Severely handicapped class arrives - The Lowell
Severely handicapped class arrives - The Lowell
Severely handicapped class arrives - The Lowell
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W<br />
Androgyny is back in style<br />
fTgr^SSSS d"*** 3011 I f l ^ J S S ^ ^ B<br />
* BoyGeontcof Culture Ctuh h one<br />
• of the n*oM successful androgsnou*<br />
gy * pwwaalities, exuding<br />
both male le and female<br />
characteristic!.<br />
<strong>The</strong> influence of androgyny in<br />
pop muiic wu apparent at the 1984<br />
Grammy Wjiic Award* in Lin<br />
Anjele.-.<br />
A trio Moo audience of 65<br />
million worldwide watched »inger<br />
Annte Unnox*se>f otiMng impersonation<br />
of Elvii Pro icy.<br />
<strong>The</strong>n voca*i« Boy George, drewed<br />
in i vampith black turn go*n.<br />
thanked America Tor knewinj "»<br />
«ood drag qucctt" when n taw one.<br />
.Michael Jackscn. with hn girlUh<br />
voice and demure manner, U one of<br />
the mow fexually enigmatic figures<br />
ever to umc on the tmulc scene.<br />
"Jackson u pre-jdolesccm, like a<br />
Barbie doll with no genital!,* says<br />
Dick Hcbdigc, author of Subadture:<br />
TSc Mating of Sly U.<br />
Androgyny is not a new<br />
phenomenon: in the 1970'J, the<br />
avame-gardc David Bowie<br />
"dtipbycd u whole can of andrcgynou*<br />
chancier*., fron*. texlcu<br />
Psychedelic alien* to gritn.<br />
emasculated aristocrat* in<br />
suspenuer*." *aid writer NkMn<br />
Jennings.<br />
In the 1920'*. French drcu<br />
designer Gahncllt Chanel<br />
popularircd wearing pants. i»ced<br />
jacket*, and kicked off the "parcoaac"<br />
look, short htir. pleated<br />
Ucvsen. tiuciio jackets, and bow<br />
ties. <strong>The</strong> look was considered<br />
"amusingly nenxne** at that tin*.<br />
In the I93OV Greta Oirbo.<br />
Marlcnc Dietrich, and Katharine<br />
Hepburn -cn. „„„. ,u<br />
„«.» llcpbum .,.-».;..: lent mure •— 'to<br />
the glamor<br />
.-nd sophistication of wiring dou-<br />
We breasted jackets and tmncr*<br />
which were reserved only for their<br />
trulc counterparts.<br />
\\>gue magaxinr showed a model<br />
wwnnjr a pink HrwAs Hnxhcn'<br />
shin K l«*53; thu*. it put » uamp of<br />
approval on the fashion olue ol<br />
incn'% cl«Hhiny for women.<br />
Fashion dc\ignen often incorporate<br />
an element 3f miAnlinity in<br />
iheir cltKhct for women. \\c\ Sain!<br />
l-jurcni\ trnu*er suit\ and Giorgio<br />
AmuniS Irenwl^oats and overcoats<br />
arc just d few examples nf the<br />
presence of the mcn\»car element<br />
in women's clothes.<br />
Designer CtUin Klein ha» intrixtucal<br />
a line of wtMr.cn's Imgerie<br />
nxiucW alter iron's underpin* and<br />
jKkcy »hon». Kicin's underwear<br />
hai gwvvtd around S70 million in a<br />
lititc »^cr a y a n ,imc> attciting to<br />
Ihc popularity of the m!rog>r.ou»<br />
look.<br />
<strong>The</strong> cinema has cihihitc-J the s ing a w-otrun. a wnnun oonraying<br />
nwi. and a woman pretending<br />
io be a nun pretending in bt i<br />
woman respectively.<br />
<strong>The</strong> wnavh bnudu.i) mu*ka.' Li<br />
Cage MIX Fella. «ar\ men drc\»cd<br />
up av uonien.<br />
Juno i\ tiflt; anJn>g>ii) ii<br />
prc*alci4 in our SOCKIV. n*tfr MI<br />
ihin in presi'.Mj»>can. there wa» a<br />
Itcte n»)t too long agit when a l*l><br />
wearing iniusen HI. comidcred<br />
positil<br />
* performer**<br />
I By Robert Kim<br />
• *'Androgyny U in, and it** about<br />
* time,** voices mckcr Gncc Joan.<br />
• lones' own appearance suggest*<br />
• sexual ambiguity, with her flattop<br />
• haircut cropped to ihc Omll and her<br />
* Wood-red lipstick.<br />
t la addition to Jones, Annie Len-<br />
• nox of Eurytbmlck. Michael<br />
• Jackson, aod Boy George of the<br />
. Culture Club, are notable an-<br />
Soaps attract some 30 million viewers<br />
(Continued from pjge It»i<br />
<strong>The</strong> »ojpi base attracted the alienlion<br />
of sociologitu snd<br />
ptycholojUu. who hold several<br />
contrasting view* of them.<br />
Some nrpK that thr soaps are<br />
healthy, lhal they, likr other entertainment<br />
forms, provide a fanUsy<br />
svorld for the viewer and enable*<br />
him io escape from his own<br />
pmbleiiu.<br />
t.lto believe that<br />
the real world, because they deal<br />
with many human problem*. Thus,<br />
viewer* supposedly identify with<br />
these character*.<br />
On the other hind, other* argue<br />
that soap opera* do not offer a<br />
realistic pom^>al of the world at all<br />
— in fact, they d quite ihc opposite.<br />
A survey *. f wop add»a» at<br />
vatf:w» college* taken l?.u year<br />
772 CIAPCM0NT BLVD.<br />
ONE BLOCK rnou<br />
POSTAL TUNNEL<br />
SANFfUNOSCO<br />
revealed thai nun) of the viewer*<br />
ovtrotinuic ihc number of<br />
a.sd doctor* in the "real"<br />
world.<br />
Other survey* hasc shown that<br />
*oap opeta viewer* also<br />
overestimate the number of<br />
p.-emariui and extramarital affairs,<br />
divorces. illnc*sc» and death. Soap<br />
opera cynics contend that »h:*c<br />
" -mrj)- real problems. lhe><br />
them »nd misinform and<br />
obviously.<br />
f<br />
-«rJ viewing i<br />
not juvt limned lo hou<br />
ap>m.»rc. Col'ejte students IcaJ the<br />
voo; open surr.pcdc; rtcaily two<br />
thi tls of the soap audience fall into<br />
thr; college age group. Today, many<br />
oillegc* ocn offer a refutar course<br />
ii "stup opcm osjchology".<br />
Whicii stup* are popular tulij'<br />
Of the 30 million people who wa'ch<br />
soaps. i5 •n-Ilio-; wuch General<br />
ttmpitat. All My Children. Out Life<br />
,oli\*. <strong>The</strong> Young oiul the Reittei\.<br />
and <strong>The</strong> GuiUtinx Mxht -ire alvi extreme!)'<br />
p"pulai. acconlinr to<br />
daytinK ratings.<br />
Jhr Imtll, January IS. MS. V*tf n<br />
.ENTERTAINMENF<br />
Dillon soars as<br />
'<strong>The</strong> Flamingo Kid'<br />
Carla QMH Janet) K rotnanctd b> Jeffrey WHlh .-ar-old UratVlyn kid ahcut to alues waiter. Jeffrey y and bKfaiher<br />
(.mer Cutumbu Univcrsit> to uuJy drift i apan during di this h time. i JS< < Jcf* Jf<br />
en^inArrmg.1VMnfyu'.c*pljcein frey has second ihoucjat<br />
the rarlv I'W)\ Columbia. C l b<br />
JclfnV* family ',.t»cr-middle- Towards the end of the story.<br />
jnJ hi* tltcr : i'(i|j\eu fry t'ec- Iltitly shows hi- inic tolur*. Hi* job<br />
tui (ilu'inJoi nukci < living as a i'lf:r turns nut to he the r^niiioo 01"<br />
plumber. Mr. Willis v.-nt. JcHrey to a \lockho>. and Jcifrc) Jiwrmt.-s<br />
ruse wtut **c never S*J hiimelf: N: Hnxl> isn't playing "on lhc up and<br />
scrimped aiwi saved fur Jcllrcs's up."<br />
n. >. Occc Jeffrey leamsincirutr about<br />
This si immcr Jeffrey ik-csn't ••am Bn. jelfre) makes up wtih hi*<br />
in an nlrtcc as 1 copy ho), fjthcr. <strong>The</strong> old saying of "Father<br />
So. Jclfrey** friends help him get a knows best" comes lo mind. arV<br />
job al lhc HI Pamingo Beach Club, cscrync leave* lhc irosje with a<br />
Long Island. (a!thuut*h Mr. Willis good feeling,<br />
docn'i fully approve). Iclfrcy stan* <strong>The</strong> role of Jeffrey Willis U 3<br />
o-il a* a parking attendant and work* change fur Matt Dillon. He's most<br />
hi* way up :c cabana buy. ueil known as a ispic.il "James<br />
"ATiile *.o»kiftg at Li Flamingo. Jcf- Dcan-t'Righguy." ;*ho gets in strcvt<br />
frey mceu Phil Onxl). a rich "know- fight* and has a pretty girlfriend.<br />
11-all" who owns a chcin of foreign His title role in Tex and lhc role of<br />
car showrooms. Diody didn't b>u to Dally in <strong>The</strong> OuttiJen have fisrn<br />
college, and he made hit fin tune by Dillon an image of a dumb punk. <strong>The</strong><br />
f iMid luck jnd street srturts. He Flaminftt Kid prose* thst he can lo<br />
transmits to Jcfdcy that college isn't j more challenging mlc*.<br />
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