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Severely handicapped class arrives - The Lowell

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W<br />

Androgyny is back in style<br />

fTgr^SSSS d"*** 3011 I f l ^ J S S ^ ^ B<br />

* BoyGeontcof Culture Ctuh h one<br />

• of the n*oM successful androgsnou*<br />

gy * pwwaalities, exuding<br />

both male le and female<br />

characteristic!.<br />

<strong>The</strong> influence of androgyny in<br />

pop muiic wu apparent at the 1984<br />

Grammy Wjiic Award* in Lin<br />

Anjele.-.<br />

A trio Moo audience of 65<br />

million worldwide watched »inger<br />

Annte Unnox*se>f otiMng impersonation<br />

of Elvii Pro icy.<br />

<strong>The</strong>n voca*i« Boy George, drewed<br />

in i vampith black turn go*n.<br />

thanked America Tor knewinj "»<br />

«ood drag qucctt" when n taw one.<br />

.Michael Jackscn. with hn girlUh<br />

voice and demure manner, U one of<br />

the mow fexually enigmatic figures<br />

ever to umc on the tmulc scene.<br />

"Jackson u pre-jdolesccm, like a<br />

Barbie doll with no genital!,* says<br />

Dick Hcbdigc, author of Subadture:<br />

TSc Mating of Sly U.<br />

Androgyny is not a new<br />

phenomenon: in the 1970'J, the<br />

avame-gardc David Bowie<br />

"dtipbycd u whole can of andrcgynou*<br />

chancier*., fron*. texlcu<br />

Psychedelic alien* to gritn.<br />

emasculated aristocrat* in<br />

suspenuer*." *aid writer NkMn<br />

Jennings.<br />

In the 1920'*. French drcu<br />

designer Gahncllt Chanel<br />

popularircd wearing pants. i»ced<br />

jacket*, and kicked off the "parcoaac"<br />

look, short htir. pleated<br />

Ucvsen. tiuciio jackets, and bow<br />

ties. <strong>The</strong> look was considered<br />

"amusingly nenxne** at that tin*.<br />

In the I93OV Greta Oirbo.<br />

Marlcnc Dietrich, and Katharine<br />

Hepburn -cn. „„„. ,u<br />

„«.» llcpbum .,.-».;..: lent mure •— 'to<br />

the glamor<br />

.-nd sophistication of wiring dou-<br />

We breasted jackets and tmncr*<br />

which were reserved only for their<br />

trulc counterparts.<br />

\\>gue magaxinr showed a model<br />

wwnnjr a pink HrwAs Hnxhcn'<br />

shin K l«*53; thu*. it put » uamp of<br />

approval on the fashion olue ol<br />

incn'% cl«Hhiny for women.<br />

Fashion dc\ignen often incorporate<br />

an element 3f miAnlinity in<br />

iheir cltKhct for women. \\c\ Sain!<br />

l-jurcni\ trnu*er suit\ and Giorgio<br />

AmuniS Irenwl^oats and overcoats<br />

arc just d few examples nf the<br />

presence of the mcn\»car element<br />

in women's clothes.<br />

Designer CtUin Klein ha» intrixtucal<br />

a line of wtMr.cn's Imgerie<br />

nxiucW alter iron's underpin* and<br />

jKkcy »hon». Kicin's underwear<br />

hai gwvvtd around S70 million in a<br />

lititc »^cr a y a n ,imc> attciting to<br />

Ihc popularity of the m!rog>r.ou»<br />

look.<br />

<strong>The</strong> cinema has cihihitc-J the s ing a w-otrun. a wnnun oonraying<br />

nwi. and a woman pretending<br />

io be a nun pretending in bt i<br />

woman respectively.<br />

<strong>The</strong> wnavh bnudu.i) mu*ka.' Li<br />

Cage MIX Fella. «ar\ men drc\»cd<br />

up av uonien.<br />

Juno i\ tiflt; anJn>g>ii) ii<br />

prc*alci4 in our SOCKIV. n*tfr MI<br />

ihin in presi'.Mj»>can. there wa» a<br />

Itcte n»)t too long agit when a l*l><br />

wearing iniusen HI. comidcred<br />

positil<br />

* performer**<br />

I By Robert Kim<br />

• *'Androgyny U in, and it** about<br />

* time,** voices mckcr Gncc Joan.<br />

• lones' own appearance suggest*<br />

• sexual ambiguity, with her flattop<br />

• haircut cropped to ihc Omll and her<br />

* Wood-red lipstick.<br />

t la addition to Jones, Annie Len-<br />

• nox of Eurytbmlck. Michael<br />

• Jackson, aod Boy George of the<br />

. Culture Club, are notable an-<br />

Soaps attract some 30 million viewers<br />

(Continued from pjge It»i<br />

<strong>The</strong> »ojpi base attracted the alienlion<br />

of sociologitu snd<br />

ptycholojUu. who hold several<br />

contrasting view* of them.<br />

Some nrpK that thr soaps are<br />

healthy, lhal they, likr other entertainment<br />

forms, provide a fanUsy<br />

svorld for the viewer and enable*<br />

him io escape from his own<br />

pmbleiiu.<br />

t.lto believe that<br />

the real world, because they deal<br />

with many human problem*. Thus,<br />

viewer* supposedly identify with<br />

these character*.<br />

On the other hind, other* argue<br />

that soap opera* do not offer a<br />

realistic pom^>al of the world at all<br />

— in fact, they d quite ihc opposite.<br />

A survey *. f wop add»a» at<br />

vatf:w» college* taken l?.u year<br />

772 CIAPCM0NT BLVD.<br />

ONE BLOCK rnou<br />

POSTAL TUNNEL<br />

SANFfUNOSCO<br />

revealed thai nun) of the viewer*<br />

ovtrotinuic ihc number of<br />

a.sd doctor* in the "real"<br />

world.<br />

Other survey* hasc shown that<br />

*oap opeta viewer* also<br />

overestimate the number of<br />

p.-emariui and extramarital affairs,<br />

divorces. illnc*sc» and death. Soap<br />

opera cynics contend that »h:*c<br />

" -mrj)- real problems. lhe><br />

them »nd misinform and<br />

obviously.<br />

f<br />

-«rJ viewing i<br />

not juvt limned lo hou<br />

ap>m.»rc. Col'ejte students IcaJ the<br />

voo; open surr.pcdc; rtcaily two<br />

thi tls of the soap audience fall into<br />

thr; college age group. Today, many<br />

oillegc* ocn offer a refutar course<br />

ii "stup opcm osjchology".<br />

Whicii stup* are popular tulij'<br />

Of the 30 million people who wa'ch<br />

soaps. i5 •n-Ilio-; wuch General<br />

ttmpitat. All My Children. Out Life<br />

,oli\*. <strong>The</strong> Young oiul the Reittei\.<br />

and <strong>The</strong> GuiUtinx Mxht -ire alvi extreme!)'<br />

p"pulai. acconlinr to<br />

daytinK ratings.<br />

Jhr Imtll, January IS. MS. V*tf n<br />

.ENTERTAINMENF<br />

Dillon soars as<br />

'<strong>The</strong> Flamingo Kid'<br />

Carla QMH Janet) K rotnanctd b> Jeffrey WHlh .-ar-old UratVlyn kid ahcut to alues waiter. Jeffrey y and bKfaiher<br />

(.mer Cutumbu Univcrsit> to uuJy drift i apan during di this h time. i JS< < Jcf* Jf<br />

en^inArrmg.1VMnfyu'.c*pljcein frey has second ihoucjat<br />

the rarlv I'W)\ Columbia. C l b<br />

JclfnV* family ',.t»cr-middle- Towards the end of the story.<br />

jnJ hi* tltcr : i'(i|j\eu fry t'ec- Iltitly shows hi- inic tolur*. Hi* job<br />

tui (ilu'inJoi nukci < living as a i'lf:r turns nut to he the r^niiioo 01"<br />

plumber. Mr. Willis v.-nt. JcHrey to a \lockho>. and Jcifrc) Jiwrmt.-s<br />

ruse wtut **c never S*J hiimelf: N: Hnxl> isn't playing "on lhc up and<br />

scrimped aiwi saved fur Jcllrcs's up."<br />

n. >. Occc Jeffrey leamsincirutr about<br />

This si immcr Jeffrey ik-csn't ••am Bn. jelfre) makes up wtih hi*<br />

in an nlrtcc as 1 copy ho), fjthcr. <strong>The</strong> old saying of "Father<br />

So. Jclfrey** friends help him get a knows best" comes lo mind. arV<br />

job al lhc HI Pamingo Beach Club, cscrync leave* lhc irosje with a<br />

Long Island. (a!thuut*h Mr. Willis good feeling,<br />

docn'i fully approve). Iclfrcy stan* <strong>The</strong> role of Jeffrey Willis U 3<br />

o-il a* a parking attendant and work* change fur Matt Dillon. He's most<br />

hi* way up :c cabana buy. ueil known as a ispic.il "James<br />

"ATiile *.o»kiftg at Li Flamingo. Jcf- Dcan-t'Righguy." ;*ho gets in strcvt<br />

frey mceu Phil Onxl). a rich "know- fight* and has a pretty girlfriend.<br />

11-all" who owns a chcin of foreign His title role in Tex and lhc role of<br />

car showrooms. Diody didn't b>u to Dally in <strong>The</strong> OuttiJen have fisrn<br />

college, and he made hit fin tune by Dillon an image of a dumb punk. <strong>The</strong><br />

f iMid luck jnd street srturts. He Flaminftt Kid prose* thst he can lo<br />

transmits to Jcfdcy that college isn't j more challenging mlc*.<br />

ElecCfte Guitars & Amps<br />

MODEL SEARCH<br />

San Francisco modeling school and<br />

agency is looking for new faces for<br />

fashion, photography and television<br />

modeling. Some training scholarships<br />

arc available.<br />

For information, free brochure, and<br />

scholarship application, call 362-4999.<br />

C N A T U R E M O D E L S

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