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2<br />

On the front cover:<br />

ART, a digitally enhanced photograph of<br />

Hart Drycleaners on North Broadway in<br />

Lexington by Linda Fugate-Blumer, is an<br />

example of how artists’ creativity and vision<br />

turn everyday objects into art.<br />

All artists whose original artwork<br />

appears in this publication retain full<br />

copyrights to their work.<br />

Copyright ©2010� ���� The <strong>Kentucky</strong> ts Ar<strong>Council</strong>.<br />

All rights reser ved.<br />

<strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong><br />

500 Mero Street, 21st Floor<br />

Frankfort, KY 40601<br />

Local calls: 502.564.3757<br />

Toll free: 888.833.2787<br />

Fax: 502.564.2839<br />

artscouncil@ky.gov<br />

www.artscouncil.ky.gov


K E N T U C K Y<br />

C O U N C I L<br />

The <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong>,<br />

the state arts agency within<br />

the Tourism, <strong>Arts</strong> and Heritage<br />

Cabinet, creates opportunities<br />

for Kentuckians to value,<br />

participate in and benefit from<br />

the arts. <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong><br />

funding is provided by the<br />

<strong>Kentucky</strong> General Assembly<br />

and the National Endowment<br />

for the <strong>Arts</strong>.<br />

Contents<br />

<strong>Arts</strong> Across <strong>Kentucky</strong><br />

Western Region<br />

South Central Region<br />

Eastern Region<br />

North Central Region<br />

Index


4<br />

Discover Art in <strong>Kentucky</strong> is a cultural guidebook of sorts,<br />

featuring art destinations across <strong>Kentucky</strong>: galleries,<br />

museums, independent booksellers and performance<br />

venues for dance, theater and music. The arts organizations<br />

and businesses listed are partners with the<br />

<strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> or promote the work of artists<br />

associated with <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> programs. The<br />

book also includes notes about unique communities<br />

that have embraced the arts as well as <strong>Kentucky</strong> art<br />

traditions.<br />

Because <strong>Kentucky</strong> has such a robust literary tradition,<br />

the book also acknowledges the work of acclaimed<br />

literary figures with significant ties to the commonwealth.<br />

Discover Art in <strong>Kentucky</strong> is by no means an exhaustive<br />

list of arts venues, programs, activities or celebrated<br />

artists. We hope you’ll use it as a starting point for discovering<br />

other art treasures across the state.<br />

How this book is organized<br />

This book divides the state into four geographic regions<br />

and then lists art destinations—alphabetically<br />

by city—in each. The section “<strong>Arts</strong> Across <strong>Kentucky</strong>”<br />

describes items of interest that are not specific to any<br />

one region.<br />

At the end of each regional section, you’ll find an introduction<br />

to the literary arts in that region. Following<br />

the introduction is a listing of a few acclaimed literary<br />

artists who have ties to that region of <strong>Kentucky</strong>. This,<br />

again, is not an exhaustive list, and there are many<br />

other accomplished literary artists we would have<br />

liked to include, if space permitted.<br />

In 2012, the information in this book will be available<br />

electronically on the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> website<br />

(www.artscouncil.ky.gov). The online version will include<br />

interactive maps and more extensive information. We<br />

hope you’ll check that site regularly as you plan excursions<br />

to sample <strong>Kentucky</strong>’s arts.


What’s this?<br />

These are bar codes that provide direct links<br />

to Internet information about the associated art<br />

venue or artist. If you have a “smart phone”<br />

with Internet access, download the free mobile<br />

application at http://gettag.mobi. Open the application<br />

and then view the colored bar code<br />

through your phone’s camera viewfinder. Voilà!<br />

You’ll be linked to a website, video or audio file.<br />

What’s this?<br />

At a jam session, musicians come together<br />

to socialize, learn new licks and, most of all,<br />

have fun playing music. Whether you prefer to<br />

participate or just listen, a jam is a great place<br />

to experience living folk culture. Look for the<br />

banjo icon identifying venues that sponsor regular<br />

jam sessions. You’ll find them in all four<br />

<strong>Kentucky</strong> regions.<br />

Note about literary artist information: Sources for information about <strong>Kentucky</strong> literary artists include The <strong>Kentucky</strong><br />

Encyclopedia, John Kleber, Editor-in Chief, The University Press of <strong>Kentucky</strong>, 1992; and The <strong>Kentucky</strong> Anthology:<br />

Two Hundred Years of Writing in the Bluegrass State, Wade Hall, Editor, The University Press of <strong>Kentucky</strong>, 2005.<br />

The information is reprinted with permission.<br />

5


6<br />

<strong>Arts</strong> Across<br />

<strong>Kentucky</strong>


Although we’ve attempted to organize art venues<br />

in the state by geographic region, art, of course,<br />

is not restricted by these artificial borders. There<br />

are many art forms and cultural traditions that are<br />

found all across the state, and we highlight just a<br />

few of them in this section.<br />

The clean lines of this cherry and maple<br />

rocker by Mark Whitley Limited Edition<br />

Furniture in Smiths Grove, Ky., reflect the<br />

strong influence of Shaker style in many<br />

designs by contemporary artists today.<br />

Photo courtesy of Wes Davis Photography, Bowling Green, Ky.<br />

7


8<br />

<strong>Kentucky</strong> Quilt Trails<br />

“Personally, I feel as if each one is<br />

simultaneously a monument to the rural<br />

artistic tradition of quilting and a reminder<br />

that quilting is still alive and well in the hands<br />

of a whole new generation.”<br />

—Silas House,<br />

<strong>Kentucky</strong> author, on <strong>Kentucky</strong>’s barn quilts<br />

As you travel the byways and back roads of<br />

<strong>Kentucky</strong>, your eye may be drawn to bright<br />

colors adorning a well-maintained but otherwise<br />

nondescript tobacco or horse barn. Communities<br />

across <strong>Kentucky</strong> have begun decorating local<br />

barns with “barn quilts”—large painted quilt<br />

patterns—to celebrate the tradition of quilting in the<br />

commonwealth.<br />

In 2003, Donna Sue Groves of Adams County, Ohio,<br />

painted a large quilt square on her barn to honor her<br />

mother. Other people in the area began to do this<br />

as well, and her inspiration spread throughout the<br />

Photo courtesy of photographer Ann W. Olson<br />

eastern United States. <strong>Kentucky</strong><br />

began developing its own quilt trail in 2005.<br />

Volunteers, with support from the Gateway Resource<br />

Conservation and Development <strong>Council</strong>, painted the<br />

first square in Carter County. Active <strong>Kentucky</strong> quilt<br />

trail groups backed by cooperative extensions, local<br />

arts councils and civic organizations can now be<br />

found in many <strong>Kentucky</strong> counties.<br />

The quilt squares are painted on eight-foot-square<br />

boards or metal sheets and displayed on barns,<br />

restaurants, stores, schools and floodwalls. Hanging


Early morning light intensifies the<br />

color in this Spider Web pattern<br />

quilt square on a barn near Stark, Ky.<br />

the painted quilts encourages owners to maintain<br />

historical barns, while giving tourists an incentive to<br />

veer off the interstate and take the back roads.<br />

The large “quilting” projects are about rural pride<br />

and fellowship and the belief that “many hands<br />

make light work.” They also bring diverse groups<br />

together, just as a traditional quilting bee does.<br />

Young and old, men and women, quilters and<br />

non-quilters work together to research traditional<br />

quilt patterns commonly used in their communities<br />

and paint and hang the quilt squares. In the<br />

spirit of community cooperation, many local utility<br />

companies loan bucket trucks and crews to help<br />

hang the squares.<br />

Local utility workers install a<br />

So keep a lookout for this Blazing Star quilt square on<br />

rural art form as you travel<br />

a barn in Elliott County.<br />

<strong>Kentucky</strong>’s back roads. More<br />

information about quilt barn projects in <strong>Kentucky</strong> is<br />

available from the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong>’s website at<br />

http://artscouncil.ky.gov/QTrails/QTrails.htm. t<br />

Photo courtesy of Elliott County Cooperative Extension<br />

9


10<br />

The Shakers in <strong>Kentucky</strong><br />

Nestled in the fertile hills of central <strong>Kentucky</strong>, two<br />

communities of Shakers committed themselves to a<br />

simple existence devoted to agriculture, commerce,<br />

fine crafting of tools and essential furnishings and<br />

regular religious celebrations. The United Society of<br />

Believers in Christ’s Second Appearing, or Shakers,<br />

is the longest lasting communal society in the United<br />

States. Although no Shakers remain in <strong>Kentucky</strong>,<br />

guests can visit the sites of these two Shaker villages<br />

and enjoy comfortable accommodations in the<br />

beautifully restored buildings amid pastoral settings.<br />

South Union in Logan County opened in 1807 as the<br />

western-most Shaker settlement in the U.S. and was<br />

operational until 1922. Shaker Village of Pleasant<br />

Hill in Mercer County was founded in 1805 and<br />

flourished until it was irrevocably scarred by the Civil<br />

War; by 1910, it had closed its doors as an active<br />

religious society. At its peak, the community owned<br />

4,500 acres and had 260 structures. The restored<br />

Shaker village now covers 3,000 acres and features<br />

a living history museum.<br />

The Shakers are known for devoting their lives<br />

to industry for the common good, pacifism and<br />

promoting equality for all. They also embraced<br />

artistic expression in the form of high-quality textiles,<br />

fine, minimalist furniture and mysterious dance and<br />

song traditions. Visitors to South Union or Pleasant<br />

Hill can observe performances of Shaker music<br />

and dances as well as demonstrations of their<br />

craft traditions.<br />

Shaker arts and traditions still have a profound effect<br />

on literary, performing and visual artists across the<br />

commonwealth.<br />

• Thomas and Joanne Blanck have been making<br />

iconic oval Shaker-style boxes for over<br />

20 years. The boxes are exact copies of an<br />

original Shaker design. Each set of boxes is<br />

made of exquisite hardwood, hand-sanded,<br />

and finished with a high-gloss lacquer or<br />

antiqued with milk paint.<br />

http://artistdirectory.ky.gov/craft/


• At his Jennings Creek Tin Shoppe, Randy<br />

Hulsey uses forming stakes and hand crank<br />

tools to create historic tin ware items, including<br />

Shaker-style chandeliers, wall sconces<br />

and lanterns. http://artistdirectory.ky.gov/craft/<br />

• Red Dog & Company’s traditional-style<br />

“mule ear” chairs, designed by company<br />

founder Mike Angel, have a clean,<br />

straightforward design reminiscent of the<br />

Shakers. www.reddogchairs.com<br />

• Harriet Giles, founder of The Weavery, designs<br />

and directs the production of hand-woven rag<br />

rugs in historically inspired and original styles.<br />

Her rugs may be found at Shaker Village of<br />

Pleasant Hill. www.theweavery.com<br />

• Author, musician, artist and storyteller Thomas<br />

Freese wrote Shaker Ghost Stories from Pleasant Hill,<br />

<strong>Kentucky</strong>. Freese collected these true stories<br />

from visitors and employees at Shaker Village<br />

while working as a Pleasant Hill Singer at the<br />

historic site. www.thomaslfreese.com t<br />

A classic Shaker<br />

building at Pleasant<br />

Hill in Mercer County.<br />

11


12<br />

Orchestras Across the State<br />

<strong>Kentucky</strong> music-lovers benefit from a number of<br />

orchestras located in major metropolitan areas<br />

and less populous communities across the state.<br />

These organizations provide<br />

a wide range of programs in<br />

their own facilities, in shared<br />

arts centers, in schools and<br />

libraries and at outdoor events.<br />

All venues offer full access for<br />

persons with disabilities, and a<br />

good number of venues offer<br />

large-print and/or assistedlistening<br />

accommodations.<br />

The nearly continuous<br />

schedule of musical offerings<br />

provided by these orchestras<br />

includes concerts, national<br />

and international visiting artist<br />

programs, youth and family<br />

events, musical education<br />

for school students and<br />

Photo courtesy of the Louisville Orchestra<br />

young artists, cooperative programs with local<br />

government and community organizations, programs<br />

for underserved audiences and live music to<br />

accompany the programs of arts organizations in<br />

other disciplines such as dance, opera and drama.<br />

As is true of the arts in<br />

general, these orchestras<br />

actively seek to build a<br />

broader audience. Ticketing<br />

and subscription options are<br />

creatively designed to market<br />

programs to the widest<br />

possible range of budgets<br />

and time constraints. We<br />

encourage you to find an<br />

opportunity to attend a<br />

performance convenient<br />

for you. t<br />

The Louisville Orchestra<br />

string section.


Bowling Green Western Symphony Orchestra<br />

500 E. Main St.<br />

270.745.7681<br />

www.bgwso.org<br />

Central <strong>Kentucky</strong> Youth Orchestra<br />

161 N. Mill St.<br />

Lexington, Ky.<br />

859.254.0796<br />

www.ckyo.org<br />

<strong>Kentucky</strong> Symphony Orchestra<br />

540 Linden<br />

Newport, Ky.<br />

859.431.6216<br />

www.kyso.org<br />

Lexington Philharmonic Orchestra<br />

161 N. Mill St.<br />

859.233.4226<br />

www.lexphil.org<br />

Louisville Orchestra<br />

323 W. Broadway, Suite 700<br />

502.585.9414<br />

www.louisvilleorchestra.org<br />

Louisville Youth Orchestra<br />

502.896.1851<br />

www.lyo.org<br />

Orchestra <strong>Kentucky</strong><br />

1046 Elm St.<br />

Bowling Green, Ky.<br />

270.846.2426<br />

www.orchestraky.com<br />

Owensboro Symphony Orchestra<br />

211 E. Second St.<br />

270.684.0661<br />

www.theoso.org<br />

Paducah Symphony Orchestra<br />

201 Broadway<br />

800.738.3727<br />

www.paducahsymphony.org<br />

13


14<br />

Dance in <strong>Kentucky</strong><br />

Dance sometimes has difficulty<br />

flourishing outside the nation’s cultural<br />

centers on either coast. However,<br />

<strong>Kentucky</strong> has supportive dance<br />

audiences, particularly in Louisville,<br />

Lexington and Owensboro. The<br />

Louisville Ballet, the Lexington Ballet<br />

Company, <strong>Kentucky</strong> Ballet Theatre<br />

and Owensboro Dance Theatre all<br />

have long histories of providing<br />

excellent dance education and<br />

opportunities for participation in<br />

communities around the state.<br />

Programs include the commission<br />

and performance of new works, multi-cultural<br />

and cross-disciplinary events, artist residencies and<br />

school performances, cooperative programs with<br />

government and community-service organizations,<br />

and extensive studio education for a large number<br />

of aspiring young dancers who learn from highly<br />

qualified local and international artists. t<br />

<strong>Kentucky</strong> Ballet Theatre<br />

736 National Ave.<br />

Lexington, Ky.<br />

859.252.5245<br />

www.kyballet.com<br />

Lexington Ballet Company<br />

161 N. Mill St.<br />

859.233-3925<br />

www.lexingtonballet.org<br />

Louisville Ballet<br />

315 E. Main St.<br />

502.583.3150<br />

www.louisvilleballet.org<br />

Owensboro Dance Theatre<br />

2705 Breckenridge St.<br />

270.684.9580


Restored Art Deco Theaters<br />

After World War I, folks across the country were<br />

eager to shed the restrictive austerity of the war years<br />

and embrace a more lavish and decadent lifestyle.<br />

This trend manifested itself in the opulent theaters<br />

that were built to accommodate both the early silent<br />

films and the “talkies” that soon replaced them.<br />

In recent years, grass roots organizations across<br />

the commonwealth committed to conserving these<br />

historic arts venues by renovating and readapting<br />

the Art Deco architecture of the original movie<br />

houses. The resulting modern arts centers now<br />

serve as a reminder of our rich heritage, while<br />

providing special venues for arts education and<br />

entertainment. The intimate theaters, some with<br />

fantastical Spanish-themed architectural elements,<br />

are fascinating places to see plays, movies and<br />

musical performances. Each has a unique story that<br />

connects <strong>Kentucky</strong> to the nation’s desire to escape to<br />

faraway and exotic places during the era of the Great<br />

Depression and the dawn of the Second World War.<br />

More information about each theater is available in<br />

the regional listings. t<br />

The Alhambra Theatre<br />

Hopkinsville<br />

1928<br />

The Capitol <strong>Arts</strong> Center<br />

Bowling Green<br />

1930s redesign<br />

(1890s original)<br />

The Grand Theatre<br />

Frankfort<br />

1911<br />

The <strong>Kentucky</strong> Theatre<br />

Lexington<br />

1921<br />

The Leeds Center for<br />

the <strong>Arts</strong><br />

Winchester<br />

1925<br />

The Lyric Theatre<br />

Lexington<br />

1948<br />

The Paramount<br />

<strong>Arts</strong> Center<br />

Ashland<br />

1931<br />

The Plaza Theatre<br />

Glasgow<br />

1934<br />

The Historic<br />

State Theater<br />

Elizabethtown<br />

1942<br />

Art Deco elements add to<br />

the sumptuous feel of the<br />

Paramount <strong>Arts</strong> Center<br />

in Ashland.<br />

Photo courtesy of the Paramount <strong>Arts</strong> Center<br />

15


16<br />

Photo courtesy of Nikki D. May<br />

Visual Art Guilds<br />

Visual art is often created in isolation. That<br />

doesn’t mean that artists are antisocial,<br />

however. There are a multitude of art<br />

and craft guilds and alliances across the<br />

commonwealth that bring artists together<br />

into beneficial groups.<br />

These organizations are vital to the health of<br />

the arts communities they serve. They offer<br />

camaraderie, exhibitions and opportunities<br />

for learning and growth. These are generally<br />

membership-driven organizations that<br />

do a lot without much money. Some have<br />

permanent homes and some hold events<br />

wherever space is available. They work in the<br />

public sphere filling the roles of advocates,<br />

educators, promoters and presenters.<br />

For emerging artists they provide a safe haven for<br />

exploring artistic identities and building networks<br />

of support. For established artists they provide<br />

renewed inspiration and opportunities to give back<br />

to the community. t<br />

ArtWorks: A Visual <strong>Arts</strong> Coalition<br />

Bowling Green<br />

www.artworksinc.org<br />

Central <strong>Kentucky</strong> Art Guild<br />

Elizabethtown<br />

www.centralkyartguild.com<br />

<strong>Kentucky</strong> Guild of Artists and Craftsmen<br />

Berea<br />

www.kyguild.org<br />

Louisville Artisans Guild<br />

Louisville<br />

www.louisvilleartisans.org<br />

Murray Art Guild<br />

Murray<br />

www.murrayartguild.org<br />

Paducah <strong>Arts</strong> Alliance<br />

Paducah<br />

www.paducahartsalliance.com<br />

Sheltowee Artisans<br />

Somerset<br />

www.sheltoweeart.com<br />

Far left: Emily<br />

Sands works on<br />

the installation<br />

of Ubuntu, a<br />

collaborative<br />

sculpture<br />

incorporating<br />

slices of tree<br />

trunk conceived<br />

by Paducah <strong>Arts</strong><br />

Alliance artistin-residence<br />

Corinne Spielewoy<br />

of Switzerland.<br />

Ubuntu means<br />

“I am what I am<br />

because of who<br />

we all are.”


Storytelling<br />

From the rivers of western <strong>Kentucky</strong> to the hills of<br />

Appalachia, the tradition of storytelling has evolved<br />

into an art form in its own right.<br />

<strong>Kentucky</strong> has many professional storytellers who<br />

specialize in stories for adults as well as children.<br />

Some are modern story tellers, while others pass on<br />

the legends and lore of the rivers, the caves and the<br />

mountains that shape our cultural landscape.<br />

To find out about storytelling festivals, story swaps,<br />

broadcasts and open mic events, visit the <strong>Kentucky</strong><br />

Storytelling Association website at www.kystory.org.<br />

• Mary Hamilton entertains audiences with <strong>Kentucky</strong><br />

tales and world folk and fairy tales, plus<br />

a few myths, legends and original fiction.<br />

www.maryhamilton.info<br />

• Pam Holcomb specializes in mountain folklore,<br />

including family stories, and stories collected<br />

from the adventures of interesting people she<br />

has met. www.storytellerpamholcomb.com<br />

Octavia Sexton masterfully<br />

spins her tale.<br />

• Octavia Sexton performs in Appalachian<br />

dialect the folk tales, haint tales (ghost<br />

stories) and Cherokee legends handed down<br />

to her from her English, Irish and Cherokee<br />

ancestors. www.octaviasexton.com<br />

• Mitch Barrett is a story teller and a singer/<br />

songwriter. A keen life observer, he deftly<br />

weaves thought-provoking subject matter with<br />

a satirist’s sense of wit and irony.<br />

www.mitchbarrettmusic.com<br />

• Roadside Theatre conducts community<br />

residencies designed to honor a community’s<br />

history and give voice to local stories.<br />

http://roadside.org/ t<br />

17


18<br />

Western<br />

Region


Western <strong>Kentucky</strong> is home to numerous rivers, vast farming operations and<br />

sometimes quirky traditions. It’s the birthplace of bluegrass music, the quilt<br />

capital of the world and the site of an eerily identifiable group of gravesite<br />

monuments.<br />

A Rose Garden in a Blue Fence,<br />

quilt by Keiko Miyauchi of Nagano, Japan.<br />

Courtesy of the National Quilt Museum,<br />

Paducah, Ky.<br />

This region boasts several superb performing arts centers as well as plentiful<br />

opportunities to take part in bluegrass jams and festivals. And don’t miss the<br />

regional barbeque when you visit. If you’re looking for a more urban experience,<br />

make sure you spend some time in the eclectic river towns of Henderson,<br />

Owensboro and Paducah.<br />

Some amazing artists have called western <strong>Kentucky</strong> home, including John<br />

James Audubon, Robert Penn Warren, Bill Monroe and sculptor Steve Shields.<br />

While you’re here, enjoy some pickin’ and grinnin’ and then catch an orchestra<br />

or ballet performance as evening falls. t<br />

19


20<br />

Photo courtesy of James Monroe<br />

The Birthplace of Bluegrass Music<br />

If you’re a fan of bluegrass music, treat yourself to<br />

a pilgrimage to Ohio County in western <strong>Kentucky</strong><br />

where the father of bluegrass, Bill Monroe, was born<br />

and raised.<br />

Bill Monroe, the father of<br />

bluegrass music.<br />

Bluegrass music has roots in a variety of places,<br />

coming from both Anglo- and African-American<br />

influences. Folklorist Alan Lomax called bluegrass<br />

“folk music in overdrive.” It is akin to old-time<br />

music, with its fiddle styles and ballad singing, but<br />

it also incorporates jazz “breakdowns,” where one<br />

musician takes the lead and improvises while others<br />

accompany. While bluegrass sounds very different<br />

from what many people think of as old-time music,<br />

almost all who play bluegrass use old-time songs<br />

in their repertoires. In the 1940s Bill Monroe and<br />

his Blue Grass Boys were the only ones playing<br />

this style, but it caught on and has since reached a<br />

global audience.


In western <strong>Kentucky</strong> there are several places<br />

to experience bluegrass music firsthand, in the<br />

very hills where the “high lonesome” sound was<br />

born. Start your trip with a visit to the Bill Monroe<br />

Homeplace (http://www.visitohiocountyky.org/billmonroe.<br />

html) where you can tour his childhood home and<br />

walk along the trails of Jerusalem Ridge. Several<br />

festivals take place here, the most popular being<br />

the Jerusalem Ridge Bluegrass Celebration each fall<br />

(http://www.jerusalemridgefestival.org/). Music happens<br />

year-round at the Rosine Barn Jamboree (see page<br />

37). Here, some of the best local bluegrass musicians<br />

meet to jam for audiences, free of charge. Some of<br />

the original Blue Grass Boys live and perform in this<br />

area. Up the street is the Rosine Cemetery where<br />

you can pay your respects at Bill’s gravesite.<br />

If you want to learn more about bluegrass, drive<br />

to Owensboro to visit the International Bluegrass<br />

Music Museum (see page 32). You can hear the<br />

music, see the instruments and experience<br />

the stories of the men and women who are the<br />

pioneers and current tradition bearers of bluegrass.<br />

You can also take part in other musical activities,<br />

like ROMP (the River of Music Party that occurs<br />

each June), a Monroe-style Mandolin Camp and<br />

other commemorations and concerts. 2011 is the<br />

centennial of Bill Monroe’s birth, so there will be lots<br />

of activities to choose from. t<br />

Bill Monroe’s birthplace<br />

on Jerusalem Ridge.<br />

Photo courtesy of photographer Mike Morbeck<br />

21


22<br />

Photo courtesy of the <strong>Kentucky</strong> Historical Society archives<br />

Cadiz<br />

Janice Mason Art Museum<br />

71 Main St.<br />

270.522.9056<br />

www.jmam.org<br />

<strong>Arts</strong> enthusiasts in the city of<br />

Cadiz converted an old post office<br />

into a gallery that features multigenre<br />

art exhibits from local,<br />

national and international artists.<br />

An intersection in Drakesboro<br />

celebrates the community’s<br />

storied history.<br />

Drakesboro<br />

Four Legends Jamboree at the<br />

Drakesboro City Hall<br />

212 Mose Rager Blvd.<br />

270.476.8690<br />

The Four Legends Jamboree<br />

(named for guitar legends Mose<br />

Rager, Ike Everly, Kennedy Jones<br />

and Merle Travis) is held the<br />

second Saturday of each month<br />

in the heart of thumbpicking<br />

country. Everyone gets a chance<br />

to join in.<br />

The Home of<br />

Thumbpicking<br />

West of the birthplace of<br />

bluegrass is Muhlenberg<br />

County, the home of<br />

thumbpicking guitar. Like<br />

bluegrass, thumbpicking<br />

is an original music style<br />

that <strong>Kentucky</strong> has given the<br />

world. You may have heard<br />

this style from guitarists such<br />

as Merle Travis and Chet<br />

Atkins. A thumbpicking tune<br />

is often a popular song or<br />

classic jazz melody played<br />

by a lone guitarist. The<br />

guitarist uses a plastic pick<br />

that loops around the thumb<br />

to play a bass line, while<br />

the other fingers play a solid<br />

rhythm and melody, all at<br />

the same time. The player is<br />

a “one-man-band,” with only


Thumbpicker Eddie Pennington and his son Alonzo<br />

switch left hands mid-song during a performance at the<br />

2005 <strong>Kentucky</strong> Folklife Festival.<br />

one guitar, often a beautiful electric semi-hollowbody<br />

or custom acoustic.<br />

Coal miners in Muhlenberg County developed the<br />

thumbpicking style. Many cite African-American<br />

guitarist Arnold Schultz, who influenced Bill<br />

Monroe’s bluegrass picking style, as a thumbpicking<br />

influence. The story goes that coal miners in the<br />

1930s got together on Saturday nights to have a<br />

good time playing music. Thumbpicking evolution<br />

took its first leap when a miner named Kennedy<br />

Jones bought an unusual thumbpick at a local<br />

general store. The pick was made for Hawaiian-style<br />

steel guitar players, but Jones tried it and liked it. He<br />

bought more thumbpicks, and the trend caught on.<br />

Other local guitarists adopted the thumbpick and a<br />

regional music tradition was born.<br />

Guitarist Mose Rager hosted weekly jam sessions<br />

at his home in the 1950s and ‘60s, where many<br />

new thumbpickers cut their teeth, exploring new<br />

songs and techniques. Ike Everly, father of the<br />

continued…<br />

23


24<br />

Thumbpicking (cont.)<br />

Everly Brothers, was a thumbpicker, and Merle Travis<br />

and Chet Atkins brought Muhlenberg County sounds to<br />

the world. Today, many living thumbpickers remember<br />

playing at jam sessions at Mose Rager’s house. These<br />

include National Thumbpickers Hall of Fame Champions<br />

Steve Rector, Paul Mosley and Eddie Pennington, who<br />

received a National Heritage Award for his musical<br />

excellence and efforts to conserve the tradition.<br />

More and more guitarists in Muhlenberg County take<br />

pride in avoiding the straight pick, and teach their sons<br />

and daughters to use a thumbpick. Today, there is a<br />

monument outside Mose’s house, and across the street<br />

at the Drakesboro Fire Station you can still take part in a<br />

thumbpicking jam.<br />

Other annual events sponsored by the National<br />

Thumbpickers Hall of Fame showcase thumbpicking<br />

culture in Muhlenberg County, including Mose Rager<br />

Day, the Thumbpickin’ Weekend Bash, and the National<br />

Thumbpickers Hall of Fame Induction Ceremony at the<br />

Merle Travis Music Center in Paradise Park, Powderly.<br />

Visit http://www.ntphf.com/ and http://www.eddiepennington.com/<br />

for year-round thumbpicking events and jams. t<br />

Henderson<br />

Henderson Fine <strong>Arts</strong> Center<br />

Henderson Community College<br />

2660 S. Green St.<br />

270.826.5916<br />

www.haaa.org<br />

www.ohiovalleyart.org<br />

The Henderson Fine <strong>Arts</strong> Center<br />

hosts a performing arts series<br />

presented by the Henderson<br />

<strong>Arts</strong> Alliance, as well as visual art<br />

exhibits produced and presented<br />

by the Ohio Valley Art League.


John James Audubon State Park<br />

and Museum<br />

3100 U.S. Highway 41 North<br />

270.826.2247<br />

www.parks.ky.gov/findparks/recparks/au/<br />

Located along the banks<br />

of the Ohio River just north<br />

of Henderson, John James<br />

Audubon State Park houses<br />

the world’s largest collection of<br />

Audubon artifacts and interprets<br />

Audubon’s life through his art and<br />

personal memorabilia.<br />

Hopkinsville<br />

Alhambra Theatre of the<br />

Pennyroyal <strong>Arts</strong> <strong>Council</strong><br />

507 S. Main St.<br />

270.887.4079<br />

www.pennyroyalarts.org<br />

The Alhambra Theatre is a<br />

landmark movie theater that has<br />

been converted to a stage where<br />

patrons can enjoy theater, dance<br />

and music from national and<br />

international touring acts and<br />

local groups.<br />

Early fall leaves cover a trail at<br />

John James Audubon State Park<br />

near Henderson.<br />

Madisonville<br />

Glema Mahr Center for the <strong>Arts</strong><br />

Madisonville Community College<br />

2000 College Drive<br />

270.824.8652<br />

www.glemacenter.org<br />

Glema Mahr produces and<br />

presents music, dance and arts<br />

education opportunities for all<br />

ages and interests.<br />

25


26<br />

John James Audubon State Park<br />

“In my deepest troubles, I frequently<br />

would wrench myself from the persons<br />

around me and retire to some secluded<br />

part of our noble forests.”<br />

—John James Audubon<br />

Just north of Henderson lies a mature hardwood<br />

forest rich with wildflowers and graced by bluffs<br />

overlooking the Ohio River. It is here that John<br />

James Audubon ran a general store from 1810<br />

to 1819. Although the business venture ended in<br />

bankruptcy, he profited from his time in the area by<br />

exploring the surrounding wilderness and studying<br />

the native birds, which eventually led to his work as<br />

a renowned scientist and artist.<br />

Born in Haiti, the illegitimate child of a French<br />

merchant, Audubon was a well-educated gentleman,<br />

a dedicated naturalist and a rugged frontiersman. In<br />

many ways he exemplified the America of his age.<br />

Established in 1934 the John James Audubon State<br />

Park includes a museum, nature center, cottages,<br />

campgrounds, hiking trails and other recreational<br />

facilities. A total of 339 acres of the park are<br />

dedicated as a bird sanctuary and memorial to the<br />

distinguished naturalist.<br />

The Audubon Memorial Museum interprets the<br />

artist’s life through his paintings and personal<br />

memorabilia and hosts special exhibits of avianthemed<br />

art. Among the holdings displayed by the<br />

museum is the magnificent Double Elephant Folio<br />

The Birds of America, which measures 27 by 40 inches.<br />

It was originally printed from 1827 to 1839 in an<br />

edition of fewer than 200 copies. The four-volume<br />

set contains 435 hand-colored engravings of the<br />

birds that Audubon studied so avidly.<br />

Audubon also inspired future generations of artist<br />

naturalists. To complete the Audubon experience,<br />

visit downtown Henderson to see sculptures by<br />

Louisville artist Raymond Graf. These bronze<br />

sculptures are inspired by Audubon’s “Birds of<br />

America” paintings. Walking tour maps are available<br />

at www.hendersonky.org/SculptureBRO.pdf. t


Photo courtesy of photographer Tom Jake and John James Audubon State Park<br />

27


28<br />

Sculptor Steve Shields<br />

With little more than a welding torch and pieces<br />

of scrap metal, sculptor Steve Shields was able<br />

to create some of the region’s most dramatic and<br />

poignant memorials to our nation’s warriors and<br />

heroes. Selective touches of silver solder or molten<br />

bronze form details that evoke unexpected emotional<br />

responses from viewers of his artwork.<br />

Steve Shields was a nationally significant metal<br />

sculptor who used a rare method of welding copper<br />

or steel over a frame to create both small and largerthan-life<br />

pieces. Admirers of his work recognize the<br />

surprising detail he was able to achieve using this<br />

technique.<br />

Although Hopkinsville was his home for more than<br />

30 years, his work can be viewed throughout the<br />

United States and Canada, from public parks and<br />

churches to private homes. <strong>Kentucky</strong> is fortunate<br />

to be home to several of Shields’ pieces. At the Trail<br />

of Tears Commemorative Park in Hopkinsville, a<br />

sculpture of Chief Whitepath and Chief Fly Smith<br />

marks the gravesite of two Native Americans<br />

who died along the Trail of Tears in the winter of<br />

1838–1839. Peacekeeper is a seven-foot-tall soldier<br />

looking over Fort Campbell Memorial Park just off<br />

the Pennyrile Parkway in Hopkinsville. At the foot<br />

of the soldier are granite markers chiseled with the<br />

names of the Fort Campbell soldiers who were killed<br />

on Dec. 12, 1985, while returning to Fort Campbell<br />

from a peacekeeping mission in the Sinai.<br />

Coal mines and coal miners have long been a part<br />

of life in the city of Providence, north of Hopkinsville.<br />

To honor the town’s occupational traditions, Shields<br />

sculpted a coal miner, who stands on the corner of<br />

the Providence Main Street Park.<br />

Among the sculptures residing outside <strong>Kentucky</strong>,<br />

one, The Desert Shield-Desert Storm Monument<br />

in Evansville, Ind., just across the Ohio River<br />

from Henderson, is dedicated to Persian Gulf<br />

War veterans. It may be the first modern war<br />

memorial depicting a woman in combat. Another<br />

Shields sculpture is a larger-than-life-size bust of


Bill Monroe, which is in the<br />

collection of the Grand Ole Opry<br />

in Nashville.<br />

Steve Shields not only contributed<br />

to the artistic legacy of the<br />

commonwealth but also<br />

commemorated significant<br />

moments in the state’s<br />

history. He died in 1998 at<br />

the age of 51. t<br />

A Steve Shields sculpture<br />

stands in Pioneers Cemetery<br />

in Hopkinsville.<br />

A sculpture of Chief Whitepath<br />

and Chief Fly Smith marks<br />

the gravesite of two<br />

Native Americans who died<br />

along the Trail of Tears in the<br />

winter of 1838–1839.<br />

Photos courtesy of Hopkinsville-Christian County<br />

Convention & Visitors Bureau<br />

29


30<br />

Marion<br />

Fohs Hall Community <strong>Arts</strong><br />

Foundation<br />

201 N. Walker St.<br />

270.965.5983<br />

www.artsatfohshall.org<br />

Fohs Hall provides a variety of<br />

exhibits, performances, activities<br />

and workshops to the people of<br />

Marion and Crittenden County.<br />

Mayfield<br />

Mayfield/Graves County Art Guild<br />

120 N. Eighth St.<br />

270.247.6971<br />

www.icehousearts.org<br />

Serving the community through<br />

the arts, the Mayfield/Graves<br />

County Art Guild operates a<br />

community arts center and gallery<br />

housed in a historic ice house.<br />

Murray<br />

Playhouse in the Park<br />

701 Gil Hobson Drive<br />

270.759.1752<br />

www.playhouseinthepark.net<br />

Year-round programming at<br />

Playhouse in the Park includes<br />

production and performance of a<br />

mix of classical and contemporary<br />

theater and opportunities for<br />

people of all ages to develop skills<br />

through participation in plays,<br />

workshops and other aspects of<br />

theater.


Wooldridge Monuments<br />

Just south of Paducah is the town of Mayfield, the<br />

childhood home of acclaimed writer Bobbie Ann<br />

Mason. Mayfield is also known across the state as<br />

the immediate neighbor of Fancy Farm, Ky., where<br />

fiery political theater takes place each August.<br />

In contrast to that tradition, Mayfield bears witness<br />

to a more stoic and somber representation of local<br />

values. In a corner of the Maplewood cemetery,<br />

a stone procession of men, women, children and<br />

animals has silently stood watch over the grave of<br />

Colonel Henry G. Wooldridge for over 100 years.<br />

Statues of close family members, favorite hunting<br />

dogs, a fox, a deer and a prized horse named “Fop”<br />

make up this unusual memorial. The centerpiece—<br />

the marble statue of Col. Wooldridge—was made<br />

by a sculptor in Italy; the others were made of<br />

sandstone by sculptors from Mayfield and Paducah.<br />

Since his death in 1899, Wooldridge’s gravesite<br />

has captured the imaginations of travelers all over<br />

the world. The monuments appeared on the Ripley’s<br />

Believe it or Not! television program in 1984 and in the<br />

travel book Weird <strong>Kentucky</strong><br />

in 2008.<br />

In January 2009,<br />

a severe ice storm<br />

devastated all of western<br />

and much of central<br />

<strong>Kentucky</strong>. During the<br />

storm, a 300-year-old<br />

tree fell directly on the<br />

statues, knocking over<br />

and destroying many of<br />

them. Today, restoration<br />

is underway while the<br />

monument remains<br />

open to visitors. Once<br />

it is restored the<br />

mysterious site will<br />

once again endure<br />

as a symbol of<br />

southern culture, from<br />

hunting and horses<br />

to eccentricity and<br />

individual expression. t<br />

The family of Colonel Henry G.<br />

Wooldridge stands watch<br />

over his gravesite.<br />

31


32<br />

Owensboro<br />

C’ing Polkadots<br />

115 W. Second St.<br />

270.240.4394<br />

www.c-ingpolkadots.com<br />

C’ing Polkadots is a new<br />

contemporary craft gallery in the<br />

heart of downtown Owensboro<br />

that features work by regional<br />

artists.<br />

International Bluegrass<br />

Music Museum<br />

207 E. Second St.<br />

270.926.7891<br />

www.bluegrass-museum.org<br />

The International Bluegrass<br />

Music Museum celebrates the<br />

past, present and future of the<br />

bluegrass sound, a regional<br />

music with international appeal.<br />

Come join a jam session on the<br />

first Thursday evening of each<br />

month.<br />

Owensboro Museum of Fine Art<br />

901 Frederica Street<br />

270.685.3181<br />

www.omfa.us<br />

The Owensboro Museum of Fine<br />

Art hosts a permanent collection<br />

of American, European and Asian<br />

fine and decorative arts dating<br />

from the 15th century to the<br />

present, as well as major traveling<br />

exhibitions, interpretive events<br />

and educational programs for<br />

children and adults.<br />

RiverPark Center<br />

101 Daviess St.<br />

270.687.2787<br />

www.riverparkcenter.org<br />

This facility on the banks of<br />

the Ohio River hosts national<br />

and international touring<br />

performances as well as<br />

performances from the resident<br />

Owensboro Symphony Orchestra<br />

and Owensboro Dance Theatre.<br />

During the holiday season,<br />

RiverPark transforms into a<br />

Winter Wonderland with sleigh<br />

rides, holiday movies and the<br />

tri-state’s largest outdoor ice rink.<br />

The center also offers a variety<br />

of arts education experiences<br />

for children.


Scenes from two popular events at<br />

RiverPark Center in Owensboro.<br />

Theatre Workshop of Owensboro<br />

407 W. Fifth St.<br />

270.683.5333<br />

www.theatreworkshop.org<br />

Known as the “the longest<br />

running show in town,” the<br />

Theatre Workshop of Owensboro<br />

has been producing quality<br />

community performances<br />

since 1955.<br />

Photos courtesy of<br />

RiverPark Center<br />

33


34<br />

Paducah<br />

Luther F. Carson Four Rivers<br />

Center<br />

100 <strong>Kentucky</strong> Ave.<br />

270.450.4444<br />

www.thecarsoncenter.org<br />

A state-of-the-art modern facility<br />

located in the arts-rich heart of<br />

Paducah, the Carson Center<br />

hosts national and international<br />

touring groups as well as the<br />

Paducah Symphony Orchestra<br />

and other theater, dance and<br />

music events for families and<br />

children.<br />

Market House Theatre<br />

132 Market House Square<br />

888.648.7529<br />

www.mhtplay.com<br />

A regional theater drawing<br />

audiences from western<br />

<strong>Kentucky</strong>, southern Illinois,<br />

southeastern Missouri and<br />

western Tennessee, the Market<br />

House Theatre provides quality<br />

theater and hands-on artistic<br />

experience for people of all ages.<br />

Paducah<br />

Known as the Four Rivers<br />

Region, Paducah benefits<br />

from the inland waterways<br />

that have defined its history.<br />

The Port of Paducah, at the<br />

foot of Broadway in historic<br />

downtown, is just downriver<br />

from the confluence of the<br />

Ohio and Tennessee Rivers.<br />

The Cumberland River joins<br />

the Ohio just east of the<br />

city, and the Ohio converges<br />

with the mighty Mississippi<br />

River less than 50 miles to<br />

the west.<br />

A stroll along the riverside<br />

reveals a wealth of images<br />

from the past. Over 40<br />

murals created by Robert<br />

Dafford and his team of<br />

muralists decorate the city’s


A gallery at the National Quilt<br />

Museum featues a dizzying<br />

array of quilt designs.<br />

floodwall. They portray Paducah from the time<br />

when Pre-Columbian Native Americans dwelled<br />

along the riverbank, through the era of the<br />

steamboat and on to the present day. Nearby,<br />

on the grounds of the National Quilt Museum,<br />

a group of bronze statues by George Lundeen<br />

commemorate the Lewis and Clark Expedition.<br />

William Clark, of the famed exploratory journey,<br />

is credited with establishing Paducah. He platted<br />

the town in 1827 and named it in honor of a tribe<br />

indigenous to the region.<br />

With a thriving arts district, a wide variety of<br />

cultural activities, urban cuisine and eclectic<br />

accommodations, Paducah offers an incredible array<br />

of experiences.<br />

Enter the National Quilt Museum and you will see<br />

an impressive array of fiber art. The museum has a<br />

permanent collection of award-winning quilts ranging<br />

from non-representational compositions to intricate<br />

Photo courtesy of the National Quilt Museum<br />

realistic scenes. The museum also hosts changing<br />

exhibits of historic and contemporary quilt-making.<br />

Art spaces abound within walking distance of the<br />

museum. The Yeiser Art Center has changing<br />

exhibits of visual art, and Maiden Alley Cinema<br />

screens independent films and hosts art exhibitions<br />

in its lobby. The performing arts are well represented<br />

by the Market House Theatre and the Carson Center,<br />

which boasts a two-story mural inspired by the rivers<br />

and the quilt-making traditions that helped form<br />

Paducah’s character. t<br />

35


36<br />

Photo courtesy of the National Quilt Museum<br />

Paducah (cont.)<br />

National Quilt Museum<br />

215 Jefferson St.<br />

270.442.8856<br />

www.quiltmuseum.org<br />

The National Quilt Museum is<br />

the gateway to the discovery of<br />

traditonal and non-traditional<br />

quiltmaking and the quilt artist.<br />

Mustang Mamas, a quilt from the National Quilt Museum<br />

by Denise Oyama Miller of Fremont, Calif.<br />

Yeiser Art Center<br />

200 Broadway St.<br />

270.442.2453<br />

www.theyeiser.org<br />

The Yeiser Art Center houses<br />

a permanent collection of<br />

American, European, African<br />

and Asian art, including work by<br />

such artists as Henri Matisse,<br />

Mary Cassatt, Salvador Dali and<br />

Francisco Goya. Center galleries<br />

feature changing art exhibits by<br />

local, national and international<br />

artists.<br />

Powderly<br />

Pickin’ in the Park<br />

Paradise Park<br />

Highway 189 Bypass<br />

270.338.5961<br />

Pickin’ in the Park is held<br />

every Friday evening from<br />

June through September and<br />

frequently features thumbpicking<br />

champions, as well as open-mic<br />

opportunities and jams.


Rosine<br />

A band plays at the barn in Rosine.<br />

Rosine Barn Jamboree<br />

8225 Highway 62 E.<br />

Bill Burden, 270.274.7414<br />

Frances Harvey, 270.274.5552<br />

This bluegrass jam happens<br />

every Friday evening at the barn<br />

in Rosine, near Bill Monroe’s<br />

home and his resting place at the<br />

Rosine Cemetery. The Bill Monroe<br />

Centennial begins in 2011.<br />

Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />

37


“That<br />

ease and<br />

accessibility<br />

of travel has<br />

made western<br />

<strong>Kentucky</strong><br />

a place of<br />

convergence<br />

and<br />

dispersal…”<br />

38<br />

Literary <strong>Arts</strong> in Western <strong>Kentucky</strong><br />

To its pre-European inhabitants, western <strong>Kentucky</strong><br />

was a sacred place, marked by its confluence of four<br />

major rivers. And though it isn’t frequently thought of<br />

in such terms, the region’s culture and history have<br />

been shaped by its passageways.<br />

First were its rivers—the area is bordered by the<br />

Ohio, the Mississippi and the Green; it is bisected<br />

by the Tennessee and Cumberland. These routes<br />

brought the first white settlers in the late 18th century<br />

and provided accessible routes for export of the area’s<br />

agricultural and mining products. Later, as rivers<br />

gave way to rails, the region continued to thrive as a<br />

transportation hub.<br />

That ease and accessibility of travel has made<br />

western <strong>Kentucky</strong> a place of convergence and<br />

dispersal, of people arriving from other places, settling<br />

with a fierce attachment to their land and home, and<br />

then disseminating their culture to the larger world.<br />

The Ohio River delivered John James Audubon<br />

(1785–1851) to Henderson from Louisville in 1810.<br />

Though he lived there only a few years, he is still<br />

closely associated with the area. He brought western<br />

<strong>Kentucky</strong> world-wide attention not only through his art<br />

Tony Crunk<br />

but through his writing, in particular his five-volume<br />

Ornithological Biography (1831–1839).<br />

Irvin Cobb (1876–1944), a native of Paducah,<br />

was one of the country’s most popular authors of the<br />

20th century. Through his journalism, screenwriting<br />

and humorous fiction, Cobb created a rich panorama<br />

of western <strong>Kentucky</strong> characters.<br />

The railroad town of Guthrie gave the nation one<br />

of the most important American writers of the 20th<br />

century, Robert Penn Warren (1905–1989). The<br />

country’s first poet laureate and the only person to<br />

win Pulitzer Prizes for both fiction and poetry, Warren<br />

took as his most frequent subject matter the life,<br />

people and history of his native region. With fellow<br />

Kentuckian Allen Tate and several other young writers<br />

at Vanderbilt University, he founded the Southern<br />

Agrarian movement in literary and social criticism,<br />

which profoundly shaped the themes, ideals and<br />

perceptions of southern culture.<br />

Warren’s family friend Caroline Gordon (1895–<br />

1981) was also among the most popular American<br />

writers of her day. Her first novel, Penhally (1931),<br />

an inter-generational family saga, established her as


another chronicler of the history and culture of the<br />

region. She later penned nine additional novels and<br />

three collections of short fiction.<br />

Western <strong>Kentucky</strong> University in Bowling Green<br />

was the adult home of one of <strong>Kentucky</strong>’s most active<br />

and loyal writers, Jim Wayne Miller (1936–1996).<br />

Miller wrote distinctively in poetry, fiction and drama<br />

and was a folklorist, a scholar of German literature<br />

and a tireless promoter of <strong>Kentucky</strong> writers.<br />

Another major rail center, Hopkinsville, has<br />

produced a number of significant literary figures,<br />

including Tony Crunk (b. 1956), the first of three<br />

Kentuckians in recent years to win the Yale Younger<br />

Poets Prize. Journalist and fiction writer Ted Poston<br />

(1906–1974), called the “Dean of Black Journalism,”<br />

became the first African-American career reporter for<br />

a major white newspaper, the New York Post, where<br />

he served for 35 years. He also authored a collection<br />

of short stories about his home town, The Dark Side of<br />

Hopkinsville, that was published posthumously in 1991.<br />

Another Hopkinsville native, bell hooks (b. 1952), is<br />

an internationally acclaimed cultural and social critic.<br />

Among her over 30 books is Bone Black: Memories of a<br />

Girlhood (1996), which chronicles her years growing<br />

up in Christian County.<br />

Further west, another major agricultural center,<br />

Mayfield, is the birthplace of one of America’s most<br />

respected contemporary fiction writers, Bobbie<br />

Ann Mason (b. 1940). Her first collection of short<br />

fiction, Shiloh and Other Stories (1982), offered poignant<br />

depictions of western <strong>Kentucky</strong> rural and small town<br />

life. In addition to numerous short story collections<br />

and novels, she has also published a number of nonfiction<br />

works, including a biography of the South’s<br />

favorite son, Elvis Presley (2002).<br />

Finally, the creative writing program at Murray<br />

State University, founded in the late 1970s by<br />

scholar and author Delbert Wylder (1923–2004),<br />

has attracted a stellar group of American writers to<br />

campus, including Charles Wright, James Galvin<br />

and Mark Jarman. It is currently the professional<br />

home of fictionist and essayist Squire Babcock and<br />

poet Ann Neelon, as well as the national literary<br />

journal New Madrid. Through this program, the<br />

university continues the region’s legacy of bringing<br />

new observers, writers and readers to the western<br />

<strong>Kentucky</strong> region, then sending them out into the<br />

world, forever touched by their engagement with<br />

the rich cultural heritage of a unique and profoundly<br />

affecting American place. t<br />

39


40<br />

Photo courtesy of Tony Crunk<br />

Poetry<br />

Selected works:<br />

Living in the Resurrection<br />

(1994)<br />

Stories from Real Life (2008)<br />

New Covenant Bound (2010)<br />

Tony Crunk<br />

(1956 – )<br />

Born in Hopkinsville, Ky.<br />

Tony Crunk is a native of Hopkinsville and a widely published poet and<br />

children’s author. He attended Centre College in Danville, Ky., and the<br />

University of <strong>Kentucky</strong> and received graduate degrees in creative writing<br />

and literature from the University of Virginia.<br />

He was awarded the Yale Younger Poets Prize for his first collection of<br />

poetry, Living in the Resurrection. He has since published several additional<br />

collections of poetry, three books for children and one collection of short<br />

fiction. He has taught writing and literature at the University of Montana,<br />

Murray State University, and James Madison University.<br />

He currently lives in Birmingham, Ala., where he is the writer-in-residence<br />

in the “Writing Our Stories” project, which provides creative writing<br />

instruction to residents of the state’s juvenile detention facilities.<br />

(Source: Tony Crunk, 2010)


Photo courtesy of Department of Rare Books and<br />

Special Collections, Princeton University Library<br />

Fiction<br />

Selected works:<br />

Penhally (1931)<br />

Aleck Maury, Sportsman (1934)<br />

Caroline Gordon<br />

(1895 – 1981)<br />

Born at Merry Mont farm near Trenton, Ky.<br />

Born at her mother’s ancestral home in southern Todd County, Caroline<br />

Gordon was educated by her father and attended his classical school for<br />

boys in Clarksville, Tenn. After graduating from Bethany College in W. Va.,<br />

Gordon taught school until 1920, when she became a book reviewer and<br />

critic for the Chattanooga News. During this time she became acquainted<br />

with members of Vanderbilt’s Literary Society and in 1924 married fellow<br />

Kentuckian, writer and critic Allen Tate.<br />

Gordon’s first published short story “Summer Dust” appeared in 1929.<br />

While she and her husband were abroad in Paris, Gordon worked on<br />

her first novel, Penhally, which portrays the lives of a <strong>Kentucky</strong> family over<br />

three generations. In 1932, she received a Guggenheim Fellowship and<br />

returned to Paris, where she worked on her most popular book, Aleck<br />

Maury, Sportsman. Gordon taught at Columbia University, Emory University<br />

and the University of Dallas, from which she retired in 1975.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)<br />

41


42<br />

Photo courtesy of LaNelle Mason<br />

Fiction<br />

Selected works:<br />

Shiloh and Other Stories (1982)<br />

In Country (1985)<br />

Spence + Lila (1988)<br />

Feather Crowns (1993)<br />

Clear Springs (1999)<br />

Zigzagging Down a Wild Trail<br />

(2002)<br />

Bobbie Ann Mason<br />

(1940 – )<br />

Born in Mayfield, Ky.; currently resides near Lawrenceburg, Ky.<br />

Bobbie Ann Mason grew up on her family’s dairy farm and attended the<br />

University of <strong>Kentucky</strong>, the State University of New York at Binghamton<br />

and the University of Connecticut, where she received her Ph.D. With the<br />

appearance of her first short story in The New Yorker in 1980, her fiction<br />

career took off, and she began publishing in such magazines as the Paris<br />

Review, Atlantic, Mother Jones and Harper’s. Mason’s fiction frequently<br />

centers around the working-class people of western <strong>Kentucky</strong>, and her<br />

literary style has been labeled “shopping mall realism.”<br />

Mason has served as Writer-in-Residence at the University of <strong>Kentucky</strong><br />

since 2001. Her collection of short stories, Shiloh and Other Stories, received<br />

the PEN/Hemingway Award for first fiction. Both Feather Crowns and<br />

Zigzagging Down a Wild Trail received the Southern Book Critics Award. Her<br />

memoir, Clear Springs, was a finalist for the Pulitzer Prize. Widely taught in<br />

high school and college classrooms, the novel In Country was made into a<br />

film starring Emily Lloyd and Bruce Willis.<br />

(Sources: Bobbie Ann Mason, 2010, and The <strong>Kentucky</strong> Anthology)


Excerpt from Spence + Lila<br />

He follows the creek line down toward the back fields. In the center<br />

of one of the middle fields is a rise with a large, brooding old oak tree<br />

surrounded by a thicket of blackberry briers. From the rise, he looks<br />

out over his place. This is it. This is all there is in the world—it contains<br />

everything there is to know or possess, yet everywhere people are<br />

knocking their brains out trying to find something different, something<br />

better. His kids all scattered, looking for it. Everyone always wants a way<br />

out of something like this, but what he has here is the main thing there<br />

is—just the way things grow and die, the way the sun comes up and<br />

goes down every day. These are the facts of life. They are so simple they<br />

are almost impossible to grasp. It’s like looking up at the stars at night,<br />

seeing them strung out like seed corn, sprinkled randomly across the<br />

sky. Stars seem simple, even monotonous, because there’s no way to<br />

understand them. The ocean was like that too, blank and deep and easy.<br />

—Bobbie Ann Mason<br />

43


44<br />

Photo courtesy of the <strong>Kentucky</strong> Library & Museum<br />

Fiction, Poetry<br />

Selected works:<br />

All the King’s Men (1946)<br />

Promises (1958)<br />

Now and Then: Poems<br />

1976–1978 (1979)<br />

Robert Penn Warren<br />

(1905 – 1989)<br />

Born in Guthrie, Ky.<br />

Robert Penn Warren, one of our nation’s most distinguished scholarwriters,<br />

attended public schools in Guthrie and graduated summa cum<br />

laude from Vanderbilt University in 1925. While at Vanderbilt, he joined<br />

the group know as the Fugitives, participating in literary discussions and<br />

in founding the journal called The Fugitive, published during 1922–1925.<br />

He later belonged to the Agrarians, a social-political group that included<br />

other such literary lights as John Crowe Ransom, Donald Davidson and<br />

Allen Tate. Warren (known to his friends as “Red”) continued his studies<br />

at the University of California, Berkley, earning his M.A. in English there<br />

in 1927. He subsequently studied at Yale and, for two years, at Oxford as<br />

a Rhodes Scholar.<br />

Warren achieved both critical and popular acclaim as a poet, novelist, essayist,<br />

dramatist, literary critic and editor. The nation’s first poet laureate<br />

and a three-time winner of the Pulitzer Prize (the only writer to win for


oth fiction and poetry), Warren also received a National Book Award, the<br />

Copernicus Award for Poetry, the Bollingen Prize for Poetry, The National<br />

Medal for Literature and a MacArthur Foundation award. He was awarded<br />

the Gold Medal for Poetry from the American Academy and Institute<br />

of <strong>Arts</strong> and Letters.<br />

Western <strong>Kentucky</strong> University in 1987 established the Center for Warren<br />

Studies, and a committee in Guthrie completed restoration of Warren’s<br />

birthplace in 1989. In 1988 Warren received the Milner Award, one of the<br />

Governor’s Awards in the <strong>Arts</strong> in <strong>Kentucky</strong>.<br />

Warren died on September 15, 1989, and was buried in the Stratton, Vt.,<br />

cemetery.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)<br />

45


46<br />

South<br />

Central<br />

Region


Water defines <strong>Kentucky</strong>’s south central region. Lakes<br />

and rivers abound, and ancient underground currents<br />

formed one of the most extensive cave systems in the<br />

world, which includes Mammoth Cave National Park.<br />

Tourists have flocked to this region for decades to enjoy<br />

water sports and caving.<br />

Evening on the Cumberland,<br />

watercolor, by Patricia Ritter of Kettle, Ky.<br />

Itinerant musicians traveling south to Nashville or north<br />

to Louisville often stopped here on their way, introducing<br />

new traditions or modifying the music popular among the locals. Other art forms unique to the area evolved in part because<br />

of this mix of transient peoples. You’ll find fine oak baskets, Art Deco theaters and custom-polished flint marbles used in<br />

local games.<br />

Bowling Green is the cultural and educational center of the region, but the little community of Horse Cave is where you’ll<br />

find the professional repertory theater. So expect the unexpected when you travel across this expansive region, but make<br />

sure you join the locals in some of their favorite pastimes. t<br />

47


48<br />

Music and Cultural Traditions in<br />

South Central <strong>Kentucky</strong><br />

With its lakes, rivers and caves,<br />

south central <strong>Kentucky</strong>’s natural<br />

geographical diversity presents<br />

the perfect environment for<br />

a rich cultural diversity. For<br />

generations, the beauty of this<br />

region has drawn a variety of<br />

people, all of whom contribute<br />

to the cultural and artistic<br />

landscape.<br />

The mixing of musical<br />

styles and the proximity to<br />

Nashville, Tenn., make this<br />

area a fertile ground for<br />

new music. Russellville is<br />

home to founding members<br />

of the influential 1960s<br />

activist group The Freedom<br />

Singers, who still live and<br />

perform there today. In<br />

Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />

the mid-20th century, Blues and R&B stars toured<br />

the “Chitlin’ Circuit,” which included a stop at the<br />

Quonset Auditorium in Bowling Green. “Newgrass”<br />

music, a departure from traditional bluegrass,<br />

Photo courtesy of John Edmonds<br />

(www.southernartistry.org/John_Edmonds)


developed around Bowling Green and the flagship<br />

band New Grass Revival, with its original members<br />

Sam Bush and Béla Fleck. Artists like gospel singer<br />

John Edmonds continue to introduce new audiences<br />

to traditional music, while venues like the WhaBah<br />

Steakhouse feature regular performances by stellar<br />

artists from the area.<br />

Tune in to the radio program Barren River<br />

Breakdown to experience some of the music of<br />

south central <strong>Kentucky</strong>. Produced in the studios of<br />

Western <strong>Kentucky</strong> University Public Radio, each<br />

edition of Barren River Breakdown features two<br />

hours of the best of American music, including<br />

plenty of great <strong>Kentucky</strong> music. Erika Brady, Dave<br />

Baxter and Dan Modlin bring their unique insights<br />

to each show on Saturdays and Sundays starting<br />

at noon Central time/1:00 p.m. Eastern time<br />

(WKPB 89.5 Henderson/Owensboro, WKYU 88.9<br />

Bowling Green/Glasgow, WDCL 89.7 Somerset/<br />

Campbellsville, WKUE 90.9 Elizabethtown/<br />

Bardstown, or online at www.wkyufm.org).<br />

Sam Bush (far left) performs at the 2007 <strong>Kentucky</strong> Folklife Festival.<br />

Gospel singer John Edmonds (left) always pleases the crowd.<br />

Recent immigrants include significant numbers<br />

of Bosnians, who have contributed to the cultural<br />

landscape with music, dance and unique food<br />

traditions. The Bowling Green International Festival<br />

in September showcases artists and traditions<br />

from Bosnia, Mexico, Vietnam and elsewhere. Visit<br />

www.bginternationalfest.com for more information.<br />

Finally, it is impossible to separate the artistic<br />

heritage of south central <strong>Kentucky</strong> from cave<br />

culture. As part of their occupational folk culture,<br />

cave guides practice to become excellent<br />

storytellers, sharing lore and history about <strong>Kentucky</strong><br />

karst lands. To learn about these traditions and<br />

more, visit the American Cave Museum in downtown<br />

Horse Cave, or the <strong>Kentucky</strong> Library and Museum<br />

on the campus of Western <strong>Kentucky</strong> University,<br />

home of an expanding folklore archive collection<br />

established decades ago by folklorist Lynwood<br />

Montell (www.wku.edu/Library/kylm/). t<br />

49


50<br />

<strong>Arts</strong> Access Gallery<br />

Since 1974, VSA <strong>Kentucky</strong> has been<br />

working to create a society where<br />

people with disabilities have access to<br />

opportunities for creative expression.<br />

Through participatory involvement with<br />

trained professionals and volunteers,<br />

adults and children with disabilities<br />

learn creative and social skills that<br />

open doors to new opportunities in<br />

the arts and other areas of life.<br />

Photo courtesy of VSA <strong>Kentucky</strong><br />

In addition to arts training, VSA <strong>Kentucky</strong> also provides a gallery<br />

space for participants to display their work and to view art by<br />

nationally recognized artists with disabilities. For a listing of<br />

current exhibits at the gallery and a schedule of Gallery Hop<br />

dates, visit www.vsartsky.org/artsaccessgallery.php. t<br />

Abstract Apple by Chris Thompson,<br />

acrylic on canvas, from the Artist<br />

Within exhibition. This lively and<br />

expressive exhibition showcased<br />

artwork from across the state created<br />

by adult artists with disabilities who<br />

participated in the Artist Within<br />

program.<br />

Bowling Green<br />

<strong>Arts</strong> Access Gallery<br />

VSA <strong>Kentucky</strong><br />

515 E. Tenth St.<br />

877.417.9594<br />

www.vsartsky.org/artsaccessgallery.php<br />

The <strong>Arts</strong> Access Gallery is a visual<br />

arts gallery highlighting the work<br />

of artists with disabilities and<br />

emerging artists who take part in<br />

VSA programs.


Capitol <strong>Arts</strong> Center<br />

416 E. Main St.<br />

270.782.2787<br />

www.capitolarts.com<br />

Visitors to the Capitol <strong>Arts</strong><br />

Center, originally constructed<br />

as a vaudeville house in the<br />

1890s, can browse through its<br />

spacious art galleries before<br />

enjoying theatrical or musical<br />

performances by the Fountain<br />

Square Players, Orchestra<br />

<strong>Kentucky</strong> and Bowling Green<br />

Western Symphony Orchestra.<br />

The Capitol <strong>Arts</strong> Center marquee lights up the evening.<br />

The Gallery at 916<br />

916 State St.<br />

270.843.5511<br />

www.thegalleryat916.com<br />

Located in a historic storefront in<br />

downtown Bowling Green, The<br />

Gallery at 916 features fine art<br />

paintings, sculpture, jewelry and<br />

custom textiles.<br />

<strong>Kentucky</strong> Blues Jams at<br />

WhaBah Steakhouse<br />

2361 Russellville Road<br />

270.782.6400<br />

Contact: Ryan Stiles,<br />

kybluesjam@gmail.com<br />

www.kentuckybluessociety.com<br />

This is a family-friendly blues<br />

jam for all ages, every Sunday<br />

evening, 6–10 p.m.<br />

Photo courtesy of Bowling Green Area Convention & Visitors Bureau<br />

The Pots Place Co-op Studio<br />

and Gallery<br />

428 E. Main St.<br />

270.535.0561<br />

www.thepotsplace.com<br />

Pots Place is a ceramic arts co-op<br />

in beautiful downtown Bowling<br />

Green featuring the works of<br />

six artists as well as a variety of<br />

hands-on art classes.<br />

51


Photo courtesy of photographer Hunter Wilson and the Daily News<br />

52<br />

Bowling Green(cont.)<br />

Public Theatre of <strong>Kentucky</strong><br />

545 Morris Ave.<br />

270.781.6233<br />

www.ptkbg.org<br />

A sunny day<br />

brings out<br />

the audience<br />

for a concert<br />

in Fountain<br />

Square.<br />

The Public Theatre of <strong>Kentucky</strong><br />

produces a varied season of<br />

dramas, comedies and musicals,<br />

as well as a series of productions<br />

for young audiences. The Gallery<br />

in the lobby features work from<br />

regional artists.<br />

Bowling Green’s Fountain Square<br />

and the Capitol <strong>Arts</strong> Center<br />

Fountain Square marks the original site of Bowling Green’s first log<br />

and red-brick courthouse, as well as the site of the city’s original<br />

market house and jail. When a new courthouse was built following<br />

the Civil War, the site became a park thanks to the vision of John Cox<br />

Underwood, an architect/engineer and the second mayor of Bowling<br />

Green.<br />

The focal point of the park, the fountain originally sculpted by Antonio<br />

Canova in 1881, features Hebe, the Greek goddess of youth. The<br />

park also contains two large cast urns and sculptures of Ceres,<br />

goddess of grain; Pomona, goddess of fruit; Melpomane, goddess of<br />

tragedy; and Flora, goddess of flowers. The statue mounts and the two<br />

arched memorial entries are made of locally quarried Bowling Green<br />

limestone. Throughout the city’s history, Fountain Square has been<br />

the community’s center for celebrating, parading, protesting and other<br />

displays of civic pride and duty.<br />

Also on the square, the Capitol <strong>Arts</strong> Center is an amazing example of<br />

adaptive re-use of a historic property. Originally built as a vaudeville<br />

house in the late 1890s, the stage became a movie theater in the mid-<br />

1930s. Although the Capitol Theater closed in 1967 and sat vacant for


nearly ten years, it re-opened, following<br />

a grassroots renovation project, as an<br />

arts center with a performance venue<br />

seating approximately 800 patrons. The<br />

building retains the Art Deco style and<br />

decor of its 1930s renovation.<br />

The Capitol <strong>Arts</strong> Center offers a multifaceted<br />

arts experience for visitors, with<br />

two galleries, youth theater productions and<br />

regular performances from the Fountain<br />

Square Players, Orchestra <strong>Kentucky</strong><br />

and Bowling Green Western Symphony<br />

Orchestra. Through the Capitol <strong>Arts</strong><br />

Alliance, the center also hosts educational<br />

opportunities for young actors. It shares the<br />

healing power of art by hosting exhibits at<br />

the Southern <strong>Kentucky</strong> Cancer Center and<br />

the Bowling Green Medical Center Health and<br />

Wellness Classroom. t<br />

Bowling Green’s Fountain Square<br />

is beautiful any time of year.<br />

Photos courtesy of Bowling Green Area<br />

Convention & Visitors Bureau<br />

53


54<br />

Glasgow<br />

The Plaza Theatre<br />

115 E. Main St.<br />

270.361.2101<br />

www.plaza.org<br />

This ornate Depression-era movie<br />

palace, which underwent major<br />

renovations before reopening<br />

in 2005, now presents an<br />

entertaining mix of music, theater<br />

and comedy.<br />

Community members gather at<br />

The Bookstore for a Thursday<br />

evening jam in Horse Cave.<br />

Horse Cave<br />

Jammin’ on the Porch at the<br />

Historic Thomas House<br />

Contact: Dave Foster<br />

119 E. Main St.<br />

270.786.1466<br />

Thursday evening jam sessions<br />

happen at the historic Thomas<br />

House during warm weather and<br />

rotate to The Bookstore, Gallery<br />

Bakery and Snappy’s Pizza and<br />

Pasta in cool or rainy weather.<br />

Music includes bluegrass,<br />

country, gospel and blues.<br />

<strong>Kentucky</strong> Repertory Theatre<br />

at Horse Cave<br />

107 E. Main St.<br />

270.786.2177<br />

www.kentuckyrep.org<br />

<strong>Kentucky</strong> Repertory Theatre is<br />

a professional theater company<br />

located in scenic cave country,<br />

producing a series of plays in a<br />

repertory cycle.


<strong>Kentucky</strong> Repertory Theatre<br />

<strong>Kentucky</strong> Repertory Theatre is downtown Horse<br />

Cave’s largest employer and one of only three<br />

<strong>Kentucky</strong> theaters to operate under agreement with<br />

Actors Equity, the union of professional actors and<br />

stage managers. As the owner of five buildings in<br />

the heart of Horse Cave’s registered historic district<br />

and the first to restore buildings for adaptive re-use,<br />

<strong>Kentucky</strong> Rep has led the way in the revitalization of<br />

the city’s historic district.<br />

Amanda Rae Jones appears in<br />

And Then They Came for Me at<br />

<strong>Kentucky</strong> Repertory Theatre.<br />

The theater’s most important asset, however, is the<br />

quality of its performances. The New York Times<br />

once characterized <strong>Kentucky</strong> Repertory Theatre as<br />

“a sophisticated theatre with a history of producing<br />

challenging dramatic works.” The theater’s repertoire<br />

ranges from Shakespeare to Neil Simon.<br />

Today the theater continues to thrill audiences with<br />

a diverse season of classic and contemporary works,<br />

including programming by and for young people. t<br />

Photo courtesy of <strong>Kentucky</strong> Repertory Theatre<br />

55


56<br />

Horse Cave<br />

It’s a sweltering summer evening and you’re<br />

planning to attend an outdoor concert downtown.<br />

You pack some cold drinks in a cooler and, at the<br />

last minute, you grab a sweater on the way out<br />

the door.<br />

A sweater? Well, when the concert is in Horse Cave<br />

and summer heat or threatening thunderstorms<br />

make the weather a concern, you know there‘s<br />

a good chance the concert will get moved inside<br />

Hidden River Cave, right in the middle of town. It’s<br />

always cool inside the cave, and the acoustics are<br />

better than you might expect.<br />

The stairs down to<br />

Hidden River Cave are<br />

just steps away from<br />

Horse Cave’s Main St.<br />

Horse Cave, just east of Mammoth Cave National<br />

Park, is one of only two communities in the world<br />

with a cave entrance in the center of town. (The<br />

other is in South Korea.) The adjoining American<br />

Cave Museum includes offices for the American<br />

Cave Conservation Association.<br />

Photo courtesy of Horse Cave Development Corporation


The rejuvenated<br />

downtown<br />

Horse Cave.<br />

Horse Cave has an aboveground persona,<br />

too. The <strong>Kentucky</strong> Repertory Theatre<br />

is on the list of the Ten Great Places to<br />

See the Lights Way Off Broadway and<br />

received second place in <strong>Kentucky</strong> Living<br />

magazine’s Best of 2010 Performing<br />

<strong>Arts</strong> list. Nearby, the Heritage Art Gallery<br />

features fine art, folk art and photography.<br />

And don’t miss the artistic creations on<br />

display at the adjoining Gallery Bakery<br />

and Donuts. Local businesses host weekly<br />

bluegrass jams, and the annual Horse<br />

Cave Heritage Festival showcases area folk<br />

arts and traditions.<br />

In recent years a nonprofit group made up<br />

of area businesspeople has worked hard to<br />

revitalize downtown Horse Cave by purchasing<br />

and improving decaying commercial buildings.<br />

Some of these buildings, still awaiting permanent<br />

tenants, have been put to creative use: for<br />

Photo courtesy of Horse Cave Development Corporation<br />

example, one storefront’s large glass windows were<br />

commandeered to display artwork of local students.<br />

Some who live in a rural community the size of<br />

Horse Cave might have a hard time envisioning<br />

potential vitality during economically challenging<br />

times. The enlightened residents of Horse Cave,<br />

however, have found a way to capitalize on all of<br />

their assets. t<br />

57


58<br />

Lucas<br />

Barren River Lake<br />

State Resort Park Jams<br />

Contact: Lisa C. Davis,<br />

Resort Park Manager<br />

1149 State Park Rd.<br />

800.325.0057, ext. 2421<br />

These jam sessions, on the first<br />

Tuesday evening of each month<br />

in the lodge restaurant and lobby<br />

areas, feature all types of music.<br />

Arrive early for dinner and make a<br />

night of it.<br />

Somerset<br />

Carnegie Community <strong>Arts</strong> Center<br />

107 N. Main St.<br />

606.677.0333<br />

www.carnegiecac.com<br />

Known as the “Grand Dame of<br />

Somerset,” the center is home<br />

to some of the area’s major arts<br />

organizations and features live<br />

performances and educational<br />

opportunities, as well as a<br />

French-style market and café.<br />

The Center for<br />

Rural Development<br />

2292 S. Hwy. 27<br />

606.677.6000<br />

www.centertech.com<br />

Lake Cumberland Performing<br />

<strong>Arts</strong> offers a season of diverse<br />

drama, music and dance on the<br />

Center Stage, as well as visual<br />

arts exhibits.<br />

Lake Cumberland Jammers at<br />

American Legion Post #38<br />

Contact: Joe LaMay<br />

500 Enterprise Drive<br />

606.305.6741<br />

http://lakecumberlandjammers.com<br />

Tuesday evenings, take part in<br />

folk, bluegrass, country, gospel<br />

and old-time jams.


Basket-making Traditions<br />

Along Highway 31W<br />

Part of a long stretch of highway reaching from<br />

Michigan to Alabama, <strong>Kentucky</strong>’s U.S. Route 31W,<br />

or “the Dixie Highway,” is home to a variety of<br />

traditions. The highway passes through the heart<br />

of <strong>Kentucky</strong> cave country and provides access to<br />

the entrances of Mammoth Cave National Park.<br />

Travelers can stop at a number of motels, attractions<br />

and service stations built in the middle of the 20th<br />

century, including a wigwam village.<br />

Highway 31W is also home to south central<br />

<strong>Kentucky</strong>’s unique split white oak basket-making<br />

tradition. The style has specific characteristics, from<br />

the choice of oak to the “burr” or “ear” wrapping<br />

pattern of ribbed baskets. The baskets are such<br />

an important part of the area that they are judged<br />

annually in the Hart County Fair Basket Making<br />

Contest in early July. If you are traveling through<br />

the area at other times of the year, consider visiting<br />

the Family Medical Center in Munfordville, which<br />

displays a large collection of the work of local basket<br />

makers. Visit www.mammothcavebasketmakers.com for<br />

more information. t<br />

Leona Waddell, one of the<br />

area’s most accomplished<br />

basket makers, displays some<br />

of her white oak baskets.<br />

Photo courtesy of Leona Waddell<br />

59


60<br />

Marble Games for Grown-ups<br />

East of the cave lands of the south central region, on<br />

the Tennessee border, is Monroe County, the home<br />

of folklorist Lynwood Montell. Montell, who began the<br />

masters program in folk studies at Western <strong>Kentucky</strong><br />

University, is the author of popular and scholarly<br />

works on ghost stories, race relations, food traditions<br />

and other regional<br />

topics.<br />

One recreational<br />

tradition documented<br />

by Montell is marble<br />

playing. Grown men<br />

spend hours a day<br />

engaged in serious<br />

competitions of<br />

marble games like<br />

Rolley Hole, which<br />

is played on a large,<br />

groomed dirt surface<br />

with borders and<br />

small holes drilled<br />

Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />

at carefully measured intervals. The marbles are<br />

created out of flint and are works of art. (Glass<br />

marbles are not used because players shoot so hard<br />

they would break.) Many innovative ways of making<br />

flint marbles have emerged—from a makeshift<br />

tumbler attached to a truck wheel, to power grinders<br />

and molds that form the pieces of flint into perfect<br />

spheres.<br />

Larry and Richard<br />

Bowman prepare<br />

for a game of<br />

Rolley Hole.


Visitors can watch and take part in marble games yearround<br />

in Tompkinsville at the Marble Club Super Dome<br />

any day after 4 p.m. and on Sunday mornings after 8:30.<br />

No marble handy? No worries. “We’ll let anybody play.<br />

We’ll even loan them a marble,” says Rondal Biggerstaff.<br />

Friday night is the best night for marbles, though there’s<br />

sure to be a game or two going on every other night of the<br />

week as well.<br />

Or plan to play some marbles at the Watermelon Festival,<br />

where you can also enjoy the unique, spicy barbecue<br />

of the region. Contact the Monroe County Chamber of<br />

Commerce for information at 270-487-1314 or visit them<br />

at www.monroeky.com. t<br />

Tompkinsville<br />

Pickin’ in the Park<br />

Old Mulkey Meetinghouse State<br />

Historic Site<br />

Contact: Sheila Rush<br />

38 Old Mulkey Park Road<br />

270.487.8481<br />

This jam typically features<br />

bluegrass and gospel music, but<br />

all genres are welcome. Bring<br />

a lawn chair and join us on the<br />

Meetinghouse grounds (or inside<br />

if it rains) the third Saturday<br />

evening of each month. Don’t<br />

miss the marble games and the<br />

barbecue!<br />

61


“Survant’s<br />

poetry reflects<br />

geography—<br />

his childhood<br />

in Owensboro<br />

on the Ohio<br />

River and<br />

his adult life<br />

lived over [an]<br />

underground<br />

river…”<br />

62<br />

Literary <strong>Arts</strong> in South Central <strong>Kentucky</strong><br />

South central <strong>Kentucky</strong> sprawls westward from<br />

the edge of the Cumberland Plateau, marked by<br />

the Pottsville Escarpment and its many waterfalls—<br />

most notably Cumberland Falls near Burnside, the<br />

childhood home of novelist Harriette Simpson Arnow<br />

(1908–1986).<br />

The author of ten books, Arnow is best known<br />

for The Dollmaker, her novel of the diaspora from<br />

southern Appalachia to northern industrial cities<br />

during the Great Depression and World War II. It is a<br />

fit companion to John Steinbeck’s The Grapes of Wrath,<br />

which chronicles a similar displacement from the Great<br />

Plains. Although Arnow herself followed the path of<br />

her heroine, Gertie Nevels, to Detroit and remained a<br />

resident of Michigan for the rest of her life, she, unlike<br />

Gertie, embraced Detroit, relishing the conveniences<br />

of big city life. In the novel, however, Arnow embraces<br />

the Romantic theme of the destructive clash between<br />

rural and urban cultures. As an intelligent and<br />

independent-minded woman limited by gender, class<br />

and economics, Gertie struggles to find a place in her<br />

Joe Survant<br />

new world. The Dollmaker is one of the American South’s<br />

great tragic novels.<br />

West of Arnow’s Cumberland Valley lies the<br />

karst area of sinking springs, underground rivers<br />

and caves. The largest known cave system in the<br />

world, Mammoth Cave, with over 350 miles of<br />

charted passages, is the center of this region. One<br />

of <strong>Kentucky</strong>’s most promising young poets, Davis<br />

McCombs (b. 1969), grew up near Munfordville, only<br />

12 miles from this cave, and worked as a park ranger<br />

in the national park that bears its name. Commonly,<br />

the landscapes of writers’ childhoods inform their<br />

work; McCombs is no exception. The author of two<br />

collections of poems, he is best known for Ultima Thule,<br />

winner of the prestigious Yale Series of Younger Poets<br />

competition. These poems are spoken by Stephen<br />

Bishop, a slave of Dr. John Croghan, the owner of the<br />

cave. From 1838 to 1857, Bishop worked as a guide<br />

in the cave, mapping countless new passages and<br />

becoming a celebrity himself.


Fifty miles west of Mammoth Cave is the city of<br />

Bowling Green, where former <strong>Kentucky</strong> Poet Laureate<br />

Joe Survant (b. 1942) continues to live after retiring<br />

from Western <strong>Kentucky</strong> University. Like the fiction of<br />

Arnow and the poetry of McCombs, Survant’s poetry<br />

reflects geography—his childhood in Owensboro<br />

on the Ohio River and his adult life lived over the<br />

underground river that runs beneath Bowling Green.<br />

The author of four collections of poems, including one<br />

set in Malaysia, Survant’s best-known books form a<br />

narrative of rural life in <strong>Kentucky</strong> that spans the presettlement<br />

explorations to World War I. Anne & Alpheus,<br />

1842-1882 is spoken by a husband and wife whose<br />

40-year marriage circles the early death of their only<br />

child. Rafting Rise, set in the year before America’s<br />

entrance into WW I, is spoken by people whose lives<br />

centered around cutting timber and rafting logs down<br />

small streams to the lumber mills of Evansville, Ind.,<br />

on the Ohio River. t<br />

Cumberland Falls, on the eastern edge<br />

of the south central region.<br />

63


64<br />

Photo courtesy of Thomas Arnow<br />

Fiction<br />

Selected works:<br />

Hunter’s Horn (1949)<br />

The Dollmaker (1954)<br />

<strong>Kentucky</strong> Trace (1974)<br />

Harriette Arnow<br />

(1908 – 1986)<br />

Born in Wayne County; grew up in Burnside, Ky.<br />

Harriette Simpson Arnow was the author of the celebrated Appalachian<br />

novels The Dollmaker and Hunter’s Horn and two social histories, Seedtime on the<br />

Cumberland and Flowering of the Cumberland, which accurately depict frontier<br />

and colonial life on the Cumberland Plateau.<br />

Arnow wrote about <strong>Kentucky</strong> in the way that Welty wrote about Mississippi,<br />

Cather wrote about Nebraska and O’Connor wrote about Georgia—<br />

with authentic realism and unsentimental empathy. Her novels tell of the<br />

effect of roads on rural communities in Appalachia and the effect of World<br />

War II on mountain people who migrated from Appalachia to northern<br />

industrial centers. She put faces on those who got left behind: Americans<br />

who farmed and worked in factories and never left this country during<br />

wartime but nevertheless were profoundly changed.<br />

Born in Wayne County, Arnow spent most of her childhood in Burnside.<br />

She moved to Michigan during World War II.<br />

(Source: Thomas Arnow, 2010)


Photo courtesy of Davis McCombs<br />

Poetry<br />

Selected works:<br />

Ultima Thule (2000)<br />

Dismal Rock (2007)<br />

Davis McCombs<br />

(1969 – )<br />

Grew up in Woodsonville, Ky.<br />

Davis McCombs was born in Louisville and grew up in Hart County. He<br />

attended Hart County High School, Harvard University, the University of<br />

Virginia and Stanford University.<br />

McCombs was awarded the Yale Younger Poets Prize for his first book of<br />

poems, Ultima Thule. He received the Dorset Prize for Dismal Rock.<br />

In 2002 he left his job at Mammoth Cave National Park and moved to Arkansas<br />

where he directs the MFA Program at the University of Arkansas.<br />

He currently lives in Fayetteville with his wife, the poet Carolyn Guinzio,<br />

and their two children, Warren and Charlotte.<br />

(Source: Davis McCombs)<br />

65


66<br />

Photo courtesy of the Miller family<br />

Poetry, Fiction<br />

Selected works:<br />

Newfound (1996)<br />

The Brier Poems (1997)<br />

Jim Wayne Miller<br />

(1936 – 1996)<br />

Longtime resident of Bowling Green, Ky.<br />

Jim Wayne Miller, a native of the mountain country of North Carolina,<br />

graduated from Berea College in <strong>Kentucky</strong> in 1958 and received his<br />

Ph.D. in German and American Literature from Vanderbilt University in<br />

1965. While at Vanderbilt, as an NDEA Fellow, he studied under Fugitive<br />

poet Donald Davidson and Hawthorne Scholar Randall Stewart. He<br />

was a Professor of German language and literature at Western <strong>Kentucky</strong><br />

University in Bowling Green for 33 years. He served as a consultant to<br />

the Appalachian Studies programs in <strong>Kentucky</strong>, Tennessee and Ohio and<br />

was a visiting Professor in Appalachian Studies at the Berea College Appalachian<br />

Center.<br />

Miller was named <strong>Kentucky</strong> poet laureate by the <strong>Kentucky</strong> General Assembly<br />

in 1986. His honors include the Alice Lloyd Memorial Prize for<br />

Appalachian Poetry in 1967, the 1980 Thomas Wolfe Literary Award and<br />

the Appalachian Writers Association Book of the Year Award.<br />

(Source: The Miller family, www.JimWayneMiller.com)


Poetry<br />

Selected works:<br />

We Will All Be Changed (1995)<br />

Anne and Alpheus, 1842–1882<br />

(1996)<br />

The Presence of Snow in the<br />

Tropics (2001)<br />

Rafting Rise (2002)<br />

Joe Survant<br />

(1942 – )<br />

Born in Owensboro, Ky.; currently resides in Bowling Green, Ky.<br />

Joe Survant grew up along the Ohio River, hunting, fishing, camping<br />

and “contracting a chronic love for rivers [and] woods…” He is the<br />

author of four books of poetry, two of which won national awards. He<br />

has said that a year spent teaching at the Universiti Sains Malaysia in<br />

1983–1984 on a Fulbright Fellowship was pivotal for his writing. In the<br />

early 1990s, he began writing a “type of epic of rural <strong>Kentucky</strong> in three<br />

books, each set in a different century.” Anne & Alpheus represents the<br />

19th century and Rafting Rise the early 20th century.<br />

Survant is retired from teaching literature and writing at Western <strong>Kentucky</strong><br />

University where he is Professor Emeritus. He served as <strong>Kentucky</strong>’s<br />

poet laureate from 2003–2004. His poetry has been published<br />

abroad in the U.K., Canada, Singapore and Malaysia.<br />

(Sources: Joe Survant, 2010; bookclub@ket, Joe Survant: A Brief Autobiography,<br />

2004)<br />

67


68<br />

Eastern<br />

Region


The Appalachian Mountains define <strong>Kentucky</strong>’s eastern<br />

region both geographically and culturally. It is an area of<br />

rugged terrain and beautiful vistas, rocky outcrops, dense<br />

forests and hardscrabble farms. Communities are typically<br />

small and sometimes isolated, but there are also vibrant<br />

cultural and commercial centers that draw people from<br />

some distance.<br />

All They Had Was One Banjo Player,<br />

oil painting on primed glass,<br />

by John Haywood of Litt Carr, Ky.<br />

Eastern Kentuckians are fiercely protective of their culture and traditions, and their art has benefited from the faithful<br />

preservation of techniques passed down through generations. Today young Appalachian artists pay homage to their<br />

forebears by learning their ancestral music, dance and crafts, at times adding their own touches, and enthusiastically<br />

sharing the results with the world.<br />

If you appreciate handmade crafts, folk music you can trace to European traditions and scenic roads twisting through oneof-a-kind<br />

communities, you’ll want to plan a trip to the eastern part of our state. t<br />

69


70<br />

<strong>Kentucky</strong>’s Traditions along<br />

the Country Music Highway<br />

Along the Route 23 corridor, better known as the<br />

Country Music Highway—dedicated to local country<br />

music legends including Loretta Lynn, Dwight<br />

Yoakam, Ricky Skaggs, and the Judds—you’ll find a<br />

treasure trove of musical traditions. While traveling<br />

the highway, you may also be interested in some<br />

of the communities that fostered these traditions.<br />

The <strong>Kentucky</strong> Folklife<br />

Program distilled four<br />

years of research into<br />

a handy companion<br />

book—packaged with<br />

four CDs narrated by<br />

Ricky Skaggs—and<br />

called it More than Music:<br />

A Heritage Driving Tour<br />

of <strong>Kentucky</strong>’s Route 23.<br />

Following are a few of<br />

the cultural gems you’ll<br />

find along the route.<br />

Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />

If you’re a country music fan, you won’t want to miss<br />

Butcher Hollow, the home of Loretta Lynn. Loretta’s<br />

brother Herman Webb runs a traditional country<br />

store near Van Lear. He’ll meet you there and take<br />

you on a guided tour of the Webb family homestead<br />

for a small donation. If you ask, he may even share<br />

some of that Webb family musical talent with you.<br />

Up a winding mountain road not far from Blackey<br />

you’ll find a lively community gathering spot<br />

dedicated to preserving<br />

mountain culture,<br />

the Carcassonne<br />

Community Center. The<br />

center hosts community<br />

activities such as a<br />

quilting group and a<br />

monthly square dance,<br />

which is the oldest<br />

continuously-running<br />

Ricky Skaggs (left)<br />

performs at the 2005<br />

<strong>Kentucky</strong> Folklife Festival.


community square dance in the commonwealth.<br />

Visitors are encouraged to participate. The dances<br />

have included both regionally and nationally known<br />

musicians, such as banjo master Lee Sexton.<br />

Dancers from Carcassonne have been featured at<br />

the <strong>Kentucky</strong> Folklife Festival and the Smithsonian<br />

Folklife Festival.<br />

If you want to do more than just listen to music, stop<br />

by the Cowan Creek Mountain Music School. Yearround<br />

music classes, workshops, youth jam sessions<br />

and square dances are offered for<br />

folks ages 11 years<br />

and older. Learn from<br />

some of the finest<br />

old-time musicians<br />

Maggie Duncan-Collum,<br />

a student at the Cowan<br />

Creek Mountain Music<br />

School, plays at the 2007<br />

<strong>Kentucky</strong> Folklife Festival.<br />

<strong>Kentucky</strong> has to offer, including Carla Gover and<br />

Roger Cooper.<br />

To order a copy of More than Music: A Heritage Driving<br />

Tour of Route 23, visit the 1792 Store at the Thomas<br />

D. Clark Center for <strong>Kentucky</strong> History in Frankfort or<br />

call 502-564-1792. t<br />

Photo courtesy of Carla Gover<br />

Musician Carla Gover<br />

teaches at the Cowan<br />

Creek Mountain<br />

Music School.<br />

71


72<br />

Paramount <strong>Arts</strong> Center<br />

Originally built in 1931, The Paramount Theater<br />

in Ashland was one of the first built for “talking<br />

pictures.” It was a model for other theaters<br />

around the country that exclusively presented<br />

films produced by Paramount Studios. But as<br />

time passed, it sat in disrepair. Luckily the people<br />

of Ashland saw great potential in the beautifully<br />

designed space and, when remodeling began in<br />

1972, pains were taken to restore its amazing Art<br />

Deco architecture. Some unique pieces include<br />

bent-glass ceiling fixtures and a recessed water<br />

fountain. The walls of the theater feature carefully<br />

restored murals of 16th-century commedia dell’arte<br />

characters. The center exudes opulence right down<br />

to the solid pewter mirrors in the ladies room.<br />

The offerings at the Paramount Art Center pay<br />

homage to the region’s Appalachian heritage while<br />

presenting a wide selection of performances: from<br />

nationally touring theater productions to WTCR’s<br />

Highway 23 Jamboree, which presents artists from<br />

<strong>Kentucky</strong>’s famous Country Music Highway in an<br />

Opry-like atmosphere.<br />

Photo courtesy of the Paramount <strong>Arts</strong> Center<br />

And did we mention the ghost? Like any<br />

good historic building, an old friend watches over<br />

the Paramount. Affectionately called Paramount Joe,<br />

the spirit is rumored to be a laborer who met his end<br />

during the construction of the building. He is said to<br />

be a friendly ghost who makes his presence known<br />

through unexplained noises, missing objects, cold<br />

spots and the occasional apparitional appearance.<br />

Paramount Joe’s Rising Star Café is so named in<br />

honor of the amicable spirit. On Friday nights when<br />

no performance is scheduled, visitors can listen to<br />

up-and-coming artists while enjoying coffee shop<br />

ambience. t


Ashland<br />

Paramount <strong>Arts</strong> Center<br />

1300 Winchester Ave.<br />

606.324.3175<br />

www.paramountartscenter.com<br />

The Paramount <strong>Arts</strong> Center’s<br />

lavish Art Deco design welcomes<br />

audiences to a diverse slate of<br />

more than 120 performance<br />

events each year.<br />

An artist at Red Bird Mission Crafts<br />

demonstrates how to make a cornhusk flower.<br />

Beverly<br />

Red Bird Mission Crafts<br />

70 Queendale Center<br />

606.598.2709<br />

www.crafts.rbmission.org<br />

The craft marketing program<br />

of Red Bird Mission strives to<br />

provide economic opportunities<br />

for Appalachian families located<br />

within a 60-mile radius of the<br />

mission. The work of over 134<br />

craft artists is featured in the retail<br />

outlet.<br />

Photo courtesy of Red Bird Mission Crafts<br />

Clay City<br />

Meadowgreen Park Jams<br />

Contact: Don Rogers<br />

303 Bluegrass Lane<br />

859.351.1146<br />

This bluegrass jam, held every<br />

third Sunday afternoon, has<br />

been ongoing since 1977. It<br />

is presented by the <strong>Kentucky</strong><br />

Friends of Bluegrass, which has<br />

members all over the world.<br />

73


74<br />

Corbin<br />

Bluegrass and Gospel Jam<br />

Sessions at Cumberland Falls<br />

State Resort Park<br />

Contact: Steve Gilbert<br />

7351 Highway 90<br />

606.528.4121<br />

The jam is held the second and<br />

last Mondays of the month,<br />

except in December. Different<br />

areas throughout the lodge<br />

feature various types of traditional<br />

music, including string music,<br />

gospel and bluegrass.<br />

David<br />

David Appalachian Crafts<br />

6369 Highway 404<br />

606.886.2377<br />

www.davidappalachiancrafts.com<br />

David Appalachian Crafts was<br />

founded in 1972 to help area<br />

residents supplement their<br />

income and raise local pride<br />

during a time of diminishing coal<br />

markets and loss of income.<br />

Showcasing the crafts of 90<br />

artisans from a seven-county<br />

area, it is a retail outlet for<br />

talented quilters, woodworkers,<br />

basket makers and gourd<br />

painters and a place for people to<br />

meet other artisans in the area.<br />

Hindman<br />

Appalachian Artisan Center<br />

16 W. Main St.<br />

606.785.9855<br />

www.artisancenter.net<br />

The Appalachian Artisan Center<br />

focuses on nurturing and<br />

developing one of the region’s<br />

most precious assets—artists.<br />

Through a unique and innovative<br />

program, the center helps artists<br />

make a living through their art<br />

by selling work from adjudicated<br />

artists.


Gallery at<br />

the <strong>Kentucky</strong><br />

School of Craft<br />

in Hindman.<br />

Picking and Grinning<br />

in Hindman<br />

Opportunity Center<br />

Contact: Robert Short<br />

238 Highway 160 S.<br />

606.785.4404<br />

All pickers and grinners are<br />

welcome to join this bluegrass<br />

jam in beautiful Hindman on the<br />

Hazard Community and Technical<br />

College campus.<br />

<strong>Kentucky</strong> School of Craft<br />

The community of Hindman in central<br />

Appalachia has a history as an educational<br />

and cultural center. In 1902 the Hindman<br />

Settlement School opened, and it continues<br />

to provide the community with cultural and<br />

educational opportunities that have helped<br />

residents remain mindful of their heritage.<br />

Following in that tradition, the <strong>Kentucky</strong> School of Craft<br />

opened in 2004 to train local residents in their rich craft heritage<br />

and help them start or expand craft-related businesses. The<br />

professional craft school, housed in a 25,000-square-foot historic<br />

rock building in downtown Hindman, is now a part of the Hazard<br />

Community and Technical College System and produces skilled<br />

artisans, knowledgeable in the region’s rich traditions and heritage.<br />

As part of a regional economic development strategy, the<br />

Appalachian Artisan Center provides a retail outlet for artists<br />

associated with the <strong>Kentucky</strong> School of Craft. The two work<br />

closely together to build an economically vibrant arts community<br />

in eastern <strong>Kentucky</strong> and promote the region as an appealing and<br />

viable place to live, work and visit. t<br />

75


76<br />

Photo courtesy of the <strong>Kentucky</strong> Folk Art Center<br />

Louisa<br />

Painted Cow Gallery<br />

103 S. Main Cross St.<br />

606.638.1313<br />

www.paintedcowgallery.com<br />

The Painted Cow Gallery features<br />

craft and artwork by artists from<br />

the tri-state area: <strong>Kentucky</strong>, Ohio<br />

and West Virginia. It is also the<br />

home studio for the Lawrence<br />

County <strong>Arts</strong> <strong>Council</strong>.<br />

Morehead<br />

Coffee Tree Books<br />

240 Morehead Plaza<br />

606.784.8364<br />

www.coffeetreebooks.com<br />

Coffee Tree Books features<br />

reading groups, book signings,<br />

readings, artist workshops,<br />

children’s events and live music<br />

by <strong>Kentucky</strong> artists.<br />

Far left: A gallery at the <strong>Kentucky</strong><br />

Folk Art Center in Morehead.<br />

Left: Folk art rooster by Minnie Adkins.<br />

<strong>Kentucky</strong> Folk Art Center<br />

102 W. First St.<br />

606.783.2204<br />

www.kyfolkart.org<br />

Located in the historic Union<br />

Grocery building in Morehead,<br />

the <strong>Kentucky</strong> Folk Art Center<br />

offers visitors a unique cultural<br />

experience. From the fun and<br />

quirky to the fantastical, the folk<br />

art exhibited and conserved by<br />

the center is an engaging and<br />

vital piece of the region’s history<br />

and contemporary culture.


Mount Vernon<br />

<strong>Kentucky</strong> Music Hall of Fame<br />

and Museum<br />

2590 Richmond Road<br />

606.256.1000<br />

www.kentuckymusicmuseum.com<br />

The <strong>Kentucky</strong> Music Hall of<br />

Fame and Museum honors<br />

<strong>Kentucky</strong> musicians, performers,<br />

songwriters, publishers,<br />

promoters, managers,<br />

broadcasters and comedians<br />

who have made significant<br />

contributions to the music<br />

industry.<br />

Children perform<br />

The Wizard of Oz at the<br />

Jenny Wiley Amphitheatre<br />

in Prestonsburg.<br />

Mount Sterling<br />

Gateway Regional <strong>Arts</strong> Center<br />

101 E. Main St.<br />

859.498.6264<br />

www.gatewayartscenter.com<br />

Originally built as a church in<br />

1885, the Gateway Regional<br />

<strong>Arts</strong> Center is now home to<br />

art exhibits, drama, musical<br />

performances and the Art Shop.<br />

Photos courtesy of the Jenny Wiley Theatre<br />

Prestonsburg<br />

Jenny Wiley Theatre<br />

121 Theatre Court<br />

877.225.5598<br />

www.jwtheatre.com<br />

Jenny Wiley Theatre is a<br />

professional theater offering<br />

productions at the Jenny Wiley<br />

Amphitheatre, located within the<br />

Jenny Wiley State Resort Park.<br />

77


78<br />

Prestonsburg (cont.)<br />

Mountain <strong>Arts</strong> Center<br />

50 Hal Rogers Drive<br />

606.889.9125<br />

www.macarts.com<br />

The Mountain <strong>Arts</strong> Center,<br />

located within a stone’s throw<br />

of U.S. 23, the Country Music<br />

Highway, boasts a 1,054-seat<br />

theater as well as an art gallery,<br />

and celebrates the region’s<br />

remarkable Appalachian arts<br />

heritage. Come to the center<br />

to see fine theater and music<br />

performances and stay for the<br />

Front Porch Pickin’.<br />

Whitesburg<br />

Appalshop<br />

91 Madison Ave.<br />

606.633.0108<br />

www.appalshop.org<br />

Appalshop is a nonprofit, multidisciplinary<br />

arts and education<br />

center in the heart of eastern<br />

<strong>Kentucky</strong> producing original<br />

films, video, theater, music and<br />

spoken-word recordings, radio,<br />

photography, multimedia and<br />

books.<br />

As you drive through the<br />

mountains, check out their radio<br />

station at WMMT FM 88.7, which<br />

broadcasts the long-running<br />

Bluegrass Express Live concert<br />

series. In addition, the Appalshop<br />

Traditional Music Project hosts<br />

a monthly old-time music jam at<br />

1 p.m. on the first Saturday of the<br />

month from October through May.


Appalshop has<br />

been a landmark<br />

in Whitesburg<br />

since 1969.<br />

A Saturday jam<br />

at Appalshop.<br />

Photos courtesy of Appalshop<br />

Appalshop<br />

In 1968, desperate for relief from the<br />

images of the Vietnam War, the nation<br />

was riveted by photos of the young<br />

Bobby Kennedy visiting with residents of<br />

<strong>Kentucky</strong>’s Appalachian region on their<br />

front porches. That same year a VISTA<br />

volunteer came to Whitesburg as part of<br />

the U.S. Office of Economic Opportunity’s<br />

War on Poverty to teach local teenagers<br />

how to operate film and audio equipment for the purpose of<br />

finding work outside of Appalachia. The program was part of a<br />

national media training project focused on youth in economically<br />

impoverished communities, mostly in inner-city neighborhoods.<br />

But the Whitesburg participants had a different goal. Rather<br />

than leaving their rural homes for better opportunities, the<br />

students wanted to document the people and activities<br />

around their community. When federal funding for the<br />

project ended, Appalshop was born and grew into the multidisciplinary<br />

center it is today. t<br />

79


80<br />

Whitesburg(cont.)<br />

Cozy Corner<br />

127 Main St.<br />

606.633.9637<br />

www.cozycornercrafts.com<br />

<strong>Kentucky</strong> is well-known for<br />

quilting traditions, a fact that<br />

Josephine Richardson recognized<br />

after moving to eastern <strong>Kentucky</strong><br />

from the northeast in the late<br />

1960s. “Women made beautiful<br />

hand-sewn quilts but had<br />

no place to sell them,” said<br />

Josephine. To solve the problem,<br />

she opened the Cozy Corner<br />

in 1973.<br />

Josephine Richardson,<br />

owner of the Cozy Corner<br />

in Whitesburg, displays a<br />

book for sale.<br />

The store offers quilts—the<br />

main draw—along with crafts,<br />

recordings, books and food<br />

products based on eastern<br />

<strong>Kentucky</strong> traditions. While there,<br />

visit the adjoining Courthouse<br />

Café to enjoy entrées made<br />

from local produce as well as<br />

homemade soups and desserts.<br />

Breaks Interstate Park on<br />

the <strong>Kentucky</strong>-Virginia border<br />

boasts the deepest gorge east<br />

of the Mississippi River.


“Diverse,<br />

fierce, richly<br />

rooted in<br />

what’s left of<br />

its old-growth<br />

heritage…”<br />

82<br />

Literary <strong>Arts</strong> in Eastern <strong>Kentucky</strong><br />

In eastern <strong>Kentucky</strong>, Cherokee chants, verses<br />

from the King James, British ballads, folk tunes that<br />

miners brought from all over the world, labor songs,<br />

hymns, stories handed down—all combine to form a<br />

distinctive vein of literature.<br />

Historically, Appalachia has been defined<br />

from the outside. Central <strong>Kentucky</strong> writer James<br />

Lane Allen called it “the other <strong>Kentucky</strong>” in 1866.<br />

John Fox Jr. followed suit, and in works such as<br />

“Through Cumberland Gap on Horseback” and The<br />

Trail of the Lonesome Pine, respectively, the two writers<br />

helped create the stereotype of the ignorant, feuding<br />

mountaineer, contrasting that image with unspoiled<br />

nature and the innocent damsel. As poet Jim Wayne<br />

Miller writes in “The Brier Sermon,” outsiders said,<br />

“You’re right from the heart of America” and “You’re<br />

the worst part of America.”<br />

Coal- and timber-rich, the region was opened<br />

up when the railroads came in the late 1800s. Soon,<br />

corporations owned most of the mineral deposits.<br />

World War I craved coal and accelerated the change<br />

from subsistence farming to jobs owned by outside<br />

George Ella Lyon<br />

industry, tying the region to the rollercoaster of boom<br />

and bust it has ridden ever since. Mining families’<br />

struggle to survive by unionizing is embodied in<br />

the songs of Aunt Molly Jackson (“Hungry, Ragged<br />

Blues”) and Florence Reece (“Which Side Are You<br />

On?”, 1931).<br />

Non-natives Lucy Furman and Ann Cobb began<br />

to change the outsiders’ view of Appalachia when<br />

they wrote about their work at Hindman Settlement<br />

School. In Furman’s Mothering on Perilous (1913)<br />

and Cobb’s Kinfolks (1922), mountain people were<br />

portrayed more accurately.<br />

The real shift came, however, with the poetry<br />

and novels of James Still, Jesse Stuart and Harriette<br />

Arnow, all mountain born. In such work as River<br />

of Earth, The Thread That Runs So True and The Dollmaker,<br />

we began, as Miller says, to “send out our own<br />

dispatches,” depicting the plight of a people caught<br />

between agrarian and industrial values. Billy C. Clark<br />

chronicles this conflict in A Long Row to Hoe (1960).<br />

Ballad-collector and singer-songwriter Jean Ritchie<br />

also expresses this tension in songs like “Black


Waters” and “The L & N Don’t Stop Here Anymore”<br />

and in Singing Family of the Cumberlands (1955). In 1962,<br />

Harry Caudill examined the long-term results of<br />

absentee ownership in Night Comes to the Cumberlands.<br />

Building on the work of Still, Arnow and Stuart<br />

were Loyal Jones, whose interests include religion,<br />

humor and music in the mountains, and Gurney<br />

Norman, the current <strong>Kentucky</strong> poet laureate. A coal<br />

miner’s son, Norman brought 1960s psychedelic<br />

soul-searching and environmental concerns back to<br />

his homeplace in his novel Divine Right’s Trip, published<br />

in The Whole Earth Catalog in 1971. Norman has<br />

remained a spokesman for the survival of his place.<br />

He has also nurtured new generations of writers and<br />

been vital to the Appalachian Writers Workshop,<br />

founded by Al Stewart and held each summer at<br />

Hindman Settlement School.<br />

It was Norman who published Frank X Walker’s<br />

Affrilachia (2000), and Walker who helped found<br />

the Affrilachian Poets movement, which includes<br />

important writers Crystal Wilkinson (Water Street) and<br />

Nikki Finney (Rice).<br />

Among other writers who have taught at Hindman<br />

are <strong>Kentucky</strong> Poets Laureate Jim Wayne Miller (The Brier<br />

Poems) and Lillie Chaffin (World of Books); Silas House<br />

(Clay’s Quilt); Chris Offutt (<strong>Kentucky</strong> Straight) and Chris<br />

Holbrook (Hell and Ohio); Lee Howard (Harvest of Fire);<br />

Anne Shelby (Appalachian Studies); Leatha Kendrick<br />

(Second Opinion); George Ella Lyon (Back); Marie Bradby<br />

(More Than Anything Else); Paul Brett Johnson (Fearless<br />

Jack); and Karen McElmurray (Surrendered Child).<br />

Poets Al Stewart and Quentin Howard<br />

strengthened the region’s literature by founding<br />

Appalachian Heritage (1973) and Wind (1971)<br />

magazines. Appalachian Heritage continues, and<br />

Wind has become a publishing company whose<br />

editor, Charlie Hughes, also writes the online <strong>Kentucky</strong><br />

Literary Newsletter. Kate Larken’s MotesBooks is also<br />

an important force in the region.<br />

Many anthologies feature eastern <strong>Kentucky</strong><br />

writing, among them Motif (ed. Worthington), We All<br />

Live Downstream (ed. Howard) and Missing Mountains<br />

(ed. Mason, Johannsen and Taylor-Hall). The latter<br />

two present writers and photographers speaking<br />

out against the devastation caused by mountaintop<br />

removal coal mining.<br />

Diverse, fierce, richly rooted in what’s left of its<br />

old-growth heritage, the literary culture of eastern<br />

<strong>Kentucky</strong> continues to flourish. t<br />

83


84<br />

© Guy Mendes. Courtesy of Institute 193<br />

Creative Nonfiction<br />

Selected work:<br />

Night Comes to the<br />

Cumberlands: A Biography of a<br />

Depressed Area (1962)<br />

The Mountain, the Miner and<br />

the Lord and Other Tales from a<br />

Country Law Office (1980)<br />

Harry Caudill<br />

(1922 – 1990)<br />

Born in Whitesburg, Ky.<br />

Appalachian historian and social critic Harry Caudill’s<br />

Night Comes to the Cumberlands is generally credited with<br />

sparking the creation in 1964 of the Appalachian Regional<br />

Commission, a federal agency to assist <strong>Kentucky</strong><br />

and 12 other states in the Appalachian Mountains.<br />

Caudill went on to write nine books, 50 magazine articles and over<br />

80 newspaper articles. <strong>Kentucky</strong> Historian Thomas D. Clark spoke of<br />

Caudill’s voice as being one of the most important in <strong>Kentucky</strong>’s history.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)


Photo by Curt Richter<br />

Fiction<br />

Selected work:<br />

Clay’s Quilt (2001)<br />

A Parchment of Leaves (2002)<br />

The Coal Tattoo (2004)<br />

Something’s Rising (2009)<br />

Eli the Good (2009)<br />

Silas House<br />

(1971 – )<br />

Born in Corbin, Ky.; lived much of his life in Lily, Ky.; currently resides<br />

in Berea, Ky.<br />

Silas House is the nationally bestselling author of four novels, a book<br />

of nonfiction and two plays. His lyrical prose typically focuses on the<br />

interaction among family members and their relationship with the nature<br />

that surrounds them. His work has twice been named a finalist for the<br />

Southern Book Critics Circle Prize and has won the Fiction Prize from<br />

the National Society of <strong>Arts</strong> and Letters. He has also been awarded the<br />

Appalachian Book of the Year and is a two-time winner of the <strong>Kentucky</strong><br />

Novel of the Year. For his environmental activism, he was awarded the<br />

2008 Helen Lewis Award for Commmunity Service.<br />

A musician, House is one of Nashville’s most in-demand press kit writers,<br />

having penned the bios of Kris Kristofferson, Lucinda Williams, Tim<br />

O’Brien, LeAnn Womack, Marshall Chapman and many others. He has<br />

spent his entire life in eastern <strong>Kentucky</strong> and currently lives in Berea<br />

where he is the Chair of Appalachian Studies at Berea College.<br />

(Source: Pines PR, 2010; “A Country Boy Can Surmise,” a blog by Silas House)<br />

85


86<br />

Photo courtesy of photographer Ann W. Olson<br />

Poetry, Fiction<br />

Selected work:<br />

Father Time and the Day Boxes<br />

(1985)<br />

Catalpa (1993)<br />

Mother to TIgers (2003)<br />

Borrowed Children (1999)<br />

Don’t You Remember? (2007)<br />

With a Hammer for My Heart<br />

(2008)<br />

Back: Poems (2010)<br />

George Ella Lyon<br />

(1949 – )<br />

Born in Harlan, Ky.; currently resides in Lexington, Ky.<br />

George Ella Lyon has long been an authentic and eloquent voice of the<br />

southern Appalachian Mountains. She has published books of poetry<br />

and short stories, a memoir and numerous books for children and young<br />

adults. She credits her mountain background and a childhood home full<br />

of music and words for making her a natural writer and storyteller.<br />

Lyon received degrees from Centre College in Danville, Ky., the University<br />

of Arkansas and Indiana University, where she wrote her dissertation on<br />

Virginia Woolf. She has taught at Centre College, Transylvania University<br />

and Indiana University, among others. She travels extensively as a<br />

teacher and promoter of writing.<br />

Lyon is also a musician and activist who lends her talents to various efforts<br />

focused on preserving the beauty and culture of her eastern <strong>Kentucky</strong><br />

homeland and promoting justice and peace around the world. She lives in<br />

Lexington with her husband, musician and composer Steve Lyon.<br />

(Source: The <strong>Kentucky</strong> Anthology)


Daddy called the Walkman<br />

his play-pretty and he loved it<br />

like he loved the radio<br />

that sang him to sleep.<br />

(Mother listened to talk<br />

shows. They had<br />

pillow speakers.) He loved<br />

the radio like he loved<br />

the hi-fi with Mario Lanza’s<br />

heart breaking in his voice<br />

or the Beatles looping “Let<br />

It Be” on the eight-track<br />

like he loved my brother<br />

always at the spinet and later<br />

WITH A SONG IN HIS HEART<br />

the grand piano striking<br />

heart-sparks from Rachmaninoff<br />

or “Rock of Ages” or giving us<br />

cascading “Autumn Leaves”<br />

the way he loved to drive<br />

around just him and me<br />

Sunday afternoons singing<br />

“Barbara Allen.” In that<br />

scarlet town where I was<br />

born music was our dwelling.<br />

O Daddy, I am leaning<br />

on those everlasting arms.<br />

—George Ella Lyon<br />

87


88<br />

Fiction<br />

Selected work:<br />

Divine Right’s Trip (1972)<br />

Kinfolks (1977)<br />

Gurney Norman<br />

(1937 – )<br />

Grew up in many small towns in eastern <strong>Kentucky</strong>, but<br />

primarily in Allais near Hazard, Ky.<br />

<strong>Kentucky</strong> poet laureate (2009–2010) Gurney Norman earned<br />

a degree at the University of <strong>Kentucky</strong> before attending Stanford<br />

University as a Wallace Stegner Fellow along with three<br />

other Kentuckians—Wendell Berry, James Baker Hall and Ed<br />

McClanahan. In the mid-1960s he edited the Hazard Herald and began<br />

writing short stories that would eventually be published as Kinfolks.<br />

One of the major influences on Norman’s fiction has been the skilled<br />

craftsmanship of Appalachian author James Still. By 1968 Norman was<br />

back in California working on the Whole Earth Catalog. His first and most<br />

famous novel, Divine Right’s Trip, was originally published in the margins of<br />

the catalog.<br />

Norman is currently Director of the Creative Writing Program at the University<br />

of <strong>Kentucky</strong>.<br />

(Sources: Gurney Norman, 2010, and The <strong>Kentucky</strong> Anthology)


VISION<br />

Face down in dark water, I see ancient ferns, tall as<br />

tipples a million years ago, beneath the sea. As the water<br />

lightens, I see a firmament arise, a lovely wilderness of<br />

plains and valleys and mountains, with creeks flowing<br />

in the valleys, past woods and meadows, past bottom<br />

land where willows grow, and sycamore, and muskrats<br />

in their holes and turtles in the mud and kingfishers<br />

swooping low across the water as the sun goes down,<br />

filling the sky with orange and purple light.<br />

The water is amber-colored now. I see minnows in it.<br />

I see a perch swim by. I see brilliant pebbles on the<br />

bottom, and green waving grass beneath the water. I<br />

see a sandbar reaching out from the shore. My feet sink<br />

into it. Planted there, I rise from the water like a tree,<br />

a flowering shrub with gnarled branches, thick with<br />

leaves, adorned by blossoms, white as clouds, moist<br />

with the dew of a brand new April evening.<br />

—Gurney Norman<br />

89


90<br />

Photo courtesy of Chris Offutt<br />

Fiction, screenwriting<br />

Selected works:<br />

<strong>Kentucky</strong> Straight (1992)<br />

The Same River Twice (1993)<br />

The Good Brother (1997)<br />

Out of the Woods (1999)<br />

No Heroes (2002)<br />

Chris Offutt<br />

(1958 – )<br />

Born in Haldeman, Ky.<br />

Chris Offutt grew up in Haldeman in eastern <strong>Kentucky</strong> and graduated from<br />

Morehead State University. Although he has lived all over the country, all<br />

of his work is either set in <strong>Kentucky</strong> or is about people from <strong>Kentucky</strong>. He<br />

is the author of two short story collections, a novel and two memoirs. His<br />

stories are included in many textbooks and anthologies and his books are<br />

taught at universities and high schools throughout the country.<br />

A recipient of Guggenheim, National Endowment for the <strong>Arts</strong> and Lannan<br />

Foundation fellowships, Offutt has also received awards from the American<br />

Academy of <strong>Arts</strong> and Letters and the Whiting Foundation, as well as<br />

a fellowship from the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong>. He was named one of the<br />

best young American fiction writers by Granta magazine.<br />

Offutt is an executive story editor for HBO’s True Blood and co-producer and<br />

writer for Showtime’s Weeds, as well as executive producer and creator of<br />

Tough Trade, a television show for Epix.<br />

(Source: Chris Offutt, 2010)


Photo courtesy of the Hindman<br />

Settlement School Archives<br />

Fiction, Poetry<br />

Selected work:<br />

River of Earth (1940)<br />

The Wolfpen Poems (1986)<br />

Pattern of Man (1986)<br />

James Still<br />

(1906 – 2001)<br />

Spent most of his life in Litt Carr, Ky.<br />

Still’s work is part of the literary flowering in the American<br />

South during the late 1920s and early 1930s<br />

that included Thomas Wolfe, William Faulkner and<br />

Kentuckians Elizabeth Madox Roberts, Jesse Stuart,<br />

Harriette Simpson Arnow, Caroline Gordon, Allen<br />

Tate, Cleanth Brooks and Robert Penn Warren.<br />

Though born in Alabama, Still came to <strong>Kentucky</strong> in 1930 to work as a librarian<br />

at the Hindman Settlement School near the forks of Troublesome<br />

Creek in Knott County, and remained in <strong>Kentucky</strong> for the rest of his life.<br />

Still draws on everyday experiences and observations for his poems, stories<br />

and novels. Even when writing stories and novels, Still is primarily a<br />

poet. His novel, River of Earth, is considered an American Classic. James<br />

Still served as <strong>Kentucky</strong> poet laureate from 1995–1996.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)<br />

91


92<br />

Photo courtesy of the Jesse Stuart Foundation<br />

Fiction, Poetry,<br />

Creative Nonfiction<br />

Selected work:<br />

Man with a Bull-Tongue Plow<br />

(1934)<br />

The Thread That Runs So True<br />

(1949)<br />

Jesse Stuart<br />

(1906 – 1984)<br />

Born near Greenup, Ky.<br />

Stuart began writing stories and poems about people of <strong>Kentucky</strong><br />

while still a college student. His published stories—in magazines<br />

and in book form—number more than 500. Stuart also published<br />

more than a dozen novels and autobiographical works.<br />

By the end of the 1930s Stuart had served as a teacher in Greenup County’s<br />

one-room schools and as high school principal and county school<br />

superintendent. These experiences served as the basis for his autobiographical<br />

book The Thread that Runs So True, called by the president of the<br />

National Education Association “the best book on education written in the<br />

last 50 years.”<br />

Stuart was designated poet laureate of <strong>Kentucky</strong> in 1954 and was made<br />

a fellow of the Academy of American Poets in 1961. He was nominated<br />

for a Pulitzer Prize in poetry in 1977.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)


Excerpt from The Thread That Runs So True<br />

Seldom if ever did one of my Lonesome Valley<br />

pupils stay out of school because he wanted to. He<br />

stayed out of school usually for one of three reasons:<br />

he was sick; he had to help harvest the crops; he<br />

didn’t have sufficient clothes, shoes, or books. In<br />

September the tobacco ripened and many of my<br />

pupils had to stay home and help with tobacco<br />

cutting and hauling to the barn. The cane ripened,<br />

too, in September and it had to be stripped, topped,<br />

cut, hauled to the mill, and the juice pressed from it<br />

and boiled into sorghum molasses.… Potatoes had<br />

to be dug. Corn had to be cut. September was a<br />

busy time in Lonesome Valley, where the men of this<br />

rugged American earth eked a bare subsistence for<br />

themselves and their families.<br />

My attendance was down considerably in<br />

September. There wasn’t an attendance officer to<br />

see why they didn’t come to school. If the pupil<br />

went, it was all right. If he didn’t, it was all right too.<br />

It was a land of freedom and work.…<br />

In October my attendance grew. And to show you<br />

that my pupils loved to come to school, many came<br />

thinly clad and barefooted, after the white frosts had<br />

fallen and had blanketed the frozen land. For the<br />

farmers hadn’t sold their tobacco crops yet.… Many<br />

times I saw the red spots on the white frost from the<br />

bleeding little bare feet of those who came to school<br />

regardless of shoes. I couldn’t buy shoes for them.<br />

Not on my salary and in my circumstances.<br />

But for one little boy and girl, whose father was<br />

serving a sentence in the federal penitentiary for<br />

converting his corn into moonshine whiskey, I did<br />

buy shoes. No one knew I bought them. Their<br />

mother, with another child on the way, was fighting a<br />

brave battle to keep her children and home together.<br />

I had lived all my life in a community where these<br />

things happened. When I saw blood on the snow<br />

from this moonshiner’s children coming to my<br />

school, it did something to me. I wanted to fight for<br />

them harder than I had ever fought Guy Hawkins.<br />

—Jesse Stuart<br />

93


94<br />

North<br />

Central<br />

Region


North central <strong>Kentucky</strong> is the bustling commercial heart of the state<br />

and includes the densely populated “Golden Triangle” that reaches<br />

from Covington to Lexington to Louisville. It is also home to the beautiful<br />

Bluegrass region and its iconic horse farms, rolling green pastures and<br />

miles of white and black horse fences. Outlying areas, typically rural,<br />

are marked by picturesque towns with historic homes and striking<br />

architecture. A number of communities that originally blossomed as<br />

trading posts and transportation centers dot the Ohio River on the<br />

northern border of the region.<br />

Mother of God,<br />

acrylic on canvas,<br />

by Mike Maydak<br />

of Covington, Ky.<br />

The region’s cities have benefited from immigrant populations that<br />

wove their unique heritages into the cultural fabric. Today, the arts<br />

thrive in these dynamic environments where curiosity breeds creativity,<br />

and you’ll find ample opportunities to indulge in a variety of arts<br />

experiences. t<br />

95


96<br />

Fiddle Traditions in<br />

Northeastern <strong>Kentucky</strong><br />

Geography has a strong influence on culture.<br />

Traveling east from Covington along the Ohio<br />

River, you’ll come to the Appalachian foothills, an<br />

area home to a distinct style of fiddle music. Early<br />

German and French settlers brought<br />

with them European instruments<br />

and music, which evolved over time.<br />

Scholars have collected hundreds<br />

of tunes from old-time northeastern<br />

<strong>Kentucky</strong> fiddle masters, including<br />

Bob Prater, Raymond Meadows,<br />

Gorden Whitley, Joe Stamper, Charley<br />

Kinney and Buddy Thomas.<br />

Roger Cooper made it his mission to learn<br />

all he could from the traditional fiddlers in<br />

his native Lewis County. In the late 1970s,<br />

he began winning fiddle contests all over<br />

the region, and is considered by most to be<br />

the best representative of this musical form.<br />

In addition to Cooper, members of the string<br />

band <strong>Kentucky</strong> Wild Horse— Paul David Smith,<br />

John Harrod and Jesse Wells—have become<br />

living resources for the fiddle traditions of earlier<br />

generations from this region. t<br />

Photo courtesy of <strong>Kentucky</strong> Wild Horse<br />

The music of<br />

<strong>Kentucky</strong> Wild<br />

Horse (left)<br />

and Roger<br />

Cooper (below)<br />

represents<br />

<strong>Kentucky</strong> fiddle<br />

traditions at their<br />

best.<br />

Photo courtesy of Roger Cooper


What’s a Luthier?<br />

Music traditions and musical communities in<br />

<strong>Kentucky</strong> are often built around stringed instruments<br />

such as guitars, banjos, fiddles, dulcimers and<br />

mandolins. These instruments are made and kept in<br />

top shape by specialty artists known as luthiers.<br />

Travelers can meet many of these artists and<br />

examine their craftsmanship firsthand, especially in<br />

the north central region. Among the area’s wellknown<br />

shops are Warren A. May Woodworker in<br />

Berea, the Mize Violin Shop in Lexington, Currier’s<br />

Music World in Richmond and RS Guitarworks in<br />

Winchester.<br />

The <strong>Kentucky</strong> Folklife Program conducted a<br />

statewide study of luthiers that resulted in a traveling<br />

exhibit, “Made to be Played: Traditional Art of<br />

<strong>Kentucky</strong> Luthiers.”<br />

To find out where you can see this exhibit, visit<br />

http://artscouncil.ky.gov/Luthier/Luthier_Schedule.htm. t<br />

Donna and<br />

Lewis Lamb,<br />

award-winning<br />

luthiers from<br />

central <strong>Kentucky</strong>.<br />

Photo courtesy of Donna and Lewis Lamb<br />

97


98<br />

Berea<br />

Appalachian Fireside Gallery<br />

126 Main St.<br />

859.986.9013<br />

www.berea.com/where-to-shop<br />

Located in the former Berea Bank<br />

& Trust Building, Appalachian<br />

Fireside Gallery offers traditional<br />

Appalachian crafts made by<br />

members of the Appalachian<br />

Fireside Industries. This mountain<br />

co-operative began in the 1960s<br />

as part of the Save The Children<br />

organization.<br />

Berea <strong>Arts</strong> <strong>Council</strong><br />

116 Main St.<br />

859.985.9317<br />

www.bereaartscouncil.org<br />

The Berea <strong>Arts</strong> <strong>Council</strong>’s goal is to<br />

connect the community through<br />

all forms of art. Programming<br />

includes visual art competitions<br />

and exhibits, workshops, literary<br />

readings, garden tours, public art<br />

projects and summer camps.<br />

Berea College Bookstore<br />

108 Main St.<br />

859.985.3197<br />

www.berea.bkstr.com<br />

Ken Gastineau casts a pewter<br />

item at his studio in Berea.<br />

The bookstore offers author<br />

readings and discussions as well<br />

as book signings.<br />

Gastineau Jewelers<br />

135 N. Broadway St.<br />

859.986.9158<br />

www.gastineaustudio.com<br />

Photo courtesy of Ken Gastineau<br />

Ken and Sallie Gastineau offer<br />

a full line of hand-cast, leadfree<br />

pewter jewelry and small<br />

decorative household items made<br />

exclusively in their open studio in<br />

the heart of Old Town Berea.


Jamming on the Porch at the<br />

Berea Train Station<br />

908 N. Broadway<br />

859.986.2540<br />

This weekly Thursday night jam<br />

is hosted by Governor’s Awardwinning<br />

folk artists Lewis and<br />

Donna Lamb. Participants sit in<br />

a circle, and everyone gets the<br />

opportunity to lead a song.<br />

<strong>Kentucky</strong> Artisan Center<br />

at Berea<br />

200 Artisan Way<br />

859.985.5448<br />

www.kentuckyartisancenter.ky.gov<br />

The <strong>Kentucky</strong> Artisan Center at<br />

Berea is a state-run facility that<br />

promotes and sells the largest<br />

selection of handmade products<br />

Kristal Kokinda<br />

works with clay at<br />

the <strong>Kentucky</strong> Artisan<br />

Center at Berea.<br />

from <strong>Kentucky</strong>’s most talented<br />

residents, as well as books,<br />

music and <strong>Kentucky</strong> Proud food<br />

products. The <strong>Kentucky</strong> Artisan<br />

Center Café and Grill offers local<br />

favorites cooked up daily.<br />

Photo courtesy of Kristal Kokinda<br />

99


100<br />

Berea<br />

Being labeled the “Folk <strong>Arts</strong> and Crafts Capital of<br />

<strong>Kentucky</strong>” is not exactly an easy title to live up to.<br />

But the small town of Berea, approximately an hour<br />

south of Lexington, wears it well.<br />

The cornerstone of this<br />

community is, without a doubt,<br />

Berea College, founded in<br />

1855 by an abolitionist minister<br />

as a model for educating<br />

men and women of all races<br />

from the Appalachian region.<br />

In the late 1800s, growing<br />

national interest in the culture<br />

and traditions of Appalachia by<br />

writers, academics, missionaries<br />

and teachers led Berea College<br />

President William Frost to take<br />

traditional coverlets—offered by<br />

students in exchange for tuition—<br />

on a fundraising trip north.<br />

Frost saw, in the handcrafted coverlets, the potential<br />

for preserving an artistic tradition and—at the same<br />

time—developing a new market for Appalachian<br />

crafts. “Fireside Industries,” Berea’s student craft<br />

business, began in 1883. Today over 200 students<br />

and craft professionals in the community<br />

Photo courtesy of the <strong>Kentucky</strong> Artisan Center at Berea<br />

A special exhibit of<br />

kiln-formed glass<br />

is displayed at the<br />

<strong>Kentucky</strong> Artisan<br />

Center at Berea.


produce weaving, woodcraft, needlecraft, ceramics,<br />

broomcraft and wrought iron that is marketed on<br />

an international level. Campus walking tours of the<br />

student craft industries are available through the<br />

Berea College Visitors Center in College Square.<br />

With its graceful white columns and airy verandas,<br />

stately Boone Tavern sits at the end of College<br />

Square. This landmark recently underwent extensive<br />

renovations to become the first Leadership in Energy<br />

and Environmental Design (LEED) certified hotel<br />

in <strong>Kentucky</strong>. The award-winning restaurant within<br />

the hotel continues to serve traditional favorites and<br />

exciting reinterpretations of Southern cuisine.<br />

As a testament to the interwoven relationship<br />

between town and college, in 1961 Berea College<br />

helped form the <strong>Kentucky</strong> Guild of Artists and<br />

Craftsmen. The guild is <strong>Kentucky</strong>’s oldest statewide<br />

visual art and craft organization and continues<br />

to attract thousands of visitors annually to Indian<br />

Fort Theatre for its Guild Fall Fair during the first<br />

weekend in October.<br />

Conveniently accessible to I-75, the <strong>Kentucky</strong><br />

Artisan Center at Berea has a 25,000-square-foot<br />

retail and exhibition gallery featuring only <strong>Kentucky</strong>made<br />

products. The center has welcomed over<br />

1.5 million visitors since opening in 2003. Whether<br />

in an exhibit or in the shop, the finely-crafted works<br />

on display are accompanied by information about<br />

the artisans and the materials they use to create<br />

their work. Regional cuisine at reasonable prices is<br />

available at the center’s café.<br />

Today, artists and businesspeople operate over<br />

40 shops and studios in the town, and Berea has<br />

become a thriving community of artists, students,<br />

and progressive-minded individuals committed<br />

to community, creativity, social justice and<br />

environmental responsibility. Fittingly the city has<br />

adopted the slogan, “Where art’s alive every day.” t<br />

101


102<br />

Berea (cont.)<br />

Log House Craft Gallery<br />

200 Estill St.<br />

859.985.3220<br />

www.berea.edu/studentcrafts/lhcg<br />

Log House Craft Gallery is the<br />

premier showplace for Berea<br />

College Student Craft Industries<br />

as well as fine craft from other<br />

regional artists. The gallery’s<br />

name comes from its original<br />

log structure, which adjoins the<br />

original Weaver’s Cottage, built in<br />

1893.<br />

Robie Books<br />

307 Chestnut St.<br />

859.228.0499<br />

www.berea.com/where-to-shop<br />

Top Drawer Gallery<br />

202 N. Broadway<br />

859.985.2907<br />

www.topdrawergallery.com/Default.htm<br />

Top Drawer Gallery is owned and<br />

operated by Terry Fields, the<br />

former director of woodworking<br />

for the Berea College Student<br />

Craft Industries. His gallery<br />

features handmade furniture and<br />

fine crafts from the region.<br />

Warren A. May Woodworker<br />

110 Center St.<br />

859.986.9293<br />

http://www.warrenamay.com/<br />

Warren has made over 15,000<br />

dulcimers since 1972.<br />

Covington<br />

Behringer-Crawford Museum<br />

1600 Montague Road<br />

Devou Park<br />

859.491.4003<br />

www.bcmuseum.org<br />

Opened in 1950, the Behringer-<br />

Crawford Museum serves as a<br />

regional cultural center for the<br />

northern <strong>Kentucky</strong> area. The<br />

museum’s collection contains<br />

thousands of objects, artifacts,<br />

documents, photographs,<br />

textiles, paintings and sculpture<br />

representing 450 million years<br />

of history, art and culture as<br />

viewed through the lens of<br />

transportation. Visitors enjoy<br />

hands-on, interactive exhibits and


activities in a newly expanded<br />

and renovated 20,000-squarefoot<br />

facility.<br />

Carnegie Visual &<br />

Performing <strong>Arts</strong> Center<br />

1028 Scott Blvd.<br />

859.491.2030<br />

www.thecarnegie.com<br />

The largest performing arts<br />

center in northern <strong>Kentucky</strong>, the<br />

Carnegie offers a year-round slate<br />

of local and touring presentations.<br />

In addition, for over 30 years<br />

the Carnegie Galleries have<br />

been dedicated to showcasing<br />

the best of local and regional<br />

artists, featuring cutting-edge<br />

contemporary art and primitive<br />

folk art.<br />

103


104<br />

Experience Covington<br />

Covington is home to a thriving arts<br />

community, one-of-a kind architecture,<br />

tight-knit neighborhoods, wonderful food<br />

traditions and some truly fascinating stories.<br />

When the city of Covington was awarded a<br />

Preserve America grant to create walking<br />

and driving tours, the residents took an<br />

innovative approach based on the unique<br />

character of their city. Collaborating with<br />

the public history program at Northern<br />

<strong>Kentucky</strong> University (NKU), the Center for<br />

Great Neighborhoods of Covington and the<br />

<strong>Kentucky</strong> Folklife Program of the <strong>Kentucky</strong><br />

<strong>Arts</strong> <strong>Council</strong> and the <strong>Kentucky</strong> Historical<br />

Society, they asked local people to identify<br />

points of interest (historic, modern, kitschy<br />

and otherwise). They then enlisted <strong>Kentucky</strong><br />

community scholars and NKU students to<br />

conduct oral history interviews with people<br />

who owned businesses, lived in interesting<br />

homes and frequented the historic and<br />

cultural sites, with the idea that the


esidents’ stories are as amazing as the sites where<br />

they occurred.<br />

The result was Experience Covington, an interactive,<br />

web-based tour of historical landmarks and places<br />

of interest in Covington. Visitors can choose from<br />

six themed tours to experience the rich heritage<br />

of Covington. They include the Faith Tour, <strong>Arts</strong><br />

and Culture Tour, Historic Tour, Architecture Tour,<br />

Neighborhood Tour and Unexpected Covington Tour.<br />

If you’re feeling adventurous, you can also design<br />

your own tour by picking individual sites. The<br />

website also features a full calendar of events and<br />

a comment page to share your own Covington<br />

experience with future users.<br />

There are many ways to enjoy Experience Covington.<br />

If you have an mp3 player, you can print out driving/<br />

walking directions and upload tours or individual<br />

You can’t miss the clock tower<br />

on Covington’s MainStrasse.<br />

sites to your device from the website:<br />

http://www.experiencecovington.com. You can also buy<br />

a pre-programmed device at the interactive kiosk at<br />

the Kenton County Public Library in Covington.<br />

Try the goetta (a traditional food) or visit the<br />

spaceship house (a not-so-traditional house).<br />

Whatever you do, don’t leave Covington without<br />

hearing from the people who call Covington home. t<br />

Children romp along<br />

the mural at the<br />

Frank Duveneck <strong>Arts</strong><br />

and Cultural Center<br />

in Covington.<br />

105


106<br />

Frank Duveneck<br />

Frank Duveneck, a world renowned realist painter known for his<br />

dark palette and slashing brushwork, was born in Covington in<br />

1848 and trained in Munich, Germany, for many years. Duveneck,<br />

and such protégés as Willis Seaver Adams and William Merritt<br />

Chase, departed from the traditions of the Hudson River School,<br />

where romantic landscapes were<br />

the standard. These young artists<br />

began to paint more freely, with<br />

bolder strokes and colors, than<br />

fellow Americans who stringently<br />

followed the Hudson River<br />

traditions.<br />

The Whistling Boy (1872),<br />

oil on canvas,<br />

by Frank Duveneck<br />

Duveneck’s paintings can be seen<br />

in the Metropolitan Museum of<br />

Art in New York City, the National<br />

Gallery of Art in Washington, D.C.,<br />

and the Kenton County Library in<br />

Covington. t<br />

Courtesy of the Cincinnati Art Museum<br />

(gift of the artist)<br />

Covington (cont.)<br />

The Frank Duveneck <strong>Arts</strong> and<br />

Cultural Center<br />

1232 Greenup St.<br />

859.491.3942<br />

www.duveneckcenter.org<br />

The Duveneck Center is at the<br />

center of Covington’s thriving<br />

cultural district, offering yearround<br />

programming highlighting<br />

cultural diversity and works by<br />

established as well as aspiring<br />

artists. The community arts<br />

center occupies the former<br />

Klingenberg Hardware Store built<br />

on the site of Squire Duveneck’s<br />

late 19th-century summer beer<br />

garden. The nearby house and<br />

studio showcase his life and his<br />

contributions as a founder of the<br />

Cincinnati Art Academy.


The Northern <strong>Kentucky</strong><br />

Brotherhood Singers<br />

For many Kentuckians, singing in church begins<br />

in childhood and continues through life as an<br />

expression of their spiritual beliefs. Black and white<br />

congregations practice very different gospel styles<br />

but, over time, each has influenced the other.<br />

In the urban neighborhoods of northern <strong>Kentucky</strong>,<br />

jubilee-style a cappella gospel music was<br />

initially associated with such groups as the Dixie<br />

Hummingbirds, the Golden Gate Quartet and<br />

the Soul Stirrers. Today, the Northern <strong>Kentucky</strong><br />

Brotherhood Singers are among the best-known<br />

practitioners of this intricate and emotional four-part<br />

harmony style.<br />

The Brotherhood began in the Ninth Street Baptist<br />

Church in Covington, one of the buildings along the<br />

experiencecovington.com Faith Tour, but the group<br />

now performs its spiritual and secular songs at<br />

venues around the world. The singers have appeared<br />

in Spain, Portugal, Italy and Switzerland, and at<br />

the 2008 National Folk Festival in Butte, Mont. In<br />

2009, they performed in Washington,<br />

D.C., at the Kennedy Center and<br />

the Library of Congress as part<br />

of the American Folklife Center’s<br />

Homegrown concert series.<br />

In 2009, the<br />

Northern <strong>Kentucky</strong><br />

Brotherhood Singers<br />

performed at the<br />

Library of Congress in<br />

Washington, D.C.<br />

The Northern <strong>Kentucky</strong><br />

Brotherhood’s songs include<br />

elements of jazz, rock and<br />

doo-wop. In songs like<br />

“Mary Don’t You Weep”<br />

and “Wade in the Water,”<br />

the singers replace words<br />

with sounds, effectively<br />

turning their voices into<br />

instruments. Visit<br />

www.nkybrotherhood.com for more information,<br />

audio and upcoming shows. t<br />

Photo courtesy of the <strong>Kentucky</strong> Historical Society<br />

107


108<br />

Danville<br />

Community <strong>Arts</strong> Center<br />

401 W. Main St.<br />

859.236.4054<br />

www.communityartscenter.net<br />

The Community <strong>Arts</strong> Center is a<br />

non-profit arts education facility<br />

for dance, drama, music and<br />

visual arts.<br />

Ex Astris, the 14-foot brass sculpture by Louisville<br />

artist Tom Lear, greets visitors to the<br />

Norton Center for the <strong>Arts</strong> in Danville.<br />

Norton Center for the <strong>Arts</strong><br />

Centre College<br />

600 W. Walnut St.<br />

877.448.7469<br />

www.nortoncenter.com<br />

Located on the campus of Centre<br />

College, the Norton Center is<br />

an internationally recognized<br />

performing arts center that<br />

hosts a series of outstanding<br />

guest artists as well as touring<br />

productions and symphony<br />

orchestras each year.


Elizabethtown<br />

Historic State Theater Complex<br />

209 Dixie Highway W.<br />

270.982.3400<br />

www.historicstatetheater.org<br />

Originally built as a movie theater<br />

in 1942, the Historic State<br />

Theater Complex now includes<br />

the original movie house, a black<br />

box theater and a gallery. The<br />

complex hosts movies, concerts,<br />

plays, recitals, lectures and more.<br />

Falmouth<br />

Kincaid Regional<br />

Theatre Company<br />

500 Chapel St.<br />

859.654.2636 or 800.647.7469<br />

www.krtshow.com<br />

Kincaid Regional Theatre<br />

presents a spirited summer<br />

season of musicals and comedies<br />

alongside performance and<br />

educational opportunities for<br />

young people.<br />

Fort Thomas<br />

The Blue Marble<br />

1356 S. Fort Thomas Ave.<br />

859.781.0602<br />

http://site.booksite.com/5792<br />

The Blue Marble bookstore offers<br />

author readings and discussions<br />

as well as book signings.<br />

109


110<br />

Frankfort<br />

Capital Gallery of<br />

Contemporary Art<br />

314 Lewis St.<br />

502.223.2649<br />

www.ellenglasgow.com<br />

As the owner and director of<br />

Capital Gallery of Contemporary<br />

Art, Ellen Glasgow offers a<br />

sampling of her own paintings<br />

as well as the work of other<br />

significant <strong>Kentucky</strong> artists.<br />

Completely <strong>Kentucky</strong><br />

237 W. Broadway St.<br />

502.223.5240<br />

www.completelykentucky.com<br />

Everything in Completely<br />

<strong>Kentucky</strong> is made by the<br />

An unusual bowl made by <strong>Kentucky</strong> Fusion<br />

found at Completely <strong>Kentucky</strong> in Frankfort.<br />

commonwealth’s finest artisans.<br />

All is available for purchase in a<br />

carefully restored 150-year-old<br />

building in the heart of downtown<br />

Frankfort.<br />

The Grand Theatre<br />

308 St. Claire St.<br />

502.352.7469<br />

www.grandtheatrefrankfort.org<br />

The historic Grand Theatre was<br />

built in 1911 as a vaudeville<br />

house, converted into a<br />

“modern” movie theater in 1941<br />

and re-opened its doors as a<br />

performance venue in 2009. The<br />

Grand hosts nationally acclaimed<br />

films, dance, music and theater.<br />

Stewart Home School<br />

1792 Store<br />

<strong>Kentucky</strong> Historical Society<br />

100 West Broadway St.<br />

502.564.1792<br />

Poor Richard’s Books<br />

233 West Broadway St.<br />

502.223.8018<br />

Poor Richard’s, owned by Lizz<br />

Taylor and former <strong>Kentucky</strong> Poet<br />

Laureate Richard Taylor, offers<br />

author readings and discussions<br />

as well as book signings.


Glendale<br />

True <strong>Kentucky</strong><br />

452 E. Main St.<br />

270.369.7850<br />

www.truekentucky.com<br />

True <strong>Kentucky</strong> offers creations<br />

from over 300 of <strong>Kentucky</strong>’s finest<br />

artists, along with books, music<br />

and specialty food products.<br />

Browsers will find racks of books to entertain<br />

their imaginations at Poor Richard’s in Frankfort,<br />

the shop of former <strong>Kentucky</strong> Poet Laureate Richard Taylor.<br />

Harrodsburg<br />

Ragged Edge<br />

Community Theatre<br />

111 S. Main St.<br />

859.734.2389<br />

www.raggededgetheatre.org<br />

Ragged Edge is dedicated<br />

to providing quality theater<br />

performances for and by the<br />

people of Mercer County and<br />

central <strong>Kentucky</strong>.<br />

Shaker Village of Pleasant Hill<br />

3501 Lexington Road<br />

800.734.5611<br />

www.shakervillageky.org<br />

The craft store at Shaker Village<br />

features fine handmade crafts<br />

demonstrating Shaker simplicity<br />

and high-quality craftsmanship.<br />

111


112<br />

Photo courtesy of Lewis Lamb<br />

Hodgenville<br />

Lincoln’s Loft<br />

25 Lincoln Square<br />

270.358.0124<br />

http://lincolnsloft.com<br />

Lincoln’s Loft offers author<br />

readings and signings, as well as<br />

art and craft programs for kids.<br />

Lewis Lamb proudly displays a<br />

resonator dulcimer he made.<br />

LaGrange<br />

Karen’s Book Barn and<br />

Java Stop<br />

127 E. Main St.<br />

502.222.0918<br />

http://karensbookbarn.com<br />

The bookstore sponsors a book<br />

club, author readings, book<br />

signings and writers’ seminars.<br />

Lancaster<br />

Lewis and Donna Lamb<br />

445 Lamb Road<br />

859.339.1522<br />

ldlamb@wildblue.net.<br />

Like many luthiers, this fatherand-daughter<br />

team works<br />

privately in their home shop.<br />

They were the recipients of the<br />

<strong>Kentucky</strong> Governor’s Award in the<br />

<strong>Arts</strong> for Folk Heritage in 2006.


Lexington Art League<br />

The Lexington Art League (LAL) intends to<br />

challenge our conventions and take us out<br />

of our comfort zones. It actively pursues<br />

that goal through thought-provoking and<br />

culturally significant exhibitions from local,<br />

regional and national artists.<br />

Its best known exhibition is the annual<br />

show entitled “Nude,” which typically<br />

features about 100 works celebrating<br />

the human form. The LAL began staging<br />

“Nude” more than two decades ago; now<br />

artists from the U.S. and abroad regularly<br />

submit more than 1,000 works in hopes of<br />

being represented.<br />

The organization also presents or sponsors<br />

other exhibits including the “LAL Open” and the<br />

AFB Art Fair at Woodland Park. This August fair,<br />

popular for more than 35 years, has been voted<br />

a Top 40 Fine Art & Design Show in the nation by<br />

Sunshine Artist magazine, a Top 20 Event by the<br />

Southeast Tourism Society and a Top 10 Festival<br />

by the <strong>Kentucky</strong> Tourism <strong>Council</strong>.<br />

The Loudoun<br />

House looks<br />

even more<br />

dramatic<br />

against<br />

a stormy<br />

backdrop.<br />

Photo courtesy of the Lexington Art League<br />

The LAL’s headquarters is a historic dwelling known<br />

as the Loudoun House, a castellated Gothic Revival<br />

villa containing six galleries. Its design includes<br />

turrets, towers and pointed window and door arches.<br />

It was the first such structure built in <strong>Kentucky</strong> and<br />

is one of only five in the American South. t<br />

113


114<br />

Lexington<br />

Ann Tower Gallery<br />

141 E. Main St., Suite 100<br />

859.425.1188<br />

www.anntowergallery.com<br />

The Ann Tower Gallery specializes<br />

in the exhibition and sale of<br />

contemporary fine art and folk art.<br />

Artique<br />

410 W. Vine St.<br />

859.233.1774<br />

161 Lexington Green Circle<br />

859.272.8802<br />

www.artiquegallery.com<br />

Representing over 1,000<br />

artists, Artique has offered fine<br />

contemporary American craft for<br />

sale for over 30 years.<br />

<strong>Arts</strong>Place<br />

161 N. Mill St.<br />

859.255.2951<br />

www.lexarts.org<br />

For over 35 years, Lex<strong>Arts</strong> has<br />

promoted the arts in Central<br />

<strong>Kentucky</strong> by offering a variety<br />

of programs, services and<br />

grants to local artists and arts<br />

organizations. Through its<br />

management of <strong>Arts</strong>Place,<br />

Lex<strong>Arts</strong> provides space for<br />

artists and arts organizations to<br />

rehearse, perform and exhibit<br />

their work.<br />

Black Swan Books<br />

505 E. Maxwell St.<br />

859.252.7255<br />

www.blackswanbooks.net<br />

Black Swan Books offers author<br />

readings and discussions as well<br />

as book signings.<br />

Carnegie Center for<br />

Literacy & Learning<br />

251 W. Second St.<br />

859.254.4175<br />

www.carnegieliteracy.org<br />

Located in a historic Carnegie<br />

library building, the Carnegie<br />

Center for Literacy and Learning<br />

offers workshops for adults in<br />

world languages, computers,<br />

and writing; youth and family<br />

programs; after-school tutoring;


gallery exhibits; music and<br />

theatrical performances; and<br />

literary readings. The center is<br />

an active supporter of the literary<br />

arts, especially <strong>Kentucky</strong> authors.<br />

Downtown <strong>Arts</strong> Center<br />

141 E. Main St.<br />

859.225.0370<br />

www.lexarts.org<br />

The Downtown <strong>Arts</strong> Center,<br />

owned by the Lexington-Fayette<br />

Urban County Government, is<br />

home to a black box theater, Stoll<br />

Keenon Ogden City Gallery and<br />

the Ann Tower Gallery.<br />

Explorium of Lexington<br />

440 W. Short St.<br />

859.258.3253<br />

www.explorium.com<br />

The Explorium’s mission is<br />

to create a fun and dynamic<br />

hands-on learning environment<br />

that stirs the imagination and<br />

develops curiosity, with a focus<br />

on educating young people<br />

about cultural diversity and<br />

inspiring creativity through the<br />

arts. The Explorium supports an<br />

open art studio, Lexington’s only<br />

children’s art gallery, an art fair<br />

for young artists and cooperative<br />

educational programming for<br />

schools and their art clubs.<br />

Headley-Whitney Museum<br />

4435 Old Frankfort Pike<br />

859.255.6653<br />

www.headley-whitney.org<br />

The Headley-Whitney Museum<br />

is a decorative arts museum<br />

founded by prominent 20thcentury<br />

jewelry designer, George<br />

W. Headley, and nestled in the<br />

beautiful horse farm countryside<br />

just outside Lexington. The<br />

museum offers a permanent<br />

collection featuring jewelry,<br />

bibelots and mounted semiprecious<br />

stones. Don’t miss the<br />

whimsical shell grotto, a separate<br />

building whose interior is covered<br />

in thousands of shells, polished<br />

stones and coral.<br />

115


116<br />

Lexington (cont.)<br />

International Museum<br />

of the Horse<br />

<strong>Kentucky</strong> Horse Park<br />

4089 Iron Works Pkwy<br />

859.259.4232<br />

www.imh.org<br />

Showcasing the relationship<br />

between man and the horse<br />

throughout history, the museum<br />

offers contemporary art<br />

exhibitions featuring equine<br />

artists, permanent exhibitions<br />

about horse breeds and culture,<br />

and international exhibits. The<br />

new two-story Al-Marah wing<br />

showcases the Arabian, the<br />

world’s oldest breed of horse,<br />

and includes technologically<br />

enhanced interactive exhibits<br />

geared toward young visitors.<br />

The Black Stallion Experience is<br />

an area dedicated to the literary<br />

and cinematic magic of the<br />

most famous fictional horse ever<br />

created—Walter Farley’s<br />

The Black Stallion.<br />

Joseph-Beth Booksellers<br />

161 Lexington Green Circle<br />

859.273.2911<br />

www.josephbeth.com<br />

Lexington’s largest bookstore<br />

offers author readings and kids<br />

activities, as well as a delightful<br />

café (Brontë Bistro) with indoor<br />

and outdoor seating.<br />

<strong>Kentucky</strong> Theatre<br />

214 E. Main St.<br />

859.231.6997<br />

www.kentuckytheater.com<br />

Although the <strong>Kentucky</strong> Theatre<br />

operates as a full-time cinema, it<br />

also hosts a variety of live-stage<br />

performances. The nationally<br />

syndicated Woodsongs Old-Time<br />

Radio Hour is broadcast live<br />

weekly from the <strong>Kentucky</strong> Theatre<br />

stage.


Loudoun House<br />

Lexington Art League<br />

209 Castlewood Drive<br />

800.914.7990<br />

www.lexingtonartleague.org<br />

The Lexington Art League (LAL)<br />

envisions visual art as the lens<br />

through which central <strong>Kentucky</strong><br />

will distinguish itself as a<br />

progressive, inclusive and vibrant<br />

region. Its most popular programs<br />

include exhibits at the historic<br />

Loudoun House and the annual<br />

Art Fair at Woodland Park.<br />

When the Lexington Children’s Theatre<br />

presented Go Dog Go, the dogs were<br />

energetic and highly entertaining.<br />

Lexington Children’s Theatre<br />

418 W. Short St.<br />

859.254.4546<br />

www.lctonstage.org<br />

Lexington Children’s Theatre,<br />

founded in 1939, is a<br />

professional, nonprofit company<br />

dedicated to providing quality<br />

plays for children. It offers a<br />

full season of productions and<br />

classes on three stages: The<br />

Theatre Mainstage, the Lexington<br />

Theatre Learning Stage and the<br />

historic Lexington Opera House.<br />

Touring productions and two<br />

satellite locations in eastern<br />

<strong>Kentucky</strong> allow families across<br />

the commonwealth to enjoy<br />

quality entertainment.<br />

Photo courtesy of<br />

photographer Larry<br />

Snipes and the Lexington<br />

Children’s Theatre<br />

Photo courtesy of photographer Eric Abele and<br />

the Lexington Children’s Theatre<br />

117


118<br />

Lexington (cont.)<br />

Lexington Opera House<br />

401 W. Short St.<br />

859.233.4567<br />

www.lexingtonoperahouse.com<br />

With its plush velvet curtains,<br />

crystal chandeliers, grand<br />

stairway and queen’s boxes, the<br />

Lexington Opera House, listed on<br />

the National Register of Historic<br />

Places, transports visitors back<br />

to the time when Lexington<br />

was known as “the Athens of<br />

the West.” It hosts a number<br />

of national premieres of new<br />

plays and playwrights, supports<br />

many of the area’s finest ballet,<br />

opera and philharmonic artists,<br />

and presents touring Broadway<br />

shows, all enveloped in the grand<br />

elegance of the past.<br />

The elegance of the<br />

Lexington Opera<br />

House transcends<br />

all performances.<br />

Photos courtesy of Lexington Opera House


Living <strong>Arts</strong> & Science Center<br />

362 N. Martin Luther King Blvd.<br />

859.252.5222<br />

www.lasclex.org<br />

The Living <strong>Arts</strong> & Science Center<br />

is a family-friendly place to<br />

explore the relationship between<br />

art and science through exhibits<br />

and programs.<br />

Living <strong>Arts</strong> and Science Center<br />

Introduce the left side of your brain to the right side of your brain,<br />

and let them have a conversation.<br />

That’s what you can do at the Living <strong>Arts</strong> & Science Center<br />

(LASC), where children and families can explore these two<br />

disciplines—often thought to be at odds—in unique and<br />

innovative ways.<br />

The center maintains a gallery where professional artists present<br />

pieces that reveal art and science acting in harmony. The gallery<br />

also displays the work of student-artists.<br />

At Discovery Night on the first Thursday of the month, local<br />

artists or scientists lead visitors through hands-on activities.<br />

Past presentations include “Dogs on Patrol!,” which described a<br />

night with the Lexington-Fayette Urban County Division of Police<br />

Canine Unit, and “100% Earth Friendly Art!,” in which Anthony<br />

Roccanova, associate professor of architecture from the University<br />

of <strong>Kentucky</strong>, explored the subject of sustainable housing. For<br />

more information about LASC events and year-round classes, visit<br />

www.lasclex.org. t<br />

119


120<br />

Lexington (cont.)<br />

Lyric Theatre<br />

300 E. 3rd St.<br />

Scheduled to reopen in<br />

September 2010 after extensive<br />

renovation, the Art Deco movie<br />

theater built in 1948 was a<br />

popular gathering spot for<br />

Lexington’s African-American<br />

community until 1963. In the<br />

1960s, it hosted live acts,<br />

including Count Basie, Sarah<br />

Vaughan and the Ink Spots. As<br />

a cultural center, the restored<br />

building will have a museum for<br />

sharing local African-American<br />

history, a 20-foot wall featuring<br />

local art with a theme of<br />

rebirth, and events that feature<br />

local artists. Members of the<br />

communities around the theater,<br />

in collaboration with professional<br />

artists, are creating a quilt with<br />

everyday fabric donated from<br />

area families. The quilt, which<br />

will be displayed in the lobby,<br />

will commemorate the theater’s<br />

history and cultural significance<br />

to the community.<br />

Mize Violin Shop<br />

448 N. Broadway<br />

859.253.9639<br />

Art Mize studied lutherie under<br />

the late J.B. Miller, a well-known<br />

violin specialist of the region.<br />

The Morris Book Shop<br />

408 Southland Drive<br />

859.276.0494<br />

www.morrisbookshop.com<br />

The Morris Book Shop offers<br />

author readings and discussions<br />

as well as book signings.<br />

New Editions Gallery<br />

807 Euclid Ave.<br />

859.266.2766<br />

www.neweditionsgallery.com<br />

Founded in 1988, New Editions<br />

Gallery is one of Lexington’s<br />

oldest fine art galleries, featuring<br />

contemporary artwork, jewelry<br />

and crafts.


The audience files out<br />

after a popular event at<br />

the Lyric Theatre in the<br />

early 1950s.<br />

Photo courtesy of the Lexington Herald-Leader<br />

121


122<br />

Lexington (cont.)<br />

Singletary Center for the <strong>Arts</strong><br />

405 Rose St.<br />

859.257.5030<br />

www.uky.edu/SCFA/<br />

The Otis A. Singletary Center<br />

for the <strong>Arts</strong> is located on the<br />

University of <strong>Kentucky</strong> campus.<br />

The center hosts nearly 400<br />

events annually, including<br />

performances by the Lexington<br />

Philharmonic, and provides<br />

artistic space for international,<br />

national, regional, university and<br />

student performers, artists and<br />

speakers.<br />

University of <strong>Kentucky</strong><br />

Art Museum<br />

405 Rose St.<br />

859.257.5716<br />

www.uky.edu/artmuseum<br />

The University of <strong>Kentucky</strong> Art<br />

Museum owns over 4,000 art<br />

treasures in all media. Selections<br />

from the museum’s holdings of<br />

works on paper and photographs<br />

are displayed on a rotating<br />

schedule.<br />

Louisville<br />

Actors Theatre of Louisville<br />

316 W. Main St.<br />

502.584.1205<br />

www.actorstheatre.org<br />

For over 40 seasons, Actors<br />

Theatre has produced<br />

internationally acclaimed<br />

performances, including the<br />

annual Humana Festival of New<br />

American Plays.


Actors Theatre of Louisville<br />

Actors Theatre of Louisville, the State Theatre of<br />

<strong>Kentucky</strong>, is a significant force in the history and<br />

future of the American stage. Each spring it hosts<br />

the Humana Festival of New American Plays, one<br />

of the premiere launching grounds for new work by<br />

American playwrights and a destination for theaterlovers<br />

and industry insiders alike.<br />

More than 400 plays have premiered at the Humana<br />

Festival, including Pulitzer Prize winners Crimes of<br />

the Heart, The Gin Game and Dinner with Friends. During<br />

its regular season, Actors offers an exciting mix of<br />

comedies, dramas, musicals, late-night and holiday<br />

fare alongside a robust education program.<br />

Actors, which was founded in 1964, resides in a<br />

National Historic Landmark located at the gateway to<br />

Louisville’s West Main Street corridor, and has been<br />

an anchor for revitalization in the city’s downtown<br />

area. One of the most prolific theaters in the nation,<br />

Actors offers more than 20 productions each year<br />

across its three performance spaces, and has<br />

received some of the highest<br />

awards bestowed on nonprofit<br />

producers, including a special<br />

Tony Award for Outstanding<br />

Regional Theatre.<br />

Mitchell Fain towers<br />

over the audience<br />

in Actors Theatre’s<br />

performance of<br />

Lookingglass Alice.<br />

Visitors can enjoy fine dining<br />

at Intermezzo, an on-site<br />

restaurant, or share a drink<br />

and light snacks in the lobbies<br />

and tour the theater’s art<br />

gallery. t<br />

Photo courtesy of photographer<br />

Harlan Taylor and Actors Theatre<br />

123


124<br />

Louisville (cont.)<br />

B. Deemer Gallery<br />

2650 Frankfort Ave.<br />

502.896.6687<br />

www.bdeemer.com<br />

The B. Deemer Gallery features<br />

original paintings on canvas and<br />

paper, watercolors, various types<br />

of hand-pulled artists’ prints, soft<br />

pastels, oil pastels and mixed<br />

media pieces.<br />

Carmichael’s Bookstore<br />

1295 Bardstown Road<br />

502.456.6950<br />

2720 Frankfort Ave.<br />

502.896.6950<br />

www.carmichaelsbookstore.com<br />

Carmichael’s Bookstore offers<br />

author readings and discussions<br />

as well as book signings.<br />

Glassworks<br />

815 W. Market St.<br />

502.584.4510<br />

www.louisvilleglassworks.com<br />

Glassworks is a multi-use<br />

facility in the heart of downtown<br />

Louisville dedicated to the art of<br />

glass. The facility includes three<br />

working glass studios, two glass<br />

galleries and a walk-in workshop<br />

and offers daily tours.<br />

Kaviar Forge and Gallery<br />

1718 Frankfort Ave.<br />

502.561.0377<br />

www.KaviarGallery.com<br />

Kaviar Forge and Gallery is a<br />

combination formal exhibition<br />

area and functional sculptural<br />

studio owned and operated by<br />

sculptor Craig Kaviar. A window in<br />

the gallery looks over the forging<br />

area of the studio, where visitors<br />

can often watch the artwork<br />

being made. Surrounding the<br />

studio and gallery is an outdoor<br />

sculpture garden.


Photos courtesy of Craig Kaviar<br />

Craig Kaviar of Kaviar Forge<br />

and Gallery works on a new<br />

piece of artwork.<br />

Stair railing by<br />

Kaviar Forge.<br />

125


126<br />

<strong>Kentucky</strong> Center for the Performing <strong>Arts</strong><br />

In addition to drawing more than 400,000 people to hundreds of<br />

performances each year, the <strong>Kentucky</strong> Center for the Performing<br />

<strong>Arts</strong> in Louisville is a leader in promoting arts education and<br />

accessibility throughout the commonwealth. Each summer the<br />

Center hosts the Governor’s<br />

School for the <strong>Arts</strong>, which provides<br />

more than 200 students with an<br />

intensive three-week educational<br />

experience in nine disciplines,<br />

ranging from architecture to the<br />

literary and performing arts.<br />

Photo courtesy of the <strong>Kentucky</strong> Center<br />

for the Performing <strong>Arts</strong><br />

The Center, dedicated in 1983<br />

as a public-private partnership,<br />

has been honored three times<br />

in recent years for its efforts to<br />

ensure that arts experiences are<br />

available and accessible to people<br />

with disabilities. It partners with<br />

the <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> to<br />

share access techniques and best<br />

practices with arts venues across<br />

the state. t<br />

Louisville (cont.)<br />

<strong>Kentucky</strong> Center for the<br />

Performing <strong>Arts</strong><br />

501 W. Main St.<br />

502.562.0100<br />

www.kentuckycenter.org<br />

The <strong>Kentucky</strong> Center is<br />

<strong>Kentucky</strong>’s premier performing<br />

arts venue, with four performance<br />

spaces and a full calendar of<br />

touring shows and productions<br />

by some of the region’s leading<br />

companies, including the<br />

Louisville Orchestra, the Louisville<br />

Ballet, <strong>Kentucky</strong> Opera and<br />

Stage One Children’s Theatre.<br />

The upstairs black box theater<br />

presents a continuous schedule<br />

of productions by Louisville<br />

community and semi-professional<br />

performers.


Contemporary glass pieces<br />

from a recent exhibit in the<br />

Mary and Al Shands Gallery of the<br />

<strong>Kentucky</strong> Museum of Art and Craft<br />

in Louisville.<br />

<strong>Kentucky</strong> Museum of Art & Craft<br />

715 W. Main St.<br />

502.589.0102<br />

www.kentuckyarts.org<br />

The <strong>Kentucky</strong> Museum of Art &<br />

Craft celebrates traditional and<br />

functional art. Several exhibition<br />

galleries display handmade<br />

items—from folk art to furniture—<br />

that are available for purchase,<br />

and visitors can browse the<br />

award-winning gallery shop,<br />

which features the work of more<br />

than 200 regional artists.<br />

Photo courtesy of the <strong>Kentucky</strong> Museum of Art & Craft<br />

127


128<br />

Louisville (cont.)<br />

Louisville Visual Art Association<br />

3005 River Road<br />

502.896.2146<br />

www.louisvillevisualart.org<br />

Chartered with the mission to<br />

“enhance the cultural life of the<br />

city,” the Louisville Visual Art<br />

Association has been a valuable<br />

resource to the area’s visual arts<br />

community since 1909. The<br />

association’s galleries feature<br />

Louisville-centric arts exhibitions<br />

and programming with hands-on<br />

learning opportunities for children<br />

of all ages.<br />

Open Blues/Jazz Band Jam<br />

Stevie Ray’s Blues Bar<br />

230 E. Main St.<br />

502.582.9945<br />

http://stevieraysbluesbar.com/<br />

Visit Stevie Ray’s to hear great<br />

blues any night; take part in the<br />

jams on Tuesday nights.<br />

Pyro Gallery<br />

624 W. Main St.<br />

502.587.0106<br />

www.pyrogallery.com<br />

A cooperative gallery in the heart<br />

of downtown Louisville, Pyro<br />

features group and solo shows by<br />

its multi-disciplinarian members.<br />

A Reader’s Corner<br />

138 Breckenridge Lane<br />

502.897.5578<br />

www.areaderscorner.com<br />

A Reader’s Corner offers book<br />

signings and story time for<br />

children.<br />

Speed Art Museum<br />

2035 S. Third St.<br />

502.634.2729<br />

www.speedmuseum.org<br />

Established in 1927, the Speed<br />

Art Museum is <strong>Kentucky</strong>’s oldest<br />

and largest art museum with over<br />

13,000 pieces in its permanent<br />

collection. Its extensive holdings<br />

span 6,000 years from ancient<br />

Egyptian to contemporary art.


Originally consisting of a grand foyer,<br />

flower court and four galleries in the<br />

Beaux-<strong>Arts</strong> style, the Speed Art Museum<br />

has been expanded several times and<br />

now has more than 150,000 square feet<br />

of floor space.<br />

Swanson Reed Contemporary<br />

678 E. Market St.<br />

502.589.5466<br />

www.swansonreedgallery.com<br />

Swanson Reed Contemporary<br />

showcases contemporary<br />

national and regional artists<br />

with an emphasis on energetic<br />

and challenging works in video,<br />

conceptual art, performance and<br />

sculpture as well as installations,<br />

photographs and paintings.<br />

The Speed Art Museum<br />

The Speed Art Museum is <strong>Kentucky</strong>’s largest and<br />

oldest art museum with collections from around<br />

the world and across 6,000 years of history.<br />

Founded by Hattie Bishop Speed in honor of<br />

her late husband, Louisville businessman and<br />

philanthropist James Breckenridge Speed, the<br />

museum has always had a diverse scope, giving<br />

it both regional and international importance.<br />

Photo courtesy of the<br />

Speed Art Museum<br />

The museum houses distinguished collections of<br />

17th-century Dutch and Flemish painting, 18th-century French<br />

art, Renaissance and Baroque tapestries, significant pieces of<br />

contemporary American painting and sculpture, and African and<br />

Native American works. Among the many artists represented are<br />

Rembrandt, Gainsborough, Audubon, Whistler, Monet, Cezanne,<br />

Neel, Picasso, Warhol and Chagall. The Speed also displays<br />

paintings, sculpture, furniture and decorative arts by <strong>Kentucky</strong><br />

artists.<br />

The museum, situated on the University of Louisville’s Belknap<br />

campus, offers a full calendar of family activities, adult lectures,<br />

concerts and public tours. t<br />

129


130<br />

Bernheim Forest<br />

In 1929, Isaac W. Bernheim, a German immigrant<br />

who became a famed whiskey distiller, established<br />

Bernheim Arboretum and Research Forest as a<br />

haven for nature lovers, art lovers and those who<br />

appreciate both.<br />

Bernheim viewed the forest as an ideal venue for<br />

displaying high-quality art inspired by the natural<br />

world. As a result of a long-standing artist-inresidence<br />

program, Bernheim today is home to a<br />

permanent collection of sculptures and paintings<br />

placed around the grounds and adorning its public<br />

buildings.<br />

Environmental art pieces are nestled in the natural<br />

landscape, encouraging visitors to “hunt” for the<br />

treasures among the muses that inspired them.<br />

Bernheim’s diverse programs include classes and<br />

workshops, allowing visitors to have a hands-on arts<br />

experience emphasizing eco-education.<br />

Bernheim Forest, located in Clermont just south<br />

of Louisville, also offers picnic areas, year-round<br />

hiking and biking trails, geocaching and letterboxing<br />

adventures, fishing at scenic Lake Nevin, and a gift<br />

shop and Isaac’s Café located in the LEED Platinum<br />

Visitor Center. t<br />

Photo courtesy of Bernheim<br />

Arboretum and Research Forest<br />

© David Modica<br />

Top: Water management was carefully considered during the design of the<br />

LEED Platinum Visitor Center. Bottom: A sculpture by Paul Fields graces<br />

the park property.<br />

Photo courtesy of Bernheim<br />

Arboretum and Research Forest


Louisville (cont.)<br />

21c Museum<br />

700 W. Main St.<br />

502.638.4923<br />

www.21cmuseum.org<br />

21c is North America’s first<br />

museum dedicated solely to<br />

the collecting and exhibiting of<br />

contemporary art from the 21st<br />

century.<br />

Contemporary architecture complements<br />

the contemporary art at 21c Museum<br />

in Louisville.<br />

Walden Theatre<br />

1123 Payne St.<br />

502.589.0084<br />

www.waldentheatre.org<br />

Founded in 1976, Walden<br />

Theatre produces a broad<br />

selection of plays both comedic<br />

and dramatic, classical and<br />

contemporary, performed by<br />

the young artists of its revered<br />

conservatory program.<br />

Photo courtesy of photographer Kenneth Hayden and 21c Museum<br />

Zephyr Gallery<br />

610 E. Market St.<br />

502.585.5646<br />

www.zephyrgallery.org<br />

Zephyr Gallery is the oldest<br />

cooperative, contemporary fine<br />

arts gallery in the region with<br />

a member base comprised of<br />

23 artists, who are frequently<br />

available to meet visitors.<br />

131


132<br />

The Washington Opera House<br />

is a hub of community activity<br />

in Maysville.<br />

Maysville<br />

Washington Opera House<br />

116 W. 2nd St.<br />

606.564.3666<br />

www.maysvilleplayers.net<br />

Home of the Maysville Players,<br />

the oldest continuously-running<br />

theater company in <strong>Kentucky</strong>, the<br />

Washington Opera House was<br />

built in 1898 on a site where two<br />

previous opera houses had stood.<br />

It was used as a movie theater<br />

from 1931–1960 and was bought<br />

by the Maysville Players in 1964.<br />

Photo courtesy of the city of Maysville and the<br />

Maysville-Mason County Convention & Visitors Bureau<br />

In 2003 it closed for a $4 million<br />

renovation and reopened in<br />

2006. In addition to regular<br />

dramatic performances, it is also<br />

used as a community gathering<br />

spot for meetings, community<br />

celebrations, weddings and<br />

even funerals.<br />

Maysville<br />

Strolling the streets of downtown<br />

Maysville, the architecture<br />

transports you to the golden era<br />

of this historic river community—<br />

the late 1800s. You’ll pass the<br />

Washington Opera House and<br />

the imposing Cox Building, a<br />

former Masonic lodge soon<br />

to become a thriving cultural<br />

center. But it’s the residential<br />

areas—handsome row houses<br />

climbing up the hill away from<br />

the river and stately homes<br />

along the tree-lined streets—that<br />

make you stop and wonder if<br />

you’re not somehwere else,<br />

perhaps along the delta of the<br />

Mississippi.<br />

Maysville has depended on the<br />

river since its earliest days—<br />

then known as the town of


Limestone—when it was a significant port on the<br />

Ohio River and an entry to the unexplored west. The<br />

engaging murals gracing the city’s floodwall relay<br />

its history, from buffalo trace<br />

to regional commercial center.<br />

Today the utility companies that<br />

generate power from the river<br />

are the foundation of Maysville’s<br />

economy.<br />

Ken Swinson captured Maysville<br />

perfectly in his painting, which<br />

is now used as a logo for the<br />

Maysville Cultural District.<br />

In recent years, various civic<br />

and arts leaders have worked<br />

tirelessly to refurbish and<br />

promote the city’s architectural<br />

heritage and strengthen the arts community. Just<br />

after the Washington Opera House’s extensive<br />

renovation, the <strong>Kentucky</strong> Gateway Museum Center<br />

opened in another historic downtown building.<br />

Photo courtesy of the city of Maysville and Maysville-<br />

Mason County Convention & Visitors Bureau<br />

The museum offers displays recounting regional<br />

history as well as the work of contemporary artists.<br />

Its collection of miniatures—elaborate multi-story,<br />

period-perfect miniature<br />

buildings with rooms precisely<br />

decorated with intricately<br />

rendered 1 /12-scale artwork<br />

and furnishings—is worldclass.<br />

The revitalized Second<br />

Street Mall has become a<br />

popular destination for outdoor<br />

concerts. Colorful banners,<br />

created by local artist Ken<br />

Swinson and representing<br />

various aspects of the<br />

Maysville community, beautify<br />

one of the brick commercial<br />

buildings edging the park.<br />

The most famous daughter<br />

of Maysville is Rosemary Clooney, acclaimed singer<br />

and actress of the mid-20th century and aunt<br />

of actor George Clooney. The Rosemary Clooney<br />

Festival in late September brings hundreds to<br />

continued…<br />

133


Courtesy of the city of Maysville and the Maysville-Mason County Convention & Visitors Bureau<br />

134<br />

Maysville (cont.)<br />

Maysville to enjoy concerts by national artists and<br />

celebrate the local culture. Many arts groups,<br />

including the Maysville Players, the Downing<br />

Performing <strong>Arts</strong> Academy and Rescue the Russell<br />

Theatre—the 1930s-era fanciful and ornate<br />

atmospheric movie theater where the world premiere<br />

of Rosemary Clooney’s first movie was shown—<br />

benefit from the proceeds of the festival. In honor<br />

of his aunt, George Clooney held the premiere of<br />

his 2008 film Leatherheads at the Washington Opera<br />

House in Maysville.<br />

History and literary buffs should take the short drive<br />

“over the hill” to the community of Washington to<br />

see the Harriett Beecher Stowe house. Washington<br />

also offers artisan shops and the annual Chocolate<br />

Festival.<br />

For a lighter side of Maysville’s history, don’t miss the<br />

coming-of-age stories of Ed McClanahan, who grew<br />

up in Maysville and nearby Brooksville. His stories<br />

Above: One of the banners that artist Ken Swinson<br />

created for Maysville’s Second Street Mall.<br />

capture the pride of the residents in their town and<br />

the personal vicissitudes of his hapless protagonist. t


McQuady<br />

Breckinridge Bluegrass Music<br />

Association Jam<br />

McQuady Volunteer Fire<br />

Department<br />

Contact: Frank McCollum<br />

Highway 105<br />

270.580.4796<br />

These Sunday afternoon jams<br />

at the McQuady Fire Station are<br />

open to musicians of all skill<br />

levels.<br />

Damselfly Gallery in Midway<br />

advertises its <strong>Kentucky</strong>-made items.<br />

Midway<br />

Damselfly Gallery<br />

105 E. Main St.<br />

859.494.8759<br />

www.damselflybeads.com<br />

Damselfly Gallery features fine<br />

art and craft from over 200 local<br />

artists in a variety of mediums.<br />

Historic Midway Museum Store<br />

124 E. Main St.<br />

859.846.4214<br />

http://midwaymuseumstore.com<br />

The store offers author readings<br />

and discussions as well as<br />

book signings and frequently<br />

showcases local artists.<br />

The Historic Midway Museum Store<br />

faces the railroad tracks that run<br />

down the middle of Main St.<br />

135


136<br />

Mount Olivet<br />

Bluegrass, Country & Western,<br />

Mountain, Appalachian<br />

Music Jams<br />

Blue Licks Battlefield State<br />

Resort Park, Worthington Lodge<br />

Contact: Paul Tierney,<br />

ptierney@qx.net<br />

Highway 68<br />

859.289.5507<br />

http://parks.ky.gov/findparks/resortparks/bl/<br />

Open-mic-style jams take place<br />

on the first Monday of every<br />

month.<br />

Newport<br />

<strong>Kentucky</strong> Haus Artisan Center<br />

411 E. Tenth St.<br />

859.261.4287<br />

www.kentuckyhaus.com<br />

The <strong>Kentucky</strong> Haus Artisan<br />

Center specializes in handmade<br />

<strong>Kentucky</strong> crafts and <strong>Kentucky</strong><br />

specialty food products.<br />

Paris<br />

Akemon’s Barber Shop Jams<br />

601 Main Street<br />

859.987.3875<br />

Tuesday and Friday night jams<br />

feature a variety of country,<br />

bluegrass, Irish and string band<br />

music. The host and barber, Joe<br />

Akemon, is nephew of the late,<br />

great banjo player and country<br />

comedian David “Stringbean”<br />

Akemon.


Radcliff<br />

The Bookstore<br />

301 West Lincoln Trail Blvd.<br />

270.351.1801<br />

http://store.radcliffbookstore.com<br />

The Bookstore offers author<br />

readings and discussions as well<br />

as book signings and occasionally<br />

showcases local artists.<br />

You may feel you’re being watched as<br />

you approach Currier’s Music World<br />

in Richmond.<br />

Richmond<br />

Currier’s Music World<br />

136 W. Main St.<br />

859.623.6010<br />

www.curriersmusicworld.com<br />

Luthier Cathy Currier can make<br />

essential adjustments and repairs<br />

of most stringed instruments,<br />

often while you wait and browse<br />

her store.<br />

Richmond Area <strong>Arts</strong> <strong>Council</strong><br />

399 W. Water St.<br />

859.624.4242, ext. 222<br />

www.artsinrichmond.org<br />

The Richmond Area <strong>Arts</strong><br />

<strong>Council</strong> partners with others<br />

in the community to present<br />

performances and exhibits and<br />

offers a comprehensive afterschool<br />

arts education program<br />

in partnership with the Madison<br />

County School District.<br />

137


138<br />

Versailles<br />

Heike Pickett Gallery<br />

110 Morgan St.<br />

859.233.1263<br />

www.heikepickettgallery.com<br />

Located in the historic Carter<br />

House, Heike Pickett gallery<br />

contains several exhibit spaces<br />

and houses a large inventory of<br />

artwork. The gallery represents<br />

contemporary emerging and<br />

established artists who work in a<br />

broad range of styles and media.<br />

Fine art consulting and appraisal<br />

services are also available.<br />

Woodford Theatre<br />

275 Beasley Drive<br />

859.873.0648<br />

www.woodfordcountytheater.com<br />

Woodford Theatre is proud<br />

to present “something for<br />

everyone.” This community<br />

theater, sponsored by the<br />

Woodford County Theatrical<br />

<strong>Arts</strong> Association, produces at<br />

least four plays a year and offers<br />

theater classes and workshops<br />

to all ages, as well as free<br />

demonstrations, lectures and<br />

consultations through volunteer<br />

efforts.<br />

Vine Grove<br />

Vine Grove Bluegrass Jams<br />

Contact: Bobby Smith<br />

300 W. Main St.<br />

270.300.1316<br />

Musicians of all levels are<br />

welcome to join the jams on<br />

Monday evenings. Jams are held<br />

May though September at the<br />

Optimist Club Park, and October<br />

through April inside the Vine<br />

Grove City Hall. Both locations<br />

are fully accessible to those with<br />

disabilities.


Winchester<br />

Leeds Center for the <strong>Arts</strong><br />

37 N. Main St.<br />

859.744.6437<br />

www.leedscenter.com<br />

Built as a movie house in 1931,<br />

the Leeds Center still provides<br />

performing arts entertainment.<br />

The Center hosts the Clark<br />

County Jamboree several<br />

times annually, which features<br />

great country music along with<br />

clogging, comedy and the best in<br />

local and regional entertainment.<br />

One of the murals along the<br />

floodwall in Maysville focuses on<br />

the importance of the Ohio River in<br />

the city’s economy.<br />

RS Guitarworks<br />

24 Winn Ave.<br />

859.737.5300<br />

http://www.rsguitarworks.net/<br />

cms2/index.php<br />

Roy Bowen and Scott Leedy<br />

started this electric guitar shop,<br />

which serves clients all over the<br />

world.<br />

Photo courtesy of the city of Maysville and the<br />

Maysville-Mason County Convention & Visitors Bureau<br />

139


“<strong>Lexington…</strong><br />

exerts a<br />

particular<br />

force on native<br />

<strong>Kentucky</strong><br />

writers, many<br />

of whom,<br />

sooner or<br />

later, take up<br />

residence,<br />

briefly or for<br />

good, in central<br />

<strong>Kentucky</strong>…”<br />

140<br />

Literary <strong>Arts</strong> in North Central <strong>Kentucky</strong><br />

I think of north central <strong>Kentucky</strong> as the literary<br />

crossroads of our state. Writers from other parts of<br />

the state, usually without abandoning their native<br />

places in their work, often move to Lexington and its<br />

environs attracted by its centrality and the resources<br />

of the universities and colleges in the region. Bobbie<br />

Ann Mason, writer in residence at the University of<br />

<strong>Kentucky</strong>, who often sets her stories in her native<br />

western <strong>Kentucky</strong>, has lived and worked in the<br />

Bluegrass for 20 years. Wendell Berry, from northern<br />

<strong>Kentucky</strong>, got his undergraduate degree at UK and,<br />

after stints in California and in New York City, came<br />

back to teach at the university for 14 years, before<br />

returning to Henry Country to farm and write. UK<br />

professor and current poet laureate Gurney Norman<br />

is native to eastern <strong>Kentucky</strong>, from which his bestknown<br />

fiction and films draw their characters and<br />

their settings. And Ed McClanahan, memoirist and<br />

fiction writer from northern <strong>Kentucky</strong>, has lived in<br />

Lexington for many years. While <strong>Kentucky</strong>’s largest<br />

city, Louisville, attracts many writers “from away,”<br />

Lexington, the second largest, exerts a particular<br />

force on native <strong>Kentucky</strong> writers, many of whom,<br />

Jane Gentry<br />

sooner or later, take up residence, briefly or for good,<br />

in central <strong>Kentucky</strong>.<br />

Early in our history, 18th- and 19th-century<br />

writers such as John Filson promoted <strong>Kentucky</strong> as a<br />

place of heroes and heroic deeds as well as an Edenic<br />

landscape, the vestiges of which we now struggle to<br />

preserve. A less well-known early writer documented<br />

a darker aspect of the state’s culture: William Wells<br />

Brown (c. 1815–1884), born a slave in Fayette<br />

County, became the first African-American novelist<br />

after escaping from <strong>Kentucky</strong> via the Underground<br />

Railroad in 1834. Self-educated, he also wrote<br />

essays, histories and plays and was a national force<br />

in the abolitionist movement.<br />

After the Civil War, two native central Kentuckians,<br />

James Lane Allen (1849–1925) and John Fox Jr.<br />

(1862–1919) wrote Romantic novels that idealized<br />

<strong>Kentucky</strong>, its history and its manners. Allen’s The<br />

Choir Invisible (1897) became a national best-seller,<br />

as did John Fox Jr.’s The Little Shepherd of Kingdom Come,<br />

probably the first American novel to sell more than a<br />

million copies.


In the 20th century, Allen Tate, a Vanderbilt<br />

Fugitive, born in Winchester; Elizabeth Hardwick,<br />

critic, novelist and a co-founder of The New York<br />

Review of Books, a native of Lexington; Gayl Jones,<br />

author of the novels Corregidora and Eva’s Man, also<br />

born in Lexington; James Baker Hall, a Lexingtonian,<br />

poet, novelist and photographer; Richard Taylor,<br />

a Louisville native and longtime Frankfort-based<br />

professor, poet and narrative writer; George Ella<br />

Lyon, a Harlan County native and writer of fiction,<br />

poetry and children’s books; and Barbara Kingsolver,<br />

nationally acclaimed novelist and ecological writer, a<br />

native of Carlisle, all have heightened the energy that<br />

enlivens this area.<br />

Non-native writers who chose to live and work<br />

in central <strong>Kentucky</strong> have added to its literary luster:<br />

song-writer and ballad collector John Jacob Niles;<br />

<strong>Kentucky</strong> historian Thomas D. Clark; Guy Davenport,<br />

translator, fiction-writer, critic and recipient of a<br />

MacArthur Fellowship; Walter Tevis, author of The<br />

Hustler and The Color of Money; Gwyn Rubio, whose novel<br />

Icy Sparks was an Oprah Book Club selection; Sue<br />

Grafton whose “alphabet mysteries” have reached<br />

an international audience; Nikki Finney, poet of the<br />

South Carolina lowlands as well as of <strong>Kentucky</strong>; and<br />

Kim Edwards, whose national best-seller, The Memory<br />

Keeper’s Daughter, is set in Lexington.<br />

Danville, too, has been home for many writers.<br />

The first poem by a Kentuckian published in <strong>Kentucky</strong>,<br />

Thomas Johnson’s satiric “<strong>Kentucky</strong>,” appeared<br />

in the Danville Messenger in 1796. And Theodore<br />

O’Hara, who wrote “The Bivouac of the Dead” to<br />

commemorate the deaths of his fellow soldiers in<br />

the Mexican-American War, was from Danville. Both<br />

Maurice Manning, winner of the Yale Younger Poets<br />

Award (2001) for the first of his three acclaimed<br />

books, and Frank X Walker, who, in his volume Buffalo<br />

Dance: The Journey of York, brought to life the voice of York,<br />

William Clark’s slave, a crucial member of the 1803<br />

Lewis and Clark Expedition, are natives of Danville.<br />

Centre College has long attracted writers with national<br />

reputations to its faculty, including Lisa Williams, a<br />

Tennessean and prize-winning poet, whose latest<br />

collection, Woman Reading to the Sea, won the Barnard<br />

Women Poets Prize in 2007.<br />

The ancient crossroads just east of Lexington,<br />

formerly a buffalo trace, still lures many writers who<br />

come to find nourishment for their imaginations and<br />

sustenance for their shape-making amid a land rich<br />

in promise and possibility. t<br />

141


142<br />

© Guy Mendes. Courtesy of Ann Tower Gallery<br />

Creative Nonfiction,<br />

Fiction, Poetry<br />

Selected works:<br />

Nathan Coulter: A Novel<br />

(Port William) (1960)<br />

A Timbered Choir: The Sabbath<br />

Poems 1979-1997 (1999)<br />

Bringing it to the Table:<br />

On Farming and Food (2009)<br />

Leavings (2010)<br />

Wendell Berry<br />

(1934 – )<br />

Born in Henry County; currently resides in Port Royal, Ky.<br />

Wendell Berry earned a bachelor’s degree and a master’s degree from<br />

the University of <strong>Kentucky</strong>. In 1958, he received a Wallace Stegner Fellowship<br />

from Stanford University. He has taught at Georgetown College,<br />

Stanford University, New York University and the University of <strong>Kentucky</strong>.<br />

His works, which include novels, essays and poems, address themes<br />

such as agrarian dignity, the importance of community and the healing<br />

power of nature. Wendell Berry has been the recipient of numerous<br />

awards and honors, including a Guggenheim Foundation Fellowship<br />

(1962), the Vachel Lindsay Prize from Poetry magazine (1962), a Lannan<br />

Foundation Award for Nonfiction (1989), the Ingersoll Foundation’s T. S.<br />

Eliot Award (1994), the John Hay Award (1997) and the Lyndhurst Prize<br />

(1997). He currently lives and works with his wife, Tanya Berry, on their<br />

farm in Port Royal.<br />

(Source: Counterpoint Press)


The Peace of Wild Things<br />

When despair for the world grows in me<br />

and I wake in the night at the least sound<br />

in fear of what my life and my children’s lives may be,<br />

I go and lie down where the wood drake<br />

rests in his beauty on the water, and the great heron feeds.<br />

I come into the peace of wild things<br />

who do not tax their lives with forethought<br />

of grief. I come into the presence of still water.<br />

And I feel above me the day-blind stars<br />

waiting with their light. For a time<br />

I rest in the grace of the world, and am free.<br />

—Wendell Berry<br />

143


144<br />

Photo courtesy of the <strong>Kentucky</strong> Department<br />

of Libraries and Archives<br />

Poetry<br />

Selected works:<br />

Never Less Than Love (1972)<br />

The Storm’s Eye: A Narrative<br />

in Verse Celebrating Cassius<br />

Marcellus Clay, Man of Freedom<br />

1810–1903 (1974)<br />

Joy Bale Boone<br />

(1912 – 2002)<br />

Spent much of her life in Elizabethtown, Ky., and Glasgow, Ky.<br />

Born in Illinois, Boone moved to Elizabethtown after her marriage to<br />

a local physician and began her career as a reviewer for the Louisville<br />

Courier-Journal in 1945. Throughout her life she was active in health and<br />

women’s issues as well as in education, and she served several years as<br />

the president of the Friends of <strong>Kentucky</strong> Libraries.<br />

Boone edited two anthologies of contemporary <strong>Kentucky</strong> poetry and was<br />

the founder of the literary magazine Approaches (now called <strong>Kentucky</strong><br />

Poetry Review). She was the <strong>Kentucky</strong> poet laureate from 1997–1998.<br />

(Sources: <strong>Kentucky</strong> Department of Libraries and Archives and The <strong>Kentucky</strong> Anthology)


Fiction, Playwriting<br />

Selected works:<br />

The Narrative of William W.<br />

Brown, a Fugitive Slave (1847)<br />

Clotelle, or the President’s<br />

Daughter (1853)<br />

William Wells Brown<br />

(1815 – 1884)<br />

Born a slave on a plantation just north of Lexington, Ky.<br />

William Wells Brown, an escaped slave who became the first known African-American<br />

novelist, was born on the <strong>Kentucky</strong> plantation of Dr. John<br />

Young. In 1834, he escaped from his master and was befriended by a<br />

Quaker, Wells Brown. William adopted the man’s name, settled in Cleveland<br />

and started a family.<br />

Brown, who learned public speaking in the temperance movement,<br />

moved to Boston in 1847 to become a lecturer for the Massachusetts<br />

Anti-Slavery Society. That same year he published his autobiography. In<br />

all he wrote more than a dozen books, pamphlets and plays, including the<br />

first travel narrative and the first known drama by an African-American.<br />

(Source: Cambridge Historical Commission/Cambridge African American Heritage<br />

Alliance, copyright 2000)<br />

145


146<br />

Photo courtesy of photographer Charlotte Strode<br />

(www.charlottestrode.com)<br />

Poetry<br />

Selected works:<br />

A Garden in <strong>Kentucky</strong> (1995)<br />

Portrait of the Artist as a<br />

White Pig (2006)<br />

A Year in <strong>Kentucky</strong> (2008)<br />

Jane Gentry<br />

(1941 – )<br />

Born in Lexington, Ky.; grew up in Athens, Ky.; currently resides in<br />

Versailles, Ky.<br />

Jane Gentry, <strong>Kentucky</strong> poet laureate from 2007–2009, grew up on a farm<br />

at Athens in Fayette County and now lives in Versailles. Her two full-length<br />

collections of poems, A Garden in <strong>Kentucky</strong> and Portrait of the Artist as a White<br />

Pig, were published by LSU Press in 1995 and 2006 respectively. Her<br />

poems have appeared widely in anthologies and literary journals. She is<br />

an English professor at the University of <strong>Kentucky</strong> where she has won the<br />

Great Teacher Award.<br />

(Source: Jane Gentry, 2010)


Photo courtesy of Laurie Roberts<br />

Fiction<br />

Selected works:<br />

“A” Is for Alibi<br />

“B” is for Burglar<br />

“S” is for Silence<br />

“T” is for Trespass<br />

“U” is for Undertow<br />

(1983–2009)<br />

Sue Grafton<br />

(1940 – )<br />

Currently resides in Louisville, Ky.<br />

Sue Grafton entered the mystery field in 1982 with the publication of<br />

“A’” is for Alibi, which introduced female hard-boiled private investigator<br />

Kinsey Millhone operating out of the fictional town of Santa Teresa (a.k.a.<br />

Santa Barbara), California. “B” is for Burglar followed in 1985, and since<br />

then Grafton has added 19 novels to the series, now referred to as “the<br />

alphabet” mysteries.<br />

(Source: Sue Grafton, 2010)<br />

147


148<br />

Photo by Gary Miller, courtesy of Mary Ann Taylor-Hall<br />

Poetry, Fiction<br />

Selected works:<br />

Yates Paul, His Grand Flights,<br />

His Tootings (2002)<br />

Praeder’s Letters: A Novel in<br />

Verse (2002)<br />

The Total Light Process: New<br />

and Selected Poems (2004)<br />

James Baker Hall<br />

(1935 – 2009)<br />

Born in Lexington, Ky.; spent the last 27 years of his life on a farm<br />

on the Harrison-Scott County line northeast of Lexington<br />

James Baker Hall published two novels, eight volumes of poetry<br />

and four collections of his photographic work. He graduated from<br />

the University of <strong>Kentucky</strong> in 1957 and then earned an M.A. from<br />

Stanford, where he joined three other Kentuckians—Wendell Berry,<br />

Ed McClanahan and Gurney Norman—as a Wallace Stegner Fellow. After<br />

teaching at New York University and Massachusetts Institute of Technology,<br />

he returned to the University of <strong>Kentucky</strong>, where he headed the Creative<br />

Writing Program for 40 years.<br />

Hall served as <strong>Kentucky</strong> poet laureate from 2001–2002. He was the recipient<br />

of many awards, including a Pushcart Prize and an O. Henry Prize.<br />

His work appeared in The New Yorker, Esquire, The Saturday Evening<br />

Post and the Paris Review.<br />

(Sources: Mary Ann Taylor-Hall, 2010, and The <strong>Kentucky</strong> Anthology)


Photo courtesy of Barbara Kingsolver<br />

Fiction,<br />

Creative Nonfiction<br />

Selected works:<br />

The Bean Trees (1988)<br />

The Poisonwood Bible (1998)<br />

Animal, Vegetable, Miracle<br />

(2007)<br />

The Lacuna (2009)<br />

Barbara Kingsolver<br />

(1955 – )<br />

Grew up in Carlisle, Ky.<br />

Barbara Kingsolver grew up in rural <strong>Kentucky</strong>. Her books have<br />

been translated into more than two dozen languages and have<br />

been adopted into the core literature curriculum in high schools<br />

and colleges throughout the nation. Kingsolver was named one of<br />

the most important writers of the 20th century by Writer’s Digest.<br />

Critical acclaim for her books includes multiple awards from the American<br />

Booksellers Association and the American Library Association,<br />

among many others. Lacuna won the Orange Prize in 2010. The Poisonwood<br />

Bible was a finalist for the Pulitzer Prize and the Orange Prize and won<br />

the national book award of South Africa, before being named an Oprah<br />

Book Club selection. Animal, Vegetable, Miracle won numerous prizes including<br />

the James Beard award. In 2000 Kingsolver received the National<br />

Humanities Medal, awarded for deepening our nation’s understanding of<br />

the humanities.<br />

(Source: Barbara Kingsolver, www.kingsolver.com)<br />

149


150<br />

Photo courtesy of Maurice Manning<br />

Poetry<br />

Selected works:<br />

Lawrence Booth’s Book of<br />

Visions (2001)<br />

A Companion for Owls (2004)<br />

Bucolics (2007)<br />

The Common Man (2010)<br />

Maurice Manning<br />

(1966 – )<br />

Born in Lexington, Ky.; grew up in Danville, Ky.<br />

Maurice Manning is a professor of English at Indiana University and lives<br />

part of the year on his farm near Perryville in Washington County. For him,<br />

<strong>Kentucky</strong> will always be home.<br />

He has published four books of poetry and has published widely in magazines<br />

and journals. In 2001 he received the Yale Younger Poets Prize for<br />

Lawrence Booth’s Book of Visions, and in 2009 he was awarded The Hanes<br />

Prize for Poetry from The Fellowship of Southern Writers.<br />

(Source: Maurice Manning, 2010)


Photo courtesy of Ed McClanahan<br />

Fiction<br />

Selected works:<br />

The Natural Man (1983)<br />

Famous People I Have Known<br />

(1985)<br />

O the Clear Moment (2008)<br />

Ed McClanahan<br />

(1932 – )<br />

Born in Brooksville, Ky.; currently resides in Lexington, Ky.<br />

Ed McClanahan was born in Brooksville, in northeastern <strong>Kentucky</strong>,<br />

and grew up there and in nearby Maysville. A novella from<br />

which his first novel, The Natural Man, evolved won him a Wallace<br />

Stegner Fellowship to Stanford University, where he joined three<br />

other Kentuckians—Wendell Berry, James Baker Hall and Gurney<br />

Norman. While there he became good friends with author Ken Kesey<br />

and later joined Kesey’s band of Merry Pranksters.<br />

The Natural Man was a critical and popular success, and critics compared<br />

the raunchy, comic growing-up saga of a bookish adolescent in Needmore,<br />

Ky., to J.D. Salinger’s Catcher in the Rye.<br />

McClanahan has taught writing at Oregon State University and the<br />

University of <strong>Kentucky</strong>. He and his wife Hilda live in Lexington.<br />

(Sources: Ed McClanahan, 2010, and The <strong>Kentucky</strong> Anthology)<br />

151


152<br />

Photo by John Howard Griffin and used with<br />

permission of the Merton Legacy Trust and the<br />

Thomas Merton Center at Bellarmine University<br />

Creative Nonfiction,<br />

Poetry<br />

Selected works:<br />

A Man in the Divided Sea<br />

(1946)<br />

The Seven Storey Mountain<br />

(1948)<br />

New Seeds of Contemplation<br />

(1961)<br />

Zen and the Birds of Appetite<br />

(1968)<br />

Thomas Merton<br />

(1915 – 1968)<br />

Entered the Abbey of Gethsemani in Trappist, Ky., in 1945, where he<br />

lived the rest of his life<br />

Thomas Merton is arguably the most influential American Catholic author<br />

of the 20th century. His autobiography, The Seven Storey Mountain, has sold<br />

over one million copies and has been translated into over 15 languages.<br />

He wrote over 60 other books and hundreds of poems and articles on<br />

topics ranging from monastic spirituality to civil rights, nonviolence and<br />

the nuclear arms race.<br />

After a rambunctious youth and adolescence, Merton converted to Roman<br />

Catholicism and entered the Abbey of Gethsemani in rural <strong>Kentucky</strong>.<br />

The 27 years he spent in Gethsemani brought about profound changes in<br />

his self-understanding.<br />

During his last years, he became deeply interested in Asian religions,<br />

particularly Zen Buddhism, and in promoting East-West dialogue.<br />

(Source: Thomas Merton Center at Bellarmine University, 2010)


Photo courtesy of Marion Ettlinger<br />

Fiction<br />

Selected works:<br />

Four Spirits (2003)<br />

Ahab’s Wife (2005)<br />

Abundance, a Novel of Marie<br />

Antoinette (2006)<br />

Adam & Eve (2010)<br />

Sena Jeter Naslund<br />

(1942 – )<br />

Currently resides in Louisville, Ky.<br />

<strong>Kentucky</strong> poet laureate for 2005–2006, Sena Jeter Naslund is the author<br />

of such New York Times critically acclaimed, best-selling novels as Sherlock<br />

in Love, Ahab’s Wife, Four Spirits and Abundance and the short story collection<br />

The Disobedience of Water. Her newest novel, Adam & Eve, is scheduled for<br />

release in fall 2010.<br />

She is the co-founder and Program Director of <strong>Kentucky</strong>’s first MFA in<br />

Writing—the brief-residency program at Spalding University for fiction, poetry,<br />

creative nonfiction, writing for youth, screenwriting and playwriting—<br />

and she is Distinguished Teaching Professor and Writer in Residence at<br />

the University of Louisville.<br />

(Source: Sena Jeter Naslund, 2010)<br />

153


154<br />

Photo courtesy of Rebecca Roberts Owens<br />

Poetry, Fiction<br />

Selected works:<br />

Under the Tree (1922)<br />

Time of Man (1926)<br />

Great Meadow (1930)<br />

Elizabeth Madox Roberts<br />

(1881 – 1941)<br />

Born in Perryville, Ky.; lived and wrote in Springfield, Ky., where she<br />

is buried<br />

Elizabeth Madox Roberts, one of America’s most original novelists and<br />

poets, set her work in the area around her home town of Springfield—<br />

what she called her Little Country—in the rolling hills at the southern edge<br />

of the Bluegrass. Her distinctive voice came clear in her first book, Under<br />

the Tree (1922), a never-out-of-print collection of poems for children. Roberts<br />

liberated the genre from didactic sentimentalism and instead portrayed<br />

a child’s sense of wonder and often comic absurdity. In her best<br />

known novels—The Time of Man (1926) and The Great Meadow (1930), both<br />

short-listed for the Pulitzer Prize—she developed a highly idiosyncratic<br />

language to explore the inner lives of women as they make sense of their<br />

places in the sometimes hostile but vividly rendered world.<br />

Roberts attended local schools in Springfield, then high school in Covington.<br />

Elizabeth’s frail health kept her from college until 1917 when at<br />

age 36 she enrolled at the University of Chicago. There, she discovered a


lively literary scene and forged friendships with a group of writers and artists,<br />

including Glenway Wescott, Janet Lewis, Yvor Winters, and Monroe<br />

Wheeler. Her colleagues recognized her<br />

original genius and helped her launch<br />

a late-blooming but productive career:<br />

seven novels, three volumes of poems<br />

and two collections of stories. Her work<br />

received critical acclaim from Carl and<br />

Mark Van Doren, Robert Penn Warren,<br />

Ford Madox Ford, Sherwood Anderson,<br />

Sylvia Townsend Warner and many others,<br />

as well as a wide readership and<br />

many awards, including the O. Henry<br />

Prize.<br />

She was buried in Springfield, on a hill<br />

Photo courtesy of Rebecca Roberts Owens<br />

overlooking the Little Country, whose<br />

rhythms and ways she conveyed with the attentiveness of an anthropologist,<br />

the sensibility of a modernist and the sensuality of a poet.<br />

(Source: Jane Eblen Keller)<br />

Elenores,<br />

Elizabeth Madox Roberts’<br />

home in Springfield, Ky.<br />

155


156<br />

Photo courtesy of the Department of Rare Books and<br />

Special Collections, Princeton University Library<br />

Poetry, Fiction<br />

Selected work:<br />

Mr.. Pope and Other Poems<br />

(1928)<br />

Stonewall Jackson:<br />

The Good Soldier (1928)<br />

Jefferson Davis:<br />

His Rise and Fall (1929)<br />

The Fathers (1938)<br />

Collected Poems (1970)<br />

Allen Tate<br />

(1899 – 1979)<br />

Born in Winchester, Ky.<br />

Allen Tate was born in Winchester and moved to Ashland when he was<br />

three years old. He attended Cross School for Boys in Louisville and Ashland<br />

High School. He entered Vanderbilt University in 1918 and quickly<br />

became associated with such well-known literary figures as John Crowe<br />

Ransom, Robert Penn Warren, Andrew Lytle and Donald Davidson.<br />

In 1924 Tate moved to New York City, where he gained recognition as a<br />

poet, literary critic and biographer for whom the Civil War was a central<br />

theme. He won a Guggenheim Fellowship in 1928 and spent most of that<br />

year and the next in England and France. While in Europe his associates<br />

were among the most widely known authors and poets of the day, including<br />

T.S. Eliot, e.e. cummings and Gertrude Stein.<br />

Tate was a writer in residence at Princeton University and lectured at<br />

Oxford University. He married Caroline Gordon of Todd County in 1924.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)


During the summer of 1924, Robert<br />

Penn Warren introduced writer Caroline<br />

Gordon to fellow Kentuckian Allen Tate.<br />

Within a year they were married and<br />

living in New York City, where she gave<br />

birth to their daughter. For a number<br />

of years, they enjoyed a life abroad,<br />

devoted to writing.<br />

In 1930 they returned to the United<br />

States and settled in Clarksville, Tenn.<br />

After a period of prolific writing and<br />

academic appointments, they were<br />

divorced in 1959.<br />

(Source: The Tennessee Encyclopedia<br />

of History and Culture, The University of<br />

Tennessee Press, 2002)<br />

Photo courtesy of the Department of Rare Books and Special Collections,<br />

Princeton University Library<br />

157


158<br />

Photo courtesy of Richard Taylor<br />

Poetry, Fiction<br />

Selected work:<br />

Bluegrass (1975)<br />

Earthbones (1979)<br />

Stone Eye (2001)<br />

Sue Mundy: A Novel of the<br />

Civil War (2006)<br />

Girty (2006)<br />

Richard Taylor<br />

(1941 – )<br />

Born in Louisville, Ky.; currently resides in Frankfort, Ky.<br />

Richard Taylor, former state poet laureate (1999–2000) and author of two<br />

novels and several nonfiction books as well as six collections of poetry,<br />

lives outside Frankfort. He received a Ph.D. from the University of <strong>Kentucky</strong><br />

and a law degree from the University of Louisville.<br />

Retired from <strong>Kentucky</strong> State University where he was a professor of<br />

English, Taylor now teaches as Kenan Visiting Writer at Transylvania University<br />

in Lexington and operates Poor Richard’s Books in Frankfort.<br />

(Sources: Richard Taylor, 2010, and The <strong>Kentucky</strong> Anthology)


Photo by Pam Spaulding (1996);<br />

© The Courier-Journal<br />

Creative Nonfiction<br />

Selected works:<br />

Hell’s Angels: A Strange and<br />

Terrible Saga (1966)<br />

Fear and Loathing in Las Vegas<br />

(1971)<br />

The Great Shark Hunt: Strange<br />

Tales from a Strange Time<br />

(The Gonzo Papers, Volume 1)<br />

(1979)<br />

Hunter S. Thompson<br />

(1937 – 2005)<br />

Born in Louisville, Ky.<br />

Hunter S. Thompson began his journalistic career as a sportswriter while<br />

serving in the U.S. Air Force from 1956 to 1958. In the mid-1960s,<br />

Thompson’s occasional free-lance writing assignments included a piece<br />

for The Nation magazine about the Hell’s Angels Motorcycle Club, which<br />

led to many book offers. Thompson’s Hell’s Angels: A Strange and Terrible Saga<br />

was based on conversations with members of the gang with whom Hunter<br />

had ridden. This kind of involvement marks Thompson’s “Gonzo journalism,”<br />

which combines nonfiction with the emotional impact of a novel or<br />

short story.<br />

(Source: The <strong>Kentucky</strong> Encyclopedia)<br />

159


160<br />

Poetry<br />

Selected works:<br />

Affrilachia (2000)<br />

Buffalo Dance: the Journey<br />

of York (2003)<br />

Black Box: Poems (2005)<br />

When Winter Come: the<br />

Ascension of York (2008)<br />

Frank X Walker<br />

(1961 - )<br />

Born in Danville, Ky.; currently resides in Lexington, Ky.<br />

Poet, professor, playwright, Frank X Walker is a founding<br />

member of the Affrilachian Poets and a Cave Canem Fellow.<br />

A Lannan Literary Fellowship in Poetry winner, he is<br />

the author of five collections of poems and the editor of<br />

two anthologies. His first book of poetry, Affrilachia, addressed family and<br />

social issues and was received with much acclaim. Through his work,<br />

Walker reinforces that “people and artists of color are part of the past and<br />

present of the multi-state Appalachian region….”<br />

Walker originally enrolled at the University of <strong>Kentucky</strong> to study engineering,<br />

but, after taking several courses with writer Gurney Norman, switched<br />

to English. Norman has called Walker “a modern bard” with “a marvelous<br />

literary voice, one of clarity, honesty and naturalness.”<br />

Walker is the founding publisher and editor of Pluck! The Journal of<br />

Affrilachian <strong>Arts</strong> & Culture and an Associate Professor of English at UK.<br />

(Sources: Frank X Walker, 2010, and The <strong>Kentucky</strong> Anthology)


Anniversary<br />

Ten thousand pages later<br />

this herd of buffalo<br />

still gathers<br />

on Affrilachian shores<br />

to taste each other’s ink<br />

be warmed<br />

by smoldering embers<br />

of coal<br />

black voices<br />

Navigating by pencil, at night<br />

we plot course<br />

through Seattles<br />

Chicagos and New Yorks<br />

but we are anchored here<br />

in this cast iron skillet<br />

called <strong>Kentucky</strong><br />

our lives sewn<br />

together, hand stiched<br />

by old fingers<br />

knowing eyes<br />

who saw the all-cotton<br />

quilt<br />

in us<br />

when we were only<br />

thread<br />

—Frank X Walker,<br />

from Black Box: Poems<br />

161


162<br />

Index<br />

21c Museum 131<br />

A<br />

Abbey of Gethsemani 152<br />

accessibility to the arts<br />

<strong>Arts</strong> Access Gallery 50<br />

<strong>Kentucky</strong> Center for the Performing<br />

<strong>Arts</strong> education programs 126<br />

Actors Theatre of Louisville 122, 123<br />

Affrilachian Poets 83, 160<br />

Akemon’s Barber Shop Jams 136<br />

Alhambra Theatre 15, 25<br />

Allen, James Lane 82, 140<br />

American Cave Museum 49, 56<br />

Angel, Mike 11<br />

Ann Tower Gallery 114, 115<br />

Appalachia 69, 82<br />

Appalachian Artisan Center 74<br />

Appalachian Fireside Gallery 98<br />

Appalshop 78, 79<br />

Roadside Theatre 17<br />

A Reader’s Corner 128<br />

Arnow, Harriette 62, 64, 82, 91<br />

art guilds 16<br />

Artique 114<br />

artists<br />

Angel, Mike 11<br />

Audubon, John James 25, 26<br />

Barrett, Mitch 17<br />

Blanck, Thomas and Joanne 10<br />

Bowen, Roy 139<br />

Bush, Sam 49<br />

Cooper, Roger 71, 96<br />

Dafford, Robert 34<br />

Edmonds, John 49<br />

Everly, Ike 22, 23<br />

Fields, Paul 130<br />

Fleck, Béla 49<br />

Freedom Singers 48<br />

Freese, Thomas 11<br />

Gastineau, Ken 98<br />

Giles, Harriet 11<br />

Gover, Carla 71<br />

Graf, Raymond 26<br />

Hamilton, Mary 17<br />

Haywood, John 69<br />

Holcomb, Pam 17<br />

Hulsey, Randy 11<br />

Kaviar, Craig 124, 125<br />

<strong>Kentucky</strong> Wild Horse 96<br />

Kokinda, Kristal 99<br />

Lamb, Lewis and Donna 97, 99, 112<br />

Lear, Tom 108<br />

Leedy, Scott 139<br />

Lundeen, George 35<br />

Lynn, Loretta 70<br />

Maydak, Mike 95<br />

May, Warren A. 102<br />

Monroe, Bill 20, 23, 37<br />

Mosley, Paul 24<br />

New Grass Revival 49<br />

Niles, John Jacob 141<br />

Northern <strong>Kentucky</strong> Brotherhood<br />

Singers 107<br />

Pennington, Eddie 24<br />

Rager, Mose 22, 23<br />

Rector, Steve 24<br />

Ritchie, Jean 82


Ritter, Patricia 47<br />

Sexton, Octavia 17<br />

Shields, Steve 28<br />

Skaggs, Ricky 70<br />

Swinson, Ken 133, 134<br />

Thompson, Chris 50<br />

Travis, Merle 22<br />

Waddell, Leona 59<br />

Yoakam, Dwight 70<br />

<strong>Arts</strong> Access Gallery 50<br />

<strong>Arts</strong>Place 114<br />

ArtWorks: A Visual <strong>Arts</strong> Coalition 16<br />

Ashland 73<br />

Audubon, John James 25, 26, 38<br />

authors. See literary artists<br />

B<br />

ballet. See dance<br />

Barren River Breakdown radio program<br />

49<br />

Barren River Lake State Resort Park Jams<br />

58<br />

Barrett, Mitch 17<br />

basket making 59<br />

B. Deemer Gallery 124<br />

Behringer-Crawford Museum 102<br />

Berea 98, 100<br />

Berea <strong>Arts</strong> <strong>Council</strong> 98<br />

Berea College Bookstore 98<br />

Bernheim Forest 130<br />

Berry, Wendell 140, 142, 148, 151<br />

Beverly 73<br />

Black Swan Books 114<br />

Blanck, Thomas and Joanne 10<br />

Bluegrass and Gospel Jam Sessions at<br />

Cumberland Falls State Resort<br />

Park 74<br />

Blue Grass Boys 20<br />

Bluegrass, Country & Western, Mountain,<br />

Appalachian Music Jams 136<br />

Bluegrass Express Live concert series 78<br />

bluegrass music<br />

birthplace 19, 20<br />

Bluegrass and Gospel Jam Sessions<br />

at Cumberland Falls State Resort<br />

Park 74<br />

Blue Grass Boys 20<br />

Bluegrass, Country & Western,<br />

Mountain, Appalachian Music<br />

Jams 136<br />

Bluegrass Express Live concert series<br />

78<br />

Breckinridge Bluegrass Music<br />

Association Jam 135<br />

International Bluegrass Music Museum<br />

21, 32<br />

Jammin’ on the Porch at the Historic<br />

Thomas House 54<br />

Jerusalem Ridge Bluegrass Celebration<br />

21<br />

<strong>Kentucky</strong> Music Hall of Fame and<br />

Museum 77<br />

Lake Cumberland Jammers at<br />

American Legion Post #38 58<br />

Meadowgreen Park Jams 73<br />

Pickin’ in the Park 61<br />

River of Music Party (ROMP) 21<br />

Rosine Barn Jamboree 21, 37<br />

Vine Grove Bluegrass Jams 138<br />

Blue Licks Battlefield State Resort Park<br />

136<br />

163


164<br />

Blue Marble 109<br />

blues music<br />

Chitlin’ Circuit 48<br />

Jammin’ on the Porch at the Historic<br />

Thomas House 54<br />

<strong>Kentucky</strong> Blues Jams at<br />

WhaBah Steakhouse 51<br />

Open Blues/Jazz Band Jam 128<br />

Stevie Ray’s Blues Bar 128<br />

bookstores<br />

A Reader’s Corner 128<br />

Berea College Bookstore 98<br />

Black Swan Books 114<br />

Blue Marble 109<br />

Carmichael’s Bookstore 124<br />

Coffee Tree Books 76<br />

Cozy Corner 80<br />

Historic Midway Museum Store 135<br />

Joseph-Beth Booksellers 116<br />

Karen’s Book Barn and Java Stop 112<br />

Lincoln’s Loft 112<br />

Morris Book Shop 120<br />

Poor Richard’s Books 110<br />

Robie Books 102<br />

Stewart Home School 1792 Store 110<br />

The Bookstore 137<br />

Boone, Joy Bale 144<br />

Boone Tavern 101<br />

Bowen, Roy 139<br />

Bowling Green 47, 50<br />

Bowling Green International Festival 49<br />

Bowling Green Western Symphony<br />

Orchestra 13, 51, 53<br />

Bradby, Marie 83<br />

Breckinridge Bluegrass Music Association<br />

Jam 135<br />

Brown, William Wells 140, 145<br />

Bush, Sam 49<br />

C<br />

Cadiz 22<br />

Capital Gallery of Contemporary Art 110<br />

Capitol <strong>Arts</strong> Alliance, 53<br />

Capitol <strong>Arts</strong> Center 15, 51, 52<br />

Carcassonne Community Center 70<br />

Carmichael’s Bookstore 124<br />

Carnegie Center for Literacy & Learning<br />

114<br />

Carnegie Community <strong>Arts</strong> Center 58<br />

Carnegie Visual & Performing <strong>Arts</strong> Center<br />

103<br />

Carson Center 34<br />

Caudill, Harry 83, 84<br />

cave region 47, 62<br />

Center for Rural Development 58<br />

Central <strong>Kentucky</strong> Art Guild 16<br />

Central <strong>Kentucky</strong> Youth Orchestra 13<br />

Chaffin, Lillie 83<br />

children’s activities<br />

Cowan Creek Mountain Music School<br />

71<br />

Explorium of Lexington 115<br />

International Museum of the Horse<br />

116<br />

Joseph-Beth Booksellers 116<br />

Lexington Children’s Theatre 117<br />

Living <strong>Arts</strong> & Science Center 119<br />

Louisville Visual Art Association 128<br />

Owensboro Museum of Fine Art 32<br />

RiverPark Center 32


Stage One Children’s Theatre 126<br />

Walden Theatre 131<br />

Chitlin’ Circuit 48<br />

C’ing Polkadots 32<br />

cities<br />

Ashland 73<br />

Berea 98, 100<br />

Beverly 73<br />

Bowling Green 47, 50<br />

Cadiz 22<br />

Clay City 73<br />

Corbin 74<br />

Covington 95, 102<br />

Danville 108<br />

David 74<br />

Drakesboro 22<br />

Elizabethtown 109<br />

Falmouth 109<br />

Fort Thomas 109<br />

Frankfort 110<br />

Glasgow 54<br />

Glendale 111<br />

Harrodsburg 111<br />

Henderson 24<br />

Hindman 74<br />

Hodgenville 112<br />

Hopkinsville 25<br />

Horse Cave 47, 54, 56<br />

LaGrange 112<br />

Lancaster 112<br />

Lexington 114<br />

Louisa 76<br />

Louisville 122<br />

Lucas 58<br />

Madisonville 25<br />

Marion 30<br />

Mayfield 30<br />

Maysville 132<br />

McQuady 135<br />

Midway 135<br />

Morehead 76<br />

Mount Olivet 136<br />

Mount Sterling 77<br />

Mount Vernon 77<br />

Murray 30<br />

Newport 136<br />

Owensboro 32<br />

Paducah 34, 36<br />

Paris 136<br />

Powderly 36<br />

Prestonsburg 77<br />

Radcliff 137<br />

Richmond 137<br />

Rosine 37<br />

Somerset 58<br />

Tompkinsville 61<br />

Versailles 138<br />

Vine Grove 138<br />

Whitesburg 78<br />

Winchester 139<br />

Clark, Billy C. 82<br />

Clark County Jamboree 139<br />

Clark, Thomas D. 141<br />

Clay City 73<br />

Clooney, Rosemary 133<br />

coal mining traditions 23, 28<br />

Cobb, Ann 82<br />

Cobb, Irvin 38<br />

Coffee Tree Books 76<br />

165


166<br />

Community <strong>Arts</strong> Center 108<br />

community arts centers<br />

Appalshop 78<br />

<strong>Arts</strong>Place 114<br />

Carcassonne Community Center 70<br />

Carnegie Center for<br />

Literacy & Learning 114<br />

Carnegie Community <strong>Arts</strong> Center 58<br />

Community <strong>Arts</strong> Center 108<br />

Downtown <strong>Arts</strong> Center 115<br />

Fohs Hall Community <strong>Arts</strong> Foundation<br />

30<br />

Frank Duveneck <strong>Arts</strong> and Cultural<br />

Center 106<br />

Gateway Regional <strong>Arts</strong> Center 77<br />

Mayfield/Graves County Art Guild 30<br />

Richmond Area <strong>Arts</strong> <strong>Council</strong> 137<br />

Completely <strong>Kentucky</strong> 110<br />

Cooper, Roger 71, 96<br />

Corbin 74<br />

country music<br />

Clark County Jamboree 139<br />

Country Music Highway 70<br />

Jammin’ on the Porch at the Historic<br />

Thomas House 54<br />

<strong>Kentucky</strong> Music Hall of Fame and<br />

Museum 77<br />

Lake Cumberland Jammers at<br />

American Legion Post #38 58<br />

legends 70<br />

Country Music Highway 70, 72<br />

Covington 95, 102<br />

Cowan Creek Mountain Music School 71<br />

Cozy Corner 80<br />

crafts. See <strong>Kentucky</strong> crafts<br />

Crunk, Tony 38, 39, 40<br />

Cumberland Falls 62<br />

Cumberland Falls State Resort Park 74<br />

Currier, Cathy 137<br />

Currier’s Music World 137<br />

D<br />

Dafford, Robert 34<br />

Damselfly Gallery 135<br />

dance 14<br />

<strong>Kentucky</strong> Ballet Theatre 14<br />

Lexington Ballet Company 14<br />

Louisville Ballet 14, 126<br />

Owensboro Dance Theatre 14, 32<br />

square dance 70, 71<br />

Danville 108<br />

Davenport, Guy 141<br />

David 74<br />

David Appalachian Crafts 74<br />

Downtown <strong>Arts</strong> Center 115<br />

Drakesboro 22<br />

drama. See performing arts<br />

E<br />

eastern region 68<br />

Edmonds, John 49<br />

Edwards, Kim 141<br />

Elizabethtown 109<br />

Everly, Ike 22, 23<br />

Experience Covington 104<br />

Explorium of Lexington 115


F<br />

Falmouth 109<br />

fiddle traditions<br />

bluegrass music 20<br />

northeastern <strong>Kentucky</strong> 96<br />

Fields, Paul 130<br />

film production<br />

Appalshop 78, 79<br />

Filson, John 140<br />

Finney, Nikki 83, 141<br />

Fleck, Béla 49<br />

Fohs Hall Community <strong>Arts</strong> Foundation 30<br />

folk art<br />

<strong>Kentucky</strong> Folk Art Center 76<br />

Fort Thomas 109<br />

Fountain Square in Bowling Green 52<br />

Fountain Square Players 51, 53<br />

Four Legends Jamboree at the Drakesboro<br />

City Hall 22<br />

Fox Jr., John 82, 140<br />

Frank Duveneck <strong>Arts</strong> and Cultural Center<br />

105, 106<br />

Frankfort 110<br />

Freedom Singers 48<br />

Freese, Thomas 11<br />

Furman, Lucy 82<br />

G<br />

galleries<br />

Ann Tower Gallery 114<br />

Appalachian Fireside Gallery 98<br />

<strong>Arts</strong> Access Gallery 50<br />

B. Deemer Gallery 124<br />

Capital Gallery of Contemporary Art<br />

110<br />

Capitol <strong>Arts</strong> Center 51, 53<br />

Carnegie Visual & Performing <strong>Arts</strong><br />

Center 103<br />

C’ing Polkadots 32<br />

Damselfly Gallery 135<br />

Gallery at 916 51<br />

Glassworks 124<br />

Heike Pickett Gallery 138<br />

Heritage Art Gallery 57<br />

Log House Craft Gallery 102<br />

Mayfield/Graves County Art Guild 30<br />

Mountain <strong>Arts</strong> Center 78<br />

New Editions Gallery 120<br />

Painted Cow Gallery 76<br />

Pots Place Co-op Studio and Gallery<br />

51<br />

Public Theatre of <strong>Kentucky</strong> 52<br />

Pyro Gallery 128<br />

Swanson Reed Contemporary 129<br />

Top Drawer Gallery 102<br />

Yeiser Art Center 36<br />

Zephyr Gallery 131<br />

Gallery at 916 51<br />

Gastineau Jewelers 98<br />

Gateway Regional <strong>Arts</strong> Center 77<br />

Gateway Resource Conservation and<br />

Development <strong>Council</strong> 8<br />

Gentry, Jane 140, 146<br />

Giles, Harriet 11<br />

Glasgow 54<br />

Glassworks 124<br />

Glema Mahr Center for the <strong>Arts</strong> 25<br />

Glendale 111<br />

Gordon, Caroline 38, 41, 91, 156<br />

167


168<br />

gospel music<br />

Bluegrass and Gospel Jam Sessions<br />

at Cumberland Falls State Resort<br />

Park 74<br />

Edmonds, John 49<br />

Jammin’ on the Porch at the Historic<br />

Thomas House 54<br />

Lake Cumberland Jammers at<br />

American Legion Post #38 58<br />

Northern <strong>Kentucky</strong> Brotherhood<br />

Singers 107<br />

Pickin’ in the Park 61<br />

Gover, Carla 71<br />

Governor’s School for the <strong>Arts</strong> 126<br />

Graf, Raymond 26<br />

Grafton, Sue 141, 147<br />

Grand Theatre 15, 110<br />

guilds 16<br />

H<br />

Hall, James Baker 141, 148<br />

Hamilton, Mary 17<br />

Hardwick, Elizabeth 141<br />

Harrodsburg 111<br />

Haywood, John 69<br />

Headley-Whitney Museum 115<br />

Heike Pickett Gallery 138<br />

Henderson 24<br />

Henderson <strong>Arts</strong> Alliance 24<br />

Henderson Fine <strong>Arts</strong> Center 24<br />

Heritage Art Gallery 57<br />

Hidden River Cave 56<br />

Hindman 74<br />

Hindman Settlement School 75, 82, 83,<br />

91<br />

Historic Midway Museum Store 135<br />

Historic State Theatre Complex 15, 109<br />

Hodgenville 112<br />

Holbrook, Chris 83<br />

Holcomb, Pam 17<br />

hooks, bell 39<br />

Hopkinsville 25<br />

Horse Cave 47, 54, 56<br />

Horse Cave Heritage Festival 57<br />

House, Silas 8, 83, 85<br />

Howard, Lee 83<br />

Howard, Quentin 83<br />

Hulsey, Randy 11<br />

Humana Festival of New American Plays<br />

122<br />

I<br />

International Bluegrass Music Museum<br />

21, 32<br />

International Museum of the Horse 116<br />

J<br />

Jamming on the Porch at the Berea Train<br />

Station 99<br />

Jammin’ on the Porch at the Historic<br />

Thomas House 54<br />

jam sessions<br />

Akemon’s Barber Shop Jams 136<br />

Appalshop Traditional Music Project<br />

78<br />

Barren River Lake State Resort Park<br />

Jams 58<br />

Bluegrass and Gospel Jam Sessions<br />

at Cumberland Falls State Resort<br />

Park 74


Bluegrass, Country & Western,<br />

Mountain, Appalachian<br />

Music Jams 136<br />

Breckinridge Bluegrass Music<br />

Association Jam 135<br />

Four Legends Jamboree at the<br />

Drakesboro City Hall 22<br />

International Bluegrass Music Museum<br />

32<br />

Jamming on the Porch at the Berea<br />

Train Station 99<br />

Jammin’ on the Porch at the Historic<br />

Thomas House 54<br />

<strong>Kentucky</strong> Blues Jams at<br />

WhaBah Steakhouse 51<br />

Lake Cumberland Jammers at<br />

American Legion Post #38 58<br />

Meadowgreen Park Jams 73<br />

Open Blues/Jazz Band Jam 128<br />

Pickin’ in the Park 36, 61<br />

Rosine Barn Jamboree 21, 37<br />

Vine Grove Bluegrass Jams 138<br />

Janice Mason Art Museum 22<br />

jazz music<br />

connections to bluegrass 20<br />

Open Blues/Jazz Band Jam 128<br />

Jennings Creek Tin Shoppe 11<br />

Jenny Wiley State Resort Park 77<br />

Jenny Wiley Theatre 77<br />

Jerusalem Ridge Bluegrass Celebration<br />

21<br />

John James Audubon State Park and<br />

Museum 25, 26<br />

Johnson, Paul Brett 83<br />

Jones, Gayl 141<br />

Joseph-Beth Booksellers 116<br />

K<br />

Karen’s Book Barn and Java Stop 112<br />

Kaviar, Craig 124, 125<br />

Kaviar Forge and Gallery 124<br />

Kendrick, Leatha 83<br />

<strong>Kentucky</strong> Artisan Center at Berea 99, 101<br />

<strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> 3, 4<br />

<strong>Kentucky</strong> Ballet Theatre 14<br />

<strong>Kentucky</strong> Blues Jams at<br />

WhaBah Steakhouse 51<br />

<strong>Kentucky</strong> Center for the Performing <strong>Arts</strong><br />

126<br />

<strong>Kentucky</strong> crafts<br />

Appalachian Artisan Center 74<br />

Appalachian Fireside Gallery 98<br />

Completely <strong>Kentucky</strong> 110<br />

Cozy Corner 80<br />

David Appalachian Crafts 74<br />

<strong>Kentucky</strong> Artisan Center at Berea 99,<br />

101<br />

<strong>Kentucky</strong> Folk Art Center 76<br />

<strong>Kentucky</strong> Haus Artisan Center 136<br />

<strong>Kentucky</strong> School of Craft 75<br />

Log House Craft Gallery 102<br />

Painted Cow Gallery 76<br />

Red Bird Mission Crafts 73<br />

True <strong>Kentucky</strong> 111<br />

<strong>Kentucky</strong> Folk Art Center 76<br />

<strong>Kentucky</strong> Guild of Artists and Craftsmen<br />

16, 101<br />

<strong>Kentucky</strong> Haus Artisan Center 136<br />

<strong>Kentucky</strong> Horse Park 116<br />

<strong>Kentucky</strong> Library and Museum 49<br />

169


170<br />

<strong>Kentucky</strong> Museum of Art & Craft 127<br />

<strong>Kentucky</strong> Music Hall of Fame and<br />

Museum 77<br />

<strong>Kentucky</strong> Opera 126<br />

<strong>Kentucky</strong> Repertory Theatre at Horse Cave<br />

54, 55, 57<br />

<strong>Kentucky</strong> School of Craft 75<br />

<strong>Kentucky</strong> state parks. See state parks<br />

<strong>Kentucky</strong> Symphony Orchestra 13<br />

<strong>Kentucky</strong> Theatre 15, 116<br />

<strong>Kentucky</strong> Wild Horse 96<br />

Kincaid Regional Theatre Company 109<br />

Kingsolver, Barbara 141, 149<br />

Kokinda, Kristal 99<br />

L<br />

LaGrange 112<br />

Lake Cumberland Jammers at American<br />

Legion Post #38 58<br />

Lake Cumberland Performing <strong>Arts</strong> 58<br />

Lamb, Lewis and Donna 112<br />

Lancaster 112<br />

Lawrence County <strong>Arts</strong> <strong>Council</strong> 76<br />

Lear, Tom 108<br />

LEED certified buildings<br />

Bernheim Forest 130<br />

Boone Tavern 101<br />

Leeds Center for the <strong>Arts</strong> 15, 139<br />

Leedy, Scott 139<br />

Lex<strong>Arts</strong> 115<br />

Lexington 114<br />

Lexington Art League 113, 117<br />

Lexington Ballet Company 14<br />

Lexington Children’s Theatre 117<br />

Lexington Opera House 117, 118<br />

Lexington Philharmonic Orchestra 13,<br />

122<br />

Lincoln’s Loft 112<br />

literary artists<br />

Allen, James Lane 82, 140<br />

Arnow, Harriette 62, 64, 82, 91<br />

Audubon, John James 38<br />

Berry, Wendell 140, 142, 148, 151<br />

Boone, Joy Bale 144<br />

Bradby, Marie 83<br />

Brown, William Wells 140, 145<br />

Caudill, Harry 83, 84<br />

Chaffin, Lillie 83<br />

Clark, Billy C. 82<br />

Cobb, Ann 82<br />

Cobb, Irvin 38<br />

Crunk, Tony 38, 39, 40<br />

Davenport, Guy 141<br />

Edwards, Kim 141<br />

Filson, John 140<br />

Finney, Nikki 83, 141<br />

Fox Jr., John 82, 140<br />

Furman, Lucy 82<br />

Gentry, Jane 140, 146<br />

Gordon, Caroline 38, 41, 91, 156<br />

Grafton, Sue 141, 147<br />

Hall, James Baker 141, 148<br />

Hardwick, Elizabeth 141<br />

Holbrook, Chris 83<br />

hooks, bell 39<br />

House, Silas 8, 83, 85<br />

Howard, Lee 83<br />

Howard, Quentin 83<br />

Johnson, Paul Brett 83


Jones, Gayl 141<br />

Kendrick, Leatha 83<br />

Kingsolver, Barbara 141, 149<br />

Lyon, George Ella 82, 83, 86, 141<br />

Manning, Maurice 141, 150<br />

Mason, Bobbie Ann 31, 39, 42, 140<br />

McClanahan, Ed 134, 140, 148, 151<br />

McCombs, Davis 62, 65<br />

McElmurray, Karen 83<br />

Merton, Thomas 152<br />

Miller, Jim Wayne 39, 66, 82<br />

Naslund, Sena Jeter 153<br />

Norman, Gurney 83, 88, 140, 148,<br />

151, 160<br />

Offutt, Chris 83, 90<br />

O’Hara, Theodore 141<br />

Poston, Ted 39<br />

Roberts, Elizabeth Madox 91, 154<br />

Rubio, Gwyn 141<br />

Shelby, Anne 83<br />

sources for biographical information 5<br />

Stewart, Al 83<br />

Still, James 82, 88, 91<br />

Stuart, Jesse 82, 91, 92<br />

Survant, Joe 62, 63, 67<br />

Tate, Allen 38, 41, 44, 91, 141, 156<br />

Taylor, Richard 141, 158<br />

Tevis, Walter 141<br />

Thompson, Hunter S. 159<br />

Walker, Frank X 83, 141, 160<br />

Warren, Robert Penn 38, 44, 91, 155,<br />

156<br />

Wilkinson, Crystal 83<br />

Williams, Lisa 141<br />

Living <strong>Arts</strong> & Science Center 119<br />

Log House Craft Gallery 102<br />

Loudoun House 113, 117<br />

Louisa 76<br />

Louisville 122<br />

Louisville Artisans Guild 16<br />

Louisville Ballet 14, 126<br />

Louisville Orchestra 13, 126<br />

Louisville Visual Art Association 128<br />

Louisville Youth Orchestra 13<br />

Lucas 58<br />

Lundeen, George 35<br />

Luther F. Carson Four Rivers Center 34<br />

luthiers 97<br />

Bowen, Roy 139<br />

Currier, Cathy 137<br />

Currier’s Music World 137<br />

Lamb, Lewis and Donna 97, 112<br />

Leedy, Scott 139<br />

May, Warren A. 102<br />

Mize, Art 120<br />

Mize Violin Shop 120<br />

RS Guitarworks 139<br />

Lynn, Loretta 70<br />

Lyon, George Ella 82, 83, 86, 141<br />

Lyric Theatre 15, 120<br />

M<br />

Madisonville 25<br />

Mammoth Cave National Park 47, 56,<br />

62, 65<br />

Manning, Maurice 141, 150<br />

Marble Club Super Dome 61<br />

marble games 60<br />

Marion 30<br />

171


172<br />

Market House Theatre 34<br />

Mason, Bobbie Ann 31, 39, 42, 140<br />

Maydak, Mike 95<br />

Mayfield 30<br />

Mayfield/Graves County Art Guild 30<br />

Maysville 132<br />

May, Warren A. 102<br />

McClanahan, Ed 134, 140, 148, 151<br />

McCombs, Davis 62, 65<br />

McElmurray, Karen 83<br />

McQuady 135<br />

Meadowgreen Park Jams 73<br />

Merton, Thomas 152<br />

Midway 135<br />

Miller, Jim Wayne 39, 66, 82<br />

Mize, Art 120<br />

Mize Violin Shop 120<br />

Monroe, Bill 20, 23, 37<br />

Morehead 76<br />

Morris Book Shop 120<br />

Mosley, Paul 24<br />

Mountain <strong>Arts</strong> Center 78<br />

Mount Olivet 136<br />

Mount Sterling 77<br />

Mount Vernon 77<br />

murals<br />

Maysville 133, 139<br />

Paducah 34, 35<br />

Murray 30<br />

Murray Art Guild 16<br />

museums<br />

21c Museum 131<br />

American Cave Museum 49, 56<br />

Behringer-Crawford Museum 102<br />

Explorium of Lexington 115<br />

Headley-Whitney Museum 115<br />

International Bluegrass Music Museum<br />

21, 32<br />

International Museum of the Horse<br />

116<br />

Janice Mason Art Museum 22<br />

John James Audobon State Park and<br />

Museum 25<br />

<strong>Kentucky</strong> Library and Museum 49<br />

<strong>Kentucky</strong> Museum of Art & Craft 127<br />

Living <strong>Arts</strong> and Science Center 119<br />

National Quilt Museum 19, 35, 36<br />

Owensboro Museum of Fine Art 32<br />

Speed Art Museum 128, 129<br />

University of <strong>Kentucky</strong> Art Museum<br />

122<br />

Yeiser Art Center 36<br />

musicians. See artists<br />

N<br />

Naslund, Sena Jeter 153<br />

National Quilt Museum 19, 35, 36<br />

National Thumbpickers Hall of Fame 24<br />

New Editions Gallery 120<br />

New Grass Revival 49<br />

Newport 136<br />

Niles, John Jacob 141<br />

Norman, Gurney 83, 88, 140, 148, 151,<br />

160<br />

north central region 94<br />

Northern <strong>Kentucky</strong> Brotherhood Singers<br />

107<br />

Norton Center for the <strong>Arts</strong> 108


O<br />

Offutt, Chris 83, 90<br />

O’Hara, Theodore 141<br />

Ohio Valley Art League 24<br />

old-time music 20, 71<br />

connections to bluegrass 20<br />

jam sessions 78<br />

Lake Cumberland Jammers at<br />

American Legion Post #38 58<br />

Open Blues/Jazz Band Jam 128<br />

Orchestra <strong>Kentucky</strong> 13, 51, 53<br />

orchestras 12<br />

Bowling Green Western Symphony<br />

Orchestra 13, 51, 53<br />

Central <strong>Kentucky</strong> Youth Orchestra 13<br />

<strong>Kentucky</strong> Symphony Orchestra 13<br />

Lexington Philharmonic Orchestra 13,<br />

122<br />

Louisville Orchestra 13, 126<br />

Louisville Youth Orchestra 13<br />

Orchestra <strong>Kentucky</strong> 13, 51, 53<br />

Owensboro Symphony Orchestra 13,<br />

32<br />

Paducah Symphony Orchestra 13, 34<br />

outdoor drama<br />

Jenny Wiley Theatre 77<br />

Owensboro 32<br />

Owensboro Dance Theatre 14, 32<br />

Owensboro Museum of Fine Art 32<br />

Owensboro Symphony Orchestra 13, 32<br />

P<br />

Paducah 34, 36<br />

Paducah <strong>Arts</strong> Alliance 16<br />

Paducah Symphony Orchestra 13, 34<br />

Painted Cow Gallery 76<br />

Paramount <strong>Arts</strong> Center 15, 72, 73<br />

Paris 136<br />

Pennington, Eddie 24<br />

Pennyroyal <strong>Arts</strong> <strong>Council</strong> 25<br />

performing arts. See also theaters<br />

Actors Theatre of Louisville 122, 123<br />

Alhambra Theatre 25<br />

Appalshop 78<br />

Capitol <strong>Arts</strong> Center 51, 52<br />

Carnegie Visual & Performing <strong>Arts</strong><br />

Center 103<br />

Fountain Square Players 51<br />

Glema Mahr Center for the <strong>Arts</strong> 25<br />

Grand Theatre 110<br />

Henderson Fine <strong>Arts</strong> Center 24<br />

Jenny Wiley Theatre 77<br />

<strong>Kentucky</strong> Center for the Performing<br />

<strong>Arts</strong> 126<br />

<strong>Kentucky</strong> Repertory Theatre at Horse<br />

Cave 54, 55<br />

<strong>Kentucky</strong> Theatre 116<br />

Kincaid Regional Theatre Company<br />

109<br />

Lake Cumberland Performing <strong>Arts</strong> 58<br />

Leeds Center for the <strong>Arts</strong> 139<br />

Lexington Children’s Theatre 117<br />

Lexington Opera House 117, 118<br />

Luther F. Carson Four Rivers Center<br />

34<br />

Market House Theatre 34<br />

Mountain <strong>Arts</strong> Center 78<br />

Norton Center for the <strong>Arts</strong> 108<br />

Paramount <strong>Arts</strong> Center 72, 73<br />

173


174<br />

Playhouse in the Park 30<br />

Plaza Theatre 54<br />

Public Theatre of <strong>Kentucky</strong> 52<br />

Ragged Edge Community Theatre 111<br />

RiverPark Center 32<br />

Singletary Center for the <strong>Arts</strong> 122<br />

Theatre Workshop of Owensboro 33<br />

Walden Theatre 131<br />

Washington Opera House 132<br />

Woodford Theatre 138<br />

Pickin’ in the Park 36, 61<br />

Playhouse in the Park 30<br />

Plaza Theatre 15, 54<br />

poets. See literary artists<br />

poets laureate<br />

Boone, Joy Bale 144<br />

Gentry, Jane 146<br />

Hall, James Baker 148<br />

Norman, Gurney 88<br />

Sena Jeter Naslund 153<br />

Still, James 91<br />

Stuart, Jesse 92<br />

Survant, Joe 67<br />

Taylor, Richard 158<br />

Warren, Robert Penn 44<br />

Poor Richard’s Books 110<br />

Poston, Ted 39<br />

Pots Place Co-op Studio and Gallery 51<br />

Powderly 36<br />

Prestonsburg 77<br />

Public Theatre of <strong>Kentucky</strong> 52<br />

Pyro Gallery 128<br />

Q<br />

quilts<br />

Carcassonne quilting group 70<br />

Lyric Theatre commemorative quilt<br />

120<br />

mural honoring quilt-making traditions<br />

35<br />

National Quilt Museum 19, 35, 36<br />

quilt capital of the world 19<br />

quilt trails 8<br />

retail quilts at Cozy Corner 80<br />

retail quilts at David Appalachian Crafts<br />

74<br />

R<br />

Radcliff 137<br />

radio programs<br />

Barren River Breakdown 49<br />

Bluegrass Express Live 78<br />

storytelling 17<br />

Woodsongs Old-Time Radio Hour 116<br />

Rager, Mose 22, 23<br />

Ragged Edge Community Theatre 111<br />

Rector, Steve 24<br />

Red Bird Mission Crafts 73<br />

Red Dog & Company 11<br />

regions<br />

eastern 68<br />

north central 94<br />

south central 46<br />

western 18<br />

Richmond 137<br />

Richmond Area <strong>Arts</strong> <strong>Council</strong> 137<br />

Ritchie, Jean 82<br />

Ritter, Patricia 47<br />

River of Music Party (ROMP) 21<br />

RiverPark Center 32


Roadside Theatre 17<br />

Roberts, Elizabeth Madox 91, 154<br />

Robie Books 102<br />

Rolley Hole marble game 60<br />

Rosine 37<br />

Rosine Barn Jamboree 21, 37<br />

RS Guitarworks 139<br />

Rubio, Gwyn 141<br />

S<br />

sculpture<br />

Fields, Paul 130<br />

Fountain Square in Bowling Green 52<br />

Graf, Raymond 26<br />

Kaviar Forge and Gallery 124<br />

Lear, Tom 108<br />

Lundeen, George 35<br />

Shields, Steve 28<br />

Wooldridge Monuments 31<br />

Sexton, Octavia 17<br />

Shaker Village of Pleasant Hill 10, 111<br />

Shelby, Anne 83<br />

Sheltowee Artisans 16<br />

Shields, Steve 28<br />

Singletary Center for the <strong>Arts</strong> 122<br />

Skaggs, Ricky 70<br />

Somerset 58<br />

south central region 46<br />

South Union Shaker community 10<br />

Speed Art Museum 128, 129<br />

square dance 70, 71<br />

Stage One Children’s Theatre 126<br />

state parks<br />

Barren River Lake State Resort Park<br />

58<br />

Blue Licks Battlefield State Resort Park<br />

136<br />

Cumberland Falls State Resort Park<br />

74<br />

Jenny Wiley State Resort Park 77<br />

John James Audubon State Park 25,<br />

26<br />

<strong>Kentucky</strong> Horse Park 116<br />

Stevie Ray’s Blues Bar 128<br />

Stewart, Al 83<br />

Stewart Home School 1792 Store 110<br />

Still, James 82, 88, 91<br />

storytelling<br />

artists 17<br />

Barrett, Mitch 17<br />

cave guide traditions 49<br />

Hamilton, Mary 17<br />

Holcomb, Pam 17<br />

Paramount Joe ghost stories 72<br />

Roadside Theatre 17<br />

Sexton, Octavia 17<br />

Shaker ghost stories 11<br />

Stuart, Jesse 82, 91, 92<br />

studios, open<br />

Gastineau Jewelers 98<br />

Glassworks 124<br />

Kaviar Forge and Gallery 124<br />

Survant, Joe 62, 63, 67<br />

Swanson Reed Contemporary 129<br />

Swinson, Ken 133, 134<br />

symphonies. See orchestras<br />

T<br />

Tate, Allen 38, 41, 44, 91, 141, 156<br />

Taylor, Richard 141, 158<br />

175


176<br />

Tevis, Walter 141<br />

theaters. See also performing arts<br />

Alhambra Theatre 15, 25<br />

Capitol <strong>Arts</strong> Center 15, 51, 52<br />

Grand Theatre 15, 110<br />

Historic State Theatre Complex 15,<br />

109<br />

Jenny Wiley Theatre 77<br />

<strong>Kentucky</strong> Repertory Theatre at Horse<br />

Cave 54, 55<br />

<strong>Kentucky</strong> Theatre 15, 116<br />

Leeds Center for the <strong>Arts</strong> 15<br />

Lyric Theatre 15, 120<br />

Market House Theatre 34<br />

Paramount <strong>Arts</strong> Center 15, 72, 73<br />

Plaza Theatre 15, 54<br />

Public Theatre of <strong>Kentucky</strong> 52<br />

restored Art Deco theaters 15<br />

Theatre Workshop of Owensboro 33<br />

The Bookstore 137<br />

The Weavery 11<br />

Thompson, Chris 50<br />

Thompson, Hunter S. 159<br />

thumbpicking<br />

birthplace 22<br />

Four Legends Jamboree at the<br />

Drakesboro City Hall 22<br />

National Thumbpickers Hall of Fame<br />

24<br />

Pickin’ in the Park 36<br />

Tompkinsville 61<br />

Top Drawer Gallery 102<br />

towns. See cities<br />

Travis, Merle 22<br />

True <strong>Kentucky</strong> 111<br />

U<br />

University of <strong>Kentucky</strong> Art Museum 122<br />

V<br />

Versailles 138<br />

Vine Grove 138<br />

Vine Grove Bluegrass Jams 138<br />

visual arts. See also galleries; See<br />

also museums<br />

Bernheim Forest 130<br />

Carnegie Visual & Performing <strong>Arts</strong><br />

Center 103<br />

Frank Duveneck <strong>Arts</strong> and Cultural<br />

Center 106<br />

guilds 16<br />

Henderson Fine <strong>Arts</strong> Center 24<br />

Lake Cumberland Performing <strong>Arts</strong> 58<br />

Loudoun House 113, 117<br />

Louisville Visual Art Association 128<br />

Ohio Valley Art League 24<br />

VSA <strong>Kentucky</strong> 50<br />

W<br />

Waddell, Leona 59<br />

Walden Theatre 131<br />

Walker, Frank X 83, 141, 160<br />

Warren A. May Woodworker 102<br />

Warren, Robert Penn 38, 44, 91, 155,<br />

156<br />

western region 18<br />

WhaBah Steakhouse<br />

jams 51<br />

performances 49


Whitesburg 78<br />

Wilkinson, Crystal 83<br />

Williams, Lisa 141<br />

Winchester 139<br />

Winter Wonderland 32<br />

Woodford Theatre 138<br />

Woodsongs Old-Time Radio Hour 116<br />

Wooldridge Monuments 31<br />

writers. See literary artists<br />

Y<br />

Yeiser Art Center 35, 36<br />

Yoakam, Dwight 70<br />

Z<br />

Zephyr Gallery 131<br />

177


178<br />

Acknowledgments<br />

Wendell Berry’s “The Peace of Wild Things” from<br />

Collected Poems, Counterpoint Press, 1985, is<br />

reprinted with permission.<br />

George Ella Lyon’s “With a Song in His Heart,” soon<br />

to be published in a collection titled She Let Herself Go,<br />

LSU Press, is reprinted with permission.<br />

Bobbie Ann Mason’s excerpt from Spence + Lila,<br />

Harper & Row Publishers, 1988, is reprinted with<br />

permission.<br />

Gurney Norman’s “Vision,” 1974, is reprinted with<br />

permission.<br />

Jesse Stuart’s excerpt from The Thread That Runs So<br />

True is reprinted with permission from the Jesse Stuart<br />

Foundation.<br />

Frank X Walker’s “Anniversary” from Black Box: Poems,<br />

Old Cove Press, 2005, is reprinted with permisson.<br />

Information about selected literary artists was<br />

adapted from:<br />

The <strong>Kentucky</strong> Encyclopedia, John Kleber, Editor-in<br />

Chief, The University Press of <strong>Kentucky</strong>, 1992.<br />

The <strong>Kentucky</strong> Anthology: Two Hundred Years of<br />

Writing in the Bluegrass State, Wade Hall, Editor,<br />

The University Press of <strong>Kentucky</strong>, 2005.


Discover More Art Online<br />

The <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> makes it easy to find artists of the<br />

highest caliber whose work has been recognized for artistic<br />

excellence by independent panels of arts professionals. Visit<br />

our online directories (http://artistdirectory.ky.gov/) to discover<br />

the rich diversity of the commonwealth’s professional artists.<br />

Architectural Artists—features <strong>Kentucky</strong> artists whose work<br />

includes architectural installations, custom-made fixtures and<br />

uniquely crafted home accessories.<br />

<strong>Arts</strong> Education Roster—features teaching artists of all disciplines<br />

who have the skills and training to be resident artists in<br />

schools and communities.<br />

<strong>Kentucky</strong> Crafted—recognizes and promotes traditional and<br />

contemporary craft and visual art of the highest quality.<br />

Performing <strong>Arts</strong> Directory—showcases some of the<br />

commonwealth’s finest performing artists available for<br />

bookings and performance-related projects.<br />

Something to Add?<br />

The <strong>Kentucky</strong> <strong>Arts</strong> <strong>Council</strong> is in the process<br />

of migrating the information in this book to<br />

its website (www.artscouncil.ky.gov). The online<br />

version will include interactive maps and<br />

more extensive information. If you have corrections<br />

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book, please contact us at kyarts@ky.gov.<br />

1

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