C4 antho - Chamber Four
C4 antho - Chamber Four C4 antho - Chamber Four
~150~ The Chamber Four Fiction Anthology say it. I prepare to run. But Cheetah stops, lips parted, eyes wide. “You don’t know, do you? He laughs. “How precious is this? He. Doesn’t. Fucking. Know.” At this point the fat man sticks his head out the door and says something about a buddy cop of his calling. Cheetah ignores him. His eyes hold mine. “Your old lady,” he says. “Where do you think I first met her?” “Fuck you,” I say. “Cheetah,” says the fat man. “They’re on their way. Get those little shits out of here.” “On the set,” Cheetah says. “I met her on the set.” “Bullshit,” I say, but I know he’s right. My mother hasn’t always managed a department store, yet we’ve always had the house and food and nice things. I remember her telling me, six or seven years ago, that she entertained people for a living. In my little-kid mind that meant a singer, or even a magician. She never filled in the gap. The sick feeling has turned to anger. I’m trembling all over. “That’s right. It was me and three other guys, in fact. You ever hear of a train, son?” Cheetah makes a crude humping motion. Gordon has made it to his hands and knees and is crawling forward. As he comes to his feet I see blood from a nostril but the same rabid expression. My best friend will never quit. “Cheetah―” says the fat man, but I don’t hear the rest. I take the front, while Gordon takes him from behind.
Nothings ___________ by Aaron Block from Alice Blue Review The Olufsens’ annual Accomplishments Exhibition started at 8:30 a.m. when the first movement of a twelvetone symphony composed by fourteen-year-old Nolan Olufsen sounded from the PA system set-up at the bottom of the driveway and blanketed the neighborhood. The music woke me but not Lyndon, my son, who I found downstairs on the couch, eating a bowl of cereal in front of the TV and holding the invitation to the festivities he’d received a week ago. He was already dressed, in socks and shoes even, his mother’s yellow rain jacket folded next to him, which he’d brought from the closet because last night the weatherman said showers were likely in the afternoon. I put a fried egg between two stale pieces of bread and fielded Lyndon’s questions about last year’s Exhibition, whether I remembered the potato-mashing machine Dr. Erik Olufsen built from wire and his hand-made, precisely measured gears, or the way Maddy Olufsen sang her husband’s songs while standing on the roof, wearing a costume she’d sewn herself from clothes worn by her grandparents when they emigrated to America. I lied and told him sure, I remembered all that and the year before, too. It was Rosanna, his mother, who took him every year, who was better at pretending interest in the neighbors’ projects. The invitation was delivered the day after she left. Lyndon made me read it to him three times at dinner, once more before he went to sleep; I knew I’d have to take him. He was ready to go as soon as I’d finished my sandwich, but I made him wait by the door while I brushed my teeth
- Page 99 and 100: Peacocks ~99~ then I saw Eric kneel
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~150~ The <strong>Chamber</strong> <strong>Four</strong> Fiction Anthology<br />
say it. I prepare to run.<br />
But Cheetah stops, lips parted, eyes wide.<br />
“You don’t know, do you? He laughs. “How precious is<br />
this? He. Doesn’t. Fucking. Know.”<br />
At this point the fat man sticks his head out the door and<br />
says something about a buddy cop of his calling. Cheetah ignores<br />
him. His eyes hold mine.<br />
“Your old lady,” he says. “Where do you think I first met<br />
her?”<br />
“Fuck you,” I say.<br />
“Cheetah,” says the fat man. “They’re on their way. Get<br />
those little shits out of here.”<br />
“On the set,” Cheetah says. “I met her on the set.”<br />
“Bullshit,” I say, but I know he’s right. My mother hasn’t<br />
always managed a department store, yet we’ve always had<br />
the house and food and nice things. I remember her telling<br />
me, six or seven years ago, that she entertained people for a<br />
living. In my little-kid mind that meant a singer, or even a<br />
magician. She never filled in the gap.<br />
The sick feeling has turned to anger. I’m trembling all<br />
over.<br />
“That’s right. It was me and three other guys, in fact. You<br />
ever hear of a train, son?”<br />
Cheetah makes a crude humping motion. Gordon has<br />
made it to his hands and knees and is crawling forward. As<br />
he comes to his feet I see blood from a nostril but the same<br />
rabid expression. My best friend will never quit.<br />
“Cheetah―” says the fat man, but I don’t hear the rest. I<br />
take the front, while Gordon takes him from behind.