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Regarding the cacophony, it is recommended to avoid situations where a word ends with "the so-called cacophonic syllables -ca, -că, -câ, -cu, ce, -ci", and the last word begins with one of these syllables. Cacofonia nu este o virtute stilistică, iar încercările de restrângere a manifestărilor ei sunt fireşti. Sensibilizarea excesivă a românilor pentru acest aspect al limbii nu pare a fi însă cea mai bună soluţie. Ea poate institui la unii vorbitori o adevărată teroare anticacofonică, deturnând autocontrolul lingvistic spre o problemă minoră, în detrimentul celor importante. (G. Gruiţă, 2006: 231) Inevitable cacophonies are: "biserica catolică; Ion Luca Caragiale; Banca Comercilaă Română"; And other annoying repetitions of sounds are considered cacophonies, for eg.: "vizita sa s-a soldat cu succes; lalelele"…etc. There is a strong reaction against the excessive borrowing language from within. For example, "a downloada" is a barbarism used very much at the beginning, and after that many people started to say "a descărca", without being imposed this. We can trust that the language will select the better solutions. Sometimes the anglicism remains and we no longer feel it like a foreign body. We say "calculator" more than "computer". Another example is the word: "dedicat". We meet it everywhere: "public dedicat", "ascultători dedicaţi", "studenţi dedicaţi". It has many meanings, taking into consideration the context: "dăruit", but also "specializat", "restrâns la un anumit domeniu" etc. There are confusions regarding its use: "consacrat", "destinat". Extending meaning in this case seems unnecessary. Similarly, for the word "determined" which is met in all sorts of presentations, "he is a determined, active, communicative person"; in such cases, it’s just fashion and snobbery. The first place in this hierarchy is occupied by the word "provocare". In the business language, the publicity language and even in the current conversation, everything is a provocation: "Dacă mă chemaţi duminica la serviciu, pentru mine va fi o provocare", "Am căzut la examen, ceea ce constituie o adevărată provocare". It is a clisee which covers everything you don’t want to characterize as negative. Today, someone who hopes to receive a job uses the magic formulas: "doresc noi oportunităţi pentru a progresa în carieră", or "prefer un mediu de lucru provocator", or "sunt complet flexibil". There are clichés which don’t sound good into Romanian and give the impression that people don’t communicate and pronounce them without thinking. Maybe the society wants to function on the principle that: "Eu ştiu că el ştie ce trebuie să spună" but I think it is good to function on the principle that: "Vreau să văd că omul acesta gândeşte". Nobody followed this prescription and now we officially came back to the old form "cocker". It is clear the fact that the present tendency is not to adapt, but this fact puts us in difficulty. The Romanian language has a flexion and alternances which modifies the English language. When you form the plural of "bodyguard", how do you write? "Bodyguarzi"? Or from "boss"? There are very big problems, which bring to a hybrid character, of transition and of graphic adaptation. The linguistics propose solutions for every word, solutions which will be validated or not. There are cases of words which cannot adapt, foe example, the word "computer". There are very few those who should write "compiuter". We write and pronounce it as into English, as for a long time. There are no ideal solutions, even if some people imagine that it is very simple that the Academy to have a rule which says that from tomorrow all the words are written in a given way.
Bibliography Borţun, D., Semiotică. Limbaj şi comunicare, SNSPA, Bucureşti, 2001. Goffman, E., Viaţa cotodoană ca spectacol, Comunicare.ro, Bucureşti, 2003. Gruiţă, G., Moda lingvistică 2007. Norma, uzul şi abuzul, Piteşti, Paralela 45, 2006. Ionescu-Ruxăndoiu, L., Conversaţia. Structuri şi strategii. Sugestii pentru o pragmatică a românei vorbite, Editura All, Bucureşti, 1999. http://student.hotnews.ro/stiri-intalniri_online-3344522-interviu-filologul-rodica-zafiu-desprecuvinte-moda-snobism-clisee.htm, accesat în 7 iunie 20011 http://www.adevarul.ro/articole/telecomanda-lui-plesu-3.html, accesat în 20 iunie 2011.
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MINISTERUL EDUCAŢIEI, CERCETĂRII,
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Alliance Française Ecaterina Stroe
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Syntactic Structures in Old Romania
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BRIEF NOTES ON THE IMAGINARY SPACE
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Eminescu a fost socotit un poet na
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DONC 1 Abstract: This article outli
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déroulement et le fait qu’ils ob
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« contextuel ». Même si les vale
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LEGI Mold., = Carte romînească de
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L1 Acquisition and Negative Evidenc
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significantly better that all other
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After the administration of the pre
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TIMES OF LITERATURE AND POLITICAL I
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communism, about the instauration o
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From this perspective, the curricul
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LA FAMILIA EN EL TIEMPO Y ESPACIO E
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período de abulia 1 . A causa de l
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2.2. La familia nuclear Teóricamen
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Unidos, por medio de diferentes per
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Cueto Pérez, M., Aspectos sistemá
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autour de cette interruption de la
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L’arrêt de l’horloge est un si
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Bibliographie Călinescu, George, I
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MDN (2007) - The Comprehensive Dict
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dicarboxilic < engl. dicarboxylic d
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during their adaptation process. Th
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Le processus du calque est importan
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en roumain comme post- déterminant
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...într-aceĭa jupăneasa Ancaa n-
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The elements of the periphrasis cou
Page 61 and 62: amŭ fostŭ cugetatŭ (CCînv, 6);
Page 63 and 64: POURQUOI EST-CE QUE LES MOTS DISPAR
Page 65 and 66: dans les langues romanes, soit un c
Page 67 and 68: ABOUT THE RELATIONSHIP BETWEEN MODA
Page 69 and 70: indicative (due to its phonological
Page 71 and 72: TEMPORAL ASPECTS IN THE ROMANIAN FA
Page 73 and 74: It was specified that the imperfect
Page 75 and 76: estriştii aprig vânt" (19), "Nu s
Page 77 and 78: în umbră" (38), "apele purtau o m
Page 79 and 80: SYNTACTIC STRUCTURES IN OLD ROMANIA
Page 81 and 82: (Crest: 53); Aduşu elu înraintea
Page 83 and 84: 5. Conclusions Although the syntact
Page 85 and 86: The pattern of the examples also in
Page 87 and 88: întoarce-se şi mâneca cătră Ze
Page 89 and 90: CHARACTERISTIC FEATURES OF PROPER N
Page 91 and 92: that underlies the proper one", and
Page 93 and 94: - as a discourse unit, the proper n
Page 95 and 96: In some contexts, the adverb now is
Page 97 and 98: Interjections have inherent deictic
Page 99 and 100: L’une des caractéristiques les p
Page 101 and 102: 2. Éléments verbaux et paraverbau
Page 103 and 104: THE RELIGIOUS DISCOURSE GENERATED B
Page 105 and 106: achieved by using examples from the
Page 107 and 108: a) exclamatory enunciations, associ
Page 109 and 110: Aş întreba: dacă ar veni cineva
Page 111: AVATARS OF WRITING AND SPEAKING IN
Page 115 and 116: - clarity - clear, logical, and con
Page 117 and 118: At the lexical level it has specifi
Page 119 and 120: BIO- EN LANGUE ROUMAINE ACTUELLE 1
Page 121 and 122: teoria generală a sistemelor cu co
Page 123 and 124: LEXICAL INTERFERENCES BETWEEN JOURN
Page 125 and 126: An example which illustrates this r
Page 127 and 128: Despite the President’s claims, h
Page 129 and 130: Conclusions Just as the specialists
Page 131 and 132: REMARKS ON PHYSICS TERMINOLOGY IN A
Page 133 and 134: Lexical loan-translations are numer
Page 135 and 136: MORPHOLOGICAL TRAITS OF THE WALLACH
Page 137 and 138: de au venit...dînsu de dimineaţă
Page 139 and 140: ASPECTS OF THE VOCABULARY IN DIMITR
Page 141 and 142: prefaţiune (it. prefazione), consi
Page 143 and 144: - phraseological calques: ai pietat
Page 145 and 146: find the verb and the participle tr
Page 147 and 148: The Slavic mjesto “place” gener
Page 149 and 150: used only in Moldavia at that time.
Page 151 and 152: Gafton, Alexandru, Evoluţia limbii
Page 153 and 154: wives are curious like some railway
Page 155 and 156: Festival from Mexico, there is Tran
Page 157 and 158: LA POÉSIE VIENT DE L’EST 1 Abstr
Page 159 and 160: détiennent le pouvoir dans la soci
Page 161 and 162: humain facile à deviner même à d
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de la réalisation du portrait d’
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cultural life, so that students, ca
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BOOKS OF CURSES AND NORMATIVE CODES
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The legislative initiatives 1 of th
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situ investigations aimed to establ
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written documents, and some of them
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memoranda of the Department of Just
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La poésie est un refus (implicite
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PERSPECTIVES ON THE IDEA OF MAN UND
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fear that my old habit of speaking
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was also created in the West, too.
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as Don Quixote does, to whom I am m
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another, "as a conflagration favore
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Jews as alien elements. If by this
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that sat in King's involvement in m
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MEDIEVAL PATTERNS IN MIRON COSTIN'S
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considerations about the precarity
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TEMPS, HISTOIRE ET SPIRITUALITÉ DA
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Stéphane a percé tous les secrets
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Il y a d’abord Chronos, l’écou
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chercheur éternel de réponses, Vi
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Bibliographie Eliade, M., Fragment
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créative de la biographie dans l
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holbanian vit une scission intérie
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THE OTHER WORLD IN THE ROMANIAN FOL
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Hero’s obsessive quest - extended
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şedeau încremenite şi mute în s
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SPACE AND TIME IN CAMIL PETRESCU’
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them, etc.) and those that do not c
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holidays and death days here. There
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“SCRISOAREA I” BY M. EMINESCU.
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J'étais seul avant la création et
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THE SPACE-TIME DIMENSION IN “THE
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Roderick’s room is described by t
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Roderick tried to listen with ease
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Picture 1. René Magritte, LA CHUTE
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used as a means of access to commun
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extended by the lifelong learning p
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country such as Romania, by its Lat
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of this approach are important in o
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market in Romania (considering the
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mentality in the reception horizon.
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multiples [...], est présenté com
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artistes pauvres dont la perte est
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ASPECTS DU MYTHE DU POUVOIR DANS LE
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oublié ses ancêtres, qu’il soit
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Et bien sûr, on doit réfléchir a
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commercial, the receiver/addressee
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Initial Situation The hero begins a
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important elements that help buildi
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d’analyse » (Munteanu, 1981: 44)
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EMBLÈMES (IN)ACTUELS DE LA CULTURE
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Dans le contexte décrit du moderni
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même esprit du renoncement à l’
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En contrepoint, il y a des écrivai
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THE OIL LANDSCAPE IN GEO BOGZA’S
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despair of soul and hunger of bones
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LE VERSANT SUBJECTIF DES MYTHES ET
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tient bon: « Je n’avale pas mes
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(humains, animaux, formes de relief
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coutume qu’ils peuvent garder pou
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of the fundamental themes of Blaga
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today/free of yesterday" outlines a
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Lucian Blaga, argues: "indefinite i
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ut the evaluative means of interpre
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prose that he started, right in tha
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