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Fukunaga 2006 FL literacy development using Anime ... - Oncourse

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“Those anime students”: Foreign language <strong>literacy</strong> <strong>development</strong> through Japanese popular culture<br />

Ta b l e 2<br />

Differences between anime and U.S. animation<br />

<strong>Anime</strong> (Japanese animation) American animation<br />

• Variety of issues, no censoring • Limited variety, strict censoring<br />

• Distinctive art style • Controlled contents<br />

• Quirky sense of humor • Sitcom style<br />

• Detailed and continuous story line • Childish stories<br />

• Deep, involved relationships<br />

• Stronger character <strong>development</strong><br />

• High-quality voices<br />

• Creativity<br />

• Popular music<br />

The participants in this study agreed that<br />

the story lines in anime are detailed, complicated,<br />

and continuous. Emily commented, “If the<br />

character dies, he doesn’t come back on the next<br />

show!” A participant in my previous study<br />

(<strong>Fukunaga</strong>, 2000) also mentioned the narrative<br />

style of anime as an attraction because of the<br />

range of issues in the stories. The most frequently<br />

emphasized point across the three students<br />

in the current study was that anime covers so<br />

many different themes, such as fantasy, everyday<br />

Japanese life, cooking, action, adventure, martial<br />

art, sports, romantic drama, comedy, and samesex<br />

relationships. Because U.S. television networks<br />

are subject to regulation and censorship,<br />

the content of anime sometimes is changed. This<br />

causes some problems for U.S. anime fans and<br />

frustration with the “American” version of anime.<br />

For example, in the first season of Sailor<br />

Moon, there were two male characters who had a<br />

relationship. According to Sean, one of them was<br />

very feminine looking, so “they turned him into<br />

her. They gave him a woman voice actor and it<br />

looked like a woman, and you couldn’t tell a difference<br />

unless” you watched the original anime.<br />

Sean said, “I remember my shock when I found<br />

out about that. I was like, no way!” The deceptive<br />

treatment of particular parts of anime in the<br />

American versions made Sean begin comparing<br />

original anime with the dubbed versions.<br />

Advantages for J<strong>FL</strong> <strong>literacy</strong><br />

<strong>development</strong><br />

Repetitive watching of anime provides multiple advantages<br />

for learning Japanese. My data suggest<br />

three linguistic aspects to the advantages: word<br />

recognition, listening and pronunciation, and<br />

awareness of various Japanese linguistic features. In<br />

the interviews, students used some Japanese words<br />

that describe anime-related concepts such as otaku<br />

(anime geeks), hentai (pervert), shōnen (boys), and<br />

shōjo (girls). Hentai refers to a genre of anime that<br />

includes pornography. Proper nouns such as characters’<br />

names (Michiru) and names of places<br />

(Harajuku), and ways to address people such as<br />

sensei (teacher), okāsan (mom), and onēchan (my<br />

big sister), are also common words learned through<br />

anime (<strong>Fukunaga</strong>, 2000). Ted shared his experience<br />

of playing video games from Japan and noticing<br />

the Japanese names of the characters: “Even though<br />

it is all in English it has all Japanese people’s names,<br />

so you can have a child who recognizes that these<br />

aren’t American names.”<br />

Emily, Ted, and Sean hear Japanese conversation<br />

at a natural speed in anime. In one of<br />

Emily and Ted’s favorites, Kareshi kanojo no jijō<br />

(His and Her Circumstances), the introduction of<br />

each 30-minute show and the opening and ending<br />

theme songs stay the same. As students watch<br />

JOURNAL OF ADOLESCENT & ADULT LITERACY 50:3 NOVEMBER <strong>2006</strong> 213

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