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Severely handicapped class arrives - The Lowell

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I »••.:-_,<br />

FHTURE<br />

, CUofer-f. I9SS<br />

Writing: a means of expression^<br />

Poetry & short stories<br />

- Why do oeople fed tbo dutre to<br />

exprcu tbemdvcs throng*) « riling?<br />

As sophon ore Xeaditk CcAb «platecd.<br />

- Wi tins P°**y ssbfics my<br />

need to have a lasting accomplisb*<br />

out. li'^vec 7ne nnahiaf coocmc<br />

that I IMVC dwiw to look back on."<br />

Today there art msny people who<br />

write poetry oc ihortswrics caber for<br />

publication or (of their own penoctJ<br />

enjoyment sad satisfaction. Bo:<br />

when: [a history do the origins of<br />

thue fonm nf « rinea tapnssiOD lie?<br />

ftxtry has beat ased throoghou;<br />

history by pcopk. wishing to express<br />

themselves in • amww beyond the<br />

ordinary uses of language.<br />

Although one specific origin of<br />

poetry on not be traced, it is thought<br />

to nave bdonso! to ritual in early<br />

agrinlmnl sodetki. parttcuUily in<br />

ths form vf raatkal spdlft recitod to<br />

costire a good naivot.<br />

Poco/has evohol in tmry various<br />

forms ranging trotu the nursery<br />

rhyme* of Mother Goose to the epic<br />

poems of Home, loetry today is<br />

used tu Qtprcts a niie range of ideas<br />

or crooctom but bi the past it was tued<br />

primarily for religious purposes.<br />

<strong>The</strong> origins of the ihort story are<br />

quite different from, and yet (or easier<br />

to trace than the orf j*os of poetry.<br />

Prior to the nineteenth century,<br />

short stories were not generally regarded<br />

as a distinct literary form.<br />

Despite this (act. shcrt fiction b nearly<br />

as old as Unpnge itself in that it<br />

stems from some of the oldest forms<br />

of brief narratives: moralizing fairy<br />

talcs, that myths, historical legends,<br />

tad many more.<br />

By Jason Mlati<br />

Q.-sffiti. <strong>The</strong> dictionary define*, it<br />

as inscrptions or drawings made on<br />

• nxk or wall. At <strong>Lowell</strong>, we call it<br />

the next best thing to wallpaper.<br />

<strong>The</strong>re b oo doubt that graffiti b<br />

taking on a new and unique role in<br />

society today, as b evidenced by the<br />

increasing prevalence of graffiti on<br />

campus. <strong>Lowell</strong>'s benches, windows,<br />

rcstrooms. athletic facilities and<br />

dassrooms are displaying more socbl<br />

r>ieuagcs now than ever before.<br />

What's the meaning behind it all?<br />

AsiUtaat principal Gloria<br />

BogdanoCTs three years la the Sin<br />

frucfero Unified School District<br />

have provided her with mmy dors.<br />

but not all the answers.<br />

.^tj.iTiti seems to be more<br />

prcrtlca In the big cities where there<br />

are a Bomber of triuoc gjwiptV* she<br />

rrs'-tt^ "I guess to some degree it's<br />

a popoter group form of expression<br />

became it can be somewhat artistic<br />

but might abb hare > %ocial<br />

masage."<br />

:<br />

Bd<br />

y e enrtowtm often t*r.**<br />

a message of love, half, or fri nd*<br />

ship, aid irfteo direct! Itself tow aM<br />

-socjesy or (be govcraroent. Still,<br />

oowever, tnrtft rcmautt a DWDbcx of<br />

ahenadve forms, as LrwrcUtadeoti<br />

observed last year fo'"ou-gtria*<br />

vtyiai columns' written by ftnrv on<br />

Some of the first written short stories<br />

were those of the Bary*.unians and<br />

the Canaanite* inscribed in cuneiform<br />

on clay during the second rnilknniuTn<br />

B.C. At the same time, short Egyptian<br />

narratives were beta* composed<br />

on papyrus.<br />

the Old Testament also bokh some<br />

of the oldest and most famous short<br />

stories In the world.<br />

<strong>The</strong> early Greeks added a new di*<br />

raulon to short story writing by<br />

nuking pfpiilir moralizing injure*<br />

stories, many of which were later col*<br />

lected as "Aesop's Fables." <strong>The</strong> c rly<br />

Greek rtrmanccs also frequently<br />

lock shape as a series of ebon tales.<br />

At the time ui the Middle Ages.<br />

there was an iacreatcd interest in iN;<br />

short story, tt (hen experienced a *cnv<br />

poruy decline in the seventeenth and<br />

eighteenth centuries became of the<br />

cniergeace of the novel.<br />

<strong>The</strong> popularity of the short narrative<br />

was regained in tfce nineteenth<br />

cenrary with the birth of the modem<br />

short stury.<br />

As 9 writing style, the short story<br />

b coroantly changing In addition to<br />

the many obvious stylistic differ*<br />

enccs. this b one of the major differ*<br />

enccs between poetry and the short<br />

story. Although there are many types<br />

of poetry, as a style of writing, poetry<br />

has many more iet way* than the<br />

short story.<br />

Also, where they are many different<br />

rype* of poetry such as the epic,<br />

limerick, nursery rhyme, and sonnet,<br />

there a e no specific <strong>class</strong>ifications of<br />

short stories.<br />

<strong>The</strong> people at <strong>Lowell</strong> who write<br />

poetry and thort uorin arc %cry dedicated<br />

to their work.<br />

Graffiti<br />

"It has unistic aspects but it can<br />

also be really a social way of cortv<br />

munica'ing," she continued.<br />

"Groupi that aren't being listened to.<br />

might tend to cxpreu ihcnuclvn that<br />

way."<br />

Ones Bojdanoff like graffiti? "It's<br />

very prctry." the admitted. "But it's<br />

not appropriate after I have worked<br />

>ery hard to g*t pointers here, after<br />

I've tried to clean and bcauttf) the<br />

school. I juil *iih we could channel<br />

it in a different way."<br />

What about the other side of tbc<br />

story? What about tbr graffiti crtists<br />

One active graffiti artist on earnpos<br />

informed <strong>The</strong> £*t*/U that he views<br />

graffiti as simply uttber form of artistic<br />

self-expression.<br />

"It's just a way for writers to express<br />

th-irouUool c-oiifc, wbcte k\<br />

not just words. Ur a form of art»-.<br />

well."<br />

"If you've got a good Inokitg<br />

piecr." the stuocot said, "it's<br />

something people look up tn. You can<br />

say. That's me, I did that,' and it's<br />

almost tike a sums synbol.*'<br />

Bogdanof f is looking for a w*y to<br />

. curb the "problem" mat graffiti<br />

poses oa campus, yet b financially<br />

enable to do mccfa. "Yea can only<br />

,.ufb.t! tc tepoln! tic b^iutmras so<br />

many times tefore tbc nuncy runs<br />

CO."<br />

Shared Cobh, "I lie to wiite pod*<br />

ry whenever 1 |U a chtnec. But I cannot<br />

jtni say 'Okay, now it a' :.< to<br />

writy poetry.* I have to fed it inside<br />

or me and thea. when I feel I am<br />

ready, 1 will vrite it"<br />

<strong>The</strong> people who write poetry do so<br />

for far more f.*rona) reawns than<br />

those who write short stories.<br />

As Ktucr Vicki Sullivan toted.<br />

"My best poetry comes wit of really<br />

stfocig craotiooi. I led tfwt it helps<br />

me grt cry fceliogs out into the oocj<br />

aid herps me to o-ii w-*h the problem<br />

rationally."<br />

Many poets feel that their work b<br />

so personal 'Jut they do not waitf to<br />

rove it fttblishcd.<br />

"When I write paetry it b usually<br />

either for tm xlf or for one other person.<br />

It wouHI be loo ln*t*nonal to<br />

bave it publbbed." renuirked juniur<br />

Kim Griffith.<br />

"<strong>The</strong>re U also the frar that nut<br />

everyone would apprricate C e wotk<br />

thai b so much a part of you," added<br />

Cobb.<br />

For thote who do enjoy sharing<br />

their poetry or stories wfch others,<br />

there b 7V M>md, LUMCH**, tocrar)<br />

magazine. According to Vicki Sullivan,<br />

<strong>The</strong> Mjrud chairptscn, it b<br />

"... at-eryfoutrvcpartofLawcil."<br />

<strong>The</strong> members of <strong>The</strong> Myriad submit<br />

their v.ork ami the poems or<br />

stories are read akxind and ditorwl<br />

at the meetings.<br />

Ttrtieg to totktj'i tine.<br />

Ve Uc* ifcrrsji Ae ewrjdiy awtcoxtt of cifloa.<br />

Sarcdy iccag the crcwy nan-' passing M br<br />

As we sre «rsjr»5d b ow cuo&nble. Bmbiaf tfcata<br />

of trier.<br />

ui •.' ii a lome paid it no Im*<br />

TACK a a enrage<br />

Viiztt tnerc »m once one<br />

0« Kaoktd 4xoht<br />

tn«*f i* aJto.' o cat man.<br />

Vx JCSTJ it oat docks tnatfcn<br />

A d U G<br />

Itat it ao toe o oar tiding BO*<br />

A l f c<br />

t<br />

Ow nrU t> on pitaiod * brijir, rbnat BJCL<br />

MC3B C vn^O-<br />

Tie cckn m •» vtcae<br />

g<br />

As *t mcsdi ouichts t«y.<br />

On cktti *«p Kadv ion.<br />

TOO b<br />

Tbrj fetar bo BaoonbVs austo ot ,T*uJ<br />

Tm dani|ed to ow *ork tpia.<br />

.KM «c unto wfcy *t brake mj<br />

Ai «e tit ia tae cdorVu nid tet i* IdL<br />

Journalism<br />

"You get tome really positive<br />

feedback from iSc ducuuiom of ) t<br />

izing tne story, and prccinting the purtaat role of journalists b "... to<br />

mest aitical tacts before the krs itn- provide people with ioformation.<br />

to portant ones. A trchrucally flawleu with general uifom»iioa about not<br />

cogue in a form of an which they newt story can simply be cut to any only what'* gobg o=. b their Immed-<br />

fed K a "more persoail" form of length—even down to the one-para* iate axmrawiry. but what** gotufoo<br />

f J<br />

graph Vtsd-and retain its lofornu* t on this pUact ... (jou*nattsm) is<br />

After all. bow many tiara can we tiveness and coherence.<br />

essential-it's tfcc first line r» tn/or-<br />

repair the batnrooms?<br />

Competition between major news* maiion tor muu people."<br />

New and Previously Read Books<br />

CHARING CROSS ROAD<br />

booksellers J<br />

1687 Haight-San Francisco 552-4122<br />

14

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