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The fi ne art of style guide design The fi ne art of style guide design

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C E L E B R A T I N G 1 0 Y E A R S • S P O N S O R E D S U P P L E M E N T<br />

NATURALLY SADIE: 65 episodes x 22 minutes<br />

Charlotte Arnold as budding naturalist, Sadie Hawthor<strong>ne</strong><br />

© 2005 DECODE/Sadie Productions 2 Inc<br />

in other areas <strong>of</strong> kids or teen production, but we looked<br />

outside <strong>of</strong> that pool,” Stevenson says.<br />

While most decade-old production companies have<br />

only recently dived into creating an interactive division,<br />

Decode st<strong>art</strong>ed to build websites for its programming before<br />

broadband was widespread. “In fact, convincing broadcasters<br />

they should not just take our websites or our characters for<br />

their own sites but buy them was an interesting <strong>fi</strong> rst step,”<br />

DeNure says, adding broadcasters today wouldn’t even think<br />

about picking up a show without <strong>fi</strong> rst thinking about the<br />

onli<strong>ne</strong> compo<strong>ne</strong>nt.<br />

And speaking <strong>of</strong> Decode’s clients, it’s a more competitive<br />

world not only from the number <strong>of</strong> kids cablesat chan<strong>ne</strong>ls<br />

but also <strong>ne</strong>w screens such as mobile, iPods and gaming.<br />

Court says Decode has responded to this challenge by upping<br />

the <strong>of</strong>fer <strong>of</strong> its non-broadcast content <strong>of</strong> its shows.<br />

Stevenson says Decode’s <strong>ne</strong>xt step is exploring interactive<br />

play with portable devices. <strong>The</strong> content can now be bigger<br />

and better because kids can download faster and on different<br />

handhelds. “Kids are more pliable and they’re the best testing<br />

ground for innovative material and how they use content,”<br />

she says. “We’re super excited because the screens are more<br />

proli<strong>fi</strong> c and they can go into <strong>ne</strong>w and interesting places.”<br />

And o<strong>ne</strong> place Decode has broken through is on the TV<br />

screens with Dudson’s Modern Tales in Toronto’s subway<br />

“Even though Steven<br />

had 11 years <strong>of</strong> putting<br />

together some <strong>of</strong> the<br />

most important live<br />

action shows ever seen<br />

in Canada, and I had a<br />

history in primetime,<br />

people were like,<br />

Decode? Live action?”<br />

39

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