by Fei Dawei, Fukuoka Art Museum<br />
―I don‘t want to play cards with Cézanne‖ and other works¸ selections from the Chinese ―New Wave‖ and ―Avant-<br />
Garde‖ art <strong>of</strong> the eighties, curated by Strassberg, Richard L., essays by Zheng Shengtian,Tang<br />
Qingnian, Lee Ou-fan, organized by Pacific Asia Museum.<br />
Gebrochene Bilder, Junge Kunst aus China: Selbstdarstellungen, Köppel-Yang, Martina; Schneckman Peter;<br />
Schneider, Ernst R.; Heidelberg, Gesellschaft für Kulturaustausch mit Asien, 1991<br />
Annear, Judy, Tatehata Akira; Zones <strong>of</strong> Love, <strong>Sydney</strong>, Museum <strong>of</strong> Contemporary Art, 1991. [Australia,<br />
5.1991-9.1992<br />
1992<br />
New Art From China curated by Claire Roberts, Art Gallery <strong>of</strong> New South Wales, 1992.<br />
Artists Regional Exchange, Perth, April 1992: Four Views‘: Binns, Vivienne, ‗Culture as Transformation‘ ;<br />
Howard, Ian, ‗Towards a Legitimate Interest‘; Kirker, Anne, ‗A Dialogue with Thailand‘; and<br />
Jones, Adrian, ‗Managing ARX‘, Artlink, Vol. 12, No.3, Spring 1992<br />
1993<br />
China Avant-Garde, Pöhlmann, Wolfger et al, Berlin, Haus der Kulturen der Welt& Editions Braus<br />
[Berlkin 20 January -16 May, Oxford 4 September-24 October], 1993<br />
Fragmented Memory: The Chinese Avant Garde in Exile curated by Andrews, Julia, F.; Gao Minglu, organized<br />
by Wexner Center for the Arts<br />
Silent Energy: curated by David Elliott and Lydie Mepham, organized by Museum <strong>of</strong> Modern Art,<br />
Oxford.<br />
China‘s New Art, Post 1989, with a retrospective from 1979-1989curated by Chang Tsong-zung & Li<br />
Xianting, organized by Hanart TZ Gallery, Hong Kong.<br />
1994<br />
Out <strong>of</strong> the Centre: Chinese Contemporary Art curated by Ho Hanru, Pori Art Museum, Pori [Finland]<br />
Scream against the sky: Japanese Art after 1945, Munro, A., et al., New York, Harry N. Abrams, 1994<br />
1995<br />
Contemporary Art <strong>of</strong> the Non-Aligned Countries 1995, Jakarta, Indonesia: Programme Book, 1995<br />
Contemporary Art <strong>of</strong> the Non-Aligned Countries 1995, Jakarta, Indonesia: Catalogue, 1995<br />
Contemporary Art <strong>of</strong> the Non-Aligned Countries 1995, Jakarta, Indonesia: Contemporary Balinese Art: Continuity in<br />
Change, 1995
318<br />
Contemporary Art <strong>of</strong> the Non-Aligned Countries 1995, Jakarta, Indonesia: Inity in Diversity in International Art,<br />
Seminar Proceedings, 1995<br />
Quotation Marks‖: Chinese Contemporary Paintings, Ronte, Dieter; Smerling, Walter et al, , Singapore,<br />
Singapore Art Museum, 1995; also published as Dieter Ronte, Walter Smerling, Evelyn Weiss ;<br />
mit Beiträgen von Chang Tsong-zung, et al. China : zeitgenössische Malerei, Köln : DuMont, 1996.<br />
New Asian Art Show, Huang Zhuan, et al Tokyo, Japan Foundation Forum & Osaka, Kirin Plaza, 1995.<br />
Art Taiwan, Yang Wen-i, Jose Nicholas eds., Taipei, Taipei Fine Arts Museum & <strong>Sydney</strong>, Museum <strong>of</strong><br />
Contemporary Art, <strong>Sydney</strong>, 1995.<br />
Sengo bunka no kiseki / Japanese culture <strong>of</strong> the Postwar Years, 1945-1995, Meguro-ku Bijutsukan henshû,<br />
Tokyo Asahi Shinbum, 1995<br />
1996<br />
Reckoning with the past, curated by Chang Tsong-zung, essays by John Clark, Yan Shanchun, organized<br />
by The Fruitmarket Gallery, Edinburgh<br />
Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Weibel, Peter, curated ,<br />
Graz, Neue Galerie 1996<br />
1997<br />
Parisien(ne)s, included Chen Zhen, Huang Yongping, Shen Yuan (curated by Hou Hanru, organized by<br />
Camden Arts Centre)<br />
Another Long March: Chinese Conceptual and Installation Art in the Nineties, curated by Marianne Brouwer &<br />
Chris Driessen, texts by Fei Dawei, Hou Hanru, Tang Di, organized by Fundament Foundation<br />
Breda].<br />
Secession: Cities on the Move curated by Hou Hanru and Hans-Ulrich Obrist, organized by Wiener<br />
Secession & capc Musée d‘art contemporain de Bordeaux<br />
The Birth <strong>of</strong> Modern Art in Southeast Asia: Artists and Movements, Ushiroshôji Masahiro, supervising curator:<br />
Fukuoka Art Museum, 1997<br />
1998<br />
Cream: Contemporary Art and Culture, London and New York, Phaidon, 1998<br />
Die Hälfte des Himmels curated by Werner, Chris; Qiu Ping; Pitzen, Marianne, organized by<br />
Frauenmuseum Bonn<br />
Groβschwanzelefant / Big Tail Elephant,curated by Fibicher, Bernard, Bern, Kunsthalle 1998.<br />
Chinese Contemporary, 96-98 curated by Colman, Julia; Bois, Ludovic, organized by Chinese<br />
Contemporary Limited.<br />
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Menzies, Jackie, ed., (co-curated by Ajioka,<br />
Clark, Menzies, Mizusawa); <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1998.<br />
Per Video, Keusen, Elle; Schmidt, Inge; Weihs, Helge; Köln, Museum Ludwig, 1998<br />
Inside Out, New Chinese Art, curated and written by Gao Minglu, New York, Asia Society & Berkeley,<br />
<strong>University</strong> <strong>of</strong> California Press, 1998<br />
1999<br />
Art at the Turn <strong>of</strong> the Millennium, Burkhard Riemschneider and Uta Grosenick, ed., Köln, Taschen, 1999<br />
ARX 5, Lee Weng Choy, ‗Misunderstanding art‘, Art AsiaPacific, 23, 1999;<br />
ARX 5, Lenzi, Iola, ‗Process and Politics‘, Art AsiaPacific, 23, 1999<br />
China 1999 organized by Limn Gallery, San Francisco<br />
Cologne-Beijing, Beijing-Cologne Exchange Exhibitioncurated by Tang Xin & Urle U., organized by Gothaer<br />
Kunstforum, Köln]<br />
Logan Collection, organized by Limn Gallery, San Francisco<br />
Melbourne Biennale [China curated by Huang Du]<br />
Modern Chinese Art curated by Hans van Dijk, essay by John Clark, organized by Modern Chinese Art<br />
Foundation<br />
Representing the People Curated by Smith, Karen & Pi Li, organized by The Courtyard Gallery<br />
&Newcastle, Tyne and Weir Museums
319<br />
Transience: Chinese Art at the End <strong>of</strong> the 20th Century [curated by Wu Hung, Smart Museum <strong>University</strong> <strong>of</strong><br />
Chicago<br />
Truths from the Open Door: Chinese Conceptual Photography, curated by Wu Meichun, Zheng Shengtian, Art<br />
Gallery <strong>of</strong> Chulalongkorn <strong>University</strong><br />
Toi Toi Toi, Kassel 1999, Garrett, Louise ‗Toi Toi Toi‘, Art AsiaPacific, 23, 1999<br />
Transience: Chinese Art at the End <strong>of</strong> the 20th Century, Wu Hung curated, Chicago, Smart Museum<br />
<strong>University</strong> <strong>of</strong> Chicago, 1999.<br />
Vielfaches echo (manifold echoes),Stuttgart, 1998, Hynes, Victoria, ‗Manifold Echoes‘, Art AsiaPacific, 22, 1999<br />
2000<br />
Fresh Cream: Contemporary Art and Culture, London and New York, Phaidon, 2000Paris pour escale, curated<br />
by Hou Hanru & Evelyne Jouanno, organized by Musée d‘Art Moderne de la Ville de Paris]<br />
Exhibiting Experimental Art in China, curated by Wu Hung, organized by Smart Museum, <strong>University</strong> <strong>of</strong><br />
Chicago<br />
Fresh Cream Williams, Gilda, ed., London, Phaidon, 2000<br />
Shanghe Meishuguan / Upriver Gallery, Tianjin, Tianjin Shehui Kexueyuan Chubanshe, 2000<br />
Papunya Tula: Genesis and Genius¸ Perkins, Hetti; Fink, Hannah, <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales<br />
in association with Papunya Tula Artists, 2000.<br />
2001<br />
Living in Time 29 zeitgenössische Künstler aus China curated by Hou Hanru, Fan Di‘an, Gabriele Knapstein,<br />
organized by Nationalgalerie im Hamburger Bahnh<strong>of</strong> Museum für Gegenwart, in cooperation<br />
with the Ministry <strong>of</strong> Culture <strong>of</strong> PRC and China International Exhibition Agency<br />
Makabe Kaori, Mikami Yutaka, Yokohama Triennale Office, eds, Yokohama Triennale 2001, Yokohama,<br />
2001<br />
Huang Zhuan, Pi Li, Tuxiang jiushi liliang / Image is Power, [at He Xiangning Art Museum] Changsha,<br />
Hunan Meishu Chuban she, 2001<br />
Jay, Sian E., ‗Emerging visions‘, Asian Art News, vol.11, no2, 2001 (Nokia Art Awards)<br />
2002<br />
Chen Tong, Look, Exhibition Catalogue, Guangzhou, The gallery <strong>of</strong> Guangzhou Fine Art Academe,<br />
2002<br />
Hu Fang (Curator), Landscape <strong>of</strong> Sur-consuming, Exhibition Catalogue, Guangzhou, Vitamin Creative<br />
Space, 2002<br />
Jewyo Rhii, Warming and Humidifying,Korea 2002<br />
Paris-Pékin Curated by Chang Tsong-zung, organized by Gallery Enrico Navarra, published by Chinese<br />
Century<br />
Report <strong>of</strong> the International Symposium 2002, ‗Asia in Transition: Representation and Identity‘, Japan,<br />
The Japan Foundation Asia Center, 2002;<br />
Stay in Shanghai 2002, Exhibition Catalogue, Shanghai, EastLink Gallery, 2002<br />
The Shine <strong>of</strong> the City Contemporary Art Exhibition 2002, Exhibition Catalogue<br />
Yasuko, Furuichi, ―Asia in Transition: Representation and Identity‖, Japan Foundation Asia Center, 2002<br />
2003<br />
Art/34/Basel/18-23/6/03, Media Documents, Basel, 2003<br />
Basel 2003, Clark, John., ‗Art 34 Basel‘, in Art AsiaPacific, Issue 38, Fall 2003, p.48-49.Cream 3:<br />
Contemporary Art and Culture, London and New York, Phaidon, 2003<br />
How latitudes become forms curated by Philippe Vergne, Chinese Advisor, Hou Hanru, organized by<br />
Walker Art Center<br />
Alors, la Chine? curated by Chantal Béret, Alain Sayag, Pi Li et al, organized by Centre Pompidou Paris.<br />
A Strange Heaven: Contemporary Chinese Photography curated by Petr Nedoma & Chang Tsong-zung,<br />
organized by Hong Kong, Asian Art Archive & Paris, Galerie Enrico Navarra<br />
Chinese Maximalism/ Zongguo jiduo zhuyi, Gao Minglu, Beijing, Millenium Art Museum & Buffalo, State<br />
<strong>University</strong> <strong>of</strong> New York at Buffalo Art Gallery; catalogue Chongqing, Chongqing Chubanshe,<br />
2003
320<br />
Shanghart 2003, Catalogue <strong>of</strong> artists represented by Shang<strong>ART</strong>, Shanghai, 2003<br />
Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Pre-Reality – an exhibition <strong>of</strong> contemporary art<br />
at the Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993 (Curator:<br />
Gu Zhenqing)<br />
Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Post-Reality – an exhibition <strong>of</strong> contemporary<br />
art at the Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993<br />
(Curator: Gu Zhenqing)<br />
2004<br />
Contemporary Taiwanese Art in the Era <strong>of</strong> Contention ,curated by Pan An-yi, [with catalogue essays by Yan<br />
Chuan-ying, Hsiao Chong-ray], Taipei, Tapiei Fine Arts Museum & Ithaca, Herbert F. Johnson<br />
Museum <strong>of</strong> Art, 2004<br />
Between Past and Future: new photography and video from China, Wu Hung & Phillips, Christopher, Göttingen,<br />
Steidl Publishers, 2004.<br />
The Monk and the Demon: Contemporary Chinese Art, Fei Dawei et al, [Exhibition in Lyon & Guangdong]<br />
Milan, 5 Continents Editions, 2004<br />
China Dream: Another Flow in Chinese Modern Art, Rawanchaikul Toshiko & Horikawa Lisa, eds. ,<br />
Fukuoka, Fukuoka Asian Art Museum, 2004<br />
Ham Jin, Catalogue in conjunction with the exhibition Aewan, Seoul, pkm Gallery, 2004 (Essay by Iris<br />
Moon).<br />
2005<br />
Cubism in Asia, unbounded dialogues, Tatehata Akira et al, Tokyo, The Japan Foundation, 2005<br />
Jung Yeondoo, Dreams come true, almost, Seoul, Kukje Gallery, 2005.<br />
Little boy : the arts <strong>of</strong> Japan's exploding subculture, Murakami Takashi, ed., New York: Japan Society & New<br />
Haven : Yale <strong>University</strong> Press, 2005<br />
Mahjong: Contemporary Chinese Art from the Sigg Collection, Fibicher, Bernard; Frehner, Matthias, ed.,<br />
Ostfildern-Ruit, Hatje Cantz, 2005<br />
2006<br />
Gong Mingguang, ed., Entry Gate: Chinese Aesthetics <strong>of</strong> heterogeneity, 2006 MoCA Envisage, [Bilingual<br />
Catalogue] Shanghai, Shanghai Shuhua Chubanshe, 2006,<br />
Second Shanghai Duolun Exhibition <strong>of</strong> Yong Artists, [Bilingual catalogue], Shanghai, Duolun Museum, 2006,<br />
[curators: Biljiana Ciric, Huang Yuelin, Tang Dixin].