Severely handicapped class arrives - The Lowell
Severely handicapped class arrives - The Lowell
Severely handicapped class arrives - The Lowell
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i<br />
f*f I*. V* lo*r!l, OmraVr 6. 19V<br />
ENTERTAINMENT.<br />
McDonalds sponsors iazzband<br />
By Cut ROM<br />
. Among the crony diversified talenb<br />
that reside at <strong>Lowell</strong> 'in one Out goes<br />
basically unrccognixed *j*e Tor foot*<br />
tall garrcx uxl occasional competitions.<br />
This reservoir o/ talent U the<br />
<strong>Lowell</strong> uxatcuu. Ihe unreccgnUcd<br />
performer w"to practice* bacrrtively<br />
day after day. only to be placed<br />
harmlessly in the hack?nwnJ of foolball<br />
games. U there life t r tct the<br />
<strong>Lowell</strong> Band, or bthat the end of the<br />
line?<br />
In 19*3, McDonalds nJaurant<br />
owners throughout the Bay Atea<br />
formed the All-City Jazz Band to interested<br />
high vhoci students would<br />
not have to settle for playing only in<br />
their school bands and could go on<br />
lo brnaUer horiiom. (It also male a<br />
pretty neat promotional gimmick.)<br />
<strong>The</strong> All City Jazz Bwtd (ACJ1)<br />
consists of 19 high schcol snidcnts<br />
<strong>Lowell</strong>. <strong>Lowell</strong> metaben ioJude<br />
sophomores NIcL vYlngftcId<br />
(trumpet) and Fnocisco Catas (&uoybooe)<br />
aaJjunior Stephen Retuker<br />
(also trumpet). In addition, on »<br />
branch of the ACJB. called the Dixieland<br />
Band, is junior Eric<br />
Verboogen. who recHes in the tuba<br />
. "iV ACJB plays mostly the big<br />
band jazz of the 40's made popular<br />
by such ertaU as Glen Milier and<br />
Beam Goodman. Besidca bif band<br />
Uieyal.-o,cxldlyen«nli.jliyaliBle<br />
ofcpM. <strong>The</strong>bandcoosueofu.ophone,tnm,c..«dlnxnbooeKC-<br />
Some previous gigs that the band<br />
has played include the Today Show.<br />
when it covered ;hc Democratic Nation*!<br />
Convention, the'Sacramento<br />
Dixieland Jazz Festival, a NFL football<br />
parry, and a slew of private parlies.<br />
<strong>The</strong> McDonalds owners spent<br />
$30,000 a year to fund the bind, of<br />
which the ba,-vl members get many<br />
fringe benefits. For instance, after<br />
each performance, they are ushered<br />
off to the nearest McDonalds where<br />
they partake in a ritualbtic feeding<br />
frenzy, devouring as nuch fow* as<br />
In addition to the McDoiaWland<br />
buffet, they also get bight rol v-neck<br />
band sweaters (100 po cent pttcsicr.<br />
of course, in 'JJC gran . trad tion of<br />
McDonalds* employe.; un forms)<br />
w^ the inevitable golda arc*.* logo<br />
embedded in the upper-kA hat d corner<br />
of the sweater.<br />
'A'iBgficld. lead trump. I p Iyer.<br />
conwientcd. "In the pbt t*w «ars<br />
we have had some rediy {tx *\ t *us<br />
***Anino honored***<br />
By May Won.*<br />
What cJaiirooin ruou'kied with<br />
music, laughter, and af^utc on<br />
Novembct 157<br />
<strong>The</strong> amwcT is room A> wixa<br />
Robert Aninu presented "MiuJc is<br />
My}lobby" at the noon conce.1 during<br />
mods 12-13. Anino is a firmer<br />
<strong>Lowell</strong> teacher, win retired *c\rral<br />
years ago ind now occasionally c'nei<br />
»utelh.itc teaching.<br />
Srudcnu ami (acuity applaud.'d<br />
I* *dly upon hit cntrxtc**. Anint,<br />
however, teemed not to hc*r l!*c audience<br />
fnd look ho place at the piano<br />
tVTK'h.<br />
"1 doVt careabnt you guys.. .1<br />
play ptaio for my owu amazement—<br />
amuseine.-«,..if I tV.n'1 like the<br />
puno, 1 R.i home—" he began.<br />
One '••ml that in hii music, u in<br />
his jokes. Alino never failed to exude<br />
a Knv of light-heart 4vets.<br />
Every one of hit pieces **as melod'c<br />
and had aa >iptvat rhythm.<br />
Songs such as "WbJung-Huping"<br />
and "It's a Oreat life in the Army"<br />
both reflected his joy and optimism.<br />
Aniro modestly tvcntfeMed about<br />
hit life in ihe army, "I woi the war<br />
(World War It) with tht help of a guy<br />
named Eucfl-fcvncthing."<br />
Per.-ap* UK JVM* interesting piece<br />
Anino shared with his atK'tence was<br />
"Mes Quatr: Anuwn." a -*altt also<br />
known u * I j -Co-Mo-Jo,"<br />
felt r<br />
Robert M hk Noon Concert.<br />
For this enntribuoon aw lor hts<br />
v; .ice to LimeU as a bA*ctball<br />
coirh. a Spanish teacher, a<br />
covfuclor, and now a tubttirutc.<br />
Sicila Mkhadian, noon concert (pootor,<br />
presented to Aniuo a ccnifcatc<br />
asd LI medal.<br />
"Hc'h (Anino) given so much of<br />
hirmcf to so many people ...\c<br />
dcsrrvii much more recognition truo<br />
we're giving him." Michael'n<br />
noted<br />
Michatltan was referring lo hit<br />
cootributk-as lo <strong>Lowell</strong> as well as to<br />
his song writing for Boy &x*a<br />
Camps, Ciy College or San H'WJ.<br />
cbco, Aptos luakr High, and » arious<br />
other ion) sthools a-xl eolKtei<br />
J Caniack, a former student<br />
and have graduated. WcU ! S^vSKSS^f**" of Anino at h^<br />
oU Lowd, in 1959.<br />
observed, "He (Anrno) rrtwi't chang-<br />
In the early 5O'». Anino wrot; six ed ... he's till as avttve, witty,<br />
ton|» for <strong>Lowell</strong>. "<strong>The</strong> Peo Socg" cr.-alivc ...he«vi /ood teacher,<br />
and the "IiRhl .^ong" can still be<br />
an inte.rsting p:no.*. a friend ...<br />
heard tud*v.<br />
he'i a Krcat nu> "<br />
start from scratch »jain,**<br />
'After Hours'fuses NewYork's abnormal with the norm<br />
By Drrd. JOJKS<br />
Have you ever \jd * nightmare<br />
where y»« are sunoundctl by irrational.<br />
'txMir J ?eopb, ard you are<br />
being chased down cndlcs urcets and<br />
your only goal is to get home ufely?<br />
Well, mild-mrnnercd word proccuor<br />
Paul riackett ed, ptnjt,<br />
u> le intrigues and fascir>tes the at •<br />
dience to find out what it going 01<br />
in the mind of thii socriingt) lot<br />
waif.<br />
Garr. in her utual duty way. delivers<br />
a very funny performance Ji<br />
the insecure Julie. Her pKtrayal is J *<br />
Ibw less a» her carefuiiy spra.iv-d bee -<br />
hive hairdo without being cither Mil t<br />
or sticky.<br />
<strong>The</strong> wrcenplay by ntwconicr Joseph<br />
Mil Jon it frevh an.1 real. Scot •<br />
cesc has bora quoted as uyin/. th.M<br />
the reawn he was Tuu attr acted ti mi •<br />
work w». "People rcaLy talk that<br />
way."<br />
Minion*j humor b not fotoxJ in on:<br />
liners or ih pstick utuatiom. but r»i •<br />
er in the paradox between the "uv. •<br />
mal" Paul ind the "abnormil" chai •<br />
acters he meets Mirjoo alto re»fnizes<br />
the potential ir everyone to te<br />
eccentric. We laugh at Minioi's it!beat<br />
characters, but without a feeling<br />
of complete aicJuuon from their bizarre<br />
pcnorcJity traits.<br />
*" .feese hits done a masterful ji'b<br />
ui hb comic cumination of a city -j<br />
night. His situster and wnex'iri:<br />
camerawork of late nijht scttii|i.<br />
(overlit all-nijt^t diners, sleazy hus.<br />
PARENTS<br />
OFUTTUKDS<br />
Heard,«t Tom the Bartender, and Griffin Dunne, as an uptown<br />
wo rd ;iroc AOT named Paul, strike 11<br />
deal in the comedy After Houn.<br />
and un let fumuhed aniu apan- dicnecs leave :he theater with smiles<br />
menii) w jttriguinj and artistic. on their faces without alto aikins<br />
Set id* x, who also directed such some quetiiom as to the goodncu o(<br />
pcrvriv; ind cynical films as Taxi his fellow man. Getting a gcod<br />
Drivtt in.' Aijftiy But!, seems to be night's sfeep is quUe a chore after itrs<br />
at his • at vith grin., claustrophobic film as well.<br />
tiles. Ben tt^rr/foun.acomudy,<br />
Sct>rcc»t~*s disturbing visions of a<br />
^ k i<br />
y<br />
i i r i i<br />
After Houn, functioning on t\n<br />
levels, as a comedy and ai a skepbc.il<br />
social cHnmenury. is socccsftful rt<br />
porated.<br />
Scorces,- b not about to let his au«<br />
both.<br />
GO BRNflNR'S<br />
BRBESTO'S<br />
RESTAURANT<br />
Itfilm Clnn«n rnd Plzzs<br />
2J11 Clonient Sires:<br />
3an Francisco, CA 3