Lexington… - Kentucky Arts Council
Lexington… - Kentucky Arts Council
Lexington… - Kentucky Arts Council
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2<br />
On the front cover:<br />
ART, a digitally enhanced photograph of<br />
Hart Drycleaners on North Broadway in<br />
Lexington by Linda Fugate-Blumer, is an<br />
example of how artists’ creativity and vision<br />
turn everyday objects into art.<br />
All artists whose original artwork<br />
appears in this publication retain full<br />
copyrights to their work.<br />
Copyright ©2010� ���� The <strong>Kentucky</strong> ts Ar<strong>Council</strong>.<br />
All rights reser ved.<br />
<strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong><br />
500 Mero Street, 21st Floor<br />
Frankfort, KY 40601<br />
Local calls: 502.564.3757<br />
Toll free: 888.833.2787<br />
Fax: 502.564.2839<br />
artscouncil@ky.gov<br />
www.artscouncil.ky.gov
K E N T U C K Y<br />
C O U N C I L<br />
The <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong>,<br />
the state arts agency within<br />
the Tourism, <strong>Arts</strong> and Heritage<br />
Cabinet, creates opportunities<br />
for Kentuckians to value,<br />
participate in and benefit from<br />
the arts. <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong><br />
funding is provided by the<br />
<strong>Kentucky</strong> General Assembly<br />
and the National Endowment<br />
for the <strong>Arts</strong>.<br />
Contents<br />
<strong>Arts</strong> Across <strong>Kentucky</strong><br />
Western Region<br />
South Central Region<br />
Eastern Region<br />
North Central Region<br />
Index
4<br />
Discover Art in <strong>Kentucky</strong> is a cultural guidebook of sorts,<br />
featuring art destinations across <strong>Kentucky</strong>: galleries,<br />
museums, independent booksellers and performance<br />
venues for dance, theater and music. The arts organizations<br />
and businesses listed are partners with the<br />
<strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> or promote the work of artists<br />
associated with <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> programs. The<br />
book also includes notes about unique communities<br />
that have embraced the arts as well as <strong>Kentucky</strong> art<br />
traditions.<br />
Because <strong>Kentucky</strong> has such a robust literary tradition,<br />
the book also acknowledges the work of acclaimed<br />
literary figures with significant ties to the commonwealth.<br />
Discover Art in <strong>Kentucky</strong> is by no means an exhaustive<br />
list of arts venues, programs, activities or celebrated<br />
artists. We hope you’ll use it as a starting point for discovering<br />
other art treasures across the state.<br />
How this book is organized<br />
This book divides the state into four geographic regions<br />
and then lists art destinations—alphabetically<br />
by city—in each. The section “<strong>Arts</strong> Across <strong>Kentucky</strong>”<br />
describes items of interest that are not specific to any<br />
one region.<br />
At the end of each regional section, you’ll find an introduction<br />
to the literary arts in that region. Following<br />
the introduction is a listing of a few acclaimed literary<br />
artists who have ties to that region of <strong>Kentucky</strong>. This,<br />
again, is not an exhaustive list, and there are many<br />
other accomplished literary artists we would have<br />
liked to include, if space permitted.<br />
In 2012, the information in this book will be available<br />
electronically on the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> website<br />
(www.artscouncil.ky.gov). The online version will include<br />
interactive maps and more extensive information. We<br />
hope you’ll check that site regularly as you plan excursions<br />
to sample <strong>Kentucky</strong>’s arts.
What’s this?<br />
These are bar codes that provide direct links<br />
to Internet information about the associated art<br />
venue or artist. If you have a “smart phone”<br />
with Internet access, download the free mobile<br />
application at http://gettag.mobi. Open the application<br />
and then view the colored bar code<br />
through your phone’s camera viewfinder. Voilà!<br />
You’ll be linked to a website, video or audio file.<br />
What’s this?<br />
At a jam session, musicians come together<br />
to socialize, learn new licks and, most of all,<br />
have fun playing music. Whether you prefer to<br />
participate or just listen, a jam is a great place<br />
to experience living folk culture. Look for the<br />
banjo icon identifying venues that sponsor regular<br />
jam sessions. You’ll find them in all four<br />
<strong>Kentucky</strong> regions.<br />
Note about literary artist information: Sources for information about <strong>Kentucky</strong> literary artists include The <strong>Kentucky</strong><br />
Encyclopedia, John Kleber, Editor-in Chief, The University Press of <strong>Kentucky</strong>, 1992; and The <strong>Kentucky</strong> Anthology:<br />
Two Hundred Years of Writing in the Bluegrass State, Wade Hall, Editor, The University Press of <strong>Kentucky</strong>, 2005.<br />
The information is reprinted with permission.<br />
5
6<br />
<strong>Arts</strong> Across<br />
<strong>Kentucky</strong>
Although we’ve attempted to organize art venues<br />
in the state by geographic region, art, of course,<br />
is not restricted by these artificial borders. There<br />
are many art forms and cultural traditions that are<br />
found all across the state, and we highlight just a<br />
few of them in this section.<br />
The clean lines of this cherry and maple<br />
rocker by Mark Whitley Limited Edition<br />
Furniture in Smiths Grove, Ky., reflect the<br />
strong influence of Shaker style in many<br />
designs by contemporary artists today.<br />
Photo courtesy of Wes Davis Photography, Bowling Green, Ky.<br />
7
8<br />
<strong>Kentucky</strong> Quilt Trails<br />
“Personally, I feel as if each one is<br />
simultaneously a monument to the rural<br />
artistic tradition of quilting and a reminder<br />
that quilting is still alive and well in the hands<br />
of a whole new generation.”<br />
—Silas House,<br />
<strong>Kentucky</strong> author, on <strong>Kentucky</strong>’s barn quilts<br />
As you travel the byways and back roads of<br />
<strong>Kentucky</strong>, your eye may be drawn to bright<br />
colors adorning a well-maintained but otherwise<br />
nondescript tobacco or horse barn. Communities<br />
across <strong>Kentucky</strong> have begun decorating local<br />
barns with “barn quilts”—large painted quilt<br />
patterns—to celebrate the tradition of quilting in the<br />
commonwealth.<br />
In 2003, Donna Sue Groves of Adams County, Ohio,<br />
painted a large quilt square on her barn to honor her<br />
mother. Other people in the area began to do this<br />
as well, and her inspiration spread throughout the<br />
Photo courtesy of photographer Ann W. Olson<br />
eastern United States. <strong>Kentucky</strong><br />
began developing its own quilt trail in 2005.<br />
Volunteers, with support from the Gateway Resource<br />
Conservation and Development <strong>Council</strong>, painted the<br />
first square in Carter County. Active <strong>Kentucky</strong> quilt<br />
trail groups backed by cooperative extensions, local<br />
arts councils and civic organizations can now be<br />
found in many <strong>Kentucky</strong> counties.<br />
The quilt squares are painted on eight-foot-square<br />
boards or metal sheets and displayed on barns,<br />
restaurants, stores, schools and floodwalls. Hanging
Early morning light intensifies the<br />
color in this Spider Web pattern<br />
quilt square on a barn near Stark, Ky.<br />
the painted quilts encourages owners to maintain<br />
historical barns, while giving tourists an incentive to<br />
veer off the interstate and take the back roads.<br />
The large “quilting” projects are about rural pride<br />
and fellowship and the belief that “many hands<br />
make light work.” They also bring diverse groups<br />
together, just as a traditional quilting bee does.<br />
Young and old, men and women, quilters and<br />
non-quilters work together to research traditional<br />
quilt patterns commonly used in their communities<br />
and paint and hang the quilt squares. In the<br />
spirit of community cooperation, many local utility<br />
companies loan bucket trucks and crews to help<br />
hang the squares.<br />
Local utility workers install a<br />
So keep a lookout for this Blazing Star quilt square on<br />
rural art form as you travel<br />
a barn in Elliott County.<br />
<strong>Kentucky</strong>’s back roads. More<br />
information about quilt barn projects in <strong>Kentucky</strong> is<br />
available from the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong>’s website at<br />
http://artscouncil.ky.gov/QTrails/QTrails.htm. t<br />
Photo courtesy of Elliott County Cooperative Extension<br />
9
10<br />
The Shakers in <strong>Kentucky</strong><br />
Nestled in the fertile hills of central <strong>Kentucky</strong>, two<br />
communities of Shakers committed themselves to a<br />
simple existence devoted to agriculture, commerce,<br />
fine crafting of tools and essential furnishings and<br />
regular religious celebrations. The United Society of<br />
Believers in Christ’s Second Appearing, or Shakers,<br />
is the longest lasting communal society in the United<br />
States. Although no Shakers remain in <strong>Kentucky</strong>,<br />
guests can visit the sites of these two Shaker villages<br />
and enjoy comfortable accommodations in the<br />
beautifully restored buildings amid pastoral settings.<br />
South Union in Logan County opened in 1807 as the<br />
western-most Shaker settlement in the U.S. and was<br />
operational until 1922. Shaker Village of Pleasant<br />
Hill in Mercer County was founded in 1805 and<br />
flourished until it was irrevocably scarred by the Civil<br />
War; by 1910, it had closed its doors as an active<br />
religious society. At its peak, the community owned<br />
4,500 acres and had 260 structures. The restored<br />
Shaker village now covers 3,000 acres and features<br />
a living history museum.<br />
The Shakers are known for devoting their lives<br />
to industry for the common good, pacifism and<br />
promoting equality for all. They also embraced<br />
artistic expression in the form of high-quality textiles,<br />
fine, minimalist furniture and mysterious dance and<br />
song traditions. Visitors to South Union or Pleasant<br />
Hill can observe performances of Shaker music<br />
and dances as well as demonstrations of their<br />
craft traditions.<br />
Shaker arts and traditions still have a profound effect<br />
on literary, performing and visual artists across the<br />
commonwealth.<br />
• Thomas and Joanne Blanck have been making<br />
iconic oval Shaker-style boxes for over<br />
20 years. The boxes are exact copies of an<br />
original Shaker design. Each set of boxes is<br />
made of exquisite hardwood, hand-sanded,<br />
and finished with a high-gloss lacquer or<br />
antiqued with milk paint.<br />
http://artistdirectory.ky.gov/craft/
• At his Jennings Creek Tin Shoppe, Randy<br />
Hulsey uses forming stakes and hand crank<br />
tools to create historic tin ware items, including<br />
Shaker-style chandeliers, wall sconces<br />
and lanterns. http://artistdirectory.ky.gov/craft/<br />
• Red Dog & Company’s traditional-style<br />
“mule ear” chairs, designed by company<br />
founder Mike Angel, have a clean,<br />
straightforward design reminiscent of the<br />
Shakers. www.reddogchairs.com<br />
• Harriet Giles, founder of The Weavery, designs<br />
and directs the production of hand-woven rag<br />
rugs in historically inspired and original styles.<br />
Her rugs may be found at Shaker Village of<br />
Pleasant Hill. www.theweavery.com<br />
• Author, musician, artist and storyteller Thomas<br />
Freese wrote Shaker Ghost Stories from Pleasant Hill,<br />
<strong>Kentucky</strong>. Freese collected these true stories<br />
from visitors and employees at Shaker Village<br />
while working as a Pleasant Hill Singer at the<br />
historic site. www.thomaslfreese.com t<br />
A classic Shaker<br />
building at Pleasant<br />
Hill in Mercer County.<br />
11
12<br />
Orchestras Across the State<br />
<strong>Kentucky</strong> music-lovers benefit from a number of<br />
orchestras located in major metropolitan areas<br />
and less populous communities across the state.<br />
These organizations provide<br />
a wide range of programs in<br />
their own facilities, in shared<br />
arts centers, in schools and<br />
libraries and at outdoor events.<br />
All venues offer full access for<br />
persons with disabilities, and a<br />
good number of venues offer<br />
large-print and/or assistedlistening<br />
accommodations.<br />
The nearly continuous<br />
schedule of musical offerings<br />
provided by these orchestras<br />
includes concerts, national<br />
and international visiting artist<br />
programs, youth and family<br />
events, musical education<br />
for school students and<br />
Photo courtesy of the Louisville Orchestra<br />
young artists, cooperative programs with local<br />
government and community organizations, programs<br />
for underserved audiences and live music to<br />
accompany the programs of arts organizations in<br />
other disciplines such as dance, opera and drama.<br />
As is true of the arts in<br />
general, these orchestras<br />
actively seek to build a<br />
broader audience. Ticketing<br />
and subscription options are<br />
creatively designed to market<br />
programs to the widest<br />
possible range of budgets<br />
and time constraints. We<br />
encourage you to find an<br />
opportunity to attend a<br />
performance convenient<br />
for you. t<br />
The Louisville Orchestra<br />
string section.
Bowling Green Western Symphony Orchestra<br />
500 E. Main St.<br />
270.745.7681<br />
www.bgwso.org<br />
Central <strong>Kentucky</strong> Youth Orchestra<br />
161 N. Mill St.<br />
Lexington, Ky.<br />
859.254.0796<br />
www.ckyo.org<br />
<strong>Kentucky</strong> Symphony Orchestra<br />
540 Linden<br />
Newport, Ky.<br />
859.431.6216<br />
www.kyso.org<br />
Lexington Philharmonic Orchestra<br />
161 N. Mill St.<br />
859.233.4226<br />
www.lexphil.org<br />
Louisville Orchestra<br />
323 W. Broadway, Suite 700<br />
502.585.9414<br />
www.louisvilleorchestra.org<br />
Louisville Youth Orchestra<br />
502.896.1851<br />
www.lyo.org<br />
Orchestra <strong>Kentucky</strong><br />
1046 Elm St.<br />
Bowling Green, Ky.<br />
270.846.2426<br />
www.orchestraky.com<br />
Owensboro Symphony Orchestra<br />
211 E. Second St.<br />
270.684.0661<br />
www.theoso.org<br />
Paducah Symphony Orchestra<br />
201 Broadway<br />
800.738.3727<br />
www.paducahsymphony.org<br />
13
14<br />
Dance in <strong>Kentucky</strong><br />
Dance sometimes has difficulty<br />
flourishing outside the nation’s cultural<br />
centers on either coast. However,<br />
<strong>Kentucky</strong> has supportive dance<br />
audiences, particularly in Louisville,<br />
Lexington and Owensboro. The<br />
Louisville Ballet, the Lexington Ballet<br />
Company, <strong>Kentucky</strong> Ballet Theatre<br />
and Owensboro Dance Theatre all<br />
have long histories of providing<br />
excellent dance education and<br />
opportunities for participation in<br />
communities around the state.<br />
Programs include the commission<br />
and performance of new works, multi-cultural<br />
and cross-disciplinary events, artist residencies and<br />
school performances, cooperative programs with<br />
government and community-service organizations,<br />
and extensive studio education for a large number<br />
of aspiring young dancers who learn from highly<br />
qualified local and international artists. t<br />
<strong>Kentucky</strong> Ballet Theatre<br />
736 National Ave.<br />
Lexington, Ky.<br />
859.252.5245<br />
www.kyballet.com<br />
Lexington Ballet Company<br />
161 N. Mill St.<br />
859.233-3925<br />
www.lexingtonballet.org<br />
Louisville Ballet<br />
315 E. Main St.<br />
502.583.3150<br />
www.louisvilleballet.org<br />
Owensboro Dance Theatre<br />
2705 Breckenridge St.<br />
270.684.9580
Restored Art Deco Theaters<br />
After World War I, folks across the country were<br />
eager to shed the restrictive austerity of the war years<br />
and embrace a more lavish and decadent lifestyle.<br />
This trend manifested itself in the opulent theaters<br />
that were built to accommodate both the early silent<br />
films and the “talkies” that soon replaced them.<br />
In recent years, grass roots organizations across<br />
the commonwealth committed to conserving these<br />
historic arts venues by renovating and readapting<br />
the Art Deco architecture of the original movie<br />
houses. The resulting modern arts centers now<br />
serve as a reminder of our rich heritage, while<br />
providing special venues for arts education and<br />
entertainment. The intimate theaters, some with<br />
fantastical Spanish-themed architectural elements,<br />
are fascinating places to see plays, movies and<br />
musical performances. Each has a unique story that<br />
connects <strong>Kentucky</strong> to the nation’s desire to escape to<br />
faraway and exotic places during the era of the Great<br />
Depression and the dawn of the Second World War.<br />
More information about each theater is available in<br />
the regional listings. t<br />
The Alhambra Theatre<br />
Hopkinsville<br />
1928<br />
The Capitol <strong>Arts</strong> Center<br />
Bowling Green<br />
1930s redesign<br />
(1890s original)<br />
The Grand Theatre<br />
Frankfort<br />
1911<br />
The <strong>Kentucky</strong> Theatre<br />
Lexington<br />
1921<br />
The Leeds Center for<br />
the <strong>Arts</strong><br />
Winchester<br />
1925<br />
The Lyric Theatre<br />
Lexington<br />
1948<br />
The Paramount<br />
<strong>Arts</strong> Center<br />
Ashland<br />
1931<br />
The Plaza Theatre<br />
Glasgow<br />
1934<br />
The Historic<br />
State Theater<br />
Elizabethtown<br />
1942<br />
Art Deco elements add to<br />
the sumptuous feel of the<br />
Paramount <strong>Arts</strong> Center<br />
in Ashland.<br />
Photo courtesy of the Paramount <strong>Arts</strong> Center<br />
15
16<br />
Photo courtesy of Nikki D. May<br />
Visual Art Guilds<br />
Visual art is often created in isolation. That<br />
doesn’t mean that artists are antisocial,<br />
however. There are a multitude of art<br />
and craft guilds and alliances across the<br />
commonwealth that bring artists together<br />
into beneficial groups.<br />
These organizations are vital to the health of<br />
the arts communities they serve. They offer<br />
camaraderie, exhibitions and opportunities<br />
for learning and growth. These are generally<br />
membership-driven organizations that<br />
do a lot without much money. Some have<br />
permanent homes and some hold events<br />
wherever space is available. They work in the<br />
public sphere filling the roles of advocates,<br />
educators, promoters and presenters.<br />
For emerging artists they provide a safe haven for<br />
exploring artistic identities and building networks<br />
of support. For established artists they provide<br />
renewed inspiration and opportunities to give back<br />
to the community. t<br />
ArtWorks: A Visual <strong>Arts</strong> Coalition<br />
Bowling Green<br />
www.artworksinc.org<br />
Central <strong>Kentucky</strong> Art Guild<br />
Elizabethtown<br />
www.centralkyartguild.com<br />
<strong>Kentucky</strong> Guild of Artists and Craftsmen<br />
Berea<br />
www.kyguild.org<br />
Louisville Artisans Guild<br />
Louisville<br />
www.louisvilleartisans.org<br />
Murray Art Guild<br />
Murray<br />
www.murrayartguild.org<br />
Paducah <strong>Arts</strong> Alliance<br />
Paducah<br />
www.paducahartsalliance.com<br />
Sheltowee Artisans<br />
Somerset<br />
www.sheltoweeart.com<br />
Far left: Emily<br />
Sands works on<br />
the installation<br />
of Ubuntu, a<br />
collaborative<br />
sculpture<br />
incorporating<br />
slices of tree<br />
trunk conceived<br />
by Paducah <strong>Arts</strong><br />
Alliance artistin-residence<br />
Corinne Spielewoy<br />
of Switzerland.<br />
Ubuntu means<br />
“I am what I am<br />
because of who<br />
we all are.”
Storytelling<br />
From the rivers of western <strong>Kentucky</strong> to the hills of<br />
Appalachia, the tradition of storytelling has evolved<br />
into an art form in its own right.<br />
<strong>Kentucky</strong> has many professional storytellers who<br />
specialize in stories for adults as well as children.<br />
Some are modern story tellers, while others pass on<br />
the legends and lore of the rivers, the caves and the<br />
mountains that shape our cultural landscape.<br />
To find out about storytelling festivals, story swaps,<br />
broadcasts and open mic events, visit the <strong>Kentucky</strong><br />
Storytelling Association website at www.kystory.org.<br />
• Mary Hamilton entertains audiences with <strong>Kentucky</strong><br />
tales and world folk and fairy tales, plus<br />
a few myths, legends and original fiction.<br />
www.maryhamilton.info<br />
• Pam Holcomb specializes in mountain folklore,<br />
including family stories, and stories collected<br />
from the adventures of interesting people she<br />
has met. www.storytellerpamholcomb.com<br />
Octavia Sexton masterfully<br />
spins her tale.<br />
• Octavia Sexton performs in Appalachian<br />
dialect the folk tales, haint tales (ghost<br />
stories) and Cherokee legends handed down<br />
to her from her English, Irish and Cherokee<br />
ancestors. www.octaviasexton.com<br />
• Mitch Barrett is a story teller and a singer/<br />
songwriter. A keen life observer, he deftly<br />
weaves thought-provoking subject matter with<br />
a satirist’s sense of wit and irony.<br />
www.mitchbarrettmusic.com<br />
• Roadside Theatre conducts community<br />
residencies designed to honor a community’s<br />
history and give voice to local stories.<br />
http://roadside.org/ t<br />
17
18<br />
Western<br />
Region
Western <strong>Kentucky</strong> is home to numerous rivers, vast farming operations and<br />
sometimes quirky traditions. It’s the birthplace of bluegrass music, the quilt<br />
capital of the world and the site of an eerily identifiable group of gravesite<br />
monuments.<br />
A Rose Garden in a Blue Fence,<br />
quilt by Keiko Miyauchi of Nagano, Japan.<br />
Courtesy of the National Quilt Museum,<br />
Paducah, Ky.<br />
This region boasts several superb performing arts centers as well as plentiful<br />
opportunities to take part in bluegrass jams and festivals. And don’t miss the<br />
regional barbeque when you visit. If you’re looking for a more urban experience,<br />
make sure you spend some time in the eclectic river towns of Henderson,<br />
Owensboro and Paducah.<br />
Some amazing artists have called western <strong>Kentucky</strong> home, including John<br />
James Audubon, Robert Penn Warren, Bill Monroe and sculptor Steve Shields.<br />
While you’re here, enjoy some pickin’ and grinnin’ and then catch an orchestra<br />
or ballet performance as evening falls. t<br />
19
20<br />
Photo courtesy of James Monroe<br />
The Birthplace of Bluegrass Music<br />
If you’re a fan of bluegrass music, treat yourself to<br />
a pilgrimage to Ohio County in western <strong>Kentucky</strong><br />
where the father of bluegrass, Bill Monroe, was born<br />
and raised.<br />
Bill Monroe, the father of<br />
bluegrass music.<br />
Bluegrass music has roots in a variety of places,<br />
coming from both Anglo- and African-American<br />
influences. Folklorist Alan Lomax called bluegrass<br />
“folk music in overdrive.” It is akin to old-time<br />
music, with its fiddle styles and ballad singing, but<br />
it also incorporates jazz “breakdowns,” where one<br />
musician takes the lead and improvises while others<br />
accompany. While bluegrass sounds very different<br />
from what many people think of as old-time music,<br />
almost all who play bluegrass use old-time songs<br />
in their repertoires. In the 1940s Bill Monroe and<br />
his Blue Grass Boys were the only ones playing<br />
this style, but it caught on and has since reached a<br />
global audience.
In western <strong>Kentucky</strong> there are several places<br />
to experience bluegrass music firsthand, in the<br />
very hills where the “high lonesome” sound was<br />
born. Start your trip with a visit to the Bill Monroe<br />
Homeplace (http://www.visitohiocountyky.org/billmonroe.<br />
html) where you can tour his childhood home and<br />
walk along the trails of Jerusalem Ridge. Several<br />
festivals take place here, the most popular being<br />
the Jerusalem Ridge Bluegrass Celebration each fall<br />
(http://www.jerusalemridgefestival.org/). Music happens<br />
year-round at the Rosine Barn Jamboree (see page<br />
37). Here, some of the best local bluegrass musicians<br />
meet to jam for audiences, free of charge. Some of<br />
the original Blue Grass Boys live and perform in this<br />
area. Up the street is the Rosine Cemetery where<br />
you can pay your respects at Bill’s gravesite.<br />
If you want to learn more about bluegrass, drive<br />
to Owensboro to visit the International Bluegrass<br />
Music Museum (see page 32). You can hear the<br />
music, see the instruments and experience<br />
the stories of the men and women who are the<br />
pioneers and current tradition bearers of bluegrass.<br />
You can also take part in other musical activities,<br />
like ROMP (the River of Music Party that occurs<br />
each June), a Monroe-style Mandolin Camp and<br />
other commemorations and concerts. 2011 is the<br />
centennial of Bill Monroe’s birth, so there will be lots<br />
of activities to choose from. t<br />
Bill Monroe’s birthplace<br />
on Jerusalem Ridge.<br />
Photo courtesy of photographer Mike Morbeck<br />
21
22<br />
Photo courtesy of the <strong>Kentucky</strong> Historical Society archives<br />
Cadiz<br />
Janice Mason Art Museum<br />
71 Main St.<br />
270.522.9056<br />
www.jmam.org<br />
<strong>Arts</strong> enthusiasts in the city of<br />
Cadiz converted an old post office<br />
into a gallery that features multigenre<br />
art exhibits from local,<br />
national and international artists.<br />
An intersection in Drakesboro<br />
celebrates the community’s<br />
storied history.<br />
Drakesboro<br />
Four Legends Jamboree at the<br />
Drakesboro City Hall<br />
212 Mose Rager Blvd.<br />
270.476.8690<br />
The Four Legends Jamboree<br />
(named for guitar legends Mose<br />
Rager, Ike Everly, Kennedy Jones<br />
and Merle Travis) is held the<br />
second Saturday of each month<br />
in the heart of thumbpicking<br />
country. Everyone gets a chance<br />
to join in.<br />
The Home of<br />
Thumbpicking<br />
West of the birthplace of<br />
bluegrass is Muhlenberg<br />
County, the home of<br />
thumbpicking guitar. Like<br />
bluegrass, thumbpicking<br />
is an original music style<br />
that <strong>Kentucky</strong> has given the<br />
world. You may have heard<br />
this style from guitarists such<br />
as Merle Travis and Chet<br />
Atkins. A thumbpicking tune<br />
is often a popular song or<br />
classic jazz melody played<br />
by a lone guitarist. The<br />
guitarist uses a plastic pick<br />
that loops around the thumb<br />
to play a bass line, while<br />
the other fingers play a solid<br />
rhythm and melody, all at<br />
the same time. The player is<br />
a “one-man-band,” with only
Thumbpicker Eddie Pennington and his son Alonzo<br />
switch left hands mid-song during a performance at the<br />
2005 <strong>Kentucky</strong> Folklife Festival.<br />
one guitar, often a beautiful electric semi-hollowbody<br />
or custom acoustic.<br />
Coal miners in Muhlenberg County developed the<br />
thumbpicking style. Many cite African-American<br />
guitarist Arnold Schultz, who influenced Bill<br />
Monroe’s bluegrass picking style, as a thumbpicking<br />
influence. The story goes that coal miners in the<br />
1930s got together on Saturday nights to have a<br />
good time playing music. Thumbpicking evolution<br />
took its first leap when a miner named Kennedy<br />
Jones bought an unusual thumbpick at a local<br />
general store. The pick was made for Hawaiian-style<br />
steel guitar players, but Jones tried it and liked it. He<br />
bought more thumbpicks, and the trend caught on.<br />
Other local guitarists adopted the thumbpick and a<br />
regional music tradition was born.<br />
Guitarist Mose Rager hosted weekly jam sessions<br />
at his home in the 1950s and ‘60s, where many<br />
new thumbpickers cut their teeth, exploring new<br />
songs and techniques. Ike Everly, father of the<br />
continued…<br />
23
24<br />
Thumbpicking (cont.)<br />
Everly Brothers, was a thumbpicker, and Merle Travis<br />
and Chet Atkins brought Muhlenberg County sounds to<br />
the world. Today, many living thumbpickers remember<br />
playing at jam sessions at Mose Rager’s house. These<br />
include National Thumbpickers Hall of Fame Champions<br />
Steve Rector, Paul Mosley and Eddie Pennington, who<br />
received a National Heritage Award for his musical<br />
excellence and efforts to conserve the tradition.<br />
More and more guitarists in Muhlenberg County take<br />
pride in avoiding the straight pick, and teach their sons<br />
and daughters to use a thumbpick. Today, there is a<br />
monument outside Mose’s house, and across the street<br />
at the Drakesboro Fire Station you can still take part in a<br />
thumbpicking jam.<br />
Other annual events sponsored by the National<br />
Thumbpickers Hall of Fame showcase thumbpicking<br />
culture in Muhlenberg County, including Mose Rager<br />
Day, the Thumbpickin’ Weekend Bash, and the National<br />
Thumbpickers Hall of Fame Induction Ceremony at the<br />
Merle Travis Music Center in Paradise Park, Powderly.<br />
Visit http://www.ntphf.com/ and http://www.eddiepennington.com/<br />
for year-round thumbpicking events and jams. t<br />
Henderson<br />
Henderson Fine <strong>Arts</strong> Center<br />
Henderson Community College<br />
2660 S. Green St.<br />
270.826.5916<br />
www.haaa.org<br />
www.ohiovalleyart.org<br />
The Henderson Fine <strong>Arts</strong> Center<br />
hosts a performing arts series<br />
presented by the Henderson<br />
<strong>Arts</strong> Alliance, as well as visual art<br />
exhibits produced and presented<br />
by the Ohio Valley Art League.
John James Audubon State Park<br />
and Museum<br />
3100 U.S. Highway 41 North<br />
270.826.2247<br />
www.parks.ky.gov/findparks/recparks/au/<br />
Located along the banks<br />
of the Ohio River just north<br />
of Henderson, John James<br />
Audubon State Park houses<br />
the world’s largest collection of<br />
Audubon artifacts and interprets<br />
Audubon’s life through his art and<br />
personal memorabilia.<br />
Hopkinsville<br />
Alhambra Theatre of the<br />
Pennyroyal <strong>Arts</strong> <strong>Council</strong><br />
507 S. Main St.<br />
270.887.4079<br />
www.pennyroyalarts.org<br />
The Alhambra Theatre is a<br />
landmark movie theater that has<br />
been converted to a stage where<br />
patrons can enjoy theater, dance<br />
and music from national and<br />
international touring acts and<br />
local groups.<br />
Early fall leaves cover a trail at<br />
John James Audubon State Park<br />
near Henderson.<br />
Madisonville<br />
Glema Mahr Center for the <strong>Arts</strong><br />
Madisonville Community College<br />
2000 College Drive<br />
270.824.8652<br />
www.glemacenter.org<br />
Glema Mahr produces and<br />
presents music, dance and arts<br />
education opportunities for all<br />
ages and interests.<br />
25
26<br />
John James Audubon State Park<br />
“In my deepest troubles, I frequently<br />
would wrench myself from the persons<br />
around me and retire to some secluded<br />
part of our noble forests.”<br />
—John James Audubon<br />
Just north of Henderson lies a mature hardwood<br />
forest rich with wildflowers and graced by bluffs<br />
overlooking the Ohio River. It is here that John<br />
James Audubon ran a general store from 1810<br />
to 1819. Although the business venture ended in<br />
bankruptcy, he profited from his time in the area by<br />
exploring the surrounding wilderness and studying<br />
the native birds, which eventually led to his work as<br />
a renowned scientist and artist.<br />
Born in Haiti, the illegitimate child of a French<br />
merchant, Audubon was a well-educated gentleman,<br />
a dedicated naturalist and a rugged frontiersman. In<br />
many ways he exemplified the America of his age.<br />
Established in 1934 the John James Audubon State<br />
Park includes a museum, nature center, cottages,<br />
campgrounds, hiking trails and other recreational<br />
facilities. A total of 339 acres of the park are<br />
dedicated as a bird sanctuary and memorial to the<br />
distinguished naturalist.<br />
The Audubon Memorial Museum interprets the<br />
artist’s life through his paintings and personal<br />
memorabilia and hosts special exhibits of avianthemed<br />
art. Among the holdings displayed by the<br />
museum is the magnificent Double Elephant Folio<br />
The Birds of America, which measures 27 by 40 inches.<br />
It was originally printed from 1827 to 1839 in an<br />
edition of fewer than 200 copies. The four-volume<br />
set contains 435 hand-colored engravings of the<br />
birds that Audubon studied so avidly.<br />
Audubon also inspired future generations of artist<br />
naturalists. To complete the Audubon experience,<br />
visit downtown Henderson to see sculptures by<br />
Louisville artist Raymond Graf. These bronze<br />
sculptures are inspired by Audubon’s “Birds of<br />
America” paintings. Walking tour maps are available<br />
at www.hendersonky.org/SculptureBRO.pdf. t
Photo courtesy of photographer Tom Jake and John James Audubon State Park<br />
27
28<br />
Sculptor Steve Shields<br />
With little more than a welding torch and pieces<br />
of scrap metal, sculptor Steve Shields was able<br />
to create some of the region’s most dramatic and<br />
poignant memorials to our nation’s warriors and<br />
heroes. Selective touches of silver solder or molten<br />
bronze form details that evoke unexpected emotional<br />
responses from viewers of his artwork.<br />
Steve Shields was a nationally significant metal<br />
sculptor who used a rare method of welding copper<br />
or steel over a frame to create both small and largerthan-life<br />
pieces. Admirers of his work recognize the<br />
surprising detail he was able to achieve using this<br />
technique.<br />
Although Hopkinsville was his home for more than<br />
30 years, his work can be viewed throughout the<br />
United States and Canada, from public parks and<br />
churches to private homes. <strong>Kentucky</strong> is fortunate<br />
to be home to several of Shields’ pieces. At the Trail<br />
of Tears Commemorative Park in Hopkinsville, a<br />
sculpture of Chief Whitepath and Chief Fly Smith<br />
marks the gravesite of two Native Americans<br />
who died along the Trail of Tears in the winter of<br />
1838–1839. Peacekeeper is a seven-foot-tall soldier<br />
looking over Fort Campbell Memorial Park just off<br />
the Pennyrile Parkway in Hopkinsville. At the foot<br />
of the soldier are granite markers chiseled with the<br />
names of the Fort Campbell soldiers who were killed<br />
on Dec. 12, 1985, while returning to Fort Campbell<br />
from a peacekeeping mission in the Sinai.<br />
Coal mines and coal miners have long been a part<br />
of life in the city of Providence, north of Hopkinsville.<br />
To honor the town’s occupational traditions, Shields<br />
sculpted a coal miner, who stands on the corner of<br />
the Providence Main Street Park.<br />
Among the sculptures residing outside <strong>Kentucky</strong>,<br />
one, The Desert Shield-Desert Storm Monument<br />
in Evansville, Ind., just across the Ohio River<br />
from Henderson, is dedicated to Persian Gulf<br />
War veterans. It may be the first modern war<br />
memorial depicting a woman in combat. Another<br />
Shields sculpture is a larger-than-life-size bust of
Bill Monroe, which is in the<br />
collection of the Grand Ole Opry<br />
in Nashville.<br />
Steve Shields not only contributed<br />
to the artistic legacy of the<br />
commonwealth but also<br />
commemorated significant<br />
moments in the state’s<br />
history. He died in 1998 at<br />
the age of 51. t<br />
A Steve Shields sculpture<br />
stands in Pioneers Cemetery<br />
in Hopkinsville.<br />
A sculpture of Chief Whitepath<br />
and Chief Fly Smith marks<br />
the gravesite of two<br />
Native Americans who died<br />
along the Trail of Tears in the<br />
winter of 1838–1839.<br />
Photos courtesy of Hopkinsville-Christian County<br />
Convention & Visitors Bureau<br />
29
30<br />
Marion<br />
Fohs Hall Community <strong>Arts</strong><br />
Foundation<br />
201 N. Walker St.<br />
270.965.5983<br />
www.artsatfohshall.org<br />
Fohs Hall provides a variety of<br />
exhibits, performances, activities<br />
and workshops to the people of<br />
Marion and Crittenden County.<br />
Mayfield<br />
Mayfield/Graves County Art Guild<br />
120 N. Eighth St.<br />
270.247.6971<br />
www.icehousearts.org<br />
Serving the community through<br />
the arts, the Mayfield/Graves<br />
County Art Guild operates a<br />
community arts center and gallery<br />
housed in a historic ice house.<br />
Murray<br />
Playhouse in the Park<br />
701 Gil Hobson Drive<br />
270.759.1752<br />
www.playhouseinthepark.net<br />
Year-round programming at<br />
Playhouse in the Park includes<br />
production and performance of a<br />
mix of classical and contemporary<br />
theater and opportunities for<br />
people of all ages to develop skills<br />
through participation in plays,<br />
workshops and other aspects of<br />
theater.
Wooldridge Monuments<br />
Just south of Paducah is the town of Mayfield, the<br />
childhood home of acclaimed writer Bobbie Ann<br />
Mason. Mayfield is also known across the state as<br />
the immediate neighbor of Fancy Farm, Ky., where<br />
fiery political theater takes place each August.<br />
In contrast to that tradition, Mayfield bears witness<br />
to a more stoic and somber representation of local<br />
values. In a corner of the Maplewood cemetery,<br />
a stone procession of men, women, children and<br />
animals has silently stood watch over the grave of<br />
Colonel Henry G. Wooldridge for over 100 years.<br />
Statues of close family members, favorite hunting<br />
dogs, a fox, a deer and a prized horse named “Fop”<br />
make up this unusual memorial. The centerpiece—<br />
the marble statue of Col. Wooldridge—was made<br />
by a sculptor in Italy; the others were made of<br />
sandstone by sculptors from Mayfield and Paducah.<br />
Since his death in 1899, Wooldridge’s gravesite<br />
has captured the imaginations of travelers all over<br />
the world. The monuments appeared on the Ripley’s<br />
Believe it or Not! television program in 1984 and in the<br />
travel book Weird <strong>Kentucky</strong><br />
in 2008.<br />
In January 2009,<br />
a severe ice storm<br />
devastated all of western<br />
and much of central<br />
<strong>Kentucky</strong>. During the<br />
storm, a 300-year-old<br />
tree fell directly on the<br />
statues, knocking over<br />
and destroying many of<br />
them. Today, restoration<br />
is underway while the<br />
monument remains<br />
open to visitors. Once<br />
it is restored the<br />
mysterious site will<br />
once again endure<br />
as a symbol of<br />
southern culture, from<br />
hunting and horses<br />
to eccentricity and<br />
individual expression. t<br />
The family of Colonel Henry G.<br />
Wooldridge stands watch<br />
over his gravesite.<br />
31
32<br />
Owensboro<br />
C’ing Polkadots<br />
115 W. Second St.<br />
270.240.4394<br />
www.c-ingpolkadots.com<br />
C’ing Polkadots is a new<br />
contemporary craft gallery in the<br />
heart of downtown Owensboro<br />
that features work by regional<br />
artists.<br />
International Bluegrass<br />
Music Museum<br />
207 E. Second St.<br />
270.926.7891<br />
www.bluegrass-museum.org<br />
The International Bluegrass<br />
Music Museum celebrates the<br />
past, present and future of the<br />
bluegrass sound, a regional<br />
music with international appeal.<br />
Come join a jam session on the<br />
first Thursday evening of each<br />
month.<br />
Owensboro Museum of Fine Art<br />
901 Frederica Street<br />
270.685.3181<br />
www.omfa.us<br />
The Owensboro Museum of Fine<br />
Art hosts a permanent collection<br />
of American, European and Asian<br />
fine and decorative arts dating<br />
from the 15th century to the<br />
present, as well as major traveling<br />
exhibitions, interpretive events<br />
and educational programs for<br />
children and adults.<br />
RiverPark Center<br />
101 Daviess St.<br />
270.687.2787<br />
www.riverparkcenter.org<br />
This facility on the banks of<br />
the Ohio River hosts national<br />
and international touring<br />
performances as well as<br />
performances from the resident<br />
Owensboro Symphony Orchestra<br />
and Owensboro Dance Theatre.<br />
During the holiday season,<br />
RiverPark transforms into a<br />
Winter Wonderland with sleigh<br />
rides, holiday movies and the<br />
tri-state’s largest outdoor ice rink.<br />
The center also offers a variety<br />
of arts education experiences<br />
for children.
Scenes from two popular events at<br />
RiverPark Center in Owensboro.<br />
Theatre Workshop of Owensboro<br />
407 W. Fifth St.<br />
270.683.5333<br />
www.theatreworkshop.org<br />
Known as the “the longest<br />
running show in town,” the<br />
Theatre Workshop of Owensboro<br />
has been producing quality<br />
community performances<br />
since 1955.<br />
Photos courtesy of<br />
RiverPark Center<br />
33
34<br />
Paducah<br />
Luther F. Carson Four Rivers<br />
Center<br />
100 <strong>Kentucky</strong> Ave.<br />
270.450.4444<br />
www.thecarsoncenter.org<br />
A state-of-the-art modern facility<br />
located in the arts-rich heart of<br />
Paducah, the Carson Center<br />
hosts national and international<br />
touring groups as well as the<br />
Paducah Symphony Orchestra<br />
and other theater, dance and<br />
music events for families and<br />
children.<br />
Market House Theatre<br />
132 Market House Square<br />
888.648.7529<br />
www.mhtplay.com<br />
A regional theater drawing<br />
audiences from western<br />
<strong>Kentucky</strong>, southern Illinois,<br />
southeastern Missouri and<br />
western Tennessee, the Market<br />
House Theatre provides quality<br />
theater and hands-on artistic<br />
experience for people of all ages.<br />
Paducah<br />
Known as the Four Rivers<br />
Region, Paducah benefits<br />
from the inland waterways<br />
that have defined its history.<br />
The Port of Paducah, at the<br />
foot of Broadway in historic<br />
downtown, is just downriver<br />
from the confluence of the<br />
Ohio and Tennessee Rivers.<br />
The Cumberland River joins<br />
the Ohio just east of the<br />
city, and the Ohio converges<br />
with the mighty Mississippi<br />
River less than 50 miles to<br />
the west.<br />
A stroll along the riverside<br />
reveals a wealth of images<br />
from the past. Over 40<br />
murals created by Robert<br />
Dafford and his team of<br />
muralists decorate the city’s
A gallery at the National Quilt<br />
Museum featues a dizzying<br />
array of quilt designs.<br />
floodwall. They portray Paducah from the time<br />
when Pre-Columbian Native Americans dwelled<br />
along the riverbank, through the era of the<br />
steamboat and on to the present day. Nearby,<br />
on the grounds of the National Quilt Museum,<br />
a group of bronze statues by George Lundeen<br />
commemorate the Lewis and Clark Expedition.<br />
William Clark, of the famed exploratory journey,<br />
is credited with establishing Paducah. He platted<br />
the town in 1827 and named it in honor of a tribe<br />
indigenous to the region.<br />
With a thriving arts district, a wide variety of<br />
cultural activities, urban cuisine and eclectic<br />
accommodations, Paducah offers an incredible array<br />
of experiences.<br />
Enter the National Quilt Museum and you will see<br />
an impressive array of fiber art. The museum has a<br />
permanent collection of award-winning quilts ranging<br />
from non-representational compositions to intricate<br />
Photo courtesy of the National Quilt Museum<br />
realistic scenes. The museum also hosts changing<br />
exhibits of historic and contemporary quilt-making.<br />
Art spaces abound within walking distance of the<br />
museum. The Yeiser Art Center has changing<br />
exhibits of visual art, and Maiden Alley Cinema<br />
screens independent films and hosts art exhibitions<br />
in its lobby. The performing arts are well represented<br />
by the Market House Theatre and the Carson Center,<br />
which boasts a two-story mural inspired by the rivers<br />
and the quilt-making traditions that helped form<br />
Paducah’s character. t<br />
35
36<br />
Photo courtesy of the National Quilt Museum<br />
Paducah (cont.)<br />
National Quilt Museum<br />
215 Jefferson St.<br />
270.442.8856<br />
www.quiltmuseum.org<br />
The National Quilt Museum is<br />
the gateway to the discovery of<br />
traditonal and non-traditional<br />
quiltmaking and the quilt artist.<br />
Mustang Mamas, a quilt from the National Quilt Museum<br />
by Denise Oyama Miller of Fremont, Calif.<br />
Yeiser Art Center<br />
200 Broadway St.<br />
270.442.2453<br />
www.theyeiser.org<br />
The Yeiser Art Center houses<br />
a permanent collection of<br />
American, European, African<br />
and Asian art, including work by<br />
such artists as Henri Matisse,<br />
Mary Cassatt, Salvador Dali and<br />
Francisco Goya. Center galleries<br />
feature changing art exhibits by<br />
local, national and international<br />
artists.<br />
Powderly<br />
Pickin’ in the Park<br />
Paradise Park<br />
Highway 189 Bypass<br />
270.338.5961<br />
Pickin’ in the Park is held<br />
every Friday evening from<br />
June through September and<br />
frequently features thumbpicking<br />
champions, as well as open-mic<br />
opportunities and jams.
Rosine<br />
A band plays at the barn in Rosine.<br />
Rosine Barn Jamboree<br />
8225 Highway 62 E.<br />
Bill Burden, 270.274.7414<br />
Frances Harvey, 270.274.5552<br />
This bluegrass jam happens<br />
every Friday evening at the barn<br />
in Rosine, near Bill Monroe’s<br />
home and his resting place at the<br />
Rosine Cemetery. The Bill Monroe<br />
Centennial begins in 2011.<br />
Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />
37
“That<br />
ease and<br />
accessibility<br />
of travel has<br />
made western<br />
<strong>Kentucky</strong><br />
a place of<br />
convergence<br />
and<br />
dispersal…”<br />
38<br />
Literary <strong>Arts</strong> in Western <strong>Kentucky</strong><br />
To its pre-European inhabitants, western <strong>Kentucky</strong><br />
was a sacred place, marked by its confluence of four<br />
major rivers. And though it isn’t frequently thought of<br />
in such terms, the region’s culture and history have<br />
been shaped by its passageways.<br />
First were its rivers—the area is bordered by the<br />
Ohio, the Mississippi and the Green; it is bisected<br />
by the Tennessee and Cumberland. These routes<br />
brought the first white settlers in the late 18th century<br />
and provided accessible routes for export of the area’s<br />
agricultural and mining products. Later, as rivers<br />
gave way to rails, the region continued to thrive as a<br />
transportation hub.<br />
That ease and accessibility of travel has made<br />
western <strong>Kentucky</strong> a place of convergence and<br />
dispersal, of people arriving from other places, settling<br />
with a fierce attachment to their land and home, and<br />
then disseminating their culture to the larger world.<br />
The Ohio River delivered John James Audubon<br />
(1785–1851) to Henderson from Louisville in 1810.<br />
Though he lived there only a few years, he is still<br />
closely associated with the area. He brought western<br />
<strong>Kentucky</strong> world-wide attention not only through his art<br />
Tony Crunk<br />
but through his writing, in particular his five-volume<br />
Ornithological Biography (1831–1839).<br />
Irvin Cobb (1876–1944), a native of Paducah,<br />
was one of the country’s most popular authors of the<br />
20th century. Through his journalism, screenwriting<br />
and humorous fiction, Cobb created a rich panorama<br />
of western <strong>Kentucky</strong> characters.<br />
The railroad town of Guthrie gave the nation one<br />
of the most important American writers of the 20th<br />
century, Robert Penn Warren (1905–1989). The<br />
country’s first poet laureate and the only person to<br />
win Pulitzer Prizes for both fiction and poetry, Warren<br />
took as his most frequent subject matter the life,<br />
people and history of his native region. With fellow<br />
Kentuckian Allen Tate and several other young writers<br />
at Vanderbilt University, he founded the Southern<br />
Agrarian movement in literary and social criticism,<br />
which profoundly shaped the themes, ideals and<br />
perceptions of southern culture.<br />
Warren’s family friend Caroline Gordon (1895–<br />
1981) was also among the most popular American<br />
writers of her day. Her first novel, Penhally (1931),<br />
an inter-generational family saga, established her as
another chronicler of the history and culture of the<br />
region. She later penned nine additional novels and<br />
three collections of short fiction.<br />
Western <strong>Kentucky</strong> University in Bowling Green<br />
was the adult home of one of <strong>Kentucky</strong>’s most active<br />
and loyal writers, Jim Wayne Miller (1936–1996).<br />
Miller wrote distinctively in poetry, fiction and drama<br />
and was a folklorist, a scholar of German literature<br />
and a tireless promoter of <strong>Kentucky</strong> writers.<br />
Another major rail center, Hopkinsville, has<br />
produced a number of significant literary figures,<br />
including Tony Crunk (b. 1956), the first of three<br />
Kentuckians in recent years to win the Yale Younger<br />
Poets Prize. Journalist and fiction writer Ted Poston<br />
(1906–1974), called the “Dean of Black Journalism,”<br />
became the first African-American career reporter for<br />
a major white newspaper, the New York Post, where<br />
he served for 35 years. He also authored a collection<br />
of short stories about his home town, The Dark Side of<br />
Hopkinsville, that was published posthumously in 1991.<br />
Another Hopkinsville native, bell hooks (b. 1952), is<br />
an internationally acclaimed cultural and social critic.<br />
Among her over 30 books is Bone Black: Memories of a<br />
Girlhood (1996), which chronicles her years growing<br />
up in Christian County.<br />
Further west, another major agricultural center,<br />
Mayfield, is the birthplace of one of America’s most<br />
respected contemporary fiction writers, Bobbie<br />
Ann Mason (b. 1940). Her first collection of short<br />
fiction, Shiloh and Other Stories (1982), offered poignant<br />
depictions of western <strong>Kentucky</strong> rural and small town<br />
life. In addition to numerous short story collections<br />
and novels, she has also published a number of nonfiction<br />
works, including a biography of the South’s<br />
favorite son, Elvis Presley (2002).<br />
Finally, the creative writing program at Murray<br />
State University, founded in the late 1970s by<br />
scholar and author Delbert Wylder (1923–2004),<br />
has attracted a stellar group of American writers to<br />
campus, including Charles Wright, James Galvin<br />
and Mark Jarman. It is currently the professional<br />
home of fictionist and essayist Squire Babcock and<br />
poet Ann Neelon, as well as the national literary<br />
journal New Madrid. Through this program, the<br />
university continues the region’s legacy of bringing<br />
new observers, writers and readers to the western<br />
<strong>Kentucky</strong> region, then sending them out into the<br />
world, forever touched by their engagement with<br />
the rich cultural heritage of a unique and profoundly<br />
affecting American place. t<br />
39
40<br />
Photo courtesy of Tony Crunk<br />
Poetry<br />
Selected works:<br />
Living in the Resurrection<br />
(1994)<br />
Stories from Real Life (2008)<br />
New Covenant Bound (2010)<br />
Tony Crunk<br />
(1956 – )<br />
Born in Hopkinsville, Ky.<br />
Tony Crunk is a native of Hopkinsville and a widely published poet and<br />
children’s author. He attended Centre College in Danville, Ky., and the<br />
University of <strong>Kentucky</strong> and received graduate degrees in creative writing<br />
and literature from the University of Virginia.<br />
He was awarded the Yale Younger Poets Prize for his first collection of<br />
poetry, Living in the Resurrection. He has since published several additional<br />
collections of poetry, three books for children and one collection of short<br />
fiction. He has taught writing and literature at the University of Montana,<br />
Murray State University, and James Madison University.<br />
He currently lives in Birmingham, Ala., where he is the writer-in-residence<br />
in the “Writing Our Stories” project, which provides creative writing<br />
instruction to residents of the state’s juvenile detention facilities.<br />
(Source: Tony Crunk, 2010)
Photo courtesy of Department of Rare Books and<br />
Special Collections, Princeton University Library<br />
Fiction<br />
Selected works:<br />
Penhally (1931)<br />
Aleck Maury, Sportsman (1934)<br />
Caroline Gordon<br />
(1895 – 1981)<br />
Born at Merry Mont farm near Trenton, Ky.<br />
Born at her mother’s ancestral home in southern Todd County, Caroline<br />
Gordon was educated by her father and attended his classical school for<br />
boys in Clarksville, Tenn. After graduating from Bethany College in W. Va.,<br />
Gordon taught school until 1920, when she became a book reviewer and<br />
critic for the Chattanooga News. During this time she became acquainted<br />
with members of Vanderbilt’s Literary Society and in 1924 married fellow<br />
Kentuckian, writer and critic Allen Tate.<br />
Gordon’s first published short story “Summer Dust” appeared in 1929.<br />
While she and her husband were abroad in Paris, Gordon worked on<br />
her first novel, Penhally, which portrays the lives of a <strong>Kentucky</strong> family over<br />
three generations. In 1932, she received a Guggenheim Fellowship and<br />
returned to Paris, where she worked on her most popular book, Aleck<br />
Maury, Sportsman. Gordon taught at Columbia University, Emory University<br />
and the University of Dallas, from which she retired in 1975.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)<br />
41
42<br />
Photo courtesy of LaNelle Mason<br />
Fiction<br />
Selected works:<br />
Shiloh and Other Stories (1982)<br />
In Country (1985)<br />
Spence + Lila (1988)<br />
Feather Crowns (1993)<br />
Clear Springs (1999)<br />
Zigzagging Down a Wild Trail<br />
(2002)<br />
Bobbie Ann Mason<br />
(1940 – )<br />
Born in Mayfield, Ky.; currently resides near Lawrenceburg, Ky.<br />
Bobbie Ann Mason grew up on her family’s dairy farm and attended the<br />
University of <strong>Kentucky</strong>, the State University of New York at Binghamton<br />
and the University of Connecticut, where she received her Ph.D. With the<br />
appearance of her first short story in The New Yorker in 1980, her fiction<br />
career took off, and she began publishing in such magazines as the Paris<br />
Review, Atlantic, Mother Jones and Harper’s. Mason’s fiction frequently<br />
centers around the working-class people of western <strong>Kentucky</strong>, and her<br />
literary style has been labeled “shopping mall realism.”<br />
Mason has served as Writer-in-Residence at the University of <strong>Kentucky</strong><br />
since 2001. Her collection of short stories, Shiloh and Other Stories, received<br />
the PEN/Hemingway Award for first fiction. Both Feather Crowns and<br />
Zigzagging Down a Wild Trail received the Southern Book Critics Award. Her<br />
memoir, Clear Springs, was a finalist for the Pulitzer Prize. Widely taught in<br />
high school and college classrooms, the novel In Country was made into a<br />
film starring Emily Lloyd and Bruce Willis.<br />
(Sources: Bobbie Ann Mason, 2010, and The <strong>Kentucky</strong> Anthology)
Excerpt from Spence + Lila<br />
He follows the creek line down toward the back fields. In the center<br />
of one of the middle fields is a rise with a large, brooding old oak tree<br />
surrounded by a thicket of blackberry briers. From the rise, he looks<br />
out over his place. This is it. This is all there is in the world—it contains<br />
everything there is to know or possess, yet everywhere people are<br />
knocking their brains out trying to find something different, something<br />
better. His kids all scattered, looking for it. Everyone always wants a way<br />
out of something like this, but what he has here is the main thing there<br />
is—just the way things grow and die, the way the sun comes up and<br />
goes down every day. These are the facts of life. They are so simple they<br />
are almost impossible to grasp. It’s like looking up at the stars at night,<br />
seeing them strung out like seed corn, sprinkled randomly across the<br />
sky. Stars seem simple, even monotonous, because there’s no way to<br />
understand them. The ocean was like that too, blank and deep and easy.<br />
—Bobbie Ann Mason<br />
43
44<br />
Photo courtesy of the <strong>Kentucky</strong> Library & Museum<br />
Fiction, Poetry<br />
Selected works:<br />
All the King’s Men (1946)<br />
Promises (1958)<br />
Now and Then: Poems<br />
1976–1978 (1979)<br />
Robert Penn Warren<br />
(1905 – 1989)<br />
Born in Guthrie, Ky.<br />
Robert Penn Warren, one of our nation’s most distinguished scholarwriters,<br />
attended public schools in Guthrie and graduated summa cum<br />
laude from Vanderbilt University in 1925. While at Vanderbilt, he joined<br />
the group know as the Fugitives, participating in literary discussions and<br />
in founding the journal called The Fugitive, published during 1922–1925.<br />
He later belonged to the Agrarians, a social-political group that included<br />
other such literary lights as John Crowe Ransom, Donald Davidson and<br />
Allen Tate. Warren (known to his friends as “Red”) continued his studies<br />
at the University of California, Berkley, earning his M.A. in English there<br />
in 1927. He subsequently studied at Yale and, for two years, at Oxford as<br />
a Rhodes Scholar.<br />
Warren achieved both critical and popular acclaim as a poet, novelist, essayist,<br />
dramatist, literary critic and editor. The nation’s first poet laureate<br />
and a three-time winner of the Pulitzer Prize (the only writer to win for
oth fiction and poetry), Warren also received a National Book Award, the<br />
Copernicus Award for Poetry, the Bollingen Prize for Poetry, The National<br />
Medal for Literature and a MacArthur Foundation award. He was awarded<br />
the Gold Medal for Poetry from the American Academy and Institute<br />
of <strong>Arts</strong> and Letters.<br />
Western <strong>Kentucky</strong> University in 1987 established the Center for Warren<br />
Studies, and a committee in Guthrie completed restoration of Warren’s<br />
birthplace in 1989. In 1988 Warren received the Milner Award, one of the<br />
Governor’s Awards in the <strong>Arts</strong> in <strong>Kentucky</strong>.<br />
Warren died on September 15, 1989, and was buried in the Stratton, Vt.,<br />
cemetery.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)<br />
45
46<br />
South<br />
Central<br />
Region
Water defines <strong>Kentucky</strong>’s south central region. Lakes<br />
and rivers abound, and ancient underground currents<br />
formed one of the most extensive cave systems in the<br />
world, which includes Mammoth Cave National Park.<br />
Tourists have flocked to this region for decades to enjoy<br />
water sports and caving.<br />
Evening on the Cumberland,<br />
watercolor, by Patricia Ritter of Kettle, Ky.<br />
Itinerant musicians traveling south to Nashville or north<br />
to Louisville often stopped here on their way, introducing<br />
new traditions or modifying the music popular among the locals. Other art forms unique to the area evolved in part because<br />
of this mix of transient peoples. You’ll find fine oak baskets, Art Deco theaters and custom-polished flint marbles used in<br />
local games.<br />
Bowling Green is the cultural and educational center of the region, but the little community of Horse Cave is where you’ll<br />
find the professional repertory theater. So expect the unexpected when you travel across this expansive region, but make<br />
sure you join the locals in some of their favorite pastimes. t<br />
47
48<br />
Music and Cultural Traditions in<br />
South Central <strong>Kentucky</strong><br />
With its lakes, rivers and caves,<br />
south central <strong>Kentucky</strong>’s natural<br />
geographical diversity presents<br />
the perfect environment for<br />
a rich cultural diversity. For<br />
generations, the beauty of this<br />
region has drawn a variety of<br />
people, all of whom contribute<br />
to the cultural and artistic<br />
landscape.<br />
The mixing of musical<br />
styles and the proximity to<br />
Nashville, Tenn., make this<br />
area a fertile ground for<br />
new music. Russellville is<br />
home to founding members<br />
of the influential 1960s<br />
activist group The Freedom<br />
Singers, who still live and<br />
perform there today. In<br />
Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />
the mid-20th century, Blues and R&B stars toured<br />
the “Chitlin’ Circuit,” which included a stop at the<br />
Quonset Auditorium in Bowling Green. “Newgrass”<br />
music, a departure from traditional bluegrass,<br />
Photo courtesy of John Edmonds<br />
(www.southernartistry.org/John_Edmonds)
developed around Bowling Green and the flagship<br />
band New Grass Revival, with its original members<br />
Sam Bush and Béla Fleck. Artists like gospel singer<br />
John Edmonds continue to introduce new audiences<br />
to traditional music, while venues like the WhaBah<br />
Steakhouse feature regular performances by stellar<br />
artists from the area.<br />
Tune in to the radio program Barren River<br />
Breakdown to experience some of the music of<br />
south central <strong>Kentucky</strong>. Produced in the studios of<br />
Western <strong>Kentucky</strong> University Public Radio, each<br />
edition of Barren River Breakdown features two<br />
hours of the best of American music, including<br />
plenty of great <strong>Kentucky</strong> music. Erika Brady, Dave<br />
Baxter and Dan Modlin bring their unique insights<br />
to each show on Saturdays and Sundays starting<br />
at noon Central time/1:00 p.m. Eastern time<br />
(WKPB 89.5 Henderson/Owensboro, WKYU 88.9<br />
Bowling Green/Glasgow, WDCL 89.7 Somerset/<br />
Campbellsville, WKUE 90.9 Elizabethtown/<br />
Bardstown, or online at www.wkyufm.org).<br />
Sam Bush (far left) performs at the 2007 <strong>Kentucky</strong> Folklife Festival.<br />
Gospel singer John Edmonds (left) always pleases the crowd.<br />
Recent immigrants include significant numbers<br />
of Bosnians, who have contributed to the cultural<br />
landscape with music, dance and unique food<br />
traditions. The Bowling Green International Festival<br />
in September showcases artists and traditions<br />
from Bosnia, Mexico, Vietnam and elsewhere. Visit<br />
www.bginternationalfest.com for more information.<br />
Finally, it is impossible to separate the artistic<br />
heritage of south central <strong>Kentucky</strong> from cave<br />
culture. As part of their occupational folk culture,<br />
cave guides practice to become excellent<br />
storytellers, sharing lore and history about <strong>Kentucky</strong><br />
karst lands. To learn about these traditions and<br />
more, visit the American Cave Museum in downtown<br />
Horse Cave, or the <strong>Kentucky</strong> Library and Museum<br />
on the campus of Western <strong>Kentucky</strong> University,<br />
home of an expanding folklore archive collection<br />
established decades ago by folklorist Lynwood<br />
Montell (www.wku.edu/Library/kylm/). t<br />
49
50<br />
<strong>Arts</strong> Access Gallery<br />
Since 1974, VSA <strong>Kentucky</strong> has been<br />
working to create a society where<br />
people with disabilities have access to<br />
opportunities for creative expression.<br />
Through participatory involvement with<br />
trained professionals and volunteers,<br />
adults and children with disabilities<br />
learn creative and social skills that<br />
open doors to new opportunities in<br />
the arts and other areas of life.<br />
Photo courtesy of VSA <strong>Kentucky</strong><br />
In addition to arts training, VSA <strong>Kentucky</strong> also provides a gallery<br />
space for participants to display their work and to view art by<br />
nationally recognized artists with disabilities. For a listing of<br />
current exhibits at the gallery and a schedule of Gallery Hop<br />
dates, visit www.vsartsky.org/artsaccessgallery.php. t<br />
Abstract Apple by Chris Thompson,<br />
acrylic on canvas, from the Artist<br />
Within exhibition. This lively and<br />
expressive exhibition showcased<br />
artwork from across the state created<br />
by adult artists with disabilities who<br />
participated in the Artist Within<br />
program.<br />
Bowling Green<br />
<strong>Arts</strong> Access Gallery<br />
VSA <strong>Kentucky</strong><br />
515 E. Tenth St.<br />
877.417.9594<br />
www.vsartsky.org/artsaccessgallery.php<br />
The <strong>Arts</strong> Access Gallery is a visual<br />
arts gallery highlighting the work<br />
of artists with disabilities and<br />
emerging artists who take part in<br />
VSA programs.
Capitol <strong>Arts</strong> Center<br />
416 E. Main St.<br />
270.782.2787<br />
www.capitolarts.com<br />
Visitors to the Capitol <strong>Arts</strong><br />
Center, originally constructed<br />
as a vaudeville house in the<br />
1890s, can browse through its<br />
spacious art galleries before<br />
enjoying theatrical or musical<br />
performances by the Fountain<br />
Square Players, Orchestra<br />
<strong>Kentucky</strong> and Bowling Green<br />
Western Symphony Orchestra.<br />
The Capitol <strong>Arts</strong> Center marquee lights up the evening.<br />
The Gallery at 916<br />
916 State St.<br />
270.843.5511<br />
www.thegalleryat916.com<br />
Located in a historic storefront in<br />
downtown Bowling Green, The<br />
Gallery at 916 features fine art<br />
paintings, sculpture, jewelry and<br />
custom textiles.<br />
<strong>Kentucky</strong> Blues Jams at<br />
WhaBah Steakhouse<br />
2361 Russellville Road<br />
270.782.6400<br />
Contact: Ryan Stiles,<br />
kybluesjam@gmail.com<br />
www.kentuckybluessociety.com<br />
This is a family-friendly blues<br />
jam for all ages, every Sunday<br />
evening, 6–10 p.m.<br />
Photo courtesy of Bowling Green Area Convention & Visitors Bureau<br />
The Pots Place Co-op Studio<br />
and Gallery<br />
428 E. Main St.<br />
270.535.0561<br />
www.thepotsplace.com<br />
Pots Place is a ceramic arts co-op<br />
in beautiful downtown Bowling<br />
Green featuring the works of<br />
six artists as well as a variety of<br />
hands-on art classes.<br />
51
Photo courtesy of photographer Hunter Wilson and the Daily News<br />
52<br />
Bowling Green(cont.)<br />
Public Theatre of <strong>Kentucky</strong><br />
545 Morris Ave.<br />
270.781.6233<br />
www.ptkbg.org<br />
A sunny day<br />
brings out<br />
the audience<br />
for a concert<br />
in Fountain<br />
Square.<br />
The Public Theatre of <strong>Kentucky</strong><br />
produces a varied season of<br />
dramas, comedies and musicals,<br />
as well as a series of productions<br />
for young audiences. The Gallery<br />
in the lobby features work from<br />
regional artists.<br />
Bowling Green’s Fountain Square<br />
and the Capitol <strong>Arts</strong> Center<br />
Fountain Square marks the original site of Bowling Green’s first log<br />
and red-brick courthouse, as well as the site of the city’s original<br />
market house and jail. When a new courthouse was built following<br />
the Civil War, the site became a park thanks to the vision of John Cox<br />
Underwood, an architect/engineer and the second mayor of Bowling<br />
Green.<br />
The focal point of the park, the fountain originally sculpted by Antonio<br />
Canova in 1881, features Hebe, the Greek goddess of youth. The<br />
park also contains two large cast urns and sculptures of Ceres,<br />
goddess of grain; Pomona, goddess of fruit; Melpomane, goddess of<br />
tragedy; and Flora, goddess of flowers. The statue mounts and the two<br />
arched memorial entries are made of locally quarried Bowling Green<br />
limestone. Throughout the city’s history, Fountain Square has been<br />
the community’s center for celebrating, parading, protesting and other<br />
displays of civic pride and duty.<br />
Also on the square, the Capitol <strong>Arts</strong> Center is an amazing example of<br />
adaptive re-use of a historic property. Originally built as a vaudeville<br />
house in the late 1890s, the stage became a movie theater in the mid-<br />
1930s. Although the Capitol Theater closed in 1967 and sat vacant for
nearly ten years, it re-opened, following<br />
a grassroots renovation project, as an<br />
arts center with a performance venue<br />
seating approximately 800 patrons. The<br />
building retains the Art Deco style and<br />
decor of its 1930s renovation.<br />
The Capitol <strong>Arts</strong> Center offers a multifaceted<br />
arts experience for visitors, with<br />
two galleries, youth theater productions and<br />
regular performances from the Fountain<br />
Square Players, Orchestra <strong>Kentucky</strong><br />
and Bowling Green Western Symphony<br />
Orchestra. Through the Capitol <strong>Arts</strong><br />
Alliance, the center also hosts educational<br />
opportunities for young actors. It shares the<br />
healing power of art by hosting exhibits at<br />
the Southern <strong>Kentucky</strong> Cancer Center and<br />
the Bowling Green Medical Center Health and<br />
Wellness Classroom. t<br />
Bowling Green’s Fountain Square<br />
is beautiful any time of year.<br />
Photos courtesy of Bowling Green Area<br />
Convention & Visitors Bureau<br />
53
54<br />
Glasgow<br />
The Plaza Theatre<br />
115 E. Main St.<br />
270.361.2101<br />
www.plaza.org<br />
This ornate Depression-era movie<br />
palace, which underwent major<br />
renovations before reopening<br />
in 2005, now presents an<br />
entertaining mix of music, theater<br />
and comedy.<br />
Community members gather at<br />
The Bookstore for a Thursday<br />
evening jam in Horse Cave.<br />
Horse Cave<br />
Jammin’ on the Porch at the<br />
Historic Thomas House<br />
Contact: Dave Foster<br />
119 E. Main St.<br />
270.786.1466<br />
Thursday evening jam sessions<br />
happen at the historic Thomas<br />
House during warm weather and<br />
rotate to The Bookstore, Gallery<br />
Bakery and Snappy’s Pizza and<br />
Pasta in cool or rainy weather.<br />
Music includes bluegrass,<br />
country, gospel and blues.<br />
<strong>Kentucky</strong> Repertory Theatre<br />
at Horse Cave<br />
107 E. Main St.<br />
270.786.2177<br />
www.kentuckyrep.org<br />
<strong>Kentucky</strong> Repertory Theatre is<br />
a professional theater company<br />
located in scenic cave country,<br />
producing a series of plays in a<br />
repertory cycle.
<strong>Kentucky</strong> Repertory Theatre<br />
<strong>Kentucky</strong> Repertory Theatre is downtown Horse<br />
Cave’s largest employer and one of only three<br />
<strong>Kentucky</strong> theaters to operate under agreement with<br />
Actors Equity, the union of professional actors and<br />
stage managers. As the owner of five buildings in<br />
the heart of Horse Cave’s registered historic district<br />
and the first to restore buildings for adaptive re-use,<br />
<strong>Kentucky</strong> Rep has led the way in the revitalization of<br />
the city’s historic district.<br />
Amanda Rae Jones appears in<br />
And Then They Came for Me at<br />
<strong>Kentucky</strong> Repertory Theatre.<br />
The theater’s most important asset, however, is the<br />
quality of its performances. The New York Times<br />
once characterized <strong>Kentucky</strong> Repertory Theatre as<br />
“a sophisticated theatre with a history of producing<br />
challenging dramatic works.” The theater’s repertoire<br />
ranges from Shakespeare to Neil Simon.<br />
Today the theater continues to thrill audiences with<br />
a diverse season of classic and contemporary works,<br />
including programming by and for young people. t<br />
Photo courtesy of <strong>Kentucky</strong> Repertory Theatre<br />
55
56<br />
Horse Cave<br />
It’s a sweltering summer evening and you’re<br />
planning to attend an outdoor concert downtown.<br />
You pack some cold drinks in a cooler and, at the<br />
last minute, you grab a sweater on the way out<br />
the door.<br />
A sweater? Well, when the concert is in Horse Cave<br />
and summer heat or threatening thunderstorms<br />
make the weather a concern, you know there‘s<br />
a good chance the concert will get moved inside<br />
Hidden River Cave, right in the middle of town. It’s<br />
always cool inside the cave, and the acoustics are<br />
better than you might expect.<br />
The stairs down to<br />
Hidden River Cave are<br />
just steps away from<br />
Horse Cave’s Main St.<br />
Horse Cave, just east of Mammoth Cave National<br />
Park, is one of only two communities in the world<br />
with a cave entrance in the center of town. (The<br />
other is in South Korea.) The adjoining American<br />
Cave Museum includes offices for the American<br />
Cave Conservation Association.<br />
Photo courtesy of Horse Cave Development Corporation
The rejuvenated<br />
downtown<br />
Horse Cave.<br />
Horse Cave has an aboveground persona,<br />
too. The <strong>Kentucky</strong> Repertory Theatre<br />
is on the list of the Ten Great Places to<br />
See the Lights Way Off Broadway and<br />
received second place in <strong>Kentucky</strong> Living<br />
magazine’s Best of 2010 Performing<br />
<strong>Arts</strong> list. Nearby, the Heritage Art Gallery<br />
features fine art, folk art and photography.<br />
And don’t miss the artistic creations on<br />
display at the adjoining Gallery Bakery<br />
and Donuts. Local businesses host weekly<br />
bluegrass jams, and the annual Horse<br />
Cave Heritage Festival showcases area folk<br />
arts and traditions.<br />
In recent years a nonprofit group made up<br />
of area businesspeople has worked hard to<br />
revitalize downtown Horse Cave by purchasing<br />
and improving decaying commercial buildings.<br />
Some of these buildings, still awaiting permanent<br />
tenants, have been put to creative use: for<br />
Photo courtesy of Horse Cave Development Corporation<br />
example, one storefront’s large glass windows were<br />
commandeered to display artwork of local students.<br />
Some who live in a rural community the size of<br />
Horse Cave might have a hard time envisioning<br />
potential vitality during economically challenging<br />
times. The enlightened residents of Horse Cave,<br />
however, have found a way to capitalize on all of<br />
their assets. t<br />
57
58<br />
Lucas<br />
Barren River Lake<br />
State Resort Park Jams<br />
Contact: Lisa C. Davis,<br />
Resort Park Manager<br />
1149 State Park Rd.<br />
800.325.0057, ext. 2421<br />
These jam sessions, on the first<br />
Tuesday evening of each month<br />
in the lodge restaurant and lobby<br />
areas, feature all types of music.<br />
Arrive early for dinner and make a<br />
night of it.<br />
Somerset<br />
Carnegie Community <strong>Arts</strong> Center<br />
107 N. Main St.<br />
606.677.0333<br />
www.carnegiecac.com<br />
Known as the “Grand Dame of<br />
Somerset,” the center is home<br />
to some of the area’s major arts<br />
organizations and features live<br />
performances and educational<br />
opportunities, as well as a<br />
French-style market and café.<br />
The Center for<br />
Rural Development<br />
2292 S. Hwy. 27<br />
606.677.6000<br />
www.centertech.com<br />
Lake Cumberland Performing<br />
<strong>Arts</strong> offers a season of diverse<br />
drama, music and dance on the<br />
Center Stage, as well as visual<br />
arts exhibits.<br />
Lake Cumberland Jammers at<br />
American Legion Post #38<br />
Contact: Joe LaMay<br />
500 Enterprise Drive<br />
606.305.6741<br />
http://lakecumberlandjammers.com<br />
Tuesday evenings, take part in<br />
folk, bluegrass, country, gospel<br />
and old-time jams.
Basket-making Traditions<br />
Along Highway 31W<br />
Part of a long stretch of highway reaching from<br />
Michigan to Alabama, <strong>Kentucky</strong>’s U.S. Route 31W,<br />
or “the Dixie Highway,” is home to a variety of<br />
traditions. The highway passes through the heart<br />
of <strong>Kentucky</strong> cave country and provides access to<br />
the entrances of Mammoth Cave National Park.<br />
Travelers can stop at a number of motels, attractions<br />
and service stations built in the middle of the 20th<br />
century, including a wigwam village.<br />
Highway 31W is also home to south central<br />
<strong>Kentucky</strong>’s unique split white oak basket-making<br />
tradition. The style has specific characteristics, from<br />
the choice of oak to the “burr” or “ear” wrapping<br />
pattern of ribbed baskets. The baskets are such<br />
an important part of the area that they are judged<br />
annually in the Hart County Fair Basket Making<br />
Contest in early July. If you are traveling through<br />
the area at other times of the year, consider visiting<br />
the Family Medical Center in Munfordville, which<br />
displays a large collection of the work of local basket<br />
makers. Visit www.mammothcavebasketmakers.com for<br />
more information. t<br />
Leona Waddell, one of the<br />
area’s most accomplished<br />
basket makers, displays some<br />
of her white oak baskets.<br />
Photo courtesy of Leona Waddell<br />
59
60<br />
Marble Games for Grown-ups<br />
East of the cave lands of the south central region, on<br />
the Tennessee border, is Monroe County, the home<br />
of folklorist Lynwood Montell. Montell, who began the<br />
masters program in folk studies at Western <strong>Kentucky</strong><br />
University, is the author of popular and scholarly<br />
works on ghost stories, race relations, food traditions<br />
and other regional<br />
topics.<br />
One recreational<br />
tradition documented<br />
by Montell is marble<br />
playing. Grown men<br />
spend hours a day<br />
engaged in serious<br />
competitions of<br />
marble games like<br />
Rolley Hole, which<br />
is played on a large,<br />
groomed dirt surface<br />
with borders and<br />
small holes drilled<br />
Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />
at carefully measured intervals. The marbles are<br />
created out of flint and are works of art. (Glass<br />
marbles are not used because players shoot so hard<br />
they would break.) Many innovative ways of making<br />
flint marbles have emerged—from a makeshift<br />
tumbler attached to a truck wheel, to power grinders<br />
and molds that form the pieces of flint into perfect<br />
spheres.<br />
Larry and Richard<br />
Bowman prepare<br />
for a game of<br />
Rolley Hole.
Visitors can watch and take part in marble games yearround<br />
in Tompkinsville at the Marble Club Super Dome<br />
any day after 4 p.m. and on Sunday mornings after 8:30.<br />
No marble handy? No worries. “We’ll let anybody play.<br />
We’ll even loan them a marble,” says Rondal Biggerstaff.<br />
Friday night is the best night for marbles, though there’s<br />
sure to be a game or two going on every other night of the<br />
week as well.<br />
Or plan to play some marbles at the Watermelon Festival,<br />
where you can also enjoy the unique, spicy barbecue<br />
of the region. Contact the Monroe County Chamber of<br />
Commerce for information at 270-487-1314 or visit them<br />
at www.monroeky.com. t<br />
Tompkinsville<br />
Pickin’ in the Park<br />
Old Mulkey Meetinghouse State<br />
Historic Site<br />
Contact: Sheila Rush<br />
38 Old Mulkey Park Road<br />
270.487.8481<br />
This jam typically features<br />
bluegrass and gospel music, but<br />
all genres are welcome. Bring<br />
a lawn chair and join us on the<br />
Meetinghouse grounds (or inside<br />
if it rains) the third Saturday<br />
evening of each month. Don’t<br />
miss the marble games and the<br />
barbecue!<br />
61
“Survant’s<br />
poetry reflects<br />
geography—<br />
his childhood<br />
in Owensboro<br />
on the Ohio<br />
River and<br />
his adult life<br />
lived over [an]<br />
underground<br />
river…”<br />
62<br />
Literary <strong>Arts</strong> in South Central <strong>Kentucky</strong><br />
South central <strong>Kentucky</strong> sprawls westward from<br />
the edge of the Cumberland Plateau, marked by<br />
the Pottsville Escarpment and its many waterfalls—<br />
most notably Cumberland Falls near Burnside, the<br />
childhood home of novelist Harriette Simpson Arnow<br />
(1908–1986).<br />
The author of ten books, Arnow is best known<br />
for The Dollmaker, her novel of the diaspora from<br />
southern Appalachia to northern industrial cities<br />
during the Great Depression and World War II. It is a<br />
fit companion to John Steinbeck’s The Grapes of Wrath,<br />
which chronicles a similar displacement from the Great<br />
Plains. Although Arnow herself followed the path of<br />
her heroine, Gertie Nevels, to Detroit and remained a<br />
resident of Michigan for the rest of her life, she, unlike<br />
Gertie, embraced Detroit, relishing the conveniences<br />
of big city life. In the novel, however, Arnow embraces<br />
the Romantic theme of the destructive clash between<br />
rural and urban cultures. As an intelligent and<br />
independent-minded woman limited by gender, class<br />
and economics, Gertie struggles to find a place in her<br />
Joe Survant<br />
new world. The Dollmaker is one of the American South’s<br />
great tragic novels.<br />
West of Arnow’s Cumberland Valley lies the<br />
karst area of sinking springs, underground rivers<br />
and caves. The largest known cave system in the<br />
world, Mammoth Cave, with over 350 miles of<br />
charted passages, is the center of this region. One<br />
of <strong>Kentucky</strong>’s most promising young poets, Davis<br />
McCombs (b. 1969), grew up near Munfordville, only<br />
12 miles from this cave, and worked as a park ranger<br />
in the national park that bears its name. Commonly,<br />
the landscapes of writers’ childhoods inform their<br />
work; McCombs is no exception. The author of two<br />
collections of poems, he is best known for Ultima Thule,<br />
winner of the prestigious Yale Series of Younger Poets<br />
competition. These poems are spoken by Stephen<br />
Bishop, a slave of Dr. John Croghan, the owner of the<br />
cave. From 1838 to 1857, Bishop worked as a guide<br />
in the cave, mapping countless new passages and<br />
becoming a celebrity himself.
Fifty miles west of Mammoth Cave is the city of<br />
Bowling Green, where former <strong>Kentucky</strong> Poet Laureate<br />
Joe Survant (b. 1942) continues to live after retiring<br />
from Western <strong>Kentucky</strong> University. Like the fiction of<br />
Arnow and the poetry of McCombs, Survant’s poetry<br />
reflects geography—his childhood in Owensboro<br />
on the Ohio River and his adult life lived over the<br />
underground river that runs beneath Bowling Green.<br />
The author of four collections of poems, including one<br />
set in Malaysia, Survant’s best-known books form a<br />
narrative of rural life in <strong>Kentucky</strong> that spans the presettlement<br />
explorations to World War I. Anne & Alpheus,<br />
1842-1882 is spoken by a husband and wife whose<br />
40-year marriage circles the early death of their only<br />
child. Rafting Rise, set in the year before America’s<br />
entrance into WW I, is spoken by people whose lives<br />
centered around cutting timber and rafting logs down<br />
small streams to the lumber mills of Evansville, Ind.,<br />
on the Ohio River. t<br />
Cumberland Falls, on the eastern edge<br />
of the south central region.<br />
63
64<br />
Photo courtesy of Thomas Arnow<br />
Fiction<br />
Selected works:<br />
Hunter’s Horn (1949)<br />
The Dollmaker (1954)<br />
<strong>Kentucky</strong> Trace (1974)<br />
Harriette Arnow<br />
(1908 – 1986)<br />
Born in Wayne County; grew up in Burnside, Ky.<br />
Harriette Simpson Arnow was the author of the celebrated Appalachian<br />
novels The Dollmaker and Hunter’s Horn and two social histories, Seedtime on the<br />
Cumberland and Flowering of the Cumberland, which accurately depict frontier<br />
and colonial life on the Cumberland Plateau.<br />
Arnow wrote about <strong>Kentucky</strong> in the way that Welty wrote about Mississippi,<br />
Cather wrote about Nebraska and O’Connor wrote about Georgia—<br />
with authentic realism and unsentimental empathy. Her novels tell of the<br />
effect of roads on rural communities in Appalachia and the effect of World<br />
War II on mountain people who migrated from Appalachia to northern<br />
industrial centers. She put faces on those who got left behind: Americans<br />
who farmed and worked in factories and never left this country during<br />
wartime but nevertheless were profoundly changed.<br />
Born in Wayne County, Arnow spent most of her childhood in Burnside.<br />
She moved to Michigan during World War II.<br />
(Source: Thomas Arnow, 2010)
Photo courtesy of Davis McCombs<br />
Poetry<br />
Selected works:<br />
Ultima Thule (2000)<br />
Dismal Rock (2007)<br />
Davis McCombs<br />
(1969 – )<br />
Grew up in Woodsonville, Ky.<br />
Davis McCombs was born in Louisville and grew up in Hart County. He<br />
attended Hart County High School, Harvard University, the University of<br />
Virginia and Stanford University.<br />
McCombs was awarded the Yale Younger Poets Prize for his first book of<br />
poems, Ultima Thule. He received the Dorset Prize for Dismal Rock.<br />
In 2002 he left his job at Mammoth Cave National Park and moved to Arkansas<br />
where he directs the MFA Program at the University of Arkansas.<br />
He currently lives in Fayetteville with his wife, the poet Carolyn Guinzio,<br />
and their two children, Warren and Charlotte.<br />
(Source: Davis McCombs)<br />
65
66<br />
Photo courtesy of the Miller family<br />
Poetry, Fiction<br />
Selected works:<br />
Newfound (1996)<br />
The Brier Poems (1997)<br />
Jim Wayne Miller<br />
(1936 – 1996)<br />
Longtime resident of Bowling Green, Ky.<br />
Jim Wayne Miller, a native of the mountain country of North Carolina,<br />
graduated from Berea College in <strong>Kentucky</strong> in 1958 and received his<br />
Ph.D. in German and American Literature from Vanderbilt University in<br />
1965. While at Vanderbilt, as an NDEA Fellow, he studied under Fugitive<br />
poet Donald Davidson and Hawthorne Scholar Randall Stewart. He<br />
was a Professor of German language and literature at Western <strong>Kentucky</strong><br />
University in Bowling Green for 33 years. He served as a consultant to<br />
the Appalachian Studies programs in <strong>Kentucky</strong>, Tennessee and Ohio and<br />
was a visiting Professor in Appalachian Studies at the Berea College Appalachian<br />
Center.<br />
Miller was named <strong>Kentucky</strong> poet laureate by the <strong>Kentucky</strong> General Assembly<br />
in 1986. His honors include the Alice Lloyd Memorial Prize for<br />
Appalachian Poetry in 1967, the 1980 Thomas Wolfe Literary Award and<br />
the Appalachian Writers Association Book of the Year Award.<br />
(Source: The Miller family, www.JimWayneMiller.com)
Poetry<br />
Selected works:<br />
We Will All Be Changed (1995)<br />
Anne and Alpheus, 1842–1882<br />
(1996)<br />
The Presence of Snow in the<br />
Tropics (2001)<br />
Rafting Rise (2002)<br />
Joe Survant<br />
(1942 – )<br />
Born in Owensboro, Ky.; currently resides in Bowling Green, Ky.<br />
Joe Survant grew up along the Ohio River, hunting, fishing, camping<br />
and “contracting a chronic love for rivers [and] woods…” He is the<br />
author of four books of poetry, two of which won national awards. He<br />
has said that a year spent teaching at the Universiti Sains Malaysia in<br />
1983–1984 on a Fulbright Fellowship was pivotal for his writing. In the<br />
early 1990s, he began writing a “type of epic of rural <strong>Kentucky</strong> in three<br />
books, each set in a different century.” Anne & Alpheus represents the<br />
19th century and Rafting Rise the early 20th century.<br />
Survant is retired from teaching literature and writing at Western <strong>Kentucky</strong><br />
University where he is Professor Emeritus. He served as <strong>Kentucky</strong>’s<br />
poet laureate from 2003–2004. His poetry has been published<br />
abroad in the U.K., Canada, Singapore and Malaysia.<br />
(Sources: Joe Survant, 2010; bookclub@ket, Joe Survant: A Brief Autobiography,<br />
2004)<br />
67
68<br />
Eastern<br />
Region
The Appalachian Mountains define <strong>Kentucky</strong>’s eastern<br />
region both geographically and culturally. It is an area of<br />
rugged terrain and beautiful vistas, rocky outcrops, dense<br />
forests and hardscrabble farms. Communities are typically<br />
small and sometimes isolated, but there are also vibrant<br />
cultural and commercial centers that draw people from<br />
some distance.<br />
All They Had Was One Banjo Player,<br />
oil painting on primed glass,<br />
by John Haywood of Litt Carr, Ky.<br />
Eastern Kentuckians are fiercely protective of their culture and traditions, and their art has benefited from the faithful<br />
preservation of techniques passed down through generations. Today young Appalachian artists pay homage to their<br />
forebears by learning their ancestral music, dance and crafts, at times adding their own touches, and enthusiastically<br />
sharing the results with the world.<br />
If you appreciate handmade crafts, folk music you can trace to European traditions and scenic roads twisting through oneof-a-kind<br />
communities, you’ll want to plan a trip to the eastern part of our state. t<br />
69
70<br />
<strong>Kentucky</strong>’s Traditions along<br />
the Country Music Highway<br />
Along the Route 23 corridor, better known as the<br />
Country Music Highway—dedicated to local country<br />
music legends including Loretta Lynn, Dwight<br />
Yoakam, Ricky Skaggs, and the Judds—you’ll find a<br />
treasure trove of musical traditions. While traveling<br />
the highway, you may also be interested in some<br />
of the communities that fostered these traditions.<br />
The <strong>Kentucky</strong> Folklife<br />
Program distilled four<br />
years of research into<br />
a handy companion<br />
book—packaged with<br />
four CDs narrated by<br />
Ricky Skaggs—and<br />
called it More than Music:<br />
A Heritage Driving Tour<br />
of <strong>Kentucky</strong>’s Route 23.<br />
Following are a few of<br />
the cultural gems you’ll<br />
find along the route.<br />
Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />
If you’re a country music fan, you won’t want to miss<br />
Butcher Hollow, the home of Loretta Lynn. Loretta’s<br />
brother Herman Webb runs a traditional country<br />
store near Van Lear. He’ll meet you there and take<br />
you on a guided tour of the Webb family homestead<br />
for a small donation. If you ask, he may even share<br />
some of that Webb family musical talent with you.<br />
Up a winding mountain road not far from Blackey<br />
you’ll find a lively community gathering spot<br />
dedicated to preserving<br />
mountain culture,<br />
the Carcassonne<br />
Community Center. The<br />
center hosts community<br />
activities such as a<br />
quilting group and a<br />
monthly square dance,<br />
which is the oldest<br />
continuously-running<br />
Ricky Skaggs (left)<br />
performs at the 2005<br />
<strong>Kentucky</strong> Folklife Festival.
community square dance in the commonwealth.<br />
Visitors are encouraged to participate. The dances<br />
have included both regionally and nationally known<br />
musicians, such as banjo master Lee Sexton.<br />
Dancers from Carcassonne have been featured at<br />
the <strong>Kentucky</strong> Folklife Festival and the Smithsonian<br />
Folklife Festival.<br />
If you want to do more than just listen to music, stop<br />
by the Cowan Creek Mountain Music School. Yearround<br />
music classes, workshops, youth jam sessions<br />
and square dances are offered for<br />
folks ages 11 years<br />
and older. Learn from<br />
some of the finest<br />
old-time musicians<br />
Maggie Duncan-Collum,<br />
a student at the Cowan<br />
Creek Mountain Music<br />
School, plays at the 2007<br />
<strong>Kentucky</strong> Folklife Festival.<br />
<strong>Kentucky</strong> has to offer, including Carla Gover and<br />
Roger Cooper.<br />
To order a copy of More than Music: A Heritage Driving<br />
Tour of Route 23, visit the 1792 Store at the Thomas<br />
D. Clark Center for <strong>Kentucky</strong> History in Frankfort or<br />
call 502-564-1792. t<br />
Photo courtesy of Carla Gover<br />
Musician Carla Gover<br />
teaches at the Cowan<br />
Creek Mountain<br />
Music School.<br />
71
72<br />
Paramount <strong>Arts</strong> Center<br />
Originally built in 1931, The Paramount Theater<br />
in Ashland was one of the first built for “talking<br />
pictures.” It was a model for other theaters<br />
around the country that exclusively presented<br />
films produced by Paramount Studios. But as<br />
time passed, it sat in disrepair. Luckily the people<br />
of Ashland saw great potential in the beautifully<br />
designed space and, when remodeling began in<br />
1972, pains were taken to restore its amazing Art<br />
Deco architecture. Some unique pieces include<br />
bent-glass ceiling fixtures and a recessed water<br />
fountain. The walls of the theater feature carefully<br />
restored murals of 16th-century commedia dell’arte<br />
characters. The center exudes opulence right down<br />
to the solid pewter mirrors in the ladies room.<br />
The offerings at the Paramount Art Center pay<br />
homage to the region’s Appalachian heritage while<br />
presenting a wide selection of performances: from<br />
nationally touring theater productions to WTCR’s<br />
Highway 23 Jamboree, which presents artists from<br />
<strong>Kentucky</strong>’s famous Country Music Highway in an<br />
Opry-like atmosphere.<br />
Photo courtesy of the Paramount <strong>Arts</strong> Center<br />
And did we mention the ghost? Like any<br />
good historic building, an old friend watches over<br />
the Paramount. Affectionately called Paramount Joe,<br />
the spirit is rumored to be a laborer who met his end<br />
during the construction of the building. He is said to<br />
be a friendly ghost who makes his presence known<br />
through unexplained noises, missing objects, cold<br />
spots and the occasional apparitional appearance.<br />
Paramount Joe’s Rising Star Café is so named in<br />
honor of the amicable spirit. On Friday nights when<br />
no performance is scheduled, visitors can listen to<br />
up-and-coming artists while enjoying coffee shop<br />
ambience. t
Ashland<br />
Paramount <strong>Arts</strong> Center<br />
1300 Winchester Ave.<br />
606.324.3175<br />
www.paramountartscenter.com<br />
The Paramount <strong>Arts</strong> Center’s<br />
lavish Art Deco design welcomes<br />
audiences to a diverse slate of<br />
more than 120 performance<br />
events each year.<br />
An artist at Red Bird Mission Crafts<br />
demonstrates how to make a cornhusk flower.<br />
Beverly<br />
Red Bird Mission Crafts<br />
70 Queendale Center<br />
606.598.2709<br />
www.crafts.rbmission.org<br />
The craft marketing program<br />
of Red Bird Mission strives to<br />
provide economic opportunities<br />
for Appalachian families located<br />
within a 60-mile radius of the<br />
mission. The work of over 134<br />
craft artists is featured in the retail<br />
outlet.<br />
Photo courtesy of Red Bird Mission Crafts<br />
Clay City<br />
Meadowgreen Park Jams<br />
Contact: Don Rogers<br />
303 Bluegrass Lane<br />
859.351.1146<br />
This bluegrass jam, held every<br />
third Sunday afternoon, has<br />
been ongoing since 1977. It<br />
is presented by the <strong>Kentucky</strong><br />
Friends of Bluegrass, which has<br />
members all over the world.<br />
73
74<br />
Corbin<br />
Bluegrass and Gospel Jam<br />
Sessions at Cumberland Falls<br />
State Resort Park<br />
Contact: Steve Gilbert<br />
7351 Highway 90<br />
606.528.4121<br />
The jam is held the second and<br />
last Mondays of the month,<br />
except in December. Different<br />
areas throughout the lodge<br />
feature various types of traditional<br />
music, including string music,<br />
gospel and bluegrass.<br />
David<br />
David Appalachian Crafts<br />
6369 Highway 404<br />
606.886.2377<br />
www.davidappalachiancrafts.com<br />
David Appalachian Crafts was<br />
founded in 1972 to help area<br />
residents supplement their<br />
income and raise local pride<br />
during a time of diminishing coal<br />
markets and loss of income.<br />
Showcasing the crafts of 90<br />
artisans from a seven-county<br />
area, it is a retail outlet for<br />
talented quilters, woodworkers,<br />
basket makers and gourd<br />
painters and a place for people to<br />
meet other artisans in the area.<br />
Hindman<br />
Appalachian Artisan Center<br />
16 W. Main St.<br />
606.785.9855<br />
www.artisancenter.net<br />
The Appalachian Artisan Center<br />
focuses on nurturing and<br />
developing one of the region’s<br />
most precious assets—artists.<br />
Through a unique and innovative<br />
program, the center helps artists<br />
make a living through their art<br />
by selling work from adjudicated<br />
artists.
Gallery at<br />
the <strong>Kentucky</strong><br />
School of Craft<br />
in Hindman.<br />
Picking and Grinning<br />
in Hindman<br />
Opportunity Center<br />
Contact: Robert Short<br />
238 Highway 160 S.<br />
606.785.4404<br />
All pickers and grinners are<br />
welcome to join this bluegrass<br />
jam in beautiful Hindman on the<br />
Hazard Community and Technical<br />
College campus.<br />
<strong>Kentucky</strong> School of Craft<br />
The community of Hindman in central<br />
Appalachia has a history as an educational<br />
and cultural center. In 1902 the Hindman<br />
Settlement School opened, and it continues<br />
to provide the community with cultural and<br />
educational opportunities that have helped<br />
residents remain mindful of their heritage.<br />
Following in that tradition, the <strong>Kentucky</strong> School of Craft<br />
opened in 2004 to train local residents in their rich craft heritage<br />
and help them start or expand craft-related businesses. The<br />
professional craft school, housed in a 25,000-square-foot historic<br />
rock building in downtown Hindman, is now a part of the Hazard<br />
Community and Technical College System and produces skilled<br />
artisans, knowledgeable in the region’s rich traditions and heritage.<br />
As part of a regional economic development strategy, the<br />
Appalachian Artisan Center provides a retail outlet for artists<br />
associated with the <strong>Kentucky</strong> School of Craft. The two work<br />
closely together to build an economically vibrant arts community<br />
in eastern <strong>Kentucky</strong> and promote the region as an appealing and<br />
viable place to live, work and visit. t<br />
75
76<br />
Photo courtesy of the <strong>Kentucky</strong> Folk Art Center<br />
Louisa<br />
Painted Cow Gallery<br />
103 S. Main Cross St.<br />
606.638.1313<br />
www.paintedcowgallery.com<br />
The Painted Cow Gallery features<br />
craft and artwork by artists from<br />
the tri-state area: <strong>Kentucky</strong>, Ohio<br />
and West Virginia. It is also the<br />
home studio for the Lawrence<br />
County <strong>Arts</strong> <strong>Council</strong>.<br />
Morehead<br />
Coffee Tree Books<br />
240 Morehead Plaza<br />
606.784.8364<br />
www.coffeetreebooks.com<br />
Coffee Tree Books features<br />
reading groups, book signings,<br />
readings, artist workshops,<br />
children’s events and live music<br />
by <strong>Kentucky</strong> artists.<br />
Far left: A gallery at the <strong>Kentucky</strong><br />
Folk Art Center in Morehead.<br />
Left: Folk art rooster by Minnie Adkins.<br />
<strong>Kentucky</strong> Folk Art Center<br />
102 W. First St.<br />
606.783.2204<br />
www.kyfolkart.org<br />
Located in the historic Union<br />
Grocery building in Morehead,<br />
the <strong>Kentucky</strong> Folk Art Center<br />
offers visitors a unique cultural<br />
experience. From the fun and<br />
quirky to the fantastical, the folk<br />
art exhibited and conserved by<br />
the center is an engaging and<br />
vital piece of the region’s history<br />
and contemporary culture.
Mount Vernon<br />
<strong>Kentucky</strong> Music Hall of Fame<br />
and Museum<br />
2590 Richmond Road<br />
606.256.1000<br />
www.kentuckymusicmuseum.com<br />
The <strong>Kentucky</strong> Music Hall of<br />
Fame and Museum honors<br />
<strong>Kentucky</strong> musicians, performers,<br />
songwriters, publishers,<br />
promoters, managers,<br />
broadcasters and comedians<br />
who have made significant<br />
contributions to the music<br />
industry.<br />
Children perform<br />
The Wizard of Oz at the<br />
Jenny Wiley Amphitheatre<br />
in Prestonsburg.<br />
Mount Sterling<br />
Gateway Regional <strong>Arts</strong> Center<br />
101 E. Main St.<br />
859.498.6264<br />
www.gatewayartscenter.com<br />
Originally built as a church in<br />
1885, the Gateway Regional<br />
<strong>Arts</strong> Center is now home to<br />
art exhibits, drama, musical<br />
performances and the Art Shop.<br />
Photos courtesy of the Jenny Wiley Theatre<br />
Prestonsburg<br />
Jenny Wiley Theatre<br />
121 Theatre Court<br />
877.225.5598<br />
www.jwtheatre.com<br />
Jenny Wiley Theatre is a<br />
professional theater offering<br />
productions at the Jenny Wiley<br />
Amphitheatre, located within the<br />
Jenny Wiley State Resort Park.<br />
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78<br />
Prestonsburg (cont.)<br />
Mountain <strong>Arts</strong> Center<br />
50 Hal Rogers Drive<br />
606.889.9125<br />
www.macarts.com<br />
The Mountain <strong>Arts</strong> Center,<br />
located within a stone’s throw<br />
of U.S. 23, the Country Music<br />
Highway, boasts a 1,054-seat<br />
theater as well as an art gallery,<br />
and celebrates the region’s<br />
remarkable Appalachian arts<br />
heritage. Come to the center<br />
to see fine theater and music<br />
performances and stay for the<br />
Front Porch Pickin’.<br />
Whitesburg<br />
Appalshop<br />
91 Madison Ave.<br />
606.633.0108<br />
www.appalshop.org<br />
Appalshop is a nonprofit, multidisciplinary<br />
arts and education<br />
center in the heart of eastern<br />
<strong>Kentucky</strong> producing original<br />
films, video, theater, music and<br />
spoken-word recordings, radio,<br />
photography, multimedia and<br />
books.<br />
As you drive through the<br />
mountains, check out their radio<br />
station at WMMT FM 88.7, which<br />
broadcasts the long-running<br />
Bluegrass Express Live concert<br />
series. In addition, the Appalshop<br />
Traditional Music Project hosts<br />
a monthly old-time music jam at<br />
1 p.m. on the first Saturday of the<br />
month from October through May.
Appalshop has<br />
been a landmark<br />
in Whitesburg<br />
since 1969.<br />
A Saturday jam<br />
at Appalshop.<br />
Photos courtesy of Appalshop<br />
Appalshop<br />
In 1968, desperate for relief from the<br />
images of the Vietnam War, the nation<br />
was riveted by photos of the young<br />
Bobby Kennedy visiting with residents of<br />
<strong>Kentucky</strong>’s Appalachian region on their<br />
front porches. That same year a VISTA<br />
volunteer came to Whitesburg as part of<br />
the U.S. Office of Economic Opportunity’s<br />
War on Poverty to teach local teenagers<br />
how to operate film and audio equipment for the purpose of<br />
finding work outside of Appalachia. The program was part of a<br />
national media training project focused on youth in economically<br />
impoverished communities, mostly in inner-city neighborhoods.<br />
But the Whitesburg participants had a different goal. Rather<br />
than leaving their rural homes for better opportunities, the<br />
students wanted to document the people and activities<br />
around their community. When federal funding for the<br />
project ended, Appalshop was born and grew into the multidisciplinary<br />
center it is today. t<br />
79
80<br />
Whitesburg(cont.)<br />
Cozy Corner<br />
127 Main St.<br />
606.633.9637<br />
www.cozycornercrafts.com<br />
<strong>Kentucky</strong> is well-known for<br />
quilting traditions, a fact that<br />
Josephine Richardson recognized<br />
after moving to eastern <strong>Kentucky</strong><br />
from the northeast in the late<br />
1960s. “Women made beautiful<br />
hand-sewn quilts but had<br />
no place to sell them,” said<br />
Josephine. To solve the problem,<br />
she opened the Cozy Corner<br />
in 1973.<br />
Josephine Richardson,<br />
owner of the Cozy Corner<br />
in Whitesburg, displays a<br />
book for sale.<br />
The store offers quilts—the<br />
main draw—along with crafts,<br />
recordings, books and food<br />
products based on eastern<br />
<strong>Kentucky</strong> traditions. While there,<br />
visit the adjoining Courthouse<br />
Café to enjoy entrées made<br />
from local produce as well as<br />
homemade soups and desserts.<br />
Breaks Interstate Park on<br />
the <strong>Kentucky</strong>-Virginia border<br />
boasts the deepest gorge east<br />
of the Mississippi River.
“Diverse,<br />
fierce, richly<br />
rooted in<br />
what’s left of<br />
its old-growth<br />
heritage…”<br />
82<br />
Literary <strong>Arts</strong> in Eastern <strong>Kentucky</strong><br />
In eastern <strong>Kentucky</strong>, Cherokee chants, verses<br />
from the King James, British ballads, folk tunes that<br />
miners brought from all over the world, labor songs,<br />
hymns, stories handed down—all combine to form a<br />
distinctive vein of literature.<br />
Historically, Appalachia has been defined<br />
from the outside. Central <strong>Kentucky</strong> writer James<br />
Lane Allen called it “the other <strong>Kentucky</strong>” in 1866.<br />
John Fox Jr. followed suit, and in works such as<br />
“Through Cumberland Gap on Horseback” and The<br />
Trail of the Lonesome Pine, respectively, the two writers<br />
helped create the stereotype of the ignorant, feuding<br />
mountaineer, contrasting that image with unspoiled<br />
nature and the innocent damsel. As poet Jim Wayne<br />
Miller writes in “The Brier Sermon,” outsiders said,<br />
“You’re right from the heart of America” and “You’re<br />
the worst part of America.”<br />
Coal- and timber-rich, the region was opened<br />
up when the railroads came in the late 1800s. Soon,<br />
corporations owned most of the mineral deposits.<br />
World War I craved coal and accelerated the change<br />
from subsistence farming to jobs owned by outside<br />
George Ella Lyon<br />
industry, tying the region to the rollercoaster of boom<br />
and bust it has ridden ever since. Mining families’<br />
struggle to survive by unionizing is embodied in<br />
the songs of Aunt Molly Jackson (“Hungry, Ragged<br />
Blues”) and Florence Reece (“Which Side Are You<br />
On?”, 1931).<br />
Non-natives Lucy Furman and Ann Cobb began<br />
to change the outsiders’ view of Appalachia when<br />
they wrote about their work at Hindman Settlement<br />
School. In Furman’s Mothering on Perilous (1913)<br />
and Cobb’s Kinfolks (1922), mountain people were<br />
portrayed more accurately.<br />
The real shift came, however, with the poetry<br />
and novels of James Still, Jesse Stuart and Harriette<br />
Arnow, all mountain born. In such work as River<br />
of Earth, The Thread That Runs So True and The Dollmaker,<br />
we began, as Miller says, to “send out our own<br />
dispatches,” depicting the plight of a people caught<br />
between agrarian and industrial values. Billy C. Clark<br />
chronicles this conflict in A Long Row to Hoe (1960).<br />
Ballad-collector and singer-songwriter Jean Ritchie<br />
also expresses this tension in songs like “Black
Waters” and “The L & N Don’t Stop Here Anymore”<br />
and in Singing Family of the Cumberlands (1955). In 1962,<br />
Harry Caudill examined the long-term results of<br />
absentee ownership in Night Comes to the Cumberlands.<br />
Building on the work of Still, Arnow and Stuart<br />
were Loyal Jones, whose interests include religion,<br />
humor and music in the mountains, and Gurney<br />
Norman, the current <strong>Kentucky</strong> poet laureate. A coal<br />
miner’s son, Norman brought 1960s psychedelic<br />
soul-searching and environmental concerns back to<br />
his homeplace in his novel Divine Right’s Trip, published<br />
in The Whole Earth Catalog in 1971. Norman has<br />
remained a spokesman for the survival of his place.<br />
He has also nurtured new generations of writers and<br />
been vital to the Appalachian Writers Workshop,<br />
founded by Al Stewart and held each summer at<br />
Hindman Settlement School.<br />
It was Norman who published Frank X Walker’s<br />
Affrilachia (2000), and Walker who helped found<br />
the Affrilachian Poets movement, which includes<br />
important writers Crystal Wilkinson (Water Street) and<br />
Nikki Finney (Rice).<br />
Among other writers who have taught at Hindman<br />
are <strong>Kentucky</strong> Poets Laureate Jim Wayne Miller (The Brier<br />
Poems) and Lillie Chaffin (World of Books); Silas House<br />
(Clay’s Quilt); Chris Offutt (<strong>Kentucky</strong> Straight) and Chris<br />
Holbrook (Hell and Ohio); Lee Howard (Harvest of Fire);<br />
Anne Shelby (Appalachian Studies); Leatha Kendrick<br />
(Second Opinion); George Ella Lyon (Back); Marie Bradby<br />
(More Than Anything Else); Paul Brett Johnson (Fearless<br />
Jack); and Karen McElmurray (Surrendered Child).<br />
Poets Al Stewart and Quentin Howard<br />
strengthened the region’s literature by founding<br />
Appalachian Heritage (1973) and Wind (1971)<br />
magazines. Appalachian Heritage continues, and<br />
Wind has become a publishing company whose<br />
editor, Charlie Hughes, also writes the online <strong>Kentucky</strong><br />
Literary Newsletter. Kate Larken’s MotesBooks is also<br />
an important force in the region.<br />
Many anthologies feature eastern <strong>Kentucky</strong><br />
writing, among them Motif (ed. Worthington), We All<br />
Live Downstream (ed. Howard) and Missing Mountains<br />
(ed. Mason, Johannsen and Taylor-Hall). The latter<br />
two present writers and photographers speaking<br />
out against the devastation caused by mountaintop<br />
removal coal mining.<br />
Diverse, fierce, richly rooted in what’s left of its<br />
old-growth heritage, the literary culture of eastern<br />
<strong>Kentucky</strong> continues to flourish. t<br />
83
84<br />
© Guy Mendes. Courtesy of Institute 193<br />
Creative Nonfiction<br />
Selected work:<br />
Night Comes to the<br />
Cumberlands: A Biography of a<br />
Depressed Area (1962)<br />
The Mountain, the Miner and<br />
the Lord and Other Tales from a<br />
Country Law Office (1980)<br />
Harry Caudill<br />
(1922 – 1990)<br />
Born in Whitesburg, Ky.<br />
Appalachian historian and social critic Harry Caudill’s<br />
Night Comes to the Cumberlands is generally credited with<br />
sparking the creation in 1964 of the Appalachian Regional<br />
Commission, a federal agency to assist <strong>Kentucky</strong><br />
and 12 other states in the Appalachian Mountains.<br />
Caudill went on to write nine books, 50 magazine articles and over<br />
80 newspaper articles. <strong>Kentucky</strong> Historian Thomas D. Clark spoke of<br />
Caudill’s voice as being one of the most important in <strong>Kentucky</strong>’s history.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)
Photo by Curt Richter<br />
Fiction<br />
Selected work:<br />
Clay’s Quilt (2001)<br />
A Parchment of Leaves (2002)<br />
The Coal Tattoo (2004)<br />
Something’s Rising (2009)<br />
Eli the Good (2009)<br />
Silas House<br />
(1971 – )<br />
Born in Corbin, Ky.; lived much of his life in Lily, Ky.; currently resides<br />
in Berea, Ky.<br />
Silas House is the nationally bestselling author of four novels, a book<br />
of nonfiction and two plays. His lyrical prose typically focuses on the<br />
interaction among family members and their relationship with the nature<br />
that surrounds them. His work has twice been named a finalist for the<br />
Southern Book Critics Circle Prize and has won the Fiction Prize from<br />
the National Society of <strong>Arts</strong> and Letters. He has also been awarded the<br />
Appalachian Book of the Year and is a two-time winner of the <strong>Kentucky</strong><br />
Novel of the Year. For his environmental activism, he was awarded the<br />
2008 Helen Lewis Award for Commmunity Service.<br />
A musician, House is one of Nashville’s most in-demand press kit writers,<br />
having penned the bios of Kris Kristofferson, Lucinda Williams, Tim<br />
O’Brien, LeAnn Womack, Marshall Chapman and many others. He has<br />
spent his entire life in eastern <strong>Kentucky</strong> and currently lives in Berea<br />
where he is the Chair of Appalachian Studies at Berea College.<br />
(Source: Pines PR, 2010; “A Country Boy Can Surmise,” a blog by Silas House)<br />
85
86<br />
Photo courtesy of photographer Ann W. Olson<br />
Poetry, Fiction<br />
Selected work:<br />
Father Time and the Day Boxes<br />
(1985)<br />
Catalpa (1993)<br />
Mother to TIgers (2003)<br />
Borrowed Children (1999)<br />
Don’t You Remember? (2007)<br />
With a Hammer for My Heart<br />
(2008)<br />
Back: Poems (2010)<br />
George Ella Lyon<br />
(1949 – )<br />
Born in Harlan, Ky.; currently resides in Lexington, Ky.<br />
George Ella Lyon has long been an authentic and eloquent voice of the<br />
southern Appalachian Mountains. She has published books of poetry<br />
and short stories, a memoir and numerous books for children and young<br />
adults. She credits her mountain background and a childhood home full<br />
of music and words for making her a natural writer and storyteller.<br />
Lyon received degrees from Centre College in Danville, Ky., the University<br />
of Arkansas and Indiana University, where she wrote her dissertation on<br />
Virginia Woolf. She has taught at Centre College, Transylvania University<br />
and Indiana University, among others. She travels extensively as a<br />
teacher and promoter of writing.<br />
Lyon is also a musician and activist who lends her talents to various efforts<br />
focused on preserving the beauty and culture of her eastern <strong>Kentucky</strong><br />
homeland and promoting justice and peace around the world. She lives in<br />
Lexington with her husband, musician and composer Steve Lyon.<br />
(Source: The <strong>Kentucky</strong> Anthology)
Daddy called the Walkman<br />
his play-pretty and he loved it<br />
like he loved the radio<br />
that sang him to sleep.<br />
(Mother listened to talk<br />
shows. They had<br />
pillow speakers.) He loved<br />
the radio like he loved<br />
the hi-fi with Mario Lanza’s<br />
heart breaking in his voice<br />
or the Beatles looping “Let<br />
It Be” on the eight-track<br />
like he loved my brother<br />
always at the spinet and later<br />
WITH A SONG IN HIS HEART<br />
the grand piano striking<br />
heart-sparks from Rachmaninoff<br />
or “Rock of Ages” or giving us<br />
cascading “Autumn Leaves”<br />
the way he loved to drive<br />
around just him and me<br />
Sunday afternoons singing<br />
“Barbara Allen.” In that<br />
scarlet town where I was<br />
born music was our dwelling.<br />
O Daddy, I am leaning<br />
on those everlasting arms.<br />
—George Ella Lyon<br />
87
88<br />
Fiction<br />
Selected work:<br />
Divine Right’s Trip (1972)<br />
Kinfolks (1977)<br />
Gurney Norman<br />
(1937 – )<br />
Grew up in many small towns in eastern <strong>Kentucky</strong>, but<br />
primarily in Allais near Hazard, Ky.<br />
<strong>Kentucky</strong> poet laureate (2009–2010) Gurney Norman earned<br />
a degree at the University of <strong>Kentucky</strong> before attending Stanford<br />
University as a Wallace Stegner Fellow along with three<br />
other Kentuckians—Wendell Berry, James Baker Hall and Ed<br />
McClanahan. In the mid-1960s he edited the Hazard Herald and began<br />
writing short stories that would eventually be published as Kinfolks.<br />
One of the major influences on Norman’s fiction has been the skilled<br />
craftsmanship of Appalachian author James Still. By 1968 Norman was<br />
back in California working on the Whole Earth Catalog. His first and most<br />
famous novel, Divine Right’s Trip, was originally published in the margins of<br />
the catalog.<br />
Norman is currently Director of the Creative Writing Program at the University<br />
of <strong>Kentucky</strong>.<br />
(Sources: Gurney Norman, 2010, and The <strong>Kentucky</strong> Anthology)
VISION<br />
Face down in dark water, I see ancient ferns, tall as<br />
tipples a million years ago, beneath the sea. As the water<br />
lightens, I see a firmament arise, a lovely wilderness of<br />
plains and valleys and mountains, with creeks flowing<br />
in the valleys, past woods and meadows, past bottom<br />
land where willows grow, and sycamore, and muskrats<br />
in their holes and turtles in the mud and kingfishers<br />
swooping low across the water as the sun goes down,<br />
filling the sky with orange and purple light.<br />
The water is amber-colored now. I see minnows in it.<br />
I see a perch swim by. I see brilliant pebbles on the<br />
bottom, and green waving grass beneath the water. I<br />
see a sandbar reaching out from the shore. My feet sink<br />
into it. Planted there, I rise from the water like a tree,<br />
a flowering shrub with gnarled branches, thick with<br />
leaves, adorned by blossoms, white as clouds, moist<br />
with the dew of a brand new April evening.<br />
—Gurney Norman<br />
89
90<br />
Photo courtesy of Chris Offutt<br />
Fiction, screenwriting<br />
Selected works:<br />
<strong>Kentucky</strong> Straight (1992)<br />
The Same River Twice (1993)<br />
The Good Brother (1997)<br />
Out of the Woods (1999)<br />
No Heroes (2002)<br />
Chris Offutt<br />
(1958 – )<br />
Born in Haldeman, Ky.<br />
Chris Offutt grew up in Haldeman in eastern <strong>Kentucky</strong> and graduated from<br />
Morehead State University. Although he has lived all over the country, all<br />
of his work is either set in <strong>Kentucky</strong> or is about people from <strong>Kentucky</strong>. He<br />
is the author of two short story collections, a novel and two memoirs. His<br />
stories are included in many textbooks and anthologies and his books are<br />
taught at universities and high schools throughout the country.<br />
A recipient of Guggenheim, National Endowment for the <strong>Arts</strong> and Lannan<br />
Foundation fellowships, Offutt has also received awards from the American<br />
Academy of <strong>Arts</strong> and Letters and the Whiting Foundation, as well as<br />
a fellowship from the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong>. He was named one of the<br />
best young American fiction writers by Granta magazine.<br />
Offutt is an executive story editor for HBO’s True Blood and co-producer and<br />
writer for Showtime’s Weeds, as well as executive producer and creator of<br />
Tough Trade, a television show for Epix.<br />
(Source: Chris Offutt, 2010)
Photo courtesy of the Hindman<br />
Settlement School Archives<br />
Fiction, Poetry<br />
Selected work:<br />
River of Earth (1940)<br />
The Wolfpen Poems (1986)<br />
Pattern of Man (1986)<br />
James Still<br />
(1906 – 2001)<br />
Spent most of his life in Litt Carr, Ky.<br />
Still’s work is part of the literary flowering in the American<br />
South during the late 1920s and early 1930s<br />
that included Thomas Wolfe, William Faulkner and<br />
Kentuckians Elizabeth Madox Roberts, Jesse Stuart,<br />
Harriette Simpson Arnow, Caroline Gordon, Allen<br />
Tate, Cleanth Brooks and Robert Penn Warren.<br />
Though born in Alabama, Still came to <strong>Kentucky</strong> in 1930 to work as a librarian<br />
at the Hindman Settlement School near the forks of Troublesome<br />
Creek in Knott County, and remained in <strong>Kentucky</strong> for the rest of his life.<br />
Still draws on everyday experiences and observations for his poems, stories<br />
and novels. Even when writing stories and novels, Still is primarily a<br />
poet. His novel, River of Earth, is considered an American Classic. James<br />
Still served as <strong>Kentucky</strong> poet laureate from 1995–1996.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)<br />
91
92<br />
Photo courtesy of the Jesse Stuart Foundation<br />
Fiction, Poetry,<br />
Creative Nonfiction<br />
Selected work:<br />
Man with a Bull-Tongue Plow<br />
(1934)<br />
The Thread That Runs So True<br />
(1949)<br />
Jesse Stuart<br />
(1906 – 1984)<br />
Born near Greenup, Ky.<br />
Stuart began writing stories and poems about people of <strong>Kentucky</strong><br />
while still a college student. His published stories—in magazines<br />
and in book form—number more than 500. Stuart also published<br />
more than a dozen novels and autobiographical works.<br />
By the end of the 1930s Stuart had served as a teacher in Greenup County’s<br />
one-room schools and as high school principal and county school<br />
superintendent. These experiences served as the basis for his autobiographical<br />
book The Thread that Runs So True, called by the president of the<br />
National Education Association “the best book on education written in the<br />
last 50 years.”<br />
Stuart was designated poet laureate of <strong>Kentucky</strong> in 1954 and was made<br />
a fellow of the Academy of American Poets in 1961. He was nominated<br />
for a Pulitzer Prize in poetry in 1977.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)
Excerpt from The Thread That Runs So True<br />
Seldom if ever did one of my Lonesome Valley<br />
pupils stay out of school because he wanted to. He<br />
stayed out of school usually for one of three reasons:<br />
he was sick; he had to help harvest the crops; he<br />
didn’t have sufficient clothes, shoes, or books. In<br />
September the tobacco ripened and many of my<br />
pupils had to stay home and help with tobacco<br />
cutting and hauling to the barn. The cane ripened,<br />
too, in September and it had to be stripped, topped,<br />
cut, hauled to the mill, and the juice pressed from it<br />
and boiled into sorghum molasses.… Potatoes had<br />
to be dug. Corn had to be cut. September was a<br />
busy time in Lonesome Valley, where the men of this<br />
rugged American earth eked a bare subsistence for<br />
themselves and their families.<br />
My attendance was down considerably in<br />
September. There wasn’t an attendance officer to<br />
see why they didn’t come to school. If the pupil<br />
went, it was all right. If he didn’t, it was all right too.<br />
It was a land of freedom and work.…<br />
In October my attendance grew. And to show you<br />
that my pupils loved to come to school, many came<br />
thinly clad and barefooted, after the white frosts had<br />
fallen and had blanketed the frozen land. For the<br />
farmers hadn’t sold their tobacco crops yet.… Many<br />
times I saw the red spots on the white frost from the<br />
bleeding little bare feet of those who came to school<br />
regardless of shoes. I couldn’t buy shoes for them.<br />
Not on my salary and in my circumstances.<br />
But for one little boy and girl, whose father was<br />
serving a sentence in the federal penitentiary for<br />
converting his corn into moonshine whiskey, I did<br />
buy shoes. No one knew I bought them. Their<br />
mother, with another child on the way, was fighting a<br />
brave battle to keep her children and home together.<br />
I had lived all my life in a community where these<br />
things happened. When I saw blood on the snow<br />
from this moonshiner’s children coming to my<br />
school, it did something to me. I wanted to fight for<br />
them harder than I had ever fought Guy Hawkins.<br />
—Jesse Stuart<br />
93
94<br />
North<br />
Central<br />
Region
North central <strong>Kentucky</strong> is the bustling commercial heart of the state<br />
and includes the densely populated “Golden Triangle” that reaches<br />
from Covington to Lexington to Louisville. It is also home to the beautiful<br />
Bluegrass region and its iconic horse farms, rolling green pastures and<br />
miles of white and black horse fences. Outlying areas, typically rural,<br />
are marked by picturesque towns with historic homes and striking<br />
architecture. A number of communities that originally blossomed as<br />
trading posts and transportation centers dot the Ohio River on the<br />
northern border of the region.<br />
Mother of God,<br />
acrylic on canvas,<br />
by Mike Maydak<br />
of Covington, Ky.<br />
The region’s cities have benefited from immigrant populations that<br />
wove their unique heritages into the cultural fabric. Today, the arts<br />
thrive in these dynamic environments where curiosity breeds creativity,<br />
and you’ll find ample opportunities to indulge in a variety of arts<br />
experiences. t<br />
95
96<br />
Fiddle Traditions in<br />
Northeastern <strong>Kentucky</strong><br />
Geography has a strong influence on culture.<br />
Traveling east from Covington along the Ohio<br />
River, you’ll come to the Appalachian foothills, an<br />
area home to a distinct style of fiddle music. Early<br />
German and French settlers brought<br />
with them European instruments<br />
and music, which evolved over time.<br />
Scholars have collected hundreds<br />
of tunes from old-time northeastern<br />
<strong>Kentucky</strong> fiddle masters, including<br />
Bob Prater, Raymond Meadows,<br />
Gorden Whitley, Joe Stamper, Charley<br />
Kinney and Buddy Thomas.<br />
Roger Cooper made it his mission to learn<br />
all he could from the traditional fiddlers in<br />
his native Lewis County. In the late 1970s,<br />
he began winning fiddle contests all over<br />
the region, and is considered by most to be<br />
the best representative of this musical form.<br />
In addition to Cooper, members of the string<br />
band <strong>Kentucky</strong> Wild Horse— Paul David Smith,<br />
John Harrod and Jesse Wells—have become<br />
living resources for the fiddle traditions of earlier<br />
generations from this region. t<br />
Photo courtesy of <strong>Kentucky</strong> Wild Horse<br />
The music of<br />
<strong>Kentucky</strong> Wild<br />
Horse (left)<br />
and Roger<br />
Cooper (below)<br />
represents<br />
<strong>Kentucky</strong> fiddle<br />
traditions at their<br />
best.<br />
Photo courtesy of Roger Cooper
What’s a Luthier?<br />
Music traditions and musical communities in<br />
<strong>Kentucky</strong> are often built around stringed instruments<br />
such as guitars, banjos, fiddles, dulcimers and<br />
mandolins. These instruments are made and kept in<br />
top shape by specialty artists known as luthiers.<br />
Travelers can meet many of these artists and<br />
examine their craftsmanship firsthand, especially in<br />
the north central region. Among the area’s wellknown<br />
shops are Warren A. May Woodworker in<br />
Berea, the Mize Violin Shop in Lexington, Currier’s<br />
Music World in Richmond and RS Guitarworks in<br />
Winchester.<br />
The <strong>Kentucky</strong> Folklife Program conducted a<br />
statewide study of luthiers that resulted in a traveling<br />
exhibit, “Made to be Played: Traditional Art of<br />
<strong>Kentucky</strong> Luthiers.”<br />
To find out where you can see this exhibit, visit<br />
http://artscouncil.ky.gov/Luthier/Luthier_Schedule.htm. t<br />
Donna and<br />
Lewis Lamb,<br />
award-winning<br />
luthiers from<br />
central <strong>Kentucky</strong>.<br />
Photo courtesy of Donna and Lewis Lamb<br />
97
98<br />
Berea<br />
Appalachian Fireside Gallery<br />
126 Main St.<br />
859.986.9013<br />
www.berea.com/where-to-shop<br />
Located in the former Berea Bank<br />
& Trust Building, Appalachian<br />
Fireside Gallery offers traditional<br />
Appalachian crafts made by<br />
members of the Appalachian<br />
Fireside Industries. This mountain<br />
co-operative began in the 1960s<br />
as part of the Save The Children<br />
organization.<br />
Berea <strong>Arts</strong> <strong>Council</strong><br />
116 Main St.<br />
859.985.9317<br />
www.bereaartscouncil.org<br />
The Berea <strong>Arts</strong> <strong>Council</strong>’s goal is to<br />
connect the community through<br />
all forms of art. Programming<br />
includes visual art competitions<br />
and exhibits, workshops, literary<br />
readings, garden tours, public art<br />
projects and summer camps.<br />
Berea College Bookstore<br />
108 Main St.<br />
859.985.3197<br />
www.berea.bkstr.com<br />
Ken Gastineau casts a pewter<br />
item at his studio in Berea.<br />
The bookstore offers author<br />
readings and discussions as well<br />
as book signings.<br />
Gastineau Jewelers<br />
135 N. Broadway St.<br />
859.986.9158<br />
www.gastineaustudio.com<br />
Photo courtesy of Ken Gastineau<br />
Ken and Sallie Gastineau offer<br />
a full line of hand-cast, leadfree<br />
pewter jewelry and small<br />
decorative household items made<br />
exclusively in their open studio in<br />
the heart of Old Town Berea.
Jamming on the Porch at the<br />
Berea Train Station<br />
908 N. Broadway<br />
859.986.2540<br />
This weekly Thursday night jam<br />
is hosted by Governor’s Awardwinning<br />
folk artists Lewis and<br />
Donna Lamb. Participants sit in<br />
a circle, and everyone gets the<br />
opportunity to lead a song.<br />
<strong>Kentucky</strong> Artisan Center<br />
at Berea<br />
200 Artisan Way<br />
859.985.5448<br />
www.kentuckyartisancenter.ky.gov<br />
The <strong>Kentucky</strong> Artisan Center at<br />
Berea is a state-run facility that<br />
promotes and sells the largest<br />
selection of handmade products<br />
Kristal Kokinda<br />
works with clay at<br />
the <strong>Kentucky</strong> Artisan<br />
Center at Berea.<br />
from <strong>Kentucky</strong>’s most talented<br />
residents, as well as books,<br />
music and <strong>Kentucky</strong> Proud food<br />
products. The <strong>Kentucky</strong> Artisan<br />
Center Café and Grill offers local<br />
favorites cooked up daily.<br />
Photo courtesy of Kristal Kokinda<br />
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Berea<br />
Being labeled the “Folk <strong>Arts</strong> and Crafts Capital of<br />
<strong>Kentucky</strong>” is not exactly an easy title to live up to.<br />
But the small town of Berea, approximately an hour<br />
south of Lexington, wears it well.<br />
The cornerstone of this<br />
community is, without a doubt,<br />
Berea College, founded in<br />
1855 by an abolitionist minister<br />
as a model for educating<br />
men and women of all races<br />
from the Appalachian region.<br />
In the late 1800s, growing<br />
national interest in the culture<br />
and traditions of Appalachia by<br />
writers, academics, missionaries<br />
and teachers led Berea College<br />
President William Frost to take<br />
traditional coverlets—offered by<br />
students in exchange for tuition—<br />
on a fundraising trip north.<br />
Frost saw, in the handcrafted coverlets, the potential<br />
for preserving an artistic tradition and—at the same<br />
time—developing a new market for Appalachian<br />
crafts. “Fireside Industries,” Berea’s student craft<br />
business, began in 1883. Today over 200 students<br />
and craft professionals in the community<br />
Photo courtesy of the <strong>Kentucky</strong> Artisan Center at Berea<br />
A special exhibit of<br />
kiln-formed glass<br />
is displayed at the<br />
<strong>Kentucky</strong> Artisan<br />
Center at Berea.
produce weaving, woodcraft, needlecraft, ceramics,<br />
broomcraft and wrought iron that is marketed on<br />
an international level. Campus walking tours of the<br />
student craft industries are available through the<br />
Berea College Visitors Center in College Square.<br />
With its graceful white columns and airy verandas,<br />
stately Boone Tavern sits at the end of College<br />
Square. This landmark recently underwent extensive<br />
renovations to become the first Leadership in Energy<br />
and Environmental Design (LEED) certified hotel<br />
in <strong>Kentucky</strong>. The award-winning restaurant within<br />
the hotel continues to serve traditional favorites and<br />
exciting reinterpretations of Southern cuisine.<br />
As a testament to the interwoven relationship<br />
between town and college, in 1961 Berea College<br />
helped form the <strong>Kentucky</strong> Guild of Artists and<br />
Craftsmen. The guild is <strong>Kentucky</strong>’s oldest statewide<br />
visual art and craft organization and continues<br />
to attract thousands of visitors annually to Indian<br />
Fort Theatre for its Guild Fall Fair during the first<br />
weekend in October.<br />
Conveniently accessible to I-75, the <strong>Kentucky</strong><br />
Artisan Center at Berea has a 25,000-square-foot<br />
retail and exhibition gallery featuring only <strong>Kentucky</strong>made<br />
products. The center has welcomed over<br />
1.5 million visitors since opening in 2003. Whether<br />
in an exhibit or in the shop, the finely-crafted works<br />
on display are accompanied by information about<br />
the artisans and the materials they use to create<br />
their work. Regional cuisine at reasonable prices is<br />
available at the center’s café.<br />
Today, artists and businesspeople operate over<br />
40 shops and studios in the town, and Berea has<br />
become a thriving community of artists, students,<br />
and progressive-minded individuals committed<br />
to community, creativity, social justice and<br />
environmental responsibility. Fittingly the city has<br />
adopted the slogan, “Where art’s alive every day.” t<br />
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Berea (cont.)<br />
Log House Craft Gallery<br />
200 Estill St.<br />
859.985.3220<br />
www.berea.edu/studentcrafts/lhcg<br />
Log House Craft Gallery is the<br />
premier showplace for Berea<br />
College Student Craft Industries<br />
as well as fine craft from other<br />
regional artists. The gallery’s<br />
name comes from its original<br />
log structure, which adjoins the<br />
original Weaver’s Cottage, built in<br />
1893.<br />
Robie Books<br />
307 Chestnut St.<br />
859.228.0499<br />
www.berea.com/where-to-shop<br />
Top Drawer Gallery<br />
202 N. Broadway<br />
859.985.2907<br />
www.topdrawergallery.com/Default.htm<br />
Top Drawer Gallery is owned and<br />
operated by Terry Fields, the<br />
former director of woodworking<br />
for the Berea College Student<br />
Craft Industries. His gallery<br />
features handmade furniture and<br />
fine crafts from the region.<br />
Warren A. May Woodworker<br />
110 Center St.<br />
859.986.9293<br />
http://www.warrenamay.com/<br />
Warren has made over 15,000<br />
dulcimers since 1972.<br />
Covington<br />
Behringer-Crawford Museum<br />
1600 Montague Road<br />
Devou Park<br />
859.491.4003<br />
www.bcmuseum.org<br />
Opened in 1950, the Behringer-<br />
Crawford Museum serves as a<br />
regional cultural center for the<br />
northern <strong>Kentucky</strong> area. The<br />
museum’s collection contains<br />
thousands of objects, artifacts,<br />
documents, photographs,<br />
textiles, paintings and sculpture<br />
representing 450 million years<br />
of history, art and culture as<br />
viewed through the lens of<br />
transportation. Visitors enjoy<br />
hands-on, interactive exhibits and
activities in a newly expanded<br />
and renovated 20,000-squarefoot<br />
facility.<br />
Carnegie Visual &<br />
Performing <strong>Arts</strong> Center<br />
1028 Scott Blvd.<br />
859.491.2030<br />
www.thecarnegie.com<br />
The largest performing arts<br />
center in northern <strong>Kentucky</strong>, the<br />
Carnegie offers a year-round slate<br />
of local and touring presentations.<br />
In addition, for over 30 years<br />
the Carnegie Galleries have<br />
been dedicated to showcasing<br />
the best of local and regional<br />
artists, featuring cutting-edge<br />
contemporary art and primitive<br />
folk art.<br />
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104<br />
Experience Covington<br />
Covington is home to a thriving arts<br />
community, one-of-a kind architecture,<br />
tight-knit neighborhoods, wonderful food<br />
traditions and some truly fascinating stories.<br />
When the city of Covington was awarded a<br />
Preserve America grant to create walking<br />
and driving tours, the residents took an<br />
innovative approach based on the unique<br />
character of their city. Collaborating with<br />
the public history program at Northern<br />
<strong>Kentucky</strong> University (NKU), the Center for<br />
Great Neighborhoods of Covington and the<br />
<strong>Kentucky</strong> Folklife Program of the <strong>Kentucky</strong><br />
<strong>Arts</strong> <strong>Council</strong> and the <strong>Kentucky</strong> Historical<br />
Society, they asked local people to identify<br />
points of interest (historic, modern, kitschy<br />
and otherwise). They then enlisted <strong>Kentucky</strong><br />
community scholars and NKU students to<br />
conduct oral history interviews with people<br />
who owned businesses, lived in interesting<br />
homes and frequented the historic and<br />
cultural sites, with the idea that the
esidents’ stories are as amazing as the sites where<br />
they occurred.<br />
The result was Experience Covington, an interactive,<br />
web-based tour of historical landmarks and places<br />
of interest in Covington. Visitors can choose from<br />
six themed tours to experience the rich heritage<br />
of Covington. They include the Faith Tour, <strong>Arts</strong><br />
and Culture Tour, Historic Tour, Architecture Tour,<br />
Neighborhood Tour and Unexpected Covington Tour.<br />
If you’re feeling adventurous, you can also design<br />
your own tour by picking individual sites. The<br />
website also features a full calendar of events and<br />
a comment page to share your own Covington<br />
experience with future users.<br />
There are many ways to enjoy Experience Covington.<br />
If you have an mp3 player, you can print out driving/<br />
walking directions and upload tours or individual<br />
You can’t miss the clock tower<br />
on Covington’s MainStrasse.<br />
sites to your device from the website:<br />
http://www.experiencecovington.com. You can also buy<br />
a pre-programmed device at the interactive kiosk at<br />
the Kenton County Public Library in Covington.<br />
Try the goetta (a traditional food) or visit the<br />
spaceship house (a not-so-traditional house).<br />
Whatever you do, don’t leave Covington without<br />
hearing from the people who call Covington home. t<br />
Children romp along<br />
the mural at the<br />
Frank Duveneck <strong>Arts</strong><br />
and Cultural Center<br />
in Covington.<br />
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106<br />
Frank Duveneck<br />
Frank Duveneck, a world renowned realist painter known for his<br />
dark palette and slashing brushwork, was born in Covington in<br />
1848 and trained in Munich, Germany, for many years. Duveneck,<br />
and such protégés as Willis Seaver Adams and William Merritt<br />
Chase, departed from the traditions of the Hudson River School,<br />
where romantic landscapes were<br />
the standard. These young artists<br />
began to paint more freely, with<br />
bolder strokes and colors, than<br />
fellow Americans who stringently<br />
followed the Hudson River<br />
traditions.<br />
The Whistling Boy (1872),<br />
oil on canvas,<br />
by Frank Duveneck<br />
Duveneck’s paintings can be seen<br />
in the Metropolitan Museum of<br />
Art in New York City, the National<br />
Gallery of Art in Washington, D.C.,<br />
and the Kenton County Library in<br />
Covington. t<br />
Courtesy of the Cincinnati Art Museum<br />
(gift of the artist)<br />
Covington (cont.)<br />
The Frank Duveneck <strong>Arts</strong> and<br />
Cultural Center<br />
1232 Greenup St.<br />
859.491.3942<br />
www.duveneckcenter.org<br />
The Duveneck Center is at the<br />
center of Covington’s thriving<br />
cultural district, offering yearround<br />
programming highlighting<br />
cultural diversity and works by<br />
established as well as aspiring<br />
artists. The community arts<br />
center occupies the former<br />
Klingenberg Hardware Store built<br />
on the site of Squire Duveneck’s<br />
late 19th-century summer beer<br />
garden. The nearby house and<br />
studio showcase his life and his<br />
contributions as a founder of the<br />
Cincinnati Art Academy.
The Northern <strong>Kentucky</strong><br />
Brotherhood Singers<br />
For many Kentuckians, singing in church begins<br />
in childhood and continues through life as an<br />
expression of their spiritual beliefs. Black and white<br />
congregations practice very different gospel styles<br />
but, over time, each has influenced the other.<br />
In the urban neighborhoods of northern <strong>Kentucky</strong>,<br />
jubilee-style a cappella gospel music was<br />
initially associated with such groups as the Dixie<br />
Hummingbirds, the Golden Gate Quartet and<br />
the Soul Stirrers. Today, the Northern <strong>Kentucky</strong><br />
Brotherhood Singers are among the best-known<br />
practitioners of this intricate and emotional four-part<br />
harmony style.<br />
The Brotherhood began in the Ninth Street Baptist<br />
Church in Covington, one of the buildings along the<br />
experiencecovington.com Faith Tour, but the group<br />
now performs its spiritual and secular songs at<br />
venues around the world. The singers have appeared<br />
in Spain, Portugal, Italy and Switzerland, and at<br />
the 2008 National Folk Festival in Butte, Mont. In<br />
2009, they performed in Washington,<br />
D.C., at the Kennedy Center and<br />
the Library of Congress as part<br />
of the American Folklife Center’s<br />
Homegrown concert series.<br />
In 2009, the<br />
Northern <strong>Kentucky</strong><br />
Brotherhood Singers<br />
performed at the<br />
Library of Congress in<br />
Washington, D.C.<br />
The Northern <strong>Kentucky</strong><br />
Brotherhood’s songs include<br />
elements of jazz, rock and<br />
doo-wop. In songs like<br />
“Mary Don’t You Weep”<br />
and “Wade in the Water,”<br />
the singers replace words<br />
with sounds, effectively<br />
turning their voices into<br />
instruments. Visit<br />
www.nkybrotherhood.com for more information,<br />
audio and upcoming shows. t<br />
Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />
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108<br />
Danville<br />
Community <strong>Arts</strong> Center<br />
401 W. Main St.<br />
859.236.4054<br />
www.communityartscenter.net<br />
The Community <strong>Arts</strong> Center is a<br />
non-profit arts education facility<br />
for dance, drama, music and<br />
visual arts.<br />
Ex Astris, the 14-foot brass sculpture by Louisville<br />
artist Tom Lear, greets visitors to the<br />
Norton Center for the <strong>Arts</strong> in Danville.<br />
Norton Center for the <strong>Arts</strong><br />
Centre College<br />
600 W. Walnut St.<br />
877.448.7469<br />
www.nortoncenter.com<br />
Located on the campus of Centre<br />
College, the Norton Center is<br />
an internationally recognized<br />
performing arts center that<br />
hosts a series of outstanding<br />
guest artists as well as touring<br />
productions and symphony<br />
orchestras each year.
Elizabethtown<br />
Historic State Theater Complex<br />
209 Dixie Highway W.<br />
270.982.3400<br />
www.historicstatetheater.org<br />
Originally built as a movie theater<br />
in 1942, the Historic State<br />
Theater Complex now includes<br />
the original movie house, a black<br />
box theater and a gallery. The<br />
complex hosts movies, concerts,<br />
plays, recitals, lectures and more.<br />
Falmouth<br />
Kincaid Regional<br />
Theatre Company<br />
500 Chapel St.<br />
859.654.2636 or 800.647.7469<br />
www.krtshow.com<br />
Kincaid Regional Theatre<br />
presents a spirited summer<br />
season of musicals and comedies<br />
alongside performance and<br />
educational opportunities for<br />
young people.<br />
Fort Thomas<br />
The Blue Marble<br />
1356 S. Fort Thomas Ave.<br />
859.781.0602<br />
http://site.booksite.com/5792<br />
The Blue Marble bookstore offers<br />
author readings and discussions<br />
as well as book signings.<br />
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110<br />
Frankfort<br />
Capital Gallery of<br />
Contemporary Art<br />
314 Lewis St.<br />
502.223.2649<br />
www.ellenglasgow.com<br />
As the owner and director of<br />
Capital Gallery of Contemporary<br />
Art, Ellen Glasgow offers a<br />
sampling of her own paintings<br />
as well as the work of other<br />
significant <strong>Kentucky</strong> artists.<br />
Completely <strong>Kentucky</strong><br />
237 W. Broadway St.<br />
502.223.5240<br />
www.completelykentucky.com<br />
Everything in Completely<br />
<strong>Kentucky</strong> is made by the<br />
An unusual bowl made by <strong>Kentucky</strong> Fusion<br />
found at Completely <strong>Kentucky</strong> in Frankfort.<br />
commonwealth’s finest artisans.<br />
All is available for purchase in a<br />
carefully restored 150-year-old<br />
building in the heart of downtown<br />
Frankfort.<br />
The Grand Theatre<br />
308 St. Claire St.<br />
502.352.7469<br />
www.grandtheatrefrankfort.org<br />
The historic Grand Theatre was<br />
built in 1911 as a vaudeville<br />
house, converted into a<br />
“modern” movie theater in 1941<br />
and re-opened its doors as a<br />
performance venue in 2009. The<br />
Grand hosts nationally acclaimed<br />
films, dance, music and theater.<br />
Stewart Home School<br />
1792 Store<br />
<strong>Kentucky</strong> Historical Society<br />
100 West Broadway St.<br />
502.564.1792<br />
Poor Richard’s Books<br />
233 West Broadway St.<br />
502.223.8018<br />
Poor Richard’s, owned by Lizz<br />
Taylor and former <strong>Kentucky</strong> Poet<br />
Laureate Richard Taylor, offers<br />
author readings and discussions<br />
as well as book signings.
Glendale<br />
True <strong>Kentucky</strong><br />
452 E. Main St.<br />
270.369.7850<br />
www.truekentucky.com<br />
True <strong>Kentucky</strong> offers creations<br />
from over 300 of <strong>Kentucky</strong>’s finest<br />
artists, along with books, music<br />
and specialty food products.<br />
Browsers will find racks of books to entertain<br />
their imaginations at Poor Richard’s in Frankfort,<br />
the shop of former <strong>Kentucky</strong> Poet Laureate Richard Taylor.<br />
Harrodsburg<br />
Ragged Edge<br />
Community Theatre<br />
111 S. Main St.<br />
859.734.2389<br />
www.raggededgetheatre.org<br />
Ragged Edge is dedicated<br />
to providing quality theater<br />
performances for and by the<br />
people of Mercer County and<br />
central <strong>Kentucky</strong>.<br />
Shaker Village of Pleasant Hill<br />
3501 Lexington Road<br />
800.734.5611<br />
www.shakervillageky.org<br />
The craft store at Shaker Village<br />
features fine handmade crafts<br />
demonstrating Shaker simplicity<br />
and high-quality craftsmanship.<br />
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112<br />
Photo courtesy of Lewis Lamb<br />
Hodgenville<br />
Lincoln’s Loft<br />
25 Lincoln Square<br />
270.358.0124<br />
http://lincolnsloft.com<br />
Lincoln’s Loft offers author<br />
readings and signings, as well as<br />
art and craft programs for kids.<br />
Lewis Lamb proudly displays a<br />
resonator dulcimer he made.<br />
LaGrange<br />
Karen’s Book Barn and<br />
Java Stop<br />
127 E. Main St.<br />
502.222.0918<br />
http://karensbookbarn.com<br />
The bookstore sponsors a book<br />
club, author readings, book<br />
signings and writers’ seminars.<br />
Lancaster<br />
Lewis and Donna Lamb<br />
445 Lamb Road<br />
859.339.1522<br />
ldlamb@wildblue.net.<br />
Like many luthiers, this fatherand-daughter<br />
team works<br />
privately in their home shop.<br />
They were the recipients of the<br />
<strong>Kentucky</strong> Governor’s Award in the<br />
<strong>Arts</strong> for Folk Heritage in 2006.
Lexington Art League<br />
The Lexington Art League (LAL) intends to<br />
challenge our conventions and take us out<br />
of our comfort zones. It actively pursues<br />
that goal through thought-provoking and<br />
culturally significant exhibitions from local,<br />
regional and national artists.<br />
Its best known exhibition is the annual<br />
show entitled “Nude,” which typically<br />
features about 100 works celebrating<br />
the human form. The LAL began staging<br />
“Nude” more than two decades ago; now<br />
artists from the U.S. and abroad regularly<br />
submit more than 1,000 works in hopes of<br />
being represented.<br />
The organization also presents or sponsors<br />
other exhibits including the “LAL Open” and the<br />
AFB Art Fair at Woodland Park. This August fair,<br />
popular for more than 35 years, has been voted<br />
a Top 40 Fine Art & Design Show in the nation by<br />
Sunshine Artist magazine, a Top 20 Event by the<br />
Southeast Tourism Society and a Top 10 Festival<br />
by the <strong>Kentucky</strong> Tourism <strong>Council</strong>.<br />
The Loudoun<br />
House looks<br />
even more<br />
dramatic<br />
against<br />
a stormy<br />
backdrop.<br />
Photo courtesy of the Lexington Art League<br />
The LAL’s headquarters is a historic dwelling known<br />
as the Loudoun House, a castellated Gothic Revival<br />
villa containing six galleries. Its design includes<br />
turrets, towers and pointed window and door arches.<br />
It was the first such structure built in <strong>Kentucky</strong> and<br />
is one of only five in the American South. t<br />
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Lexington<br />
Ann Tower Gallery<br />
141 E. Main St., Suite 100<br />
859.425.1188<br />
www.anntowergallery.com<br />
The Ann Tower Gallery specializes<br />
in the exhibition and sale of<br />
contemporary fine art and folk art.<br />
Artique<br />
410 W. Vine St.<br />
859.233.1774<br />
161 Lexington Green Circle<br />
859.272.8802<br />
www.artiquegallery.com<br />
Representing over 1,000<br />
artists, Artique has offered fine<br />
contemporary American craft for<br />
sale for over 30 years.<br />
<strong>Arts</strong>Place<br />
161 N. Mill St.<br />
859.255.2951<br />
www.lexarts.org<br />
For over 35 years, Lex<strong>Arts</strong> has<br />
promoted the arts in Central<br />
<strong>Kentucky</strong> by offering a variety<br />
of programs, services and<br />
grants to local artists and arts<br />
organizations. Through its<br />
management of <strong>Arts</strong>Place,<br />
Lex<strong>Arts</strong> provides space for<br />
artists and arts organizations to<br />
rehearse, perform and exhibit<br />
their work.<br />
Black Swan Books<br />
505 E. Maxwell St.<br />
859.252.7255<br />
www.blackswanbooks.net<br />
Black Swan Books offers author<br />
readings and discussions as well<br />
as book signings.<br />
Carnegie Center for<br />
Literacy & Learning<br />
251 W. Second St.<br />
859.254.4175<br />
www.carnegieliteracy.org<br />
Located in a historic Carnegie<br />
library building, the Carnegie<br />
Center for Literacy and Learning<br />
offers workshops for adults in<br />
world languages, computers,<br />
and writing; youth and family<br />
programs; after-school tutoring;
gallery exhibits; music and<br />
theatrical performances; and<br />
literary readings. The center is<br />
an active supporter of the literary<br />
arts, especially <strong>Kentucky</strong> authors.<br />
Downtown <strong>Arts</strong> Center<br />
141 E. Main St.<br />
859.225.0370<br />
www.lexarts.org<br />
The Downtown <strong>Arts</strong> Center,<br />
owned by the Lexington-Fayette<br />
Urban County Government, is<br />
home to a black box theater, Stoll<br />
Keenon Ogden City Gallery and<br />
the Ann Tower Gallery.<br />
Explorium of Lexington<br />
440 W. Short St.<br />
859.258.3253<br />
www.explorium.com<br />
The Explorium’s mission is<br />
to create a fun and dynamic<br />
hands-on learning environment<br />
that stirs the imagination and<br />
develops curiosity, with a focus<br />
on educating young people<br />
about cultural diversity and<br />
inspiring creativity through the<br />
arts. The Explorium supports an<br />
open art studio, Lexington’s only<br />
children’s art gallery, an art fair<br />
for young artists and cooperative<br />
educational programming for<br />
schools and their art clubs.<br />
Headley-Whitney Museum<br />
4435 Old Frankfort Pike<br />
859.255.6653<br />
www.headley-whitney.org<br />
The Headley-Whitney Museum<br />
is a decorative arts museum<br />
founded by prominent 20thcentury<br />
jewelry designer, George<br />
W. Headley, and nestled in the<br />
beautiful horse farm countryside<br />
just outside Lexington. The<br />
museum offers a permanent<br />
collection featuring jewelry,<br />
bibelots and mounted semiprecious<br />
stones. Don’t miss the<br />
whimsical shell grotto, a separate<br />
building whose interior is covered<br />
in thousands of shells, polished<br />
stones and coral.<br />
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116<br />
Lexington (cont.)<br />
International Museum<br />
of the Horse<br />
<strong>Kentucky</strong> Horse Park<br />
4089 Iron Works Pkwy<br />
859.259.4232<br />
www.imh.org<br />
Showcasing the relationship<br />
between man and the horse<br />
throughout history, the museum<br />
offers contemporary art<br />
exhibitions featuring equine<br />
artists, permanent exhibitions<br />
about horse breeds and culture,<br />
and international exhibits. The<br />
new two-story Al-Marah wing<br />
showcases the Arabian, the<br />
world’s oldest breed of horse,<br />
and includes technologically<br />
enhanced interactive exhibits<br />
geared toward young visitors.<br />
The Black Stallion Experience is<br />
an area dedicated to the literary<br />
and cinematic magic of the<br />
most famous fictional horse ever<br />
created—Walter Farley’s<br />
The Black Stallion.<br />
Joseph-Beth Booksellers<br />
161 Lexington Green Circle<br />
859.273.2911<br />
www.josephbeth.com<br />
Lexington’s largest bookstore<br />
offers author readings and kids<br />
activities, as well as a delightful<br />
café (Brontë Bistro) with indoor<br />
and outdoor seating.<br />
<strong>Kentucky</strong> Theatre<br />
214 E. Main St.<br />
859.231.6997<br />
www.kentuckytheater.com<br />
Although the <strong>Kentucky</strong> Theatre<br />
operates as a full-time cinema, it<br />
also hosts a variety of live-stage<br />
performances. The nationally<br />
syndicated Woodsongs Old-Time<br />
Radio Hour is broadcast live<br />
weekly from the <strong>Kentucky</strong> Theatre<br />
stage.
Loudoun House<br />
Lexington Art League<br />
209 Castlewood Drive<br />
800.914.7990<br />
www.lexingtonartleague.org<br />
The Lexington Art League (LAL)<br />
envisions visual art as the lens<br />
through which central <strong>Kentucky</strong><br />
will distinguish itself as a<br />
progressive, inclusive and vibrant<br />
region. Its most popular programs<br />
include exhibits at the historic<br />
Loudoun House and the annual<br />
Art Fair at Woodland Park.<br />
When the Lexington Children’s Theatre<br />
presented Go Dog Go, the dogs were<br />
energetic and highly entertaining.<br />
Lexington Children’s Theatre<br />
418 W. Short St.<br />
859.254.4546<br />
www.lctonstage.org<br />
Lexington Children’s Theatre,<br />
founded in 1939, is a<br />
professional, nonprofit company<br />
dedicated to providing quality<br />
plays for children. It offers a<br />
full season of productions and<br />
classes on three stages: The<br />
Theatre Mainstage, the Lexington<br />
Theatre Learning Stage and the<br />
historic Lexington Opera House.<br />
Touring productions and two<br />
satellite locations in eastern<br />
<strong>Kentucky</strong> allow families across<br />
the commonwealth to enjoy<br />
quality entertainment.<br />
Photo courtesy of<br />
photographer Larry<br />
Snipes and the Lexington<br />
Children’s Theatre<br />
Photo courtesy of photographer Eric Abele and<br />
the Lexington Children’s Theatre<br />
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118<br />
Lexington (cont.)<br />
Lexington Opera House<br />
401 W. Short St.<br />
859.233.4567<br />
www.lexingtonoperahouse.com<br />
With its plush velvet curtains,<br />
crystal chandeliers, grand<br />
stairway and queen’s boxes, the<br />
Lexington Opera House, listed on<br />
the National Register of Historic<br />
Places, transports visitors back<br />
to the time when Lexington<br />
was known as “the Athens of<br />
the West.” It hosts a number<br />
of national premieres of new<br />
plays and playwrights, supports<br />
many of the area’s finest ballet,<br />
opera and philharmonic artists,<br />
and presents touring Broadway<br />
shows, all enveloped in the grand<br />
elegance of the past.<br />
The elegance of the<br />
Lexington Opera<br />
House transcends<br />
all performances.<br />
Photos courtesy of Lexington Opera House
Living <strong>Arts</strong> & Science Center<br />
362 N. Martin Luther King Blvd.<br />
859.252.5222<br />
www.lasclex.org<br />
The Living <strong>Arts</strong> & Science Center<br />
is a family-friendly place to<br />
explore the relationship between<br />
art and science through exhibits<br />
and programs.<br />
Living <strong>Arts</strong> and Science Center<br />
Introduce the left side of your brain to the right side of your brain,<br />
and let them have a conversation.<br />
That’s what you can do at the Living <strong>Arts</strong> & Science Center<br />
(LASC), where children and families can explore these two<br />
disciplines—often thought to be at odds—in unique and<br />
innovative ways.<br />
The center maintains a gallery where professional artists present<br />
pieces that reveal art and science acting in harmony. The gallery<br />
also displays the work of student-artists.<br />
At Discovery Night on the first Thursday of the month, local<br />
artists or scientists lead visitors through hands-on activities.<br />
Past presentations include “Dogs on Patrol!,” which described a<br />
night with the Lexington-Fayette Urban County Division of Police<br />
Canine Unit, and “100% Earth Friendly Art!,” in which Anthony<br />
Roccanova, associate professor of architecture from the University<br />
of <strong>Kentucky</strong>, explored the subject of sustainable housing. For<br />
more information about LASC events and year-round classes, visit<br />
www.lasclex.org. t<br />
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120<br />
Lexington (cont.)<br />
Lyric Theatre<br />
300 E. 3rd St.<br />
Scheduled to reopen in<br />
September 2010 after extensive<br />
renovation, the Art Deco movie<br />
theater built in 1948 was a<br />
popular gathering spot for<br />
Lexington’s African-American<br />
community until 1963. In the<br />
1960s, it hosted live acts,<br />
including Count Basie, Sarah<br />
Vaughan and the Ink Spots. As<br />
a cultural center, the restored<br />
building will have a museum for<br />
sharing local African-American<br />
history, a 20-foot wall featuring<br />
local art with a theme of<br />
rebirth, and events that feature<br />
local artists. Members of the<br />
communities around the theater,<br />
in collaboration with professional<br />
artists, are creating a quilt with<br />
everyday fabric donated from<br />
area families. The quilt, which<br />
will be displayed in the lobby,<br />
will commemorate the theater’s<br />
history and cultural significance<br />
to the community.<br />
Mize Violin Shop<br />
448 N. Broadway<br />
859.253.9639<br />
Art Mize studied lutherie under<br />
the late J.B. Miller, a well-known<br />
violin specialist of the region.<br />
The Morris Book Shop<br />
408 Southland Drive<br />
859.276.0494<br />
www.morrisbookshop.com<br />
The Morris Book Shop offers<br />
author readings and discussions<br />
as well as book signings.<br />
New Editions Gallery<br />
807 Euclid Ave.<br />
859.266.2766<br />
www.neweditionsgallery.com<br />
Founded in 1988, New Editions<br />
Gallery is one of Lexington’s<br />
oldest fine art galleries, featuring<br />
contemporary artwork, jewelry<br />
and crafts.
The audience files out<br />
after a popular event at<br />
the Lyric Theatre in the<br />
early 1950s.<br />
Photo courtesy of the Lexington Herald-Leader<br />
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122<br />
Lexington (cont.)<br />
Singletary Center for the <strong>Arts</strong><br />
405 Rose St.<br />
859.257.5030<br />
www.uky.edu/SCFA/<br />
The Otis A. Singletary Center<br />
for the <strong>Arts</strong> is located on the<br />
University of <strong>Kentucky</strong> campus.<br />
The center hosts nearly 400<br />
events annually, including<br />
performances by the Lexington<br />
Philharmonic, and provides<br />
artistic space for international,<br />
national, regional, university and<br />
student performers, artists and<br />
speakers.<br />
University of <strong>Kentucky</strong><br />
Art Museum<br />
405 Rose St.<br />
859.257.5716<br />
www.uky.edu/artmuseum<br />
The University of <strong>Kentucky</strong> Art<br />
Museum owns over 4,000 art<br />
treasures in all media. Selections<br />
from the museum’s holdings of<br />
works on paper and photographs<br />
are displayed on a rotating<br />
schedule.<br />
Louisville<br />
Actors Theatre of Louisville<br />
316 W. Main St.<br />
502.584.1205<br />
www.actorstheatre.org<br />
For over 40 seasons, Actors<br />
Theatre has produced<br />
internationally acclaimed<br />
performances, including the<br />
annual Humana Festival of New<br />
American Plays.
Actors Theatre of Louisville<br />
Actors Theatre of Louisville, the State Theatre of<br />
<strong>Kentucky</strong>, is a significant force in the history and<br />
future of the American stage. Each spring it hosts<br />
the Humana Festival of New American Plays, one<br />
of the premiere launching grounds for new work by<br />
American playwrights and a destination for theaterlovers<br />
and industry insiders alike.<br />
More than 400 plays have premiered at the Humana<br />
Festival, including Pulitzer Prize winners Crimes of<br />
the Heart, The Gin Game and Dinner with Friends. During<br />
its regular season, Actors offers an exciting mix of<br />
comedies, dramas, musicals, late-night and holiday<br />
fare alongside a robust education program.<br />
Actors, which was founded in 1964, resides in a<br />
National Historic Landmark located at the gateway to<br />
Louisville’s West Main Street corridor, and has been<br />
an anchor for revitalization in the city’s downtown<br />
area. One of the most prolific theaters in the nation,<br />
Actors offers more than 20 productions each year<br />
across its three performance spaces, and has<br />
received some of the highest<br />
awards bestowed on nonprofit<br />
producers, including a special<br />
Tony Award for Outstanding<br />
Regional Theatre.<br />
Mitchell Fain towers<br />
over the audience<br />
in Actors Theatre’s<br />
performance of<br />
Lookingglass Alice.<br />
Visitors can enjoy fine dining<br />
at Intermezzo, an on-site<br />
restaurant, or share a drink<br />
and light snacks in the lobbies<br />
and tour the theater’s art<br />
gallery. t<br />
Photo courtesy of photographer<br />
Harlan Taylor and Actors Theatre<br />
123
124<br />
Louisville (cont.)<br />
B. Deemer Gallery<br />
2650 Frankfort Ave.<br />
502.896.6687<br />
www.bdeemer.com<br />
The B. Deemer Gallery features<br />
original paintings on canvas and<br />
paper, watercolors, various types<br />
of hand-pulled artists’ prints, soft<br />
pastels, oil pastels and mixed<br />
media pieces.<br />
Carmichael’s Bookstore<br />
1295 Bardstown Road<br />
502.456.6950<br />
2720 Frankfort Ave.<br />
502.896.6950<br />
www.carmichaelsbookstore.com<br />
Carmichael’s Bookstore offers<br />
author readings and discussions<br />
as well as book signings.<br />
Glassworks<br />
815 W. Market St.<br />
502.584.4510<br />
www.louisvilleglassworks.com<br />
Glassworks is a multi-use<br />
facility in the heart of downtown<br />
Louisville dedicated to the art of<br />
glass. The facility includes three<br />
working glass studios, two glass<br />
galleries and a walk-in workshop<br />
and offers daily tours.<br />
Kaviar Forge and Gallery<br />
1718 Frankfort Ave.<br />
502.561.0377<br />
www.KaviarGallery.com<br />
Kaviar Forge and Gallery is a<br />
combination formal exhibition<br />
area and functional sculptural<br />
studio owned and operated by<br />
sculptor Craig Kaviar. A window in<br />
the gallery looks over the forging<br />
area of the studio, where visitors<br />
can often watch the artwork<br />
being made. Surrounding the<br />
studio and gallery is an outdoor<br />
sculpture garden.
Photos courtesy of Craig Kaviar<br />
Craig Kaviar of Kaviar Forge<br />
and Gallery works on a new<br />
piece of artwork.<br />
Stair railing by<br />
Kaviar Forge.<br />
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126<br />
<strong>Kentucky</strong> Center for the Performing <strong>Arts</strong><br />
In addition to drawing more than 400,000 people to hundreds of<br />
performances each year, the <strong>Kentucky</strong> Center for the Performing<br />
<strong>Arts</strong> in Louisville is a leader in promoting arts education and<br />
accessibility throughout the commonwealth. Each summer the<br />
Center hosts the Governor’s<br />
School for the <strong>Arts</strong>, which provides<br />
more than 200 students with an<br />
intensive three-week educational<br />
experience in nine disciplines,<br />
ranging from architecture to the<br />
literary and performing arts.<br />
Photo courtesy of the <strong>Kentucky</strong> Center<br />
for the Performing <strong>Arts</strong><br />
The Center, dedicated in 1983<br />
as a public-private partnership,<br />
has been honored three times<br />
in recent years for its efforts to<br />
ensure that arts experiences are<br />
available and accessible to people<br />
with disabilities. It partners with<br />
the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> to<br />
share access techniques and best<br />
practices with arts venues across<br />
the state. t<br />
Louisville (cont.)<br />
<strong>Kentucky</strong> Center for the<br />
Performing <strong>Arts</strong><br />
501 W. Main St.<br />
502.562.0100<br />
www.kentuckycenter.org<br />
The <strong>Kentucky</strong> Center is<br />
<strong>Kentucky</strong>’s premier performing<br />
arts venue, with four performance<br />
spaces and a full calendar of<br />
touring shows and productions<br />
by some of the region’s leading<br />
companies, including the<br />
Louisville Orchestra, the Louisville<br />
Ballet, <strong>Kentucky</strong> Opera and<br />
Stage One Children’s Theatre.<br />
The upstairs black box theater<br />
presents a continuous schedule<br />
of productions by Louisville<br />
community and semi-professional<br />
performers.
Contemporary glass pieces<br />
from a recent exhibit in the<br />
Mary and Al Shands Gallery of the<br />
<strong>Kentucky</strong> Museum of Art and Craft<br />
in Louisville.<br />
<strong>Kentucky</strong> Museum of Art & Craft<br />
715 W. Main St.<br />
502.589.0102<br />
www.kentuckyarts.org<br />
The <strong>Kentucky</strong> Museum of Art &<br />
Craft celebrates traditional and<br />
functional art. Several exhibition<br />
galleries display handmade<br />
items—from folk art to furniture—<br />
that are available for purchase,<br />
and visitors can browse the<br />
award-winning gallery shop,<br />
which features the work of more<br />
than 200 regional artists.<br />
Photo courtesy of the <strong>Kentucky</strong> Museum of Art & Craft<br />
127
128<br />
Louisville (cont.)<br />
Louisville Visual Art Association<br />
3005 River Road<br />
502.896.2146<br />
www.louisvillevisualart.org<br />
Chartered with the mission to<br />
“enhance the cultural life of the<br />
city,” the Louisville Visual Art<br />
Association has been a valuable<br />
resource to the area’s visual arts<br />
community since 1909. The<br />
association’s galleries feature<br />
Louisville-centric arts exhibitions<br />
and programming with hands-on<br />
learning opportunities for children<br />
of all ages.<br />
Open Blues/Jazz Band Jam<br />
Stevie Ray’s Blues Bar<br />
230 E. Main St.<br />
502.582.9945<br />
http://stevieraysbluesbar.com/<br />
Visit Stevie Ray’s to hear great<br />
blues any night; take part in the<br />
jams on Tuesday nights.<br />
Pyro Gallery<br />
624 W. Main St.<br />
502.587.0106<br />
www.pyrogallery.com<br />
A cooperative gallery in the heart<br />
of downtown Louisville, Pyro<br />
features group and solo shows by<br />
its multi-disciplinarian members.<br />
A Reader’s Corner<br />
138 Breckenridge Lane<br />
502.897.5578<br />
www.areaderscorner.com<br />
A Reader’s Corner offers book<br />
signings and story time for<br />
children.<br />
Speed Art Museum<br />
2035 S. Third St.<br />
502.634.2729<br />
www.speedmuseum.org<br />
Established in 1927, the Speed<br />
Art Museum is <strong>Kentucky</strong>’s oldest<br />
and largest art museum with over<br />
13,000 pieces in its permanent<br />
collection. Its extensive holdings<br />
span 6,000 years from ancient<br />
Egyptian to contemporary art.
Originally consisting of a grand foyer,<br />
flower court and four galleries in the<br />
Beaux-<strong>Arts</strong> style, the Speed Art Museum<br />
has been expanded several times and<br />
now has more than 150,000 square feet<br />
of floor space.<br />
Swanson Reed Contemporary<br />
678 E. Market St.<br />
502.589.5466<br />
www.swansonreedgallery.com<br />
Swanson Reed Contemporary<br />
showcases contemporary<br />
national and regional artists<br />
with an emphasis on energetic<br />
and challenging works in video,<br />
conceptual art, performance and<br />
sculpture as well as installations,<br />
photographs and paintings.<br />
The Speed Art Museum<br />
The Speed Art Museum is <strong>Kentucky</strong>’s largest and<br />
oldest art museum with collections from around<br />
the world and across 6,000 years of history.<br />
Founded by Hattie Bishop Speed in honor of<br />
her late husband, Louisville businessman and<br />
philanthropist James Breckenridge Speed, the<br />
museum has always had a diverse scope, giving<br />
it both regional and international importance.<br />
Photo courtesy of the<br />
Speed Art Museum<br />
The museum houses distinguished collections of<br />
17th-century Dutch and Flemish painting, 18th-century French<br />
art, Renaissance and Baroque tapestries, significant pieces of<br />
contemporary American painting and sculpture, and African and<br />
Native American works. Among the many artists represented are<br />
Rembrandt, Gainsborough, Audubon, Whistler, Monet, Cezanne,<br />
Neel, Picasso, Warhol and Chagall. The Speed also displays<br />
paintings, sculpture, furniture and decorative arts by <strong>Kentucky</strong><br />
artists.<br />
The museum, situated on the University of Louisville’s Belknap<br />
campus, offers a full calendar of family activities, adult lectures,<br />
concerts and public tours. t<br />
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130<br />
Bernheim Forest<br />
In 1929, Isaac W. Bernheim, a German immigrant<br />
who became a famed whiskey distiller, established<br />
Bernheim Arboretum and Research Forest as a<br />
haven for nature lovers, art lovers and those who<br />
appreciate both.<br />
Bernheim viewed the forest as an ideal venue for<br />
displaying high-quality art inspired by the natural<br />
world. As a result of a long-standing artist-inresidence<br />
program, Bernheim today is home to a<br />
permanent collection of sculptures and paintings<br />
placed around the grounds and adorning its public<br />
buildings.<br />
Environmental art pieces are nestled in the natural<br />
landscape, encouraging visitors to “hunt” for the<br />
treasures among the muses that inspired them.<br />
Bernheim’s diverse programs include classes and<br />
workshops, allowing visitors to have a hands-on arts<br />
experience emphasizing eco-education.<br />
Bernheim Forest, located in Clermont just south<br />
of Louisville, also offers picnic areas, year-round<br />
hiking and biking trails, geocaching and letterboxing<br />
adventures, fishing at scenic Lake Nevin, and a gift<br />
shop and Isaac’s Café located in the LEED Platinum<br />
Visitor Center. t<br />
Photo courtesy of Bernheim<br />
Arboretum and Research Forest<br />
© David Modica<br />
Top: Water management was carefully considered during the design of the<br />
LEED Platinum Visitor Center. Bottom: A sculpture by Paul Fields graces<br />
the park property.<br />
Photo courtesy of Bernheim<br />
Arboretum and Research Forest
Louisville (cont.)<br />
21c Museum<br />
700 W. Main St.<br />
502.638.4923<br />
www.21cmuseum.org<br />
21c is North America’s first<br />
museum dedicated solely to<br />
the collecting and exhibiting of<br />
contemporary art from the 21st<br />
century.<br />
Contemporary architecture complements<br />
the contemporary art at 21c Museum<br />
in Louisville.<br />
Walden Theatre<br />
1123 Payne St.<br />
502.589.0084<br />
www.waldentheatre.org<br />
Founded in 1976, Walden<br />
Theatre produces a broad<br />
selection of plays both comedic<br />
and dramatic, classical and<br />
contemporary, performed by<br />
the young artists of its revered<br />
conservatory program.<br />
Photo courtesy of photographer Kenneth Hayden and 21c Museum<br />
Zephyr Gallery<br />
610 E. Market St.<br />
502.585.5646<br />
www.zephyrgallery.org<br />
Zephyr Gallery is the oldest<br />
cooperative, contemporary fine<br />
arts gallery in the region with<br />
a member base comprised of<br />
23 artists, who are frequently<br />
available to meet visitors.<br />
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132<br />
The Washington Opera House<br />
is a hub of community activity<br />
in Maysville.<br />
Maysville<br />
Washington Opera House<br />
116 W. 2nd St.<br />
606.564.3666<br />
www.maysvilleplayers.net<br />
Home of the Maysville Players,<br />
the oldest continuously-running<br />
theater company in <strong>Kentucky</strong>, the<br />
Washington Opera House was<br />
built in 1898 on a site where two<br />
previous opera houses had stood.<br />
It was used as a movie theater<br />
from 1931–1960 and was bought<br />
by the Maysville Players in 1964.<br />
Photo courtesy of the city of Maysville and the<br />
Maysville-Mason County Convention & Visitors Bureau<br />
In 2003 it closed for a $4 million<br />
renovation and reopened in<br />
2006. In addition to regular<br />
dramatic performances, it is also<br />
used as a community gathering<br />
spot for meetings, community<br />
celebrations, weddings and<br />
even funerals.<br />
Maysville<br />
Strolling the streets of downtown<br />
Maysville, the architecture<br />
transports you to the golden era<br />
of this historic river community—<br />
the late 1800s. You’ll pass the<br />
Washington Opera House and<br />
the imposing Cox Building, a<br />
former Masonic lodge soon<br />
to become a thriving cultural<br />
center. But it’s the residential<br />
areas—handsome row houses<br />
climbing up the hill away from<br />
the river and stately homes<br />
along the tree-lined streets—that<br />
make you stop and wonder if<br />
you’re not somehwere else,<br />
perhaps along the delta of the<br />
Mississippi.<br />
Maysville has depended on the<br />
river since its earliest days—<br />
then known as the town of
Limestone—when it was a significant port on the<br />
Ohio River and an entry to the unexplored west. The<br />
engaging murals gracing the city’s floodwall relay<br />
its history, from buffalo trace<br />
to regional commercial center.<br />
Today the utility companies that<br />
generate power from the river<br />
are the foundation of Maysville’s<br />
economy.<br />
Ken Swinson captured Maysville<br />
perfectly in his painting, which<br />
is now used as a logo for the<br />
Maysville Cultural District.<br />
In recent years, various civic<br />
and arts leaders have worked<br />
tirelessly to refurbish and<br />
promote the city’s architectural<br />
heritage and strengthen the arts community. Just<br />
after the Washington Opera House’s extensive<br />
renovation, the <strong>Kentucky</strong> Gateway Museum Center<br />
opened in another historic downtown building.<br />
Photo courtesy of the city of Maysville and Maysville-<br />
Mason County Convention & Visitors Bureau<br />
The museum offers displays recounting regional<br />
history as well as the work of contemporary artists.<br />
Its collection of miniatures—elaborate multi-story,<br />
period-perfect miniature<br />
buildings with rooms precisely<br />
decorated with intricately<br />
rendered 1 /12-scale artwork<br />
and furnishings—is worldclass.<br />
The revitalized Second<br />
Street Mall has become a<br />
popular destination for outdoor<br />
concerts. Colorful banners,<br />
created by local artist Ken<br />
Swinson and representing<br />
various aspects of the<br />
Maysville community, beautify<br />
one of the brick commercial<br />
buildings edging the park.<br />
The most famous daughter<br />
of Maysville is Rosemary Clooney, acclaimed singer<br />
and actress of the mid-20th century and aunt<br />
of actor George Clooney. The Rosemary Clooney<br />
Festival in late September brings hundreds to<br />
continued…<br />
133
Courtesy of the city of Maysville and the Maysville-Mason County Convention & Visitors Bureau<br />
134<br />
Maysville (cont.)<br />
Maysville to enjoy concerts by national artists and<br />
celebrate the local culture. Many arts groups,<br />
including the Maysville Players, the Downing<br />
Performing <strong>Arts</strong> Academy and Rescue the Russell<br />
Theatre—the 1930s-era fanciful and ornate<br />
atmospheric movie theater where the world premiere<br />
of Rosemary Clooney’s first movie was shown—<br />
benefit from the proceeds of the festival. In honor<br />
of his aunt, George Clooney held the premiere of<br />
his 2008 film Leatherheads at the Washington Opera<br />
House in Maysville.<br />
History and literary buffs should take the short drive<br />
“over the hill” to the community of Washington to<br />
see the Harriett Beecher Stowe house. Washington<br />
also offers artisan shops and the annual Chocolate<br />
Festival.<br />
For a lighter side of Maysville’s history, don’t miss the<br />
coming-of-age stories of Ed McClanahan, who grew<br />
up in Maysville and nearby Brooksville. His stories<br />
Above: One of the banners that artist Ken Swinson<br />
created for Maysville’s Second Street Mall.<br />
capture the pride of the residents in their town and<br />
the personal vicissitudes of his hapless protagonist. t
McQuady<br />
Breckinridge Bluegrass Music<br />
Association Jam<br />
McQuady Volunteer Fire<br />
Department<br />
Contact: Frank McCollum<br />
Highway 105<br />
270.580.4796<br />
These Sunday afternoon jams<br />
at the McQuady Fire Station are<br />
open to musicians of all skill<br />
levels.<br />
Damselfly Gallery in Midway<br />
advertises its <strong>Kentucky</strong>-made items.<br />
Midway<br />
Damselfly Gallery<br />
105 E. Main St.<br />
859.494.8759<br />
www.damselflybeads.com<br />
Damselfly Gallery features fine<br />
art and craft from over 200 local<br />
artists in a variety of mediums.<br />
Historic Midway Museum Store<br />
124 E. Main St.<br />
859.846.4214<br />
http://midwaymuseumstore.com<br />
The store offers author readings<br />
and discussions as well as<br />
book signings and frequently<br />
showcases local artists.<br />
The Historic Midway Museum Store<br />
faces the railroad tracks that run<br />
down the middle of Main St.<br />
135
136<br />
Mount Olivet<br />
Bluegrass, Country & Western,<br />
Mountain, Appalachian<br />
Music Jams<br />
Blue Licks Battlefield State<br />
Resort Park, Worthington Lodge<br />
Contact: Paul Tierney,<br />
ptierney@qx.net<br />
Highway 68<br />
859.289.5507<br />
http://parks.ky.gov/findparks/resortparks/bl/<br />
Open-mic-style jams take place<br />
on the first Monday of every<br />
month.<br />
Newport<br />
<strong>Kentucky</strong> Haus Artisan Center<br />
411 E. Tenth St.<br />
859.261.4287<br />
www.kentuckyhaus.com<br />
The <strong>Kentucky</strong> Haus Artisan<br />
Center specializes in handmade<br />
<strong>Kentucky</strong> crafts and <strong>Kentucky</strong><br />
specialty food products.<br />
Paris<br />
Akemon’s Barber Shop Jams<br />
601 Main Street<br />
859.987.3875<br />
Tuesday and Friday night jams<br />
feature a variety of country,<br />
bluegrass, Irish and string band<br />
music. The host and barber, Joe<br />
Akemon, is nephew of the late,<br />
great banjo player and country<br />
comedian David “Stringbean”<br />
Akemon.
Radcliff<br />
The Bookstore<br />
301 West Lincoln Trail Blvd.<br />
270.351.1801<br />
http://store.radcliffbookstore.com<br />
The Bookstore offers author<br />
readings and discussions as well<br />
as book signings and occasionally<br />
showcases local artists.<br />
You may feel you’re being watched as<br />
you approach Currier’s Music World<br />
in Richmond.<br />
Richmond<br />
Currier’s Music World<br />
136 W. Main St.<br />
859.623.6010<br />
www.curriersmusicworld.com<br />
Luthier Cathy Currier can make<br />
essential adjustments and repairs<br />
of most stringed instruments,<br />
often while you wait and browse<br />
her store.<br />
Richmond Area <strong>Arts</strong> <strong>Council</strong><br />
399 W. Water St.<br />
859.624.4242, ext. 222<br />
www.artsinrichmond.org<br />
The Richmond Area <strong>Arts</strong><br />
<strong>Council</strong> partners with others<br />
in the community to present<br />
performances and exhibits and<br />
offers a comprehensive afterschool<br />
arts education program<br />
in partnership with the Madison<br />
County School District.<br />
137
138<br />
Versailles<br />
Heike Pickett Gallery<br />
110 Morgan St.<br />
859.233.1263<br />
www.heikepickettgallery.com<br />
Located in the historic Carter<br />
House, Heike Pickett gallery<br />
contains several exhibit spaces<br />
and houses a large inventory of<br />
artwork. The gallery represents<br />
contemporary emerging and<br />
established artists who work in a<br />
broad range of styles and media.<br />
Fine art consulting and appraisal<br />
services are also available.<br />
Woodford Theatre<br />
275 Beasley Drive<br />
859.873.0648<br />
www.woodfordcountytheater.com<br />
Woodford Theatre is proud<br />
to present “something for<br />
everyone.” This community<br />
theater, sponsored by the<br />
Woodford County Theatrical<br />
<strong>Arts</strong> Association, produces at<br />
least four plays a year and offers<br />
theater classes and workshops<br />
to all ages, as well as free<br />
demonstrations, lectures and<br />
consultations through volunteer<br />
efforts.<br />
Vine Grove<br />
Vine Grove Bluegrass Jams<br />
Contact: Bobby Smith<br />
300 W. Main St.<br />
270.300.1316<br />
Musicians of all levels are<br />
welcome to join the jams on<br />
Monday evenings. Jams are held<br />
May though September at the<br />
Optimist Club Park, and October<br />
through April inside the Vine<br />
Grove City Hall. Both locations<br />
are fully accessible to those with<br />
disabilities.
Winchester<br />
Leeds Center for the <strong>Arts</strong><br />
37 N. Main St.<br />
859.744.6437<br />
www.leedscenter.com<br />
Built as a movie house in 1931,<br />
the Leeds Center still provides<br />
performing arts entertainment.<br />
The Center hosts the Clark<br />
County Jamboree several<br />
times annually, which features<br />
great country music along with<br />
clogging, comedy and the best in<br />
local and regional entertainment.<br />
One of the murals along the<br />
floodwall in Maysville focuses on<br />
the importance of the Ohio River in<br />
the city’s economy.<br />
RS Guitarworks<br />
24 Winn Ave.<br />
859.737.5300<br />
http://www.rsguitarworks.net/<br />
cms2/index.php<br />
Roy Bowen and Scott Leedy<br />
started this electric guitar shop,<br />
which serves clients all over the<br />
world.<br />
Photo courtesy of the city of Maysville and the<br />
Maysville-Mason County Convention & Visitors Bureau<br />
139
“<strong>Lexington…</strong><br />
exerts a<br />
particular<br />
force on native<br />
<strong>Kentucky</strong><br />
writers, many<br />
of whom,<br />
sooner or<br />
later, take up<br />
residence,<br />
briefly or for<br />
good, in central<br />
<strong>Kentucky</strong>…”<br />
140<br />
Literary <strong>Arts</strong> in North Central <strong>Kentucky</strong><br />
I think of north central <strong>Kentucky</strong> as the literary<br />
crossroads of our state. Writers from other parts of<br />
the state, usually without abandoning their native<br />
places in their work, often move to Lexington and its<br />
environs attracted by its centrality and the resources<br />
of the universities and colleges in the region. Bobbie<br />
Ann Mason, writer in residence at the University of<br />
<strong>Kentucky</strong>, who often sets her stories in her native<br />
western <strong>Kentucky</strong>, has lived and worked in the<br />
Bluegrass for 20 years. Wendell Berry, from northern<br />
<strong>Kentucky</strong>, got his undergraduate degree at UK and,<br />
after stints in California and in New York City, came<br />
back to teach at the university for 14 years, before<br />
returning to Henry Country to farm and write. UK<br />
professor and current poet laureate Gurney Norman<br />
is native to eastern <strong>Kentucky</strong>, from which his bestknown<br />
fiction and films draw their characters and<br />
their settings. And Ed McClanahan, memoirist and<br />
fiction writer from northern <strong>Kentucky</strong>, has lived in<br />
Lexington for many years. While <strong>Kentucky</strong>’s largest<br />
city, Louisville, attracts many writers “from away,”<br />
Lexington, the second largest, exerts a particular<br />
force on native <strong>Kentucky</strong> writers, many of whom,<br />
Jane Gentry<br />
sooner or later, take up residence, briefly or for good,<br />
in central <strong>Kentucky</strong>.<br />
Early in our history, 18th- and 19th-century<br />
writers such as John Filson promoted <strong>Kentucky</strong> as a<br />
place of heroes and heroic deeds as well as an Edenic<br />
landscape, the vestiges of which we now struggle to<br />
preserve. A less well-known early writer documented<br />
a darker aspect of the state’s culture: William Wells<br />
Brown (c. 1815–1884), born a slave in Fayette<br />
County, became the first African-American novelist<br />
after escaping from <strong>Kentucky</strong> via the Underground<br />
Railroad in 1834. Self-educated, he also wrote<br />
essays, histories and plays and was a national force<br />
in the abolitionist movement.<br />
After the Civil War, two native central Kentuckians,<br />
James Lane Allen (1849–1925) and John Fox Jr.<br />
(1862–1919) wrote Romantic novels that idealized<br />
<strong>Kentucky</strong>, its history and its manners. Allen’s The<br />
Choir Invisible (1897) became a national best-seller,<br />
as did John Fox Jr.’s The Little Shepherd of Kingdom Come,<br />
probably the first American novel to sell more than a<br />
million copies.
In the 20th century, Allen Tate, a Vanderbilt<br />
Fugitive, born in Winchester; Elizabeth Hardwick,<br />
critic, novelist and a co-founder of The New York<br />
Review of Books, a native of Lexington; Gayl Jones,<br />
author of the novels Corregidora and Eva’s Man, also<br />
born in Lexington; James Baker Hall, a Lexingtonian,<br />
poet, novelist and photographer; Richard Taylor,<br />
a Louisville native and longtime Frankfort-based<br />
professor, poet and narrative writer; George Ella<br />
Lyon, a Harlan County native and writer of fiction,<br />
poetry and children’s books; and Barbara Kingsolver,<br />
nationally acclaimed novelist and ecological writer, a<br />
native of Carlisle, all have heightened the energy that<br />
enlivens this area.<br />
Non-native writers who chose to live and work<br />
in central <strong>Kentucky</strong> have added to its literary luster:<br />
song-writer and ballad collector John Jacob Niles;<br />
<strong>Kentucky</strong> historian Thomas D. Clark; Guy Davenport,<br />
translator, fiction-writer, critic and recipient of a<br />
MacArthur Fellowship; Walter Tevis, author of The<br />
Hustler and The Color of Money; Gwyn Rubio, whose novel<br />
Icy Sparks was an Oprah Book Club selection; Sue<br />
Grafton whose “alphabet mysteries” have reached<br />
an international audience; Nikki Finney, poet of the<br />
South Carolina lowlands as well as of <strong>Kentucky</strong>; and<br />
Kim Edwards, whose national best-seller, The Memory<br />
Keeper’s Daughter, is set in Lexington.<br />
Danville, too, has been home for many writers.<br />
The first poem by a Kentuckian published in <strong>Kentucky</strong>,<br />
Thomas Johnson’s satiric “<strong>Kentucky</strong>,” appeared<br />
in the Danville Messenger in 1796. And Theodore<br />
O’Hara, who wrote “The Bivouac of the Dead” to<br />
commemorate the deaths of his fellow soldiers in<br />
the Mexican-American War, was from Danville. Both<br />
Maurice Manning, winner of the Yale Younger Poets<br />
Award (2001) for the first of his three acclaimed<br />
books, and Frank X Walker, who, in his volume Buffalo<br />
Dance: The Journey of York, brought to life the voice of York,<br />
William Clark’s slave, a crucial member of the 1803<br />
Lewis and Clark Expedition, are natives of Danville.<br />
Centre College has long attracted writers with national<br />
reputations to its faculty, including Lisa Williams, a<br />
Tennessean and prize-winning poet, whose latest<br />
collection, Woman Reading to the Sea, won the Barnard<br />
Women Poets Prize in 2007.<br />
The ancient crossroads just east of Lexington,<br />
formerly a buffalo trace, still lures many writers who<br />
come to find nourishment for their imaginations and<br />
sustenance for their shape-making amid a land rich<br />
in promise and possibility. t<br />
141
142<br />
© Guy Mendes. Courtesy of Ann Tower Gallery<br />
Creative Nonfiction,<br />
Fiction, Poetry<br />
Selected works:<br />
Nathan Coulter: A Novel<br />
(Port William) (1960)<br />
A Timbered Choir: The Sabbath<br />
Poems 1979-1997 (1999)<br />
Bringing it to the Table:<br />
On Farming and Food (2009)<br />
Leavings (2010)<br />
Wendell Berry<br />
(1934 – )<br />
Born in Henry County; currently resides in Port Royal, Ky.<br />
Wendell Berry earned a bachelor’s degree and a master’s degree from<br />
the University of <strong>Kentucky</strong>. In 1958, he received a Wallace Stegner Fellowship<br />
from Stanford University. He has taught at Georgetown College,<br />
Stanford University, New York University and the University of <strong>Kentucky</strong>.<br />
His works, which include novels, essays and poems, address themes<br />
such as agrarian dignity, the importance of community and the healing<br />
power of nature. Wendell Berry has been the recipient of numerous<br />
awards and honors, including a Guggenheim Foundation Fellowship<br />
(1962), the Vachel Lindsay Prize from Poetry magazine (1962), a Lannan<br />
Foundation Award for Nonfiction (1989), the Ingersoll Foundation’s T. S.<br />
Eliot Award (1994), the John Hay Award (1997) and the Lyndhurst Prize<br />
(1997). He currently lives and works with his wife, Tanya Berry, on their<br />
farm in Port Royal.<br />
(Source: Counterpoint Press)
The Peace of Wild Things<br />
When despair for the world grows in me<br />
and I wake in the night at the least sound<br />
in fear of what my life and my children’s lives may be,<br />
I go and lie down where the wood drake<br />
rests in his beauty on the water, and the great heron feeds.<br />
I come into the peace of wild things<br />
who do not tax their lives with forethought<br />
of grief. I come into the presence of still water.<br />
And I feel above me the day-blind stars<br />
waiting with their light. For a time<br />
I rest in the grace of the world, and am free.<br />
—Wendell Berry<br />
143
144<br />
Photo courtesy of the <strong>Kentucky</strong> Department<br />
of Libraries and Archives<br />
Poetry<br />
Selected works:<br />
Never Less Than Love (1972)<br />
The Storm’s Eye: A Narrative<br />
in Verse Celebrating Cassius<br />
Marcellus Clay, Man of Freedom<br />
1810–1903 (1974)<br />
Joy Bale Boone<br />
(1912 – 2002)<br />
Spent much of her life in Elizabethtown, Ky., and Glasgow, Ky.<br />
Born in Illinois, Boone moved to Elizabethtown after her marriage to<br />
a local physician and began her career as a reviewer for the Louisville<br />
Courier-Journal in 1945. Throughout her life she was active in health and<br />
women’s issues as well as in education, and she served several years as<br />
the president of the Friends of <strong>Kentucky</strong> Libraries.<br />
Boone edited two anthologies of contemporary <strong>Kentucky</strong> poetry and was<br />
the founder of the literary magazine Approaches (now called <strong>Kentucky</strong><br />
Poetry Review). She was the <strong>Kentucky</strong> poet laureate from 1997–1998.<br />
(Sources: <strong>Kentucky</strong> Department of Libraries and Archives and The <strong>Kentucky</strong> Anthology)
Fiction, Playwriting<br />
Selected works:<br />
The Narrative of William W.<br />
Brown, a Fugitive Slave (1847)<br />
Clotelle, or the President’s<br />
Daughter (1853)<br />
William Wells Brown<br />
(1815 – 1884)<br />
Born a slave on a plantation just north of Lexington, Ky.<br />
William Wells Brown, an escaped slave who became the first known African-American<br />
novelist, was born on the <strong>Kentucky</strong> plantation of Dr. John<br />
Young. In 1834, he escaped from his master and was befriended by a<br />
Quaker, Wells Brown. William adopted the man’s name, settled in Cleveland<br />
and started a family.<br />
Brown, who learned public speaking in the temperance movement,<br />
moved to Boston in 1847 to become a lecturer for the Massachusetts<br />
Anti-Slavery Society. That same year he published his autobiography. In<br />
all he wrote more than a dozen books, pamphlets and plays, including the<br />
first travel narrative and the first known drama by an African-American.<br />
(Source: Cambridge Historical Commission/Cambridge African American Heritage<br />
Alliance, copyright 2000)<br />
145
146<br />
Photo courtesy of photographer Charlotte Strode<br />
(www.charlottestrode.com)<br />
Poetry<br />
Selected works:<br />
A Garden in <strong>Kentucky</strong> (1995)<br />
Portrait of the Artist as a<br />
White Pig (2006)<br />
A Year in <strong>Kentucky</strong> (2008)<br />
Jane Gentry<br />
(1941 – )<br />
Born in Lexington, Ky.; grew up in Athens, Ky.; currently resides in<br />
Versailles, Ky.<br />
Jane Gentry, <strong>Kentucky</strong> poet laureate from 2007–2009, grew up on a farm<br />
at Athens in Fayette County and now lives in Versailles. Her two full-length<br />
collections of poems, A Garden in <strong>Kentucky</strong> and Portrait of the Artist as a White<br />
Pig, were published by LSU Press in 1995 and 2006 respectively. Her<br />
poems have appeared widely in anthologies and literary journals. She is<br />
an English professor at the University of <strong>Kentucky</strong> where she has won the<br />
Great Teacher Award.<br />
(Source: Jane Gentry, 2010)
Photo courtesy of Laurie Roberts<br />
Fiction<br />
Selected works:<br />
“A” Is for Alibi<br />
“B” is for Burglar<br />
“S” is for Silence<br />
“T” is for Trespass<br />
“U” is for Undertow<br />
(1983–2009)<br />
Sue Grafton<br />
(1940 – )<br />
Currently resides in Louisville, Ky.<br />
Sue Grafton entered the mystery field in 1982 with the publication of<br />
“A’” is for Alibi, which introduced female hard-boiled private investigator<br />
Kinsey Millhone operating out of the fictional town of Santa Teresa (a.k.a.<br />
Santa Barbara), California. “B” is for Burglar followed in 1985, and since<br />
then Grafton has added 19 novels to the series, now referred to as “the<br />
alphabet” mysteries.<br />
(Source: Sue Grafton, 2010)<br />
147
148<br />
Photo by Gary Miller, courtesy of Mary Ann Taylor-Hall<br />
Poetry, Fiction<br />
Selected works:<br />
Yates Paul, His Grand Flights,<br />
His Tootings (2002)<br />
Praeder’s Letters: A Novel in<br />
Verse (2002)<br />
The Total Light Process: New<br />
and Selected Poems (2004)<br />
James Baker Hall<br />
(1935 – 2009)<br />
Born in Lexington, Ky.; spent the last 27 years of his life on a farm<br />
on the Harrison-Scott County line northeast of Lexington<br />
James Baker Hall published two novels, eight volumes of poetry<br />
and four collections of his photographic work. He graduated from<br />
the University of <strong>Kentucky</strong> in 1957 and then earned an M.A. from<br />
Stanford, where he joined three other Kentuckians—Wendell Berry,<br />
Ed McClanahan and Gurney Norman—as a Wallace Stegner Fellow. After<br />
teaching at New York University and Massachusetts Institute of Technology,<br />
he returned to the University of <strong>Kentucky</strong>, where he headed the Creative<br />
Writing Program for 40 years.<br />
Hall served as <strong>Kentucky</strong> poet laureate from 2001–2002. He was the recipient<br />
of many awards, including a Pushcart Prize and an O. Henry Prize.<br />
His work appeared in The New Yorker, Esquire, The Saturday Evening<br />
Post and the Paris Review.<br />
(Sources: Mary Ann Taylor-Hall, 2010, and The <strong>Kentucky</strong> Anthology)
Photo courtesy of Barbara Kingsolver<br />
Fiction,<br />
Creative Nonfiction<br />
Selected works:<br />
The Bean Trees (1988)<br />
The Poisonwood Bible (1998)<br />
Animal, Vegetable, Miracle<br />
(2007)<br />
The Lacuna (2009)<br />
Barbara Kingsolver<br />
(1955 – )<br />
Grew up in Carlisle, Ky.<br />
Barbara Kingsolver grew up in rural <strong>Kentucky</strong>. Her books have<br />
been translated into more than two dozen languages and have<br />
been adopted into the core literature curriculum in high schools<br />
and colleges throughout the nation. Kingsolver was named one of<br />
the most important writers of the 20th century by Writer’s Digest.<br />
Critical acclaim for her books includes multiple awards from the American<br />
Booksellers Association and the American Library Association,<br />
among many others. Lacuna won the Orange Prize in 2010. The Poisonwood<br />
Bible was a finalist for the Pulitzer Prize and the Orange Prize and won<br />
the national book award of South Africa, before being named an Oprah<br />
Book Club selection. Animal, Vegetable, Miracle won numerous prizes including<br />
the James Beard award. In 2000 Kingsolver received the National<br />
Humanities Medal, awarded for deepening our nation’s understanding of<br />
the humanities.<br />
(Source: Barbara Kingsolver, www.kingsolver.com)<br />
149
150<br />
Photo courtesy of Maurice Manning<br />
Poetry<br />
Selected works:<br />
Lawrence Booth’s Book of<br />
Visions (2001)<br />
A Companion for Owls (2004)<br />
Bucolics (2007)<br />
The Common Man (2010)<br />
Maurice Manning<br />
(1966 – )<br />
Born in Lexington, Ky.; grew up in Danville, Ky.<br />
Maurice Manning is a professor of English at Indiana University and lives<br />
part of the year on his farm near Perryville in Washington County. For him,<br />
<strong>Kentucky</strong> will always be home.<br />
He has published four books of poetry and has published widely in magazines<br />
and journals. In 2001 he received the Yale Younger Poets Prize for<br />
Lawrence Booth’s Book of Visions, and in 2009 he was awarded The Hanes<br />
Prize for Poetry from The Fellowship of Southern Writers.<br />
(Source: Maurice Manning, 2010)
Photo courtesy of Ed McClanahan<br />
Fiction<br />
Selected works:<br />
The Natural Man (1983)<br />
Famous People I Have Known<br />
(1985)<br />
O the Clear Moment (2008)<br />
Ed McClanahan<br />
(1932 – )<br />
Born in Brooksville, Ky.; currently resides in Lexington, Ky.<br />
Ed McClanahan was born in Brooksville, in northeastern <strong>Kentucky</strong>,<br />
and grew up there and in nearby Maysville. A novella from<br />
which his first novel, The Natural Man, evolved won him a Wallace<br />
Stegner Fellowship to Stanford University, where he joined three<br />
other Kentuckians—Wendell Berry, James Baker Hall and Gurney<br />
Norman. While there he became good friends with author Ken Kesey<br />
and later joined Kesey’s band of Merry Pranksters.<br />
The Natural Man was a critical and popular success, and critics compared<br />
the raunchy, comic growing-up saga of a bookish adolescent in Needmore,<br />
Ky., to J.D. Salinger’s Catcher in the Rye.<br />
McClanahan has taught writing at Oregon State University and the<br />
University of <strong>Kentucky</strong>. He and his wife Hilda live in Lexington.<br />
(Sources: Ed McClanahan, 2010, and The <strong>Kentucky</strong> Anthology)<br />
151
152<br />
Photo by John Howard Griffin and used with<br />
permission of the Merton Legacy Trust and the<br />
Thomas Merton Center at Bellarmine University<br />
Creative Nonfiction,<br />
Poetry<br />
Selected works:<br />
A Man in the Divided Sea<br />
(1946)<br />
The Seven Storey Mountain<br />
(1948)<br />
New Seeds of Contemplation<br />
(1961)<br />
Zen and the Birds of Appetite<br />
(1968)<br />
Thomas Merton<br />
(1915 – 1968)<br />
Entered the Abbey of Gethsemani in Trappist, Ky., in 1945, where he<br />
lived the rest of his life<br />
Thomas Merton is arguably the most influential American Catholic author<br />
of the 20th century. His autobiography, The Seven Storey Mountain, has sold<br />
over one million copies and has been translated into over 15 languages.<br />
He wrote over 60 other books and hundreds of poems and articles on<br />
topics ranging from monastic spirituality to civil rights, nonviolence and<br />
the nuclear arms race.<br />
After a rambunctious youth and adolescence, Merton converted to Roman<br />
Catholicism and entered the Abbey of Gethsemani in rural <strong>Kentucky</strong>.<br />
The 27 years he spent in Gethsemani brought about profound changes in<br />
his self-understanding.<br />
During his last years, he became deeply interested in Asian religions,<br />
particularly Zen Buddhism, and in promoting East-West dialogue.<br />
(Source: Thomas Merton Center at Bellarmine University, 2010)
Photo courtesy of Marion Ettlinger<br />
Fiction<br />
Selected works:<br />
Four Spirits (2003)<br />
Ahab’s Wife (2005)<br />
Abundance, a Novel of Marie<br />
Antoinette (2006)<br />
Adam & Eve (2010)<br />
Sena Jeter Naslund<br />
(1942 – )<br />
Currently resides in Louisville, Ky.<br />
<strong>Kentucky</strong> poet laureate for 2005–2006, Sena Jeter Naslund is the author<br />
of such New York Times critically acclaimed, best-selling novels as Sherlock<br />
in Love, Ahab’s Wife, Four Spirits and Abundance and the short story collection<br />
The Disobedience of Water. Her newest novel, Adam & Eve, is scheduled for<br />
release in fall 2010.<br />
She is the co-founder and Program Director of <strong>Kentucky</strong>’s first MFA in<br />
Writing—the brief-residency program at Spalding University for fiction, poetry,<br />
creative nonfiction, writing for youth, screenwriting and playwriting—<br />
and she is Distinguished Teaching Professor and Writer in Residence at<br />
the University of Louisville.<br />
(Source: Sena Jeter Naslund, 2010)<br />
153
154<br />
Photo courtesy of Rebecca Roberts Owens<br />
Poetry, Fiction<br />
Selected works:<br />
Under the Tree (1922)<br />
Time of Man (1926)<br />
Great Meadow (1930)<br />
Elizabeth Madox Roberts<br />
(1881 – 1941)<br />
Born in Perryville, Ky.; lived and wrote in Springfield, Ky., where she<br />
is buried<br />
Elizabeth Madox Roberts, one of America’s most original novelists and<br />
poets, set her work in the area around her home town of Springfield—<br />
what she called her Little Country—in the rolling hills at the southern edge<br />
of the Bluegrass. Her distinctive voice came clear in her first book, Under<br />
the Tree (1922), a never-out-of-print collection of poems for children. Roberts<br />
liberated the genre from didactic sentimentalism and instead portrayed<br />
a child’s sense of wonder and often comic absurdity. In her best<br />
known novels—The Time of Man (1926) and The Great Meadow (1930), both<br />
short-listed for the Pulitzer Prize—she developed a highly idiosyncratic<br />
language to explore the inner lives of women as they make sense of their<br />
places in the sometimes hostile but vividly rendered world.<br />
Roberts attended local schools in Springfield, then high school in Covington.<br />
Elizabeth’s frail health kept her from college until 1917 when at<br />
age 36 she enrolled at the University of Chicago. There, she discovered a
lively literary scene and forged friendships with a group of writers and artists,<br />
including Glenway Wescott, Janet Lewis, Yvor Winters, and Monroe<br />
Wheeler. Her colleagues recognized her<br />
original genius and helped her launch<br />
a late-blooming but productive career:<br />
seven novels, three volumes of poems<br />
and two collections of stories. Her work<br />
received critical acclaim from Carl and<br />
Mark Van Doren, Robert Penn Warren,<br />
Ford Madox Ford, Sherwood Anderson,<br />
Sylvia Townsend Warner and many others,<br />
as well as a wide readership and<br />
many awards, including the O. Henry<br />
Prize.<br />
She was buried in Springfield, on a hill<br />
Photo courtesy of Rebecca Roberts Owens<br />
overlooking the Little Country, whose<br />
rhythms and ways she conveyed with the attentiveness of an anthropologist,<br />
the sensibility of a modernist and the sensuality of a poet.<br />
(Source: Jane Eblen Keller)<br />
Elenores,<br />
Elizabeth Madox Roberts’<br />
home in Springfield, Ky.<br />
155
156<br />
Photo courtesy of the Department of Rare Books and<br />
Special Collections, Princeton University Library<br />
Poetry, Fiction<br />
Selected work:<br />
Mr.. Pope and Other Poems<br />
(1928)<br />
Stonewall Jackson:<br />
The Good Soldier (1928)<br />
Jefferson Davis:<br />
His Rise and Fall (1929)<br />
The Fathers (1938)<br />
Collected Poems (1970)<br />
Allen Tate<br />
(1899 – 1979)<br />
Born in Winchester, Ky.<br />
Allen Tate was born in Winchester and moved to Ashland when he was<br />
three years old. He attended Cross School for Boys in Louisville and Ashland<br />
High School. He entered Vanderbilt University in 1918 and quickly<br />
became associated with such well-known literary figures as John Crowe<br />
Ransom, Robert Penn Warren, Andrew Lytle and Donald Davidson.<br />
In 1924 Tate moved to New York City, where he gained recognition as a<br />
poet, literary critic and biographer for whom the Civil War was a central<br />
theme. He won a Guggenheim Fellowship in 1928 and spent most of that<br />
year and the next in England and France. While in Europe his associates<br />
were among the most widely known authors and poets of the day, including<br />
T.S. Eliot, e.e. cummings and Gertrude Stein.<br />
Tate was a writer in residence at Princeton University and lectured at<br />
Oxford University. He married Caroline Gordon of Todd County in 1924.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)
During the summer of 1924, Robert<br />
Penn Warren introduced writer Caroline<br />
Gordon to fellow Kentuckian Allen Tate.<br />
Within a year they were married and<br />
living in New York City, where she gave<br />
birth to their daughter. For a number<br />
of years, they enjoyed a life abroad,<br />
devoted to writing.<br />
In 1930 they returned to the United<br />
States and settled in Clarksville, Tenn.<br />
After a period of prolific writing and<br />
academic appointments, they were<br />
divorced in 1959.<br />
(Source: The Tennessee Encyclopedia<br />
of History and Culture, The University of<br />
Tennessee Press, 2002)<br />
Photo courtesy of the Department of Rare Books and Special Collections,<br />
Princeton University Library<br />
157
158<br />
Photo courtesy of Richard Taylor<br />
Poetry, Fiction<br />
Selected work:<br />
Bluegrass (1975)<br />
Earthbones (1979)<br />
Stone Eye (2001)<br />
Sue Mundy: A Novel of the<br />
Civil War (2006)<br />
Girty (2006)<br />
Richard Taylor<br />
(1941 – )<br />
Born in Louisville, Ky.; currently resides in Frankfort, Ky.<br />
Richard Taylor, former state poet laureate (1999–2000) and author of two<br />
novels and several nonfiction books as well as six collections of poetry,<br />
lives outside Frankfort. He received a Ph.D. from the University of <strong>Kentucky</strong><br />
and a law degree from the University of Louisville.<br />
Retired from <strong>Kentucky</strong> State University where he was a professor of<br />
English, Taylor now teaches as Kenan Visiting Writer at Transylvania University<br />
in Lexington and operates Poor Richard’s Books in Frankfort.<br />
(Sources: Richard Taylor, 2010, and The <strong>Kentucky</strong> Anthology)
Photo by Pam Spaulding (1996);<br />
© The Courier-Journal<br />
Creative Nonfiction<br />
Selected works:<br />
Hell’s Angels: A Strange and<br />
Terrible Saga (1966)<br />
Fear and Loathing in Las Vegas<br />
(1971)<br />
The Great Shark Hunt: Strange<br />
Tales from a Strange Time<br />
(The Gonzo Papers, Volume 1)<br />
(1979)<br />
Hunter S. Thompson<br />
(1937 – 2005)<br />
Born in Louisville, Ky.<br />
Hunter S. Thompson began his journalistic career as a sportswriter while<br />
serving in the U.S. Air Force from 1956 to 1958. In the mid-1960s,<br />
Thompson’s occasional free-lance writing assignments included a piece<br />
for The Nation magazine about the Hell’s Angels Motorcycle Club, which<br />
led to many book offers. Thompson’s Hell’s Angels: A Strange and Terrible Saga<br />
was based on conversations with members of the gang with whom Hunter<br />
had ridden. This kind of involvement marks Thompson’s “Gonzo journalism,”<br />
which combines nonfiction with the emotional impact of a novel or<br />
short story.<br />
(Source: The <strong>Kentucky</strong> Encyclopedia)<br />
159
160<br />
Poetry<br />
Selected works:<br />
Affrilachia (2000)<br />
Buffalo Dance: the Journey<br />
of York (2003)<br />
Black Box: Poems (2005)<br />
When Winter Come: the<br />
Ascension of York (2008)<br />
Frank X Walker<br />
(1961 - )<br />
Born in Danville, Ky.; currently resides in Lexington, Ky.<br />
Poet, professor, playwright, Frank X Walker is a founding<br />
member of the Affrilachian Poets and a Cave Canem Fellow.<br />
A Lannan Literary Fellowship in Poetry winner, he is<br />
the author of five collections of poems and the editor of<br />
two anthologies. His first book of poetry, Affrilachia, addressed family and<br />
social issues and was received with much acclaim. Through his work,<br />
Walker reinforces that “people and artists of color are part of the past and<br />
present of the multi-state Appalachian region….”<br />
Walker originally enrolled at the University of <strong>Kentucky</strong> to study engineering,<br />
but, after taking several courses with writer Gurney Norman, switched<br />
to English. Norman has called Walker “a modern bard” with “a marvelous<br />
literary voice, one of clarity, honesty and naturalness.”<br />
Walker is the founding publisher and editor of Pluck! The Journal of<br />
Affrilachian <strong>Arts</strong> & Culture and an Associate Professor of English at UK.<br />
(Sources: Frank X Walker, 2010, and The <strong>Kentucky</strong> Anthology)
Anniversary<br />
Ten thousand pages later<br />
this herd of buffalo<br />
still gathers<br />
on Affrilachian shores<br />
to taste each other’s ink<br />
be warmed<br />
by smoldering embers<br />
of coal<br />
black voices<br />
Navigating by pencil, at night<br />
we plot course<br />
through Seattles<br />
Chicagos and New Yorks<br />
but we are anchored here<br />
in this cast iron skillet<br />
called <strong>Kentucky</strong><br />
our lives sewn<br />
together, hand stiched<br />
by old fingers<br />
knowing eyes<br />
who saw the all-cotton<br />
quilt<br />
in us<br />
when we were only<br />
thread<br />
—Frank X Walker,<br />
from Black Box: Poems<br />
161
162<br />
Index<br />
21c Museum 131<br />
A<br />
Abbey of Gethsemani 152<br />
accessibility to the arts<br />
<strong>Arts</strong> Access Gallery 50<br />
<strong>Kentucky</strong> Center for the Performing<br />
<strong>Arts</strong> education programs 126<br />
Actors Theatre of Louisville 122, 123<br />
Affrilachian Poets 83, 160<br />
Akemon’s Barber Shop Jams 136<br />
Alhambra Theatre 15, 25<br />
Allen, James Lane 82, 140<br />
American Cave Museum 49, 56<br />
Angel, Mike 11<br />
Ann Tower Gallery 114, 115<br />
Appalachia 69, 82<br />
Appalachian Artisan Center 74<br />
Appalachian Fireside Gallery 98<br />
Appalshop 78, 79<br />
Roadside Theatre 17<br />
A Reader’s Corner 128<br />
Arnow, Harriette 62, 64, 82, 91<br />
art guilds 16<br />
Artique 114<br />
artists<br />
Angel, Mike 11<br />
Audubon, John James 25, 26<br />
Barrett, Mitch 17<br />
Blanck, Thomas and Joanne 10<br />
Bowen, Roy 139<br />
Bush, Sam 49<br />
Cooper, Roger 71, 96<br />
Dafford, Robert 34<br />
Edmonds, John 49<br />
Everly, Ike 22, 23<br />
Fields, Paul 130<br />
Fleck, Béla 49<br />
Freedom Singers 48<br />
Freese, Thomas 11<br />
Gastineau, Ken 98<br />
Giles, Harriet 11<br />
Gover, Carla 71<br />
Graf, Raymond 26<br />
Hamilton, Mary 17<br />
Haywood, John 69<br />
Holcomb, Pam 17<br />
Hulsey, Randy 11<br />
Kaviar, Craig 124, 125<br />
<strong>Kentucky</strong> Wild Horse 96<br />
Kokinda, Kristal 99<br />
Lamb, Lewis and Donna 97, 99, 112<br />
Lear, Tom 108<br />
Leedy, Scott 139<br />
Lundeen, George 35<br />
Lynn, Loretta 70<br />
Maydak, Mike 95<br />
May, Warren A. 102<br />
Monroe, Bill 20, 23, 37<br />
Mosley, Paul 24<br />
New Grass Revival 49<br />
Niles, John Jacob 141<br />
Northern <strong>Kentucky</strong> Brotherhood<br />
Singers 107<br />
Pennington, Eddie 24<br />
Rager, Mose 22, 23<br />
Rector, Steve 24<br />
Ritchie, Jean 82
Ritter, Patricia 47<br />
Sexton, Octavia 17<br />
Shields, Steve 28<br />
Skaggs, Ricky 70<br />
Swinson, Ken 133, 134<br />
Thompson, Chris 50<br />
Travis, Merle 22<br />
Waddell, Leona 59<br />
Yoakam, Dwight 70<br />
<strong>Arts</strong> Access Gallery 50<br />
<strong>Arts</strong>Place 114<br />
ArtWorks: A Visual <strong>Arts</strong> Coalition 16<br />
Ashland 73<br />
Audubon, John James 25, 26, 38<br />
authors. See literary artists<br />
B<br />
ballet. See dance<br />
Barren River Breakdown radio program<br />
49<br />
Barren River Lake State Resort Park Jams<br />
58<br />
Barrett, Mitch 17<br />
basket making 59<br />
B. Deemer Gallery 124<br />
Behringer-Crawford Museum 102<br />
Berea 98, 100<br />
Berea <strong>Arts</strong> <strong>Council</strong> 98<br />
Berea College Bookstore 98<br />
Bernheim Forest 130<br />
Berry, Wendell 140, 142, 148, 151<br />
Beverly 73<br />
Black Swan Books 114<br />
Blanck, Thomas and Joanne 10<br />
Bluegrass and Gospel Jam Sessions at<br />
Cumberland Falls State Resort<br />
Park 74<br />
Blue Grass Boys 20<br />
Bluegrass, Country & Western, Mountain,<br />
Appalachian Music Jams 136<br />
Bluegrass Express Live concert series 78<br />
bluegrass music<br />
birthplace 19, 20<br />
Bluegrass and Gospel Jam Sessions<br />
at Cumberland Falls State Resort<br />
Park 74<br />
Blue Grass Boys 20<br />
Bluegrass, Country & Western,<br />
Mountain, Appalachian Music<br />
Jams 136<br />
Bluegrass Express Live concert series<br />
78<br />
Breckinridge Bluegrass Music<br />
Association Jam 135<br />
International Bluegrass Music Museum<br />
21, 32<br />
Jammin’ on the Porch at the Historic<br />
Thomas House 54<br />
Jerusalem Ridge Bluegrass Celebration<br />
21<br />
<strong>Kentucky</strong> Music Hall of Fame and<br />
Museum 77<br />
Lake Cumberland Jammers at<br />
American Legion Post #38 58<br />
Meadowgreen Park Jams 73<br />
Pickin’ in the Park 61<br />
River of Music Party (ROMP) 21<br />
Rosine Barn Jamboree 21, 37<br />
Vine Grove Bluegrass Jams 138<br />
Blue Licks Battlefield State Resort Park<br />
136<br />
163
164<br />
Blue Marble 109<br />
blues music<br />
Chitlin’ Circuit 48<br />
Jammin’ on the Porch at the Historic<br />
Thomas House 54<br />
<strong>Kentucky</strong> Blues Jams at<br />
WhaBah Steakhouse 51<br />
Open Blues/Jazz Band Jam 128<br />
Stevie Ray’s Blues Bar 128<br />
bookstores<br />
A Reader’s Corner 128<br />
Berea College Bookstore 98<br />
Black Swan Books 114<br />
Blue Marble 109<br />
Carmichael’s Bookstore 124<br />
Coffee Tree Books 76<br />
Cozy Corner 80<br />
Historic Midway Museum Store 135<br />
Joseph-Beth Booksellers 116<br />
Karen’s Book Barn and Java Stop 112<br />
Lincoln’s Loft 112<br />
Morris Book Shop 120<br />
Poor Richard’s Books 110<br />
Robie Books 102<br />
Stewart Home School 1792 Store 110<br />
The Bookstore 137<br />
Boone, Joy Bale 144<br />
Boone Tavern 101<br />
Bowen, Roy 139<br />
Bowling Green 47, 50<br />
Bowling Green International Festival 49<br />
Bowling Green Western Symphony<br />
Orchestra 13, 51, 53<br />
Bradby, Marie 83<br />
Breckinridge Bluegrass Music Association<br />
Jam 135<br />
Brown, William Wells 140, 145<br />
Bush, Sam 49<br />
C<br />
Cadiz 22<br />
Capital Gallery of Contemporary Art 110<br />
Capitol <strong>Arts</strong> Alliance, 53<br />
Capitol <strong>Arts</strong> Center 15, 51, 52<br />
Carcassonne Community Center 70<br />
Carmichael’s Bookstore 124<br />
Carnegie Center for Literacy & Learning<br />
114<br />
Carnegie Community <strong>Arts</strong> Center 58<br />
Carnegie Visual & Performing <strong>Arts</strong> Center<br />
103<br />
Carson Center 34<br />
Caudill, Harry 83, 84<br />
cave region 47, 62<br />
Center for Rural Development 58<br />
Central <strong>Kentucky</strong> Art Guild 16<br />
Central <strong>Kentucky</strong> Youth Orchestra 13<br />
Chaffin, Lillie 83<br />
children’s activities<br />
Cowan Creek Mountain Music School<br />
71<br />
Explorium of Lexington 115<br />
International Museum of the Horse<br />
116<br />
Joseph-Beth Booksellers 116<br />
Lexington Children’s Theatre 117<br />
Living <strong>Arts</strong> & Science Center 119<br />
Louisville Visual Art Association 128<br />
Owensboro Museum of Fine Art 32<br />
RiverPark Center 32
Stage One Children’s Theatre 126<br />
Walden Theatre 131<br />
Chitlin’ Circuit 48<br />
C’ing Polkadots 32<br />
cities<br />
Ashland 73<br />
Berea 98, 100<br />
Beverly 73<br />
Bowling Green 47, 50<br />
Cadiz 22<br />
Clay City 73<br />
Corbin 74<br />
Covington 95, 102<br />
Danville 108<br />
David 74<br />
Drakesboro 22<br />
Elizabethtown 109<br />
Falmouth 109<br />
Fort Thomas 109<br />
Frankfort 110<br />
Glasgow 54<br />
Glendale 111<br />
Harrodsburg 111<br />
Henderson 24<br />
Hindman 74<br />
Hodgenville 112<br />
Hopkinsville 25<br />
Horse Cave 47, 54, 56<br />
LaGrange 112<br />
Lancaster 112<br />
Lexington 114<br />
Louisa 76<br />
Louisville 122<br />
Lucas 58<br />
Madisonville 25<br />
Marion 30<br />
Mayfield 30<br />
Maysville 132<br />
McQuady 135<br />
Midway 135<br />
Morehead 76<br />
Mount Olivet 136<br />
Mount Sterling 77<br />
Mount Vernon 77<br />
Murray 30<br />
Newport 136<br />
Owensboro 32<br />
Paducah 34, 36<br />
Paris 136<br />
Powderly 36<br />
Prestonsburg 77<br />
Radcliff 137<br />
Richmond 137<br />
Rosine 37<br />
Somerset 58<br />
Tompkinsville 61<br />
Versailles 138<br />
Vine Grove 138<br />
Whitesburg 78<br />
Winchester 139<br />
Clark, Billy C. 82<br />
Clark County Jamboree 139<br />
Clark, Thomas D. 141<br />
Clay City 73<br />
Clooney, Rosemary 133<br />
coal mining traditions 23, 28<br />
Cobb, Ann 82<br />
Cobb, Irvin 38<br />
Coffee Tree Books 76<br />
165
166<br />
Community <strong>Arts</strong> Center 108<br />
community arts centers<br />
Appalshop 78<br />
<strong>Arts</strong>Place 114<br />
Carcassonne Community Center 70<br />
Carnegie Center for<br />
Literacy & Learning 114<br />
Carnegie Community <strong>Arts</strong> Center 58<br />
Community <strong>Arts</strong> Center 108<br />
Downtown <strong>Arts</strong> Center 115<br />
Fohs Hall Community <strong>Arts</strong> Foundation<br />
30<br />
Frank Duveneck <strong>Arts</strong> and Cultural<br />
Center 106<br />
Gateway Regional <strong>Arts</strong> Center 77<br />
Mayfield/Graves County Art Guild 30<br />
Richmond Area <strong>Arts</strong> <strong>Council</strong> 137<br />
Completely <strong>Kentucky</strong> 110<br />
Cooper, Roger 71, 96<br />
Corbin 74<br />
country music<br />
Clark County Jamboree 139<br />
Country Music Highway 70<br />
Jammin’ on the Porch at the Historic<br />
Thomas House 54<br />
<strong>Kentucky</strong> Music Hall of Fame and<br />
Museum 77<br />
Lake Cumberland Jammers at<br />
American Legion Post #38 58<br />
legends 70<br />
Country Music Highway 70, 72<br />
Covington 95, 102<br />
Cowan Creek Mountain Music School 71<br />
Cozy Corner 80<br />
crafts. See <strong>Kentucky</strong> crafts<br />
Crunk, Tony 38, 39, 40<br />
Cumberland Falls 62<br />
Cumberland Falls State Resort Park 74<br />
Currier, Cathy 137<br />
Currier’s Music World 137<br />
D<br />
Dafford, Robert 34<br />
Damselfly Gallery 135<br />
dance 14<br />
<strong>Kentucky</strong> Ballet Theatre 14<br />
Lexington Ballet Company 14<br />
Louisville Ballet 14, 126<br />
Owensboro Dance Theatre 14, 32<br />
square dance 70, 71<br />
Danville 108<br />
Davenport, Guy 141<br />
David 74<br />
David Appalachian Crafts 74<br />
Downtown <strong>Arts</strong> Center 115<br />
Drakesboro 22<br />
drama. See performing arts<br />
E<br />
eastern region 68<br />
Edmonds, John 49<br />
Edwards, Kim 141<br />
Elizabethtown 109<br />
Everly, Ike 22, 23<br />
Experience Covington 104<br />
Explorium of Lexington 115
F<br />
Falmouth 109<br />
fiddle traditions<br />
bluegrass music 20<br />
northeastern <strong>Kentucky</strong> 96<br />
Fields, Paul 130<br />
film production<br />
Appalshop 78, 79<br />
Filson, John 140<br />
Finney, Nikki 83, 141<br />
Fleck, Béla 49<br />
Fohs Hall Community <strong>Arts</strong> Foundation 30<br />
folk art<br />
<strong>Kentucky</strong> Folk Art Center 76<br />
Fort Thomas 109<br />
Fountain Square in Bowling Green 52<br />
Fountain Square Players 51, 53<br />
Four Legends Jamboree at the Drakesboro<br />
City Hall 22<br />
Fox Jr., John 82, 140<br />
Frank Duveneck <strong>Arts</strong> and Cultural Center<br />
105, 106<br />
Frankfort 110<br />
Freedom Singers 48<br />
Freese, Thomas 11<br />
Furman, Lucy 82<br />
G<br />
galleries<br />
Ann Tower Gallery 114<br />
Appalachian Fireside Gallery 98<br />
<strong>Arts</strong> Access Gallery 50<br />
B. Deemer Gallery 124<br />
Capital Gallery of Contemporary Art<br />
110<br />
Capitol <strong>Arts</strong> Center 51, 53<br />
Carnegie Visual & Performing <strong>Arts</strong><br />
Center 103<br />
C’ing Polkadots 32<br />
Damselfly Gallery 135<br />
Gallery at 916 51<br />
Glassworks 124<br />
Heike Pickett Gallery 138<br />
Heritage Art Gallery 57<br />
Log House Craft Gallery 102<br />
Mayfield/Graves County Art Guild 30<br />
Mountain <strong>Arts</strong> Center 78<br />
New Editions Gallery 120<br />
Painted Cow Gallery 76<br />
Pots Place Co-op Studio and Gallery<br />
51<br />
Public Theatre of <strong>Kentucky</strong> 52<br />
Pyro Gallery 128<br />
Swanson Reed Contemporary 129<br />
Top Drawer Gallery 102<br />
Yeiser Art Center 36<br />
Zephyr Gallery 131<br />
Gallery at 916 51<br />
Gastineau Jewelers 98<br />
Gateway Regional <strong>Arts</strong> Center 77<br />
Gateway Resource Conservation and<br />
Development <strong>Council</strong> 8<br />
Gentry, Jane 140, 146<br />
Giles, Harriet 11<br />
Glasgow 54<br />
Glassworks 124<br />
Glema Mahr Center for the <strong>Arts</strong> 25<br />
Glendale 111<br />
Gordon, Caroline 38, 41, 91, 156<br />
167
168<br />
gospel music<br />
Bluegrass and Gospel Jam Sessions<br />
at Cumberland Falls State Resort<br />
Park 74<br />
Edmonds, John 49<br />
Jammin’ on the Porch at the Historic<br />
Thomas House 54<br />
Lake Cumberland Jammers at<br />
American Legion Post #38 58<br />
Northern <strong>Kentucky</strong> Brotherhood<br />
Singers 107<br />
Pickin’ in the Park 61<br />
Gover, Carla 71<br />
Governor’s School for the <strong>Arts</strong> 126<br />
Graf, Raymond 26<br />
Grafton, Sue 141, 147<br />
Grand Theatre 15, 110<br />
guilds 16<br />
H<br />
Hall, James Baker 141, 148<br />
Hamilton, Mary 17<br />
Hardwick, Elizabeth 141<br />
Harrodsburg 111<br />
Haywood, John 69<br />
Headley-Whitney Museum 115<br />
Heike Pickett Gallery 138<br />
Henderson 24<br />
Henderson <strong>Arts</strong> Alliance 24<br />
Henderson Fine <strong>Arts</strong> Center 24<br />
Heritage Art Gallery 57<br />
Hidden River Cave 56<br />
Hindman 74<br />
Hindman Settlement School 75, 82, 83,<br />
91<br />
Historic Midway Museum Store 135<br />
Historic State Theatre Complex 15, 109<br />
Hodgenville 112<br />
Holbrook, Chris 83<br />
Holcomb, Pam 17<br />
hooks, bell 39<br />
Hopkinsville 25<br />
Horse Cave 47, 54, 56<br />
Horse Cave Heritage Festival 57<br />
House, Silas 8, 83, 85<br />
Howard, Lee 83<br />
Howard, Quentin 83<br />
Hulsey, Randy 11<br />
Humana Festival of New American Plays<br />
122<br />
I<br />
International Bluegrass Music Museum<br />
21, 32<br />
International Museum of the Horse 116<br />
J<br />
Jamming on the Porch at the Berea Train<br />
Station 99<br />
Jammin’ on the Porch at the Historic<br />
Thomas House 54<br />
jam sessions<br />
Akemon’s Barber Shop Jams 136<br />
Appalshop Traditional Music Project<br />
78<br />
Barren River Lake State Resort Park<br />
Jams 58<br />
Bluegrass and Gospel Jam Sessions<br />
at Cumberland Falls State Resort<br />
Park 74
Bluegrass, Country & Western,<br />
Mountain, Appalachian<br />
Music Jams 136<br />
Breckinridge Bluegrass Music<br />
Association Jam 135<br />
Four Legends Jamboree at the<br />
Drakesboro City Hall 22<br />
International Bluegrass Music Museum<br />
32<br />
Jamming on the Porch at the Berea<br />
Train Station 99<br />
Jammin’ on the Porch at the Historic<br />
Thomas House 54<br />
<strong>Kentucky</strong> Blues Jams at<br />
WhaBah Steakhouse 51<br />
Lake Cumberland Jammers at<br />
American Legion Post #38 58<br />
Meadowgreen Park Jams 73<br />
Open Blues/Jazz Band Jam 128<br />
Pickin’ in the Park 36, 61<br />
Rosine Barn Jamboree 21, 37<br />
Vine Grove Bluegrass Jams 138<br />
Janice Mason Art Museum 22<br />
jazz music<br />
connections to bluegrass 20<br />
Open Blues/Jazz Band Jam 128<br />
Jennings Creek Tin Shoppe 11<br />
Jenny Wiley State Resort Park 77<br />
Jenny Wiley Theatre 77<br />
Jerusalem Ridge Bluegrass Celebration<br />
21<br />
John James Audubon State Park and<br />
Museum 25, 26<br />
Johnson, Paul Brett 83<br />
Jones, Gayl 141<br />
Joseph-Beth Booksellers 116<br />
K<br />
Karen’s Book Barn and Java Stop 112<br />
Kaviar, Craig 124, 125<br />
Kaviar Forge and Gallery 124<br />
Kendrick, Leatha 83<br />
<strong>Kentucky</strong> Artisan Center at Berea 99, 101<br />
<strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> 3, 4<br />
<strong>Kentucky</strong> Ballet Theatre 14<br />
<strong>Kentucky</strong> Blues Jams at<br />
WhaBah Steakhouse 51<br />
<strong>Kentucky</strong> Center for the Performing <strong>Arts</strong><br />
126<br />
<strong>Kentucky</strong> crafts<br />
Appalachian Artisan Center 74<br />
Appalachian Fireside Gallery 98<br />
Completely <strong>Kentucky</strong> 110<br />
Cozy Corner 80<br />
David Appalachian Crafts 74<br />
<strong>Kentucky</strong> Artisan Center at Berea 99,<br />
101<br />
<strong>Kentucky</strong> Folk Art Center 76<br />
<strong>Kentucky</strong> Haus Artisan Center 136<br />
<strong>Kentucky</strong> School of Craft 75<br />
Log House Craft Gallery 102<br />
Painted Cow Gallery 76<br />
Red Bird Mission Crafts 73<br />
True <strong>Kentucky</strong> 111<br />
<strong>Kentucky</strong> Folk Art Center 76<br />
<strong>Kentucky</strong> Guild of Artists and Craftsmen<br />
16, 101<br />
<strong>Kentucky</strong> Haus Artisan Center 136<br />
<strong>Kentucky</strong> Horse Park 116<br />
<strong>Kentucky</strong> Library and Museum 49<br />
169
170<br />
<strong>Kentucky</strong> Museum of Art & Craft 127<br />
<strong>Kentucky</strong> Music Hall of Fame and<br />
Museum 77<br />
<strong>Kentucky</strong> Opera 126<br />
<strong>Kentucky</strong> Repertory Theatre at Horse Cave<br />
54, 55, 57<br />
<strong>Kentucky</strong> School of Craft 75<br />
<strong>Kentucky</strong> state parks. See state parks<br />
<strong>Kentucky</strong> Symphony Orchestra 13<br />
<strong>Kentucky</strong> Theatre 15, 116<br />
<strong>Kentucky</strong> Wild Horse 96<br />
Kincaid Regional Theatre Company 109<br />
Kingsolver, Barbara 141, 149<br />
Kokinda, Kristal 99<br />
L<br />
LaGrange 112<br />
Lake Cumberland Jammers at American<br />
Legion Post #38 58<br />
Lake Cumberland Performing <strong>Arts</strong> 58<br />
Lamb, Lewis and Donna 112<br />
Lancaster 112<br />
Lawrence County <strong>Arts</strong> <strong>Council</strong> 76<br />
Lear, Tom 108<br />
LEED certified buildings<br />
Bernheim Forest 130<br />
Boone Tavern 101<br />
Leeds Center for the <strong>Arts</strong> 15, 139<br />
Leedy, Scott 139<br />
Lex<strong>Arts</strong> 115<br />
Lexington 114<br />
Lexington Art League 113, 117<br />
Lexington Ballet Company 14<br />
Lexington Children’s Theatre 117<br />
Lexington Opera House 117, 118<br />
Lexington Philharmonic Orchestra 13,<br />
122<br />
Lincoln’s Loft 112<br />
literary artists<br />
Allen, James Lane 82, 140<br />
Arnow, Harriette 62, 64, 82, 91<br />
Audubon, John James 38<br />
Berry, Wendell 140, 142, 148, 151<br />
Boone, Joy Bale 144<br />
Bradby, Marie 83<br />
Brown, William Wells 140, 145<br />
Caudill, Harry 83, 84<br />
Chaffin, Lillie 83<br />
Clark, Billy C. 82<br />
Cobb, Ann 82<br />
Cobb, Irvin 38<br />
Crunk, Tony 38, 39, 40<br />
Davenport, Guy 141<br />
Edwards, Kim 141<br />
Filson, John 140<br />
Finney, Nikki 83, 141<br />
Fox Jr., John 82, 140<br />
Furman, Lucy 82<br />
Gentry, Jane 140, 146<br />
Gordon, Caroline 38, 41, 91, 156<br />
Grafton, Sue 141, 147<br />
Hall, James Baker 141, 148<br />
Hardwick, Elizabeth 141<br />
Holbrook, Chris 83<br />
hooks, bell 39<br />
House, Silas 8, 83, 85<br />
Howard, Lee 83<br />
Howard, Quentin 83<br />
Johnson, Paul Brett 83
Jones, Gayl 141<br />
Kendrick, Leatha 83<br />
Kingsolver, Barbara 141, 149<br />
Lyon, George Ella 82, 83, 86, 141<br />
Manning, Maurice 141, 150<br />
Mason, Bobbie Ann 31, 39, 42, 140<br />
McClanahan, Ed 134, 140, 148, 151<br />
McCombs, Davis 62, 65<br />
McElmurray, Karen 83<br />
Merton, Thomas 152<br />
Miller, Jim Wayne 39, 66, 82<br />
Naslund, Sena Jeter 153<br />
Norman, Gurney 83, 88, 140, 148,<br />
151, 160<br />
Offutt, Chris 83, 90<br />
O’Hara, Theodore 141<br />
Poston, Ted 39<br />
Roberts, Elizabeth Madox 91, 154<br />
Rubio, Gwyn 141<br />
Shelby, Anne 83<br />
sources for biographical information 5<br />
Stewart, Al 83<br />
Still, James 82, 88, 91<br />
Stuart, Jesse 82, 91, 92<br />
Survant, Joe 62, 63, 67<br />
Tate, Allen 38, 41, 44, 91, 141, 156<br />
Taylor, Richard 141, 158<br />
Tevis, Walter 141<br />
Thompson, Hunter S. 159<br />
Walker, Frank X 83, 141, 160<br />
Warren, Robert Penn 38, 44, 91, 155,<br />
156<br />
Wilkinson, Crystal 83<br />
Williams, Lisa 141<br />
Living <strong>Arts</strong> & Science Center 119<br />
Log House Craft Gallery 102<br />
Loudoun House 113, 117<br />
Louisa 76<br />
Louisville 122<br />
Louisville Artisans Guild 16<br />
Louisville Ballet 14, 126<br />
Louisville Orchestra 13, 126<br />
Louisville Visual Art Association 128<br />
Louisville Youth Orchestra 13<br />
Lucas 58<br />
Lundeen, George 35<br />
Luther F. Carson Four Rivers Center 34<br />
luthiers 97<br />
Bowen, Roy 139<br />
Currier, Cathy 137<br />
Currier’s Music World 137<br />
Lamb, Lewis and Donna 97, 112<br />
Leedy, Scott 139<br />
May, Warren A. 102<br />
Mize, Art 120<br />
Mize Violin Shop 120<br />
RS Guitarworks 139<br />
Lynn, Loretta 70<br />
Lyon, George Ella 82, 83, 86, 141<br />
Lyric Theatre 15, 120<br />
M<br />
Madisonville 25<br />
Mammoth Cave National Park 47, 56,<br />
62, 65<br />
Manning, Maurice 141, 150<br />
Marble Club Super Dome 61<br />
marble games 60<br />
Marion 30<br />
171
172<br />
Market House Theatre 34<br />
Mason, Bobbie Ann 31, 39, 42, 140<br />
Maydak, Mike 95<br />
Mayfield 30<br />
Mayfield/Graves County Art Guild 30<br />
Maysville 132<br />
May, Warren A. 102<br />
McClanahan, Ed 134, 140, 148, 151<br />
McCombs, Davis 62, 65<br />
McElmurray, Karen 83<br />
McQuady 135<br />
Meadowgreen Park Jams 73<br />
Merton, Thomas 152<br />
Midway 135<br />
Miller, Jim Wayne 39, 66, 82<br />
Mize, Art 120<br />
Mize Violin Shop 120<br />
Monroe, Bill 20, 23, 37<br />
Morehead 76<br />
Morris Book Shop 120<br />
Mosley, Paul 24<br />
Mountain <strong>Arts</strong> Center 78<br />
Mount Olivet 136<br />
Mount Sterling 77<br />
Mount Vernon 77<br />
murals<br />
Maysville 133, 139<br />
Paducah 34, 35<br />
Murray 30<br />
Murray Art Guild 16<br />
museums<br />
21c Museum 131<br />
American Cave Museum 49, 56<br />
Behringer-Crawford Museum 102<br />
Explorium of Lexington 115<br />
Headley-Whitney Museum 115<br />
International Bluegrass Music Museum<br />
21, 32<br />
International Museum of the Horse<br />
116<br />
Janice Mason Art Museum 22<br />
John James Audobon State Park and<br />
Museum 25<br />
<strong>Kentucky</strong> Library and Museum 49<br />
<strong>Kentucky</strong> Museum of Art & Craft 127<br />
Living <strong>Arts</strong> and Science Center 119<br />
National Quilt Museum 19, 35, 36<br />
Owensboro Museum of Fine Art 32<br />
Speed Art Museum 128, 129<br />
University of <strong>Kentucky</strong> Art Museum<br />
122<br />
Yeiser Art Center 36<br />
musicians. See artists<br />
N<br />
Naslund, Sena Jeter 153<br />
National Quilt Museum 19, 35, 36<br />
National Thumbpickers Hall of Fame 24<br />
New Editions Gallery 120<br />
New Grass Revival 49<br />
Newport 136<br />
Niles, John Jacob 141<br />
Norman, Gurney 83, 88, 140, 148, 151,<br />
160<br />
north central region 94<br />
Northern <strong>Kentucky</strong> Brotherhood Singers<br />
107<br />
Norton Center for the <strong>Arts</strong> 108
O<br />
Offutt, Chris 83, 90<br />
O’Hara, Theodore 141<br />
Ohio Valley Art League 24<br />
old-time music 20, 71<br />
connections to bluegrass 20<br />
jam sessions 78<br />
Lake Cumberland Jammers at<br />
American Legion Post #38 58<br />
Open Blues/Jazz Band Jam 128<br />
Orchestra <strong>Kentucky</strong> 13, 51, 53<br />
orchestras 12<br />
Bowling Green Western Symphony<br />
Orchestra 13, 51, 53<br />
Central <strong>Kentucky</strong> Youth Orchestra 13<br />
<strong>Kentucky</strong> Symphony Orchestra 13<br />
Lexington Philharmonic Orchestra 13,<br />
122<br />
Louisville Orchestra 13, 126<br />
Louisville Youth Orchestra 13<br />
Orchestra <strong>Kentucky</strong> 13, 51, 53<br />
Owensboro Symphony Orchestra 13,<br />
32<br />
Paducah Symphony Orchestra 13, 34<br />
outdoor drama<br />
Jenny Wiley Theatre 77<br />
Owensboro 32<br />
Owensboro Dance Theatre 14, 32<br />
Owensboro Museum of Fine Art 32<br />
Owensboro Symphony Orchestra 13, 32<br />
P<br />
Paducah 34, 36<br />
Paducah <strong>Arts</strong> Alliance 16<br />
Paducah Symphony Orchestra 13, 34<br />
Painted Cow Gallery 76<br />
Paramount <strong>Arts</strong> Center 15, 72, 73<br />
Paris 136<br />
Pennington, Eddie 24<br />
Pennyroyal <strong>Arts</strong> <strong>Council</strong> 25<br />
performing arts. See also theaters<br />
Actors Theatre of Louisville 122, 123<br />
Alhambra Theatre 25<br />
Appalshop 78<br />
Capitol <strong>Arts</strong> Center 51, 52<br />
Carnegie Visual & Performing <strong>Arts</strong><br />
Center 103<br />
Fountain Square Players 51<br />
Glema Mahr Center for the <strong>Arts</strong> 25<br />
Grand Theatre 110<br />
Henderson Fine <strong>Arts</strong> Center 24<br />
Jenny Wiley Theatre 77<br />
<strong>Kentucky</strong> Center for the Performing<br />
<strong>Arts</strong> 126<br />
<strong>Kentucky</strong> Repertory Theatre at Horse<br />
Cave 54, 55<br />
<strong>Kentucky</strong> Theatre 116<br />
Kincaid Regional Theatre Company<br />
109<br />
Lake Cumberland Performing <strong>Arts</strong> 58<br />
Leeds Center for the <strong>Arts</strong> 139<br />
Lexington Children’s Theatre 117<br />
Lexington Opera House 117, 118<br />
Luther F. Carson Four Rivers Center<br />
34<br />
Market House Theatre 34<br />
Mountain <strong>Arts</strong> Center 78<br />
Norton Center for the <strong>Arts</strong> 108<br />
Paramount <strong>Arts</strong> Center 72, 73<br />
173
174<br />
Playhouse in the Park 30<br />
Plaza Theatre 54<br />
Public Theatre of <strong>Kentucky</strong> 52<br />
Ragged Edge Community Theatre 111<br />
RiverPark Center 32<br />
Singletary Center for the <strong>Arts</strong> 122<br />
Theatre Workshop of Owensboro 33<br />
Walden Theatre 131<br />
Washington Opera House 132<br />
Woodford Theatre 138<br />
Pickin’ in the Park 36, 61<br />
Playhouse in the Park 30<br />
Plaza Theatre 15, 54<br />
poets. See literary artists<br />
poets laureate<br />
Boone, Joy Bale 144<br />
Gentry, Jane 146<br />
Hall, James Baker 148<br />
Norman, Gurney 88<br />
Sena Jeter Naslund 153<br />
Still, James 91<br />
Stuart, Jesse 92<br />
Survant, Joe 67<br />
Taylor, Richard 158<br />
Warren, Robert Penn 44<br />
Poor Richard’s Books 110<br />
Poston, Ted 39<br />
Pots Place Co-op Studio and Gallery 51<br />
Powderly 36<br />
Prestonsburg 77<br />
Public Theatre of <strong>Kentucky</strong> 52<br />
Pyro Gallery 128<br />
Q<br />
quilts<br />
Carcassonne quilting group 70<br />
Lyric Theatre commemorative quilt<br />
120<br />
mural honoring quilt-making traditions<br />
35<br />
National Quilt Museum 19, 35, 36<br />
quilt capital of the world 19<br />
quilt trails 8<br />
retail quilts at Cozy Corner 80<br />
retail quilts at David Appalachian Crafts<br />
74<br />
R<br />
Radcliff 137<br />
radio programs<br />
Barren River Breakdown 49<br />
Bluegrass Express Live 78<br />
storytelling 17<br />
Woodsongs Old-Time Radio Hour 116<br />
Rager, Mose 22, 23<br />
Ragged Edge Community Theatre 111<br />
Rector, Steve 24<br />
Red Bird Mission Crafts 73<br />
Red Dog & Company 11<br />
regions<br />
eastern 68<br />
north central 94<br />
south central 46<br />
western 18<br />
Richmond 137<br />
Richmond Area <strong>Arts</strong> <strong>Council</strong> 137<br />
Ritchie, Jean 82<br />
Ritter, Patricia 47<br />
River of Music Party (ROMP) 21<br />
RiverPark Center 32
Roadside Theatre 17<br />
Roberts, Elizabeth Madox 91, 154<br />
Robie Books 102<br />
Rolley Hole marble game 60<br />
Rosine 37<br />
Rosine Barn Jamboree 21, 37<br />
RS Guitarworks 139<br />
Rubio, Gwyn 141<br />
S<br />
sculpture<br />
Fields, Paul 130<br />
Fountain Square in Bowling Green 52<br />
Graf, Raymond 26<br />
Kaviar Forge and Gallery 124<br />
Lear, Tom 108<br />
Lundeen, George 35<br />
Shields, Steve 28<br />
Wooldridge Monuments 31<br />
Sexton, Octavia 17<br />
Shaker Village of Pleasant Hill 10, 111<br />
Shelby, Anne 83<br />
Sheltowee Artisans 16<br />
Shields, Steve 28<br />
Singletary Center for the <strong>Arts</strong> 122<br />
Skaggs, Ricky 70<br />
Somerset 58<br />
south central region 46<br />
South Union Shaker community 10<br />
Speed Art Museum 128, 129<br />
square dance 70, 71<br />
Stage One Children’s Theatre 126<br />
state parks<br />
Barren River Lake State Resort Park<br />
58<br />
Blue Licks Battlefield State Resort Park<br />
136<br />
Cumberland Falls State Resort Park<br />
74<br />
Jenny Wiley State Resort Park 77<br />
John James Audubon State Park 25,<br />
26<br />
<strong>Kentucky</strong> Horse Park 116<br />
Stevie Ray’s Blues Bar 128<br />
Stewart, Al 83<br />
Stewart Home School 1792 Store 110<br />
Still, James 82, 88, 91<br />
storytelling<br />
artists 17<br />
Barrett, Mitch 17<br />
cave guide traditions 49<br />
Hamilton, Mary 17<br />
Holcomb, Pam 17<br />
Paramount Joe ghost stories 72<br />
Roadside Theatre 17<br />
Sexton, Octavia 17<br />
Shaker ghost stories 11<br />
Stuart, Jesse 82, 91, 92<br />
studios, open<br />
Gastineau Jewelers 98<br />
Glassworks 124<br />
Kaviar Forge and Gallery 124<br />
Survant, Joe 62, 63, 67<br />
Swanson Reed Contemporary 129<br />
Swinson, Ken 133, 134<br />
symphonies. See orchestras<br />
T<br />
Tate, Allen 38, 41, 44, 91, 141, 156<br />
Taylor, Richard 141, 158<br />
175
176<br />
Tevis, Walter 141<br />
theaters. See also performing arts<br />
Alhambra Theatre 15, 25<br />
Capitol <strong>Arts</strong> Center 15, 51, 52<br />
Grand Theatre 15, 110<br />
Historic State Theatre Complex 15,<br />
109<br />
Jenny Wiley Theatre 77<br />
<strong>Kentucky</strong> Repertory Theatre at Horse<br />
Cave 54, 55<br />
<strong>Kentucky</strong> Theatre 15, 116<br />
Leeds Center for the <strong>Arts</strong> 15<br />
Lyric Theatre 15, 120<br />
Market House Theatre 34<br />
Paramount <strong>Arts</strong> Center 15, 72, 73<br />
Plaza Theatre 15, 54<br />
Public Theatre of <strong>Kentucky</strong> 52<br />
restored Art Deco theaters 15<br />
Theatre Workshop of Owensboro 33<br />
The Bookstore 137<br />
The Weavery 11<br />
Thompson, Chris 50<br />
Thompson, Hunter S. 159<br />
thumbpicking<br />
birthplace 22<br />
Four Legends Jamboree at the<br />
Drakesboro City Hall 22<br />
National Thumbpickers Hall of Fame<br />
24<br />
Pickin’ in the Park 36<br />
Tompkinsville 61<br />
Top Drawer Gallery 102<br />
towns. See cities<br />
Travis, Merle 22<br />
True <strong>Kentucky</strong> 111<br />
U<br />
University of <strong>Kentucky</strong> Art Museum 122<br />
V<br />
Versailles 138<br />
Vine Grove 138<br />
Vine Grove Bluegrass Jams 138<br />
visual arts. See also galleries; See<br />
also museums<br />
Bernheim Forest 130<br />
Carnegie Visual & Performing <strong>Arts</strong><br />
Center 103<br />
Frank Duveneck <strong>Arts</strong> and Cultural<br />
Center 106<br />
guilds 16<br />
Henderson Fine <strong>Arts</strong> Center 24<br />
Lake Cumberland Performing <strong>Arts</strong> 58<br />
Loudoun House 113, 117<br />
Louisville Visual Art Association 128<br />
Ohio Valley Art League 24<br />
VSA <strong>Kentucky</strong> 50<br />
W<br />
Waddell, Leona 59<br />
Walden Theatre 131<br />
Walker, Frank X 83, 141, 160<br />
Warren A. May Woodworker 102<br />
Warren, Robert Penn 38, 44, 91, 155,<br />
156<br />
western region 18<br />
WhaBah Steakhouse<br />
jams 51<br />
performances 49
Whitesburg 78<br />
Wilkinson, Crystal 83<br />
Williams, Lisa 141<br />
Winchester 139<br />
Winter Wonderland 32<br />
Woodford Theatre 138<br />
Woodsongs Old-Time Radio Hour 116<br />
Wooldridge Monuments 31<br />
writers. See literary artists<br />
Y<br />
Yeiser Art Center 35, 36<br />
Yoakam, Dwight 70<br />
Z<br />
Zephyr Gallery 131<br />
177
178<br />
Acknowledgments<br />
Wendell Berry’s “The Peace of Wild Things” from<br />
Collected Poems, Counterpoint Press, 1985, is<br />
reprinted with permission.<br />
George Ella Lyon’s “With a Song in His Heart,” soon<br />
to be published in a collection titled She Let Herself Go,<br />
LSU Press, is reprinted with permission.<br />
Bobbie Ann Mason’s excerpt from Spence + Lila,<br />
Harper & Row Publishers, 1988, is reprinted with<br />
permission.<br />
Gurney Norman’s “Vision,” 1974, is reprinted with<br />
permission.<br />
Jesse Stuart’s excerpt from The Thread That Runs So<br />
True is reprinted with permission from the Jesse Stuart<br />
Foundation.<br />
Frank X Walker’s “Anniversary” from Black Box: Poems,<br />
Old Cove Press, 2005, is reprinted with permisson.<br />
Information about selected literary artists was<br />
adapted from:<br />
The <strong>Kentucky</strong> Encyclopedia, John Kleber, Editor-in<br />
Chief, The University Press of <strong>Kentucky</strong>, 1992.<br />
The <strong>Kentucky</strong> Anthology: Two Hundred Years of<br />
Writing in the Bluegrass State, Wade Hall, Editor,<br />
The University Press of <strong>Kentucky</strong>, 2005.
Discover More Art Online<br />
The <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> makes it easy to find artists of the<br />
highest caliber whose work has been recognized for artistic<br />
excellence by independent panels of arts professionals. Visit<br />
our online directories (http://artistdirectory.ky.gov/) to discover<br />
the rich diversity of the commonwealth’s professional artists.<br />
Architectural Artists—features <strong>Kentucky</strong> artists whose work<br />
includes architectural installations, custom-made fixtures and<br />
uniquely crafted home accessories.<br />
<strong>Arts</strong> Education Roster—features teaching artists of all disciplines<br />
who have the skills and training to be resident artists in<br />
schools and communities.<br />
<strong>Kentucky</strong> Crafted—recognizes and promotes traditional and<br />
contemporary craft and visual art of the highest quality.<br />
Performing <strong>Arts</strong> Directory—showcases some of the<br />
commonwealth’s finest performing artists available for<br />
bookings and performance-related projects.<br />
Something to Add?<br />
The <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> is in the process<br />
of migrating the information in this book to<br />
its website (www.artscouncil.ky.gov). The online<br />
version will include interactive maps and<br />
more extensive information. If you have corrections<br />
or additions to the information in this<br />
book, please contact us at kyarts@ky.gov.<br />
1