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The specific terms appear in a special chapter dedicated to physics; they are no longer accidental occurrences in medical or geographical texts as before. The physics terminology is made up of a neologic, cult component and an old, common one. Lexical borrowings hold the highest weight, being used to denominate physics disciplines, instruments or basic concepts. They are borrowed mainly from Italian, Greek or reflect a Latin-Romance etymology. Lexical loan-translations are very numerous, denoting physics concepts and properties. The high weight of loan-translations can be explained by both the indigence of the literary language of the period and by the scholar’s objective to provide the accessibility of the language, as the text was elaborated and used for didactic reasons. Old terms and expressions are not well represented as compared to lexical borrowings and loan-translations. The presence of synonymic series is clear proof of a scientific language in its beginnings. Bibliography N. A. Ursu, Formarea terminologiei ştiinţifice româneşti [The Constitution of Romanian Scientific Terminology], Bucharest, Editura Ştiinţifică, 1962 Source Amfilohie HOTINIUL, Gramatica de la învăţătura fizicii [The Grammar of Learning Physics] (1796), L. S. DERGACIOVA (ed.), foreword by A. I. BABII and Şt. LUPAN, glosary by Şt. LUPAN, notes by A. I. BABII, Chişinău, Editura Ştiinţa, 1990
MORPHOLOGICAL TRAITS OF THE WALLACHIAN CHRONICLERS 1 Abstract: The morphological structure is much more unitary in the Wallachian chronicles. Certain language facts appear at an author only very seldom. Usually, we meet elements of the spoken language, elements with popular pattern. Although there can be identified some phenomena that have almost disappeared completely, but also some vernaculars innovations, the texts do not offer a convincing material so as to be able to draft a convincing material during that period. Keywords: morphology, declination, nominal flexion. The Wallachian historiography in Romanian is as much as thriving as the one compiled by the Moldavian chroniclers. The oldest Wallachian chronicles written in Romanian appeared before Grigore Ureche’s annals: two chronicles of Mihai Viteazul (Michael the Brave) (one manorial and the other official) and Mihail Moxa’s chronograph (from 1620). These chronicles are important because they were written in a period when the Romanian language had begun to be used predominantly in the religious literature, in the official documents and in private letters. It is barely the following chronicles that they succeeded in establishing a tradition in the Wallachian historiography: The Anonymous Chronicle of Matei Basarab’s ruling; Cantacuzene Annals; Băleni’s Chronicle; Constantin Brâncoveanu’s life by Radu Greceanu; the Brâncoveanu's Anonymous and Nicolae Mavrocordat’s Chronicle by Radu Popescu. Beginning with 1854, their circulation during the respective age, as well as their being known by the contemporaries and the following generations are proved by the quite high number of the manuscript copies which continued to be made through the end of the 19 th century. The Wallachian chroniclers’ language is singularized thanks to its popular features, some of them asserting over the course of time as supradialectal standard in the literary Romanian language, and some others being kept up to nowadays as regionalisms. Numerous archaisms are discovered within these texts, some of them being specific to the area, some others mechanically preserved in writing. The numerous presence of the archaic traits in the older texts, by comparison to the genuine ones, represents a clue that the latter have gone through some modernisations, yet maintaining their genuine archaic features. The vocabulary distinguishes itself by a significant number of neologisms, apart from the current language basic stock, neologisms that entered the language that period. This substantial number of neologisms of Roman origin represents also the beginnings of the cultural relationships with the countries from the Europe’s Occident. The morphologic structure is much more unitary in the Wallachian chronicles. Certain language facts appear at an author only very seldom. Usually, we meet elements of the spoken language, elements with popular pattern. Although there can be identified some phenomena that have almost disappeared completely, but also some vernaculars innovations, the texts do not offer a convincing material so as to be able to draft a convincing material during that period. 1 Ruxandra Şerbănescu, University of Piteşti, ruxandra_serbanescu@yahoo.com.
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MINISTERUL EDUCAŢIEI, CERCETĂRII,
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Alliance Française Ecaterina Stroe
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Syntactic Structures in Old Romania
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BRIEF NOTES ON THE IMAGINARY SPACE
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Eminescu a fost socotit un poet na
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DONC 1 Abstract: This article outli
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déroulement et le fait qu’ils ob
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« contextuel ». Même si les vale
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LEGI Mold., = Carte romînească de
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L1 Acquisition and Negative Evidenc
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significantly better that all other
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After the administration of the pre
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TIMES OF LITERATURE AND POLITICAL I
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communism, about the instauration o
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From this perspective, the curricul
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LA FAMILIA EN EL TIEMPO Y ESPACIO E
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período de abulia 1 . A causa de l
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2.2. La familia nuclear Teóricamen
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Unidos, por medio de diferentes per
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Cueto Pérez, M., Aspectos sistemá
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autour de cette interruption de la
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L’arrêt de l’horloge est un si
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Bibliographie Călinescu, George, I
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MDN (2007) - The Comprehensive Dict
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dicarboxilic < engl. dicarboxylic d
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during their adaptation process. Th
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Le processus du calque est importan
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en roumain comme post- déterminant
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...într-aceĭa jupăneasa Ancaa n-
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The elements of the periphrasis cou
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amŭ fostŭ cugetatŭ (CCînv, 6);
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POURQUOI EST-CE QUE LES MOTS DISPAR
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dans les langues romanes, soit un c
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ABOUT THE RELATIONSHIP BETWEEN MODA
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indicative (due to its phonological
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TEMPORAL ASPECTS IN THE ROMANIAN FA
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It was specified that the imperfect
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estriştii aprig vânt" (19), "Nu s
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în umbră" (38), "apele purtau o m
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SYNTACTIC STRUCTURES IN OLD ROMANIA
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(Crest: 53); Aduşu elu înraintea
Page 83 and 84: 5. Conclusions Although the syntact
Page 85 and 86: The pattern of the examples also in
Page 87 and 88: întoarce-se şi mâneca cătră Ze
Page 89 and 90: CHARACTERISTIC FEATURES OF PROPER N
Page 91 and 92: that underlies the proper one", and
Page 93 and 94: - as a discourse unit, the proper n
Page 95 and 96: In some contexts, the adverb now is
Page 97 and 98: Interjections have inherent deictic
Page 99 and 100: L’une des caractéristiques les p
Page 101 and 102: 2. Éléments verbaux et paraverbau
Page 103 and 104: THE RELIGIOUS DISCOURSE GENERATED B
Page 105 and 106: achieved by using examples from the
Page 107 and 108: a) exclamatory enunciations, associ
Page 109 and 110: Aş întreba: dacă ar veni cineva
Page 111 and 112: AVATARS OF WRITING AND SPEAKING IN
Page 113 and 114: Bibliography Borţun, D., Semiotic
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Page 117 and 118: At the lexical level it has specifi
Page 119 and 120: BIO- EN LANGUE ROUMAINE ACTUELLE 1
Page 121 and 122: teoria generală a sistemelor cu co
Page 123 and 124: LEXICAL INTERFERENCES BETWEEN JOURN
Page 125 and 126: An example which illustrates this r
Page 127 and 128: Despite the President’s claims, h
Page 129 and 130: Conclusions Just as the specialists
Page 131 and 132: REMARKS ON PHYSICS TERMINOLOGY IN A
Page 133: Lexical loan-translations are numer
Page 137 and 138: de au venit...dînsu de dimineaţă
Page 139 and 140: ASPECTS OF THE VOCABULARY IN DIMITR
Page 141 and 142: prefaţiune (it. prefazione), consi
Page 143 and 144: - phraseological calques: ai pietat
Page 145 and 146: find the verb and the participle tr
Page 147 and 148: The Slavic mjesto “place” gener
Page 149 and 150: used only in Moldavia at that time.
Page 151 and 152: Gafton, Alexandru, Evoluţia limbii
Page 153 and 154: wives are curious like some railway
Page 155 and 156: Festival from Mexico, there is Tran
Page 157 and 158: LA POÉSIE VIENT DE L’EST 1 Abstr
Page 159 and 160: détiennent le pouvoir dans la soci
Page 161 and 162: humain facile à deviner même à d
Page 163 and 164: de la réalisation du portrait d’
Page 165 and 166: cultural life, so that students, ca
Page 167 and 168: BOOKS OF CURSES AND NORMATIVE CODES
Page 169 and 170: The legislative initiatives 1 of th
Page 171 and 172: situ investigations aimed to establ
Page 173 and 174: written documents, and some of them
Page 175 and 176: memoranda of the Department of Just
Page 177 and 178: La poésie est un refus (implicite
Page 179 and 180: PERSPECTIVES ON THE IDEA OF MAN UND
Page 181 and 182: fear that my old habit of speaking
Page 183 and 184: was also created in the West, too.
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as Don Quixote does, to whom I am m
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another, "as a conflagration favore
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Jews as alien elements. If by this
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that sat in King's involvement in m
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MEDIEVAL PATTERNS IN MIRON COSTIN'S
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considerations about the precarity
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TEMPS, HISTOIRE ET SPIRITUALITÉ DA
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Stéphane a percé tous les secrets
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Il y a d’abord Chronos, l’écou
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chercheur éternel de réponses, Vi
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Bibliographie Eliade, M., Fragment
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créative de la biographie dans l
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holbanian vit une scission intérie
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THE OTHER WORLD IN THE ROMANIAN FOL
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Hero’s obsessive quest - extended
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şedeau încremenite şi mute în s
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SPACE AND TIME IN CAMIL PETRESCU’
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them, etc.) and those that do not c
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holidays and death days here. There
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“SCRISOAREA I” BY M. EMINESCU.
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J'étais seul avant la création et
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THE SPACE-TIME DIMENSION IN “THE
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Roderick’s room is described by t
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Roderick tried to listen with ease
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Picture 1. René Magritte, LA CHUTE
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used as a means of access to commun
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extended by the lifelong learning p
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country such as Romania, by its Lat
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of this approach are important in o
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market in Romania (considering the
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mentality in the reception horizon.
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multiples [...], est présenté com
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artistes pauvres dont la perte est
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ASPECTS DU MYTHE DU POUVOIR DANS LE
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oublié ses ancêtres, qu’il soit
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Et bien sûr, on doit réfléchir a
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commercial, the receiver/addressee
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Initial Situation The hero begins a
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important elements that help buildi
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d’analyse » (Munteanu, 1981: 44)
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EMBLÈMES (IN)ACTUELS DE LA CULTURE
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Dans le contexte décrit du moderni
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même esprit du renoncement à l’
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En contrepoint, il y a des écrivai
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THE OIL LANDSCAPE IN GEO BOGZA’S
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despair of soul and hunger of bones
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LE VERSANT SUBJECTIF DES MYTHES ET
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tient bon: « Je n’avale pas mes
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(humains, animaux, formes de relief
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coutume qu’ils peuvent garder pou
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of the fundamental themes of Blaga
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today/free of yesterday" outlines a
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Lucian Blaga, argues: "indefinite i
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ut the evaluative means of interpre
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prose that he started, right in tha
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