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MINISTERUL EDUCAŢIEI, CERCETĂRII,
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Alliance Française Ecaterina Stroe
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Syntactic Structures in Old Romania
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BRIEF NOTES ON THE IMAGINARY SPACE
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Eminescu a fost socotit un poet na
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DONC 1 Abstract: This article outli
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déroulement et le fait qu’ils ob
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« contextuel ». Même si les vale
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LEGI Mold., = Carte romînească de
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L1 Acquisition and Negative Evidenc
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significantly better that all other
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After the administration of the pre
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TIMES OF LITERATURE AND POLITICAL I
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communism, about the instauration o
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From this perspective, the curricul
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LA FAMILIA EN EL TIEMPO Y ESPACIO E
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período de abulia 1 . A causa de l
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2.2. La familia nuclear Teóricamen
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Unidos, por medio de diferentes per
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Cueto Pérez, M., Aspectos sistemá
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autour de cette interruption de la
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L’arrêt de l’horloge est un si
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Bibliographie Călinescu, George, I
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MDN (2007) - The Comprehensive Dict
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dicarboxilic < engl. dicarboxylic d
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during their adaptation process. Th
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Le processus du calque est importan
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en roumain comme post- déterminant
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...într-aceĭa jupăneasa Ancaa n-
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The elements of the periphrasis cou
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amŭ fostŭ cugetatŭ (CCînv, 6);
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POURQUOI EST-CE QUE LES MOTS DISPAR
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dans les langues romanes, soit un c
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ABOUT THE RELATIONSHIP BETWEEN MODA
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indicative (due to its phonological
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TEMPORAL ASPECTS IN THE ROMANIAN FA
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It was specified that the imperfect
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estriştii aprig vânt" (19), "Nu s
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în umbră" (38), "apele purtau o m
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SYNTACTIC STRUCTURES IN OLD ROMANIA
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(Crest: 53); Aduşu elu înraintea
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5. Conclusions Although the syntact
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The pattern of the examples also in
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Jews as alien elements. If by this
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that sat in King's involvement in m
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MEDIEVAL PATTERNS IN MIRON COSTIN'S
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considerations about the precarity
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TEMPS, HISTOIRE ET SPIRITUALITÉ DA
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Stéphane a percé tous les secrets
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Il y a d’abord Chronos, l’écou
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chercheur éternel de réponses, Vi
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Bibliographie Eliade, M., Fragment
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créative de la biographie dans l
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holbanian vit une scission intérie
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THE OTHER WORLD IN THE ROMANIAN FOL
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Hero’s obsessive quest - extended
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şedeau încremenite şi mute în s
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SPACE AND TIME IN CAMIL PETRESCU’
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them, etc.) and those that do not c
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holidays and death days here. There
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“SCRISOAREA I” BY M. EMINESCU.
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J'étais seul avant la création et
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THE SPACE-TIME DIMENSION IN “THE
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Roderick’s room is described by t
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Roderick tried to listen with ease
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Picture 1. René Magritte, LA CHUTE
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used as a means of access to commun
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extended by the lifelong learning p
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country such as Romania, by its Lat
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of this approach are important in o
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market in Romania (considering the
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mentality in the reception horizon.
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multiples [...], est présenté com
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artistes pauvres dont la perte est
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ASPECTS DU MYTHE DU POUVOIR DANS LE
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oublié ses ancêtres, qu’il soit
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Et bien sûr, on doit réfléchir a
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commercial, the receiver/addressee
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Initial Situation The hero begins a
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important elements that help buildi
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d’analyse » (Munteanu, 1981: 44)
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EMBLÈMES (IN)ACTUELS DE LA CULTURE
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Dans le contexte décrit du moderni
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même esprit du renoncement à l’
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En contrepoint, il y a des écrivai
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THE OIL LANDSCAPE IN GEO BOGZA’S
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despair of soul and hunger of bones
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LE VERSANT SUBJECTIF DES MYTHES ET
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tient bon: « Je n’avale pas mes
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(humains, animaux, formes de relief
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coutume qu’ils peuvent garder pou
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of the fundamental themes of Blaga
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today/free of yesterday" outlines a
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Lucian Blaga, argues: "indefinite i
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ut the evaluative means of interpre
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prose that he started, right in tha