Iv - University of Salford Institutional Repository
Iv - University of Salford Institutional Repository Iv - University of Salford Institutional Repository
(2) MESSAGE: The message is the focal element in the communication process. No communication can occur in a message-free context. It is the message which is the target of all communication. Therefore, more light will be shed on this particular element. Any message has a form and a content; a physical shape and a non- physical intent. Both elements are inseparable. The form of the message consists in the external 'sign' representation or embodiment of the sender's intentions. The content of the message constitutes the information to be imparted to the immediate receptor. For a message to be meaningful and intelligible, both form and content must be harmonized and well-balanced. In other words, the linguistic representation of the message must be un- crooked and well structured. In like manner, the ideational content of the message must be easily extractable and sufficiently obviated. Esotericism, which is mainly attributed to excessive figuration and far-fetchedness, would result in structural complexities and stylistic oddities which would impinge on both the interpretability and communicability of the message. The verbal form of the message consists of signs and sign combinations; a concept of language which semioticians unanimously uphold. These signs or sign combinations constitute the external framework of the message. Semioticians label words and word combinations 'conventional' signs as distinct from 'indexical' and/or 'iconic' signs. Conventional because they are, as Nida 34
claims, "free from the formal contamination of the objects to which they refer". (1964, p31) Nida's choice of the word 'contamination' is not a fortunate coincidence. It may have been inspired by his too much preoccupation with Bible translating. Nevertheless, he could have chosen a less poignant term. The relationship between sign and signatum, word and thing, form and object is a long-standing one. As signs are determiners of the objects to which they refer, it is the object as an item of external reality which inspires the word by which it is identified. Objects exited in the external world long before their verbal signs. Linguistic symbols are context-free only when used in isolation. This, however, does not mean that words in isolation are meaningless or devoid of any signification. On the contrary, a word is significant in so far as it refers to a specific, distinct physical or non-physical object or entity. Only when words or word-combinations are used in a certain context do they become context-bound. Roman Jakobson, in his article "On Linguistic Aspects of Translation" adds a semiotic dimension to the meaning of the word. He distinguishes three ways of interpreting a verbal sign, and moves therefrom to distinguish three types of translation: (1) "Intralingual translation, or re-wording, is an interpretation of verbal signs by means of other signs of the same langauge. 35
- Page 1 and 2: TRANSLATION QUALITY ASSESSMENT AN A
- Page 3 and 4: Lexical Correspondence. 128 Identif
- Page 5 and 6: ABSTRACT Translation quality assess
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- Page 9 and 10: INTRODUCTION This thesis focuses on
- Page 11 and 12: components. However, more important
- Page 13 and 14: PRELIMINARY CONSIDERATIONS CHAPTER
- Page 15 and 16: translation quality assessment? Wor
- Page 17 and 18: elease Bayzantine prisoners in exch
- Page 19 and 20: should have a perfect knowledge of
- Page 21 and 22: translation was eventually cleared.
- Page 23 and 24: (2) The style and manner of writing
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- Page 27 and 28: (3) Stylistic equivalence, where th
- Page 29 and 30: in two different languages cannot b
- Page 31 and 32: Neubert goes on to discuss the ways
- Page 33 and 34: Lotman (1976, pp153-96) argues that
- Page 35 and 36: (a) "the concept of translation equ
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- Page 41 and 42: in various ways according to the ma
- Page 43 and 44: Roman Jakobson adds another three f
- Page 45: The communicative approach, of whic
- Page 49 and 50: to a certain system, to another sem
- Page 51 and 52: (3) RECEPTORS The author of a text
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- Page 55 and 56: p192) In immediate interpersonal co
- Page 57 and 58: concerning the communication situat
- Page 59 and 60: level of the individual sentence? B
- Page 61 and 62: In Europe, the linguistic analysis
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- Page 69 and 70: features or goals with other texts
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- Page 73 and 74: and confusing to obscure these diff
- Page 75 and 76: Translation is a relational concept
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- Page 81 and 82: the grammars of both SL and TL text
- Page 83 and 84: unbridgeable. Strategies to bridge
- Page 85 and 86: Moreover, the ability of both child
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- Page 91 and 92: to be considered translations? Is a
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(2) MESSAGE:<br />
The message is the focal element in the communication<br />
process. No communication can occur in a message-free context. It<br />
is the message which is the target <strong>of</strong> all communication.<br />
Therefore, more light will be shed on this particular element. Any<br />
message has a form and a content; a physical shape and a non-<br />
physical intent. Both elements are inseparable. The form <strong>of</strong> the<br />
message consists in the external 'sign' representation or<br />
embodiment <strong>of</strong> the sender's intentions. The content <strong>of</strong> the message<br />
constitutes the information to be imparted to the immediate<br />
receptor. For a message to be meaningful and intelligible, both<br />
form and content must be harmonized and well-balanced. In other<br />
words, the linguistic representation <strong>of</strong> the message must be un-<br />
crooked and well structured. In like manner, the ideational<br />
content <strong>of</strong> the message must be easily extractable and sufficiently<br />
obviated. Esotericism, which is mainly attributed to excessive<br />
figuration and far-fetchedness, would result in structural<br />
complexities and stylistic oddities which would impinge on both<br />
the interpretability and communicability <strong>of</strong> the message.<br />
The verbal form <strong>of</strong> the message consists <strong>of</strong> signs and sign<br />
combinations; a concept <strong>of</strong> language which semioticians unanimously<br />
uphold. These signs or sign combinations constitute the external<br />
framework <strong>of</strong> the message. Semioticians label words and word<br />
combinations 'conventional' signs as distinct from 'indexical'<br />
and/or 'iconic' signs. Conventional because they are, as Nida<br />
34