academica of cicero. - 912 Freedom Library
academica of cicero. - 912 Freedom Library
academica of cicero. - 912 Freedom Library
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The Project Gutenberg eBook <strong>of</strong> ...<br />
Diodotus is spoken <strong>of</strong> as still living, although when the words were written he had been dead for<br />
many years [282] . The surprise <strong>of</strong> Hortensius, who is but a learner in philosophy, at the wisdom <strong>of</strong><br />
Lucullus, is very dramatic [283] . The many political and private troubles which were pressing<br />
upon Cicero when he wrote the work are kept carefully out <strong>of</strong> sight. Still we can catch here and<br />
there traces <strong>of</strong> thoughts and plans which were actively employing the author's mind at Astura.<br />
His intention to visit Tusculum has left its mark on the last section <strong>of</strong> the book, while in the last<br />
but one the De Finibus, the De Natura Deorum and other works are shadowed forth [284] . In<br />
another passage the design <strong>of</strong> the Tusculan Disputations, which was carried out immediately after<br />
the publication <strong>of</strong> the Academica and De Finibus, is clearly to be seen [285] .<br />
Hortensius and Catulus now sink to a secondary position in the conversation, which is resumed<br />
by Lucullus. His speech is especially acknowledged by Cicero to be drawn from the works <strong>of</strong><br />
Antiochus [286] . Nearly all that is known <strong>of</strong> the learning <strong>of</strong> Lucullus is told in Cicero's dialogue,<br />
and the passages already quoted from the letters. He seems at least to have dallied with culture,<br />
although his chief energy, as a private citizen, was directed to the care <strong>of</strong> his fish-ponds [287] . In<br />
his train when he went to Sicily was the poet Archias, and during the whole <strong>of</strong> his residence in<br />
the East he sought to attach learned men to his person. At Alexandria he was found in the<br />
company <strong>of</strong> Antiochus, Aristus, Heraclitus Tyrius, Tetrilius Rogus and the Selii, all men <strong>of</strong><br />
philosophic tastes [288] . He is several times mentioned by Pliny in the Natural History as the<br />
patron <strong>of</strong> Greek artists. Yet, as we have already seen, Cicero acknowledged in his letters to<br />
Atticus that Lucullus was no philosopher. He has to be propped up, like Catulus, by the authority<br />
<strong>of</strong> another person. All his arguments are explicitly stated to be derived from a discussion in<br />
which he had heard Antiochus engage. The speech <strong>of</strong> Lucullus was, as I have said, mainly a<br />
reply to that <strong>of</strong> Cicero in the Catulus. Any closer examination <strong>of</strong> its contents must be postponed<br />
till I come to annotate its actual text. The same may be said <strong>of</strong> Cicero's answer.<br />
In the intermediate form <strong>of</strong> the Academica, the speech <strong>of</strong> Lucullus was no doubt transferred to<br />
Brutus, but as he has only such a slight connection with the work, I do not think it necessary to<br />
do much more than call attention to the fact. I may, however, notice the close relationship in<br />
which Brutus stood to the other persons with whom we have had to deal. He was nephew <strong>of</strong><br />
Cato, whose half-sister Servilia was wife <strong>of</strong> Lucullus [289] . Cato was tutor to Lucullus' son, with<br />
Cicero for a sort <strong>of</strong> adviser: while Hortensius had married a divorced wife <strong>of</strong> Cato. All <strong>of</strong> them<br />
were <strong>of</strong> the Senatorial party, and Cato and Brutus lived to be present, with Cicero, during the war<br />
between Pompey and Caesar. Brutus and Cicero were both friends <strong>of</strong> Antiochus and Aristus,<br />
whose pupil Brutus was [290] .<br />
c. The Second Edition.<br />
When Cicero dedicated the Academica to Varro, very slight alterations were necessary in the<br />
scenery and other accessories <strong>of</strong> the piece. Cicero had a villa close to the Cuman villa <strong>of</strong> Catulus<br />
and almost within sight <strong>of</strong> Hortensius' villa at Bauli [291] . Varro's villa, at which the scene was<br />
now laid, was close to the Lucrine lake [292] . With regard to the feigned date <strong>of</strong> the discourse, we<br />
may observe that at the very outset <strong>of</strong> the work it is shown to be not far distant from the actual<br />
time <strong>of</strong> composition [293] . Many allusions are made to recent events, such as the utter overthrow<br />
<strong>of</strong> the Pompeian party, the death <strong>of</strong> Tullia [294] , and the publication <strong>of</strong> the Hortensius [295] .<br />
Between the date <strong>of</strong> Tullia's death and the writing <strong>of</strong> the Academica, it can be shown that Varro,<br />
Cicero and Atticus could not have met together at Cumae. Cicero therefore for once admits into<br />
his works an impossibility in fact. This impossibility would at once occur to Varro, and Cicero<br />
anticipates his wonder in the letter <strong>of</strong> dedication [296] .<br />
For the main facts <strong>of</strong> Varro's life the student must be referred to the ordinary sources <strong>of</strong><br />
information. A short account <strong>of</strong> the points <strong>of</strong> contact between his life and that <strong>of</strong> Cicero, with a<br />
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