language and literature european landmarks of identity

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Aderca, Felix, The testimony of a generation, with a foreword by Valeriu Râpeanu, Bucharest, Publishing House for Literature, 1967 Aderca, Felix, Writings, the first and second volume, with a foreword by Valeriu Râpeanu, Bucharest, Publishing House for Literature, 1967 Călinescu, G., The history of Romanian literature from the beginning until now, Bucharest, Minerva Publishing House, 1982, pages 789-792. Lovinescu, Eugen, The history of the Romanian contemporary literature, the first volume, Bucharest, Minerva Publishing House, 1973, pages 620-621 Lovinescu, Eugen, Writings, the second and the fourth volume, Bucharest, Minerva Publishing House, 1970-1973, pages 301-306; 620-621. Ornea, Z., Aderca, the prose writer, in ”Literary Romania” , 26, no. 36, 22 nd - 28 th of September 1993, page 9. Ornea, Z., Aderca centenary, in ”Literary Romania”, 24, no. 12, 21 st of March 1993, page 9.
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MINISTERUL EDUCAŢIEI, CERCETĂRII,
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Alliance Française Ecaterina Stroe
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Syntactic Structures in Old Romania
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BRIEF NOTES ON THE IMAGINARY SPACE
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Eminescu a fost socotit un poet na
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DONC 1 Abstract: This article outli
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déroulement et le fait qu’ils ob
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« contextuel ». Même si les vale
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LEGI Mold., = Carte romînească de
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L1 Acquisition and Negative Evidenc
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significantly better that all other
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After the administration of the pre
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TIMES OF LITERATURE AND POLITICAL I
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communism, about the instauration o
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From this perspective, the curricul
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LA FAMILIA EN EL TIEMPO Y ESPACIO E
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período de abulia 1 . A causa de l
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2.2. La familia nuclear Teóricamen
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Unidos, por medio de diferentes per
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Cueto Pérez, M., Aspectos sistemá
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autour de cette interruption de la
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L’arrêt de l’horloge est un si
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Bibliographie Călinescu, George, I
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MDN (2007) - The Comprehensive Dict
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dicarboxilic < engl. dicarboxylic d
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during their adaptation process. Th
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Le processus du calque est importan
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en roumain comme post- déterminant
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...într-aceĭa jupăneasa Ancaa n-
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The elements of the periphrasis cou
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amŭ fostŭ cugetatŭ (CCînv, 6);
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POURQUOI EST-CE QUE LES MOTS DISPAR
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dans les langues romanes, soit un c
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ABOUT THE RELATIONSHIP BETWEEN MODA
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indicative (due to its phonological
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TEMPORAL ASPECTS IN THE ROMANIAN FA
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It was specified that the imperfect
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estriştii aprig vânt" (19), "Nu s
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în umbră" (38), "apele purtau o m
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SYNTACTIC STRUCTURES IN OLD ROMANIA
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(Crest: 53); Aduşu elu înraintea
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5. Conclusions Although the syntact
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The pattern of the examples also in
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întoarce-se şi mâneca cătră Ze
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CHARACTERISTIC FEATURES OF PROPER N
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that underlies the proper one", and
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- as a discourse unit, the proper n
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In some contexts, the adverb now is
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Interjections have inherent deictic
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L’une des caractéristiques les p
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2. Éléments verbaux et paraverbau
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THE RELIGIOUS DISCOURSE GENERATED B
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achieved by using examples from the
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a) exclamatory enunciations, associ
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Aş întreba: dacă ar veni cineva
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AVATARS OF WRITING AND SPEAKING IN
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Bibliography Borţun, D., Semiotic
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- clarity - clear, logical, and con
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At the lexical level it has specifi
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BIO- EN LANGUE ROUMAINE ACTUELLE 1
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teoria generală a sistemelor cu co
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LEXICAL INTERFERENCES BETWEEN JOURN
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An example which illustrates this r
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Despite the President’s claims, h
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Conclusions Just as the specialists
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REMARKS ON PHYSICS TERMINOLOGY IN A
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Lexical loan-translations are numer
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MORPHOLOGICAL TRAITS OF THE WALLACH
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de au venit...dînsu de dimineaţă
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ASPECTS OF THE VOCABULARY IN DIMITR
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prefaţiune (it. prefazione), consi
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- phraseological calques: ai pietat
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find the verb and the participle tr
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The Slavic mjesto “place” gener
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used only in Moldavia at that time.
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Gafton, Alexandru, Evoluţia limbii
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wives are curious like some railway
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Festival from Mexico, there is Tran
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LA POÉSIE VIENT DE L’EST 1 Abstr
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détiennent le pouvoir dans la soci
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humain facile à deviner même à d
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de la réalisation du portrait d’
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cultural life, so that students, ca
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BOOKS OF CURSES AND NORMATIVE CODES
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The legislative initiatives 1 of th
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situ investigations aimed to establ
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written documents, and some of them
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memoranda of the Department of Just
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La poésie est un refus (implicite
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PERSPECTIVES ON THE IDEA OF MAN UND
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fear that my old habit of speaking
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was also created in the West, too.
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as Don Quixote does, to whom I am m
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another, "as a conflagration favore
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Jews as alien elements. If by this
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that sat in King's involvement in m
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MEDIEVAL PATTERNS IN MIRON COSTIN'S
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considerations about the precarity
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TEMPS, HISTOIRE ET SPIRITUALITÉ DA
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Stéphane a percé tous les secrets
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Il y a d’abord Chronos, l’écou
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chercheur éternel de réponses, Vi
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Bibliographie Eliade, M., Fragment
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créative de la biographie dans l
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holbanian vit une scission intérie
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THE OTHER WORLD IN THE ROMANIAN FOL
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Hero’s obsessive quest - extended
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şedeau încremenite şi mute în s
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SPACE AND TIME IN CAMIL PETRESCU’
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them, etc.) and those that do not c
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holidays and death days here. There
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“SCRISOAREA I” BY M. EMINESCU.
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J'étais seul avant la création et
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THE SPACE-TIME DIMENSION IN “THE
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Roderick’s room is described by t
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Roderick tried to listen with ease
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Picture 1. René Magritte, LA CHUTE
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used as a means of access to commun
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extended by the lifelong learning p
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country such as Romania, by its Lat
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of this approach are important in o
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Page 245 and 246: mentality in the reception horizon.
Page 247 and 248: multiples [...], est présenté com
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Page 251 and 252: ASPECTS DU MYTHE DU POUVOIR DANS LE
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Page 255 and 256: Et bien sûr, on doit réfléchir a
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Page 259 and 260: Initial Situation The hero begins a
Page 261 and 262: important elements that help buildi
Page 263 and 264: d’analyse » (Munteanu, 1981: 44)
Page 265 and 266: EMBLÈMES (IN)ACTUELS DE LA CULTURE
Page 267 and 268: Dans le contexte décrit du moderni
Page 269 and 270: même esprit du renoncement à l’
Page 271 and 272: En contrepoint, il y a des écrivai
Page 273 and 274: THE OIL LANDSCAPE IN GEO BOGZA’S
Page 275 and 276: despair of soul and hunger of bones
Page 277 and 278: LE VERSANT SUBJECTIF DES MYTHES ET
Page 279 and 280: tient bon: « Je n’avale pas mes
Page 281 and 282: (humains, animaux, formes de relief
Page 283 and 284: coutume qu’ils peuvent garder pou
Page 285 and 286: of the fundamental themes of Blaga
Page 287 and 288: today/free of yesterday" outlines a
Page 289 and 290: Lucian Blaga, argues: "indefinite i
Page 291 and 292: ut the evaluative means of interpre
Page 293: prose that he started, right in tha
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