3D graphics eBook - Course Materials Repository
3D graphics eBook - Course Materials Repository
3D graphics eBook - Course Materials Repository
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Virtual actor 234<br />
Virtual actor<br />
A virtual human or digital clone is the creation or re-creation of a human being in image and voice using<br />
computer-generated imagery and sound. The process of creating such a virtual human on film, substituting for an<br />
existing actor, is known, after a 1992 book, as Schwarzeneggerization, and in general virtual humans employed in<br />
movies are known as synthespians, virtual actors, vactors, cyberstars, or "silicentric" actors. There are several<br />
legal ramifications for the digital cloning of human actors, relating to copyright and personality rights. People who<br />
have already been digitally cloned as simulations include Bill Clinton, Marilyn Monroe, Fred Astaire, Ed Sullivan,<br />
Elvis Presley, Anna Marie Goddard, and George Burns. Ironically, data sets of Arnold Schwarzenegger for the<br />
[1] [2]<br />
creation of a virtual Arnold (head, at least) have already been made.<br />
The name Schwarzeneggerization comes from the 1992 book Et Tu, Babe by Mark Leyner. In one scene, on pages<br />
50–51, a character asks the shop assistant at a video store to have Arnold Schwarzenegger digitally substituted for<br />
existing actors into various works, including (amongst others) Rain Man (to replace both Tom Cruise and Dustin<br />
Hoffman), My Fair Lady (to replace Rex Harrison), Amadeus (to replace F. Murray Abraham), The Diary of Anne<br />
Frank (as Anne Frank), Gandhi (to replace Ben Kingsley), and It's a Wonderful Life (to replace James Stewart).<br />
Schwarzeneggerization is the name that Leyner gives to this process. Only 10 years later, Schwarzeneggerization<br />
was close to being reality. [1]<br />
By 2002, Schwarzenegger, Jim Carrey, Kate Mulgrew, Michelle Pfeiffer, Denzel Washington, Gillian Anderson, and<br />
David Duchovny had all had their heads laser scanned to create digital computer models thereof. [1]<br />
Early history<br />
Early computer-generated animated faces include the 1985 film Tony de Peltrie and the music video for Mick<br />
Jagger's song "Hard Woman" (from She's the Boss). The first actual human beings to be digitally duplicated were<br />
Marilyn Monroe and Humphrey Bogart in a March 1987 film created by Daniel Thalmann and Nadia<br />
Magnenat-Thalmann for the 100th anniversary of the Engineering Society of Canada. The film was created by six<br />
people over a year, and had Monroe and Bogart meeting in a café in Montreal. The characters were rendered in three<br />
dimensions, and were capable of speaking, showing emotion, and shaking hands. [3]<br />
In 1987, the Kleizer-Walczak Construction Company begain its Synthespian ("synthetic thespian") Project, with the<br />
aim of creating "life-like figures based on the digital animation of clay models". [2]<br />
In 1988, Tin Toy was the first entirely computer-generated movie to win an Academy Award (Best Animated Short<br />
Film). In the same year, Mike the Talking Head, an animated head whose facial expression and head posture were<br />
controlled in real time by a puppeteer using a custom-built controller, was developed by Silicon Graphics, and<br />
performed live at SIGGRAPH. In 1989, The Abyss, directed by James Cameron included a computer-generated face<br />
[3] [4]<br />
placed onto a watery pseudopod.<br />
In 1991, Terminator 2, also directed by Cameron, confident in the abilities of computer-generated effects from his<br />
experience with The Abyss, included a mixture of synthetic actors with live animation, including computer models of<br />
Robert Patrick's face. The Abyss contained just one scene with photo-realistic computer <strong>graphics</strong>. Terminator 2<br />
[3] [4] [5]<br />
contained over forty shots throughout the film.<br />
In 1997, Industrial Light and Magic worked on creating a virtual actor that was a composite of the bodily parts of<br />
several real actors. [2]<br />
By the 21st century, virtual actors had become a reality. The face of Brandon Lee, who had died partway through the<br />
shooting of The Crow in 1994, had been digitally superimposed over the top of a body-double in order to complete<br />
those parts of the movie that had yet to be filmed. By 2001, three-dimensional computer-generated realistic humans<br />
had been used in Final Fantasy: The Spirits Within, and by 2004, a synthetic Laurence Olivier co-starred in Sky<br />
[6] [7]<br />
Captain and the World of Tomorrow.