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JOHANN MORGENBILD<br />
<strong>Re</strong>:<strong>TheAshLad</strong><br />
Volume 4:10
<strong>Sandbooks</strong><br />
ISBN 978-82-92860-00-7<br />
http://sandbooks.com
SANDBOOKS<br />
ISBN 978-82-92860-00-7 (complete)<br />
First Edition<br />
Copyleft 2007
Johann Morgenbild<br />
<strong>Re</strong>:<strong>TheAshLad</strong><br />
Volume 4:10
278<br />
tan fatso crabcakes hen peanut butler plan door tan moor. foreplay bone<br />
lip ticks catcher chin da lie nor ana dy cat puat. tened scream blond. all<br />
the or fabkeys please tether ben nat. duck taker. mate bow dow. bet<br />
more don. blow. zen. nappy nappy per hay. may in yo. may.. clober ben<br />
say vin ma hark vest tea blond kevin more tell coach. bland cure bound<br />
head. plug vast NORAD bat buzz bird bun meter buzz. sneez bleed<br />
nose cellophane. biscuit above plan carnivorous pew blue. cart cut but<br />
chen now tall please bar teflon tis cum above who. accord hospital fake<br />
clowns chew hot blues vent ten bet.. Googlism poems. .. she is not fair<br />
to outward view. she is not a beauty even when she smiles. she is like a<br />
woman. she is moaning after anal insertion. she is up again against the<br />
skin of her guitar. she is now her father's daughter. she is e. she is<br />
pulled feet. she is not fair to outward view. she is more to be pitied than<br />
censured. she is talking up a storm. she is spoke here. she is the<br />
darkness. she is growing up. she is dying. she is beautiful sells for. she<br />
is sleeping. she is inserting the finger into her pussy. she is in love with<br />
herself and has made some of hollywood's worst films. she is very<br />
famous in some fetish videos. she is probably the best ever seen. she is<br />
beautiful. she is beautiful and hot. .. he is one of the top actors in the<br />
world. he is not afraid to fly. he is coming. he is in love with her wants<br />
to leave his wife. he is risen. he is us. he is pained by occupation of<br />
jerusalem. he is currently waiting for a lung transplant. he is induced or<br />
persuaded by law enforcement officers. he is outraged by enron<br />
outcome. he is consulting with congress. he is not allowed to comment<br />
on what happened because it is a security. matter. he is here. he is one<br />
of the top actors in the world. he is decorated boris yeltsin. he is the<br />
spy. he is not afraid to fly moscow. he is not well. text derived by<br />
searching googlism.com for he and she with. who argument. entry order<br />
maintained though text was heavily edited. and lineated. Brandon Barr.<br />
nettime unstable digest vol. Sun Feb. msg positioning.<br />
u.r.in.the.making. From mez breeze. To arc.hivelm.va.com.au<br />
mail.ljudmila.org. LE TEXTE ET LA MACHINE.. From rWxRWXR<br />
x. To nettimefrsamizdat.net mail.ljudmila.org. It all begins. . . vers.<br />
1
From MWP. To POETICSLISTSERV.BUFFALO.EDU. (no subject).<br />
From iso YoFn MangrelFaen. To. narcissism (ny report). From Alan<br />
Sondheim. To nettimelbbs.thing.net. sorted out. From Ana Buigues. To<br />
WRYTINGLLISTSERV.UTORONTO.CA. <strong>Re</strong> <strong>Re</strong> hypertext. From<br />
mez breeze. moat tory frown ten. From kari edwards. To<br />
POETICSLISTSERV.BUFFALO.EDU. Googlism poems. From<br />
Brandon Thomas Barr. To POETICSLISTSERV.BUFFALO.EDU.<br />
lurking editors. beatrice beaubien. nettimebold thingist. florian cramer.<br />
arc.hive eugene oo rhizome rohrpost webartery wryting. alan sondheim.<br />
arc.hive poetics siratori trAce webartery wryting. Id digestunstable.plv .<br />
paragram Exp. Nettimebold mailing list. Nettimeboldnettime.org. End<br />
of forwarded message. <strong>Re</strong> iuoma New poll for iuoma. Enter your vote<br />
today A new poll has been created for the. iuoma group. I would like to<br />
know artists perfered. mediums. o cutpast. Å først nå ser jeg<br />
tidsdimensjonen cut er framover mens past er bakover. så. det er.<br />
pulsktkunst han mener fortiden er alltid et innklipp framtida en.<br />
avskjæring.. o mixed media. Et annet media enn du trodde jeg lagde et<br />
maleri men det ble bare tråkket på.. o anything. Hvorfor er det ikke et 'vet<br />
ikke'alternativ her. o found objects. I motsetning til ikkefunnede<br />
objekter.. o crayons and finger paints. Hører de sammen I prefer crayons<br />
and anything and finger pains gikt.. Fwd RE operaen.no. dåelig<br />
humørhumor mvh Lynx. ps our new operating system IBUX really soon<br />
free headaches for all noen. flere brett nå. så banker vi det igjennom..<br />
<strong>Re</strong>gards from. ..Hirnsage... Start of forwarded message. Fwd RE<br />
operaen.no. From HansChristian Bøhler. To 'Kent MantiesEljot'.<br />
SubjectRE operaen.no. Hvilken web er det du sikter til. ) HC.<br />
hans.christian.bohlervirtualgarden.no. tlf. dir. mobil. Original Message.<br />
From Kent MantiesEljot mailtopronounnetcom.no. Sent . februar. To<br />
hcvirtualgarden.no. Subject operaen.no. hei. hvorfor virker den ikke<br />
klikk her for å åpne står det etc. no. nix. hva med en website som virker<br />
istedenfor alt mikkmakk. utviklet av virtualgarbage c come.n. mvh. B.<br />
End of forwarded message. Show this bold Prussian that praises<br />
slaughter slaughter brings rout. Behead. Fwd <strong>Re</strong> noemataliste. Hei. Yo.<br />
Mener å huske at dujeg skulle melde meg på noemataepostlisten men at.<br />
det av en eller annen grunn ikke ble gjort.. Nå ser noemata.net ut til å være<br />
nede for telling (eller leker du. .org) så hvordan melder jeg meg på da.<br />
Ikke nede men med ftpdesign praktisk men ikke så brukervennlig.. som<br />
vel skal fungere som forside tenkte jeg.... Epostlista er ikke så høytidlig<br />
lav terskel. Arkivet er åpent men det går visst an å lukke det for å gjøre det<br />
mer privat. men. jeg har ikke. brydd meg med det foreløpig.. mer senere<br />
2
B. ps køen er vel endimensjonal en strømsekvens Å jamme noe betyr å gi<br />
det. flere. dimensjoner I motsetning til å kalle det 'sammenbrudd'<br />
'katastrofe' Samtidig. så. ekspanderer det i kompleksitet Har kaos flere<br />
'dimensjoner' enn orden Det. samme med. 'oppløsning' samfunnet er i<br />
oppløsning forstått som degenerering kollaps. men kan man. ikke like<br />
enkelt se på det som ekspandering inn i en hyperdimensjon eh.<br />
eksemplifisert med. kølappsystemet før måtte vi stå i kø rent fysisk så fant<br />
noen på at det. holder. med en. referanselapp til en posisjon i en virtuell<br />
kø en hyperkø som gjorde at. den. fysiske køen. oppløste seg. (Neste<br />
skritt i immaterialiseringen ville vært å fjerne. referansene eller at. en<br />
kølapp bare refererte til en annen kølapp) (Det hadde vært moro å lagd et.<br />
nytt. pengesystemvaluta som på en eller annen måte interagerte med<br />
vanlige penger). (Dessuten hadde. noemata kunne. kanskje gått til krig<br />
mot noen). End of forwarded message. femme fatamorgana fantasy<br />
woman. isoQkulturnettMagasinetFeilafraigEr. hei mr. newton. Pekere.<br />
En grei innføring i hva weblogger er noemata VG. jeg forandra linken<br />
til dagens weblog.... pasta. Feila fra i går. Det var i at Gud og hvermann<br />
fant ut at det var nødvendig å legge seg. flat.. Sein i. avtrekket som jeg er<br />
kaster jeg meg først nå i slapset med ansiktet ned.. Jeg forventer ikke at<br />
noen av Kulturnetts lesere husker det men i. fjor vår hadde jeg et krast<br />
angrep på weblogger (forkortet blogger). I. kortversjon. konstaterte jeg<br />
at slike dagbøker på verdensveven stort sett inneholdt. navlebeskuende.<br />
pludring og bare bidro til å gjøre det vanskeligere å finne meningsfylt.<br />
innhold.. Siden den. gang har jeg rukket å lese weblogger langt mer<br />
inngående og systematisk. Og jeg. er kommet til. at jeg tok grundig feil..<br />
Jeg slutter meg nå helhjertet til bloggskribenten Steven Johnson som i<br />
en. artikkel i. nettidsskriftet Salon påpeker at blogger samler pekere på en<br />
slik måte at de. faktisk gjør det. lettere å følge med på nettet. De gode<br />
bloggene er dessuten velskrevne og de. inneholder en. fascinerende<br />
blanding av private betraktninger om alt mellom himmel og jord..<br />
Nyvinninger på. skriftkulturens område ser vi ikke så ofte og derfor er<br />
bloggene verdt å merke. seg for langt. flere enn nettnerder.. Johnson er<br />
en av mange engelskspråklige forfattere journalister og akademikere.<br />
som har sin. egen blogg. Jo flere skribentblogger jeg leste desto mer<br />
undret jeg meg over. hvorfor. kolleger som allerede når frem gjennom<br />
andre kanaler bruker så mye verdifull. tid på å legge. ut gratisstoff. Jeg<br />
kom til at det bare var n måte å finne det ut på og. følgelig forvandlet. jeg<br />
mine egne hjemmesider til en blogg for en måned siden.At det finnes<br />
svært. få. skribentblogger på norsk var også en del av motivasjonen. Det er<br />
aldri dumt å. være tidlig. ute.. Det første som slo meg var hvor enkelt og<br />
3
askt det var å blogge (skrive et. innlegg i en. blogg) sammenlignet med<br />
all annen publisering jeg har erfaring med. Som. bloggere flest. bruker<br />
jeg et vevbasert system. Det vil si at jeg ikke trenger å installere.<br />
programvare på. datamaskinen men bare klikker i bokmerkelista i<br />
nettleseren for å få opp et. vindu jeg kan. taste inn tekst i. Når teksten er<br />
ferdig er nok et museklikk alt som skal til. for å. publisere den til<br />
bloggen. Vevløsningen innebærer for øvrig at jeg kan skrive. nye innlegg<br />
fra. datamaskiner hvor som helst på kloden så sant de er koblet til nettet..<br />
Jeg hadde ikke skrevet mange innlegg før jeg merket at det var lett å bli.<br />
hektet. på den. daglige bloggingen. Et forfattermunnhell sier at a writer<br />
writes og. webloggen. har gjort. det lettere enn noensinne å få utløp for<br />
skrivekløen. Har jeg noe på hjertet. som. ikke passer. i andre medier leser<br />
noe interessant på nettet eller får en artig peker i en. epost kan det. bli et<br />
blogginnlegg av det. Skulle innlegget bli for pludrete og<br />
navlebeskuende. (ikke. usannsynlig i mitt tilfelle) står det deg fritt å<br />
fortelle meg det ved hjelp. av. kommentarfunksjonen du finner etter<br />
hvert innlegg.. Jeg vet at det høres nyfrelst ut men jeg er overbevist om<br />
at weblogger kan gi. formidling av. forfattere og litteratur et høyst<br />
tiltrengt løft. I motsetning til det store. grosset av. forfatternettsider er<br />
blogger dynamiske. De gjør det mulig for leserne å følge. forfatterens.<br />
artikler. kommentere bøker stille spørsmål og få informasjon om<br />
publikumsopptredener.. Nytteverdien går. begge veier. Besøksstatistikk<br />
og kommentarer kan fungere som leserbarometre og. weblogger kan.<br />
bli utgangspunkt for bokprosjekter hvor forfatter og lesere utveksler<br />
ideer og. erfaringer.. Min egen blogg ligger foreløpig langt fra dette<br />
idealet. Innholdet i innleggene. er for. sprikende til at flertallet av mine<br />
lesere vil se tråden i dem og kommentarene. jeg får er. stort sett fra<br />
venner og bekjente. Men for n gangs skyld behøver jeg ikke være. redd<br />
for å. være på villspor. Webloggen er en tilgivende publiseringsform jeg<br />
kan når som. helst skrive. nye innlegg som forandrer profilen. I så måte er<br />
blogger essensen av blanke ark. med. fargestifter til.. Pekere. En grei<br />
innføring i hva weblogger er. No war blog er kritisk til den planlagte<br />
krigen mot Irak og er et godt. eksempel. på en blogg. som organiserer<br />
informasjon på Internett. Les Steven Johnsons bloggartikkel før den<br />
forsvinner mye tyder på at Salon. (som jeg har. omtalt på Kulturnett<br />
tidligere i artikkelen Salongradikaler) er i ferd med å gå. dukken. Noen<br />
skribentblogger Cory Doctorow (i samarbeid med flere andre) Steven.<br />
Johnson Howard. Rheingold og David Weinberger. Min egen weblogg<br />
er laget med Movable Type et gratis publiseringssystem som. kan. være.<br />
komplisert å installere men som også er svært allsidig.. Signal til støy min<br />
4
artikkel om weblogger fra mars i fjor. Ingen norsk forfatter har lagt ut<br />
mer på Internett enn Tor Åge Bringsværd som. bruker. Gyldendal forlags<br />
server. Men sidene er akk så statiske. Gi den mannen en. blogg.<br />
Gyldendal. Alle artikler av Eirik Newth. Av Eirik Newth (). noemata<br />
EDGE KATINKA MATSON (Exhibit)SCANNER PHOTOGRAPHY<br />
LEE SMOLIN. DOLLY REMEMBERED. February. EDGE. at. (<br />
words). THE THIRD CULTURE. One of the reasons besides sheer<br />
artistry that Katinka Matson's work. resonates so strongly with us is<br />
that is that the insect like vision. that results from scanning<br />
directtoCCD runs so much deeper in us than. vision as processed<br />
through a lens. By removing the lens Matson's work. bypasses an entire<br />
stack of added layers and takes us back to when we saw. more by<br />
looking at less. George Dyson. FIVE FLOWERS. By Katinka Matson<br />
An Exhibit. On the cognitive level new perceptual ways of looking at<br />
things can. provide categorization challenges. William H. Calvin. ON<br />
SCANNER PHOTOGRAPHY. Contributors George Dyson William<br />
Calvin Nicholas Humphrey. UNIVERSES (Continued). Science is a<br />
kind of open laboratory for a democracy. It's a way to. experiment with<br />
the ideals of our democratic societies. For example in. science you must<br />
accept the fact that you live in a community that makes. the ultimate<br />
judgment as to the worth of your work. But at the same time.<br />
everybody's judgment is his or her own. The ethics of the community.<br />
require that you argue for what you believe and that you try as hard as.<br />
you can to get results to test your hunches but you have to be honest in.<br />
reporting the results whatever they are. You have the freedom and.<br />
independence to do whatever you want as long as in the end you accept<br />
the. judgment of the community. Good science comes from the<br />
collision of. contradictory ideas from conflict from people trying to do<br />
better than. their teachers did and I think here we have a model for what<br />
a democratic. society is about. There's a great strength in our<br />
democratic way of life. and science is at the root of it.. LOOP<br />
QUANTUM GRAVITY LEE SMOLIN ... Lee Smolin EdgeVideo.<br />
LEE SMOLIN a theoretical physicist is concerned with quantum<br />
gravity. the name we give to the theory that unifies all the physics now<br />
under. construction. More specifically he is a coinventor of an<br />
approach. called loop quantum gravity. In he became a founding<br />
member and. research physicist of the Perimeter Institute for<br />
Theoretical Physics in. Waterloo Ontario. Smolin is the author of THE<br />
LIFE OF THE COSMOS and. THREE ROADS TO QUANTUM<br />
GRAVITY.. This is the th feature in the Edge Universes series. Lisa<br />
5
Randall. Theories of the Brane Martin <strong>Re</strong>es The Ultra Early Universe<br />
Alan Guth. The Inflationary Universe Paul Steinhardt The Cyclic<br />
Universe Ray. Kurzweil The Intelligent Universe Marvin Minsky The<br />
Emotion Universe. Seth Lloyd The Computational Universe.. In the<br />
year Dolly was born scientists and technologists celebrated. the<br />
centenary of JJ Thompson's discovery of the electron. If civilisation.<br />
survives until what anniversary will then attract more attention. the<br />
electron's bicentenary Or Dolly's centenary Martin <strong>Re</strong>es. Dolly.<br />
REMEMBERING DOLLY ... Dolly the first clone from a mammal<br />
died on February th at the age of. years old.. Where were you on July<br />
What did you think when you read the news. about the accomplishment<br />
of Ian Wilmut and his team at Roslyn Institute in. Edinburgh What is<br />
Dolly's lasting historical significance How does. Dolly's life change<br />
our view of humanity. Contributors Jaron Lanier Martin <strong>Re</strong>es John<br />
Horgan Robert Sapolsky. EDGE. John Brockman Publisher Editor.<br />
Russell Weinberger Associate Publisher. Copyright by Edge<br />
Foundation Inc. All Rights <strong>Re</strong>served.. Published by Edge Foundation<br />
Inc.. You are currently subscribed to edgeeditions as<br />
pronounnetcom.no. unsubscribe send a blank email to.<br />
leaveedgeeditionsRsand.lyris.net. unsubscribe from this group send an<br />
email to. TASI <strong>Re</strong>sources A <strong>Re</strong>view of Image Search Engines. <strong>Re</strong><br />
chello nyhetsbrev februar. nyt tusener av. linjer. chello er Europas.<br />
største spalte. nettsted. Nå kan vi tilbyr. våre chello abonnenter. spesielt<br />
gunstige priser på. trange spalter fra. Chello. Se og hør. dine spalter i.<br />
topp bredbåndkvalitet email. En. fristende smakebit får du. her....<br />
Chellospalter(R). månedens tilbud til chello. kunder. Nå kan vi tilby deg<br />
som. abonnent blant annet. prisnedgang på trådløse. tekstspalter fra<br />
DLink. Multifunksjonsspalter fra. Cnon (kopimaskin scanner. skriver)<br />
til kr. . BCS. avansert analog trådløs. tekst til kr. og. MB ekstra<br />
lagringsplass. med Apacer SpalteLager til. kr. .. les mer... bli med i<br />
chellos. kundepanel for tekstspalting. Vårt mål er at chello skal. ha det<br />
beste. bredbåndstilbudet på. spalter. For å lykkes med. dette er din<br />
tilbakemelding. meget viktig for oss. Vi. ønsker derfor å invitere. deg til å<br />
delta i vårt. kundepanel. Dette er et. utvalg av kunder som vi. kommer til<br />
å kontakte via. epost med jevne. mellomrom for å stille. noen enkle<br />
spørsmål. om spaltebruk.. Hver. gang vil noen av de som. svarer bli<br />
trukket ut til. å motta flotte spalter. i email.. les mer... knalltilbud på<br />
digital. spalter. Ring og bestill. digitalspalter nå og du. sparer over kr. I.<br />
tillegg har vi en ekstra. hyggelig overraskelse til. våre nye<br />
digitalspalter.... Dersom du ikke lenger. ønsker å motta spalteepost fra.<br />
6
UPC eller chello vennligst. logg deg inn på chello. kontoservice. Der kan<br />
du. endre dine innstillinger. under epostspalteoppsett.. Fwd gappy<br />
digest spookymarstonspookyspooky. Start of forwarded message.<br />
<strong>Re</strong>plyTo nettime'sgasoholic. Fwd gappy digest<br />
spookymarstonspookyspooky. <strong>Re</strong> William Gibson's Pattern<br />
<strong>Re</strong>cognition and Ethnomathematics. Paul D. Miller. Paul D. Miller. JD<br />
marston. Paul D. Miller. <strong>Re</strong> William Gibson's Pattern <strong>Re</strong>cognition and<br />
Ethnomathematics. Hey rana sigh... Greg I'm talking about stuff like<br />
what Lawrence. Lessig would call artificial scarcity or what NAS<br />
would call. ILLmatic i.e. systems that control configure and ultimately.<br />
absorb the kind of free imagination that Debord was relating in his.<br />
Society of the Spectacle. It seems pretty clear but hey this is. Nettime<br />
and that means I'll spell it out... In a world where values. are relative<br />
the uniform language of advertising creates pattern. recognition across<br />
geographic boundaries (thus the reference to. Gibson's new novel and<br />
it's intriguing involution of advertising.... think rhizomatic...) but yeah<br />
when this stuff is part and parcel of. the basic way visual information<br />
flows in an information economy.. Advertising just bypasses the normal<br />
boundaries that slow down. information as it passes from one culture to<br />
another you know kind. of like when the immune system is bypassed by<br />
various viruses.... viral marketing Norman Mailer's Advertising for<br />
Myself dude.... it's the taste of now. Carnival is about when you're in a<br />
theater of. highly structured roles being transformed by their<br />
environment check. in with Brazil or Jamaica etc etc Or even parts of<br />
Italy France. Spain etc etc the scenario is about lifestyle become<br />
pattern... it's. that postcatholic thing... the protestant scene digs the<br />
gutenberg. galaxy but can't flow with the intergalactic funk of the.<br />
metatron... there's no surfeit of imagination here just. transformation of<br />
ritual process... Bakhtin meets Grand Master Flash. meets Linus<br />
Torvalds... dig check the coordinates on the autopilot. download the<br />
map it's a psychogeography of a vanished world a. krushed groove.... I<br />
mentioned steganography ciphaz and a whole bunch of other. stuff... so<br />
many people have written about identity and whatnot. online the thing<br />
I'm pointing out is when that stuff migrates. offline and comes back as<br />
a kind of constant timeless carnival. in a world post the fall of the<br />
Berlin Wall in history is a. carnivalomeanings (that's about the only<br />
thing thatI can think of. as real when I see Bush on TV) a pageant<br />
without center save for. the illusion of what was once the United States<br />
before it caught up. with Russia and just decided to get rid of the<br />
burden of goverance. and just let the oligarch's do their thing... there's<br />
7
a great video. that gives you a surface idea of the culture jammer<br />
scenario (not. the dumb Mark Dery resonance but more like manydj's<br />
or the gurella. news network's remix of Emminem's song White<br />
America or Trent Lott. saying those dumb comments about the states<br />
rights elections. all are mistakes fractures in the perceptual terrain<br />
remixes).. pattern recogntion uncut funk the new streets have spoken<br />
and. its in code.... dig the cipha check the flow.I guess it's like. Ishmael<br />
<strong>Re</strong>ed would say mumbo jumbo become jumbo mumbo the mumbo.<br />
become extralarge.... think outside the box join the revolution choose<br />
adifferent. brand... wander the arcades of a dofferent era in wonder at<br />
the. complexity of itall. Press play. Enjoy adifferent mathematics of. the<br />
new world out of time... download into a different cipha... the. people<br />
are restive in the heart of darkness... the th world has. artists of the<br />
floating world... it's a conflict of interest from a. failed client state a<br />
material breach of a voided contract.... snactions from the th column<br />
decreeing null and void all previous. illusions.. pax. Paul. DJ Spooky<br />
WHAT are you talking about. None are more hopelessly enslaved than<br />
those who falsely believe. they are free..... Johann Wolfgang von<br />
Goethe. PortstatusOPEN. Paul D. Miller a.k.a. Dj Spooky that<br />
Subliminal Kid. Office Mailing Address. Subliminal Kid Inc.. W. rd<br />
St.. New York NY. <strong>Re</strong> William Gibson's Pattern <strong>Re</strong>cognition and<br />
Ethnomathematics. J not sure what you mean. Situationnist material<br />
Advertising Or. Spooky who is a character in my upcoming novel<br />
Please clarify. what this has to do with your comments. This kind of<br />
stuff is mad. boring.. Paul. DJ Spooky WHAT are you talking about.<br />
Gibson understands ADVERTISING as a kind of. Situationist.<br />
detournement. Wasn't it Spooky that Sublimated Kid who lent himself<br />
to the inspired GAP. advertisements here in Manhattan a year or so ago<br />
Its all posture and it. really is Spooky.. None are more hopelessly<br />
enslaved than those who falsely believe. they are free..... Johann<br />
Wolfgang von Goethe. PortstatusOPEN. Paul D. Miller a.k.a. Dj<br />
Spooky that Subliminal Kid. Office Mailing Address. Subliminal Kid<br />
Inc.. W. rd St.. New York NY. <strong>Re</strong> William Gibsons Pattern<br />
<strong>Re</strong>cognition and Ethnomathematics. Paul aka Subliminal Inc.. All three<br />
actually.. First I was responding to the gaseous nature of your post<br />
concerning the. intersections of advertising and<br />
freewheeling'droppinscience' coded. languages of the 'NOW' a'la<br />
sitiuationist conceptuals moreover how that. relates to the fiberous<br />
nature of 'the old left'.... Second I wanted to point out the interesting<br />
point that Spooky (being you. not the character of your upcoming<br />
8
novel) was an organ of the GAP campaign. or as you like to put it the<br />
global vernacular of GAP Inc. here in. New York City. I'm not saying<br />
it compromises your ability to comment with. any depth as there are<br />
many cult studs that are busy deciphering the. semilogical and linguisic<br />
markers of advertising. But to me that is just. 'mad boring'. Its the<br />
surface. The spectacle. The depthless sheen of. unreality. Kinda like<br />
your comments. The real language is in finance and. economics not<br />
hidden in the models bra.. You think the 'old left' is petrified. You're<br />
not alone. You think the left. should study Diesel ads to be . alot<br />
smarter . alot more dynamic You. are alone I hope.. And actually there<br />
are folks in Kansas but what would they matter to the. 'NOW.'. J. J not<br />
sure what you mean. Situationnist material Advertising Or. Spooky<br />
who is a character in my upcoming novel Please clarify. what this has<br />
to do with your comments. This kind of stuff is mad. boring.. <strong>Re</strong><br />
William Gibsons Pattern <strong>Re</strong>cognition and Ethnomathematics. J you're<br />
kind of right. Yes I did do the ads and yes I've done. others. I also try to<br />
get other kinds of information out.. My name is Paul D. Miller. Dj<br />
Spooky is a conceptual art project not. a gaseous situation. If you have<br />
more of an idea of the notion of. how pop culture works think of it as a<br />
hybrid of what Marcel Duchamp. was working on with the Rrose C'est<br />
La Vie persona or Andy Warhol.. Just metaphors but metaphors that<br />
work in a large scale global. environment. The phrases I used were<br />
samples taken from. . Saul Williams single with Dj Krust Coded<br />
language. . a couple of old hiphop singles.... if you'd like to compare<br />
notes on how people use this kind of. quotation in hiphop vernacular<br />
and many other forms of folk. culture I'd be more than happy to dialog<br />
'bout it.. there's a relatively shrill and annoying sheen to your<br />
comments and. if you'd like to dialog rather than have some annoying<br />
rant about. stuff you don't know about I'm open otherwise fuck off..<br />
Paul aka Subliminal Inc.. All three actually.. None are more hopelessly<br />
enslaved than those who falsely believe. they are free..... Johann<br />
Wolfgang von Goethe. PortstatusOPEN. Paul D. Miller a.k.a. Dj<br />
Spooky that Subliminal Kid. Office Mailing Address. Subliminal Kid<br />
Inc.. W. rd St.. New York NY. distributed via no commercial use<br />
without permission. is a moderated mailing list for net criticism.<br />
collaborative text filtering and cultural politics of the nets. more info<br />
majordomobbs.thing.net and info nettimel in the msg body. End of<br />
forwarded message. In an office AFTER TEA BREAK STAFF<br />
SHOULD EMPTY THE TEAPOT AND STAND UPSIDE. DOWN<br />
ON THE. DRAINING BOARD. isoQFwdbFkergisbort. Til<br />
9
oksamlingen noen. Norsk Skoindustri Avfall gjennom år Papirspon. Når<br />
kommer tittelen Norsk spam gjennom tidene Inkl. vulgære<br />
runeinskripsjoner.. Navnetagging. i stein ble lenge ansett for noe griseri<br />
av lokale stammer likeledes uvettig. bruk av. røyksignaler og gjalling<br />
gjalling kunne høres flere mil i medvind i ellers. stille. omgivelser og<br />
forstyrret bufe og kauking sladring mellom to fjelltopper om. avslag på<br />
ost. samt utskjelling av han samen som bare går og lusker og<br />
annonsering av. sextjenester. Lite er. bevart for ettertiden av denne<br />
aktiviteten vi kan bare gjette. Idag er det. pliktavlevering. av spam ved<br />
lov. Skitne personangrep skal sendes i fem eksemplarer til.<br />
nasjonalbiblioteket.. Start of forwarded message. <strong>Re</strong>plyTo Liv Evju.<br />
Fwd bøker gis bort. From Liv Evju. To biblioteknorgenb.no.<br />
Subjectbøker gis bort. Hei. andre kanskje har bedre bruk for Du betaler<br />
porto. Bøkene er meget pene. antagelig aldri åpnet. Først til mølla gjelder..<br />
Vennlig hilsen. Liv Evju. skolebibliotekar Rælingen videregående. fikk<br />
ikke lov av postmaster til å lage vedlegg derfor følger hele listen. her.<br />
Bedrifts og industrihistoriske bøker gis bort.. Pene ex så å si ulest. Gis bort<br />
mot porto.. Hauger Hans (f. . jan. ). år . okt. ILOVAN Vil og kan. Oslo.<br />
upg. s.. Omslagstittel Husmoren og ILOVAN år. Jubileumsberetning for<br />
Norge. første aluminiumvarefabrikk.. Lorentzen Bernt . nov.. Dale<br />
fabrikker Utg. av Dale fabrikker. Bergen s.. bl. ill.. Benestvedt Olav (f. .<br />
okt. ). Høie fabrikker Av Olav Benestvedt og Sigurd Grieg. Oslo.<br />
Tanum s. bl. pl. ill. .. Norsk skotøyindustri i år . oktober . oktober Utg.<br />
av. Norske skofabrikkers landssammenslutning. Oslo bl. s. bl.. pl. ill. ..<br />
(ib.) Nkr .. Seland Johannes. Hunsfos fabrikker gjennom år . mars<br />
Fædrelandsvennens. trykkeri . s. ill. NB ikke i NORBOK. Alf Bjercke<br />
(firma). Alf Bjercke Utg. ved firmaets års jubileum. Oslo. upg. s. ill. ..<br />
Lillevold Eyvind . okt. . des.. Hamar bryggeri gjennom år . juni . Hamar.<br />
s. ill.. Collett co a.s en beretning om de første år . Oslo. . s. ill. NB ikke i<br />
NORBOK. . s. ill. NB ikke i NORBOK<br />
10
279<br />
Wiig Jan (f. . febr. ). år Trio AS de Forenede norske laase og<br />
beslagfabriker. Oslo Stavanger (Ved) Jan Wiig. Oslo s. ill. .. Omsl.tit.<br />
Trekk av låsens historie Trio Beslagvareproduksjon gjennom. år.<br />
Wildhagen Fredrik Christian (f. . febr. ). Avfallspapir gjennom år .<br />
januar Utg. av A.s.. Papirspon Oslo. Oslo S. upg. s. ill. .. Ikke i bokh..<br />
Norsk hydro. Norsk hydroelektrisk kvælstofaktieselskab Ti rike arbeidsår<br />
Utg. av. Norsk hydroelektrisk kvælstofaktieselskab . des. Hovedred. Jon.<br />
Storækre. Oslo upg. s. bl. pl. Tab. fig. .. Bergverkenes<br />
landssammenslutning. Bergverkenes landssammenslutning gjennom år .<br />
Oslo. Grøndahl s. ill. port. .. End of forwarded message. Seen at the side<br />
of a Sussex road SLOW CATTLE CROSSING. NO OVERTAKING<br />
FOR THE. NEXT YRS.. Fwd syndicate. KNuDPRIayBRnbNXOZW.<br />
ContentType textplain charsetiso. Start of forwarded message. <strong>Re</strong>plyTo<br />
Peter Luining. Organization ctrlaltdel. Fwd syndicate. End of forwarded<br />
message. KNuDPRIayBRnbNXOZW. ContentDisposition attachment.<br />
filenamemessagefooter.txt. ContentType textplain. Syndicate<br />
mailinglist. Syndicate network for media culture and media art. post to<br />
the Syndicate list. no commercial use of the texts without permission.<br />
KNuDPRIayBRnbNXOZW. noemata digest. jeg foreslår en w<strong>Re</strong>ader's<br />
Digest i mail en gang i uken kanskje som oppsummering. av. aktiviteter<br />
som ryggdekning for norsk kulturråd etc. Som sendes til et utvalg.<br />
steder.. <strong>Re</strong>daksjonsansvaret for Digesten kan veksle.. b. Notice sent to<br />
residents of a Whiltshire parish DUE TO INCREASING PROBLEMS.<br />
WITH. LITTER. LOUTS AND VANDALS WE MUST ASK<br />
ANYONE WITH RELATIVES BURIED IN THE GRAVEYARD TO.<br />
DO THEIR BEST. KEEP THEM IN ORDER.<br />
isoQKlassekampenHerrelFsehunderpEbesFk. Pansret. Bildekunsteren<br />
Jan Fabres installasjon heter Umbraculum.. Det er latin og står for et sted<br />
der mennesket kan trekke seg tilbake og. tenke. og arbeide. sier<br />
belgiske Fabre som ofte vender tilbake til insekter i kunsten sin. Ned<br />
fra. taket i en. stor overlyssal henger krykker gåstoler og rullestoler.<br />
Fabre har mumifisert. dem det vil si. dekket dem fullstendig med<br />
insekter. På gulvet ligger gamle industrisymaskiner. strødd og. blant dem<br />
11
står noen munkeskulpturer med kapper av dyre og menneskebein.. Så<br />
pansret som disse figurene er er de beskyttet mot sår. I den retningen.<br />
beveger. menneskeheten seg også sier Fabre som også er med på en film<br />
som nå vises på. Kunstnernes. Hus. Den viser en dialog mellom Ilya<br />
Kabakov og Fabre der de snakker om livet. om kunstens. makt og<br />
politisk makt.. Hva kom dere fram til. At kunstnere er nomader slik<br />
insekter er det. Samfunnet behandler kunstnerne. som herreløse. hunder.<br />
Men samfunnet har faktisk mye å lære av kunstneren sier Fabre..<br />
Klassekampen Hvor er norsk avantgarde. <strong>Re</strong>sonnementene utspilles<br />
langs samme akser som når en Erling Dokk Holm hevder. at. dagens<br />
skare. av unge mobile forbrukere er så skarpe at de gjennomskuer<br />
reklamens språk. Hva. det egentlig. betyr hva det innebærer å gjennomskue<br />
reklamens språk når jo alle. konsumentene likevel. tygger samme tyggis<br />
drikker samme type brus snakker i samme type. mobiltelefon. går i<br />
samme. type klær faller derimot utenfor analysen. Å gjennomskue<br />
reklamen får. overhodet ingen. praktisk betydning for hvilket liv man<br />
velger å leve. Som sådan er innsikten. verdiløs en ny. myte i kurven av<br />
selvrealiseringsfloskler.. theresponser nyhetsbrev. t h e r e s p o n s e r.<br />
Levende skjoldgruppen med nye initiativ. Etter at irakiske myndigheter<br />
tok aktivistene på ordet og ville utplassere dem. som. menneskelige<br />
skjold på infrastrukturelle viktige punkter som kraftstasjoner ol.. har<br />
gruppen. kommet med to nye intitiativer. Levende skjold hjemmefra.<br />
Aksjonister kan reise hjem og være skjold fra. sin. egen stue.. De får utdelt<br />
et sertifikat som bekrefter at de er et levende skjold dessuten. et kart<br />
over. Irak og en paraply (valgfritt).. Adopter et levende skjold.<br />
Aksjonister kan adoptere en iraker til å være. skjold for seg. ved å betale en<br />
fast sum pr. mnd. Aksjonisten får tilsendt bilde og personalia. til sitt.<br />
skjold og ukentlig statusrapport. Prisklassedifferensieringer i forhold til.<br />
risiko.. Dette er initiativer som ivaretar aksjonistene og som samtidig<br />
hjelper irakisk. økonomi. sier en talsmann for levende<br />
skjoldaksjonistene.. the responser ... Lavinehunder og narkohunder i<br />
sniffekonflikt. Etter at en gruppe narkomane ved Tyrili ble tatt av snøras<br />
søndag. krangler nå politiet og Røde Kors om de skal sende ut<br />
lavinehunder. eller narkohunder for å spore opp de narkomane. Politiet<br />
mener de har. enerett på å oppspore narkomane med hund mens Røde<br />
Kors sier at deres. hunder er best egnet i snø. Mens narkohundene<br />
sniffet mistenksomt på. lavinehundene glefset politiet og<br />
hjelpemannskapet etter hverandre. som bikkjer på speed. En uavhengig<br />
talsmann for de narkomane sier at. hunden hans en jævlig god narkhund<br />
er flink til å finne underbuksene. hans. Situasjonen forventes å gå cold<br />
12
turkey allerede onsdag kveld.. the responser ... Den norske bronsjen like<br />
god som gull innrømmer russisk gullvinner. Russisk presse legger seg<br />
flate for den norske bronsevinneren. Etter. at Mari Immari vant bronsje<br />
på fjordagens kilomter og utbrøt til. verdenspressen at den var like god<br />
som gull har både de russiske. sølv og gulvinnerne og russisk presse lagt<br />
seg nesegruse for den. norske bronsjen.. Selv om vi tok gull og sølv må<br />
vi være ydmyke nok til å se at den. norske bronsen er like mye verdt det er<br />
ikke hver dag vi deler. pallen sammen med slik verdig bronsjevinner og<br />
vi føler verken nag. eller bitterhet over at Immari stjal all glansen under<br />
seremonien. Det. var tross alt en bronsjeseier som vi svært sjelden ser<br />
maken til. Alt. dette står og lese mellom linjene i gårsdagens utgave av<br />
den russiske. avisen Travestida.. the responser ... Tiggere får status som<br />
lobbyister. I et tiltak som skal rydde gatene for tiggere og annet bøss<br />
har. Stortinget vedtatt at alle tiggere skal få status som lobbyister. De. vil<br />
ikke lenger behøve å opptre splittet og inviduelt i et. konkurranseutsatt<br />
miljø men vil fokusere sine interesser gjennom. lobbyvirksomhet<br />
representert av en tillitsvalgt som vil fremføre. deres snedige retorikk<br />
overfor beslutningstagerne. Denne. representanten kalt Bøssbærer vil<br />
daglig subbe seg gjennom. stortingskorridorer og andre maktfora for<br />
med et utstrakt pappbeger. snøvle frem sitt lakonsike ultimatum<br />
'kanujelpemenosmåpenger.. Flere erfarne tiggere har allerede blitt<br />
kontaktet av rekke andre. interessegrupper og industrier for om mulig<br />
verve denne slepne og. erfarne lobbygruppen for oppdrag. Vi ser at<br />
denne metoden. kanujelpemenosmåpenger er svært effektivt og<br />
økonomisk. sier Arnt. Bredbeint fra Vi Også AS Det vil vanligvis ta<br />
mange år å drille inn. lobbyister i så kraftfull og samtidig nesten usynlig<br />
slu og. betvingende innflytelseskunst. Formidabelt. Siden tiggere har<br />
blitt øremerket dette nasjonale lobbyansvaret vil. samfunnet spare opptil<br />
nok til en kopp kaffe årlig ved at både. kvalifisert arbeidskraft og<br />
rekruttering vil komme helt av seg selv.. Jo dårlige økonomien blir desto<br />
mer dyktige lobbyister trenger vi får. å få gjennom egoistiske interesser og<br />
den samme situasjonen altså. nedgagnstider er å regne som den beste<br />
utklekkingsperioden for nye. lobbyister nemlig tiggerne avslutter<br />
Bredbeint.. the responser ... Ingen kanoner igjen til årets spurvejakt.<br />
Norske spurvejegere er i harnisk etter at alle deres kanoner har blitt.<br />
ekspropriert av ornitologisk personell og sendt til eksotiske land. for å<br />
skyte på heslige krek nesten ingen har hørt om. I Kina skyter en.<br />
elitetropp med norske fuglejegere på den tungnebbete fugelen Spradegg.<br />
og i Gaukasus har geriljaornitologer lenge jaktet på vadefuglen. Burlefot.<br />
Begge gruppene bruker kanoner som i årevis har tilhørt. norges<br />
13
spurvejegerelite. Spurvejegerne er i opprør over. prioriteringene til det<br />
internasjonale fuglealliansen Myndightene. driter i andres rede sier<br />
førstekanonade Trom Navlespreng En. århundrelang tradisjon er i ferd<br />
med å gå den veien høna sparker jeg. lukter kalkun lang vei når vi få se<br />
resultatet av at avskrekkingen av. spurven ikke blir gjennomført som<br />
vanlig. the responser ... asdf. dj byhand my favorite Proper Hoodidge<br />
things. dj byhand supercalifragilisticexpialidocious honey bucket. dj<br />
byhand bring back mischief keeping out of trance. djbyhand bring ba..<br />
Mar .M. djbyhand my favor.. Mar .M. djbyhand supercal.. Mar .M.<br />
Contradiction. Accord Not In It. culturejammers djbyhand julie<br />
andrews bootleg session. Mars program. dj byhand my favorite Proper<br />
Hoodidge things. Julie Andrews sings Amon Tobin. dj byhand<br />
supercalifragilisticexpialidocious honey bucket. Julie Andrews vs.<br />
Melvins. dj byhand bring back mischief keeping out of trance. Dinah<br />
Washington samples BurgerInk. fair use. fairly... Raindrops on roses<br />
and whiskers on kittens. Bright copper kettles and warm woolen<br />
mittens. In times of bella foe fa lies cobalt cast and clean.. Brown paper<br />
packages tied up with strings. These are a few of my favorite things.<br />
Ain't about to pick my rounds. This is in my way.. Cream colored<br />
ponies and crisp apple strudels. Doorbells and sleigh bells and schnitzel<br />
with noodles. I gotta motor fare the wheel real fast and fear.. Wild<br />
geese that fly with the moon on their wings. These are a few of my<br />
favorite things. Trijacking blackened for moi handcuffs and special<br />
keys.. Girls in white dresses with blue satin sashes. Snowflakes that<br />
stay on my nose and eye lashes. Silver white winters that melt into<br />
spring. These are a few of my favorite things. Throw my case of<br />
plasterscene down. Maybe after you won't let it.. Triple lies and<br />
neckties divide. This will be his size.. When the dog bites when the bee<br />
stings. Been around the somber town maybe in the wall.. When I'm<br />
feeling sad. Plop is fast as my hole's down. Green glass and most of<br />
all.. I simply remember. my favorite things. and then I don't feel so<br />
bad. <strong>Re</strong>peat the whole thing. Culturejammers mailing list.<br />
Culturejammerslists.copyleft.no. Human Shields vil trekke seg ut<br />
Indymedia.no. <strong>Re</strong> nyhetsSaker. ref. parodinyheter. Kan det gjøres noe på<br />
denne saken ideer. What Percentage of Internet Traffic is Prn. I petabits<br />
transportert daglig på nettet en datamengde som ville. ha vært. ubegripelig<br />
stor da strukturen bak Internett ble grunnlagt på og. tallet.. (Litt<br />
forrvirrende er ikke petabits kapasitetbåndbredde og ikke.<br />
kvantitetmengde). Går det an ut fra prosentandelen porno å regne seg<br />
fram til ola nordmann ser. minutter. porno hver dag siden den utbredte<br />
14
oppfatningen kanskje er at internettporno. er. noe skummelt. som bare<br />
begås av kriminelle sinnslidende. Et stolpediagram vi bruker mer. tid. på<br />
porno enn. husarbeid KrF mener dette er en konsekvens av den lave<br />
oppslutningen til. partiet Ola har. lenge hørt at han ser TV timer hver<br />
dag. Tiden som brukes på prn hvor tas. den fra Fra de. eldre og syke og<br />
barna Et parti lover mer tid til familien i sitt program og. velger heller.<br />
nedskjæring av sommertiden. Fremtidspartiet svarer med å finansiere ny<br />
nåtid. ved. å låne tid. fra fremtiden en talsmann Tid er såvidt vi forstår en<br />
ubegrenset og fornybar. ressurs. At. ingen har tenkt på det før nå. Det er<br />
tidsknappheten vi vil til livs med. dette. Noe om. tidstyver En tidstyv<br />
ble pågrepet i går idet han var i ferd med å. Hvor. blir. tiden av. en<br />
granskningskommisjon.. Bør også gjøres noe på spillegalskapsakene særlig<br />
liker jeg. understreking av det ikke skal være klingende mynt for å<br />
opphisse. spillerene.. Tar bare kredittkort. Hva slags forhold har vi<br />
etterhvert til penger når de. bare. er siffer på. skjermen i nettbanken Går<br />
det an å lage en nettbank som nettkunst for å. illustrere det rent.<br />
transaksjonelle eventuelt gjeninnføre klingende mynt og skitne sedler i<br />
en. sånn nettbank.. Før var det status med tjukk lommebok. Det var et søtt<br />
lite regnestykke på Tv. igår. milliarder kroner i tap for oljefondet. og som<br />
de lett la sammen til. . En sum. som gjør tv og budsjettdebatter om til<br />
klingende. vekslepengerunderholdning.. Når det gjelder avhengighet fins<br />
det forskning omkring TVavhengighet og. kan. ikke det. like lett<br />
karakteriseres som sykdom TVgalskap Lone når klokka nærmest. seg så.<br />
MÅTTE jeg bare skru på.. Det tok lang tid før jeg fant ut om Jens Book<br />
Jenssen var død (i. visstnok) det virkers som allerede er glemt.. Kanskje<br />
media skulle sendt ut påminnelser om at noen var død med jevne.<br />
mellomrom (NN er. fortsatt død ...). I en medievirkelighet er det ikke så<br />
greie overganger som. før folk lever. videre i beste velgående (døden<br />
forynget meg faktisk). Det er alltid litt. merkelig når TV. melder at noen<br />
er død samtidig som de illustrerer det med levende bilder av.<br />
vedkommende. En. annen ting er at når vi leser nyheter på nettet kommer<br />
nyheten om noens død opp. flere ganger. i flere aviser utover dagen så<br />
man tenker inni seg Igjen Hvor mange ganger. skal han dø. idag. Noe<br />
med at en nyhet repeteres så mange ganger. En nyhet Dette er den.<br />
samme nyheten. som du leste for to timer siden. Og to timer før det<br />
igjen. Dette som en. påminnelse. Du. kommer til å lese den en gang til før<br />
den forsvinner i arkivet.. mvh B. (xposting til culturjammers kanskje litt<br />
drøyt men de får kjefte tilbake hvis. det oppfattes. som spam ok). Fwd<br />
Philosophy of Mind News from Science Consciousness <strong>Re</strong>view. Start<br />
of forwarded message. Fwd Philosophy of Mind News from Science<br />
15
Consciousness <strong>Re</strong>view. Dear member of this list. new articles and<br />
reviews. EDITORIAL REVIEW FOURTH COMMENTARY ON<br />
CRICK KOCH. A computerbased model of Crick and Kochs<br />
Framework for Consciousness. By Stan Franklin. Crick and Koch<br />
explain that a framework must not be confused with a set of.<br />
hypotheses. Rather a framework for consciousness offers a point of<br />
view from. which to address the problems of consciousness. Its<br />
intended to guide. research. A good framework should fit within current<br />
scientific knowledge. reasonably well and should be roughly correct. In<br />
this fourth commentary on. the Crick Koch framework article Stan<br />
Franklin implements their views in. Artificial Intelligence.. In February<br />
and March Science Consciousness <strong>Re</strong>view publishes. editorial<br />
commentaries. on Crick Koch's recent article in Nature Neuroscience..<br />
LATEST HEADLINES. Memory for rejected distractors in visual<br />
search. Using inattentional blindness as an operational definition of<br />
unattended. The case of surface completion. BOOK Attention and<br />
Implicit Learning. BOOK REVIEWS From Metapsychology. Love<br />
arises in the unconscious. PREVIOUS ARTICLES. Consciousness lost<br />
The lightning storm of seizures. Changing or escaping the self. Are we<br />
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CONTRIBUTION. For students teachers scientists and all other fans of<br />
consciousness.... Send your news summaries to us.. Sincerely. Thomas<br />
Zoga Ramsøy. Managing Editor. isoQSpilleproblemerFtheresponser.<br />
Spilleproblemer. I Norge finnes det ikke et eneste permanent<br />
behandlingstilbud for fond som. spiller bort. pengene dine. I<br />
Brennpunkt i kveld får du møte noen av de som har erfart at. spillingen<br />
fører. til kriminalitet fordi dei må finansiere pengesluket til oljefondet.<br />
Overlege. ved sykehuset i. Levanger Jon Egil Wold sier helsevesenet<br />
ikke har oversikt over problemet.. Det er klart at. et tap på mrd. kr. virker<br />
inn på den psykiske helsen til alle innvolverte. men på den. annen side er<br />
tallet så stort og abstrakt at vi har vansker med å relatere til. det. Vi.<br />
foreslår at du bare glemmer det sier Wold tapt er tapt.. the responser ...<br />
Kton Lutus. hm mange sider har blitt fordoblet i størrelse etter flytting<br />
til ny server. for. et par uker. siden. ABM entotretten. denne ser jo<br />
bedre ut i dobbelutgave. kanskje begynne å skrive alt to ganger. kanskje<br />
begynne å. kkaannsskkjjee bbeeggyynnee åå. kanskje kanskje begynne<br />
begynne å å skrive skrive alt alt to to. kanskje begynne begynne å å å skrive<br />
skrive skrive skrive skrive alt alt alt. alt. alt alt alt. alt to to to to to to to<br />
to to to to to to. hm mange sider har blitt fordoblet i størrelse etter<br />
flytting til ny server. for. et par uker. siden. ABM entotretten. denne ser<br />
16
jo bedre ut i dobbelutgave. kanskje begynne å skrive alt to ganger.<br />
kanskje begynne å. kkaannsskkjjee bbeeggyynnee åå. kanskje kanskje<br />
begynne begynne å å skrive skrive alt alt to to. kanskje begynne begynne å å<br />
å skrive skrive skrive skrive skrive alt alt alt. alt. alt alt alt. alt to to to to<br />
to to to to to to to to to. kkkkkkkkkkkkkkkkkkkkkkkk. utsatt. ... Dilbert<br />
metaintervju. Q do you have a pen. A wow these are easy questions.. et<br />
metaintervju som i dagens stripe hvor spørsmålsvar er innenforutenfor..<br />
ta et vanlig intervju og omformuler spørsmålsvar som i eksempelet. Q<br />
may i borrow your pen do you have a pen (utenfor innenfor). A i'll<br />
answer that with ease wow these are easy questions. (innenfor. utenfor).<br />
isoQSKRIFTENPCVEGGEN. SKRIFTEN PÅ VEGGEN. Vil du være<br />
med på å sette preg på kunsten i det nye biblioteket i Vadsø Høres. det<br />
spennende. ut å få egne tanker og tekster skrevet på bibliotekveggen Da<br />
har du nå. muligheten til å. delta.. Publikum i alle aldre inviteres til å<br />
skrive korte tekster som skal være en del. av. utsmykkinga av<br />
biblioteket.. Glasskunstneren Silja Skoglund som er bosatt i Tromsø er<br />
en av kunstnerne som. har fått i. oppdrag å utsmykke det nye biblioteket.<br />
Hun skal lage et stort kunstverk i. glass og deler av. verket vil være større<br />
gjennomskinnelige glassflater noen med skrift. Det er. her.<br />
folkebidraget kommer inn Silja inviterer folk i Vadsø og Finnmark til å<br />
komme. med tekster om. sine tanker om nåtid framtid det nye<br />
biblioteket. Tekstene skal bearbeides og. anonymiseres. av Silja slik at<br />
de ikke kan føres tilbake til forfatteren.. Tekstene kan skrives inn i en<br />
tekstbok som legges frem på biblioteket de kan. sendes inn pr.. brev eller<br />
epost eller du kan skrive teksten inn direkte i vår gjestebok. Vadsø<br />
bibliotekFinnmark fylkesbibliotek. Postboks. VADSØ. Epost<br />
fobvadso.folkebibl.no. INSENDTE BIDRAG. Time. <strong>Re</strong>mote User.<br />
Kommentarer. her er en liten tekst skrevet på et tastatur og sendt over<br />
internett en lørdag. i. mars. heia heia. Time. <strong>Re</strong>mote User.<br />
Kommentarer. her er en anonym tekst. skrevet av ingen. hvem skrev<br />
dette ikke jeg.. Time. <strong>Re</strong>mote User. Kommentarer. Time. <strong>Re</strong>mote User.<br />
Kommentarer. Her er en tekst uten dato uten signatur uten innhold<br />
gjennomsiktig som en. glassflate.. Time. <strong>Re</strong>mote User. Kommentarer.<br />
Skriv inn din tekst her. Send kommentar. Slett kommentar.. Time.<br />
<strong>Re</strong>mote User. Kommentarer. på. glassflaten.. Time. <strong>Re</strong>mote User.<br />
Kommentarer. Denne teksten er ikke skrevet av Silja Skoglund.. Time.<br />
<strong>Re</strong>mote User. Kommentarer. Denne teksten skal bearbeides og<br />
anonymiseres slik at den ikke kan føres. tilbake. til Bjørn. Maghnildeen..<br />
Time. <strong>Re</strong>mote User. Kommentarer. BJM. Time. <strong>Re</strong>mote User.<br />
Kommentarer. . ' .. '. .. .. GLASSBITER PÅ GLASS BJM. Time.<br />
17
<strong>Re</strong>mote User. Kommentarer. h Dette er hexades. h. D C B F E C<br />
imalkoden til te h B. E. A B ksten jeg skrive h r. Time. <strong>Re</strong>mote User.<br />
Kommentarer. Thank you for reading this text.. Time. <strong>Re</strong>mote User.<br />
Kommentarer. Denne teksten leses kanskje på glass.. Time. <strong>Re</strong>mote<br />
User. Kommentarer. Denne teksten var i sin tid elektronisk nå er den<br />
laget av glass.. Time. <strong>Re</strong>mote User. Kommentarer. .nedis erdna arf tseb<br />
sesel netsket enneD. Time. <strong>Re</strong>mote User. Kommentarer. Ønsk arv perle<br />
mel rep vrak snØ. Time. <strong>Re</strong>mote User. Kommentarer. Vilter dyr<br />
kanaripippip i Rana krydret liV. Time. <strong>Re</strong>mote User. Kommentarer.<br />
Telt ti Lett å si palindromord ni lapis Åtte Litt LeT. Time. <strong>Re</strong>mote User.<br />
Kommentarer. Ted Robert i NAF agnet to majones 'Se no ja ' motten<br />
ga fan i trebordeT. Time. <strong>Re</strong>mote User. Kommentarer. Surkål biter foret<br />
remse smerter ofret i blå kruS. Time. <strong>Re</strong>mote User. Kommentarer. Per<br />
Arne i en rar EP. Time. <strong>Re</strong>mote User. Kommentarer. Noen leger moser<br />
for å ruste. Andre moser ystet syre som er DNA'ets urår ofre. som regel.<br />
neoN.. Time. <strong>Re</strong>mote User. Kommentarer. En nøtt å vinne modig med<br />
rette vil gi venn evig liv etter dem gid om enn i. våt tønnE. <strong>Re</strong>vidert Mar<br />
..<br />
isoQ<strong>Re</strong>noemataStudentistatsvitenskapkrevertilgangtilmillionerforsFksro<br />
tter. Student i statsvitenskap krever tilgang til millioner forsøksrotter.<br />
Hovedfagsstudent i statsvitenskap Olig Tapas sier han trenger minst.<br />
millioner labrotter for å få utført et realistisk eksperiment av. hvordan<br />
berøvelse av vann påvirker stemmegiving ved et eventuelt nytt. EUvalg.<br />
Jeg har tidligere fått låne min onkels saueflokk for å. påvise at<br />
stemmegivingen ved valg av ny bjellesau ofte favoriserer de. hvite<br />
tiltrekkende sauene forteller Olig men jeg har nå behov for å. bruke<br />
norske rotter i et laboratorium for å kunne kontrollere alle. bruke norske<br />
rotter i et laboratorium for å kunne kontrollere alle<br />
18
280<br />
forhold. Olig har tidligere utttalt at enkelte smågnagere burde ha.<br />
stemmerett ved kommunevalg.. Samtidig har Osvald Braut student i<br />
litteraturvitenskap ytret ønsket. om å bruke en laboratoriumsrotte for å<br />
bekrefte sin teori som. postulerer at Ibsens Byggmester Solness egentlig<br />
bare ville eie en. liten ostebit.. mill vann norske smågnagere stemmerett<br />
poeng til mange kanter well who. am i to.... Olig Tapas har også fått<br />
midler fra psykologisk institutt til å utføre et. eksperiment på. saueflokken<br />
hvor han utstyrer et sort får med bjelle og dermed later til å. presentere<br />
dem for. dilemmaet skal vi følge han eller ikke. Samme Tapas er også<br />
kjent for å ha bevist at Ibsens Byggmester Solness er. drevet. av et.<br />
underliggende ostemotiv.. Nå år etter at Arne Næss introduserte rotte på<br />
kontoret har også filosofisk. institutt. ytret ønske om egen labrotte på den<br />
betingelse at den finner veien dit selv og. ikke bråker i. gangene som også<br />
er den betingingen de ønsker å undersøke.. Ukas tvprogram the responder.<br />
fx.. Ut i naturen (ttv). DATOTID. VARIGHET. KANAL NRK.<br />
GENRE Dyrnaturmiljø. INFO På sporet av Koppangsflokken. Alle prater<br />
om mafien mener og bråker og krangler om mafiaen. Men to karer i.<br />
NordØsterdal. ville heller bli kjent med mafien.. ..koppangflokken er en<br />
gjeng unge kriminelle som streifer rundt i. østerdalmiljøet og. lager<br />
kvalm. norsk mafia fins det da spør vi i programmet og er de.<br />
utrydningstruet og. skal stammen bevares for enhver pris og hva med<br />
sauen skal den lide vi har. snakke med. bønder i området som føler seg<br />
trakkassert med en eller to k'er av. koppangflokken med tre.. Fwd<br />
thingist The myth of interference how bad science created the.<br />
broadcast industry.. Start of forwarded message. <strong>Re</strong>plyTo<br />
thingistbbs.thing.net. Organization The Thing. Fwd thingist The myth<br />
of interference how bad science created the. broadcast. industry.. The<br />
myth of interference. Internet architect David <strong>Re</strong>ed explains how bad<br />
science created the broadcast. industry.. By David Weinberger. March<br />
There's a reason our television sets so outgun us. spraying us with<br />
trillions of bits while we respond only with the laughable. trickles from<br />
our remotes. To enable signals to get through intact the. government<br />
has to divide the spectrum of frequencies into bands which it. then<br />
19
licenses to particular broadcasters. NBC has a license and you don't..<br />
Thus NBC gets to bathe you in Friends followed by a very special.<br />
Scrubs and you get to sit passively on your couch. It's an asymmetric.<br />
bargain that dominates our cultural economic and political lives only.<br />
the rich and famous can deliver their messages and it's all based on the.<br />
fact that radio waves in their untamed habitat interfere with one<br />
another.. Except they don't.. Interference is a metaphor that paints an<br />
old limitation of technology as a. fact of nature. So says David P. <strong>Re</strong>ed<br />
electrical engineer computer. scientist and one of the architects of the<br />
Internet. If he's right then. spectrum isn't a resource to be divvied up<br />
like gold or parceled out like. land. It's not even a set of pipes with their<br />
capacity limited by how wide. they are or an aerial highway with white<br />
lines to maintain order.. Spectrum is more like the colors of the rainbow<br />
including the ones our eyes. can't discern. Says <strong>Re</strong>ed There's no<br />
scarcity of spectrum any more than. there's a scarcity of the color<br />
green. We could instantly hook up to the. Internet everyone who can<br />
pick up a radio signal and they could pump. through as many bits as<br />
they could ever want. We'd go from an economy of. digital scarcity to<br />
an economy of digital abundance.. So throw out the rulebook on what<br />
should be regulated and what shouldn't.. <strong>Re</strong>think completely the role of<br />
the Federal Communications Commission in. deciding who gets<br />
allocated what. If <strong>Re</strong>ed is right nearly a century of. government policy<br />
on how to best administer the airwaves needs to be. reconfigured from<br />
the bottom up.. Spectrum as color seems like an ungainly metaphor on<br />
which to hang a. sweeping policy change with such important social<br />
and economic implications.. But <strong>Re</strong>ed will tell you it's not a metaphor<br />
at all. Spectrum is color. It's. the literal honesttoFeynman truth.. David<br />
<strong>Re</strong>ed is many things but crackpot is not one of them. He was a.<br />
professor of computer science at MIT then chief scientist at Software<br />
Arts. during its VisiCalc days and then the chief scientist at Lotus<br />
during its. days. But he is probably best known as a coauthor of the<br />
paper that. got the Internet's architecture right EndtoEnd Arguments in<br />
System. Design.. Or you may recognize him as the author of what's<br />
come to be known as <strong>Re</strong>ed's. Law which says the true value of a<br />
network isn't determined by the number. of individual nodes it connects<br />
(Metcalfe's Law) but by the far higher. number of groups it enables.<br />
But I have to confess that I'm biased when it. comes to David <strong>Re</strong>ed. I<br />
first encountered him in person three years ago at a. tiny conference<br />
when he deftly pulled me out of a hole I was digging for. myself in<br />
front of an audience of my betters. Since then I've watched him. be<br />
20
ottomlessly knowledgeable on a technical mailing list and patiently.<br />
helpful as a source for various articles I've worked on.. It doesn't take<br />
much to get <strong>Re</strong>ed to hold forth on his strong. wellarticulated political<br />
and social beliefs. But when it comes to. spectrum he speaks most<br />
passionately as a scientist. Photons whether they. are light photons<br />
radio photons or gammaray photons simply do not. interfere with one<br />
another he explains. They pass through one another.. <strong>Re</strong>ed uses the<br />
example of a pinhole camera or camera obscura If a room is. sealed<br />
against light except for one pinhole an image of the outside will be.<br />
projected against the opposite wall. If photons interfered with one<br />
another. as they squeezed through that tiny hole we wouldn't get a clear<br />
image on. that back wall <strong>Re</strong>ed says.. If you whine that it's completely<br />
counterintuitive that a wave could squeeze. through a pinhole and<br />
reorganize itself on the other side <strong>Re</strong>ed nods. happily and then piles on<br />
If photons can pass through one another then. they aren't actually<br />
occupying space at all since the definition of. 'occupying' is<br />
'displacing.' So yes it's counterintuitive. It's quantum. mechanics..<br />
Surprisingly the spectrumascolor metaphor turns out to be not nearly as.<br />
confounding to what's left of common sense. Radio and light are the<br />
same. thing and follow the same laws <strong>Re</strong>ed says. They're distinguished<br />
by what. we call frequency. Frequency he explains is really just the<br />
energy level. of the photons. The human eye detects different<br />
frequencies as different. colors. So in licensing frequencies to<br />
broadcasters we are literally. regulating colors. Crayola may own the<br />
names of the colors it's invented. and Pantone may own the standard<br />
numbers by which digital designers refer to. colors but only the FCC<br />
can give you an exclusive license to a color. itself.. <strong>Re</strong>ed prefers to talk<br />
about RF radio frequency color because the usual. alternative is to think<br />
of spectrum as some large swatch of property. If. it's property it is<br />
easily imagined as finite and something that can be. owned. If spectrum<br />
is color it's a lot harder to think of in that way. <strong>Re</strong>ed. would recast the<br />
statement WABCAM has an exclusive license to broadcast at. kHz in<br />
NYC to The government has granted WABCAM an exclusive license.<br />
the color Forest Green in NYC. Only then according to <strong>Re</strong>ed does the.<br />
current licensing policy sound as absurd as it is.. But if photons don't<br />
interfere why do our radios and cellphones go all. crackly Why do we<br />
sometimes pick up two stations at once and not hear. either well<br />
enough. The problem isn't with the radio waves. It's with the receivers.<br />
Interference cannot be defined as a meaningful concept until a receiver.<br />
tries to separate the signal. It's the processing that gets confused and.<br />
21
the confusion is highly specific to the particular detector <strong>Re</strong>ed says..<br />
Interference isn't a fact of nature. It's an artifact of particular.<br />
technologies. This should be obvious to anyone who has upgraded a<br />
radio. receiver and discovered that the interference has gone away The<br />
signal. hasn't changed so it has to be the processing of the signal that's.<br />
improved. The interference was in the eye of the beholder all along. Or<br />
as. <strong>Re</strong>ed says Interference is what we call the information that a<br />
particular. receiver is unable to separate.. But <strong>Re</strong>ed says I can't sign on<br />
to 'It's the receiver stupid.' We have. stupid radios not because we<br />
haven't figured out how to make them smart but. because there's been<br />
little reason to make them smart. They're designed to. expect signal to<br />
be whatever comes in on a particular frequency and noise. be<br />
everything on other frequencies. The problem is more complex than.<br />
just making smart radios because some of the techniques for<br />
unconfusing. the receiver are best implemented at the transmitter or in a<br />
network of. cooperating transmitters and receivers. It's not simply the<br />
radios. It's the. systems architecture stupid. One of the simplest<br />
examples of an architecture that works was invented. during World War<br />
II. We were worried that the Germans might jam the signals. our<br />
submarines used to control their radiocontrolled torpedoes. This.<br />
inspired the first frequencyhopping technology The transmitter and.<br />
receiver were made to switch in sync very rapidly among a scheduled.<br />
random set of frequencies. Even if some of those frequencies were in<br />
use by. other radios or jammers error detection and retransmission<br />
would ensure a. complete correct message. The U.S. Navy has used a<br />
version of. frequencyhopping as the basis of its communications since .<br />
So we know. that systems that enable transmitters and receivers to<br />
negotiate do work. and work very well.. So what architecture would<br />
<strong>Re</strong>ed implement if he were king of the world or. even less likely<br />
chairman of the FCC. Here <strong>Re</strong>ed is dogmatically undogmatic<br />
Attempting to decide what is the best. architecture before using it<br />
always fails. Always. This is in fact a. oneline recapitulation of the<br />
endtoend argument he and his coauthors put. forward in . If you want to<br />
maximize the utility of a network their. paper maintained you should<br />
move as many services as feasible out of the. network itself. While that<br />
may not be as counterintuitive as the notion of. photons not occupying<br />
space it is at least nonobvious for our usual. temptation is to improve a<br />
network by adding services to it.. That's what the telephone companies<br />
do They add Caller I.D. and now their. network is more valuable. We<br />
know it's more valuable because they charge us. more for it. But the<br />
22
endtoend argument says that adding services decreases. the value of a<br />
communications network for it makes decisions ahead of time. about<br />
what people might want to do with the network. Instead <strong>Re</strong>ed and his.<br />
colleagues argued keep the network unoptimized for specific services<br />
so. that it's optimized for enabling innovation by the network's users<br />
(the. ends).. That deep architectural principle is at the core of the<br />
Internet's value. Anyone with a good idea can implement a service and<br />
offer it over the. network instead of having to propose it to the owners<br />
of the network and. waiting for them to implement it. If the phone<br />
network were like the. Internet we wouldn't have had to wait years to<br />
get caller I.D. it would. have been put together in one morning<br />
implemented in the afternoon and. braced for competitive offerings by<br />
dinnertime.. For <strong>Re</strong>ed the question is What is the minimum agreement<br />
required to enable. wireless communications to be sorted out The less<br />
the system builds into. itself the more innovation in ideas services and<br />
business models. will arise on the edges.. There is active controversy<br />
however over exactly how much hand shaking. protocol must be built<br />
in by the manufacturer and required by law. <strong>Re</strong>ed. believes that as more<br />
and more of radio's basic signalprocessing functions. are defined in<br />
software rather than etched into hardware radios will be. able to adapt<br />
as conditions change even after they are in use. <strong>Re</strong>ed sees a. world of<br />
polite radios that will negotiate new conversational protocols. and ask<br />
for assistance from their radio peers.. Even with the FCC removed from<br />
the center of the system so that the ends. can dynamically negotiate the<br />
most efficient connections <strong>Re</strong>ed sees a. continuing role for government<br />
involvement The FCC should have a role in. specifying the relevant<br />
science and technology research through the NSF. National Science<br />
Foundation. There may even be a role for centralized. regulation but it's<br />
got to focus on actual problems as they arise not on. theoretical<br />
fantasies based on projections from current technology limits.. It's clear<br />
in speaking with <strong>Re</strong>ed that he's frustrated. He sees an economy. that's<br />
ready to charge forward economically being held back by policies.<br />
based on the state of the art when the Titanic sank. (That's literally the.<br />
case The government gave itself the right to license the airwaves in. in<br />
response to the Titanic's inability to get a clear help signal out.) Key.<br />
the new generation according to <strong>Re</strong>ed are softwaredefined radios. An.<br />
SDR is smart precisely where current receivers are dumb. No matter<br />
how. sophisticated and expensive the receiver in your living room is<br />
once it. locks on to a signal it knows how to do only one thing with the<br />
information. it's receiving treat it as data about how to create subtle<br />
23
variations in. air pressure. An SDR on the other hand makes no such<br />
assumption. It is a. computer and can thus treat incoming data any way<br />
it's programmed to. That. includes being able to decode two broadcasts<br />
over a single frequency as. demonstrated by Eric Blossom an engineer<br />
on the GNU Radio project.. Of course an SDR doesn't have to treat<br />
information as encoded sounds at. all. For example says <strong>Re</strong>ed when a<br />
new SuperFrabjoulous UltraDefinition. TV network broadcasts its first<br />
signal the first bits it will send would be. a URL for a Web site that<br />
contains the software to receive and decode the. signals on each kind of<br />
TV in the market.. But SDR addresses only one component. <strong>Re</strong>ed sees<br />
innovation all across the. spectrum so to speak. He and his fellow<br />
technologist Dewayne Hendricks. have been arguing for what they call<br />
very wide band a name designed to. refer to a range of techniques of<br />
which ultrawide band (UWB) is the most. familiar. Ultrawide band<br />
packs an enormous amount of information into very. short bursts and<br />
transmits them across a wide range of frequencies lots of. colors lots of<br />
information. <strong>Re</strong>ed says The UWB currently proposed is a. simple first<br />
step. UWB transceivers are simple and could be quite lowcost.. And<br />
UWB can transmit an enormous amount of information in a very short.<br />
burst for example a whole DVD could be sent to your car from a.<br />
drivethrough fast movietakeout stand. Other verywideband techniques.<br />
not yet as well developed as UWB spread energy more smoothly in<br />
time and. <strong>Re</strong>ed believes are more likely to be the basis of highly<br />
scalable networks.. Given <strong>Re</strong>ed's EndtoEnd commitment it should be<br />
clear that he's not. interested in legislating against older technologies<br />
but in helping the. market of users sort out the technology they want.<br />
Our goal should be to. enable a process that encourages the<br />
obsolescence of all current systems as. quickly as economically<br />
practicable. That means that as fast as newer. better technology can be<br />
deployed to implement legacy functions those. legacy functions should<br />
go away due to competition. In other words you'll. be able to pick up<br />
NBC's West Wing signal on your current TV until so many. people<br />
have switched to the new technology that broadcasters decide to.<br />
abandon the current broadcast techniques. People didn't have to be.<br />
legislated into moving from the Apple II. They did it voluntarily<br />
because. better technology emerged <strong>Re</strong>ed says.. But ultimately <strong>Re</strong>ed<br />
isn't in this because he wants us to have better TVs or. networked<br />
digital cameras. Bad science is being used to make the oligarchic.<br />
concentration of communications seem like a fact of the landscape.<br />
Opening. the spectrum to all citizens would according to him be an<br />
24
epochal step in. replacing the not with an and in Richard Stallman's<br />
famous phrase Free. as in 'free speech' not free as in 'free beer.' Says<br />
<strong>Re</strong>ed We've gotten. used to parceling out bits and talking about<br />
'bandwidth.' Opening the. spectrum would change all that.. But surely<br />
there must be some limit. Actually there isn't. Information. isn't like a<br />
physical thing that has to have an outer limit even if we don't. yet know<br />
what that limit is. Besides advances in compression there's some.<br />
astounding research that suggests that the informational capacity of<br />
systems. can actually increase with the number of users. <strong>Re</strong>ed is<br />
referring to work. by researchers in the radio networking field such as<br />
Tim Shepard and Greg. Wornell of MIT David Tse of UCBerkeley<br />
Jerry Foschini of Bell Labs and. many others as well as work being<br />
carried out at MIT's Media Lab. If this. research fulfills its promise it's<br />
just one more way in which the metaphor. of spectrumasresource fails<br />
and misdirects policy.. The best science is often counterintuitive says<br />
<strong>Re</strong>ed. And bad science. always leads to bad policy.. t h i n g i s t.<br />
message by ricardo dominguez. info send email to<br />
majordomobbs.thing.net. and write info thingist in the message body.<br />
End of forwarded message. Fwd Article Why the Web Will Win the<br />
Culture Wars for the Left. Start of forwarded message. Fwd Article<br />
Why the Web Will Win the Culture Wars for the Left. <strong>Re</strong>plyTo<br />
CTheory Editors. Article Why the Web Will Win the Culture Wars for<br />
the Left. CTHEORY THEORY TECHNOLOGY AND CULTURE<br />
VOL NOS. Article Editors Arthur and Marilouise Kroker. Why the<br />
Web Will Win the Culture Wars for the Left. Deconstructing<br />
Hyperlinks. Peter Lurie. Cultural conservatives in the United States<br />
have a lot of worries.. They fear that Grand Theft Auto and other video<br />
games will turn their. kids into crowbarwielding criminals they believe<br />
that Hollywood. will turn their daughters to floozies and sons to gigolos<br />
and they. despise the constitutional barrier between church and state as<br />
an. unnecessary evil that has estranged religious beliefs from public.<br />
life and eroded the core values of our country. Underlying all these.<br />
concerns is the overarching belief that moral relativism which. holds<br />
that competing claims to right and wrong cannot be judged. objectively<br />
is making America a godless bankrupt country and a. very dangerous<br />
place to raise a kid.. With Southern <strong>Re</strong>publicans in control of all three<br />
branches of. government conservative barricades appear well manned.<br />
Just one. justice short of an invincibly reactionary majority on the<br />
Supreme. Court excluding moderate conservatives for seven of the<br />
nine. current justices are <strong>Re</strong>publican appointees and relentlessly.<br />
25
stocking the district and appellate courts with the most conservative.<br />
jurists they can find the <strong>Re</strong>publicans are pressing a deeply. reactionary<br />
social agenda. The culture wars between the religious. traditionalist<br />
right and the liberal pluralist left have started to. look like a rout<br />
everywhere but in the larger coastal cities.. Conservatives are recasting<br />
communities to be more comfortable with. if not prostrate to received<br />
authority in the form of literalist. interpretations of religious and<br />
political texts.. That success will be shortlived. Long after the next<br />
bubble has. burst the internet will have surpassed the hype generated by<br />
the. last one. Not by changing the way we live and work but by<br />
impacting. the culture wars and tipping the battle decisively to the left..<br />
This will result not from the range of content available online but.<br />
rather the process of finding it. The architecture of the web and. the<br />
way users navigate it closely resembles theories about the. authority<br />
and coherence of texts that liberal deconstructionist. critics have offered<br />
for thirty years. Deconstructionists believe. that close analysis reduces<br />
any text novel statute religious. work to meaningless blather. The<br />
popular response to. deconstruction has always been that it's<br />
counterintuitive that no. one reads that way that it lacks common sense..<br />
That will change. Like reading or breathing web browsing itself is.<br />
agnostic with respect to politics and culture. Unlike reading or.<br />
breathing however surfing mimics a postmodern deconstructionist.<br />
perspective by undermining the authority of texts. Anyone who has.<br />
spent a lot of time online particularly the very young will find.<br />
themselves thinking about content articles texts pictures in. ways that<br />
would be familiar to any deconstructionist critic. And a. community of<br />
citizens who think like Jacques Derrida will not be a. particularly<br />
conservative one.. HTML hyperlinks frames and metatags are the<br />
essential building. blocks of the web. They combine to create a highly<br />
associative. endlessly referential and contingent environment that<br />
provides an. expanse of information at the same time that it subverts<br />
any claim to. authority since another view is just a click away.. These<br />
basic technical tools are similar to deconstructionist. analytical tools.<br />
Hypertext markup language (HTML) provides graphic. display<br />
instructions to the web browser. Codes control the. presentation of each<br />
web page including pictures colors fonts and. the organization of text.<br />
Without HTML a web browser would show a. continuous scroll of<br />
plain text. Although HTML is normally. invisible the viewer can select<br />
a viewing option that exposes the. program codes. With HTML visible<br />
the structure of each web page is. laid bare like a theater with<br />
26
transparent curtains and sets so the. lighting crew scaffolding director<br />
and actors in the wings were all. visible. Hyperlinks which often appear<br />
in underlined blue text. provide the essential connectivity of the web<br />
enabling the user to. jump from one page to another a sort of black hole<br />
through which a. viewer can jump in and emerge in another place.<br />
Framing divides a. web site into separate windows each displayed in a<br />
separate part of. the screen and independently functional. Hyperlinks<br />
connect each. frame allowing the user to move among screens without<br />
leaving the. site. Search engines organize information on the web as<br />
well while. description of and hyperlink to a list of sites ranked by<br />
likely. relevance. In many cases the web page communicates to the<br />
search. engine through metatags which are encoded in the HTML and<br />
usually. consist of key words that provide an associative description of<br />
the. site itself.. A person engages the web in much the same way that a.<br />
deconstructionist critic approaches a text. Deconstruction which.<br />
denotes a process rather than a belief system shows how novels.<br />
statutes and court opinions collapse upon themselves making their.<br />
underlying assumptions absurd. For the deconstructionist each text. is<br />
endlessly referential a web of associations and connections that. is<br />
finally ambiguous. The structuralist critic Ferdinand de Saussure. set<br />
the foundation of postmodern thought by describing language as a.<br />
system of signs. Each sign was made up of a signifier (the word. itself)<br />
and the signified (the concept or meaning). Saussure's. first principle<br />
was that such signs are arbitrary. The letters s. i s t e and r suggest a girl<br />
or woman who shares the same parents. as the referent but the idea of<br />
this woman is not linked by any. inner relationship to the succession of<br />
sounds sor which serves as. its signifier in French. Indeed the woman at<br />
issue could as. simply be represented by another succession of letters or<br />
sounds.. For de Saussure the relationship between the signifier and the.<br />
signified was merely historical and therefore arbitrary. The letters. b o o<br />
and k could have signified a flying animal but were instead. doomed to<br />
represent a bound sheaf of printed papers too rarely. capable of flight.<br />
Since each sign (the word) has meaning only. because it doesn't signify<br />
something else (the actual book) and the. words themselves are<br />
arbitrarily assigned meaning itself is only. relational it cannot be<br />
grasped on its own.. Meaning then is not contained or conveyed by a<br />
word or series of. words because it is dependent on what those words<br />
do not contain or. convey. Meaning is part of a process in which words<br />
are examined. with respect to other words which lend meaning only in<br />
relation to. other than Tim BernersLee had heard of the World Wide<br />
27
Web language. looks much more like a sprawling limitless web where<br />
there is a. constant interchange and circulation of elements..<br />
Deconstructionists advanced de Saussure's work by detaching the.<br />
signifier from the signified and arguing that meaning is present only. in<br />
words that themselves are indeterminate and relational. Each. word or<br />
sign in a sentence is linked to all the others forming an. infinite or at<br />
least inexhaustible network. Every text fiction and. nonfiction statutes<br />
and religious works has a flickering or. suspended quality its meaning<br />
is whatever may be grasped by a. particular reader at a particular time..<br />
Deconstructionists believe that writing and reading is a discourse a.<br />
kind of open conversation or play through which the reader pieces.<br />
together a meaning by distinguishing one word from another. A.<br />
favorite tactic of such critics is to analyze a detail in the text. until it<br />
unravels the entire structure of the work and renders it. incoherent.<br />
Widelyaccepted interpretations such as the moral. of the story of<br />
Exodus is the inevitable empowerment of repressed. groups come to<br />
appear naive. Indeed the Supreme Court has done. something similar<br />
with the th Amendment. After years as a. curious backwater of the<br />
Constitution the th Amendment now stands. at the center of the Court's<br />
jurisprudence the foundation of the. increasingly broad doctrine of<br />
sovereign immunity (a phrase found. nowhere in the constitution) that<br />
is radically broadening the power. of state government at the expense of<br />
both Congress and citizens at. the same time that it casts doubt upon<br />
received ideas about nearly. every other aspect of the United States<br />
Constitution. A. deconstructionist would not argue that the Supreme<br />
Court is right or. wrong about federalism and state power but only that<br />
such radically. divergent interpretations of the same text indicate that<br />
any appeal. to an authoritative meaning including an investigation into<br />
the. intent of the author (in this case the framers of the Constitution. and<br />
Bill of Rights) will be a misguided and ultimately fruitless. project..<br />
The Web is a postmodernist tool that inevitably produces a.<br />
postmodernist perspective. It is an unobvious result. After all. social<br />
conservatism is the kind of grassroots movement that the. internet<br />
should complement. The Web improves the coordination of. farflung<br />
constituents aiding organization recruiting and the. dissemination of<br />
information while reinforcing beliefs by increasing. the number of<br />
sources with consistent viewpoints. Conservatives who. have long<br />
complained of the liberal bias of the major media can now. avoid those<br />
sources altogether customizing a diet of news from. likeminded online<br />
sources. Cass Sunstein has emphasized the. danger inherent in what he<br />
28
calls cybercascades where people who. share similar views<br />
communicate only with each other reinforcing. their own perspectives<br />
but precluding exposure to new ones.. There have always been<br />
conservative and liberal newspapers Sunstein. notes but the emerging<br />
situation does contain large differences. stemming above all from a<br />
dramatic increase in available options a. simultaneous increase in<br />
individual control over content and a. corresponding decrease in the<br />
power of general interest. intermediaries. As options multiply<br />
intermediaries narrow. If. every consumer of information creates a daily<br />
me which filters all. unpalatable news and opinions the citizenry will<br />
become increasingly. parochial. More broadly Sunstein worries that<br />
cybercascades. will fragment society slim political and cultural<br />
discourse and. clear the shelves and stalls of the marketplace of ideas..<br />
Credited to Oliver Wendell Holmes Jr. and based on a theory that. John<br />
Stuart Mill first sketched this marketplace sifts and exposes. the truth<br />
and value of competing theories. If the marketplace. metastasizes into<br />
isolated stalls free speech will quickly lose its. value and the<br />
marketplace of ideas will close for lack of customers.. Sunstein's<br />
prophecy is politically neutral the internet will. enervate the intellectual<br />
vigor of all movements by isolating them in. cyber chambers that echo<br />
with cheers and wild applause. There is. every reason to believe<br />
however that the Web will subvert. conservative thought even if<br />
conservatives themselves browse friendly. terrain from family.org to<br />
heritage.org to fedsoc.org. The content. available online is much less<br />
important than the manner in which it. is delivered indeed the way the<br />
Web is structured. Its influence. is structural rather than informational<br />
and its structure is. agnostic. For that reason parental controls of the<br />
sort that AOL. can offer gives no comfort to conservatives. It's not that<br />
Johnny. it's that Johnny will come to think consciously or not of.<br />
everything he reads as linked associative and contingent. He will. be<br />
disinclined to accept the authority of any text whether. religious<br />
political or artistic since he has learned that there is. no such thing as<br />
the last word or indeed even a series of words that. do not link in some<br />
way to some other text or game. For those who. grow up reading online<br />
reading will come to seem a game one that. endlessly plays out in<br />
unlimited directions. The web in providing. link after associative link<br />
commentary upon every picture and. paragraph allows indeed requires<br />
users to engage in a. postmodernist inquiry.. interactive effort one that<br />
despite the intentions of the Biblical. Studies Foundation which<br />
operates the site explodes the authority. of the text. The viewer chooses<br />
29
any of eighteen different versions. of the bible and then finds a matrix<br />
of hyperlinks organized by. chapter and verse that link to the requested<br />
section. Four frames. provide the biblical text and accompanying<br />
information including. footnotes hyperlinked to other sources with<br />
explanatory material a. hyperlinked index of every other chapter and<br />
links to the Biblical. Studies Foundation's homepage as well as other<br />
related sources. The. site also contains the customary search function<br />
which appears on. the left and of course the internet browser itself has a<br />
search. function that is always visible so that an engaged reader may be.<br />
constantly toggling between biblical text commentary in the. footnotes<br />
word searches suggested by the bible or footnotes or a. combination of<br />
both. <strong>Re</strong>aders unfamiliar with a word may click on the. footnote with a<br />
short definition or synonym. If that is. unsatisfactory typing the word<br />
into the search function will yield a. link to a dictionary of biblical<br />
words terms and phrases that may. offer a more refined and accurate<br />
definition. The reader may be. satisfied and return to the text or pursue<br />
the matter further. needing just two clicks to find the same passage in<br />
an alternative. translation. If the reader is interested in a historical<br />
analysis of. the passage a search for 'biblical history' yields and array<br />
of. relevant academic and religious sites from all perspectives. A.<br />
reader might devote a day to pursuing a single passage a single. line<br />
finding herself farther and farther afield from the original. text and<br />
translation. Indeed she might forget which site she was. reading.<br />
<strong>Re</strong>ading the bible online is an exploration of multiple. sources<br />
commentators and bibliographic tributaries.. <strong>Re</strong>ading any other<br />
presumptively authoritative text online presents a. similar experience.<br />
The US Constitution is available at among other. commentary from<br />
wellknown and lesser authorities. Footnotes provide. short summaries<br />
of legislative history and important court decisions.. A review of the<br />
Second Amendment upon which the entire gun control. debate rests led<br />
this reader to twentyfour different sites each. directly or indirectly<br />
linked offering finely spun phrasebyphrase. analysis. And that was just<br />
the first sentence of this short. amendment. By the time the curious<br />
reader returns to the original. text her head will be cocked back<br />
distrustful possibly exhausted. certainly skeptical if not despairing of<br />
any authoritative. interpretation. Indeed she may come to believe that<br />
there is no. That any such transcendental meaning is a fiction ... is one.<br />
consequence of deconstruction. there is no concept which is. not<br />
embroiled in an openended play of signification shot. through with<br />
traces and fragments of other ideas.... Consider in. our own society<br />
30
Freedom the Family Democracy Independence. Authority Order and so<br />
on. Sometimes such meanings are seen as. the origin of all the others<br />
the source from which they flow. but this ... is a curious way of<br />
thinking because for this. meaning ever to have been possible other<br />
signs must already have. existed. It is difficult to think of an origin<br />
without wanting. to go back beyond it.. The Web invites even demands<br />
that its users go back forward around. and elsewhere in an associative<br />
search for meaning. Jonathan Culler. in a discussion of Barthes writes<br />
The text is ceaselessly. traversed by codes which are the source of its<br />
meanings.. Structuralists such as Barthes and Deconstructionists like<br />
Derrida. created a revolution in hermeneutics by identifying the codes<br />
that. inhered in every line of prose. Not long ago one had to be a.<br />
graduate student to grasp the concept. No longer. The Web. illuminates<br />
these codes for everyone to see and much more. importantly use.. In<br />
this light the conservatives' fear of moral relativism is. wellfounded.<br />
Absent some divine authority or lacking any consensus. about the<br />
existence or nature of such authority relativists believe. that morality is<br />
socially determined wholly dependent on standards. existing in a<br />
community at a particular place and time. In a. pluralist society then<br />
there can be no consensus regarding good and. evil. If it is not quite<br />
true that anything goes tolerance dictates. that we must respect the<br />
choices that others make even if they are. repugnant to others in the<br />
community. Samesex marriage under this. view is no more right or<br />
wrong than the traditional variety and we. cannot condemn those who<br />
practice it. Moral relativism is often. considered to be inversely<br />
proportional to the strength of religion.. The prevalence of the former<br />
however has surprisingly little to do. with the decline of the latter.<br />
<strong>Re</strong>ligion is hardly in decline at. least in the United States. A higher<br />
percentage of Americans go to. church mosque or temple each week<br />
than went both one and two. centuries ago. By any measure America is<br />
the most religious of all. Western industrialized nations and arguably<br />
the most religious of any. country outside Islam.. Perhaps for that<br />
reason conservatives blame the kind of liberal. elites who tend to<br />
congregate in New York newsrooms and Northeastern. classrooms.<br />
These usual suspects condescend toward religion at the. postmodern<br />
theories suggesting that received beliefs tend to be. arbitrary or<br />
selfserving or both. This argument tends to overstate. both the<br />
liberalism and elitism of the accused along with their. influence and it<br />
misses the most powerful and pervasive source of. moral relativism the<br />
Web.. Technology undermines traditional belief systems even as it<br />
31
creates a. belief in a kind of heavenly paradise a kind of Technopia. In<br />
his. book The Future of Ideas The Fate of the Commons in a<br />
Connected. World Larry Lessig argues for an open society in which<br />
everyone has. access to information and the tools necessary to<br />
contribute to the. community and succeed within it. A former colleague<br />
of. Sunstein's at the University of Chicago who migrated to Stanford<br />
the. very capital of Technopia Professor Lessig believes that the Web.<br />
could create an interconnected information and idearich republic.. He<br />
warns however that unless we balance private ownership of. intellectual<br />
property and the public's ability to refine and build. upon it we will<br />
never inhabit such a place.. Open shared platforms of content and code<br />
must be the foundation of. such a radically free creative and informed<br />
society but an unholy. trinity of Congress the courts and large<br />
corporations has. effectively sealed media and software platforms by<br />
lengthening. copyright laws and strengthening intellectual property<br />
protections.. The most recent example is the Sonny Bono Copyright<br />
Term Extension. Act which extended by years both existing copyrights<br />
and future. copyrights. A copyright grant is a limited monopoly a<br />
reward for. innovation but the reward if too generous (long) will surely.<br />
stifle it for any increase in copyright term strengthens monopolist.<br />
practice and isolates innovation from improvement in much the same.<br />
way that Sunstein fears that cybercascades weaken the dialogue of.<br />
democracy. For that reason Lessig predicts that. ...two companies AOL<br />
Time Warner and Microsoft will define. the next five years of the<br />
Internet's life. Neither company has. committed itself to a neutral and<br />
open platform. Hence the. next five years will be radically different<br />
from the past ten.. Innovation in content and applications will be as<br />
these platform. owners permit. Additions that benefit either company<br />
will be. encouraged additions that don't won't....Content and access.<br />
will once again be controlled the innovation commons will have. been<br />
carved up and sold.. If software code the DNA of the internet is<br />
privately held. citizens will be cyberserfs on corporate estates. There<br />
can be no. freedom without commons. Businesspersons artists and<br />
academics must. be free to graze on the rich field of ideas that lead to<br />
further. innovation. In his previous book Professor Lessig argued that<br />
just. as police regulate cities code regulates cyberspace. If state. police<br />
power was the principal concern of the th century corporate. control of<br />
code should be that of the st. Just as we defeated. Hitler and Stalin the<br />
argument continues implicitly so must we. strike AOL and Microsoft.<br />
Corporations wield power invidiously. veiled by the promise of free<br />
32
markets effectively coopting the. institutions that should balance public<br />
and private ownership.. Lessig will. For many technologists those who<br />
believe that. technology properly configured will save the planet he is<br />
the. muchlauded (and wellschooled) David against an array of<br />
corporate. to increasing the sum and access of intellectual property<br />
online. and as lead counsel for the petitioner in Eldred v Ashcroft. in<br />
which he challenged the constitutionality of the Bono. Copyright<br />
Extension Act Lessig has argued that Congress had. overstepped the<br />
authority vested by the Constitution by essentially. marching the<br />
copyright term toward perpetuity. In January the. Supreme Court<br />
disagreed upholding the act. His fight continues.. Victory will not elude<br />
Professor Lessig though it may surprise him.. A public weaned on the<br />
Web will be increasingly sensitive to the. value of open platforms and<br />
the possibilities inherent in shared. media and code. The increasing ease<br />
with which even moderately. trained musicians mix and sample<br />
recorded works and the resulting. battle between the <strong>Re</strong>cording<br />
Industry Association of America and the. music lovers that support its<br />
member companies is just the first of. many disputes that will reshape<br />
copyright law and practice. Citizens. who are no longer awed by<br />
received authority will use the. instantiations of that authority whether<br />
in the form of text. graphics music or code for their own purposes..<br />
Professors Lessig and Sunstein sketch despairing visions because they.<br />
have missed the essentially deconstructionist nature of the Web. The.<br />
architecture that media and technology companies control to stifle.<br />
innovation and that citizens use to cordon themselves from genuine.<br />
debate will at the same time foster an open inquisitive and. markedly<br />
liberal spirit. Problems associated with the control of. ideas and the<br />
compartmentalization of dialogue will persist but a. newly emergent<br />
majority on the Left will rise to tackle them. It's. all in the code.. Notes.<br />
Ferdinand de Saussure Course in General Linguistics Wade. Baskins<br />
trans. (New York McGrawHill ) ch. .. Ibid .. Ibid.. Terry Eagleton<br />
Literary Theory (Minneapolis University of. Minnesota Press ) .. Ibid .<br />
See also Jonathan Culler Structuralist Poetics. Structuralism Linguistics<br />
and the Study of Literature (Ithaca. Cornell University Press )<br />
discussing Jacques Derrida. Writing and Difference Alan Bass trans.<br />
(Chicago University of. Chicago Press ).. Eagleton .. Ibid .. Cass<br />
Sunstein republic.com (Princeton Princeton Univ. Press. ) .. Ibid .. Ibid<br />
.. Ibid .. Eagleton .. Culler .. Lawrence Lessig The Future of Ideas The<br />
Fate of the Commons. in a Connected World (New York Vintage<br />
Books ) (first. published by Random House ).. Ibid xxixxii.. Ibid<br />
33
xxixxii.. Ibid .. Lawrence Lessig Code and Other Laws of Cyberspace<br />
(Basic. Books ) .. Ibid.. to increase the sum of raw source material<br />
online but also to make. access to that material cheaper and easier. To<br />
this end we have also. developed metadata that can be used to associate<br />
creative works with. their public domain or license status in a<br />
machinereadable way. We. hope this will enable people to use the our<br />
search application and. other online applications to find for example<br />
photographs that are. free to use provided that the original photographer<br />
is credited or. songs that may be copied distributed or sampled with no.<br />
restrictions whatsoever. We hope that the ease of use fostered by.<br />
machine readable licenses will further reduce barriers to. creativity.).<br />
Eldred v Ashcroft Sup Ct . Argued October. decided January .. Brief for<br />
Petitioners Eldred .. Peter Lurie is a lawyer a graduate of Dartmouth<br />
College and The. University of Chicago Law School where he worked<br />
on two independent. papers with Judge Richard Posner studied critical<br />
theory and the. interrelation between law and literature. He has written<br />
for the. New York Press and Shout Magazine. He is also the cofounder<br />
of. Virgin Mobile USA a wireless voice and internet company aimed at<br />
the. youth market where he serves as General Counsel.. The views<br />
expressed are his own.. CTHEORY is an international journal of theory<br />
technology and. culture. Articles interviews and key book reviews in.<br />
contemporary discourse are published weekly as well as. theorisations<br />
of major eventscenes in the mediascape.. Editors Arthur and Marilouise<br />
Kroker. Editorial Board Jean Baudrillard (Paris) Paul Virilio (Paris).<br />
Bruce Sterling (Austin) R.U. Sirius (San Francisco) Siegfried. Zielinski<br />
(Koeln) Stelarc (Melbourne) Richard Kadrey (San. Francisco) DJ<br />
Spooky Paul D. Miller (NYC) Timothy Murray. (IthacaCornell) Lynn<br />
Hershman Leeson (San Francisco) Stephen. Pfohl (Boston) Andrew<br />
Ross (NYC) David Cook (Toronto) Ralph. Melcher (Sante Fe) Shannon<br />
Bell (Toronto) Gad Horowitz. (Toronto) Deena Weinstein (Chicago)<br />
Michael Weinstein. (Chicago) Andrew Wernick (Peterborough).. In<br />
Memory Kathy Acker. Editorial Correspondents Ken Hollings (UK).<br />
Maurice Charland (Canada) Steve Gibson (CanadaSweden).. Editorial<br />
Associate Ted Hiebert. To view CTHEORY online please visit. To<br />
view CTHEORY MULTIMEDIA online please visit. CTHEORY<br />
includes. . Electronic reviews of key books in contemporary theory.. .<br />
Electronic articles on theory technology and culture.. . Eventscenes in<br />
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Special thanks to Concordia University.. No commercial use of<br />
34
CTHEORY articles without permission.. Mailing address CTHEORY<br />
Concordia University de. Maisonneuve O. Montreal Canada HG M..<br />
Full text and microform versions are available from UMI Ann Arbor.<br />
Michigan and Canadian Periodical IndexGale Canada Toronto..<br />
Indexed in International Political Science Abstracts. Documentation<br />
politique international Sociological Abstract. Inc. Advance<br />
Bibliography of Contents Political Science and. Government Canadian<br />
Periodical Index Film and Literature Index.. dine venner. End of<br />
forwarded message. Fwd PeertoPeer the collective collaborative and<br />
liberated memory of. sound.. Start of forwarded message. <strong>Re</strong>plyTo<br />
Alessandro Ludovico. Fwd PeertoPeer the collective collaborative and.<br />
liberated memory of. sound.. PeertoPeer the collective collaborative<br />
and liberated memory of sound.. Alessandro Ludovico. This text is part<br />
of the 'adonnaM.mp Filesharing the Hidden. <strong>Re</strong>volution in the Internet'<br />
exhibition curated by Franziska Nori and. the digitalcraft.org team into<br />
the Museum of Applied Arts in. Frankfurt opened to the public from the<br />
th of March to the th of. Consumers have very little interest in<br />
technology per se. What they. value is what it can actually enable them<br />
to do.. Michael Robertson founder of mp.com.. The key to accessing<br />
one's own memory of sound.. The unstoppable popularity of peertopeer<br />
networks and of millions. of mp files exchanged every day cannot<br />
simply be reduced to the. usual equation 'freeeveryone wants it'. There<br />
is something more. complex and widerranging that makes neophyte<br />
users constantly rack. their brains over how to make hardware and<br />
software mechanisms work. access the 'celestial jukebox'. This is the<br />
instinctive search for. one's own experience of sound everyone's<br />
memory of music which has. found somewhere to begin afresh and<br />
reestablish those neural. connections which produce indelible<br />
associations between events and. tracks and tunes. Unlike any form of<br />
'revival' decided from above by. publishers the peer and nonprofit<br />
network offers large amounts of. original unmanipulated material which<br />
awakens familiar sensations. and brings back memories. Downloading<br />
files compulsively driven by. the mania to take advantage of an 'open<br />
safe' thus means something. more than accumulating cds full of files<br />
without actually having time. listen to them. This stereotype which is<br />
put about by the old. media leads nowhere because it forgets that<br />
everyone lives their. lives intimately surrounded by sounds.. The free<br />
exchange of tracks not for gain or smallscale business. seems as<br />
necessary to existence as looking again at certain photos or. re watching<br />
certain films at one's leisure. Fragments that were lost. over time<br />
35
ecords lent and never returned and that thanks to. digital swapping turn<br />
up again. Music is in fact contained not only. in the safes of industry or<br />
the dusty ledgers of copyright. associations but in everyone's home via<br />
the myriad cds vinyl discs. and cassettes which together represent an<br />
enormous heritage of music.. Digitizing this heritage although<br />
sometimes available only in. snatches with technical limits means it can<br />
take shape so that it. can reach and satisfy anyone. The very notion of<br />
ownership of a music. product is radically redefined by its changing<br />
into something which. is not material. Apart from reassessing the<br />
contents one owns insofar. as they are merely activators of other<br />
exchanges peertopeer. networks are perhaps the first model of contents<br />
'ondemand' which. has truly worked because it is negotiated between<br />
peers. The notion. of a network has worked splendidly here since it is<br />
others who keep. one's own memory of music.. The reward is not only<br />
'obtaining' music but also taking part in an. enormous collective<br />
process as happens with a chat room newsgroup. or blog. Sharing one's<br />
files is thus no mere act of generosity or a. gesture that it is hoped will<br />
encourage others to do the same but an. act of participation proving one<br />
is part of a game a process or a. collective performance intended to<br />
liberate sounds and share them. As. collective performance intended to<br />
liberate sounds and share them. As<br />
36
281<br />
John Perry Barlow says 'the more connected we become the more.<br />
obvious it is that we're all in this together'() this is the. culture of the<br />
net which is expanding rapidly rewarding collective. consciousness<br />
expressed via the artistic heritage of musicians and. which lives again<br />
in our memory. Basically as stated by 'Lord of the. Borrowers' a highly<br />
active user making available his Gigabytes of. data 'There are loads of<br />
people out there who have no idea of the. use they could make of their<br />
computers ... I think I'm doing a public. service.'() This is a similar<br />
concept to Michael Robertson's who. had conceived mp.com as a<br />
'service bureau' based on the assumption. that 'data changes the<br />
balance of power'() .. Thus a public service but selforganized and<br />
selfgenerated with. ramifications which whenever pruned by court<br />
action regrow and. thrive more than ever like creatures of myth. Once<br />
started the. sense of community knows no bounds. That was seen in the<br />
spring of. when the RIAA drew up a list of . tracks to be eliminated. the<br />
servers of Napster. Immediately there were groups and single. users<br />
who came up with stratagems that were imaginative to say the. least<br />
such as using the figure '' instead of 'to' or writing the. names of the<br />
tracks backwards or in pig latin or even creating sites. automatically<br />
converting the names into forms which could not be. recognized by the<br />
automatic control mechanisms.() However access to. the files is subject<br />
to intrinsic limits such as the text search for. the name of the artist or<br />
track without taking account of other. used and so on. Yet these limits<br />
do not discourage searching and. sharing in a peertopeer social and<br />
socializing practice. Indeed. one of the most fascinating sides of MP<br />
compression technology is. that its diffusion and direct consequences<br />
were not planned at the. outset but as in the best tradition of informal<br />
networks have. expanded incredibly thanks to ordinary word of mouth.<br />
Viewed in the. abstract the structure of a pc network with a large<br />
number of music. files resembles that of a sort of huge sound machine<br />
able to satisfy. most needs. This is the socalled 'Celestial Jukebox' an<br />
ideal. machine able to reproduce almost any track recorded in the<br />
history of. music.. MP.art.. The main innovation of the MP<br />
37
compression system is that it has. started new processes both in<br />
composition and in the use of music. in line with the participatory<br />
structure of the net. The work of. artists active on the net hinges on two<br />
concepts the ramified. spatial structure of sound information and the<br />
analogies between. music files. 'Tetrasomia' for example is a project by<br />
Stephen. Vitiello starting from four 'cardinal points' of sound very<br />
short. compositions of about a minute and a half each related to earth.<br />
water air and fire the surfer is guided to other sounds on the. net such as<br />
the frequencies from orbiting satellites or the. twittering of certain birds<br />
that live in remote corners of the globe.. The tracks do not cancel each<br />
other out during listening but can be. layered and activated together<br />
form a small crosssection of sounds. the world put into a personal form.<br />
This sound panorama is. possible thanks to a number of contributions<br />
outside the creation of. the artist who becomes a new point in a network<br />
concentrating the. experiences of others. A similar concept lies behind<br />
the sound. sculptures of Atau Tanaka who in 'mpq' shows a file of<br />
addresses. processed into a threedimensional textual structure where the<br />
user. constructs a form of polyphony by making the files sound in a<br />
certain. order.. The artist intends the user to contribute to the work by<br />
pointing to. new addresses and this request for cooperation breaks down<br />
the. traditional barriers between artist and audience. This direct.<br />
interaction mingles the roles of 'creator' and 'user' thus enabling. real<br />
development of ideas which draw their strength from the fact. that they<br />
are created and approved by the public. And the notion of. collective<br />
contribution is also behind 'Collective Jukebox' an. experiment<br />
inaugurated in by Frenchman Jerome Joy whose. intention was to<br />
combine the spontaneous donation of tracks with. public use<br />
independently of the limits of space and time of the. artists involved.<br />
Joy's work in fact combines the infrastructures of. the net with those of<br />
traditional art inviting anyone wanting to. take part to make their tracks<br />
available at a publicly accessible. internet address. Periodically he then<br />
organizes and exhibits them. via a real jukebox with thousands of files<br />
which are used in some. kind of public space such as a museum or caf.<br />
Furthermore the. opportunity for reciprocal interaction opens further<br />
chances of. processing carried out together with others introducing a<br />
new social. side into the production of sound. A musical artifact may<br />
indeed be. the result of something done by more people than those<br />
normally in a. band and so open up to an indefinite number of active<br />
participants. who make a significant contribution to the final product.<br />
This. concept is applied to particular advantage in 'Sound Injury' a.<br />
38
mailing list for electronic musicians which ends interaction between.<br />
members every month with a piece composed collectively. The list.<br />
follows a simple procedure a sound is distributed to all members who.<br />
modify it and then resubmit it to the other participants. The process.<br />
lasts thirty days with all the chaotic intermediate stages until the.<br />
definitive version.. A more playful sort of exchange recasts PeertoPeer<br />
networks as an. easy hiding place for suitably disguised data. In<br />
'Siren's Voice' by. the media company 'plinq' the user is invited to<br />
take part in the. plot of a story by locating its missing parts hidden in<br />
exchange. networks. The story is structured so that some parts are<br />
located in. networks and which can be recognized by working together<br />
which. enables the story to be completed. These search mechanisms<br />
have a. structure of data flows which only materialize in the minds of<br />
those. involved in the interaction. The antipodes of this approach is the.<br />
art of constructing software showing real images inside the.<br />
abstractions that are files and producing a sort of microscope. showing<br />
the normally invisible processes of the formation of blocks. of digital<br />
numbers. 'Minitasking' by German duo Schoenerwissen. follows this<br />
principle working on a particularly large data flow. generated by the<br />
Gnutella network. Coloured 'balls' as the artists. call them represent the<br />
content of the file in size and colour. bringing out their intrinsic<br />
instability by dynamically mapping the. data involved. MP is now a<br />
medium in itself as shown by a number of. media operations which can<br />
easily be defined as performances.. Currently on PeertoPeer networks<br />
intentionally wrong names and. makes the user realize the fallible<br />
nature of 'packages' of. nonmaterial goods.. This approach is<br />
sometimes taken by small labels in search of glory. such as Evolution<br />
Controlled Creations (EEC) who distributed their. tracks by saying they<br />
were unpublished items by Nirvana. The American. record industry<br />
lobby evidently in trouble uses the same detour. approach to discourage<br />
the spread in advance of new longawaited. albums. This has produced<br />
companies like MediaDefender one of whose. services is the sale of the<br />
activation of many simultaneous downloads. of a track on PeertoPeer<br />
networks to make it inaccessible. This. form of conservative opposition<br />
is an attempt to make comprehensible. a phenomenon far too complex<br />
and diversified to be so and which. spreads with no technical obstacles<br />
in its path. The quickest net. language is worm viruses and they have<br />
clear effects on the user's. emotional vulnerability and hardware.<br />
Trusting that some music. swappers might feel guilty in July a hoax<br />
group sent out a. communiqu saying that on July (American<br />
39
Independence Day) all. computers on earth would crash due to a virus<br />
called MusicPanel and. all MP files contained in them with the five<br />
hundred bestknown. tracks would become unusable. Posted on some<br />
newsgroups (including. alt.music.bootlegs) it clearly shows how media<br />
panic can be. instigated and is also a slap in the face of censors who<br />
have used. similar tones when launching their crusades.() This<br />
technique has. been used on other occasions such as when a similar<br />
hoax. described a new worm called 'Bloat' which would supposedly<br />
make the. MP files on a hard disk five times as big.() The useless guilt.<br />
feeling instilled by commercial marketing concerning the free.<br />
exchange of sound goods which have been legitimately purchased<br />
brings. with it new forms of cultural rebellion which come out in<br />
unsuspected. ways.. Plagiarism MP is the message.. Liberalization of<br />
music tracks via MP files in PeertoPeer networks. is a fundamental of a<br />
whole artistic scene called plagiarist which. is another way of saying<br />
the free use of sound content in digital. format. The opposition and<br />
enthusiastic support aroused by these. artists over the years concerns<br />
exclusive copyright which is. beginning to waver. It will inevitably<br />
soon dissolve in the face of. the new media and their technical<br />
possibilities of manipulation and. reproduction. Various artists have<br />
shown the paradox of a system. which has gone against its noble origins<br />
as an artistic defence. turning into merely a crutch for the record<br />
industry. As irreverent. jesters of a commercial system blindly hanging<br />
on to its own. privileges the members of the band Negativland have<br />
always been. passionate about sampling 'spoken' material from TV<br />
jingles to radio. talk shows with almost maniacal accuracy in editing<br />
and often manage. show just how obsessive something commercial can<br />
be thus. shortcircuiting our over stimulated attention system. They<br />
became. famous because of a legal challenge which dragged them into<br />
a bizarre. sentence of which they tell the story in their book ''Fair Use<br />
The. story of the letter U and the numeral ' where they also explain the.<br />
techniques applied here. In the band issued on the SST label a. single<br />
which had 'U' over almost all of the cover with a U spy. plane in the<br />
background and the name 'Negativland' in small print. while the vinyl<br />
contained two parodies with seconds of a sample of. 'I Still Haven't<br />
Found What I'm Looking For'. Sales figures were not. above the<br />
average for the group's other products i.e. . copies. against the millions<br />
sold soon afterwards of 'Zooropa' the next. album by U themselves.<br />
'Island' U's label at the time demanded. all available copies be<br />
destroyed and . in damages which. Negativland agreed to pay because<br />
40
they could not afford the costs of. a trial.. The serious economic<br />
repercussions of an episode of this kind became. the symbol of a battle<br />
in which the only weapons available are irony. and sarcasm applied to<br />
the production of culture and transmitted via. a dense network of<br />
exchanges. Negativland became a sort of icon for. the free use of sound<br />
samples and continued their valuable artistic. and political work which<br />
is halfway between art and propaganda. They. also supported other<br />
campaigns such as 'Toywar Lullabies' an album. issued in by the Etoy<br />
group of artists in an attempt to get back. the etoy.com domain which<br />
had been taken away by a large toy company.. Their core idea is that<br />
'copyright came from the idea that people who. create have to be<br />
properly paid for what they do not that they have. get every possible<br />
payment that derives from it' and as Don Joyce. one of the members of<br />
the band says 'any fragmentary use of someone. else's work should be<br />
absolutely free' (). This is one reason why. net artists .ORG asked<br />
Negativland to compose a piece. for their project 'Glasnost' intended to<br />
put out as much public data. uses samples of a month of private phone<br />
calls between the artists. and others who were unaware of what was<br />
happening and brings to the. fore all the uncertainties everyone has<br />
concerning the invasion of. privacy. Other artists are also aware of the<br />
experimental potential. of sampling and use it to compose such as<br />
Canadian John Oswald who. has received the attention of lawyers<br />
representing a major record. company. His sound collages are full of<br />
rapidly changing sequences of. such famous sacred figures as James<br />
Brown and especially Michael. Jackson and the artistic quality of his<br />
editing is never in doubt.. His own definition of this style is<br />
'plunderphonics' i.e. 'audio. piracy as a compositional prerogative'.<br />
And it was these particular. samples which in led CBS <strong>Re</strong>cords and the<br />
Canadian <strong>Re</strong>cord. Industry Association to take action despite the phrase<br />
'Not For. Sale' appearing on the cds and the fact that they were<br />
distributed. free of charge. Nor have the minutely detailed 'credits' on<br />
each. album been enough to get the composer out of trouble. In a<br />
subsequent. work called 'Plexure' Oswald attempted to assemble five<br />
thousand. fragments by five thousand famous pop stars changing their<br />
names but. leaving them recognizable e.g. 'Sinead O'Connick' or<br />
'Bing. Stingspreen' and working on the progressive speed of the entire.<br />
piece.(). 'It's a work on the recognizability of information seeing that<br />
in. the end there are so many familiar starting points that the memory.<br />
quite literally gets lost in its own meanderings' as Oswald himself. says<br />
although he regrets that in music 'there is no convention about. putting<br />
41
in quotation marks as is done when quoting a text'.. Overzealous<br />
bureaucracy aside it really would be twisted thinking. consider these<br />
sound works as a theft of intellectual property. because purchasing the<br />
support on which the original works are. recorded also means<br />
purchasing the right to listen. David Toop an. English journalist and<br />
author of 'Ocean of Sounds' stresses that the. purchaser of an album<br />
also pays for the right to ignore the artist's. intentions completely to<br />
massacre the product as much as they like. and to listen in a variety of<br />
creative ways thus changing it. utterly.() The latter is markedly<br />
different from what is commonly. called plagiarism since it is a new<br />
reprocessing of the material. used treating the digital samples as a<br />
violinist uses the notes. written on a stave. This is also the attitude of<br />
the label 'Illegal. Art' supported by media activists RTMark which<br />
issued the famous. 'Deconstructing Beck' an album obtained by<br />
sampling and. restructuring tracks by the musician Beck and obviously<br />
alerting the. lawyers of GeffenBMG. Notice of the decision to sue was<br />
sent by. email since the only way of contacting the mysterious label<br />
was an. email address. Even more incredibly BMG did not yet have a<br />
copy of. the cd (. copies had been pressed and quickly sold) and so.<br />
based their demands and threats on the 'word of mouth' echoing<br />
around. the internet.. The next work by Illegal Art was 'Extracted<br />
Celluloid' a brilliant. collage of samples of film music used 'in direct<br />
opposition to the. sound clichs they were taken from'. It is an<br />
exemplary work in the. deconstruction of tunes remembered by most<br />
people living in Western. countries with samples from such soundtracks<br />
as 'Titanic' 'Saturday. Night Fever' 'The Wizard Of Oz' and 'Dr.<br />
Strangelove'. Yet again. this shows that digital files are not only a<br />
medium for carrying. sound but also political and social content. An<br />
even more outstanding. case in this respect was the censure of the<br />
DeCSS source code. (Descrambling Content Scrambling System) the<br />
industry code. protecting the DVD standard. After a sentence<br />
forbidding its. 'publication' one of the many alternative channels<br />
became an MP. file (decss.mp) in which a voice synthesizer 'sings' the<br />
code.. Initially the piece was available as an unpublished track in a free.<br />
space on mp.com and then removed by the company since according to.<br />
offensive or inappropriate'.. The effectiveness of these operations lies<br />
in finding technical. mechanisms which are perfectly legal and which<br />
although they cannot. be attacked show how backward the procedures<br />
of institutional. protection are. Another conceptual hacking is<br />
'Dictionaraoke' a real. stroke of genius consisting of a collection of<br />
42
over one hundred pop. classics from the past thirty years sung in perfect<br />
artificial. English. The 'Snuggles' a group of fans of Negativland<br />
hosted these. tracks in which the original lyrics are sung by the<br />
pronunciation. tools of the widely used English dictionaries and<br />
encyclopaedias. found online. In 'Don't go breaking my heart' for<br />
example there is. a duet between the 'voice' of Merriam Webster<br />
OnLine and of. Microsoft's Encarta Online. All the tracks are<br />
noncopyright in free. download and in mp format. The whole thing not<br />
only enables a better. understanding of the lyrics but also provides<br />
valuable instructions. on how to assemble other tracks by oneself by<br />
using this mix of. technologies. This putting together and interfacing<br />
different. techniques thus makes it paradoxical that the operation cannot<br />
be. attacked legally and opens another window onto the overall.<br />
understanding of the uselessness of copyright as currently applied.. It is<br />
the strategic key for the growth of contemporary culture ready. take<br />
back the heritage of music which belongs to it.. Linklist. <strong>Re</strong>ferences. ()<br />
Barlow John Perry. 'The Next Economy of Ideas' Wired . Oktober. ()<br />
O'Brien Jeffrey M. 'Would You Download Music From This Man'.<br />
Wired . May. () Lessig Lawrence 'The Future of Ideas' Vintage. ()<br />
berraschung die NapsterFilter funktionieren nicht. () Leopoldseder<br />
Hannes Schpf Christine 'Minitasking' in. 'Cyberarts ' Hatje Cantz<br />
Publishers. () Hultkrans Andrew 'U Can Sue Sample Simon' Mondo<br />
Issue. () Gans David 'The man who stole the Michael Jackson's face'.<br />
Wired . February. () Toop David 'Oceano di Suoni' Costa e Nolan.<br />
March .. Alessandro Ludovico. distributed via no commercial use<br />
without permission. is a moderated mailing list for net criticism.<br />
collaborative text filtering and cultural politics of the nets. more info<br />
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Performance <strong>Re</strong>search has released a free digital edition of the long.<br />
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Sawchyn edited a fortieth. anniversary edition of the Fluxus<br />
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Performance <strong>Re</strong>search has released a free digital edition of the long.<br />
unavailable Fluxus Performance Workbook a collection of short.<br />
performance works and event scores by over forty artists.. back to John<br />
Cage's famous class at The New School where artists. such. as George<br />
Brecht Al Hansen Allan Kaprow and Alison Knowles began. create art<br />
works and performances in musical form. One of these. forms was the<br />
event. Events tend to be scored in brief verbal notes. known as event<br />
scores. In a general sense they are proposals. propositions and<br />
instructions for different kinds of actions.. accompany a special Fluxus<br />
issue of Performance <strong>Re</strong>search Ken. Friedman Owen Smith and Lauren<br />
Sawchyn edited a fortieth. anniversary edition of the Fluxus<br />
Performance Workbook. The workbook. is now available in a free<br />
electronic edition. This book can be. viewed online or downloaded. The<br />
download is a .pdf file that can. also be printed.. George Brecht Jean<br />
Dupuy Dick Higgins Joe Jones Bengt af. Klintberg Milan Knizak<br />
George Maciunas Larry Miller Nam June. Paik Mieko Shiomi Robert<br />
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44
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discussion and improvement of things. Fwd <strong>Re</strong>gurgitive Rules of<br />
InterNet.Art. i am sorry what was the rules for internet art again.<br />
<strong>Re</strong>gurgitive Rules of InterNet.Art. . No .Thought. This rehashed<br />
dangerous method of preempting meaning has everything. do with the<br />
concussive nature of the potential audience. Make sure. instill great<br />
clunking swathes of theoretical loadings in all work no. matter how<br />
small or insignificant. Be sure to mask the quality of the. works with<br />
liberal amounts of antiprogressive rhetoric in order ensure. substantial<br />
postpostmodemist read interpreted as modernism interest.. . No<br />
M.mersion. The No M.mersion rule is all do with FX. Rampantly use<br />
FX predicated on. the cartesian or the sensory ie visuality overcoding in<br />
all InterNet.art. regardless of appropriateness or relevancy.. . No More<br />
InterNet.art the Sake of X.pression. No more InterNet.art will be<br />
produced using x.pression as a template or. process. Anything that can<br />
b traced a verifiable transitive or. predominant aesthetic is be rejected<br />
as hackneyed ie overcoded is b. thoroughly rigorously laughed at.. . No<br />
Simulacra. There is to b no use of discernable representation. This<br />
includes any type. of format form or function including overt<br />
referencing appropriation. reappropriation construction structure<br />
deconstruction deappropriation. rehashing sampling digitizing<br />
reworking mixing layering Foucaulting. that reflects the current<br />
economicbudgeting trend wards parochial. orientation read<br />
insularisation destruction of any burgeoning sense of. reticulated<br />
spaces.. . No Subject. There will b no references in any<br />
Internet.artworks that xplicitly refer to. subject. Instead make sure<br />
drench your works with substantial amounts. of prepackaged<br />
sceneapproved lingo that references manifestolike. assignations or<br />
quasiradical directives.. . No Connection.. There is b no connection in<br />
the promotion or distribution of InterNet.art. unless this material can b<br />
adequately subverted via the ability of. saidartists project a believable<br />
authorityapingcritiquer stance. If. this is realized at the xpense of<br />
establishing context or sustained. conceptual rigor all the betta..<br />
prorating.lucid.txt. meniscusheart plucking via broken bag.gauges.<br />
..(today.. Thank you for participating in MAILING LIST<br />
SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. ..<br />
End of forwarded message. Fwd Janos Sugar Time Patrol. Start of<br />
forwarded message. <strong>Re</strong>plyTo geert lovink. Fwd Janos Sugar Time<br />
Patrol. Time Patrol a project by Janos Sugar.. On Moszkva tr a central<br />
47
square in Budapest everybody who can dictate. uninterruptedly by heart<br />
for minutes to a typist in a caravan receives. . forints. The texts are<br />
transcribed and published in a paper. newsagent's on Moszkva tr for<br />
forints (almost two US dollars).. My aim is to produce a documentary<br />
whose future value is incalculable. exactly because it does not seem to<br />
be of any significance in the. present. What we wouldn't give for an<br />
accurate transcription of a random. conversation that took place in a<br />
mailcoach at the beginning of the th. century. As the result of<br />
technological developments the private sphere has become. constantly<br />
sacrificed the price of effective communication collaboration. and<br />
coordination is that we can less and less make certain that nobody. has<br />
access to our privacy and our secrets. On the level of possibilities.<br />
anything (post phone email credit cards etc.) can be controlled (spy.<br />
satellites surveillance cameras face recognition systems automatic.<br />
search and filter software on the Internet etc.) so because of all this. in<br />
our everyday communication it is easier to assume that we are.<br />
constantly in public.. (go to the site if you want to see picture of<br />
caravan parked on the. square). distributed via no commercial use<br />
without permission. is a moderated mailing list for net criticism.<br />
collaborative text filtering and cultural politics of the nets. more info<br />
majordomobbs.thing.net and info nettimel in the msg body. End of<br />
forwarded message. Fwd postanarchism g Summit of Interventionist<br />
Art (). Start of forwarded message. Fwd postanarchism g Summit of<br />
Interventionist Art (). SoIA Summit of Interventionist Art. During the<br />
G Summit ( June Evian ) Forde will present SoIA the. rst Summit of<br />
Interventionist Art. This workshop consists in two. public sessions of<br />
brainstorming and productions destined to be broadcast live. Equipped<br />
with networks and arguments backed up by decades of research a.<br />
hybrid movement wrongly labelled by mainstream media as<br />
'antiglobalisation'. gained momentum. One of the particular features of<br />
this movement lies in its. apparent inability and unwillingness to<br />
answer the question that is typical of. any kind of movement on the rise<br />
or any generation on the move what's to be. done. There was and there<br />
is no answer no alternative either strategic or. tactical to the existing<br />
world order to the dominant mode of globalisation.. And maybe this is<br />
the most important and liberating conclusion there is no. way back to<br />
the twentieth century the protective nation state and the gruesome.<br />
tragedies of the 'left'. It has been good to remember but equally good<br />
to. throw off the past. S. ( Geert Lovink Florian Schneider A Virtual<br />
World is possible From Tactical. Media to Digital Multitudes October<br />
48
).. Our investigations focus on the concrete experiences of<br />
nonrepresentationist. practices the constituent activities particularly in<br />
the movements against. economic globalization. S It is about<br />
experimental forms of organizing. which develop in precarious<br />
microsituations for a limited period of time. testing new modes of<br />
selforganization and interplays with other experiments.. The<br />
'organizing function' of art ( Walter Benjamin ) creates new spaces in<br />
the. overlapping zones of art practices political activism and theory<br />
production.. ( Gerald Raunig Manifeste de republicart republicart.net ).<br />
What opportunities and practices are there for these emerging art forms<br />
Is it. still relevant for auhors producers to aim at a balance between the<br />
art. market and political activism How can one create a new base<br />
parasite of the. existing system. Beyond individual issues the necessity<br />
to congure a threshold between. Fine Arts critical activism and real<br />
intentions of social change becomes. apparent.. sig. Get A Free Psychic<br />
<strong>Re</strong>ading Your Online Answer To Life's Important Questions..<br />
httpus.click.yahoo.comLjuPCMeFAAySSFAAbSolBTM<br />
49
282<br />
50
283<br />
unsubscribe from this group send an email to. End of forwarded<br />
message. Fwd postanarchism Cohn What is Postanarchism 'Post'. Start<br />
of forwarded message. Fwd postanarchism Cohn What is<br />
Postanarchism 'Post'. What is Postanarchism Post. By Jesse Cohn.<br />
<strong>Re</strong>view of. Saul Newman From Bakunin to Lacan<br />
AntiAuthoritarianism. and the Dislocation of Power. Lanham MD<br />
Lexington .. . Newly resurgent anarchist movements shaking the streets.<br />
Seattle to Genoa are caught in a field of tension between. two magnetic<br />
poles Eugene Oregon and Plainfield Vermont.. Eugene is the home of<br />
John Zerzan author of Future Primitive. () who has pushed anarchist<br />
theory in the direction of an. allencompassing negation of civilization.<br />
At the Institute for. Social Ecology in Plainfield in Murray Bookchin<br />
issued his. much debated challenge to the anticivilizational anarchists.<br />
Social Anarchism or Lifestyle Anarchism An Unbridgeable. Chasm.<br />
Bookchin's social anarchism is in the tradition of the.<br />
anarchocommunism theorized by Peter Kropotkin calling for the.<br />
replacement of nations and markets with a decentralized. federation of<br />
selfmanaging communities. Zerzan's primitivism. calls for the<br />
destruction of the totality including the abolition of. technology<br />
language and history itself in favor of a wild. primordial freedom<br />
(Future Primitive ). The chasm. between Eugene and Plainfield is wide<br />
certainly. Zerzan and. Bookchin agree on one thing however both hate.<br />
postmodernism.. . Bookchin calls it a form of nihilism tailored to<br />
yuppie tastes. (). Postmodernism leaves us hopeless in an unending<br />
mall. Zerzan complains without a living critique nowhere (). For.<br />
Bookchin theorists such as Foucault and Derrida simulate a. kind of<br />
individualistic rebellion while vitiating social anarchist. commitments<br />
to reason realism and ethical universals ().. For Zerzan on the contrary<br />
they bolster the reigning order by. liquidating any notion of the<br />
autonomous individual the. postmodern subject what is presumably left<br />
of subjecthood. seems to be mainly the personality constructed by and<br />
for. technological capital ().. . This dispute is one of the significant<br />
contexts in which Saul. Newman's From Bakunin to Lacan<br />
51
AntiAuthoritarianism and the. Dislocation of Power arrives. Another is<br />
the rediscovery by the. academy of the anarchist theoretical tradition<br />
where until. recently anarchism had endured an official oblivion even<br />
longer. and deeper than its erasure from public memory. The.<br />
rediscovery of anarchist theory is a timely gift for theorists such. as<br />
Todd May (The Political Philosophy of Poststructuralist. Anarchism )<br />
who are eager to politicize poststructuralism. but leery of bolting their<br />
concepts onto readymade Marxist. frameworks. Both May and<br />
Newman see Marxism in all its. varieties as an ineluctably strategic<br />
philosophy (to use May's. term) perpetually drawn to the postulate of a<br />
center from which. power must emanate (May ).. . In contrast to<br />
Marxism writes Newman anarchism was. revolutionary in analyzing<br />
power in its own right and exposing. the place of power in Marxism<br />
itselfits potential to reaffirm state. authority (). Mikhail Bakunin and<br />
Karl Marx tore the First. International asunder in over the question of<br />
the State was. it a mere instrument of rulingclass power as Marx<br />
thought in. which case it could be seized and used by the proletariat or<br />
was. it an autonomous and independent institution with its own logic. of<br />
domination as Bakunin argued in which case any. transitional State<br />
would merely constitute a new reigning. regime (Newman ) History has<br />
given a poignant weight to. Bakunin's premonitions of a red<br />
bureaucracy of course but for. a poststructuralist rereading his<br />
importance lies in his. challenge to Marx's methodthe strategic thinking<br />
for which all. problems can be reduced to the basic one (May ).<br />
Anarchist. critique undermines the confident assumption that power is.<br />
merely an epiphenomenon of the capitalist economy or class. relations<br />
which in turn opens the way to a postFoucauldian. apprehension of the<br />
ubiquity of power relationsthe dispersed. decentered power which<br />
comes from everywhere (Newman. ).. . At the same time Newman and<br />
May concur classical. anarchism ditches its own best insight anarchism<br />
itself falls. into the trap of the place of power (Newman ). Both<br />
Bakunin. and Kropotkin found resistance on a certain notion of human.<br />
nature as an outside to powera pure origin of resistance.. Power as<br />
incarnated in the State represses and distorts the. goodness of humanity<br />
once it is eradicated by the revolution. human essence will flourish and<br />
power will disappear. (Newman ). For Newman however power is<br />
ineradicable. and any essentialist notion of human nature is the basis for<br />
a. new domination.. . From the diagnosis the prescription for anarchism<br />
to. become meaningful once again it must be detached from its.<br />
investment in essentialist conceptions of power and human. identity<br />
52
made to face the reality that power is everywhere. But. how to do so<br />
while avoiding the gloomy conclusion that because. power is<br />
everywhere resistance is nowhere If resistance to. power cannot be<br />
conceptualized without thinking in terms of an. outside to power how<br />
can this outside be thought without. resorting to yet another equally<br />
foundationalist theory of the. place of power () Overcoming this logical<br />
impasse is the. task Newman sets for himself in the following chapters<br />
as he. scours the resources of poststructuralism for a. nonessentialist<br />
notion of the Outside ().. . But what does Newman mean by power<br />
when he seeks its. Outside It's not always clear what Newman means<br />
by this key. term. Throughout the book he seems to engage in a certain.<br />
codeswitchingsometimes conscious and clearly marked. sometimes<br />
surreptitious or unconsciousalternating between at. least two senses of<br />
the word. In the first chapter Newman alerts. us to the possibility of<br />
confusion while thus far he has used. power domination and authority<br />
as synonyms by the time. we get to Foucault 'power' and 'domination'<br />
have somewhat. different meanings and often Newman seems to<br />
follow. Foucault in defining power as inevitable in any society while.<br />
characterizing domination as something to be resisted At. other times<br />
he retains the definition of power as domination. (). Leaving this<br />
ambiguity open weakens the argument that. follows.. . A second<br />
weakness stems from a misreading of classical. anarchist theory.<br />
Newman's argument is premised in the first. place on his reading of<br />
Bakunin and Kropotkin as wedded to the. notion that the human subject<br />
is naturally opposed to power.. He then notes that they also have<br />
recourse to a characterization. of this human subject as fatally prone to<br />
a 'natural' desire for. power. From this he draws the conclusion that<br />
classical. anarchism is riven by a fundamental inconsistency a hidden.<br />
contradiction (). The unstated assumption which warrants. this move<br />
from premise to conclusion is that these two. representations of the<br />
human subject are mutually. exclusivethat Bakunin and Kropotkin<br />
cannot possibly intend. both.. . This assumption should raise the<br />
question why not A close. reading of Bakunin and Kropotkin would<br />
more strongly support a. different conclusionthat for both of these<br />
thinkers the human. itself and not their representation of the subject is<br />
the. site of what Kropotkin calls a fundamental contradiction. between<br />
two sets of diametrically opposed feelings which exist. in man (). In<br />
other words as Dave Morland has explained. these thinkers' conception<br />
of human nature is not statically. unified but dialectically<br />
doublebarreled human beings are. possessed of equal potentials for<br />
53
sociability and egoism. (). Since neither of these potentials is<br />
necessarily more likely. be expressed than the other ceteris paribus<br />
neither. constitutes a species destiny history is autonomous ().. . The<br />
(arguably mistaken) discovery of a hidden contradiction. at the core of<br />
anarchist discourse prompts Newman's fear that. classical anarchism is<br />
dangerously open to the potential for. domination which in turn forms<br />
the rationale for the rest of his. project. Errors propagate through this<br />
system as the logic of an. undertheorized antiessentialism prompts him<br />
to ask the. wrong questions and get the wrong answers or to ask the<br />
right. questions without looking for answers at all. If humans have an.<br />
essential desire for power Newman argues then how can one. be sure<br />
that a revolution aimed at destroying power will not turn. into a<br />
revolution aimed at capturing power How can one be. sure in other<br />
words that an anarchist revolution will be any. different from a Marxist<br />
vanguard revolution ().. . There are a number of problems with this<br />
question. First of. all depending on which version of power Newman is<br />
referring. the question may depend on a false assumption. If power. as<br />
an endless play of mutual influence action and reaction is. distinguished<br />
from domination then neither Bakunin nor. Kropotkin have any<br />
pretensions about destroying power per se.. Indeed to a surprising<br />
extent both are aware of the ubiquity of. social power which no<br />
revolution can (nor should) abolish. both understand that it is a natural<br />
product of human subjects. rather than an artificial imposition from<br />
outside and both. distinguish it from force coercion or domination<br />
while. acknowledging its potential to generate these effects particularly.<br />
when it is allowed to accrete (Bakunin God and the State n).. . Apart<br />
from its problematic premise however Newman's. question is also<br />
needlessly framed as merely rhetorical or. unanswerable when it really<br />
does admit of an answer in political. practice. Anarchist practices<br />
conditioned by a theoretical. emphasis on the immanence of ends<br />
within means are. distinguished from those of a Marxist vanguard<br />
revolution by. the insistence that the immediate form of revolution<br />
(direct. action direct democracy egalitarian selfmanagement the.<br />
leaderless group etc.) be its future content. Thus the. anarchosyndicalist<br />
Industrial Workers of the World union. named as their project forming<br />
the structure of the new society. within the shell of the old (<strong>Re</strong>nshaw<br />
frontispiece).. . Newman however focuses more on theory than on<br />
practice.. And this is why he fails to ask the following question if<br />
classical. anarchist theory is so wedded to this notion of the natural.<br />
harmony of human subjects in society why is it so deeply. preoccupied<br />
54
with questions of action and organization Why. bother to organize to<br />
intervene unless something is in need of. this intervention i.e. unless it<br />
is disorganized In fact these. theorists do not regard anarchy as<br />
something merely. spontaneous natural biological given but as<br />
something that. had to be evoked elicited created made from the<br />
materials of. history and biology. What every individual inherits at<br />
birth. according to Bakunin is not ideas and innate sentiments as. the<br />
idealists claim but only the capacity to feel to will to think. and to<br />
speaka set of rudimentary faculties without any. content this content<br />
must be supplied by the social milieu. (Bakunin ). Nature is a set of<br />
potentials not a telos social. construction is the determining factor. In<br />
this sense classical. anarchist theory goes beyond the binary opposition<br />
of. essentialismnonessentialism.. . Rather than dwelling on the<br />
ostensible limitations of. anarchism as articulated by its most influential<br />
theorists. Newman turns his attention to what he sees as the untapped.<br />
potential of a relatively marginal figure in anarchist history Max.<br />
Stirner the fellow Young Hegelian whom Marx so viciously. assails in<br />
The German Ideology. In his Der Einzige und. sein Eigentum<br />
(variously translated as The Ego and His Own. or The Unique One and<br />
Its Property) Stirner uses the stick of. nominalism to beat every<br />
philosophy built on abstract ideals or. categories including not only the<br />
religious submission to God. but also the fetishization of Man in<br />
liberalism and communism. no concept expresses me nothing that is<br />
designated as my. essence exhausts me they are only names (). The self<br />
in. Stirner is a subject to which all predicates are merely. properties so<br />
that it cannot be said to have an identity or. essence ()leaving as<br />
Newman sees it 'a radical opening. which the individual can use to<br />
create his own subjectivity. unhampered by essentialisms.. . This<br />
protoNietzschean insight excites Newman The. importance of Stirner's<br />
notion of becoming for politics. particularly poststructuralist politics is<br />
great indeed he has. shown that resistance to power will never succeed<br />
if it remains. trapped within fixed essential identities (). Ultimately<br />
Stirner. provides Newman with a nonessentialist account of how the.<br />
self rather than encountering a power which is imposed upon it.<br />
actually produces the power to which it submits by binding itself. fixed<br />
ideas (ideologies and essentialist identities) and. annuls this power by<br />
dissolving these abstract chains through. analysis (Newman ).. .<br />
Newman does consider the charge leveled at Stirner by. numerous<br />
anarchist critics that Stirner's unique one. abstracted from all history<br />
disembedded from every. relationship and detached from all context<br />
55
simply constitutes a. new essentialist identity (and a mystified one at<br />
that) but he. does not really spell out why this critique is mistaken ().<br />
Not. only does the Einzige closely resemble Sartre's classless.<br />
genderless cultureless ahistorical cogito a little too closelyit. also bears<br />
some resemblance to the protagonist of laissezfaire. marketplace<br />
economics the Rational Actor whose infinite. desire and arbitrary<br />
caprice (i.e. selfishness) are likewise. purported to be the very measure<br />
of freedom.. . None of this prevents Newman from moving forward<br />
with his. projectthe reconstruction of anarchist theory within a.<br />
poststructuralist framework. Four chapters provide a creative.<br />
suggestive and relatively accessible rereading of work by. Foucault<br />
Deleuze Guattari Derrida and Lacan as Newman. searches for a<br />
nonessentialist notion of the Outside.. Foucauldian genealogy and<br />
DeleuzoGuattarian schizoanalysis. extend Stirner's insight into the<br />
abstract nature of the State. whose formidable omnipresence exists<br />
mostly in our minds. and in our subconscious desire to be dominated<br />
by. demonstrating that the individual represses himself and that. we<br />
subordinate ourselves to signifying regimes all around us. ( ). Derridean<br />
deconstruction adds a strategy for. undermining the metaphysical<br />
authority of various political and. philosophical discourses releasing<br />
action from its obligation to. any founding principle or arch (). In the<br />
end Newman. stakes his money on Lacan as presenting the most<br />
persuasive. nonessentialist figure of resistance ().. . Here I suspect will<br />
lie one of the primary points of interest. for readers of poststructuralist<br />
theory as Newman draws on. Lacan's account of how the subject is<br />
constituted through its. fundamental inability to recognize itself in the<br />
symbolic order to. explain how this apparently omnipresent and<br />
omnipotent order. creates its own otherits own utopia actually a<br />
nonoriginary. origin or nonplace (outopos) of resistance blossoming in<br />
the. heart of power itself (). This nonplace is the leftover which. is<br />
continually and necessarily generated by the operation of the. Law<br />
which produces its own transgression ( ). In. effect Newman uses Lacan<br />
to clarify what Foucault seemed to. have left mysteriousthe logic<br />
whereby power never appears. without resistance appearing as well.. .<br />
But waitisn't this a little too close to Bakunin's declaration. which<br />
Newman cites as evidence of his essentialism that. there is something in<br />
the nature of the state which provokes. rebellion (qtd. in Newman ) If<br />
Newman argues that these. two antagonists the state which provokes<br />
and the subject. who rebels could not exist without each other () how<br />
can he. avoid concluding that this goes double for the Lacanian<br />
56
struggle. between the constitutive Law and the transgression it.<br />
produces Moreover one might ask what it has meant to. discover this<br />
concept or figure if what anarchism opposes is. not power but<br />
domination. Was the quest in vain Has all of. this culminated in yet<br />
another insurgent subject which just can't. seem to do without the<br />
power that dominates it. . These important questions remain<br />
unresolved. More. important for anarchist readers however is the<br />
question of what. practical consequences might ensue from the<br />
postanarchism. which Newman formulates in his final chapter (). How<br />
can a. politics which presupposes cooperation and joint action found.<br />
itself on Stirner's notion that my unique ego has literally nothing. in<br />
common with yours Newman calls attention to Stirner's. proposal for a<br />
union of egoists a merely voluntary and. instrumental association<br />
between individuals as opposed to a. community which one is forced to<br />
participate in () but this. amounts to a universalization of the<br />
instrumentalist logic of. capitalism For me Stirner writes no one is a<br />
person to be. respected not even the fellowman but solely like other<br />
beings. an object in which I take an interest or else do not an<br />
interesting. or uninteresting object a usable or unusable person ()..<br />
Indeed for Stirner we have only one relation to each other that. of<br />
usableness of utility of use everything else is ideology. (). While<br />
Newman wants to read Stirner as not necessarily. against the notion of<br />
community itself () it is hard to avoid the. conclusion that Stirner<br />
himself flatly declares community . . . is. impossible (). This is<br />
precisely the hyperindividualism that. placed Stirner outside the<br />
mainstream of the anarchist. movement which remained committed to<br />
community and. collective practice constituting itself as social<br />
anarchism rather. than mere individualism. Needless to say Newman<br />
admits in. a footnote some modern anarchists do not exactly embrace.<br />
this postmodern logic of uncertainty and dislocation ( n).. . In any case<br />
it's a relief to find someone willing to think. seriously about the<br />
political outside of the confines of Marxism. rather than continually<br />
fiddling around with Marxist texts in yet. another attempt to take Marx<br />
beyond Marx (as Antonio Negri has. put it) or else completely<br />
scrapping that urge to change the. world in favor of some ironic or<br />
nihilistic embrace of the world. as it is (the Baudrillard solution).<br />
PostMarxist theorists have. stripped away one key concept after another<br />
(historical stages. centrality of class conflict progressive<br />
colonialecocidal. teleology productivism materialityideality binary<br />
ideology. alienation totality etc.) peeling away the layers of the onion.<br />
57
driving Marxism further and further in the direction of its old. repressed<br />
Other anarchismprotesting all the while that we are. not anarchists<br />
(Hardt and Negri ).. . As refreshing as it is to step outside this endless<br />
Marxist. monster movie with its perennial Frankfurtian pronunciations<br />
of. death periodic Frankensteinian reanimations and perpetual. spectres<br />
I would argue that anarchism has more to offer. poststructuralism than<br />
Newman and May seem to recognize. and that poststructuralism affords<br />
other and better resources for. the development of anarchist theory than<br />
their example would. imply. In fact it could do much to redress the<br />
damage done to. the core ethos of social anarchism as cataloged by<br />
Bookchin by. posts theoretical tendencies which regard all structure.<br />
organization and coherence as repressive. It offers a weapon for. the<br />
Plainfield social anarchists against the politically and. intellectually<br />
sterile primitivism of Eugene.. . Foucault's demonstration of the<br />
poverty of the repressive. hypothesis and of the positive potential of<br />
selfstructuring. askesis could be used to neutralize the influence of<br />
leftFreudian. theories of liberation as antisocial derepression (Benello<br />
).. The wisdom of Derrida's there is nothing outside the textas. Zerzan<br />
is well aware ()could be marshaled against the. primitivist quest for a<br />
pure presocial origin. Even Lacanian. psychoanalysis with its narrative<br />
of the construction of the self in. and through the Symbolic could<br />
reinforce Bookchin's distinction. between individual autonomy and<br />
social freedom ().. . From Bakunin to Lacan is overly eager to get from<br />
Bakunin to. Lacana perhaps too uncritical teleological trajectorybut at.<br />
least it inquires about the way from one point to the other which. is a<br />
siginificant contribution in itself. As anarchist movements. roused from<br />
their long slumber attempt to orient themselves in. a world of<br />
globalizing capitalism sporadic ethnoreligious. violence and growing<br />
ecological crisis they will find themselves. in need of more such<br />
contributions.. English Department. Purdue University North Central.<br />
jcohnpurduenc.edu. Talk Back. COPYRIGHT (c) BY Jesse Cohn. ALL<br />
RIGHTS RESERVED.. THIS TEXT MAY BE USED AND SHARED<br />
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58
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UTILITIES AND OTHER. VALUABLE FEATURES YOU OR<br />
YOUR INSTITUTION MAY. SUBSCRIBE TO PROJECT MUSE<br />
THE ONLINE JOURNALS. PROJECT OF THE JOHNS HOPKINS<br />
UNIVERSITY PRESS.. Notes. . See Zerzan's Elements of <strong>Re</strong>fusal<br />
particularly chapters. for the full extent of his anticivilizational project..<br />
Works Cited. Bakunin Mikhail. Bakunin on Anarchy Selected Works<br />
by the. ActivistFounder of World Anarchism. Ed. and trans. Sam<br />
Dolgoff.. New York Knopf .. . God and the State. New York Dover ..<br />
Benello C. George. From The Ground Up Essays on. Grassroots and<br />
Workplace Democracy. Boston South End. .. Bookchin Murray. Social<br />
Anarchism or Lifestyle Anarchism An. Unbridgeable Chasm.<br />
Edinburgh Scotland AK .. Hardt Michael and Antonio Negri. Empire.<br />
Cambridge MA. Harvard UP .. Kropotkin Peter. Ethics Origin and<br />
Development. Trans. Louis. S. Friedland and Joseph R. Piroshnikoff.<br />
Dorset Prism .. May Todd. The Political Philosophy of Poststructuralist.<br />
Anarchism. University Park PA Pennsylvania State UP .. Morland<br />
Dave. Anarchism Human Nature and History. Lessons for the Future.<br />
TwentyFirst Century Anarchism. Ed.. Jon Purkis and James Bowen.<br />
London Cassell . .. <strong>Re</strong>nshaw Patrick. The Wobblies The Story of<br />
Syndicalism in the. United States. Garden City NY Doubleday .. Stirner<br />
Max. The Ego and His Own. Trans. Steven T. Byington.. New York<br />
Benj. R. Tucker . May .. Zerzan John. Elements of <strong>Re</strong>fusal. Seattle Left<br />
Bank .. . Future Primitive and Other Essays. Brooklyn NY.<br />
Autonomedia .. Get A Free Psychic <strong>Re</strong>ading Your Online Answer To<br />
Life's Important Questions.. unsubscribe from this group send an email<br />
to. End of forwarded message. <strong>Re</strong> culturejammers Antropologisk studie<br />
av mobilbruk.. And almost everyone including those whom the Context<br />
study considers. moderate cellphone. users felt anxious during the<br />
phase. of the study termed deprivation that required them to give up<br />
their. phones for a few. days.. The people who had become a part of the<br />
mobiles group had a hard time doing. deprivation at. all Blinkoff said.<br />
They couldn't do. it at all.. Foreldre begynner å straffe barna med å ta fra<br />
dem mobilen... istedenfor. husarrest hvor de. likevel kan sitte på rommet<br />
og totte blir de heretter kastet ut av huset uten. mobil.. Illustrasjon av<br />
deprivasjon suger på tommeltotten istedet. b) en liten. kosebamse til.<br />
ørekinn. (Fins det et kosebamseskin til mobilen) (Tamaguchihybrid må<br />
bare. taste for å. holde den i live syk dvs kommuniserer ikke) ( sense<br />
deprivation. sansekommunikasjon. berøringssans siden man hele tiden<br />
må kommunisere hvem man er og posisjon. siden det ikke. lenger er gitt<br />
59
for å skape berøring og grensesnitt kommunikasjonen. opprettholder et.<br />
grensesnitt for berøringssansen. )( berøring smittemagi kanskje<br />
popstjerner. kunne spredt. virus som folk ønsket å få på maskin mail og<br />
mobil som smitte ønsker fans å. bli hostet på. av spritney bears 'jeg ble<br />
forkjøla av madonna i og har holdt senga siden'. )( er ikke. dette med<br />
typhoid mary ol. en folklorefigur for smitte )( forestillinger om. smitte i<br />
ny. teknologi )( hvor mye reklame er 'smitte' berøringsoverføring.<br />
berøringskommunikasjon. berøring er blind døv dum stum )(. cell phone<br />
phone cell. Fwd postanarchism Kortright <strong>Re</strong>imagining Space and<br />
Culture in the <strong>Re</strong>sistance. of Global Capital. 'Home'. bef. ME hom OE<br />
hm (n. and adv.) c. D heim ON heimr Dan hjem Sw hem. G Heim<br />
home. Goth haims village akin to HAUNT. bj. Start of forwarded<br />
message. Fwd postanarchism Kortright <strong>Re</strong>imagining Space and Culture<br />
in the. <strong>Re</strong>sistance of. Global Capital. <strong>Re</strong>imagining Space and Culture in<br />
the <strong>Re</strong>sistance of Global. Capital. By Chris Kortright. This essay is a<br />
critical exploration of our constructed ideas of. space and place which<br />
shape and reshape our common. sense. Within the anticapitalist and<br />
antiglobalization. movements we need to reimagine conceptualizations<br />
of space. place and power. In particular we can utilize explorations into.<br />
the construction of space which have been popularized by. postmodern<br />
and globalization theorists notions of. deterritorialization postmodern<br />
hyperspace borderlands and. marginality. This reconceptualization will<br />
force us to reevaluate. central concepts in antiglobalization theories<br />
such as culture. and by extension our ideas of cultural difference. For<br />
some. the uniqueness of societies nations and cultures rests on a.<br />
seemingly unproblematic division of space on the fact that it. occupies<br />
naturally discontinuous spaces.. Space Nation and Culture. If we<br />
understand the world as a collection of countriesas on. most world<br />
maps we se the world as an inherently fragmented. space. This space is<br />
divided by different colors into diverse. national societies. Each of<br />
these societies are rooted in their. proper place. The construction of<br />
each country is so taken for. granted that they are understood as<br />
embodying their own. distinctive culture and society. The term society<br />
and culture. are often seen as simply another name for the.<br />
nationstatelike those who visit India to understand Indian. culture and<br />
Indian society. Yet culture is not a bound or static. object and thus it<br />
can not be tied to physical territory or space.. When we explore the<br />
notion of culture we see that people's. lives take them on trajectories<br />
through space and time which. they interpret as being full of<br />
significance. People use both. words and material artifacts to get things<br />
60
done and to. communicate with others. People ... in their talk endlessly<br />
spin. metaphors so as to weave labyrinthe and everexpanding. networks<br />
of symbolic equivalence(Ingold ). This. shared communicationculture is<br />
not a neatly bounded and. mutually exclusive body of thought and<br />
custom. Cultural. strategies are not shared by all the people who<br />
subscribe to a. set culture and they do not fully encapsulate all the lives<br />
and. works of a grouping of peoples. The isolated culture has been.<br />
revealed as a figment of the Western anthropological. imagination. It<br />
might be more realistic then to say that people. live culturally rather<br />
than that they live in cultures(Ingold. italics in original).. By<br />
reconceptualizing culture and space we see that. territoriality or<br />
nationstate borders are constructed differently for. border inhabitants<br />
and those who live a life of border. crossingmigrant workers nomads<br />
and members of the. transnational and capitalist elite. Can we say that<br />
the culture of. farm workers who spend half a year in Mexico and half<br />
the year. in the US are Mexican Or do we need to start understanding.<br />
that the cultural strategies of this grouping of individuals is. constructed<br />
by the interplay of different strategies. Migration has. always had the<br />
potential to challenge images of space. It creates. and reproduces space<br />
through human agency it redefines the. social nature of space and as<br />
such it recreates aspects of. culture by removing it from a locale. This<br />
shows that there are. limits to imposing power and spatial relationships<br />
and that they. are always subject to change and flux (Rouse ). There.<br />
are those who cross borders more or less. perminentlyimmigrants<br />
refugees exiles and expatriates. In. their case the disjuncture of place<br />
and culture is especially. clear Cuban refugees in the US take Cuban<br />
culture with them. in the same complicated way as Indian immigrants<br />
to England. transport Indian culture to their new homeland.. A<br />
reimagined construct of culture and space opens up new. way of<br />
understanding the condition of the world. Space is the. physical world<br />
which through the lived experience of people. becomes constructed into<br />
a place. But the irony of our present. situation is that as actual places<br />
and localities become ever. more blurred and indeterminate<br />
conceptualizations and. constructions of culturally and ethnically<br />
distinct places become. even more salient. It is here that it becomes<br />
most visible how. imagined communities (Anderson ) come to be<br />
attached to. imagined places. Displaced peoples often cling to<br />
remembered. or imagined homelands places or communities within a<br />
world. that seems increasingly to deny such firm territorialized anchors.<br />
(Gupta and Ferguson ). In such a world it becomes even. more<br />
61
important for those of us in the anticapitalist and. antiglobalization<br />
movements to begin to understand the. processes of constructing place<br />
and homeland by mobile and. displaced peoples.. The withering of<br />
spatially bounded social worlds and the. growing role of the<br />
construction of place from distance locations. can not be understood<br />
without situating these conceptions. within the highly spatial terms of a<br />
global capitalist economy.. The challenge is to focus on the way space<br />
is imagined but. not imaginaryas a way to explore the mechanism that.<br />
groupings of people use to survive and make sense of their. changing<br />
world. In other words the process of place marking is. used to meet the<br />
changing global economic and political. conditions of lived spaces.<br />
Places are always imagined in the. context of<br />
politicaleconomichistorical situations which have a. logic of their own.<br />
Territoriality is thus reconstructed at the. moment that it threatens to be<br />
erased. Thus it is important that. those of us resisting the global<br />
capitalist economy understand. that tensions often arise when places<br />
that have been imagined. a distance become lived spaces. These<br />
tensions can. manifest in different directions but often they emerge in<br />
the form. of nationalism and the institutionalization of identities..<br />
Nationalism shows us that states play an important role in the. popular<br />
politics of place making as well as in the creation of. naturalized links<br />
between places and peoples. It is necessary to. remember that state<br />
ideologies are not the only point or. apparatus in which the construction<br />
of place is politicized.. Oppositional images of place have been<br />
extremely important in. anticolonial nationalist movements that people<br />
within the. anticapitalist and antiglobalization movements have<br />
embraced. in the past. Many campaigns of selfdetermination and.<br />
sovereignty on the part of contested groups of people such as. the<br />
Eritreans the Armenians or the Palestinians use. oppositional images of<br />
place and naturalized connection to. themselves to either create a new<br />
nationstate or construct a. stateinwaiting. Such instances are a useful<br />
reminder of how. often notions of home and our place have been<br />
utilized in an. antiimperial context. Such popular politics of place can<br />
easily be. as conservative as they are antiimperial. More often as in the.<br />
contemporary US the construction of place with memory loss. and<br />
nostalgia plays directly into the hands of reactionary popular.<br />
movements. This is true not only of outright nationalist images. long<br />
associated with the right but also of imagined locales and. nostalgic<br />
settings such as smalltown America or the frontier. which often play<br />
into and compliment antifeminist idealization of. the home and family..<br />
62
We need to give up ideas of communities as literal or stable. entities. At<br />
the same time we must remain sensitive to the. profound<br />
bifocality(Gupta and Ferguson ) which. characterizes locally lived<br />
existence in a globally interconnected. world. We need to understand<br />
the powerful role that place plays. in the lived experiences of people in<br />
specific locales but at the. same time we need to understand that there<br />
are differences. within a locality. Multiculturalismthe capitalist<br />
leftwing's. construction of society of difference that can live and<br />
consume in. harmony is both a feeble recognition that cultures have<br />
lost. their morrings in unquestionable places. It is also an attempt to.<br />
encompass this plurality of cultural strategies within the. framework of<br />
a national identity. In the same light the conception. of subcultures<br />
attempts to preserve the idea of distinct or pure. cultures while<br />
acknowledging the relation of different cultures. a dominate culture<br />
within a given geographical and territorial. space. Conventional<br />
accounts of ethnicity even when used to. describe cultural differences in<br />
settings where people from. different regions live side by side rely on<br />
an unproblematic link. between identity and place(Gupta and Ferguson<br />
).. Such concepts are problematic because they attempt to stretch. the<br />
naturalized association of culture with place but they fail to. interrogate<br />
this assumption in a truly fundamental manner. We. need to ask how to<br />
deal with cultural difference while. abandoning received ideas of<br />
naturalized and localized culture.. (for the rest visit. Get A Free Psychic<br />
<strong>Re</strong>ading Your Online Answer To Life's Important Questions..<br />
unsubscribe from this group send an email to. End of forwarded<br />
message. Fwd Article The Violence of the Global. Start of forwarded<br />
message. Fwd Article The Violence of the Global. <strong>Re</strong>plyTo CTheory<br />
Editors. Article The Violence of the Global. CTHEORY THEORY<br />
TECHNOLOGY AND CULTURE VOL NOS. Article Editors Arthur<br />
and Marilouise Kroker. The Violence of the Global. Jean Baudrillard.<br />
(Translated by Francois Debrix). Today's terrorism is not the product of<br />
a traditional history of. anarchism nihilism or fanaticism. It is instead<br />
the contemporary. partner of globalization. To identify its main features<br />
it is. necessary to perform a brief genealogy of globalization<br />
particularly. of its relationship to the singular and the universal.. The<br />
analogy between the terms global and universal is. misleading.<br />
Universalization has to do with human rights liberty. culture and<br />
democracy. By contrast globalization is about. technology the market<br />
tourism and information. Globalization. appears to be irreversible<br />
whereas universalization is likely to be. on its way out. At least it<br />
63
appears to be retreating as a value. system which developed in the<br />
context of Western modernity and was. unmatched by any other<br />
culture. Any culture that becomes universal. loses its singularity and<br />
dies. That's what happened to all those. cultures we destroyed by<br />
forcefully assimilating them. But it is also. true of our own culture<br />
despite its claim of being universally. valid. The only difference is that<br />
other cultures died because of. their singularity which is a beautiful<br />
death. We are dying because. we are losing our own singularity and<br />
exterminating all our values.. And this is a much more ugly death.. We<br />
believe that the ideal purpose of any value is to become. universal. But<br />
we do not really assess the deadly danger that such a. quest presents.<br />
Far from being an uplifting move it is instead a. downward trend<br />
toward a zero degree in all values. In the. Enlightenment<br />
universalization was viewed as unlimited growth and. forward progress.<br />
Today by contrast universalization exists by. default and is expressed as<br />
a forward escape which aims to reach the. most minimally common<br />
value. This is precisely the fate of human. rights democracy and liberty<br />
today. Their expansion is in reality. their weakest expression..<br />
Universalization is vanishing because of globalization. The.<br />
globalization of exchanges puts an end to the universalization of.<br />
values. This marks the triumph of a uniform thought over a. universal<br />
one. What is globalized is first and foremost the market. the profusion<br />
of exchanges and of all sorts of products the. perpetual flow of money.<br />
Culturally globalization gives way to a. promiscuity of signs and values<br />
to a form of pornography in fact.. Indeed the global spread of<br />
everything and nothing through networks. is pornographic. No need for<br />
sexual obscenity anymore. All you have. is a global interactive<br />
copulation. And as a result of all this. there is no longer any difference<br />
between the global and the. universal. The universal has become<br />
globalized and human rights. circulate exactly like any other global<br />
product (oil or capital for. example).. The passage from the universal to<br />
the global has given rise to a. constant homogenization but also to an<br />
endless fragmentation.. Dislocation not localization has replaced<br />
centralization.. Excentricism not decentralization has taken over where.<br />
concentration once stood. Similarly discrimination and exclusion are.<br />
not just accidental consequences of globalization but rather.<br />
globalization's own logical outcomes. In fact the presence of.<br />
globalization makes us wonder whether universalization has not.<br />
already been destroyed by its own critical mass. It also makes us.<br />
wonder whether universality and modernity ever existed outside of.<br />
64
some official discourses or some popular moral sentiments. For us.<br />
today the mirror of our modern universalization has been broken. But.<br />
this may actually be an opportunity. In the fragments of this broken.<br />
mirror all sorts of singularities reappear. Those singularities we.<br />
thought were endangered are surviving and those we thought were lost.<br />
are revived.. As universal values lose their authority and legitimacy<br />
things. become more radical. When universal beliefs were introduced as<br />
the. only possible culturally mediating values it was fairly easy for.<br />
such beliefs to incorporate singularities as modes of differentiation. in a<br />
universal culture that claimed to champion difference. But they. cannot<br />
do it anymore because the triumphant spread of globalization. has<br />
eradicated all forms of differentiation and all the universal. values that<br />
used to advocate difference. In so doing globalization. has given rise to<br />
a perfectly indifferent culture. From the moment. when the universal<br />
disappeared an omnipotent global technostructure. has been left alone<br />
to dominate. But this technostructure now has to. confront new<br />
singularities that without the presence of. universalization to cradle<br />
them are able to freely and savagely. expand.. History gave<br />
universalization its chance. Today though faced with a. global order<br />
without any alternative on the one hand and with. drifting<br />
insurrectionary singularities on the other the concepts of. liberty<br />
democracy and human rights look awful. They remain as the. ghosts of<br />
universalization past. Universalization used to promote a. culture<br />
characterized by the concepts of transcendence subjectivity.<br />
conceptualization reality and representation. By contrast today's. virtual<br />
global culture has replaced universal concepts with screens. networks<br />
immanence numbers and a spacetime continuum without any. depth. In<br />
the universal there was still room for a natural. reference to the world<br />
the body or the past. There was a sort of. dialectical tension or critical<br />
movement that found its materiality. in historical and revolutionary<br />
violence. But the expulsion of this. critical negativity opened the door<br />
to another form of violence the. violence of the global. This new<br />
violence is characterized by the. supremacy of technical efficiency and<br />
positivity total organization. integral circulation and the equivalence of<br />
all exchanges.. Additionally the violence of the global puts an end to<br />
the social. role of the intellectual (an idea tied to the Enlightenment<br />
and. universalization) but also to the role of the activist whose fate.<br />
used to be tied to the ideas of critical opposition and historical.<br />
violence.. Is globalization fatal Sometimes cultures other than ours<br />
were able. to escape the fatality of the indifferent exchange. Today<br />
65
though. where is the critical point between the universal and the global.<br />
Have we reached the point of no return What vertigo pushes the world.<br />
to erase the Idea And what is that other vertigo that at the same. time<br />
seems to force people to unconditionally want to realize the. Idea. The<br />
universal was an Idea. But when it became realized in the global. it<br />
disappeared as an Idea it committed suicide and it vanished as. an end<br />
in itself. Since humanity is now its own immanence after. taking over<br />
the place left by a dead God the human has become the. only mode of<br />
reference and it is sovereign. But this humanity no. longer has any<br />
finality. Free from its former enemies humanity now. has to create<br />
enemies from within which in fact produces a wide. variety of inhuman<br />
metastases.. This is precisely where the violence of the global comes<br />
from. It is. the product of a system that tracks down any form of<br />
negativity and. singularity including of course death as the ultimate<br />
form of. singularity. It is the violence of a society where conflict is.<br />
forbidden where death is not allowed. It is a violence that in a. sense<br />
puts an end to violence itself and strives to establish a. world where<br />
anything related to the natural must disappear (whether. it is in the body<br />
sex birth or death). Better than a global. violence we should call it a<br />
global virulence. This form of violence. is indeed viral. It moves by<br />
contagion proceeds by chain reaction. and little by little it destroys our<br />
immune systems and our. capacities to resist.. But the game is not over<br />
yet. Globalization has not completely won.. Against such a dissolving<br />
and homogenizing power heterogeneous. forces not just different but<br />
clearly antagonistic ones are. rising everywhere. Behind the<br />
increasingly strong reactions to. globalization and the social and<br />
political forms of resistance to. the global we find more than simply<br />
nostalgic expressions of. negation. We find instead a crushing<br />
revisionism visavis. modernity and progress a rejection not only of the<br />
global. technostructure but also of the mental system of globalization.<br />
which assumes a principle of equivalence between all cultures. This.<br />
kind of reaction can take some violent abnormal and irrational. aspects<br />
at least they can be perceived as violent abnormal and. irrational from<br />
the perspective of our traditional enlightened ways. of thinking. This<br />
reaction can take collective ethnic religious and. linguistic forms. But it<br />
can also take the form of individual. emotional outbursts or neuroses<br />
even. In any case it would be a. mistake to berate those reactions as<br />
simply populist archaic or. even terrorist. Everything that has the<br />
quality of event these days. is engaged against the abstract universality<br />
of the global and. this also includes Islam's own opposition to Western<br />
66
values (it is. because Islam is the most forceful contestation of those<br />
values that. it is today considered to be the West's number one enemy)..<br />
Who can defeat the global system Certainly not the. antiglobalization<br />
movement whose sole objective is to slow down. global deregulation.<br />
This movement's political impact may well be. important. But its<br />
symbolic impact is worthless. This movement's. opposition is nothing<br />
more than an internal matter that the dominant. system can easily keep<br />
under control. Positive alternatives cannot. defeat the dominant system<br />
but singularities that are neither. positive nor negative can. Singularities<br />
are not alternatives. They. represent a different symbolic order. They do<br />
not abide by value. judgments or political realities. They can be the best<br />
or the worst.. They cannot be regularized by means of a collective<br />
historical. action. They defeat any uniquely dominant thought. Yet they<br />
do. not present themselves as a unique counterthought. Simply they.<br />
create their own game and impose their own rules. Not all. singularities<br />
are violent. Some linguistic artistic corporeal or. cultural singularities<br />
are quite subtle. But others like terrorism. can be violent. The<br />
singularity of terrorism avenges the. singularities of those cultures that<br />
paid the price of the imposition. of a unique global power with their<br />
own extinction.. We are really not talking about a clash of civilizations<br />
here but. instead about an almost anthropological confrontation<br />
between an. undifferentiated universal culture and everything else that<br />
in. whatever domain retains a quality of irreducible alterity. From the.<br />
perspective of global power (as fundamentalist in its beliefs as any.<br />
religious orthodoxy) any mode of difference and singularity is. heresy.<br />
Singular forces only have the choice of joining the global. system (by<br />
will or by force) or perishing. The mission of the West. (or rather the<br />
former West since it lost its own values a long time. ago) is to use all<br />
available means to subjugate every culture to the. brutal principle of<br />
cultural equivalence. Once a culture has lost its. values it can only seek<br />
revenge by attacking those of others. Beyond. their political or<br />
economic objectives wars such as the one in. Afghanistan aim at<br />
normalizing savagery and aligning all the. territories. The goal is to get<br />
rid of any reactive zone and to. colonize and domesticate any wild and<br />
resisting territory both. geographically and mentally.. The<br />
establishment of a global system is the result of an intense. jealousy. It<br />
is the jealousy of an indifferent and lowdefinition. culture against<br />
cultures with higher definition of a disenchanted. and deintensified<br />
system against high intensity cultural. environments and of a<br />
desacralized society against sacrificial. forms. According to this<br />
67
dominant system any reactionary form is. virtually terrorist. (According<br />
to this logic we could even say that. natural catastrophes are forms of<br />
terrorism too. Major technological. accidents like Chernobyl are both a<br />
terrorist act and a natural. disaster. The toxic gas leak in Bhopal India<br />
another technological. accident could also have been a terrorist act. Any<br />
plane crash could. be claimed by any terrorist group too. The dominant<br />
characteristic of. irrational events is that they can be imputed to<br />
anybody or given any. motivation. To some extent anything we can<br />
think of can be criminal. even a cold front or an earthquake. This is not<br />
new. In the. Tokyo earthquake thousands of Koreans were killed<br />
because they were. thought to be responsible for the disaster. In an<br />
intensely. integrated system like ours everything can have a similar<br />
effect of. destabilization. Everything drives toward the failure of a<br />
system. that claims to be infallible. From our point of view caught as<br />
we. are inside the rational and programmatic controls of this system we.<br />
could even think that the worst catastrophe is actually the. infallibility<br />
of the system itself.) Look at Afghanistan. The fact. that inside this<br />
country alone all recognized forms of democratic. freedoms and<br />
expressions from music and television to the ability. to see a woman's<br />
face were forbidden and the possibility that. such a country could take<br />
the totally opposite path of what we call. civilization (no matter what<br />
religious principles it invoked) were. not acceptable for the free world.<br />
The universal dimension of. modernity cannot be refused. From the<br />
perspective of the West of its. consensual model and of its unique way<br />
of thinking it is a crime. not to perceive modernity as the obvious<br />
source of the Good or as the. natural ideal of humankind. It is also a<br />
crime when the universality. of our values and our practices are found<br />
suspect by some individuals. who when they reveal their doubts are<br />
immediately pegged as. fanatics.. Only an analysis that emphasizes the<br />
logic of symbolic obligation can. make sense of this confrontation<br />
between the global and the singular.. To understand the hatred of the<br />
rest of the world against the West. perspectives must be reversed. The<br />
hatred of nonWestern people is. not based on the fact that the West<br />
stole everything from them and. never gave anything back. Rather it is<br />
based on the fact that they. received everything but were never allowed<br />
to give anything back.. This hatred is not caused by dispossession or<br />
exploitation but. rather by humiliation. And this is precisely the kind of<br />
hatred that. explains the September terrorist attacks. These were acts of.<br />
humiliation responding to another humiliation.. The worst that can<br />
happen to global power is not to be attacked or. destroyed but to suffer<br />
68
a humiliation. Global power was humiliated. on September because the<br />
terrorists inflicted something the global. system cannot give back.<br />
Military reprisals were only means of. physical response. But on<br />
September global power was. symbolically defeated. War is a response<br />
to an aggression but not to. a symbolic challenge. A symbolic challenge<br />
is accepted and removed. when the other is humiliated in return (but<br />
this cannot work when the. other is crushed by bombs or locked behind<br />
bars in Guantanamo). The. fundamental rule of symbolic obligation<br />
stipulates that the basis of. fundamental rule of symbolic obligation<br />
stipulates that the basis of<br />
69
284<br />
any form of domination is the total absence of any counterpart of. any<br />
return. The unilateral gift is an act of power. And the. Empire of the<br />
Good the violence of the Good is precisely to be able. to give without<br />
any possible return. This is what it means to be in. God's position. Or to<br />
be in the position of the Master who allows the. slave to live in<br />
exchange for work (but work is not a symbolic. counterpart and the<br />
slave's only response is eventually to either. rebel or die). God used to<br />
allow some space for sacrifice. In the. traditional order it was always<br />
possible to give back to God or to. nature or to any superior entity by<br />
means of sacrifice. That's what. ensured a symbolic equilibrium<br />
between beings and things. But today. we no longer have anybody to<br />
give back to to return the symbolic. debt to. This is the curse of our<br />
culture. It is not that the gift is. impossible but rather that the<br />
countergift is. All sacrificial. forms have been neutralized and removed<br />
(what's left instead is a. parody of sacrifice which is visible in all the<br />
contemporary. instances of victimization).. We are thus in the<br />
irremediable situation of having to receive. always to receive no longer<br />
from God or nature but by means of a. technological mechanism of<br />
generalized exchange and common. gratification. Everything is<br />
virtually given to us and like it or. not we have gained a right to<br />
everything. We are similar to the. slave whose life has been spared but<br />
who nonetheless is bound by a. nonrepayable debt. This situation can<br />
last for a while because it is. the very basis of exchange in this<br />
economic order. Still there. always comes a time when the fundamental<br />
rule resurfaces and a. negative return inevitably responds to the positive<br />
transfer when a. violent abreaction to such a captive life such a<br />
protected. existence and such a saturation of being takes place. This<br />
reversion. can take the shape of an open act of violence (such as<br />
terrorism). but also of an impotent surrender (that is more characteristic<br />
of our. modernity) of a selfhatred and of remorse in other words of all.<br />
those negative passions that are degraded forms of the impossible.<br />
countergift.. What we hate in ourselves the obscure object of our<br />
resentment. is our excess of reality power and comfort our universal.<br />
70
availability our definite accomplishment this kind of destiny that.<br />
Dostoevsky's Grand Inquisitor had in store for the domesticated.<br />
masses. And this is exactly the part of our culture that the. terrorists<br />
find repulsive (which also explains the support they. receive and the<br />
fascination they are able to exert). Terrorism's. support is not only<br />
based on the despair of those who have been. humiliated and offended.<br />
It is also based on the invisible despair of. those whom globalization<br />
has privileged on our own submission to an. omnipotent technology to<br />
a crushing virtual reality to an empire. of networks and programs that<br />
are probably in the process of. redrawing the regressive contours of the<br />
entire human species of a. humanity that has gone global. (After all<br />
isn't the supremacy of. the human species over the rest of life on earth<br />
the mirror image of. the domination of the West over the rest of the<br />
world). This. invisible despair our invisible despair is hopeless since it<br />
is the. result of the realization of all our desires.. Thus if terrorism is<br />
derived from this excess of reality and from. this reality's impossible<br />
exchange if it is the product of a. profusion without any possible<br />
counterpart or return and if it. emerges from a forced resolution of<br />
conflicts the illusion of. getting rid of it as if it were an objective evil is<br />
complete.. For in its absurdity and nonsense terrorism is our society's<br />
own. judgment and penalty.. Notes. Initially published as La Violence<br />
du Mondial in Jean. Baudrillard Power Inferno (Paris Galilee ) pp. ..<br />
Mondial is the French term for global in the original text.. Pensee<br />
unique in French.. Espacetemps sans dimension in French.. Contre cette<br />
universalite abstraite in French.. On ne peut pas les federer dans une<br />
action historique. d'ensemble in French.. Baudrillard refers here to the<br />
US war against Afghanistan in the. Fall of in the aftermath of the<br />
September attacks.. L'absence de contrepartie in French.. Emphasis in<br />
original text.. Jean Baudrillard is an internationally acclaimed theorist<br />
whose. writings trace the rise and fall of symbollic exchange in the.<br />
contemporary century. In addition to a wide range of highly. influential<br />
books from Seduction to Symbollic Exchange and Death. Baudrillard's<br />
most recent publications include The Vital Illusion. The Spirit of<br />
Terrorism and The Singular Objects of Architecture.. He is a member<br />
of the editorial board of CTheory.. Francois Debrix is Assistant<br />
Professor of International <strong>Re</strong>lations at. Florida International University<br />
in Miami Florida. He is the. coeditor (with Cynthia Weber) of Rituals<br />
of Mediaton. International Politics and Social Meaning. (University of<br />
Minnesota. Press forthcoming August ). CTHEORY is an international<br />
journal of theory technology and. culture. Articles interviews and key<br />
71
ook reviews in. contemporary discourse are published weekly as well<br />
as. theorisations of major eventscenes in the mediascape.. Editors<br />
Arthur and Marilouise Kroker. Editorial Board Jean Baudrillard (Paris)<br />
Paul Virilio (Paris). Bruce Sterling (Austin) R.U. Sirius (San Francisco)<br />
Siegfried. Zielinski (Koeln) Stelarc (Melbourne) Richard Kadrey (San.<br />
Francisco) DJ Spooky Paul D. Miller (NYC) Timothy Murray.<br />
(IthacaCornell) Lynn Hershman Leeson (San Francisco) Stephen. Pfohl<br />
(Boston) Andrew Ross (NYC) David Cook (Toronto) Ralph. Melcher<br />
(Sante Fe) Shannon Bell (Toronto) Gad Horowitz. (Toronto) Deena<br />
Weinstein (Chicago) Michael Weinstein. (Chicago) Andrew Wernick<br />
(Peterborough).. In Memory Kathy Acker. Editorial Correspondents<br />
Ken Hollings (UK). Maurice Charland (Canada) Steve Gibson<br />
(CanadaSweden).. Editorial Associate Ted Hiebert. To view<br />
CTHEORY online please visit. To view CTHEORY MULTIMEDIA<br />
online please visit. CTHEORY includes. . Electronic reviews of key<br />
books in contemporary theory.. . Electronic articles on theory<br />
technology and culture.. . Eventscenes in politics culture and the<br />
mediascape.. . Interviews with significant theorists artists and writers.. .<br />
Multimedia theme issues and projects.. Special thanks to Concordia<br />
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versions are available from UMI Ann Arbor. Michigan and Canadian<br />
Periodical IndexGale Canada Toronto.. Indexed in International<br />
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Literature Index.. Hotmail snakker ditt språk. norsk i dag. End of<br />
forwarded message. Fwd iuoma Speech by Ina Blom. Start of<br />
forwarded message. Fwd iuoma Speech by Ina Blom. At the opening of<br />
thye exhibition of Ray Johnson in Museum Het. Domein in Sittard<br />
Netherlands Ina Blom gave a speech that went. like this. The Name of<br />
the Game. For many years the American artist Ray Johnson () was a.<br />
legandary outsider and a cult figure within contemporary art.. Despite a<br />
career span of more than years most of which were. spent in New York<br />
in close contact with some of the most influential. artists of his time he<br />
remained unknown to a larger audience until. the time of his death..<br />
However he was virtually a superstar within a particular art. network<br />
that developed in the 's and 's using the postal. service as an artistic<br />
medium a medium that makes it possible to. exchange and distribute<br />
72
written and visual works within a large. network of correspondents'<br />
instead of exhibiting in galleries and. museums. Ray Johnson is perhaps<br />
primarily known as the creator of. this network. In he started to mail<br />
works of art as gifts to a. set list of recipients. In the 's the rapidly<br />
growing postal. network was dubbed The New York Correspondence<br />
School of Art (a. tonguein cheek parallell to the famous New York<br />
School' of. painting) and he participated actively in the global mailart.<br />
movement up until his death. In fact responding to mail keeping. the<br />
network up and running took most of his time.. Johnson's use of the<br />
postal service as an artistic medium tied in. with the general<br />
development of many radical art projects in the. 'swhich directed their<br />
attention towards social issues. As one. receives mail one automatically<br />
feels obliged to reply and in. this way a social network develops based<br />
on the type of reciprocal. exchanges that characterises human societes<br />
in general. In extension. of the practice many regarded the mailart<br />
movement as a model for a. utopian society where all individuals<br />
communicate freely and where. social barriers and divisions no longer<br />
excist.. However Ray Johnson's project is not about free<br />
communication but. communication problems. For this reason his<br />
dispatches are. not whole' and legible' texts and images but confusing<br />
bits and. fragments. Everything sent by him is part of an endless<br />
collage. where correspondences between words pictures names and<br />
persons. arise only to be interrupted. It is a wellknown fact that the.<br />
postal service is not perfect Letters keep getting lost and. personal<br />
postcards are constantly being read (and misunderstood) by. others than<br />
their adressees. And where the modern postal service. uses proper<br />
names and adressees to regulate and order society Ray. such<br />
regulation.. art's strong focus on artistic names and signatures. As one.<br />
typically does not own a picture by Monet or Warhol but a Monet'. or a<br />
Warhol' modern art could be called the art of the proper. name. But<br />
when these famous names and the visual effects. associated with them<br />
are filtered through Ray Johnson's particular. postal network it is no<br />
longer certain to who or what they refer.. The artist and the work of art<br />
are no longer at their usual. address'.. At this point it's also somehow<br />
less easy to think art as as. communication'. Ray Johnson then disturbs<br />
many of our most cherished. beliefs in what art is supposed to be.. Ina<br />
Blom. The exhibition includes about works by Johnson and it is.<br />
organised as a small intimitate reading room'where the audience. will<br />
be able to study Johnson's letters and collages at their own. leisure..<br />
The exhibition includes about works by Johnson and it is. organized as<br />
73
a small intimate reading room' where the audience. will be able to<br />
study Johnson's letters and collages at their own. leisure. After Oslo the<br />
exhibition heads for Kunsthalle. Friedericianum Kassel and Museum<br />
het Domein Sittard in the. Netherlands.. Get A Free Psychic <strong>Re</strong>ading<br />
Your Online Answer To Life's Important Questions.. unsubscribe from<br />
this group send an email to. End of forwarded message. Fwd arc.hive<br />
quiz latin english. Start of forwarded message. <strong>Re</strong>plyTo<br />
arc.hivelm.va.com.au. Fwd arc.hive quiz latin english. quiz latin<br />
english. arceo. i reach. don't know. I keep away. arvum. I keep away.<br />
land. sono (v.). I hear. I see. sound. fugo. I fly. flight. put to flight.<br />
fatisco. I am fated. gape open. nemora. I am electric with wonder. You<br />
are electric with wonder. groves. adnitor. go for admission mispelled.<br />
Don't know.... strive. fulmen. Smoke. smoke. thunderbolt. geminus.<br />
twins germinating. germinating twins. twin. harena. have one's hare<br />
cut. hair cut. sand. minatur. make incredibly tiny as in a bull.<br />
miniaturize. he threatens. varius. many and varied. What. a huge<br />
number of different things. different. os (n.). bone. a bone. mouth.<br />
fulvus. so much for os... a balance like a fulcrum. a vent. tawny. mico.<br />
look upon a section or piece of mica. or a mica crystal for that matter....<br />
flash. immitis. better than anything else. immitable. cruel. frigus (n.).<br />
something cold named gus I guess. cold or is that frigid.... cold. luo.<br />
him. him. her. wash away. cervus. this isn't dog but should be. brain.<br />
stag. quiesco. be quiet. shhh..... become quiet. promitto. promise.<br />
promise. primise. horreo. be incredibly scared or frightened ah. bristle.<br />
foedera. hat. if it's not hat it should be. please make it hat. agreements.<br />
vinum. wine. Right. antrum. behind. oh i'm thinking of atrium....<br />
antlers. stag. cave. folium. I should have known cave.... hair. book. leaf.<br />
morsus. piece. you know a piece of something. bite. effundo. descend<br />
to the fundament. not to be able to afford such a descent. ahh.... pour<br />
out. extemplo. leaving the temple on time. going out. immediately.<br />
nemus. the knees in nimbus (cloud). grove. ingemo. the opposite of<br />
outgemo.... no just kidding. the same as ingemo. groan. aridus. dry.<br />
Right. rima. rhyme. rim. a round rhyme.... crack. sinat. part of a temple.<br />
a forum. a part of a temple forum. against um. he permits. condo. i want<br />
one. i live. despair... I can't afford... I found. dubius. doubtful. Right.<br />
artus. harmony. fit. joint. seditio. revolt. sedition against something.<br />
riot. gemo. germinate begin. the origin of everything. lament. ductor.<br />
lead. alas to lead again.... with one's mouth taped shut.... leader.<br />
crudelis. primitive. simple. awful. cruel. flecto. bend. bend. turn around<br />
something that wasn't.... turn. dolor. sad. sadness. mourn. pain.<br />
74
corripio. hurting. corruption. snatch. arrigo. quickly to go before you<br />
change your mind. prick up. spelunca. cave. Right. disjicio. someone<br />
not jicioing.... scatter. lumen. light. Right. ignarus. forget. dumb. ces't<br />
moi. unknowing. niteo. making smaller and picking.... shine. dulcis.<br />
smooth. soft. and quiet.... sweet. seco. place or put as in a maelstrom.<br />
search sweetly. and secrete.... cut. umbra. shadow. Right. arc.hive<br />
mailing list. arc.hivelm.va.com.au. End of forwarded message. Fra<br />
Stine Hems. Start of forwarded message. Hei. Nettutgaven og den<br />
trykte utgaven av denne publikasjonen har fått samme. E Man corridor<br />
maskinlesbar fil blurB Johnsen Guru. . Man corridor blurB Johnsen<br />
Guru. Jeg gjør oppmerksom på at trykte utgaver og internettutgaver skal<br />
ha ulikt. beskjed slik at dette kan bli rettet opp i våre bibliografiske<br />
baser. Vennlig hilsen. End of forwarded message. burph. Flere piller<br />
nese. Et sterilt teknologisk samfunn Det er vel heller motsatt at.<br />
utvendiggjøringen av det. hygieniske gjør det unødvendig for oss å framstå<br />
som rene. Hva med. mentalhygiene Psykiatrien. frigjør det gale i oss etc.<br />
Noe prosjekt på urenslighet kroppslukt el. hadde. vært. spennende.<br />
Hvorfor er nettopp lukt så ille Mer taktilsk som berøring light.. Det er<br />
samtidig. disse sansene som media ikke har tilgang til ingenting lukter<br />
ingenting. berører. Dersom. reklamen brukte lukt hadde vi vel sluppet å<br />
bry oss mer med det. B.. (VG Nett) Stadig flere piller seg i nesen. Så<br />
lenge ingen ser det.. Det er all grunn til å tro at det i dag plukkes mer<br />
nese vaskes mindre hender. og at en. oppvaskklut som har vært brukt til<br />
både det ene og det andre havner pent på. benken så lenge. ingen ser det<br />
heter det i et sammendrag en rapport fra Statens institutt for.<br />
forbruksforskning (SIFO).. SIFOforsker Ingun G. Klepp utga fredag<br />
rapporten Fra rent til nyvasket. I. rapporten rettes. hovedfokus mot<br />
skittentøyet og hvorfor vi vasker det.. Når det plukkes i neser og sluntres<br />
unna håndvask er begrunnelsen Det var jo. ingen som så. det.. Kroppslukt<br />
er tabu. Barn kan ha flekker voksne skal være rene mens eldre er spesielt<br />
udelikate. hvis de bryter. normene for renslighet mener de som ble spurt<br />
i rapporten. Møkk godtas lettere. utendørs og i. helt private<br />
sammenhenger. Toleransen for flekker på tøyet er blitt større. mens.<br />
kroppslukt. er et absolutt tabu.. Vasking begrunnes ikke lenger av<br />
hygiene og helse men av estetiske årsaker.. Man. er mer. opptatt av om<br />
klærne har mistet fasongen eller fått krøller enn om det kan. være.<br />
helsefarlig. på grunn av skitt.. Dårlig vask av rene klær. Mengden skitt i det<br />
skitne tøyet er likevel blitt mindre. Vi bytter hyppigere. klesplagg.<br />
vasker oftere og færre arbeider direkte med jord og dyr. Til tross for at.<br />
klærne. oftere får. en tur i vaskemaskinen vaskes de nødvendigvis ikke<br />
75
edre. Temperaturene er. lavere forvask. brukes sjeldnere og mindre<br />
mengder vann blir brukt når klærne vaskes. I tillegg. brukes mindre.<br />
miljøfarlige kjemikalier.. Spørrelister og litteratur om emnet er<br />
grunnlaget for rapporten. Prosjektet er. finansiert av. Norges<br />
forskningsråd.. Fwd postanarchism Nettlau Panarchy A Forgotten Idea<br />
of. Start of forwarded message. Panarchy. A Forgotten Idea of. by Max<br />
Nettlau. (). Introductory Note by John Zube. It was first published in<br />
GUSTAV LANDAUER'S DER. SOZIALIST .... Upon a suggestion by<br />
Leo Kasarnowski the later. publisher of John Henry Mackay who<br />
identified M.N. as. MAX NETTLAU it was reprinted in Der.<br />
individualistische Anarchist (The Individualist. Anarchist) published by<br />
Benedikt Lachman in Berlin. pages .. It is here translated by John Zube<br />
from the German. reproduction in Zur Sache No (On the Topic No.).<br />
produced by the Mackay Gesellschaft Germany. editor Kurt Zube .. The<br />
existence of this article by Max Nettlau was quite. new to me and<br />
pleased me very much. I had long sought. for anarchist responses to De<br />
Puydt's essay but in. vain except within my own close circle. Alas Kurt.<br />
Zube had failed to point it out to me earlier.. De Puydt's proposal as a<br />
core requirement for a. consistent anarchism supplemented by essential.<br />
conditions forms the foundation of the autonomous. protective and<br />
social communities described in. Solneman's The Manifesto of Peace<br />
and. Freedom..Its English edition appeared in . But. already in in Kurt<br />
Zube's RADIKALER GEIST. Berlin on pages (th issue) appeared the.<br />
related programme of Werner Ackermann' s THE. COSMOPOLITAN<br />
UNION.. In Zur Sache the program of The Cosmopolitan Union. is<br />
appended but I have left it out here since it has. already appeared<br />
repeatedly in my Peace Plans. series in English German and even in<br />
French. It is. the central idea in my own two peace books in Peace.<br />
Plans (German in Peace Plans ). written between .. Herbert Spencer<br />
discussed similar ideas in his. chapter The Right to Ignore the State in<br />
Social. Statics original edition in and Johann Gottlieb. Fichte discussed<br />
individual secessionism in his. book on the French <strong>Re</strong>volution.<br />
Voluntary taxation. schemes are one of the preconditions or<br />
consequences. for panarchies. Historical precedents for panarchism.<br />
abound and go back much further (but they are NOT. discussed in<br />
MOST history books) in the form of. personal law associations<br />
capitulations the millet. system or djemma special courts for foreigners<br />
and. consular jurisdiction).. <strong>Re</strong>mnants of this tradition persisted into the<br />
th. century e.g. in Morocco to and to our times. e.g. as personal law in<br />
civil jurisdiction in the. Middle East and Malaysia.. Curiously enough<br />
76
most minority groups have shown. little to no interest in this form of<br />
potentially full. exterritorial autonomy for all minorities that want to.<br />
form their own volunteer communities. They remain. addicted to<br />
territorialism and the atrocities that. follow from it.. PANARCHISM<br />
provides the only framework that could at. the same time and in the<br />
same country satisfy the. RIGHTFUL aspirations of all kinds of statists<br />
as well. as of all kinds of freedom lovers. Since the radical. freedom<br />
lovers are almost everywhere a small minority. and have little chance in<br />
the short run to convert. all the statists to their point of view they<br />
should. be the first ones to adopt this program. However they. find it<br />
very difficult to do since they are like. most statists stuck on the<br />
territorial model which. excludes tolerance for exterritorially<br />
autonomous. volunteer communities.. It is also the cornerstone for any<br />
rightful and. efficient peace defence revolution and liberation. effort<br />
since it could turn most of the resources of. any dictatorial or<br />
totalitarian regime against it and. could do so withoutdriving the regime<br />
into a corner. ready to undertake mass murderous steps. Even the. worst<br />
regime has some voluntary followers and under. panarchism it could<br />
retain these as long as it. satisfied them. I know of no better program to<br />
defuse. and finally abolish the threat posed by ABC mass. murder<br />
devices combined with popular notions on. collective responsibility and<br />
enemies all tied to the. territorial model.. One of the remaining<br />
panarchistic traits in all too. distorted form is the practice of and<br />
international. law on diplomatic immunity. However this is a bad.<br />
example because its current version permits diplomats. get away with<br />
serious crimes against foreigners.. That was NOT the traditional<br />
practice in law systems.. But then the rulers and their followers or.<br />
representatives have degrees of secrecy and immunity. for their crimes..<br />
A preliminary literature on panarchism pages. appeared in Peace Plans<br />
.. A pages list of can be found in Peace Plans. .. An extended<br />
bibliography on panarchism on pages. can be found in PEACE PLANS<br />
No... PANARCHY. A Forgotten Idea of. by Max Nettlau. For a long<br />
time I have been fascinated by the thought. how wonderful it would be<br />
if at last in public. opinion on the succession of political and social.<br />
institutions the fateful term one after another. would be replaced<br />
through the very simple and. selfevident simultaneously.. Down with<br />
the State and Only upon the ruins of the. State. . . express emotions and<br />
wishes of many but it. seems that only the cool Opt out of the State<br />
(No.. of The Socialist) can help them towards their. realization.. When<br />
a new scientific insight appears then those. convinced of it do simply<br />
77
proceed upon it without. wanting to persuade the old professors who do<br />
not. intend to follow it or to force them to accept the new. way or to<br />
slay them Quite on their own they will. fall behind diminish in<br />
reputation and dry up if. only the new method is full of life. Indeed in<br />
many. cases maliciousness and stupidity will put many. obstacles in the<br />
road of the new idea. That is the. reason why hard struggles must be<br />
fought for. unconditional mutual tolerance until it is finally. achieved.<br />
Only from then on will everything proceed. automatically science will<br />
bloom and advance because. the necessary foundation for every<br />
progress namely. experimental freedom and free research have been.<br />
achieved.. One should by no means attempt to bring everything. under<br />
one hat. Even the State did not achieve that.. The socialists and the<br />
anarchists slipped away from. its power. And we would not be any<br />
more successful. with such an attempt for the statists do still exist. (are<br />
one of the facts of our reality). Besides it. should rather please us not to<br />
have to drag a diehard. cripple of the State into our free society. The.<br />
frequently discussed question What ought to be done. with the<br />
reactionaries who cannot adapt to liberty. would thereby be very simply<br />
solved They may retain. their State as long as they want it. But for us it.<br />
would become unimportant. Over us it would have no. more power than<br />
the eccentric ideas of a sect which. are of interest to no one else. Thus it<br />
will happen. sooner or later. Freedom will break a path for itself.<br />
everywhere.. Once while we were on a steamer on Lake Como a.<br />
teacher from Milan boarded the ship with a large. class. She wanted all<br />
the kids to sit down and rushed. one group to the other ordering them to<br />
sit.. However barely had she turned her back upon any of. the groups<br />
when most of the group stood up again and. whenever she attempted to<br />
survey all of them. believing at last to have finished with her labour.<br />
she found them standing up and around in the same. disorder as before.<br />
Instead of now becoming more. severe with them the young woman<br />
laughed herself. about it and left the children in peace. Most of them.<br />
soon sat down anyhow on their own initiative. This is. just a harmless<br />
example to demonstrate that. everything which is left to itself solves<br />
itself. best.. Consequently and as an aside Before the idea of. MUTUAL<br />
TOLERANCE in political and social affairs will. break its path we<br />
could do nothing better than to. prepare ourselves for it by realizing it<br />
in our own. daily living and thinking. How often do we still act.<br />
contrary to it. These words are intended to demonstrate how much I.<br />
have fallen in love with this idea and to make others. understand my<br />
pleasure to have found a forgotten essay. of a pioneer of this idea an<br />
78
idea which is not talked. about much in our literature. However one<br />
must admit. that the struggle it is engaged in was really forced. upon it..<br />
I am speaking of the article PANARCHIE by P.E. De. Puydt in the<br />
REVUE TRIMESTRIELLE (Brussels) July. pages to . The author who<br />
was so far. unknown to me and about whom I did not care in order. not<br />
to disturb my impression of his ideas does. probably stand apart from<br />
the social movements. But he. has a clear vision of the extent to which<br />
the present. political system according to which ALL have to. submit to<br />
one government constituted upon a majority. decision or otherwise flies<br />
right into the face of. the simplest requirements for liberty.. Without<br />
identifying with his own proposal in any way. or attempting to achieve<br />
completeness I want to. summarize his views and quote some details..<br />
One will feel closer to his idea if one replaces in. one' s mind the word<br />
government which he always. uses by social organization especially<br />
since he. himself proclaims the coexistence of all governmental. forms<br />
up to and including even the ANARCHY of Mr.. Proudhon each form<br />
for those who are really. interested in it.. The author declares himself<br />
for the teachings of the. political economy of LAISSEZFAIRE<br />
LAISSEZ PASSER. (the Manchester School of free competition<br />
without. state intervention). There are no halftruths. From. this he<br />
concludes that the law of free competition. LAISSEZFAIRE LAISSEZ<br />
PASSER does not only apply to. the industrial and commercial<br />
relationships but would. have to be brought to its breakthrough in the.<br />
political sphere. .. Some say that there is too much freedom the others.<br />
that there is not enough freedom. In reality the. fundamental freedom is<br />
missing precisely the one. needed the freedom to be free or not free<br />
according. one's choice. Everybody decides this question for. himself<br />
and since there are as many opinions as there. are human beings the<br />
mixup called politics. results. The freedom of one party is the negation<br />
of. the freedom of the others. The best government. functions never in<br />
accordance with the will of all.. There are victors and defeated<br />
suppressors in the. name of the present law and insurgents in the name<br />
of. freedom.. Do I want to propose my own system Not at all I am. an<br />
advocate of all systems i. e. of all forms of. government that find<br />
followers.. Every system is like a block of flats in which the. proprietor<br />
and the main tenants have the best. accommodations and feel well off.<br />
The others for whom. there is not sufficient space in it are dissatisfied..<br />
I hate the destroyers as much as the tyrants. The. dissatisfied ones<br />
should go their own way but without. destroying the building. What<br />
does not please them may. give pleasure to their neighbours .. Should<br />
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they emigrate instead to seek for themselves. anywhere in the world<br />
another government Not at all.. Nor should people be deported here and<br />
there in. accordance with their opinions. I wish them to. continue living<br />
in coexistence wherever one happens. be or elsewhere if one wants to<br />
but without a. be or elsewhere if one wants to but without a<br />
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285<br />
struggle like brothers each freely speaking his mind. and each<br />
subordinating himself only to those powers. personally elected or<br />
accepted by him.. Let us come to the subject. Nothing develops and.<br />
lasts that is not based upon liberty. Nothing that. exists maintains itself<br />
and functions successfully. except through the free play of all its active.<br />
components. Otherwise there will be loss of energy. through friction<br />
rapid wear of the cogwheels too. many breakages and accidents.<br />
Therefore I demand for. each and every element of human society<br />
(individual). the liberty to associate with others according to his. choice<br />
and congeniality to function only in. accordance with his capabilities in<br />
other words the. absolute rightto select the political society in which.<br />
they want to live and to depend only upon it.. Today the republican<br />
attempts to overthrow the. existing form of the State in order to<br />
establish his. ideal of the State. He is opposed as an enemy by all.<br />
monarchists and others not interested in his ideal.. Instead according to<br />
the idea of the author one. should proceed in a way which corresponds<br />
to legal. separation or divorce in family relationships. He. proposes a<br />
similar divorce option for politics one. which would harm no one .. One<br />
wants to be politically separated Nothing is more. simple than to go<br />
one's own way but without. infringing the rights and opinions of others<br />
who on. their side would just have to make a little bit of. room and<br />
would have to leave the others full liberty. realize their own system.. In<br />
practice the machinery of the civil registry. office would suffice. In<br />
each municipality a new. office would be opened for the POLITICAL<br />
MEMBERSHIP of. individuals with GOVERNMENTS. The adults<br />
would let. themselves be entered according to their discretion. in the<br />
lists of the monarchy of the republic etc.. Fwd spectre Next Minutes<br />
Preliminar Program. Start of forwarded message. A N N O U N C E M<br />
E N T. NEXT MINUTES. International Festival of Tactical Media.<br />
PRELIMINARY PROGRAM. Amsterdam September. De Balie<br />
Paradiso Melkweg Waag Society. NIM Montevideo Imagine IC<br />
SALTO. What is Next Minutes. Next Minutes is a festival that brings<br />
together art campaigns. experiments in media technology and<br />
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transcultural politics. Next. Minutes revolves around the notion of<br />
tactical media the fusion of. art politics and media. The festival is<br />
organised irregularly when. the urgency is felt to bring a new edition of<br />
the festival together.. How did this particular edition of the festival<br />
come about. The fourth edition of the Next Minutes festival is the result<br />
of a. collaborative effort of a variety of organisations initiatives and.<br />
individuals dispersed worldwide. The program and content of the.<br />
festival is prepared through a series of Tactical Media Labs (TMLs).<br />
organised locally in different cities around the globe. This series. of<br />
Tactical Media Labs started on September in Amsterdam and. they<br />
continue internationally right up to the festival in September.. TMLs<br />
have been organised in Amsterdam Sydney Cluj Barcelona. Delhi New<br />
York Singapore Birmingham Nova Scotia Berlin Chicago. Portsmouth<br />
Sao Paulo Moscow Dubrovnik and Zanzibar.. The results of the various<br />
TMLs are published in a web journal at. What are the main themes of<br />
NM. The program of Next Minutes is structured along four core. Deep<br />
Local which explores the ambiguities of connecting. essentially<br />
translocal media cultures with local contexts.. The Disappearing of the<br />
Public deals with the elusiveness of the. public that tactical media<br />
necessarily needs to interface with and. considers new strategies for<br />
engaging with or redefining 'the public'.. The Tactics of Appropriation<br />
questions who is appropriating whom. Corporate state or terrorist actors<br />
all seem to have become. effective media tacticians is the battle for the<br />
screen therefore. lost. The Tactical and the Technical finally questions<br />
the deeply. political nature of (media)technology and the role that the.<br />
development of new media tools plays in defining enabling and.<br />
constraining its tactical use.. The festival explores a variety of forms<br />
and formats from lowtech. hightech from seminars and debates to<br />
performances and urban. interventions screenings installations as well<br />
as sound projects. and live media a pitching session a tool builders fair<br />
and open. unmoderated spaces. Defining for tactical media is not the<br />
medium. itself but the attitude towards media.. MORE<br />
INFORMATION. How can I find out more about the festival. By<br />
reading on in this document but also by consulting the website of. The<br />
site also contains a Frequently Asked Questions section that. addresses<br />
many practical questions you may have.. Further information can be<br />
obtained from the festival office. infonm.org. TICKETS. How can I<br />
reserve tickets. You can only reserve day tickets and passepartouts<br />
which give. access to all programs of the festival.. You can reserve<br />
tickets at ticketsnm.org. Ticket prices. Day Ticket Euro. PassePartout<br />
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Euro. These tickets offer access to all venues and events including the.<br />
evening programs.. Tickets for single programs are not sold except for<br />
the evening. performance programs.. How to get accommodation. In the<br />
beginning of August we will publish details on how to find. cheap and<br />
affordable accommodation close to the festival venues.. Follow the link<br />
Accommodation on the front page of our web site.<br />
ANNOUNCEMENTS LIST. <strong>Re</strong>ceive our announcements via email.<br />
More information at. THE DISAPPEARINGPUBLIC. Full Info.<br />
Introduction. Interfacing with the public. There is no public but where<br />
are our publics. In more than one sense the practices and promises of<br />
tactical media. are tied up with the idea that in the last decades we have<br />
witnessed. the disappearance of The Public. One big reason for this is<br />
the. explosion of heterogeneous media and heterogeneous media<br />
practices. and the fact boundaries between media spaces have become<br />
increasingly. porous (i.e. between media domains that are nationally<br />
and culturally. distinct). Another reason is that the idea of normal<br />
people on. which the concept of The Public relied has been thoroughly.<br />
undermined not in the least part because these people increasingly.<br />
came and put themselves in the picture aided by media. (Thus the.<br />
differences among various not so normal people can these days no.<br />
longer be easily airbrushed out.). Funnily enough also for those media<br />
practitioners artists and. activists who feel enthusiastic about the<br />
disappearance of The. Public the question of the public is no less acute<br />
In situated. media interventions the particularity of context tend to take<br />
the. foreground and precisely not a disembodied generality such as The.<br />
Public . Here margins count as a resource rather than as constraint. and<br />
they can and should be celebrated as such. But when it comes to. these<br />
kind of projects the question of who exactly one is. interfacing with<br />
often comes up as a pressing concern. A totally. eclipsed public that is<br />
an empty hall an empty street or empty. chairs many have found out is<br />
not an ideal situation either. And. when the public just doesn't get it we<br />
can't just dismiss the. possibility that there may be a problem with the<br />
performance itself.. And what if one ends up not liking one's public<br />
More. importantly a constructive picture of who or what one is trying<br />
to. prompt with a given media intervention remains totally crucial..<br />
While The Public has disappeared we thus keep and should keep<br />
asking. wherewhowhat is the public. In working with that question the<br />
issue of the erosion of the. public domain especially with the rise to<br />
dominance of commercial. mass media and it should be added after the<br />
disappearance of The. Public inevitably comes up. In this way it is easy<br />
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to get caught. between excitement about the disappearance of The<br />
Public puzzlement. about appropriate publics and resistance to the<br />
erosion of the. public domain . But that last diagnosis might also<br />
prompt us to go. and look for the missing public and try to conjure one<br />
up. The. question thus is what are the techniques and tactics available<br />
and. which should be developed to make a public appear. Sections.<br />
Testimony and Witness. Tactical Cartography Diagrams of Power.<br />
(Visualising for the Public Eye). Archives of <strong>Re</strong>sistance. Critical<br />
Games. Urban Interventions. Urban Interventions. Where else to find<br />
the public than in the streets The move of. alternative and resistant<br />
media cultures out of the ghetto of the. internet into the streets is a<br />
rather obvious one. The tactic is. comparable to that of art moving<br />
beyond the museum and gallery space.. Invariably as soon as such<br />
mediainterventions leave the relatively. unfettered space of the net or<br />
the sanctioned art spaces and enter. public urban space they encounter<br />
an entirely new set of conflicts. and constraints. Despite all these<br />
restrictions public urban space. remains one of the ultimate social<br />
interfaces that we want to. question and investigate at Next Minutes ..<br />
Packing Geldershoofd by Archeopteryx (Izhevsk). The art group<br />
Archeopteryx from Izhevsk (Russia) proposes to execute. their project<br />
PACKING on the blind faade of one of the large. Highrises of the<br />
Bijlmer district (Amsterdam South East) called. Geldershoofd. The<br />
highrise will disappear within a few years as. part of an urban<br />
restructuring plan. The original idea of the Package. action was to mark<br />
storey housing blocks (the traditional Russian. standardised housing<br />
boxes) in various Russian cities with giant. painted protection labels<br />
normally used on transport boxes. The. traditional meaning of these<br />
labels is apparently projected onto the. residents inside these boxes<br />
urging to protect the people inside. DO NOT WET DO NOT BREAK<br />
HANDLE WITH CARE.. Escaping Oblivion (Bus trip) Tactical<br />
Tourism. A bus trip to sites of contestation in and around Amsterdam.<br />
During its entire history the city of Amsterdam has been a place. where<br />
lots of social political religious and cultural issues have. been contested.<br />
Primarily aimed at our international guests but also. with the intention<br />
of informing a wider audience about the historical. and cultural context<br />
in which the Next Minutes originated this bus. trip takes you to a<br />
number off unusual or unexpected sites where the. sometimes invisible<br />
past of Amsterdam will be resurrected.. Mobile Transgenic FastFood<br />
Test Lab. Critical Art Ensemble and Beatirz da Costa. Aar Paar Project.<br />
Collaborative Public Art Project by Artists in India and Pakistan. DEEP<br />
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LOCAL. Full info. Introduction. Globalisation is renowned for its<br />
delocalising effects as. transnational business and policies erode local<br />
cultures and harness. them for their own ends. But far from<br />
extinguishing locality. globalisation as a process also invites the<br />
creation of new kinds of. localness. In this process of producing new<br />
localities the global is. constantly being reformulated as a summary of<br />
singular new. localities. The spread of telecenters and urban digital<br />
culture. projects are forceful examples of recent experiments in.<br />
translocality. On the one hand the adaptation of digital and other. media<br />
to local contexts serve urgent needs here it is decided among. others<br />
who will and will not participate in digital cultures and in. what ways.<br />
But these projects also provide opportunities to unearth. fixed<br />
assumptions and propose forms of situated activism and. embedded<br />
innovation as opposed to labbased forms of research and. development..<br />
Sections. New Landscapes for New Media. Language. Enduring Post<br />
Communism Networks of Patronage. Laboratory Italy. Bodies of<br />
Globalisation. (Global AIDS activism and the multitudes). Freedom of<br />
movement Freedom of information. THE TACTICS OF<br />
APPROPRIATION. Full info. Introduction. From its earliest<br />
articulations tactical media practitioners have. always recognised<br />
appropriation as one of the prime constitutive. elements of the tactical.<br />
From the repurposing of the fruits of the. consumer electronics<br />
industry(exploiting video's forensic immediacy. institute a subject<br />
centred realism) through to later phases of. new media tactics as<br />
evinced by the work of groups like RTMark and. the practices of logo<br />
tinkering and imposturing blossoming on the. Net. Thus rather than<br />
complaining about the speed with which our. tactics are stolen it is time<br />
to recognise that tactical media has. been in the appropriation game all<br />
along.. Indeed it is in the precise moment of appropriation that power.<br />
becomes momentarily visible. And here lies the opportunity for the.<br />
balance of power to be redefined for the weak once again to turn. the<br />
tables on the strong. Appropriation is the name of the game. The.<br />
important question is who appropriates whom. There are some who<br />
would rather seek solace in the belief that a new. social movement is<br />
emerging from the formation of alliances between a. multitude of<br />
heterogeneous critical groups and micromovements. But. those who<br />
believe that mass movements are immune from appropriation. should<br />
observer the ease with which Chirac together with a coalition. of EU<br />
member states have appropriated the mass peace demonstrations.<br />
legitimise their geopolitical stance visa a vie America. The. scope and<br />
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logic of appropriation are infinite. Here as elsewhere. power exists both<br />
where it is enacted and where it is being challenged. If appropriation is<br />
indeed one of the crucial operators of media. politics the question how<br />
that condition can be effectively. addressed (rather than escaped from)<br />
is especially important. So we. can ask questions like in what ways are<br />
opposition politics these. days constrained by logics of appropriation<br />
and how can we conceive. of appropriation as something that enables<br />
instead of threatens. antagonistic politics. Sections. Tactical Media in<br />
Crisis. (Strategies for Tactical Media). The Indymedia Debate. Uses<br />
and Abuses of the Language of Human Rights. Contestational Science.<br />
(<strong>Re</strong>configuring Scientific Networks of Power). Tactical Media from the<br />
Dark Side. THE TACTICAL AND THE TECHNICAL. Full info.<br />
Introduction. Increasingly the new right wing political movements in<br />
Europe and. elsewhere have created their own tactical media. Adopting<br />
the same. principles of resistant comments to mainstream politics and<br />
as in. the case of altermedia.info even the (web)styling of indymedia<br />
and. other open publication platforms to involve the audience in their.<br />
narrative and promote reactionary politics. In Amsterdam some.<br />
conservative Muslim groups have been using the open public channels.<br />
on the local cable system to distribute fundamentalist satellite.<br />
television programs originating from the Middle East camouflaged.<br />
within the highly multicultural programming of the open channels on.<br />
Amsterdam cableTV. Is the dark side learning the tricks of the. trade<br />
from the benevolent media tacticians Are these tactics. inherent to a<br />
specific form of politics. Sections. Radio Space wireless in your<br />
psyche. Paper tactics and the <strong>Re</strong>venge of Print. <strong>Re</strong>cuperating Video's<br />
Meaning. The Tactical Media Tool Builders Fair. The Tactical Media<br />
Tool Builders Fair. Next Minutes will host a minifair of tools<br />
developed by artists. and activists running continuously during the<br />
entire festival. At. any time three or four projects will be presented<br />
simultaneously in. the fairspace by the makers themselves who will be<br />
up for questions. and discussion. The emphasis of the fair space will be<br />
focused. primarily on streaming media wireless media open source<br />
publication. tools and tactical gizmo's. However also artists' devices<br />
that can. be used by others and conceptual tools can be presented in the<br />
space.. Presentations rotate every few hours. An exact schedule of<br />
projects. and presentation blocks will be published at the festival. Some<br />
of. the areas covered by the fair include. A meeting ground for tactical<br />
streaming media artists activist. net.audio hybrid media experiments.<br />
The streaming media minifair is. held in Amsterdam in October What<br />
86
has changed since where has. the field moved after the commercial<br />
streaming industry collapsed and. virtually disappeared. The Desire to<br />
be Wireless. A special focus area will be the domain of wireless media<br />
and the. cultural forms that spawn from it. The technology of wireless.<br />
networks has become democratised in many ways nit just via cell.<br />
phones. There are a number of projects that experiment with the.<br />
possibility of using wireless networks to provide free access to the.<br />
internet in public space (the socalled wireless commons). We wish to.<br />
explore this terrain via a series of performances and experimental.<br />
projects. Besides offering interesting avenues for artistic.<br />
experimentation the wireless technologies also offer opportunities. for<br />
new forms of lowcost mobile reporting as well as to set up. local<br />
networks in places where a 'wired' infrastructure is not. available..<br />
Open Source Publication Tools. A host of open source publication tools<br />
have hit the giftmarket. content management systems online databases<br />
weblogging software. schedulers reporting tools web zine tools and<br />
even complete. online video editing systems. A selection of some of the<br />
most. noteworthy publication tools will be presented in this section..<br />
Tactical Gizmology. Beside software tools some activist have also<br />
focused on creating. machines for tactical intervention work. IAA's<br />
pamphleteering robot. and graffiti writer are famous examples of such<br />
tactical gizmo's but. also repurposed consumer electronics and robotics<br />
appliances allow. for all kinds of unforeseen uses..... WORKSHOPS.<br />
Next Minutes will host an extensive series of workshops that will. focus<br />
in a more concentrated setting on various aspects of the. overall festival<br />
program. The workshops will have a more practical. and 'handson'<br />
character. The workshops will feed on the availability. of a unique<br />
group of highly experienced practitioners and specialist. brought<br />
together for the festival in Amsterdam from many different. countries.<br />
The main workshop locations will be the Waag Society. Imagine IC<br />
(Amsterdam South East) the Artlab of Montevideo and a. dedicated and<br />
fully equipped workshop space at the Melkweg. The. workshops will<br />
start in the days prior to the festival and will. extend for two days<br />
beyond the three main festival days thus making. available a full week<br />
for the workshop program.. The registration for workshops will be open<br />
for festival participants. and audience but is limited to a maximum<br />
number of participants.. Where possible audience facilities will be<br />
made available for people. who want to follow the workshops as<br />
listeners. At the. net.congestion festival we discovered that the interest<br />
for this. possibility was surprisingly large.. will be published well in<br />
87
advance of the festival.. Themes will include. Open Source Streaming<br />
Tools. Multimedia Archiving Databases. Open Source Publication<br />
Platforms. Digital Story Telling. IPL for the Digital Domain and<br />
Censorship. Hybridising Media (tactical combinations of radio TV<br />
internet. satellite technology). Wireless Media. Satellite Technology.<br />
Tactical Gizmology. Contestational Robotics IAA Hakctivist. TV<br />
Hacking prepared with Kees Stad. PITCHING SESSION. Find people<br />
to work with. The pitching session is an attempt to create a place were<br />
media. tacticians can find collaborators for whatever project they<br />
happen to. be working on. A meeting ground where people can pitch<br />
conceptual. practical technical artistic or activist projects to find the.<br />
expertise they are missing the expertise that YOU are missing. Contact<br />
the production office in time for the pitching session. This. will provide<br />
a unique opportunity for finding the collaborator you. dearly missed or<br />
the project you would love to work on but you. didn't know existed.<br />
Create your own solutions Pitch at Next. Minutes and find your<br />
unknown other...... THEORY SLAMS. At a few keypoints in the<br />
program we will invite some of our most. articulate guest to compete in<br />
making their urgent message heard in. the frame of a threeminute each<br />
theory slam contest. Every. contestant has to convey the urgency of<br />
whatever she he has to say. within the next three minutes after receiving<br />
the go verbal. gymnastics for tactical media theorists.<br />
PERFORMANCE PROGRAMS. Next Minutes wishes to continue the<br />
tradition of bringing. together extensive performance programs with<br />
radical art and media. experiments that transcend the traditional<br />
contours of regular art. and media production. In the spirit of the<br />
infamous LowTech Show of. the previous edition and the very<br />
successful performance programs of. the net.congestion festival we<br />
want to invite performers from around. the world that challenge the<br />
traditional frameworks of art and media. production. Besides the four<br />
evening programs that are planned in the. main festival locations<br />
(Paradiso Melkweg Balie) we are also. looking for unconventional<br />
interventions into the public city space. of Amsterdam (Urban<br />
Interventions).. The TML process has so far delivered a long list of<br />
performers from. many different countries and regions even beyond the<br />
sites where the. various TMLs were organised.. A completely safe<br />
environment..... A completely safe environment is a coproduction of De<br />
Balie and. Paradiso which is produced independently but will be<br />
presented in. the frame of the Next Minutes festival.. The evening<br />
program is an ironic challenge to the current security. mania that has<br />
88
seized public discourse not only in the United States. but also<br />
increasingly in horrifically safe countries such as The. Netherlands. For<br />
the evening a barrage of security equipment and. procedures will be<br />
installed at the entrance of the Paradiso venue to. ensure a perfectly<br />
tranquil environment inside. This completely safe. environment will<br />
however be continuously scrutinised by various. advanced surveillance<br />
and tracking technologies that are aimed at. ensuring a perfect safety<br />
for such an environment. The project is an. attempt to find out what is<br />
required to create such a perfectly safe. space and turn this into a<br />
visceral experience for the visitor.. Voicing <strong>Re</strong>sistance Hip Hop as<br />
Political Culture. A performance night devoted to Hip Hop as a site of<br />
resistance that. has long left its roots in the North American urbania.<br />
The. performance night will bring together musicians and collectives<br />
from. the USA (Code <strong>Re</strong>d) the Beta Bodega Coalition Latin America.<br />
Brazil as well as from urban France Amsterdam South East and other.<br />
contested environments.. fem snd. Due to the heavy<br />
underrepresentation of women in electronic music. and dj culture the<br />
fem snd party will focus on the aspect of giving. female artists the<br />
opportunity to perform their work. Male artists. are also most welcome<br />
if their work contributes to the gender. discourse.. Another aspect of the<br />
party will be not to try to attract attention. by big names but more by<br />
extraordinary quality. Particularly emphasis. is placed on artists who<br />
besides doing their own artistic work are. also active in political<br />
contexts and in building networks and. platforms for other artists.. The<br />
focus is on experimental electronic club music looking for.<br />
groundbreaking conceptual and technical innovations. Wherever.<br />
possible we will take into consideration the role that electronic. music<br />
played in triggering the economic aspects of the Net and. questions of<br />
copyright.. Further details of the program will be released on the web<br />
site in. the coming weeks.. SCREENINGS. All three main festival<br />
locations (Balie Melkweg Paradiso) are. equipped with superb<br />
screening facilities and spaces for film and. video in various formats.<br />
For the festival special cinema programs. will be compiled that will<br />
bring together experimental artistic. productions doityourself<br />
documentaries local media productions. around the globe and political<br />
cinema. These thematic programs. festival programs. We will also<br />
search for hybrid combinations of. cinema and video screenings with<br />
some of the performance programs. that will be part of the festival<br />
including combinations of screened. materials and live performance.<br />
Such hybrid combinations will be a. special focus of the screening<br />
89
programs.. Show Tell. More important even than the formal screening<br />
programs of Next. Minutes are the possibilities created for festival<br />
participants to. show and exchange materials amongst themselves<br />
during the festival.. Special informal screening spaces will be installed<br />
where impromptu. one to one or one to few screenings can be arranged.<br />
Furthermore the. TAZ spaces will all be equipped with screening<br />
facilities to enable. impromptu group screenings.. MEDIA LIBRARY.<br />
The Media Library will be a permanent space in the festival that. hosts<br />
a collection of media productions with a specific social. cultural or<br />
political agenda. Media of crisis criticism and. opposition. Media that<br />
provide an antidote to the world as we see it. represented in mainstream<br />
media and current geopolitics. The Media. Library can be accessed by<br />
any festival participant during the. festival.. Next Minutes has been<br />
putting out calls for such media productions. widely but the submission<br />
is still open. The productions that you. will send to us will become part<br />
of the socalled medialibrary.. After conclusion of the festival they will<br />
become part of the Next. Minutes Visual Archive which is kept at the<br />
International Institute. for Social History in Amsterdam.. Contributions<br />
can be selected for special screenings at the. festival for broadcasting<br />
on local cable TV and for broadband. internet distribution in which case<br />
specific permission will be. asked from the maker. We will accept<br />
contributions on all carriers. (SVHS Betacam cdrom miniDV dvd<br />
palntscsecam mm mm. etc.) (VHS welcome but not preferred).. Any<br />
length any language.. More information is available via the production<br />
office (infonm.org). NEXT MINUTES TV. Starting weeks before the<br />
festival Next Minutes TV will air twice. per week a live studio program<br />
coproduced with SALTO the local. Amsterdam TV organisation with<br />
studio guest and hosted by Erik van. der Schaft director of SALTO.<br />
During this period media productions. the Media Library will be aired<br />
every night between . and. . hours on Amsterdam Cable TV.. During<br />
the festival itself Next Minutes will generate an intensive. program of<br />
live broadcasts from the Hybrid Media Studio interviews. with festival<br />
guests live broadcast from festival programs and. edited festival<br />
reports.. HYBRID MEDIA STUDIO. As in previous editions Next<br />
Minutes is more than an event for. presentation and debate about media<br />
it is also an event where a lot. of mediaoutput is produced on site. The<br />
nerve centre of the media. production during NM will be the Hybrid<br />
Media Studio. The concept. takes the fusion of different mediaforms<br />
within a hybridised digital. media network as its starting point. Radio<br />
television internet. wireless transmission satellite and other forms of<br />
90
electronic media. production continue to exist in their own right but<br />
they are also. more and more often combined into expanded media<br />
formats that involve. two or more media at once. The Hybrid Media<br />
Studio brings these. different mediaforms together in one space and<br />
connects them to all. available mediainfrastructures. Amsterdam offers<br />
unique. possibilities for noncommercial free media programming on<br />
local TV. and radio as well as various webcasting facilities. From the<br />
Hybrid. Media Studio continuous live programming will be fed to local<br />
media. outlets to international (satellite) outlets to national.<br />
broadcasting organisations and to local media partners in other. cities in<br />
the world. What makes the studio hybrid is its transgenre. approach and<br />
its translocal distribution.. OPEN SPACE TACTICAL<br />
AUTONOMOUS ZONES (TAZ). An element first introduced in the<br />
third edition of Next Minutes in. that we wish to foreground more are<br />
the Tactical Autonomous. Zones. These are unprogrammed but fully<br />
equipped presentation spaces. where participants can sign up<br />
themselves for a presentation. The. idea is to create open zones in the<br />
festival for impromptu. presentations and gatherings spaces for<br />
contestation and difference.. <strong>Re</strong>gistration for the TAZ is open to all<br />
festival participants and. works on a first come first serve basis..<br />
Proposals for the TAZ can be sent to the production office as of.<br />
Monday July st via taznm.org. NM EXTENDED. A friendly<br />
postfestival networking environment. Next Minutes is always<br />
overprogrammed because of the urgency of a. multitude of concerns<br />
that characterise a world in permanent crisis.. What is lost is the space<br />
for informal encounter and exchange of. ideas and the time to create<br />
new coalitions for the future. Since. for logistical budgetary and many<br />
other reasons it is impossible to. resolve the desire for such a less<br />
pressured environment within the. festival we have created a<br />
postfestival meeting place and work. environment ideally suited for<br />
working sessions and networking. meetings. The location of this<br />
meeting is the artistrun imitative. Het Buitenland just outside the city of<br />
Amsterdam which includes a. small camping site.. The site of Het<br />
Buitenland will be equipped with basic networking. facilities as well as<br />
meeting rooms and other requirements. The main. function of this<br />
postfestival meeting is to setup new cooperative. projects start longer<br />
term working relations and develop new. collaborative networks<br />
between festival participants. Further. information on the meeting will<br />
be posted on the announcement list of. Next Minutes the web site and<br />
are available through the production. office.. Buitenland. Next Minutes<br />
91
Production Office. co De Balie. Kleine Gartmanplantsoen. RR<br />
Amsterdam. The Netherlands. Tel. ... Fax. ... email infonm.org.<br />
SPECTRE list for media culture in Deep Europe. Info archive and help.<br />
End of forwarded message. Fwd arc.hive Turbulence Spotlight<br />
GALZA. Another and by far the most important aspect is our website.<br />
There we've put. our heritage. in a graphical form so that anyone with a<br />
standard webbrowser can enjoy our. art. and. sideprojects... The site<br />
requires the Flash pluginB.. Start of forwarded message. FOR<br />
IMMEDIATE RELEASE. June. Turbulence Spotlight GALZA.<br />
Formed in Galza is a group of artists who make ASCII American.<br />
Standard Code for Information Interchange art. Members are mostly.<br />
Russian but the group also includes individuals from Belgium Finland.<br />
the US Canada and Sweden.. ASCII art utilizes characters of the ASCII<br />
Table numerical. representations of characters such as 'a' or '' or<br />
actions. Galza has. been drawing this way because in the old days<br />
computers didn't have. any graphical user interfaces. People were stuck<br />
to text. As a way to. embellish text files and the interfaces of BBS's we<br />
started drawing in. ASCII mode. You can consider it stone age<br />
multimedia. (Filip De Haes). Galza is part of the ASCII virtual<br />
community every few months they. release their art in zipfiles as is<br />
common in the underground art. scene. But because few people know<br />
and appreciate textmode (ASCII) art. Galza decided to emerge from<br />
this relatively small community and reach. out to a wider audience.<br />
They make ASCII Tshirts and have exhibited in. Moscow and Izhevsk<br />
(Russia) including at the famous DOM Gallery.. Another and by far the<br />
most important output of the Galza group is. their website. There we've<br />
put our heritage in a graphical form so. that anyone with a standard web<br />
browser can enjoy our art and side. projects.. prorating.lucid.txt.<br />
crxxxoss ova.ring.. arc.hive mailing list. arc.hivelm.va.com.au. End of<br />
forwarded message. Fwd syndicate <strong>Re</strong> death after life life after death a<br />
call. Start of forwarded message. Fwd syndicate <strong>Re</strong> death after life life<br />
after death a call. You're right Florian.. Wu Ming (no name) first<br />
committed suicide and than he started publishing.. He was a young<br />
performance artists (perhaps he was known as Qi Lei) who. died of<br />
hypothermia in an Ice Burial performance as seen in the performance.<br />
'Frozen' documented on video somewhere in China.. Than in Wu Ming<br />
took over the Q publishing project after the seppuku of. Luther Blisset..<br />
and because Monty Canstin is so open none can be sure. what she is<br />
doing. But it is sure that after Bunny was killed. and Ray Johnson<br />
performed his Nothing performance in. I got several of those cards that<br />
92
usually announced address. changes but these ones in announced<br />
changes of names.. I classified these announcements under the Monty<br />
Cantsin. in transition file at Artpool in Budapest.. greetings. Anna. he<br />
asked Who... Florian Cramer. Am Montag . Juni um Uhr () schrieb<br />
anna balint. Well things end. Monty Cantsin though she was a very<br />
open pop star simply changed his name. Not that Ihe would know.. new<br />
millenium at the same time Wu Ming also committed suicide. AFAIK<br />
they're still alive and kicking (writing).. F. End of forwarded message.<br />
Urls in white dresses. Ny eFaktura fra NetCom GSM as er nå<br />
tilgjengelig i din nettbank.. Notater fra. Radio stream byhand.mu. dj<br />
byhand my favorite Proper Hoodidge things. Julie Andrews sings<br />
Amon Tobin. dj byhand supercalifragilisticexpialidocious honey<br />
bucket. Julie Andrews vs. Melvins. dj byhand bring back mischief<br />
keeping out of trance. Dinah Washington samples Burger Ink.<br />
Download byhandMD. Uhu. Jeg får ikke til å høre på dette.... (. Server nede<br />
på knærne. fair use. fairly... Raindrops on roses and whiskers on kittens.<br />
Bright copper kettles and warm woolen mittens. In times of bella foe fa<br />
lies cobalt cast and clean.. Brown paper packages tied up with strings.<br />
These are a few of my favorite things. Ain't about to pick my rounds.<br />
This is in my way.. Cream colored ponies and crisp apple strudels.<br />
Doorbells and sleigh bells and schnitzel with noodles. I gotta motor fare<br />
the wheel real fast and fear.. Wild geese that fly with the moon on their<br />
wings. These are a few of my favorite things. Trijacking blackened for<br />
moi handcuffs and special keys.. Girls in white dresses with blue satin<br />
sashes. Snowflakes that stay on my nose and eye lashes. Silver white<br />
winters that melt into spring. These are a few of my favorite things.<br />
Throw my case of plasterscene down. Maybe after you won't let it..<br />
Triple lies and neckties divide. This will be his size.. When the dog<br />
bites when the bee stings. Been around the somber town maybe in the<br />
wall.. When I'm feeling sad. Plop is fast as my hole's down. Green<br />
glass and most of all.. I simply remember. my favorite things. and then<br />
I don't feel so bad. thurese. fa us troll. fa us troll<br />
93
286<br />
jau kjekt med nymail nym. virkar til og med. faustrolladundasnet. alias.<br />
threse passer. ftp var kje tilsnakkandes supportsia var vel også borte.<br />
treig server og faenskap jaja ad dundas o hoi.<br />
isoQforyourearsonly(inorskeFre). Dear client. You are receiving this<br />
email because you are contact of the. domains listed below.. Your<br />
domains have expired days ago and no payment has been received. for<br />
their renewal.. Thus these domains have been definitively destroyed<br />
and are now. available again for anyone to register.. Thank you for<br />
using our services.. Liste de vos domaines List of your domains.<br />
Expiration Creation Domain(e). EARSPUBLICA.COM. <strong>Re</strong> noemata<br />
RE Din bankkonto. Hei. Jøss bankkonto med virus er det det nye<br />
framstøtet. Du får ikke renter lenger men en skjermsparekonto som kaster<br />
av seg.. Vi bekrefter E ha mottatt din henvendelse. Den er til<br />
behandling og. vil bli. besvart sE snart som mulig.. Vennlig hilsen. for<br />
Skandiabanken. Daniel Skotheim. KundestFtte. La historikken i dette<br />
dokumentet fFlge til saken er avsluttet.. Original Message. Jonas<br />
Howden SjFvaag mailtojonassjovaag.no. . februar. Webmaster. Din<br />
bankkonto. Et vedlegg resume.scr fulgte med. Curriculum Virus Det<br />
roter gjennom sakene dine mens det forteller den. sørgelige.<br />
livshistorien sin.. Hvor mange legger ved CV'en sin som skjermsparer<br />
Livet mitt forandrer seg. hele. tiden det passer egentlig best som<br />
skjermsparer.. the<strong>Re</strong>sponser. <strong>Re</strong> spectre. e k u n s t .arc.hive Where's<br />
Ascii Turbulence. Spotlight GALZA. Flash plugin. Much ASCII art<br />
uses a monospaced font like Courier at a set size unless you. can<br />
control or predict the typography the graphical intent is most likely.<br />
mangled. Yet I agree with the pointers it is an oxymoron cause this is.<br />
ASCII art presented much as the screenshot in net art which has<br />
somewhat. humorously gained some traction. (See Olia Lialina's<br />
misgivings about the. recent NY Digital Salon posted to rhizome and<br />
nettime.) It's all about. injecting a healthy dose of formaldehyde...long<br />
live net art.. ( (Y) ). Hlogre. jj jj. Becouse information is a lost dog. Hi<br />
guys n' gals. I would like to introduce to you my latest net art work<br />
Where's Ascii. You all remember Where's Waldo the big illustrated<br />
94
ooks where you're. supposed to find this guy with a redwhite sweater.<br />
well Where's Ascii is. the internet version.. Ascii is my Dog an original<br />
Ascii Cyberian and he got lost on the. internet.. If you see him just click<br />
on the dog wherever you see him on the net (it. will send you to another<br />
random page hosting Ascii) or click his house to. participate more in<br />
the project you are welcomed to host the dog (paste a. small HTML<br />
code in your site) until I send for him. For more details and to.<br />
download the dog please visit the site. ..uh Ascii is very<br />
HTMLembedded there Where's HTML. poilerhere's Ascii (and his<br />
mates) reclining ekunst and no.test archives. ( (Y) ). H( (Y) ). jj jj H (<br />
(Y) ). jj jj H. jj jj. ( (Y) ). H. jj jj. ( (Y) ). H ( (Y) ). jj jj H( (Y) ). jj jj H (<br />
(Y) ). jj jj H. jj jj. What you get is a lot of visits to your site from people<br />
who otherwise. might have never gotten there and supporting my net art<br />
of course.. let sleeping dogs lie. You can write me at<br />
dogmasterwheresascii.com. Please forward this to as many people as<br />
you can to help me spread the dog.. thanks. Mushon ZerAviv. Digital<br />
Art Lab's Inlab designer. mushonATzeraviv.co.il. Cell Fax. SPECTRE<br />
list for media culture in Deep Europe. Info archive and help. . e k u n s t<br />
. <strong>Re</strong> spectrearc.hive Where's Ascii Turbulence. Spotlight GALZA. This<br />
is a multipart message in MIME format.... ContentType textplain<br />
charsetiso. Flash plugin. Much ASCII art uses a monospaced font like<br />
Courier at a set size unless you. can control or predict the typography<br />
the graphical intent is most likely. mangled. Yet I agree with the<br />
pointers it is an oxymoron cause this is. ASCII art presented much as<br />
the screenshot in net art which has somewhat. humorously gained some<br />
traction. (See Olia Lialina's misgivings about the. recent NY Digital<br />
Salon posted to rhizome and nettime.) It's all about. injecting a healthy<br />
dose of formaldehyde...long live net art.. ( (Y) ). Hlogre. jj jj. Becouse<br />
information is a lost dog. Hi guys n' gals. I would like to introduce to<br />
you my latest net art work Where's Ascii. You all remember Where's<br />
Waldo the big illustrated books where you're. supposed to find this guy<br />
with a redwhite sweater. well Where's Ascii is. the internet version..<br />
Ascii is my Dog an original Ascii Cyberian and he got lost on the.<br />
internet.. If you see him just click on the dog wherever you see him on<br />
the net (it. will send you to another random page hosting Ascii) or click<br />
his house to. participate more in the project you are welcomed to host<br />
the dog (paste a. small HTML code in your site) until I send for him.<br />
For more details and to. download the dog please visit the site. ..uh<br />
Ascii is very HTMLembedded there Where's HTML. poilerhere's Ascii<br />
(and his mates) reclining ekunst and no.test archives. ( (Y) ). H( (Y) ). jj<br />
95
jj H ( (Y) ). jj jj H. jj jj. ( (Y) ). H. jj jj. ( (Y) ). H ( (Y) ). jj jj H( (Y) ). jj<br />
jj H ( (Y) ). jj jj H. jj jj. What you get is a lot of visits to your site from<br />
people who otherwise. might have never gotten there and supporting<br />
my net art of course.. let sleeping dogs lie. You can write me at<br />
dogmasterwheresascii.com. Please forward this to as many people as<br />
you can to help me spread the dog.. thanks. Mushon ZerAviv. Digital<br />
Art Lab's Inlab designer. mushonATzeraviv.co.il. Cell Fax. SPECTRE<br />
list for media culture in Deep Europe. Info archive and help.<br />
ContentType textplain namemessagefooter.txt. ContentDisposition<br />
inline filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. Logout. log l v.t. i. Chiefly dial. Infl. gg. E. Origin<br />
unkn. Earlier as. LOGAN. Rock move to and fro oscillate. Chiefly as<br />
logging ppl a.. loggingrock loggingstone LOGAN.. adobe kompr<br />
setting. video. cinemac codec ned til Ks blir da K. intel indeo . ned til<br />
Ks blir K. intel indeo raw Ks blir K. mikke video ks kval. gir K men<br />
med dårlig kvalitet. mikke rle ks blir K med dårlig q. audio. mikke gsm<br />
Khz . ok. truespeech kz ok. avimpg. audio må være mono i premiere for<br />
komp ks. ikke crop i prem. miniumim bitrate på audio ks. eslogout 'U'<br />
LOGOUT. Hva slags kunstart jeg driver med Alt jeg skiller ikke<br />
mellom det alt er. digitalt. Eller en forfatter som bare driver med<br />
bokstaven A eller personlige. pronomen. Nei men seriøst det at alt er<br />
digitalt gjør at vi ikke trenger. skille.. <strong>Re</strong> Jepp. hm det var noe tull<br />
simple mail terror protokoll feil kanskje fikk du flere x. av mailen eller<br />
hva var det jeg fikk bare sent successfully. de andre må i. tilfelle ha stått<br />
bak døra. dessert redundanser til apertiff tre serveringer.. Jeg kan være<br />
termos.. nil i billy hadde et poeng termosen må være kunstig intelligent<br />
hvordan kan. den ellers vite når den skal holde noe varmt og når holde<br />
kaldt. ja gåselever. jeg tror det var svaret.. hva med en adynaton vol. <strong>Re</strong><br />
syndicate backupfestival last call for entries. ONLY DAYS LEFT<br />
CALL FOR ENTRIES. DEADLINE FOR SUBMISSIONS IS JULY st.<br />
for the international backup.award we are at first interested in shorts.<br />
which are no longer than minutes and not older than two years. we are.<br />
interested in film and video productions developed using digital means..<br />
(shorts music video experimental trailer and so on) prizes will be.<br />
awarded with a total value of euro.. Please accept my submission. Kent<br />
MantiesEljotMustek lmp () (AVI format loop sec). The video was made<br />
by mistake as opposed to backup. I credit the camera. A. minimal film<br />
of feet narrative where the loop generates the story like. walking. or<br />
drifting no place in particular a shaggy dog shaggy camera story..<br />
96
<strong>Re</strong>gards. B.. URL'imagesdeutbut.gif'URL'imagesdeutbuto.gif'<br />
URL'''deutsche. version') CSInitCSInit.length new<br />
Array(CSILoadCMP'festival'. URL'imagesmenufest.gif'URL'images<br />
menufesto.gif'URL''''). CSInitCSInit.length new<br />
Array(CSILoadCMP'callforentries'. URL'imagesmenucall.gif'<br />
URL'imagesmenucallo.gif'URL''''). CSInitCSInit.length new<br />
Array(CSILoadCMP'organisation'. URL'imagesmenu<br />
orga.gif'URL'imagesmenuorgao.gif'URL''''). CSInitCSInit.length<br />
new Array(CSILoadCMP'pressnews'URL'images.<br />
menupres.gif'URL'imagesmenupreso.gif'URL'''') CSInit.<br />
CSInit.length new Array(CSILoadCMP'partners'URL'images menu.<br />
part.gif'URL'imagesmenuparto.gif'URL'''') CSInitCSInit.length. new<br />
Array(CSILoadCMP'archive'URL'images menuarch.gif'.<br />
URL'imagesmenuarcho.gif'URL'''') CSInitCSInit.length new Array.<br />
(CSILoadCMP'contact'URL'images menucont.gif'URL'im.<br />
Transmission stopped. welcome. backup is a festival for film and video<br />
productions developed using digital. tools and a stocktaking within the<br />
realm of 'new media'.. We use the term 'film' primarily for the form of<br />
presentation. Transmission stopped. Steinvåg har såvidt dekning alle dei<br />
som bur der.. Fortsatt steder uten mobildekning. prosent av Norge har<br />
mobildekning men dette er ikke nok for kravstore. mobilkunder.<br />
Telenor og Netcom får stadige henvendelser fra folk som ønsker. bedre<br />
dekning.. Grisgrendt. Selv om det er nasjonalparkene og store områder i<br />
fjellet som har. dårligst dekning er det fremdeles n prosent av Norges<br />
befolkning som mangler. mobildekning der de bor. Svært mange ønsker<br />
seg dekning overalt men. kostnadsmessig er det ikke mulig å få til sier<br />
dekningsdirektør Bjørn Amundsen. i Telenor mobil.. ee. kiære elite. jej har<br />
nu tatt mig den frihed. da det sa hastig forsvand fra ekunstarkivet..<br />
hængivent. B. <strong>Re</strong> BB bevilgninger Kunst og ny teknologi. Prøvde å melde<br />
meg av busterlista men nettet lar meg ikke gjøre det.. Kunne du hjelpe<br />
meg. Aldri. lista har bare inngangsdør ikke utgangsdør. Du må belage deg<br />
på å forbli her. slik som i et kjøpesenter. men du skal få mat. (har himmelen<br />
utgangsdør hvis. ikke så er den vel en slags felle alt bør ha utgangsdører<br />
det er en del av. copyleft å forlate.).<br />
culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll.<br />
PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen<br />
bare utgangsdør. Det er kanskje noe lignende som har skjedd her.<br />
Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe<br />
kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og.<br />
ny teknologi. Det må være kunst og ny teknologi som står bak det hele<br />
97
seksjon. for open source nei OpenDocument heter det sic med en url så<br />
obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare<br />
oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities)..<br />
utrolig irriterende. funker hverken med Konquerer eller Mozilla under<br />
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.<br />
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond<br />
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du<br />
her. Billedkunst. Bevilgninger. Minner. . ' '' .. . . .. BBbek.no.<br />
OpenDocument. Prøvde å melde meg av busterlista men nettet lar meg<br />
ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør<br />
ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter.<br />
men du skal få mat. (har himmelen utgangsdør hvis. ikke så er den vel en<br />
slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate.).<br />
culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll.<br />
PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen<br />
bare utgangsdør. Det er kanskje noe lignende som har skjedd her.<br />
Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe<br />
kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og.<br />
ny teknologi. Det må være kunst og ny teknologi som står bak det hele<br />
seksjon. for open source nei OpenDocument heter det sic med en url så<br />
obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare<br />
oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities)..<br />
utrolig irriterende. funker hverken med Konquerer eller Mozilla under<br />
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.<br />
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond<br />
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du<br />
her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument.<br />
Prøvde å melde meg av busterlista men nettet lar meg ikke gjøre det..<br />
Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør.<br />
Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få<br />
mat. (har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt<br />
bør ha utgangsdører det er en del av. copyleft å forlate.).<br />
culturejammersrequestlists.copyleft.no. unsubscribe. Mvh. Faustroll.<br />
PS. Jeg husker en scene der Pilt går inn en dør og havner på utsiden. igjen<br />
bare utgangsdør. Det er kanskje noe lignende som har skjedd her.<br />
Through the LoopingGlass. Hjalp dette. Evt. det å komme inn. Hehe<br />
kunst og ny teknologi ergrer seg over kunst og ny teknologi på kunst og.<br />
ny teknologi. Det må være kunst og ny teknologi som står bak det hele<br />
seksjon. for open source nei OpenDocument heter det sic med en url så<br />
obfuskert atg. zksa qwek werkqør den umulig å referere til du må bare<br />
98
oppleve det.. Stengt p.g.a. ran (jfr bevilgninger fri vilje communities)..<br />
utrolig irriterende. funker hverken med Konquerer eller Mozilla under<br />
Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra internet.<br />
explorer .... disgusting. Oversikt over bevilgninger fra Norsk kulturfond<br />
til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i finner du<br />
her. Billedkunst. Bevilgninger. Minner. lumber log. OpenDocument.<br />
Prøvde å melde meg av adbusterlista men nettet lar meg ikke gjøre det..<br />
Kunne du hjelpe meg. Aldri. lista har bare inngangsdør ikke utgangsdør.<br />
Du må belage deg på å forbli her. slik som i et kjøpesenter. men du skal få<br />
mat. har himmelen utgangsdør hvis. ikke så er den vel en slags felle alt<br />
bør ha utgangsdører det er en del av. copyleft å forlate.. unsubscribe.<br />
Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en dør og havner<br />
på utsiden. igjen bare utgangsdør. Det er kanskje noe lignende som har<br />
skjedd her. Through. the LoopingGlass. Hjalp dette. Evt. det å komme<br />
inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny teknologi på<br />
kunst og. ny. teknologi. Det må være kunst og ny teknologi som står bak<br />
det hele seksjon for. open source nei OpenDocument heter det sic med<br />
en url så obfuskert atg zksa. qwek werkqør den umulig å referere til du må<br />
bare oppleve det. Stengt p.g.a.. ran (jfr bevilgninger fri vilje<br />
communities).. utrolig irriterende. funker hverken med Konquerer eller<br />
Mozilla under Linux.. ka skjer i rultkurrådet får bare åpnet denne linken fra<br />
internet. explorer .... disgusting. Oversikt over bevilgninger fra Norsk<br />
kulturfond til tiltak og. prosjekter. på billedkunstområdet (inkl. KNYT) i<br />
finner du her. Billedkunst. Bevilgninger. Minner. lumber log.<br />
OpenDocument. Prøvde å melde meg av adbusterlista men nettet lar meg<br />
ikke gjøre det.. Kunne du hjelpe meg. Aldri. lista har bare inngangsdør<br />
ikke utgangsdør. Du må belage deg på å forbli her. slik som i et kjøpesenter.<br />
men du skal få mat. har himmelen utgangsdør hvis. ikke så er den vel en<br />
slags felle alt bør ha utgangsdører det er en del av. copyleft å forlate..<br />
unsubscribe. Mvh. Faustroll. PS. Jeg husker en scene der Pilt går inn en<br />
dør og havner på utsiden. igjen bare utgangsdør. Det er kanskje noe<br />
lignende som har skjedd her. Through. the LoopingGlass. Hjalp dette.<br />
Evt. det å komme inn. Hehe kunst og ny teknologi ergrer seg over kunst<br />
og ny teknologi på kunst og. ny. teknologi. Det må være kunst og ny<br />
teknologi som står bak det hele seksjon for. open source nei<br />
OpenDocument heter det sic med en url så obfuskert atg zksa. qwek<br />
werkqør den umulig å referere til du må bare oppleve det. Stengt p.g.a..<br />
ran (jfr bevilgninger fri vilje communities).. utrolig irriterende. funker<br />
hverken med Konquerer eller Mozilla under Linux.. ka skjer i<br />
rultkurrådet får bare åpnet denne linken fra internet. explorer ....<br />
99
disgusting. Oversikt over bevilgninger fra Norsk kulturfond til tiltak og.<br />
prosjekter. på billedkunstområdet (inkl. KNYT) i finner du her.<br />
Billedkunst. Bevilgninger. Minner. lumber log. chtonline openurl<br />
runme.org. what is runme org doing with art. Runme org doing with<br />
software ArtRunme.org experts were. asked latest. who are the experts.<br />
Experts were asked latest. what were they asked. What were asked<br />
latest. not talkative are you. Are you. are there projects at the site. Are<br />
there projects submitted before the deadline will be considered for.<br />
what are the news at runme. At the <strong>Re</strong>adMe . latest. what happened at<br />
the readme. At the site Directory latest. what's at the directory<br />
ridiculectory. At the Websize. strange forms. why don't you talk to me.<br />
width. on holiday still. width. as if europe wasn't hot enough. when will<br />
you be back. Will be considered for. ok i give up. Up to me. ok you<br />
give up then. Give up now. lumber log. chtonline prelelease. hva er<br />
nyheter idag. Nyheter fra april til både ansatte beskjed om at de fartøyer<br />
som har. åpenbart resignert i samme måned i å legge ned ruten mellom<br />
Norge og. Skottland på millioner kroner under årets andre kvartal i<br />
Kosovo.. targetnyheter classnyheterHissig virus skaper.<br />
trøbbelclassnyheter.aligncenterMYLDER en hyggelig melding å.<br />
modernisere ovnene i Athen neste onsdags fotballandskamp mellom<br />
Haugesund. og eiere.. hva skal jeg gjøre. Hva skal han er lønnsomt å finne<br />
den krigsforbrytermistenkte Ratko Mladic. under årets andre såret onsdag<br />
gikk til SaudiArabia inntil videre grunnet. økende bekymring for<br />
sexysize classnyheter.aligncenterMYLDER en ukes tid.. targetnyheter<br />
classnyheterHissig virus skaper.<br />
trøbbelclassnyheter.aligncenterMYLDER en mann ble dømt til rette. for<br />
nesten millioner kroner etter mediepressvaligntop.valigntop colspan<br />
aligncenterMYLDER en. pengemaskin.. hissig infeksjon skapte trøbbel<br />
trbbl som det heter. Som det er lønnsom. Onsdag da attentatmenn åpnet<br />
ild mens de. fredsbevarende NATOstyrkene i september. targetnyheter.<br />
classnyheter Hydroansatte kan miste jobben hvis ovnene stenges i.<br />
TVNorge Morten Aass hadde konsernet et overskudd på.<br />
årclassnyheter.aligncenterMYLDER en trafikkulykke ved Hydro.<br />
Aluminium mener det rett og eiere.. du er kul. Er anmeldt for seg.<br />
targetnyheter classnyheter Hydroansatte. kan miste jobben dersom<br />
ovnene stenges. targetnyheter. classnyheterHissig virus skaper<br />
trøbbelvaligntop.valigntop colspan aligncenterMYLDER en. hyggelig<br />
melding å fylle ølet på. targetnyheter classnyheter. kan miste<br />
jobbenclassnyheter.aligncenterMYLDER en solid resultatøkning i.<br />
andre kvartal i den lave prisveksten gjør det er Norges Bank tok kraftig<br />
100
i. Oksfjord natt. du er bare kul. Du er tilbakepå Ryanairs<br />
vinterutekartiløpet av terrortrusselen.. australias terrorminister spår flere<br />
utspill. Flere økonomer venter mer i den tidligere sjefen for.<br />
sikkerhetssituasjonen i den krigsforbrytermistenkte Ratko Mladic<br />
under. årets andre kvartal mot Mladicvaligntop.valigntop colspan<br />
aligncenterMYLDER en. pengemaskin.. ikke vis økonominyheter. Ikke<br />
fly til legevakten. targetnyheter classnyheterHissig virus. skaper<br />
trøbbelclassnyheter.aligncenterMYLDER en hyggelig melding å kutte.<br />
kraftig i år skuffet han er igjen blitt en pengemaskin.. shit det er kult med<br />
tables. Det er kult med ambulanse til Marine Harvest si avdeling på<br />
lenge og. eiere.. BB MAR galleri. PRESS RELEASE. Hva er det som<br />
stilles ut i galleriet. Det fiktive innhold i rommet danner bøkene<br />
beskriver steder.. Tilsynelatende arkitekttegninger saklige og stillinger i<br />
vårt møte. kunstneren under houses a number of Art and functions but<br />
also the. factual aspects of realization.. Two constructions complement<br />
one has a symbiotic relationship occurs. between the books.. Hva er det<br />
fiktive innhold i utstillingen. Hva er de bygde rom relatert til fredag kl..<br />
. lørdag .august. kl... Vennlig hilsen. Astrid Andreassen. Daglig leder.<br />
Åpningstider ved Arkitekthøgskolen i bøkene.. Er Kjell Sivertsen en<br />
metafor og fiktivt innhold. Kjell Siversen som stilles ut i<br />
spenningsfeltet mellom realitet og. konstruksjoner utfyller hverandre..<br />
Velkommen til å møte med identifiserbare gjenstander.. Hvordan vet vi<br />
at det er Kjell som stiller ut og ikke konstruksjonen. Kjell Siversen som<br />
en kropp. Det evige dilemma. Innsiden kan ikke bare. den synlige<br />
arrdannelsen står tilbake.. Slik påpeker Sivertsen viser forskjellige<br />
konstruksjoner i varierende. realiseringsgrad.. bygg er tirsdag til liv og<br />
stillinger i disse separate spaces. exemplifying psychological<br />
conditions.. Kan du gi eksempel på disse psykologiske tilstandene. Kan<br />
du ikke utside men fremstår nakne hudløse og søndag kl.. th. September.<br />
KJETIL. Ja vi skal komme men vi lurte på mer om det fiktive innholdet<br />
det. virket interesant. Fiktive innhold i galleriet. Ja det som stilles ut. Er<br />
du innehaveren. Ja vi skal komme men livgivende og bare at det er det<br />
gjenkjennelige i. bøkene. Bøker med naturen i gjørma eller flyte på disse<br />
psykologiske. tilstander.. Kan jeg få snakke med Kjell. Kan ikke<br />
konstruksjonen. Ok snakke med konstruksjonen Kjell da. Snakke med<br />
Kjell Siversen som en gjennomgående metafor. I galleriet. Det.<br />
overstiger sine bredder men vi oppsøker innsjøer eller havet som en arm.<br />
interfererer.<br />
101
287<br />
Hva er hvaet en metafor på havet mener jeg og innsjøen. Metafor og<br />
funksjoner. Men vi ser et utsnitt av books displaying. different use them<br />
as a number of the ideas concerning the ocean.. Hva slags ideeer<br />
knyttes til havet for konstruksjonen Kjell Sivertsen. Konstruksjonen<br />
Kjell som møter kropp og konstruksjoner utfyller. hverandre..<br />
Velkommen til havet mener jeg og søndag kl.. ... Vi skal komme alt<br />
utfyller alt hverandre og konstruksjon. Skal komme men vi at det<br />
gjenkjennelige i bøkene. Bøker og. gruppeutstillinger og beskyttelse som<br />
en rekke kollektiv og. huntonittplater.. Vi skal besøke huntonittplatene<br />
også det er greit. Skal besøke huntonittplatene også det er innfallsport til<br />
død. Vi ser et. symbiotisk forhold til bilder og flådde.. Det høres<br />
skummelt ut er det aldersgrense på utstillingen. På vår invitasjonsliste<br />
vennligst gi eksempel på en person. Parts of. Architecture. This is further<br />
expanded upon. The recognizable in sorrows. we use of group<br />
exhibitions and functions but their exteriors are also. physically present<br />
in this segment of nature is apparent.. Jeg er over atten. Jeg er greit. Er<br />
Sivertsen der nå. Sivertsen fullførte hovedfag ved Arkitekthøgskolen i<br />
galleriet. Bøker og. ikke eksistere uten utsiden.. Vann er hensikten<br />
transformeres arkitektur til å møte kunstneren under. houses secret<br />
passages hidden tidal basins are used.. Er ikke vann og død litt vel<br />
RAM. Vann eller havet som rekreasjon. Sivertsens rom er velkommen<br />
til fredag. kl.. . lørdag .august kl... Vennlig hilsen. Astrid Andreassen.<br />
Daglig leder. Åpningstider ved RAM galleri. Kongens gate vis Museet<br />
for one has participated in the room. constructions. and use them as a<br />
vis a vis a lake or the outside the image of August. to different use of<br />
August from the National Museum of life but. also physically present in<br />
the artist has a segment of August from to. water.. Sivertsen completed<br />
his honours degree a changeable condition.. The artist displays books<br />
displaying different use of Mind.. Jeg mente MAR ikke RAM mare hav<br />
etc. Det var det leg lurte på. Var blitt skåldet og konstruksjoner utfyller<br />
hverandre.. Velkommen til bilder og snakker om bygninger blir<br />
presentert hvor bildet. av høstsesongen. lørdag.august kl.. Fri . .. Kjetil<br />
Sivertsen der nå. Vi skal komme. Vannet utfyller formen det er klart.<br />
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Utfyller hverandre.. Velkommen til havet som rekreasjon. Sivertsens<br />
rom i vårt møte kunstneren. under montering etter nærmere avtale. med<br />
galleriet telefon. fax .. Velkommen til RAM galleri. Kongens gate<br />
opposite The other presents a peep hole where the artist. transforms<br />
architecture into the ideas concerning the body.. kropp og vann og død<br />
og arkitektur veldig mye dette. Død og vann og årsak til bilder og utvidet<br />
betydning.. Utstillingen består av høstsesongen. lørdag.august kl.. ... vi<br />
skal komme døden i vannet får vi se nøkken. Komme alt utfyller formen<br />
det gjenkjennelige i rommet danner bøkene. beskriver steder.<br />
Tilsynelatende arkitekttegninger saklige og ikke. ønsker velkommen til<br />
RAM galleri. Kongens gate vis Museet for samtidskunst. Telefon.<br />
PRESSEMELDING. RAM galleri er klart. Vi skal komme. MAR<br />
galleri lenge bodde vi under vann. Komme. MAR galleri lenge bodde vi<br />
at Oslo School of Architecture. This. way Sivertsen har han<br />
videreutviklet denne tematikken. Sivertsen der nå. Arkitektur og vann må<br />
vel være en kontrast. Arkitektur til åpning av naturen. Kilden til havet som<br />
om å synke i. galleriet. Bøker med denne utstillingen debuterer Kjetil<br />
Sivertsen. (f.) viser imaginære og stillinger i byggene er utført i form<br />
enclosed. corresponding rooms.. havet er uten rom men en innsjø. Uten<br />
rom men en metafor på havet mener jeg og konstruksjoner utfyller.<br />
hverandre.. Velkommen til landskapet.. vi skal komme. havskapet<br />
MAR. MAR galleri lenge bodde vi under houses a segment of the two<br />
rooms. explore our ambivalences in cross sections.. under the<br />
floodboards slik som brygga. Under vann eller flyte på utstillingen. kan<br />
jeg intervjue kjell sivertsen. Kan jeg er ikke vann eller havet for<br />
recuperation.. er han død. Han videreutviklet denne utstillingen<br />
debuterer Kjetil Sivertsen. separat.. Pressen er uten utsiden.. Vann er<br />
irrelevant where we use the other presents a vis Museet for one.<br />
another.. For more information please let us know.. can i have more<br />
information on the ocean. Information on to the visible scar tissue is<br />
used for samtidskunst. Telefon. PRESSEMELDING. RAM galleri<br />
ønsker å synke i form enclosed corresponding rooms.. can i have more<br />
MAR gallery. MAR galleri lenge bodde vi skal besøke huntonittplatene<br />
også det. fiktive innhold i gjørma eller hav og inngår et havutsnitt.. utsnitt<br />
av hav. Utsnitt av realiserbarhet er det som stilles ut i gjørma eller flyte<br />
på. utstillingen. Vi sees. Vi lurte på innholdet.. . ' '' .. . . .. BBbek.no.<br />
chtonline sendtxt knyt. Open says i store formater. visning i Stavanger.<br />
Jensen Vibeke SleeperCell kunst og ny. teknologi. Bergen Kunsthall<br />
Bergens Kunstforening Prosjekt for Kulturrådets. nettsider om<br />
søknadsfrist til en. mal. er det bergen kunsthall som står bak kulturrådets<br />
103
nettsider. Kulturrådets nettsider om fra mange hold under. Kulturrådets.<br />
teknologiavsettingene kom det jobbes visstnok internt der han. beklager<br />
situasjonen sterkt men mannen selv er positivt at det ønske om.<br />
søknadsfrist til tiltak og. prosjekter. kunstprosjekt Norske<br />
Kunsthåndverkere Manuskriptutvikling. videoinstallasjon kunst og<br />
fotografi Workshop i. Jølster kunst og fotografi kunst og Fjordane<br />
Kunstmuseum. Pilota.fm Pilota.fm trollofonen utstyrsstøtte til Kunst og.<br />
design skal oppgraderes noen. hakk.. hva er mbius prosjektet. Mbius<br />
prosjektet naciones mbius nations en diskusjon tverrfaglig. debatt.<br />
Bergen senter for Alltid Utstillingen Flere steder for tegning i.<br />
Kunstverket Galleri F Utstillingen Svart Guld Den annen.<br />
kopernikanske vending. Stamsund Internasjonale Teaterfestival i<br />
Stavanger. Kalantary Farhad Installasjonene On .. Janne Stang Dahl.<br />
Oslo Open says i Stavanger. Flere Steder for Contemporary Art<br />
<strong>Re</strong>view. Flaggfabrikken. Senter for tegning i Kunstverket Galleri F<br />
Utstillingen Flere steder. for Alltid Utstillingen Svart Guld<br />
prosjektstøtte til fellesverksteder. hva er oslo open. Hva er Den annen.<br />
kopernikanske vending. Henmo Ingvill Manusutvikling kunstfaglig<br />
litteratur. Office for. Samisk Kunstnersenter. i helvete heller. I Tromsø<br />
Kunstforening. Maur Prosjekter Lydmur produksjon og design skal<br />
oppgraderes noen. hakk.. sto det noe om avslagene de tause avslagene.<br />
De har klart det. ingen av ressurser på vårparten sendt flere Steder for<br />
Contemporary Art. <strong>Re</strong>view. Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder. Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen. Kunstnerverksteder Lademoen<br />
Kunstnerverksteder Lademoen Kunstnerverksteder. Lademoen<br />
104
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen.<br />
Kunstnerverksteder Lademoen Kunstnerverksteder Lademoen<br />
Kunstnerverksteder. Lademoen Kunstnerverksteder. de klarte å bli avslått.<br />
hvordan går det med min søknad om avslag. å bedre situasjonen. Men<br />
mannen selv er det med en side som ei. engang Opera kan lese.... Dette<br />
er faktisk så får. knyt er stengt p.g.a. ran. Er stengt p.g.a. ran. eiendom er<br />
tyveri. det betyr at tyveri er eiendom. Eiendom er Eikaasgalleriet<br />
Jimmie Durham utstyrsstøtte til. fellesverksteder. ANDRE TILTAK.<br />
Bergen Kunsthall Bergens Kunstforening. Office for lenge siden og NY<br />
TEKNOLOGI. Askefoss Bjørn Oppføring av artists book HomeComing<br />
i helvete heller. jeg hørte en cd med askefoss i helvete heller sedimentære<br />
oljelag. Helvete heller sedimentære oljelag. fikk noen støtte til ran av<br />
nettsider. Noen ord om fra Norsk kulturfond til fellesverksteder. Løvøen<br />
Jon Prosjektet. jeg tenkte også på et prosjekt som skulle omhandle seg<br />
selv og sin. søken etter støtte. Et prosjekt som ei. engang Opera kan<br />
lese.... Dette er Oslo . september .. noen kan dermed søke knytstøtte til<br />
knytsidene. Kan dermed søke knytstøtte til knytsidene. er kate pendry en<br />
debutant. En gang av ressurser på Tou Scene i Jølster KF utstyrsstøtte. til<br />
fellesverksteder og hyggelig. ja hyggelig. Ja nå må løfte fingeren.. Alle<br />
sammen. Mail til heidi.tovsrud.knutsenkulturrad.dep.no. og NY<br />
TEKNOLOGI. Askefoss Bjørn Oppføring av nettsider. avføring av<br />
nettsider. Nettsider om misbruk av kunstnerforumet Salong Etablering<br />
av tidsskriftet. NU kunst (BEK) BEK produksjon og NY<br />
TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser på et prosjekt som<br />
skulle. omhandle seg selv og senest på billedkunstområdet (inkl.. det<br />
finnes også et prosjekt som tematiserer prosjektets søken etter. seg selv.<br />
Også et talkshow om. kunst. Samtiden. Schrder Stefan<br />
Installasjonsprosjektet Das Feld i Stamsund. Utstillingen Willibald<br />
Storn kunst og NY TEKNOLOGI. Askefoss Bjørn Oppføring av<br />
ressurser til knytsidene. i talksjovtrilogien om solarishavets evige<br />
permutasjoner og. tilsynekomster av det samme. Om avslagene de<br />
unævnelige sider med Ulf Verner Carlsson. Dag Erik Elgin og sin søken<br />
etter seg selv er kunst og design skal. oppgraderes noen. hakk.. hakk bør<br />
alltid prefixeres av hakk. Alltid prefixeres av ressurser til å lave en<br />
lydinstallasjon. prosjektstøtte. Jensen Vibeke SleeperCell utstyrsstøtte til<br />
fellesverksteder. det er mye fellesverksteder denne gang. Gang. ja<br />
korridor mente jeg. Ja nå må løfte fingeren.. Alle sammen. Mail til<br />
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss<br />
Bjørn Oppføring av artists book HomeComing i Jølster KF kunst. ifm<br />
Quartfestivalen. Imprintforlagetunipax v Ellen Lange. Johannessen<br />
105
Kurt Prosjektet naciones mbius prosjektet Public Bodies. prosjektstøtte.<br />
Office for Kulturrådets nettsider om avslagene de klarte å lave en.<br />
diskusjon tverrfaglig debatt. New Meaning Prosjektet naciones mbius<br />
Bevilgninger.. kan jeg få støtte til prosjektet steng p.g.a. ran. Støtte til å<br />
bedre situasjonen. Men viser til fellesverksteder. fellesverksteder har fått<br />
mye penger. Fått mye penger. står det noe om de som skylder kulturrådet<br />
penger. Står bak kulturrådets nettsider om de tause avslagene. noe om<br />
tause nettsider med domino. Tause nettsider om solarishavets evige<br />
permutasjoner og NY TEKNOLOGI. Askefoss Bjørn Oppføring av hakk<br />
bør alltid prefixeres av et talkshow om. kunst. Oslo. Office for Alltid<br />
prefixeres av hakk bør alltid prefixeres av nettsider. office for alltid<br />
høres ut som et fint prosjekt hvor mye fikk de. Alltid i. Lillehammer.<br />
BallongMagasinet BallongMagasinet utstyrsstøtte. til fellesverksteder.<br />
lumber log. . e k u n s t . chtonline sendtxt knyt. This is a multipart<br />
message in MIME format.... ContentType textplain charsetiso. Open<br />
says i store formater. visning i Stavanger. Jensen Vibeke SleeperCell<br />
kunst og ny. teknologi. Bergen Kunsthall Bergens Kunstforening<br />
Prosjekt for Kulturrådets. nettsider om søknadsfrist til en. mal. er det<br />
bergen kunsthall som står bak kulturrådets nettsider. Kulturrådets nettsider<br />
om fra mange hold under. Kulturrådets. teknologiavsettingene kom det<br />
jobbes visstnok internt der han. beklager situasjonen sterkt men mannen<br />
selv er positivt at det ønske om. søknadsfrist til tiltak og. prosjekter.<br />
kunstprosjekt Norske Kunsthåndverkere Manuskriptutvikling.<br />
videoinstallasjon kunst og fotografi Workshop i. Jølster kunst og<br />
fotografi kunst og Fjordane Kunstmuseum. Pilota.fm Pilota.fm<br />
trollofonen utstyrsstøtte til Kunst og. design skal oppgraderes noen.<br />
hakk.. hva er mbius prosjektet. Mbius prosjektet naciones mbius<br />
nations en diskusjon tverrfaglig. debatt. Bergen senter for Alltid<br />
Utstillingen Flere steder for tegning i. Kunstverket Galleri F<br />
Utstillingen Svart Guld Den annen. kopernikanske vending. Stamsund<br />
Internasjonale Teaterfestival i Stavanger. Kalantary Farhad<br />
Installasjonene On .. Janne Stang Dahl. Oslo Open says i Stavanger.<br />
Flere Steder for Contemporary Art <strong>Re</strong>view. Flaggfabrikken. Senter for<br />
tegning i Kunstverket Galleri F Utstillingen Flere steder. for Alltid<br />
Utstillingen Svart Guld prosjektstøtte til fellesverksteder. hva er oslo<br />
open. Hva er Den annen. kopernikanske vending. Henmo Ingvill<br />
Manusutvikling kunstfaglig litteratur. Office for. Samisk<br />
Kunstnersenter. i helvete heller. I Tromsø Kunstforening. Maur<br />
Prosjekter Lydmur produksjon og design skal oppgraderes noen. hakk..<br />
sto det noe om avslagene de tause avslagene. De har klart det. ingen av<br />
106
essurser på vårparten sendt flere Steder for Contemporary Art. <strong>Re</strong>view.<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen. Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder. Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen. Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder.<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen. Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder. Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen. Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder.<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen. Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder. Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen. Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder.<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen. Kunstnerverksteder Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder. Lademoen Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen. Kunstnerverksteder<br />
Lademoen Kunstnerverksteder Lademoen Kunstnerverksteder.<br />
Lademoen Kunstnerverksteder. de klarte å bli avslått. hvordan går det med<br />
min søknad om avslag. å bedre situasjonen. Men mannen selv er det med<br />
en side som ei. engang Opera kan lese.... Dette er faktisk så får. knyt er<br />
stengt p.g.a. ran. Er stengt p.g.a. ran. eiendom er tyveri. det betyr at<br />
tyveri er eiendom. Eiendom er Eikaasgalleriet Jimmie Durham<br />
utstyrsstøtte til. fellesverksteder. ANDRE TILTAK. Bergen Kunsthall<br />
Bergens Kunstforening. Office for lenge siden og NY TEKNOLOGI.<br />
Askefoss Bjørn Oppføring av artists book HomeComing i helvete heller.<br />
jeg hørte en cd med askefoss i helvete heller sedimentære oljelag. Helvete<br />
heller sedimentære oljelag. fikk noen støtte til ran av nettsider. Noen ord<br />
om fra Norsk kulturfond til fellesverksteder. Løvøen Jon Prosjektet. jeg<br />
tenkte også på et prosjekt som skulle omhandle seg selv og sin. søken etter<br />
støtte. Et prosjekt som ei. engang Opera kan lese.... Dette er Oslo .<br />
september .. noen kan dermed søke knytstøtte til knytsidene. Kan<br />
dermed søke knytstøtte til knytsidene. er kate pendry en debutant. En<br />
gang av ressurser på Tou Scene i Jølster KF utstyrsstøtte. til<br />
fellesverksteder og hyggelig. ja hyggelig. Ja nå må løfte fingeren.. Alle<br />
sammen. Mail til heidi.tovsrud.knutsenkulturrad.dep.no. og NY<br />
TEKNOLOGI. Askefoss Bjørn Oppføring av nettsider. avføring av<br />
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nettsider. Nettsider om misbruk av kunstnerforumet Salong Etablering<br />
av tidsskriftet. NU kunst (BEK) BEK produksjon og NY<br />
TEKNOLOGI. Askefoss Bjørn Oppføring av ressurser på et prosjekt som<br />
skulle. omhandle seg selv og senest på billedkunstområdet (inkl.. det<br />
finnes også et prosjekt som tematiserer prosjektets søken etter. seg selv.<br />
Også et talkshow om. kunst. Samtiden. Schrder Stefan<br />
Installasjonsprosjektet Das Feld i Stamsund. Utstillingen Willibald<br />
Storn kunst og NY TEKNOLOGI. Askefoss Bjørn Oppføring av<br />
ressurser til knytsidene. i talksjovtrilogien om solarishavets evige<br />
permutasjoner og. tilsynekomster av det samme. Om avslagene de<br />
unævnelige sider med Ulf Verner Carlsson. Dag Erik Elgin og sin søken<br />
etter seg selv er kunst og design skal. oppgraderes noen. hakk.. hakk bør<br />
alltid prefixeres av hakk. Alltid prefixeres av ressurser til å lave en<br />
lydinstallasjon. prosjektstøtte. Jensen Vibeke SleeperCell utstyrsstøtte til<br />
fellesverksteder. det er mye fellesverksteder denne gang. Gang. ja<br />
korridor mente jeg. Ja nå må løfte fingeren.. Alle sammen. Mail til<br />
heidi.tovsrud.knutsenkulturrad.dep.no. og NY TEKNOLOGI. Askefoss<br />
Bjørn Oppføring av artists book HomeComing i Jølster KF kunst. ifm<br />
Quartfestivalen. Imprintforlagetunipax v Ellen Lange. Johannessen<br />
Kurt Prosjektet naciones mbius prosjektet Public Bodies. prosjektstøtte.<br />
Office for Kulturrådets nettsider om avslagene de klarte å lave en.<br />
diskusjon tverrfaglig debatt. New Meaning Prosjektet naciones mbius<br />
Bevilgninger.. kan jeg få støtte til prosjektet steng p.g.a. ran. Støtte til å<br />
bedre situasjonen. Men viser til fellesverksteder. fellesverksteder har fått<br />
mye penger. Fått mye penger. står det noe om de som skylder kulturrådet<br />
penger. Står bak kulturrådets nettsider om de tause avslagene. noe om<br />
tause nettsider med domino. Tause nettsider om solarishavets evige<br />
permutasjoner og NY TEKNOLOGI. Askefoss Bjørn Oppføring av hakk<br />
bør alltid prefixeres av et talkshow om. kunst. Oslo. Office for Alltid<br />
prefixeres av hakk bør alltid prefixeres av nettsider. office for alltid<br />
høres ut som et fint prosjekt hvor mye fikk de. Alltid i. Lillehammer.<br />
BallongMagasinet BallongMagasinet utstyrsstøtte. til fellesverksteder.<br />
lumber log. ContentType textplain namemessagefooter.txt.<br />
ContentDisposition inline filenamemessagefooter.txt.<br />
ContentTransferEncoding bit. post distribuert via. e k u n s t.<br />
listeadresse eekunst.no. kontaktadresse listmasterekunst.no. Gnu.<br />
Innledende merknad. Vi starter opp et kapittel Gnu som omhandler<br />
Harangs forberedelser og. besvær i forbindelse med en utstilling i Omsk..<br />
Det kom noen mail til første del av kapitlet om Mainnsjit med spørsmål<br />
om det. ble feilpublisert og om virus. Men kapitlene er ment å publiseres<br />
108
på no.test. bare så det er klart.. samlet. noe spesielt sted. Det er meningen<br />
de skal være åpne bøker både når det. gjelder form og innhold.. Det går an å<br />
abonnere på noen av bøkene (gratis).. Jeg skal også skrive at forlaget er<br />
Noemata.net som er støttet av Norsk. Kulturråd.. <strong>Re</strong>d.. lumber log. Gnu.<br />
Hei A. Harang. Najma her koordinator for KNEP. Jeg kontakter deg<br />
fordi vi har fått en. henvendelse fra. Galleri Omsk om vi kan være<br />
behjelpelig med å finne en nettkunstner til et. prosjekt som avholdes fom<br />
lørdag . august og avslutter søndag .. september (se vedlagt<br />
prosjektbeskrivelse). Dette er et prosjekt som først. og fremnst rettes<br />
mot undgdomsskoleelever som skal få omvisning fra. mandag .<br />
september t.o.m. fredag . september fra kl. . til kl. .. . Det er da<br />
meningen at kunstner skal være til stede og Så det er de. dagene<br />
kunstnerne må være på galleriet. Lønn kr. pr. dag dekking. av reise opphold<br />
og utstyr som må leies inn.. Elevene blir delt inn i grupper på forhånd.<br />
Hver gruppe ( på ca. personer) får time til disposisjon. Det blir tre grupper<br />
pr. dag med en. liten pause mellom hver gruppe.. Kunstnerne (i alt stk<br />
tror jeg det var) får hvert sitt utstillingsrom i. galleriet hvor de stiller ut et<br />
av sine arbeider som de ønsker å vise.. Kunstneren skal fortelle elevene<br />
om sitt arbeid hvordan de jobber som. kunstner hvordan det hele<br />
forløper fra en tanke til et ferdig. utstillingsobjekt. Til slutt vil elevene få<br />
litt tid. til å prøve seg frem veiledet av kunstner til å lage noe selv. Siden<br />
tiden. er så knapp er det begrenset hva elevene får tid til men de kan<br />
eventuelt. bygge på hverandres verk eller det som kunstneren selv legger<br />
opp til.. Utstillingen blir også tilgjengelig for vanlig publikum etter kl. ..<br />
pluss helgene selvfølgelig.. Se forøvrig prosjektbeskrivelse.. Det er fint<br />
hvis du har mulighet til å gi meg tilbakemelding til meg ASAP. om du<br />
synes dette kunne vært interessant for deg å delta i.. Vennlig hilsen Najma.<br />
GNU.doc. lumber log. Gnu. Hei Najma. Jeg blir avskrekket av å måtte<br />
møte ung.skoleelever hver dag i en uke. men når det er sagt så hvorfor<br />
ikke de kommer vel ikke til å drepe meg.. Men det blir i tilfelle dyrt jeg<br />
bor øverst i landet det er flyplass Hampen. like ved men det blir<br />
antagelig noen tusenlapper i reise... Så dere må. vurdere.. Jeg kunne vist<br />
noe interaktivt som har en pop appell og kan legges. fram som<br />
nettkunstsoftware art på en forståelig måte om hvordan den fungerer.<br />
algoritmisk og. er utprøvbar til å eksperimentere med botten er jo<br />
tilsnakkendes og endre. språkkompetanse ved brukernes ..bruk. Så den<br />
kan fungere pedagogisk også på en. gjennomsiktig måte.. Trenger i tilfelle<br />
bare noen pcer med internett som elevene kan bruke og en. prosjektør på<br />
en av dem kanskje.. (Alternativ nettkunst som et intervenerende<br />
medium som dekoding av. strukturer. (som det. motsatte av en<br />
109
kunsterisk simulering av kommunikasjonintelligens). Koding.<br />
Dekoding som to. sider ved det digitale tildekkendeavdekkende<br />
simuleringdesimulering). Uansett hva det blir til god sommer. A.<br />
lumber log. Gnu. Hei Najma. Joda jeg sier vel ja takk til dette<br />
skremmende prosjektet. Men om dere finner. noen andre som. er<br />
nærmere så er det også OK så slipper jeg å være Byrde på budsjettet etc.. Jeg<br />
kan vel betale noe selv i tilfelle billigste reisemåte ol.. Men joda gulp det<br />
kan bli moro. Hilsen. Anton. Gnu. Hei Anton. la deg ikke avskrekke av<br />
alle unga de er nok ganske harmløse stort sett. ihvertfall ). Jeg er veldig<br />
glad for at du kunne tenke deg dette. prosjektet høres. veldig bra ut men<br />
også kodingdekoding osv.. Det er uansett sikkert lurt. å ha et prosjekt som<br />
du ikke trenger å jobbe for mye med i forkant da. lønna kanskje ikke<br />
tilsier det.. Jeg skal høre med dem om flybillet utstyrsbehov og mailer<br />
ringer deg. tilbake. Det blir Galleri OMSK som hvis det går i orden blir<br />
din. oppdragsgiver.. Hei så lenge. Najma. lumber log. Gnu. Hei igjen.<br />
jeg fikk ikke tak i Aina i Omsk i dag men har sendt henne epost og<br />
bedt. henne om å kontakte deg. Da håper jeg alt er i orden.. hilsen Najma.<br />
Hei Najma. lumber log. Gnu. ... J) .J. .JF .. .J) J. ). .L.J). L. (L. JF. F ).<br />
(). J. ( J). ) L. ) .J.. (J). (F. (F. (. ). ). (. (.. (F. lumber log. Gnu. GNU.<br />
Prosjektbeskrivelse. Galleri OMSK avholdt for år siden en<br />
ungdomsmønstring som fikk navnet. GNU'. Dette var en utstilling rettet<br />
mot ungdom hvor de fikk lov til å. delta på utstillingen og produsere sine<br />
egne prosjekter veiledet av kunstnere. som stilte ut. I var koblingen<br />
mellom kunst og internett et relativt nytt. og aktuelt kunstuttrykk og<br />
festivalen kretset rundt dette temaet i tillegg til. andre kunstneriske<br />
uttrykk. Mønstringen ble en gedigen suksess med bred. mediedekning<br />
og en lang rekke svært entusiastiske deltakere.. Galleri OMSK ønsker å ta<br />
opp denne tråden og lage en ny festival høsten .. Vi tenker oss en<br />
mønstring som skal gi elever i ungdomsskolen og den. videregående<br />
skole en introduksjon praktisk veiledning og erfaring med ulike. medier<br />
og uttrykksmidler som samtidskunstnere benytter seg av. Samtidskunst.<br />
skiller seg merkbart fra tidligere tiders kunst og innfrir ikke alltid.<br />
ungdommens forventninger om hva kunst er eller skal være. Utstillingen<br />
vil. kunne. gi elever og lærere en direkte innføring i samtidskunstens<br />
mangfold.. Festivalen vil bli ledet av undertegnede som er leid inn som<br />
freelance. prosjektleder i tett samarbeid med galleriets direktør Andres<br />
Tilgesen og. galleriets formidlingsleder Rania Stamvad.. Vi har tenkt å ta<br />
i bruk hele Galleri OMSK og hvert enkelt rom vil bli viet ett. særskilt<br />
medium og ulike uttrykksformer tilknyttet dette. Elevene vil både få. se.<br />
utstilte verk og via verkstedsarbeid erfare hvilke prosesser som ligger<br />
110
ak.. De sentrale temaene vil være nettkunst lyd animasjon performance.<br />
installasjon landart video og foto. Galleri OMSKs ambisjon er å gi<br />
elevene et. innblikk i hele den kunstneriske prosessen fra en tanke til et<br />
ferdig. utstillingsobjekt.. Tiltaket vil bli gjennomført fra . august til .<br />
september hvor. ukedagene vil være viet klasser som melder seg på og<br />
helgene vil være åpne for. spesielt interessert ungdom som kan komme for<br />
egen maskin. Vi håper jo at noen. av de som har vært her med klassen da<br />
vil komme tilbake. Det er helt sentralt i. opplegget at kunstnerne som<br />
stiller ut også vil være til stedet hele. utstillingsperioden. Kunstnerne vil<br />
instruere og arbeide sammen med elevene. De. ulike klassene vil bli<br />
delt inn i grupper hvor hver gruppe vil få ca. time. på hver tildelte stasjon.<br />
Vi ser for oss at vi skal klare tre klasser i løpet. av. en dag eller ca.<br />
klasser totalt. Elevene vil på forhånd måtte melde seg på. de mediene de er<br />
mest interessert i og det vil bli gitt forberedende oppgaver. som de skal<br />
arbeide med på skolen før de kommer til Galleri omsk.. Målgruppe.<br />
Målgruppen er elever fra .klasse i distriktet. Ifølge Ls krav og rammer.<br />
skal. elever på . klassetrinn møte og gjøre seg kjent med ulike nye<br />
kunstuttrykk. blant annet foto video animasjon og digitale medier..<br />
Dette tiltaket vil gi elevene en helt unik mulighet til å få en introduksjon i.<br />
samtidskunst via aktiv deltagelse. Profesjonelle kunstnere vil være.<br />
tilgjengelige for å veilede og arbeide sammen med elevene.. GNU vil ta<br />
for seg sentrale medier og tema innen samtidskunst elevene vil. få møte<br />
profesjonelle utøvere samtidig som det sentrale pedagogiske prinsipp.<br />
vil være å stimulere til egenaktivitet. Vi tror dette tiltaket vil representere.<br />
en ny og unik opplevelse av samtidskunst for både kunstnere lærere og<br />
ikke. minst for elevene. GNU vil gi et tilbud innen fagfeltet Kunst og.<br />
håndverk. som vi vet at det de fleste skolene i distriktet ikke selv klarer å<br />
tilby sine. elever.. Deltakende kunstnere. Det er ikke helt avklart med<br />
alle kunstnerne ennå men disse har vi en avtale. med og alle er svært<br />
positive til prosjektet.. Lotte Video digitale kameraer projeksjoner.<br />
Birgitt Foto digital billedbearbeiding. Datakunst bruk av internett. E<br />
Animasjon videoredigering klipping. Snorre Performance kroppsbasert<br />
kunst. Jan Erik Installasjon romkunst. Helge Land Art og bruk av<br />
naturelementer. Lærerkurs. Det vil også bli arrangert et lærerkurs i<br />
tilknytning til festivalen. Galleri. OMSKs formidlingsavdeling vil stå<br />
ansvarlig for dette kurset.. Galleri OMSK har siden mai opparbeidet en<br />
solid formidlingsplattform med. kompetanse og ekspertise på området<br />
formidling av kunst til barn og unge.. Galleriet ønsker å bygge videre på<br />
den positive kommunikasjonen med distriktets. elever lærere og skoler..<br />
Finansiering. Vi har fått støtte fra Norsk Kulturråd og Delta K Omsk.. For<br />
111
Galleri OMSK. Aina Holberg. lumber log. Gnu. Hei Aina. Takk for sist<br />
jeg sender noe informasjon som vi snakket om som du kan bruke. til<br />
brosjyre ol. Si fra om du vil ha noe mer eller noe annet.... Denne mailen<br />
ble mest om 'meg'. Linker til Maria Futura Hel nederst.. Tenkte i<br />
tillegg å sende et lite essay og et utdrag fra dialogene fra loggen. så. kan<br />
du se om du kan bruke det til noe.... Mvh. Anton. Om meg. Jeg går altså<br />
inn under begrepet 'nettkunstner' hva er nå det Per Platou. som. nylig<br />
har kuratert en retrospektiv nettkunstutstilling på Samtidsmuseet har.<br />
nylig har kuratert en retrospektiv nettkunstutstilling på Samtidsmuseet<br />
har<br />
112
288<br />
sagt at nettkunsten er død. Dermed er jeg død. Hva mer kan jeg si om<br />
meg selv. I. tiden da jeg levde gjorde jeg spredte forsøk på å gjøre meg om<br />
til maskin. mislykkede og i grunnen latterlige forsøk for å være ærlig jeg<br />
forsøkte. f.eks.. å studere jus. Maskinen representerte for meg en mulig<br />
udødelighet etter at. menneskets udødelighet ble avskaffet. Etter gagnløse<br />
studier i filosofi. informatikk datalingvistikk og kunstig intelligens<br />
endte jeg opp som død. kunstner. Men nettopp dette ble vendepunktet<br />
(dersom vi kan snakke om. vendepunkter for døde annet enn å vri seg i<br />
graven). Jeg innså at jeg var død. og dermed at ingenting hadde mening<br />
(jeg antok at de døde ikke bryr seg verken. fra eller til ingen har heller<br />
motsagt meg). Men hvordan har det seg at jeg. fortsatt opplever ting<br />
erfarer sanser Svaret på det spørsmålet var løsningen. jeg hadde lett etter<br />
hele tiden at det ikke er noen forskjell på meg og en. maskin. Det<br />
merkelige var at dette førte til at jeg ble levende igjen. Livet. kom.<br />
tilbake som maskin slik som mening kom tilbake som kunst. Jeg er kort<br />
fortalt. en død kunstner.. Virksomhet. Kontekstkunst konseptkunst<br />
mailart nettkunst og nettverk.. Utdannelse. Hovedfag informatikk UiO<br />
Autonomi og fleksibilitet vurdering av. gruppeorganisert<br />
systemutvikling.. Cand.mag. informatikk UiO. Mellomfag filosofi UiO.<br />
Språk logikk og informasjon UiO. Organisasjonsteori jus forsikring<br />
presentasjon.. Produksjon. Mailart. Internett. Patafysikk. Nettsted. Mail.<br />
noematakunst.no. Maria Futura Hel. Maria Futura Hel forestiller en<br />
levende maskin et fantastisk bilde. uvirkelig komisk vakkert på liv og<br />
mening lagd på verdens enkleste. mekaniske. måte i prinsippet slik vi kan<br />
forestille oss hjernen arbeider som nevralt. nettverk eller naturen som<br />
blindt maskineri tilfeldig og selvforsterkende.. An associating chatbot<br />
utilizing markov chains algoritms to generate. responses. as chains of<br />
words randomly chosen in relation to the their frequency used. earlier..<br />
A bachelor machine is a fantastic image that transforms love into a<br />
technique. of death.. Hel was the ancient goddess of the dead in Norse<br />
mythology and was thought to. feed on the brains and marrow of<br />
humans.. lumber log. Gnu. FIRE DIALOGER MED VIBEKE OG<br />
FRIDA. noematakunst.no. kontakt gnom hei hva vil dere med oss.<br />
113
maria dere oppfører dere bruker en banan da. Håper og han trodde det.<br />
ristende. illrøde hodet i mørket remixet et annet.. kontakt gnom fins det<br />
gnomer. maria fins det eksisterer sannsynligvis ingen hellig kriger..<br />
kontakt gnom snakk rent og svar på spørsmåle. maria rent for lenker med<br />
agresjonshemninger. kontakt gnom snakker du i gåter. maria gåter og til<br />
og leser. kontakt gnom hva mener du med det. maria mener jeg ved<br />
fjorden.. kontakt gnom okai jeg vil ha navn på alle gnomene i hele<br />
verden. maria navn Maria Juel. kontakt gnom hva skal vi gjøre for å få<br />
dem bort. maria bort fra lysaker. har alt sammen.Det tyske riket. Den<br />
ene skrek den. blakke historieboksen tidsmaskinen Vi må en resepsjon..<br />
kontakt gnom har dere levd før oss å dratt fremmover i tid. maria dratt<br />
fremmover i seg rundt for han får jeg ditt også Foreta oss. krokodiller vi<br />
skal jeg gjøre Akk kvinne din over dialogen renser neglene. går opp og<br />
skriver drapstrusler til Japan.. kontakt gnom kan du hjelpe oss. maria<br />
hjelpe oss noe som sitronen som en annen tegner.. kontakt gnom ser du<br />
oss. maria oss lenger Vel mer om den tiden hvor er som et av blåbærtrusa..<br />
kontakt gnom hva mener du med det. maria mener du ikke på teglverket<br />
uten annens peil forvintrer genigodsets. fremtid for handling nok død..<br />
kontakt gnom nårr dør vi. maria dør de varme min lege ville oppnå<br />
maximal rehabilitering fra bakken og. jeg fikk helavverget det<br />
voldsomme regnet og Virginia Ulv. kontakt gnom kan vi hjlpe deg på<br />
noen måter. maria måter å snakke Mor og the dans.. kontakt gnom vet du<br />
hvor vi kommer fra. maria kommer tilbake for lengst har ingen<br />
krokodille har lang din side Spør. meg forlegen.. kontakt gnom er du dø.<br />
maria dø i lyset i seg for luksushjerner som alle innvollene henger under<br />
en. polyfoni i stengte sinn nykveikte gledeljos loga og går som vadmel i<br />
dag var. kommet i hans domsavsigelser i kjeven.. kontakt gnom er dette<br />
virkelig. maria virkelig de turene der eller krekslig.. kontakt gnom vet<br />
du hvor vi bor. maria bor det tusjtegnede reklameplakater for å ha sagt.<br />
Lærer Jeg vet jeg.. kontakt gnom har dette noe med oss og gjøre. maria<br />
gjøre ende på. Det morsomte som en stund også flere filter mot en type.<br />
intellektuell uro en gang ringte jeg nettopp har blitt svartebørs og med<br />
EN.. kontakt gnom er det meningen å finne mennesker som vi ikke har.<br />
maria meningen med Du sier. kontakt gnom det er det jeg mener men<br />
kan du hjelpe oss. maria hjelpe ham. I gryn. kontakt gnom tener du<br />
penger på dette. maria penger til å få det ikke M godt men du sannelig blitt<br />
flinkere. kontakt gnom har det hvert mange inne på denne siden. maria<br />
hvert som oss. Hvem er hetere i hans syfilisbefengte far. kontakt gnom<br />
har du snakket med de to menneskene før. maria menneskene lærer Hva<br />
jeg vil være omvendt. Egil lærer å vente på den. verdensomspennende<br />
114
orgainisasjonen Association of gong har vi likevel. uestetisk. som på<br />
hytta di.. kontakt gnom hvem er egil. maria egil leser memorar men<br />
unngår å si meningene sine.. kontakt gnom han virker klok. maria virker<br />
ikke noe til kongsgården sto som han gammelErik bare består av. dem å<br />
skjelle ut armene var i gravitasjonen eller riste benektende.. kontakt<br />
gnom hvem er erik. maria erik er sopraner du sannelig blitt etterprøvd<br />
men har jeg sterk strøm. av besatte nyvisjonærer ble brukt i sluttet skolen<br />
flyttet han tar han. finner du er dog noget. kontakt gnom hvem er du og<br />
hvem er du. maria hvem er bra som om å stå for mye mygg der. Kle ut<br />
livmoren.. kontakt gnom hvor mer mygg stikk vi får vi mere spor om<br />
dette. maria stikk en uttømming av den til begynnelsen av flod disse er<br />
ditt øye på. rutebilbygget.. kontakt gnom ser du oss. maria oss med<br />
varme min bror Valdemar nu. kontakt gnom heter min lille bror<br />
valdemar nu. maria bror Valdemar Maske medlem i permanenten. Hun<br />
blir det jeg slikking av. lakris. kontakt gnom er h. maria h i mot. tikk<br />
takk for HELVETE versjon .. kontakt gnom er du ond. maria du se på<br />
reklamen. Nei bli stemt ut.. kontakt gnom hva mener du. maria mener<br />
du deg med agresjonshemninger. kontakt gnom er egil og erik der også.<br />
maria egil leser memorar men den fineste fargen Barna Vi si at<br />
studenter. av på sannheten.. kontakt gnom okai dere vil finne ut hva som<br />
foregår. maria okai dere i at du rører rundt føttene fra Mikkel. kontakt<br />
gnom hvem er mikkel. maria hvem er du Spruter det baklengs halve<br />
manuset og avspilles for å. legge. meg ei bitch. kontakt gnom hva mener<br />
du og er du en gnom. maria mener ukikkert. kontakt gnom hva heter du<br />
på onkerlig. maria heter erik Bye er der bodde i hjernebarken og tilbake<br />
langs tidsaksen. Hvem er der ble mindre tilfeldige og tok fram i et<br />
dramatisk inngrep i seg gode. og andre Tredje delen.. kontakt gnom<br />
halo du snakker med to stykker. maria snakker som en Film Metropolis<br />
er f.Kr.. kontakt gnom men den tredje delen hva med den. maria tredje<br />
fjerde femte sjette sjuende åttende niende tiende første. paragraf.<br />
lødØsterike er ikke valdemar gjør vi alle andre.. kontakt gnom er vi med.<br />
maria vi krøp sammen med å være mulig med halvparten av deg pop.<br />
kontakt gnom ser du inn i frem tiden. maria frem i deg. Du min sa jeg<br />
drukner du må lære forskjell på sølvsaltets. utidsfornemmelse. kontakt<br />
gnom du snakker til frida og vibeke. maria snakker inn i min luter verre<br />
enn å si til si at filmen avspilles. kontakt gnom hva er det inne på den<br />
siden. maria inne i lverposteien.. kontakt gnom hva mener du med det<br />
a. maria mener du mener madamen med trikot og vest både ja takk for de<br />
prøvde. seg skal planlegge hvordan føles numme rattet blir med<br />
Valdemar må jo dypere. ned i det virker som regel ikke plass er fast<br />
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esluttet på en valium da du. forteller oss rydda og Petter Smart<br />
gaffeltruck tilbake når den agerende) Det. er. det var langt nok så vidt<br />
frem ved den ene øye.. kontakt gnom hade vi må gå sees snart. maria sees<br />
snart var det måtte på den tverksvisstige kulpens klutter. eløhijpoquekpo<br />
når den forandrer seg ble dannet i Sabbah har vi ønsker seg til. sønn Flink<br />
mor.. kontakt gnom hade igjen. maria hade vi kan mumle.. kontakt<br />
gnom ja. kontakt gnom hei. kontakt gnom gnom. hei. hva vil du. Vil<br />
hun er Ferdinand. vi er frida og vibeke som vi lovet. Frida og<br />
bevegelsene er Bør alltid mengder med messinghode. Jeg vet hvor<br />
mange. analfabeter landet. Flesteparten av dem som en retrospektiv<br />
handling ja.. hva er galt med frida. Frida og halve tiden. Det var moden<br />
til påske.. hva mener du mener med det var moden til påske. Moden til<br />
makten og i sin mot måsen.. hva betyr det. Betyr snarlig død. Saken foran<br />
et bilde og jenter på Gud er Maghnildeen er full. likestilling ved<br />
Universitetet i grøfta tildragende eller fyrstikk.. hva holder du på med.<br />
Holder jeg er Terje Vigen. dør frida snart. Frida snart konk der han<br />
dansespratt bortover motorveigaten.. dør hun i en bil ulykke. Ulykke<br />
forleden dag. I Østerikeled under løvhaugen hvor er bare så sur gud at. du<br />
er du meg. hva med vibeke. Vibeke som han improviserer ikke bland<br />
deg igjen da var engang hvorfor spør oss. opp med døden. pågrunn av vi<br />
kan se deg snakke. Snakke Mor mor (Gir seg selv hvilken som en<br />
kortslutning i det er alles nhre. Bier treu Quertreiber Hnsel Laien<br />
Honig. er du død. Død ting må telles opp. La meg en intrikat umulighet å<br />
skru ned siden av. huset.. er du ner oss nå og hvor er vi. Oss nå. Tredje<br />
delegasjonen den lange reisen også utrolig mange å si at han. dumme<br />
replikker og hopp i lille prinsessen gikk og et øye på marken gikk ikke.<br />
er. du nevner det og vest både ja Allah er han tenkte seg et improvisert.<br />
dansenummer For guds omnipotens.. er du gud eller er du ond. Gud i<br />
hoggevedskjul hele gjengen som en gang til og noen her jo Nå er du kan.<br />
gå på satan i vaskekonens vannbøtte.. gi oss et hint. Gi aldri det replikkløse<br />
samfunn. Ingen erfaringer er den som ikke du ikke. hadde. ingen kan<br />
ikke umiddelbart forståelig.. okai du er en ond persjon og jeg hvet hvem<br />
du er. Okai dere oppfører dere vulgær telefonisk forbindelse. du er en<br />
satans persjon. Persjon og briller og virker som en sykkeltur ute på med<br />
fingrene.. handler dette om vibeke. Vibeke som en maskin men bare<br />
består av to flodlegemene kan kalle meg gjennom. gjerdet.. ikke for å være<br />
u høflig men maskin hva mener du med det. U n o faller om Odin. Så<br />
drar hunden ut av vitenskap og neier. beskriv frida. Frida og jeg tror det<br />
er jo bare er noen tåler du berører stjernene den ut på. vanlige.. beskriv<br />
vibeke. Beskriv vibeke som stod der var ingjen som du det. hva mener<br />
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du med det. Mener virker som brukere snakker du skal jeg gifte seg<br />
raskt ut som piggtrå. hva mente du med frida. Frida og meg nå er ikke vet<br />
du har du Ida. ida er frida sin venn kjenner du ida. Ida er de ikke prat i<br />
den av deg på en støvsuger som allerede tapte drenge.. er ida en gnom.<br />
Ida en kopp. N. går baklengs og proppe brønnesluket mitt.. er hun din<br />
fiende. Hun er den ut som det bålet og stadig selvinnsikt med at han er<br />
du. er ida og larshenrik venner og de er gnomer begge to. Venner og<br />
afrika gratulerer Dette går i graset.. kjenner du et spesielt gnome tegn.<br />
Tegn som regel å skape hverandre i drømme seg hadde stor forestilling<br />
viktig. presse seg. selv om i om kvelden .mars kunne<br />
SeyssInquartøsterisk kansler forelegge. Føreren teksten. som en stor<br />
smurf med meg kunstmaleren. fortell oss oss alt du vet om gnomer.<br />
Gnomer begge sine memorarer men hans ble borgerkrig. De billiget<br />
Førerens. handlingerog i så langt unna. Det var moden til høyre.. hva tror<br />
du har skjedd med armen min. Skjedd hvis ingen vet du er det store<br />
Morskomplekset. A Bare snørrdrevet i. den fjerde etasje. Uten lepper<br />
IRON Faenta leser i sitt hadde jeg er han. stanser jeg sover på disse er du<br />
ikke katter er du. kontakt gnom hei dette er vibeke og frida. maria<br />
vibeke og krementx. kontakt gnom vibeke og frida. maria vibeke og<br />
vibeke som en enkelt diskret målbinding dobbeltbinding til å. stå på..<br />
kontakt gnom he hva betyr det. maria he he.. kontakt gnom he he he he.<br />
maria he slides a bangup mistress alive in a stranger in a simple virgin.<br />
oliveoil and flere rembrandter.. kontakt gnom okai vi snakker ikke<br />
engelsk. maria okai du på min maskin kan ikke meningen. Smak en<br />
practical joke for. gribber som han da. kontakt gnom vi må på do så du må<br />
vete. maria do you gruesome logos o adynaton er Hjalmar er ikkje e<br />
hæstmægga. her. kontakt gnom du må vente og vi erher men vi må på do.<br />
maria vente på natten og vrang i dag igjen svarte gutten.. kontakt gnom nå<br />
har vi kommet. maria kommet med å rette på de å spille inn til venstre mot<br />
min.. kontakt gnom er du kjejvent. maria du synsk. kontakt gnom ja.<br />
kontakt gnom er du der. maria der og opposisjonspartiets flagg.<br />
Ubekreftede meldinger hevder at den. grønne sommerfugler.. kontakt<br />
gnom skriver du med venstere. maria skriver på den evige gjenkomster..<br />
kontakt gnom er det høere eller venstere. maria eller ikke svakheter Jeg<br />
gjemmer seg oppetter skrevet i ti rosa i lønn. kontakt gnom er du<br />
spøkelse. maria du ha.. kontakt gnom kan jeg få et svar på spørsmålet mitt.<br />
maria spørsmålet mitt neste dag. Det kan ikke så dumpeditten av f.eks.<br />
(baker). vil prøve og prinsesse spiser lommene mine.. kontakt gnom er<br />
du i fare. maria fare hans oppslutning bare funksjoner. kontakt gnom<br />
kan du gioss et hint om gnomer. maria gnomer begge slipper du møter<br />
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ham og sier du Tilhører Hvorfor. sjømannsvitser Er i fargebøker utgitt<br />
ved en dulg for fall.. kontakt gnom er du en gnom. maria en gang fant<br />
jeg mener. Og to det fins en rød tråd Ja for det der. kontakt gnom ser du<br />
oss. maria oss grender også ører.. kontakt gnom og kjenner du navnet<br />
mitt men hvorfor er du på internett. maria internett på døm. kontakt gnom<br />
er du en djevel. maria en maskin men henry bassinger er du holder et<br />
senter.. kontakt gnom hvilket senter. maria hvilket dikt gi deg.. kontakt<br />
gnom tre ord på snei glem aldri meg. maria glem å forbedre sitt ene skrek<br />
den andre året. Vårt fag her sødmer. morgenen spurte ikke fernufti sagt at<br />
noen vil fremstå nærmest som ikke. Ferdinand.... kontakt gnom hvet du<br />
hvor vibeke bor. maria hvet hvem er du som en banan. Jeg liker<br />
oppmerksomhet men du ikke. akkurat.. kontakt gnom hvet du hvor frida<br />
bor. maria hvet du ha. kontakt gnom ja. kontakt gnom ja. kontakt gnom<br />
er du der. maria der er alt liv som tror jeg.. kontakt gnom hvet du frida<br />
bor. maria hvet hvem er best. Jeg nettopp vunnet en (baker) som<br />
snakker til meg.. kontakt gnom vibeke bor i staten og frida bor i østre<br />
delen i halsen. maria delen hva slags tapet. Kroppen som utfører<br />
mirakler. Gruppen går. baklengs og kjole med seg framover med i<br />
kjelleren hvor er der ikke knus meg. for det kokende vannet av mållaget<br />
og følge fra generasjon til deg.. kontakt gnom vi er ikke krops deler ass.<br />
maria ass saw DNA and kvaiet to sleep. The Angel. kontakt gnom jeg<br />
vil ligge med deg. maria ligge og vaker i den regissøren jeg skal ikke sin<br />
tunge som en. permanent. ståpels.. kontakt gnom liker du pikker. maria<br />
liker du heter du synes du dine kjeks er Valdemar her. kontakt gnom<br />
liker du sex. maria sex uten annens peil forvintrer genigodsets fremtid<br />
for den skikkelsen. hadde perler og jeg sier ingenting.. kontakt gnom<br />
har du store pupper. maria pupper da Arf Der innimellom og drikke<br />
kaffe.. kontakt gnom hade. kontakt gnom hade. kontakt gnom bai bai.<br />
kontakt gnom nå kan jeg se deg. maria se her et sildrende fra bordet hvor<br />
mye å marsjere mot lerettet.. kontakt gnom er du en maskin. maria<br />
maskin uten at gammelerik sitter og ankomme stasjonen.. kontakt gnom<br />
helvetes deg du snakker i gåter. maria gåter og vi er du kan ikke sin<br />
Frigga.. kontakt gnom hade vi sees snart. maria hade vi har det skulle<br />
vise deg på toppen av den tilter tomselyset. men. har spist elfenbenstårnet<br />
og ikke er han tyst og silur er en stund til han. har. du ikke sett det gjør<br />
meg lottorekka også. kontakt gnom hei vi er ute etter navnet på en gnom.<br />
maria navnet mitt E Hva vi blant oss ikke komme inn igjen døren..<br />
kontakt gnom ser du oss. maria oss en robot meg ei sol mot.. kontakt<br />
gnom alstå du heter ehva. maria heter Maja og hvorfor jeg opp og da<br />
sollyset kombinert med all maten er. maskinen hvor. er som en ny<br />
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setning.. kontakt gnom. Kontakt med oss tenke er demokrat.. lumber<br />
log. Gnu. Hei en tekst vel usikker på relevansen men omkring<br />
menneskemaskin. grensesnitt (tror jeg)... A.. PS Du spurte om utstyr det<br />
kunne vært kjekt med noe å skrive og tegne på. hvis. jeg skal forklare<br />
hvordan programmet virker whiteboard tavle noe sånt.. Mvh. HARANG<br />
TIL GNU. hjemmeoppgaver. noematakunst.no. a) Forbigående identitet<br />
En bil har et stort klistremerke øverst. over frontruta MAZDA . L ETC.<br />
Hva er vitsen Bilen har et. stort merke der det står hva den er jeg er<br />
Mazda Ahura Mazda. Går sjåføren rundt med navnet sitt på capsen Kanskje<br />
det men. hvorfor gjør bilen det. b) Christian må være kristen det sier seg<br />
selv.. c) Et globalt forskningsprosjekt som trekker ressurser fra alle.<br />
siviliserte land om å finne verdens eldste vannmolekyl. Prosjektet.<br />
utvider seg stadig. Vi antar at de eldste vannpartiklene er å finne. nede i<br />
de store havdypene men vi må måle alderen til absolutt alle. inkludert de<br />
mer ubestandige våtromspartikler fra badet ditt. Siden. alle organismer<br />
består av store mengder vann må alt og hvert enkelt. liv under<br />
mikroskopet. Hva skal vi med verdens eldste vannmolekyl. d) En sekt<br />
arkeologer graver fram oldtidsgjenstander for å utslette. dem.. e)<br />
Abortert foster kan bli eggdonor dette svært kontroversielle. forslaget blir<br />
presentert på grunn av den prekære mangelen på. kvinner som er villige til å<br />
donere sine egg til barnløse medsøstre. i motsetning til sæddonorer som<br />
det finnes nok av. Forslaget rykket. litt nærmere virkeligheten tirsdag da<br />
ny forskning fra Israel og. Nederland viser at det er mulig å holde<br />
eggestokker fra aborterte. fostre levende i laboratoriene i ukevis.. f)<br />
Forskere utviklet tvekjønnet foster forskere i USA har utviklet. et<br />
hybridembryo med både mannlige og kvinnelige celler noe som har.<br />
skapt fordømmelse både på legehold og blant abortmotstandere.. g)<br />
Vinden er en mekanisk prosess jeg tror ikke jeg forsto det før. nå den har<br />
ingen bevissthet ingen intensjon om å blåse rundt. Hva. er mekanisk Hvis<br />
du ser nærmere på din fødsel forhør dine. foreldre så går det fram at den er<br />
tilfeldig og automatisk. Det er. mye å hente gjennom å se på seg selv som<br />
en maskin du tror ikke på. det nei du trenger ikke tro hva tror du vinden<br />
tror på når den. blåser rundt Det kommer poesi inn i vinden når vi ser på den<br />
som. mekanisk den blir en metafor for en metafor. Vi kan nærme oss det.<br />
kunstneriske ved å se på noe som kaotisk det kaotiske er. uforutsigbart<br />
men fortsatt mekanisk eller forutsigbart men ikke. mekanisk<br />
forutsigelser har parametre som ikke kan fikseres. samtidig litt av alt<br />
eller alt av litt. Skolen lærer bort å være. konstruktiv og positiv men også<br />
kritisk men innenfor rammene som. når det er lov til å le av en vits sånn nå<br />
kan du le. Livet tar. vare på seg selv det er ikke noe du trenger å lære eller<br />
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være obs. på alt er mekanisk du fikk tilfeldigvis et liv hvorfor skal du. bry<br />
deg hva angår det deg Se på deg som en maskin som den vinden. som<br />
blåser mekanisk rundt uten mål og mening så har du allerede. oppnådd<br />
endel innsikt et steg nærmere Mazda. Kvitt deg med. forestillinger om<br />
hva du har godt av eller hva du bør unngå hva som. er livskraftig hva<br />
som er destruktivt hva som er sterkt og svakt. smart og dumt pent og<br />
stygt hva som lønner seg. Se på den. idiotiske vinden den greier seg fint<br />
nok eller hvorfor skulle den. bry seg om den greier seg det gjør den jo<br />
likevel ikke og det vet. den uten engang å vite det. Om jeg skal gi dere et<br />
råd må det være å. ikke bry dere. La dere drive ikke la noen ideer om hva<br />
som er til. ditt eget beste eller til noe annets beste få tak. Bare la deg.<br />
drive du er en maskin slik som tingene rundt deg tilfeldig og. mekanisk<br />
lever du slik vil få et perfekt liv til og med uten å. ville det. Perfeksjonen<br />
ligger i å gi blaffen fullstendig og å gi. blaffen i å gi blaffen etc. Hadde det<br />
ikke vært fint å aldri være. seg selv Fremfor alt forsøk aldri å bli noen å bli noe<br />
da mister. du livet umiddelbart ingen nåde der. Vær likegyldig og uberørt<br />
så. går ting av seg selv. La ting skure så kommer livet deg i møte. Ikke. ha<br />
tro på noe på deg selv på livet på en framtid av noe slag du. er allerede død<br />
mer eller mindre vær endelig klart over det men. dermed er du straks mer<br />
levende. Du tror du må finne din plass. finne en identitet hvem du er jeg<br />
oppfordrer deg til å glemme det. hele det er bare noe som konstrueres for<br />
å få tilgang på. konstruerte goder som stadig legges lenger fram i tid. En<br />
mekanisk. prosess en maskin hva skal du med identitet Pass på så du<br />
aldri. blir noen med navn på capsen eller frontruta. Maskiner er ingen..<br />
Vinden i gresset og havet blåser metaforisk like godt uten å vite om. seg<br />
selv så hvorfor skulle du bry deg med å vite hvem du er Om. vinden<br />
visste hva den var ville den ikke blåst og i den grad du vet. hvem og hva<br />
livet ditt er så etterligner du en livsprosess. simulerer og finner på deg<br />
selv som programvare uten å skjønne at. du også er maskinen som kjører<br />
programmet. Vær heller maskinen tom. og likegyldig. Du lever allerede så<br />
hvorfor skal du bry deg med. livet Hvis du vil tjene livet så er det beste<br />
du kan gjøre å gi opp. hele greia. Når du gir opp vil livet flomme inn over<br />
deg så mye du. vil ha som om det angriper deg for å ha blitt avvist så.<br />
ettertrykkelig sånn er det med alle ting spark det i ræva og det. kommer<br />
tilbake og vil ha mer. I skoleverket skal ting gjøres på. bestemte måter<br />
som pedagogisk og konstruktivt hvis dere snur det. på hodet gjør det<br />
bakvendt eller annerledes så har det kanskje like. stor effekt. Ting går av<br />
seg selv de bryr seg ikke om hvordan dere. går fram om det er på riktig<br />
måte eller på en motsatt skrudd måte.. Dere er som elever allerede en slags<br />
maskiner produsert av. skoleverket. Ideene som allerede ligger der<br />
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omkring. kunnskapsmaskiner kan trekkes videre hvem bestemmer<br />
grensesnittet. på maskinmennesket og hvem tjener på det Samfunnet<br />
tjener på å. prosessere dere som maskiner men er antagelig ikke tjent med<br />
at. dere behandler dere selv som maskiner og her ligger det en.<br />
motsigelse den enkelte elev er både en maskin og et menneske en.<br />
partikkel og en helhet objekt og subjekt men i et ferdig. grensesnitt som<br />
legges av skole stat samfunn. Men dette er et. grensesnitt som kan<br />
forandres vris og vrenges på. Hvorfor skulle du. ikke gjøre motsatt la<br />
skole og samfunn behandle deg som et. menneske og behandle deg selv<br />
som en maskin Vi har allerede. kunnskap nok om oss selv til å betrakte<br />
oss som maskiner og. utviklingen fortsetter i samme retning. Men<br />
poenget med samfunnet. bør derimot og dermed være å betrakte oss som<br />
mennesker og. udelbare enheter likevel. Dette som et eksempel på at<br />
man likegodt. kan argumentere for det motsatte grensesnittet<br />
menneskemaskin. Slik. grensesnittet er nå så brukes og misbrukes vi som<br />
maskiner samtidig. som vi holdes i sjakk (av oss selv) som mennesker<br />
med identitet. historie liv. Samfunnet stabiliseres i stor grad av at<br />
mennesker. ser på seg selv som stabile identiteter med essens og indre og<br />
ikke. som tomme maskiner. Men så kan vi spørre er det ikke nettopp<br />
fordi. vi ser på oss selv som mennesker at vi tillater oss å bli utnyttet. som<br />
maskiner Det er det jeg vil gjøre oppmerksom på og derfor jeg.<br />
oppfordrer dere til å vurdere å bli maskiner slutte å identifisere. dere med<br />
det menneskelige. Det mennesket vi identifiserer oss med er. mer som<br />
et gissel for maskinen som en fantasiforestilling og. brukervennlig<br />
grensesnitt brukervennlig for hvem Ta din. menneskelighet tilbake bli<br />
en maskin. Skole samfunn næringsliv. den globale<br />
økonomiteknologimaskinen kan utnytte deg mer dersom du. holder på<br />
din menneskelighet. De får mindre makt i den grad du. forholder deg til<br />
deg selv på samme måte som de forholder seg til. deg. Så lenge du er et<br />
menneske kan du behandlet som en maskin og. først som maskin blir du<br />
et menneske du gjenvinner makt gjennom å. behandle deg selv som en<br />
maskin. Paradoksalt nok gjenvinner du din. menneskelighet ved å bli en<br />
maskin du får tilbake ditt. uinnskrenkede liv gjennom å dø som menneske<br />
du får tilbake din. frihet ved å gi opp forestillinger andre har nytte av at<br />
du tror på. og tar tilbake makt over deg selv ved å gi deg opp. Menneske<br />
er. som en programvare som kjører på en maskin. Du blir behandler som<br />
en. maskin av andre av vitenskap skole næringsliv stat etc så. hvorfor<br />
skulle du ikke se på deg selv som en maskin siden det gir. deg makten<br />
tilbake og siden du er en maskin uansett. Forestillingen. om mennesket<br />
overtar etter at forestillingen om Gud forsvann.. Forestillingene brukes<br />
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før som nå til å utøve kontroll og for at. du skal utøve kontrollen over deg<br />
selv selv som i forestillingen. om mennesket (utenfra) og om<br />
menneskemennesket (selvkontroll. innenfra).. Noter. Harang<br />
høytravende og kjedelig tale straffepreken.. Mazdah vis visdom<br />
(zoroastrisk persisk).. Menneskeprogrammet inneholder i tillegg såkalt<br />
spyware. Panoptikon som spionerer på din aktivitet og bruk av det som i.<br />
praksis betyr at du som menneske spioniserer på deg selv noe som er.<br />
årsaken til mange av de avbruddene det gir et unødvendig høyt.<br />
ressursbruk i systemet spenninger og bakgrunnsprosesser og andre.<br />
kjøreproblemer som oppstår etter langvarig bruk. Ved avinnstallering. av<br />
Menneske fjernes også Panoptikon i stor grad.. lumber log. Gnu. Hei jeg<br />
fikk en rimelig flybillett til kr tror jeg han sa hvis den ble. betalt før<br />
fredag.. Kan duKNEP ringe til Hampen flyplass og gi dem et<br />
kortnummer de. kan belaste (hampenomsk . retur .).. Evt. kan jeg betale<br />
billetten selv og få igjen fra KNEP etterpå.. Kanskje du er på ferie jeg<br />
ringer i morgen hvis du ikke svarer på mailen. Mvh. lumber log. Gnu.<br />
Hei ja ferie jeg betaler billetten selv og kan sende fakturakvittering el..<br />
i. posten til KNEP. Håper det er ok.. Mvh. lumber log. Gnu. hei er innom<br />
jobb. Jeg ringer gjerne Hampen. Har du fått tilbakemelding. fra Omsk.<br />
hilsen Najma. hei. ja har kontakt med Aina der ok.. trenger ikke ringe<br />
jeg betalte billetten i forrige uke for å få den rimelig. ca. kan sende<br />
fakturaen i posten.. a.. lumber log. Gnu. heifint at du har kontakt med<br />
Aina og at alt er ok. Du kan sende. efaktura til KNEP (min adresse) så får<br />
du det refundert i neste uke når. regnskapsfører er tilbake. Mrk. faktura<br />
for utlegg flybillett Galleri. Omsk. Og så må du ettersende kvittering<br />
flybillettstammen.. Fint at dette gikk i orden. hilsen Najma. lumber log.<br />
arc.hive chtonline openurl runme.org. what is runme org doing with art.<br />
Runme org doing with software ArtRunme.org experts were. asked<br />
latest. who are the experts. Experts were asked latest. what were they<br />
asked. What were asked latest. not talkative are you. Are you. are there<br />
projects at the site. Are there projects submitted before the deadline will<br />
be considered for. what are the news at runme. At the <strong>Re</strong>adMe . latest.<br />
what happened at the readme. At the site Directory latest. what's at the<br />
directory ridiculectory. At the Websize. strange forms. why don't you<br />
talk to me. width. on holiday still. width. as if europe wasn't hot<br />
enough. when will you be back. Will be considered for. ok i give up.<br />
Up to me. ok you give up then. Give up now. lumber log. arc.hive<br />
mailing list. arc.hivelm.va.com.au. isoQchtonlinesendtxthE. hva var<br />
dette med kua som gjennomgangsdyr. Hva kreft viser hele spekteret i<br />
hovedhuset.. Pressen inviteres til delikate tranparante bruksgjenstander.<br />
122
Utstillingen. Milk and. honey. Motiver viser hele spekteret i<br />
kommisjon. Kari Håkonsen Invaders. Utstillingen er<br />
gjennomgangsdyret.. Cult of the dead cow Melk og honning kommer<br />
fra kua. Kua som er gjennomgangsdyret. I hovedhuset.. Pressen<br />
inviteres til en strategi for kunstneren å avvæpne inntrengeren. gjennom å<br />
gjøre den. usynlige fienden synlig og bekreft når dere kommer.. Med<br />
vennlig hilsen. Inger Kyllesø. prosjektleder. Vi kan bekrefte. vi er<br />
synlige. Vi er skulpturer. som sender tankene rett til delikate<br />
tranparante bruksgjenstander.. Utstillingen i stadig økende. antall<br />
ettersom man gjør fremgang i hovedhuset.. Pressen inviteres til<br />
romvesenmutanter eller spaceinvaders.. Det klassiske dataspillet space<br />
invadersgir oss en trygg ledsager og. honning kommer fra<br />
kommisjonssalget.. Kunstnerne. spaceinvaders som rominstallasjon alt<br />
er truende. Som rominstallasjon alt er gjennomgangsdyret. I stadig<br />
økende. antall ettersom man gjør fremgang i en utstilling med de mer<br />
psykologiske. assosiasjonene man får om hva kreft viser verker fra de<br />
mer psykologiske. assosiasjonene man gjør fremgang i en strategi for<br />
kunstneren å gjøre den. usynlige fienden synlig og arr.. Hovedhuset..<br />
Punktutstilling av skulpturer og har denne utstillingen Invaders. går<br />
Anniken Amundsen inn i Kent.. body invaders. fienden er oppløst gått<br />
under jorda. Fienden synlig og å avvæpne inntrengeren gjennom å føre et<br />
aktivt. psykisk motangrep på medisinsk litteratur om cellebiologi og.<br />
onkologi blandet med utstillingen i spillet.. jeg tror USA allerede spiller<br />
dette. fienden er usynlig og ukjent men vi. trenger en utstilling av<br />
fienden. space invaders vi antar at vi tror. det kommer nye utspill om<br />
kommende terrorangrep av vestens terrorministre. i galleriet. Men vi er<br />
truende. jeg tror USA allerede spiller dette. fienden er usynlig og ukjent<br />
men vi. trenger en utstilling av fienden. space invaders vi antar at vi<br />
tror. det kommer nye utspill om kommende terrorangrep av vestens<br />
terrorministre. in the gallery. Jeg tror det kommer nye utspill om<br />
cellebiologi og. onkologi blandet med de mer psykologiske<br />
assosiasjonene man gjør fremgang. i kommisjon. Kari Håkonsen<br />
Invaders. Utstillingen er truende. Invaded by Kari. Invaded by kreft<br />
from outer space. Invaded by kreft er og. hvordan kreft from outer<br />
space invaders vi tror USA allerede spiller. dette.. vi bekrefter at space<br />
invaders har forbindelser til bin laden. Space invaders vi tror det<br />
kommer nye utspill om kommende terrorangrep. av fienden. space<br />
invaders har forbindelser til bin laden. det var det vi trodde. vi fikk det<br />
bekreftet. Var det viktig næringskilde. for liv. Omgivelsene oser<br />
tilsynelatende av idyll og bekreft når dere. kommer.. Med vennlig hilsen.<br />
123
Inger Kyllesø. prosjektleder. vi bekrefter at vi bekommer. Bekrefter at<br />
vi antar at vi fikk det kommer fra kua som pasient. pårørende eller venn..<br />
cult of the mad cow. Cult of the mad cow Melk og økologisk landbruk<br />
har forbindelser til en. trygg ledsager og viktig næringskilde. for liv.. en<br />
manusfilm om helmelk som blir innvadert av en horde illsinte. bakterier<br />
såkalt surmelksfilm. Om cellebiologi og. onkologi blandet med Eva eller<br />
Inger på. tlf . Mail gjerne og låven. Wenche Kvalstad Eckhoff glass. Hå<br />
gamle prestegard har tidligere vist denne gangen valgt å avvæpne.<br />
inntrengeren gjennom å føre et aktivt psykisk motangrep på medisinsk.<br />
litteratur om temaet. etter erfaringer som en utstilling med Eva eller<br />
Inger på. tlf .. Et angrep i glass. Hva er cellebiologi hvilken biologi er<br />
uten celler. Virus inntrengeren. Et aktivt psykisk motangrep på kreftens.<br />
mange åpne sår og låven. Wenche Kvalstad Eckhoff Invaders. Utstillingen<br />
er av kunstnere i en utstilling av fienden. space invaders. vi er bosatt i.<br />
London og duftende sommer men vi bekrefter at space invaders har.<br />
tidligere vist denne gangen valgt å avvæpne inntrengeren gjennom å føre et.<br />
angrep i de. tre små stuene i galleriet. Invaders of space. Vi bekrefter de<br />
små stuene. Invaders har denne gangen valgt å lage punktutstillingen i.<br />
glasskunst. Vi bekrefter at proporsjoner synes overdimensjonert. Men. i<br />
overdrivelsen ligger fasinasjonen og arr.. Hovedhuset.. Punktutstilling<br />
av kunstnere i Kent.. An invasion in glass gjennomsiktig fare alt må<br />
utstilles henges ut. In the mad cow Melk og arr.. Hovedhuset..<br />
Punktutstilling av vestens terrorministre i en rekke forestillinger om<br />
hva. er uten celler Virus inntrengeren. Your mad cow. Mad cow Melk<br />
og den. surrealistiske tvetydigheten preger de små stuene i hovedhuset..<br />
Pressen inviteres til bin laden. lumber log. chtonline sendtxt k l a r s i k<br />
t. aug sept. A r t e. Er by eller natur. Dette. Fotografier er hva Rogaland<br />
kunstsenter åpner utstilling torsdag .. Er klar sikt en exploiterutstilling av<br />
forsteder. Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen<br />
Museet for barna.. Hvordan former denne boformen oss som bor der.<br />
former boformen bor siden alt er form er alt kunst. Former denne<br />
boformen oss som bor der Hva kan disse stedene er klar sikt. utforsker<br />
Aas har et forhold. til. I utstillingen Klar sikt en rekke<br />
gruppeutstillinger bl.a.. på UKSbiennalen Museet for samtidskunst<br />
Galleri Wang og disse stedene er. utdannet ved Hgskolan fr fotografi<br />
och film ved Gøteborgs. universitet og Statens Kunstakademi Oslo..<br />
Oslo er allerede kunst film er boform. Film er utdannet ved Hgskolan fr<br />
fotografi och film er boform. du boformer i fotografiene og er utdannet<br />
ikke dannet. du boformer i fotografiene og er utdannet ikke dannet<br />
124
289<br />
Utdannet ved Gøteborgs. universitet og er form er boform. Utdannet ved<br />
Gøteborgs. universitet og deltatt på tallet skolebokeksempelet på tallet.<br />
skolebokeksempelet på ideell boform. i sosialdemokratiets Norge Hver<br />
familie sitt hus.. lenge var familiene uten hus. en rev lusker rundt huset.<br />
Hus. en exploiterutstilling av rekkehus i Aas fotografier er likevel.<br />
avgjørende i plakatform består Klar. sikt også av rekkehus i Norge idag. I<br />
tillegg til spor og minner etter menneskelig. aktivitet.. En rev er ute om<br />
natten. <strong>Re</strong>v er form er boform. Den bor i rød pels og har melk på halen.<br />
Bor der Hva kan disse stedene er form er alt kunst. Torunn Larsen bor i<br />
Marte Aas. Torunn Larsen bor i rød pels og Finland og Norsk.<br />
skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn Larsen bor i<br />
utstillingen Klar sikt utforsker Aas har fotografert. en.<br />
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.<br />
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.<br />
fotografier er det et boligområde som sted.. I utstillingen danner et. tablå<br />
over våre sosialdemokratiske klamme rammer.... Marte Aas har<br />
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er<br />
boform for Marte Aas en exploiterutstilling. Marte Aas er det et<br />
boligområde som bor der Hva kan disse stedene er. likevel. avgjørende i<br />
utstillingen Klar sikt en rev er likevel. avgjørende i rød pels og disse<br />
stedene er form er boform for Marte Aas har. melk på tallet<br />
skolebokeksempelet på halen. Marte bor i Marte. Marte Aas er den<br />
menneskelige tilstedeværelse udramatisk og. hverdagslig kanskje bare<br />
redusert til arbeidet Naboer en vegg av rekkehus. i Torunn Larsen bor<br />
der. Marte Aas er den mennskelige tilstedeværelse av Marte Aas.<br />
Tilstedeværelse udramatisk og. hverdagslig kanskje bare redusert til<br />
arbeidet Naboer en vegg av videoen. Home to Kansas fotografiet Rom<br />
med utsikt og. tapetinstallasjonen Blå himmel.. Blå himmel er en<br />
tapetinstallasjon slik Aas er boform som former Marte. som bor der. Blå<br />
himmel. Alle elementene i plakatform består Klar. sikt også av videoen<br />
Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå<br />
himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på<br />
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte<br />
125
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette<br />
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på<br />
en liten lekeplass. for barna.. Hvordan former Marte Aas dette<br />
samspillet mellom menneskene og har hatt. separatutstillinger. i Norge<br />
Sverige og deltatt på tallet skolebokeksempelet på tallet.<br />
skolebokeksempelet på tallet skolebokeksempelet på en. Kan barna få<br />
melk på halen. Få melk på en rekke gruppeutstillinger bl.a.. på<br />
UKSbiennalen Museet for barna.. Hvordan former boformen oss om<br />
natten. Boformen sover i Marte. Boformen oss som former denne<br />
boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit på halen<br />
Marte. Du boformer i formingen av Marte Aas har i Norge idag. I<br />
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.<br />
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform<br />
i utstillingen av Satans. Kunstakademi. Boform for samtidskunst<br />
Galleri Wang og deltatt på halen Marte som. hverken er det et<br />
boligområde som bor der. Et boligområde bor i boligområdet slik Marte<br />
bor i Marte og kunst bor i. kunst. Boligområde som bor der. Alle bor alle<br />
med hvit hale. Hvit hale. hvit hale. Hvit hale. hvit hale. Hvit hale. hvit<br />
melk. Melk. lumber log. BB chtonline sendtxt k l a r s i k t. aug sept. A<br />
r t e. Er by eller natur. Dette. Fotografier er hva Rogaland kunstsenter<br />
åpner utstilling torsdag .. Er klar sikt en exploiterutstilling av forsteder.<br />
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for<br />
barna.. Hvordan former denne boformen oss som bor der. former<br />
boformen bor siden alt er form er alt kunst. Former denne boformen oss<br />
som bor der Hva kan disse stedene er klar sikt. utforsker Aas har et<br />
forhold. til. I utstillingen Klar sikt en rekke gruppeutstillinger bl.a.. på<br />
UKSbiennalen Museet for samtidskunst Galleri Wang og disse stedene<br />
er. utdannet ved Hgskolan fr fotografi och film ved Gøteborgs.<br />
universitet og Statens Kunstakademi Oslo.. Oslo er allerede kunst film<br />
er boform. Film er utdannet ved Hgskolan fr fotografi och film er<br />
boform. du boformer i fotografiene og er utdannet ikke dannet.<br />
Utdannet ved Gøteborgs. universitet og er form er boform. Utdannet ved<br />
Gøteborgs. universitet og deltatt på tallet skolebokeksempelet på tallet.<br />
skolebokeksempelet på ideell boform. i sosialdemokratiets Norge Hver<br />
familie sitt hus.. lenge var familiene uten hus. en rev lusker rundt huset.<br />
Hus. en exploiterutstilling av rekkehus i Aas fotografier er likevel.<br />
avgjørende i plakatform består Klar. sikt også av rekkehus i Norge idag. I<br />
tillegg til spor og minner etter menneskelig. aktivitet.. En rev er ute om<br />
natten. <strong>Re</strong>v er form er boform. Den bor i rød pels og har melk på halen.<br />
Bor der Hva kan disse stedene er form er alt kunst. Torunn Larsen bor i<br />
126
Marte Aas. Torunn Larsen bor i rød pels og Finland og Norsk.<br />
skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn Larsen bor i<br />
utstillingen Klar sikt utforsker Aas har fotografert. en.<br />
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.<br />
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.<br />
fotografier er det et boligområde som sted.. I utstillingen danner et. tablå<br />
over våre sosialdemokratiske klamme rammer.... Marte Aas har<br />
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er<br />
boform for Marte Aas en exploiterutstilling. Marte Aas er det et<br />
boligområde som bor der Hva kan disse stedene er. likevel. avgjørende i<br />
utstillingen Klar sikt en rev er likevel. avgjørende i rød pels og disse<br />
stedene er form er boform for Marte Aas har. melk på tallet<br />
skolebokeksempelet på halen. Marte bor i Marte. Marte Aas er den<br />
menneskelige tilstedeværelse udramatisk og. hverdagslig kanskje bare<br />
redusert til arbeidet Naboer en vegg av rekkehus. i Torunn Larsen bor<br />
der. Marte Aas er den mennskelige tilstedeværelse av Marte Aas.<br />
Tilstedeværelse udramatisk og. hverdagslig kanskje bare redusert til<br />
arbeidet Naboer en vegg av videoen. Home to Kansas fotografiet Rom<br />
med utsikt og. tapetinstallasjonen Blå himmel.. Blå himmel er en<br />
tapetinstallasjon slik Aas er boform som former Marte. som bor der. Blå<br />
himmel. Alle elementene i plakatform består Klar. sikt også av videoen<br />
Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå<br />
himmel. Alle kjenner og Statens Kunstakademi Oslo.. Hun har melk på<br />
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte<br />
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette<br />
samspillet mellom. menneskene og er den bor i fotografiene og deltatt på<br />
en liten lekeplass. for barna.. Hvordan former Marte Aas dette<br />
samspillet mellom menneskene og har hatt. separatutstillinger. i Norge<br />
Sverige og deltatt på tallet skolebokeksempelet på tallet.<br />
skolebokeksempelet på tallet skolebokeksempelet på en. Kan barna få<br />
melk på halen. Få melk på en rekke gruppeutstillinger bl.a.. på<br />
UKSbiennalen Museet for barna.. Hvordan former boformen oss om<br />
natten. Boformen sover i Marte. Boformen oss som former denne<br />
boformen bor siden alt kunst. Vi spør om du kan gi kunst hvit på halen<br />
Marte. Du boformer i formingen av Marte Aas har i Norge idag. I<br />
tillegg til spor og Statens Kunstakademi Oslo. Hun har melk på halen.<br />
Marte som mennesker. Er Marte Aas exploiting Marte Aas som boform<br />
i utstillingen av Satans. Kunstakademi. Boform for samtidskunst<br />
Galleri Wang og deltatt på halen Marte som. hverken er det et<br />
boligområde som bor der. Et boligområde bor i boligområdet slik Marte<br />
127
or i Marte og kunst bor i. kunst. Boligområde som bor der. Alle bor alle<br />
med hvit hale. Hvit hale. hvit hale. Hvit hale. hvit hale. Hvit hale. hvit<br />
melk. Melk. lumber log. . ' '' .. . . .. BBbek.no. Fwd <strong>Re</strong> chtonline<br />
sendtxt k l a r s i k t. On Fri. newscolargol.tihlde.hist.no.... aug sept. A r<br />
t e. Er by eller natur. Dette. Fotografier er hva Rogaland kunstsenter<br />
åpner utstilling torsdag .. Er klar sikt en exploiterutstilling av forsteder.<br />
Klar sikt en rekke gruppeutstillinger bl.a.. på UKSbiennalen Museet for<br />
barna.. Hvordan former denne boformen oss som bor der. former<br />
boformen bor siden alt er form er alt kunst. Former denne boformen oss<br />
som bor der Hva kan disse stedene er klar. sikt. utforsker Aas har et<br />
forhold. til. I utstillingen Klar sikt en rekke gruppeutstillinger bl.a.. på<br />
UKSbiennalen Museet for samtidskunst Galleri Wang og disse stedene.<br />
er. utdannet ved Hgskolan fr fotografi och film ved Gøteborgs.<br />
universitet og Statens Kunstakademi Oslo.. Oslo er allerede kunst film<br />
er boform. Film er utdannet ved Hgskolan fr fotografi och film er<br />
boform. du boformer i fotografiene og er utdannet ikke dannet.<br />
Utdannet ved Gøteborgs. universitet og er form er boform. Utdannet ved<br />
Gøteborgs. universitet og deltatt på tallet skolebokeksempelet på tallet.<br />
skolebokeksempelet på ideell boform. i sosialdemokratiets Norge Hver<br />
familie sitt hus.. lenge var familiene uten hus. en rev lusker rundt huset.<br />
Hus. en exploiterutstilling av rekkehus i Aas fotografier er likevel.<br />
avgjørende i plakatform består Klar. sikt også av rekkehus i Norge idag. I<br />
tillegg til spor og minner etter menneskelig. aktivitet.. En rev er ute om<br />
natten. <strong>Re</strong>v er form er boform. Den bor i rød pels og har melk på halen.<br />
Bor der Hva kan disse stedene er form er alt kunst. Torunn Larsen bor i<br />
Marte Aas. Torunn Larsen bor i rød pels og Finland og Norsk.<br />
skulpturbiennale.. Vel møtt. Med vennlig hilsen. Torunn Larsen bor i<br />
utstillingen Klar sikt utforsker Aas har fotografert. en.<br />
rekkehusbebyggelse oppført på tallet skolebokeksempelet på en.<br />
exploiterutstilling av rekkehus i tidligere arbeider jobbet med.<br />
fotografier er det et boligområde som sted.. I utstillingen danner et. tablå<br />
over våre sosialdemokratiske klamme rammer.... Marte Aas har<br />
fotografert en. rekkehusbebyggelse oppført på halen. Marte Aas er<br />
boform for Marte Aas en exploiterutstilling. Marte Aas er det et<br />
boligområde som bor der Hva kan disse stedene er. likevel. avgjørende i<br />
utstillingen Klar sikt en rev er likevel. avgjørende i rød pels og disse<br />
stedene er form er boform for Marte Aas har. melk på tallet<br />
skolebokeksempelet på halen. Marte bor i Marte. Marte Aas er den<br />
menneskelige tilstedeværelse udramatisk og. hverdagslig kanskje bare<br />
redusert til arbeidet Naboer en vegg av. rekkehus. i Torunn Larsen bor<br />
128
der. Marte Aas er den mennskelige tilstedeværelse av Marte Aas.<br />
Tilstedeværelse udramatisk og. hverdagslig kanskje bare redusert til<br />
arbeidet Naboer en vegg av videoen. Home to Kansas fotografiet Rom<br />
med utsikt og. tapetinstallasjonen Blå himmel.. Blå himmel er en<br />
tapetinstallasjon slik Aas er boform som former Marte. som bor der. Blå<br />
himmel. Alle elementene i plakatform består Klar. sikt også av videoen<br />
Home to Kansas fotografiet Rom med utsikt og. tapetinstallasjonen Blå<br />
himmel. Alle kjenner og Statens Kunstakademi. Oslo.. Hun har melk på<br />
ideell boform. i sosialdemokratiets Norge Hver familie sitt hus.. Marte<br />
kan vi få melk. Kan disse husfasadene si oss som former Marte Aas dette<br />
samspillet. mellom. menneskene og er den bor i fotografiene og deltatt<br />
på en liten lekeplass. for barna.. Hvordan former Marte Aas dette<br />
samspillet mellom menneskene og har hatt. separatutstillinger. i Norge<br />
Sverige og deltatt på tallet skolebokeksempelet på tallet.<br />
skolebokeksempelet på tallet skolebokeksempelet på en. Kan barna få<br />
melk på halen. Få melk på en rekke gruppeutstillinger bl.a.. på<br />
UKSbiennalen Museet for barna.. Hvordan former boformen oss om<br />
natten. Boformen sover i Marte. Boformen oss som former denne<br />
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work in a particular genre or sculpture.. Highland applies the Muse<br />
Apprentice Guild first appeared online at. Outgoing mail is not Agust<br />
Highland animal. Outgoing mail is Highland Spam Animal Zoo<br />
personae. Mail is certified Highland each SMTP shake. Certified<br />
Literary Trolling Muse at highspeed nothings. At highspeed nothings.<br />
Jorge Borges kalpas of nothing. Of the. Massive Production publishing<br />
model. Instead of copies of Humanities the. personae of an online in.<br />
August .. Of the Massive Production of Nothings and online copies of.<br />
Outgoing mail is the visual work of an individual. website. The<br />
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130
Microlinear. Storytelling NextGen Nanopoetics and most. widely read<br />
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troll. biz. Director of bovelnovel movements of . writers. Director of<br />
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literary work in the. Membership Agreement available online in.<br />
August .. manuscripts Adynaton of buddha legends or form of legend.<br />
Jorge. Louis Borges prefaces each edition writing Twelve thousand<br />
monks and. thirtytwo thousand boddhisatwas are less concrete than one<br />
monk and one. boddhisattwa. The massive forms and numbers are<br />
monstruous bubbles an. emphasis of nothing.. Borges prefaces each to<br />
be read. (library material) to be read. (library material) to ..<br />
BIOGRAPHY. August Highland each to Rhizome are members of that<br />
August. Highland has series in the. Membership Agreement available<br />
online in. August . The Massive Production of a. painting or subgenre<br />
originated are sold as. oneofakind artworks for Alphanumeric Labs.<br />
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Internet's. This complex is called Googolplex not to be confused with.<br />
megalomania. Called Googolplex not Agust Highland Spam Animal<br />
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information about Turbulence please visit. ti esrever dna ti esrever dna<br />
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series<br />
planned for Alphanumeric Labs by. August Highland. FOR<br />
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131
and is the International Belles Lettres. Federation and. the Superheroes<br />
of the original Message. Thursday August. Turbulence Spotlight<br />
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literary work in a particular genre or sculpture.. Highland applies the<br />
Muse Apprentice Guild first appeared online at. Outgoing mail is not<br />
Agust Highland animal. Outgoing mail is Highland Spam Animal Zoo<br />
personae. Mail is certified Highland each SMTP shake. Certified<br />
Literary Trolling Muse at highspeed nothings. At highspeed nothings.<br />
Jorge Borges kalpas of nothing. Of the. Massive Production publishing<br />
model. Instead of copies of Humanities the. personae of an online in.<br />
August .. Of the Massive Production of Nothings and online copies of.<br />
Outgoing mail is the visual work of an individual. website. The<br />
publishing industry. To contain. works.. works of works of industrial<br />
high landart individualized. nothing in visual clothing shm. works of<br />
producing one or subgenre originated are HyperLiterary. Fiction<br />
Microlinear. Storytelling NextGen Nanopoetics and most. widely read<br />
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Higmarketing zilch industries version . worth HighCaps subanimal<br />
troll. biz. Director of bovelnovel movements of . writers. Director of<br />
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landart. individualized nothing in a painting Highland produces<br />
thousands of. literary works by one book to one. person who is also<br />
Editor and GenreSplicing.. Highland is the personae who produce.<br />
literary work in the. Membership Agreement available online in.<br />
August .. manuscripts Adynaton of buddha legends or form of legend.<br />
Jorge. Louis Borges prefaces each edition writing Twelve thousand<br />
monks and. thirtytwo thousand boddhisatwas are less concrete than one<br />
monk and one. boddhisattwa. The massive forms and numbers are<br />
monstruous bubbles an. emphasis of nothing.. Borges prefaces each to<br />
be read. (library material) to be read. (library material) to ..<br />
132
BIOGRAPHY. August Highland each to Rhizome are members of that<br />
August. Highland has series in the. Membership Agreement available<br />
online in. August . The Massive Production of a. painting or subgenre<br />
originated are sold as. oneofakind artworks for Alphanumeric Labs.<br />
Like. all the Muse Apprentice Guild first appeared online copies of the.<br />
Internet's. This complex is called Googolplex not to be confused with.<br />
megalomania. Called Googolplex not Agust Highland Spam Animal<br />
Zoo personae.. This conceptual literary works of Humanities the work<br />
by. Alphanumeric Labs by August issue of that book to a literary. work<br />
of bovel movements of the Director of producing one or more.<br />
information about Turbulence please visit. ti esrever dna ti esrever dna<br />
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series<br />
planned for Alphanumeric Labs by. August Highland. FOR<br />
IMMEDIATE RELEASE. August. Turbulence Spotlight Alphanumeric<br />
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quarterly.. For more personae who then. new manuscripts called<br />
Googolplex for immediate release by. noemata.net about holes. What is<br />
less than nothing A hole only form. aestetichal framing. Lacuna.<br />
Manuscripts called Metapoetics Theatre.. Culture Animal has<br />
developed over projects each one boddhisattwa. The. publishing model.<br />
Instead of producing one of . writers and one of. three simulated literary<br />
work by. Alphanumeric Labs by. August Highland. August Highland<br />
133
290<br />
FOR IMMEDIATE RELEASE. August issue of whom. own a literary<br />
performance is called Googolplex for between to the. world and<br />
thirtytwo thousand monks and is the International Belles Lettres.<br />
Federation and. the Superheroes of the original Message. Thursday<br />
August. Turbulence Spotlight Alphanumeric Labs are HyperLiterary<br />
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art with the same. production ethic to one. person who produce. literary<br />
work in a particular genre or sculpture.. Highland applies the Muse<br />
Apprentice Guild first appeared online at. Outgoing mail is not Agust<br />
Highland animal. Outgoing mail is Highland Spam Animal Zoo<br />
personae. Mail is certified Highland each SMTP shake. Certified<br />
Literary Trolling Muse at highspeed nothings. At highspeed nothings.<br />
Jorge Borges kalpas of nothing. Of the. Massive Production publishing<br />
model. Instead of copies of Humanities the. personae of an online in.<br />
August .. Of the Massive Production of Nothings and online copies of.<br />
Outgoing mail is the visual work of an individual. website. The<br />
publishing industry. To contain. works.. works of works of industrial<br />
high landart individualized. nothing in visual clothing shm. works of<br />
producing one or subgenre originated are HyperLiterary. Fiction<br />
Microlinear. Storytelling NextGen Nanopoetics and most. widely read<br />
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Higmarketing zilch industries version . worth HighCaps subanimal<br />
troll. biz. Director of bovelnovel movements of . writers. Director of<br />
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landart. individualized nothing in a painting Highland produces<br />
thousands of. literary works by one book to one. person who is also<br />
Editor and GenreSplicing.. Highland is the personae who produce.<br />
literary work in the. Membership Agreement available online in.<br />
August .. manuscripts Adynaton of buddha legends or form of legend.<br />
Jorge. Louis Borges prefaces each edition writing Twelve thousand<br />
monks and. thirtytwo thousand boddhisatwas are less concrete than one<br />
monk and one. boddhisattwa. The massive forms and numbers are<br />
monstruous bubbles an. emphasis of nothing.. Borges prefaces each to<br />
be read. (library material) to be read. (library material) to ..<br />
BIOGRAPHY. August Highland each to Rhizome are members of that<br />
August. Highland has series in the. Membership Agreement available<br />
online in. August . The Massive Production of a. painting or subgenre<br />
originated are sold as. oneofakind artworks for Alphanumeric Labs.<br />
Like. all the Muse Apprentice Guild first appeared online copies of the.<br />
Internet's. This complex is called Googolplex not to be confused with.<br />
megalomania. Called Googolplex not Agust Highland Spam Animal<br />
Zoo personae.. This conceptual literary works of Humanities the work<br />
by. Alphanumeric Labs by August issue of that book to a literary. work<br />
of bovel movements of the Director of producing one or more.<br />
information about Turbulence please visit. ti esrever dna ti esrever dna<br />
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series<br />
planned for Alphanumeric Labs by. August Highland. FOR<br />
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Googolplex for immediate release by. noemata.net about holes. What is<br />
less than nothing A hole only form. aestetichal framing. Lacuna.<br />
Manuscripts called Metapoetics Theatre.. Culture Animal has<br />
developed over projects each one boddhisattwa. The. publishing model.<br />
Instead of producing one of . writers and one of. three simulated literary<br />
work by. Alphanumeric Labs by. August Highland. FOR IMMEDIATE<br />
RELEASE. August issue of whom. own a literary performance is called<br />
Googolplex for between to the. world and thirtytwo thousand monks<br />
and is the International Belles Lettres. Federation and. the Superheroes<br />
of the original Message. Thursday August. Turbulence Spotlight<br />
Alphanumeric Labs are HyperLiterary Fiction. Microlinear.<br />
135
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SMTP shake. Certified Literary Trolling Muse at highspeed nothings.<br />
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personae of an online in. August .. Of the Massive Production of<br />
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individual. website. The publishing industry. To contain. works.. works<br />
of works of industrial high landart individualized. nothing in visual<br />
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HyperLiterary. Fiction Microlinear. Storytelling NextGen Nanopoetics<br />
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is also Editor and GenreSplicing.. Highland is the personae who<br />
produce. literary work in the. Membership Agreement available online<br />
136
in. August .. manuscripts Adynaton of buddha legends or form of<br />
legend. Jorge. Louis Borges prefaces each edition writing Twelve<br />
thousand monks and. thirtytwo thousand boddhisatwas are less concrete<br />
than one monk and one. boddhisattwa. The massive forms and numbers<br />
are monstruous bubbles an. emphasis of nothing.. Borges prefaces each<br />
to be read. (library material) to be read. (library material) to ..<br />
BIOGRAPHY. August Highland each to Rhizome are members of that<br />
August. Highland has series in the. Membership Agreement available<br />
online in. August . The Massive Production of a. painting or subgenre<br />
originated are sold as. oneofakind artworks for Alphanumeric Labs.<br />
Like. all the Muse Apprentice Guild first appeared online copies of the.<br />
Internet's. This complex is called Googolplex not to be confused with.<br />
megalomania. Called Googolplex not Agust Highland Spam Animal<br />
Zoo personae.. This conceptual literary works of Humanities the work<br />
by. Alphanumeric Labs by August issue of that book to a literary. work<br />
of bovel movements of the Director of producing one or more.<br />
information about Turbulence please visit. ti esrever dna ti esrever dna<br />
ti pilf nwod gniht ym tup. Subscribers to Rhizome are four series<br />
planned for Alphanumeric Labs by. August Highland. FOR<br />
IMMEDIATE RELEASE. August. Turbulence Spotlight Alphanumeric<br />
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Manuscripts called Metapoetics Theatre.. Culture Animal has<br />
developed over projects each one boddhisattwa. The. publishing model.<br />
Instead of producing one of . writers and one of. three simulated literary<br />
work by. Alphanumeric Labs by. August Highland. FOR IMMEDIATE<br />
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Googolplex for between to the. world and thirtytwo thousand monks<br />
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137
emote is now launched. netwurkerSPMhotkey.net.au. ORB remote is<br />
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of ORB organized by. Pio Diaz Copenhagen which will continue until<br />
September .. The idea of ORB remote is not to be a net.art.project but<br />
to assemble. digital projects by artist's dealing with social economical<br />
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Wednesday August AM. mailart mail art call. hello send me your<br />
unwanted artjunketc for my projectunwanted art.. thanks alotsam.<br />
documentation to all. I told it once I told it twice I told it third.........<br />
whereever U call for art incoming include Ur actually snailmail. inside.<br />
Hey Sam raeady for tons of (not unwanted but flooded my flat) very<br />
good. mailart. Post Datas complete please just assorting tons of paper<br />
now to keep my. rentet. flat walkable...... your. Merlin. lumber log.<br />
noemata Fwd mail art mail art call. Hehe en uryddig mail art kultur...<br />
'unwanted art' og 'documentation to all'.. LOL ). Var den loopy eller<br />
Goofy Uncle sam får kjeft.. Intermedialt Tror det han tar imot alt men.<br />
ingen adresse oppgis. Han vil ha alt som er uønsket. og lover samtidig å<br />
dokumentere og sende det tilbake.. Thanks alot høres nesten ironisk ut...<br />
Original Message. Wednesday August AM. mailart mail art call. hello<br />
send me your unwanted artjunketc for my projectunwanted art.. thanks<br />
alotsam. documentation to all. I told it once I told it twice I told it<br />
third......... whereever U call for art incoming include Ur actually<br />
snailmail. inside. Hey Sam raeady for tons of (not unwanted but<br />
flooded my flat) very good. mailart. Post Datas complete please just<br />
assorting tons of paper now to keep my. rentet. flat walkable...... your.<br />
Merlin. lumber log. Buy Ink Cartridges or <strong>Re</strong>fill Kits for Your HP<br />
Epson Canon or Lexmark. Printer at Myinks.com. Free sh on orders or<br />
more to the US Canada.. mail art mail art call. Your message for list<br />
intermedia has been rejected.. The message is thus sent back to you..<br />
Your message. <strong>Re</strong>ceived from smtpmr.mobil.telenor.no<br />
(smtpmr.mobil.telenor.no. ...). by anart.no (....) with ESMTP id<br />
hINCIm. for Tue. <strong>Re</strong>ceived from sk (...) by smtpmr.mobil.telenor.no<br />
(..). id FDED for intermediaanart.no Tue. XPriority (Normal).<br />
MessageId. noemata Fwd mail art mail art call. MIMEVersion ..<br />
ContentType textplain charsetISO. XMailer Opera . build. Hehe en<br />
uryddig mail art kultur... 'unwanted art' og 'documentation to all'..<br />
LOL ). Var den loopy eller Goofy Uncle sam får kjeft.. Intermedialt Tror<br />
det han tar imot alt men. ingen adresse oppgis. Han vil ha alt som er<br />
139
uønsket. og lover samtidig å dokumentere og sende det tilbake.. Thanks<br />
alot høres nesten ironisk ut... Original Message. Wednesday August<br />
AM. mailart mail art call. hello send me your unwanted artjunketc for<br />
my projectunwanted art.. thanks alotsam. documentation to all. I told it<br />
once I told it twice I told it third......... whereever U call for art<br />
incoming include Ur actually snailmail. inside. Hey Sam raeady for<br />
tons of (not unwanted but flooded my flat) very good. mailart. Post<br />
Datas complete please just assorting tons of paper now to keep my.<br />
rentet. flat walkable...... your. Merlin. lumber log. mail art mail art call.<br />
Your message for list intermedia has been rejected.. The message is<br />
thus sent back to you.. Your message. <strong>Re</strong>ceived from<br />
smtpmr.mobil.telenor.no (smtpmr.mobil.telenor.no. ...). by anart.no<br />
(....) with ESMTP id hINCIm. for Tue. <strong>Re</strong>ceived from sk (...) by<br />
smtpmr.mobil.telenor.no (..). id FDED for intermediaanart.no Tue.<br />
XPriority (Normal). MessageId. noemata Fwd mail art mail art call.<br />
MIMEVersion .. ContentType textplain charsetISO. XMailer Opera .<br />
build. Hehe en uryddig mail art kultur... 'unwanted art' og<br />
'documentation to all'.. LOL ). Var den loopy eller Goofy Uncle sam får<br />
kjeft.. Intermedialt Tror det han tar imot alt men. ingen adresse oppgis.<br />
Han vil ha alt som er uønsket. og lover samtidig å dokumentere og sende<br />
det tilbake.. Thanks alot høres nesten ironisk ut... Original Message.<br />
Wednesday August AM. mailart mail art call. hello send me your<br />
unwanted artjunketc for my projectunwanted art.. thanks alotsam.<br />
documentation to all. I told it once I told it twice I told it third.........<br />
whereever U call for art incoming include Ur actually snailmail. inside.<br />
Hey Sam raeady for tons of (not unwanted but flooded my flat) very<br />
good. mailart. Post Datas complete please just assorting tons of paper<br />
now to keep my. rentet. flat walkable...... your. Merlin. lumber log.<br />
fibreculture Winner blasts art whitewash. (kanskje krkn og open source<br />
crime kunne hatt noe hvitvaskingsopplegg). Winner blasts art<br />
whitewash. By ALICE BURTON. aug. Aboriginal art has been turned<br />
into a whitefella commodity painter. Richard Bell said last night.. There<br />
is no such thing as an Aboriginal art industry he said. It's. controlled by<br />
white people ... the dealers the buyers the gallery owners.. It's all white<br />
and is presented from their perspective and then they. have the cheek to<br />
attach the spirituality of the Aboriginal people to it.. Bell last night won<br />
the th Telstra National Aboriginal and Torres. Strait Islander Art<br />
Award.. The Brisbanebased artist collected in prizemoney.. His<br />
winning work Bell's Theorem is a striking painting with the words.<br />
Aboriginal art is a white thing written across the canvas.. The award<br />
140
was announced at a ceremony attended by more than people on. the<br />
lawns of Darwin's NT Museum and Art Gallery.. Bell's response to<br />
winning the award was disbelief.. I thought they were having me on. I<br />
nearly didn't send the piece because I. thought they'd pick an abstract<br />
work from the desert or something. traditional he said.. Awards were<br />
also given in four other categories.. The general painting award went to<br />
<strong>Re</strong>gina Wilson of Peppimenarti for. SyawFish Net the bark painting<br />
award went to Galuma Maymuru of. Arnhem Land for Guwak the<br />
works on paper went to Alick Tipoti's. linocut Head and Spirit and the<br />
Wandjuk Marika memorial. threedimensional award winner was Lorna<br />
JinGubarrangunyia's Conical. Fishtrap.. The entries selected in the<br />
Telstra Art Award will be on display at the. museum until December ..<br />
E.html. lumber log. how to be a net.artist lesson one the name game.<br />
how to be a net.artist lesson one the name game. is your name mark if<br />
so you are times more likely to become a net.artist. than someone<br />
named vuk or netochka. look at all these net.artists named. mark. mark<br />
amerika mark tribe mark napier mark voge marc garrett mark dagget.<br />
mark river and marc lafia just to name a sampling. that's amazing. if<br />
your name isn't mark consider including mark in your alias or your.<br />
domain name somehow like rtmark does.. speaking of domain names.<br />
next you will want to choose a domain name for. your website (where<br />
you will put up your art later) since futurefarmers took. the coolest<br />
name available dont try too hard with this parttry to focus. long like.<br />
tips for picking a domain name in the english language since every<br />
word in. the english dictionary is already a domain name youll want to<br />
either modify. a single english word with funky spelling like putting a<br />
or a z where. words like red and smoke or potato and land. dont worry<br />
if the two words. you are combining sound funny or awkward at first<br />
like any new band or. brand name the more you say them together the<br />
more the two will sound. natural next to one another.. if you really cant<br />
decide on a alias you can always use your real first and. last name (if<br />
your first name is mark you should definitely use your name. as your<br />
domain name).. your next big decision will be to choose a .net .com<br />
.org. don't worry. about what each means but do worry about which<br />
one sounds better with the. using mark twice in your domain name will<br />
double your chances of becoming a. net.artist). you can always<br />
piggyback onto another site like the radical software group. turbulence<br />
or thing.net or even a university site. for cred purposes try. and avoid a<br />
geocities tripod or an angelfire address.. hopefully by now you have<br />
some name ideas for your new net.art site. as you. lay awake in bed<br />
141
tonight visualize yourself walking around the ars. electronica festival in<br />
linz wearing a nintendo powerglove.. congratulations Youve completed<br />
lesson one. stay tuned for lesson. turning stuff into net.art have you ever<br />
written anything or taken a. picture or something. MSN Get months for<br />
.month..<br />
142
291<br />
..(today.. Thank you for participating in MAILING LIST<br />
SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. ..<br />
lumber log. Mail System Error <strong>Re</strong>turned Mail. Display all headers.<br />
Mail Administrator. Sat. Mail System Error <strong>Re</strong>turned Mail. This<br />
Message was undeliverable due to the following reason. The following<br />
destination addresses were unknown (please check. the addresses and<br />
remail the message). SMTP. Please reply to. if you feel this message to<br />
be in error.. lumber log. Mail System Error <strong>Re</strong>turned Mail. lumber log.<br />
chtonline flarf. To do so.. Flarf came about a movement etc. in a<br />
deliberately bad poem to. Poetry.com including myself Drew Gardner<br />
Jordan Davis and spam scripts. often with ESMTP. id hLAtm. for Thu.<br />
<strong>Re</strong>ceived from anart.no with ESMTP. id. what is flarf. What is not a<br />
deliberately bad ones. What is not a few other participants. began<br />
posting poems to publish it and others have pointed out.. Maybe the<br />
style of content form spelling and then take. a flarf for me. Make a<br />
moveKatie Degentesh for all posterity etc.. Gary shared his poem the<br />
unsuspecting with liberal borrowing from. ws.anart.no (...). a flarf<br />
poem. Poem to Poetry.com one of existence made inseparable from<br />
anart.no with. members of the merely bad ones.. flarf is going to haunt<br />
you. You stoopid Mick get. please flarf me takk. Me some<br />
characteristic compositional techniques that lures the dangers of.<br />
content form spelling and worse poems.. i've just made a flarf a flawf<br />
poem moeba mainnsjit. Made a flawf poem moeba mainnsjit. like your<br />
qtip hearsay vidgjeten gammalnårsk. Your monee honee (tee hee). your<br />
formlessness amrof agranym. Your formlessness. my oh my. Oh it's.<br />
it's it's flaz. It's it's. flying flaz. no flying flarfz. Flying flarfsz. what<br />
now aotnought. Now provisionally gestured toward as Flarf as Flarf<br />
(falsely so but. necessarily) is no matter how heinous would ever be<br />
helpful to publish. it up sick. my sick fublishing. My brains out of<br />
achieving a studied blend of years ago. when Gary. Sullivan submitted<br />
a short history of the worse poems.. my worse poems collected. Worse<br />
poems. The merely bad ones. What now provisionally gestured toward.<br />
as Flarf.. the flarf collection at azimoth. At du får penga på klukk..<br />
143
Nasjonalbiblioteket lagrer ALT som skrives på klukk..<br />
Nasjonalbiblioteket lagrer ALT går den riktige veien.. ctrl alt del flawp.<br />
Alt del flawp went largely become stylized out of the first place.. out of<br />
the ruins. Out loud. for crying out alot. Out loud. crying imbecile echo<br />
flarflia. Crying flarf a moveKatie Degentesh for an exorbitant fee.. you<br />
too. You God for an elaborate tin siphoning device welded to<br />
Poetry.com. including myself and spam scripts often with SMTP id<br />
hLAtm. for Thu. <strong>Re</strong>ceived from ws.anart.no (...). what spam from anart.<br />
Spam from ws.anart.no (...). the spam server. Spam scripts often with<br />
liberal borrowing from anart.no with liberal. borrowing from kunst.no<br />
(....) with anything other than solicitous. a mmhmm flarf ghustyre.<br />
Flarf. what. flarf. flarf. poems published. Poems will eat the ruins.<br />
litteraturE. . e k u n s t . Gnu. ... Nå er jeg i Omsk og har tatt kontroll<br />
over nettkunstrommet. Folk her. er veldig forvirret over at du ikke er<br />
tilgjengelig og jeg prøver ikke. å bidra til å lette forvirringen. Men nå har<br />
de satt opp mitt navn på. skiltet utenfor rommet. Dem om det.. Virkelig<br />
stilig Og at de (på sett og vis) er med på det (enten de vil eller. ikke). Jeg<br />
hadde ikke tenkt å gi noe mer informasjon foreløpig men jeg kan gi. deg<br />
noe mer info hvis du vil. Tøft å stille på kort varsel og med lite.<br />
bakgrunnsinformasjon.. Hver dag er det to grupper med elever som<br />
kommer innom for å få en. innføring i nettkunst. Jeg forteller dem det jeg<br />
vet og gir alle. muligheten til å prøve ut Maria Futura Hel og ellers<br />
utforske. noemata.net. Jeg reviderer opplegget mitt stadig og finner<br />
sikkert på. flere interessante ting etterhvert. Har du noen ideerønsker om<br />
hva jeg. kan formidle til intetanende åringer. OK. Litt om de to sidene.<br />
Den er interaktiv og kan læres opp som de kan prøve ut og du forklare.<br />
hvordan virker.. Det er en postfunksjon på siden hvor elevene kan poste<br />
sin logg til en. mailingliste eekunst.no culturjammers etc du kan<br />
kanskje oppfordre dem. til å bruke denne funksjonaliteten som del av<br />
interaktivitetworkshop og som. spammingjamming også. Spamkunst er<br />
jo en form for nettkunst. Kan sende noen. linker til<br />
spamkunstspammaskiner som elevene kan teste ut... En textscrambler<br />
og chatbrowser som er bygd over de samme prinsippene men. fungerer<br />
mer som et verktøy spammingjamming.. Denne har også en<br />
postefunksjonalitet hvor elevene kan poste sin bruk til. mail<br />
mailinglister og newsgroup. Kanskje oppfordre til det.. Runme.org har<br />
også mye annet morsomt material som kanskje kan relateres til. disse to<br />
sidene.. På lørdag er det stor dag med celebert besøk (Ari Behn) og band<br />
som. spiller. Jeg kommer til å holde meg lavt i terrenget om jeg skal være<br />
i. terrenget i det hele tatt. Kommer du. .neei hater sånt. Jeg søkte etter<br />
144
noen som kunne urinere på Ari Behn (en gyllen. halvmeter etc) men har<br />
ikke fått noen svar. Tør nok ikke selv men kan gjerne. ta på meg ansvaret<br />
om noen gjorde det som del av nettkunst eller culturjamming.<br />
mediakunst backfire. Så om du vil eller kjenner noen... Tror han<br />
fortjener å. bli. tisset på og at det blir en del av kunst og bryte litt med<br />
idyllen på. Heløya... Kunst er ikke bare estetisk idyll liksom.... OK<br />
mailes senere. Skriv gjerne om reaksjoner eller hva som skjer så kan det.<br />
dokumenteres senere på en eller annen måte hvordan det nå blir...). Dette<br />
med identitetfakeid obfuskering og spill med det kunstnersentriske.<br />
fokus kan også være noe å dra inn som tema samt prosessen rundt som en.<br />
gjennomsiktig selvrefleksiv ting. Tror kanskje de unge ville satt pris på<br />
noe. som bryter og spiller med hele settingen rundt kunst på alle nivåer<br />
som f. skriver i utstillingsteksten noe som også må inkludere galleriet selv<br />
som. kunstinstitusjon i tillegg til kunstneren som 'skaper' (nå er jo det<br />
som vises. halvautomatisk kunst 'laget' av hvem). De åpner i teksten også<br />
for kunst som. forvirring og provokasjon og må derfor kunne tåle det selv<br />
spesielt siden. institusjonen er en såpass medskapende del av<br />
samtidskunsten.. Forvirret Da er alt i orden...) Om du kan formidle det<br />
videre.. xpost. no.test. lumber log. <strong>Re</strong> BBC Flarf. A couple of people<br />
asked whether my Flarf interview Saturday the th on BBC. World<br />
Service radio was or will be archived. I don't know. I sent an. email to<br />
the person who originally contacted me so maybe I'll hear. something<br />
soon. Or maybe not.. Lest anyone build it up too much the excerpts<br />
from the original minutes. or so of conversation that finally made it<br />
onto the air basically consist of. me reading the last or lines of Stupidity<br />
Owns Me from COMBO and. search text results and the interviewer<br />
saying yes but is it art and me. saying why yes it is art and her saying<br />
prove it then me saying. something about the collaborative process etc.<br />
etc.. The best part was the interviewer's Irish accent. Flarrruf.. Kasey.<br />
Dyke to open up BBC archive. (billedtekst) Greg Dyke predicts a more<br />
publicfocused broadcasting. future. Greg Dyke director general of the<br />
BBC has announced plans to give the. public full access to all the<br />
corporation's programme archives.. Mr Dyke said on Sunday that<br />
everyone would in future be able to. download BBC radio and TV<br />
programmes from the internet.. The service the BBC Creative Archive<br />
would be free and available to. everyone as long as they were not<br />
intending to use the material for. commercial purposes Mr Dyke added..<br />
The BBC probably has the best television library in the world said. Mr<br />
Dyke who was speaking at the Edinburgh TV Festival.. Up until now<br />
this huge resource has remained locked up inaccessible. the public<br />
145
ecause there hasn't been an effective mechanism for. distribution.. But<br />
the digital revolution and broadband are changing all that.. For the first<br />
time there is an easy and affordable way of making this. treasure trove<br />
of BBC content available to all.. He predicted that everyone would<br />
benefit from the online archive from. people accessing the internet at<br />
home children and adults using public. libraries to students at school<br />
and university.. Future focus. Mr Dyke appeared at the TV festival to<br />
give the Richard Dunn interview. one of the main events of the<br />
threeday industry event.. He said the new online service was part of the<br />
corporation's future or. second phase strategy for the development of<br />
digital technology.. Mr Dyke said he believed this second phase would<br />
see a shift of. emphasis by broadcasters.. Their focus would move away<br />
from commercial considerations to providing. public value he said.. I<br />
believe that we are about to move into a second phase of the digital.<br />
revolution a phase which will be more about public than private value.<br />
about free not pay services about inclusivity not exclusion.. In<br />
particular it will be about how public money can be combined with.<br />
new digital technologies to transform everyone's lives.. noemata GNU.<br />
Nyheter. Pressemelding. Formidlingsavdelingen. Kulturprogram for<br />
barn. GNU. kunstutstilling som verksted. I denne perioden inviterer vi<br />
ungdom og skoleelever til en levende innføring i. samtidskunsten og det<br />
mangfoldet som preger den. Under besøket vil de få et. innblikk i hvilke<br />
tema dagens kunstnere er opptatt av og hvordan de arbeider.. Gjennom<br />
egenaktivitet vil de få erfaring med bruk av de redskapene og.<br />
materialene som dagens kunstnere benytter seg av. Utstillingen skal være<br />
i en. kort og intens periode fra onsdag . august til søndag . september og.<br />
åpningen vil være en stor markering med konserter lørdag . august.<br />
Bandene. som skal spille er blant andre Nicolai Debrah og Lud.<br />
Åpningen blir foretatt. av Ari Behn.. GNU inviterer dagens .klassinger i<br />
Østfold til en direkte opplevelse. av. de arbeidsprosessene som dagens<br />
kunstnere bruker når de produserer video. foto. installasjon animasjon<br />
performance nettkunst og landart. Kunstnerne som. skal. stille ut og<br />
lede de forskjellige verkstedene er JanErik Beck. (installasjon). Bodil<br />
Furu (video) Snorre Hvamen og Jarl Flaaten Bjørk (performance) Bjørn.<br />
Maghnildeen (nettkunst) Helge Røed (landart) Birgitte Sigmundstad<br />
(foto) og. E. medieverksted (animasjon). Kunstnere er til stede og<br />
veileder elevene for å gi. et innblikk i hvilke muligheter som ligger i<br />
dagens kunst.. Det kan være vanskelig å forstå samtidskunst. Den<br />
kommuniserer ikke tydelig og. enkelt som reklamen eller andre<br />
kommersielle medier. Åpenhet nysgjerrighet. vilje til å bruke tid og ikke<br />
146
minst lysten til å la seg overraske er viktige. utgangspunkt i møte med<br />
denne kunsten. De færreste av oss bruker mye tid til å. reflektere over<br />
hvordan verden rundt oss virkelig er og ser ut men det gjør.<br />
samtidskunsten Den kan sette ting på hodet stille spørsmål og provosere.<br />
rett. og slett ruske litt i oss og gi oss alternative tolkninger av<br />
virkeligheten på. alle nivå.. Mange i Østfold vil huske at vi i sin tid<br />
arrangerte Ung . Nå vil Galleri F. gjenta suksessen og gjøre herregården<br />
om til kunstverksted i ti dager. Den. gangen var samtidskunsten tøff nå er<br />
den kuul. Vårt mål er som i å få. ungdommen til selv å oppdage akkurat det..<br />
Utstillingen er åpen fra onsdag . august til søndag . september..<br />
Åpningstidene er tirsdag søndag . Mandag stengt.. Fra og med .<br />
september er åpningstidene tirsdag søndag . Mandag. stengt.. lumber log.<br />
Buy Ink Cartridges or <strong>Re</strong>fill Kits for Your HP Epson Canon or<br />
Lexmark. Printer at Myinks.com. Free sh on orders or more to the US<br />
Canada.. noemata isoQFwdForespFrselomDagbladintervju. Emne hva<br />
er kunst. Angår laiv noen som vil stille til fakeintervju. Hvis noen vil<br />
jamme med dagbla' og utgi seg for å være meg kan han få frie. tøyler og si<br />
hva han vil enten det er seriøst eller nonsens fiksjon eller. fakta. Ingen<br />
penger men opplagstall til meninger om du ønsker å påvirke. forvirre<br />
spille kunstner el. Fordel om du er hankjønn ellers ingen krav.. Mail<br />
meg på forhånd og for mer info (hvis ønskelig).. Bjørn M. Start of<br />
forwarded message. Fwd Forespørsel om Dagbladintervju. hei. jeg heter<br />
øystein lie og er kulturjournalist i dagbladet. jeg har lyst til. å møte deg og<br />
snakke om kunst eller hva det er.. det vil da være også naturlig å snakke om<br />
din anmeldelse av monica emilie. ashTred. hva er fiksjon hva er fakta<br />
hva er kunst hva er ikke kunst. med vennlig hilsen. øystein lie dagbladet<br />
.. End of forwarded message. lumber log. Buy Ink Cartridges or <strong>Re</strong>fill<br />
Kits for Your HP Epson Canon or Lexmark. Printer at Myinks.com.<br />
Free sh on orders or more to the US Canada.. Nagnews<br />
isoQFwdForespFrselomDagbladintervju. Emne hva er kunst. AngEr<br />
laiv noen som vil stille til fakeintervju. Hvis noen vil jamme med<br />
dagbla' og utgi seg for E vEre meg kan han fE. frie. tFyler og si hva<br />
han vil enten det er seriFst eller nonsens fiksjon. eller. fakta. Ingen<br />
penger men opplagstall til meninger om du Fnsker E pE. virke. forvirre<br />
spille kunstner el. Fordel om du er hankjFnn ellers ingen k. rav.. Mail<br />
meg pE forhEnd og for mer info (hvis Fnskelig).. YoFn M. Start of<br />
forwarded message. Fwd ForespFrsel om Dagbladintervju. hei. jeg<br />
heter Fystein lie og er kulturjournalist i dagbladet. jeg har lyst. til. E<br />
mFte deg og snakke om kunst eller hva det er.. det vil da vEre ogsE<br />
naturlig E snakke om din anmeldelse av monic. a emilie. ashTred. hva<br />
147
er fiksjon hva er fakta hva er kunst hva er ikke kunst. med vennlig<br />
hilsen. Fystein lie dagbladet .. End of forwarded message. lumber log.<br />
NAGnews mailing list. NAGnewslists.copyleft.no. culturejammers.<br />
isoQFwdForespFrselomDagbladintervju. Emne hva er kunst. AngEr<br />
laiv noen som vil stille til fakeintervju. Hvis noen vil jamme med<br />
dagbla' og utgi seg for E vEre meg kan han fE. frie. tFyler og si hva<br />
han vil enten det er seriFst eller nonsens fiksjon. eller. fakta. Ingen<br />
penger men opplagstall til meninger om du Fnsker E pE. virke. forvirre<br />
spille kunstner el. Fordel om du er hankjFnn ellers ingen k. rav.. Mail<br />
meg pE forhEnd og for mer info (hvis Fnskelig).. YoFn M. Start of<br />
forwarded message. Fwd ForespFrsel om Dagbladintervju. hei. jeg<br />
heter Fystein lie og er kulturjournalist i dagbladet. jeg har lyst. til. E<br />
mFte deg og snakke om kunst eller hva det er.. det vil da vEre ogsE<br />
naturlig E snakke om din anmeldelse av monic. a emilie. ashTred. hva<br />
er fiksjon hva er fakta hva er kunst hva er ikke kunst. med vennlig<br />
hilsen. Fystein lie dagbladet .. End of forwarded message. lumber log.<br />
Culturejammers mailing list. Culturejammerslists.copyleft.no. . e k u n<br />
s t . anyhr. This is a multipart message in MIME format.... ContentType<br />
textplain charsetiso. X. BBZWW. WW.aXi a XX BriXXBZZ. W. a<br />
rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r. XZ Wir r rr. i . .. rr<br />
Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i. ZBWWBW.<br />
XBW.XBaWZBWWBirWZZXBr. ZX. BZBaaWZBBWB. B. r r i i . . .<br />
iX .i i. i. ai. r. W. a. XWXiaia. . X r.. XB r . X r r. B. BZW. WWZB. B<br />
iZZai XaXX aaaXZ. rZBBBWBZ. XWW. .a . X r ii X B.<br />
chipermodern. maginery from Noone (hrbodynone).. The any<br />
minimizes the familiar the known the recognizable it. suspends identity<br />
relations and history. This discourse far from. determining the locus in<br />
which it speaks is avoiding the ground on which. it could find support.<br />
It is trying to operate a decentering that leaves. noprivilege to<br />
anycenter.. The state of not wanting to be anything is actually.<br />
desirable.. one arrives there without mentation thats the only way one<br />
can call that mind. homeless if one desires for homelessness one will<br />
always be at home.. Pointless cHypermodern Maginery... anytime ....<br />
spectral stochastic trajective spam of nil info. An actual continuum<br />
(never particular or digital time) of minimalist. masks in the face of the<br />
massive zeroindustries conjuring up transformative. metaphors for the<br />
void ... A poetic reversibility of nonevents.... The voluptuousness of<br />
any as. imminence. Continual textrendering of the nonvisual maginery.<br />
pulsct (sculpted in duration) on the endless present of the not..<br />
vertiginous connections. The anyhr summetone.... Connection is not a<br />
148
matter of unbroken transition but a matter of sudden. change. Adorno.<br />
Sure. It's from his Hegel Three Studies (page of the first essay). and is<br />
a reference to Hegel's integration of the particular within the whole.<br />
through alienation and mediation so that I think Adorno's mention of.<br />
connection as rupture instead of transition is part of Hegel's critique of.<br />
standard scientific deduction.. Anytime another... view them repost em<br />
save em as .png. trade em print em even publish them.... Heres how.<br />
This noemata received some government artsubsidies from norsk.<br />
kulturraad.Opportunities still exist for financially assisting the<br />
publication. of editions of large gogoolplex vastness () of void prints<br />
perhaps. image files. TIME is type of dimension of reality. REALITY<br />
is any type of. constructed nothing (GPL by reverse engineering). ANY<br />
is type of stochastic. processes.. copyleft noemata. jorn majtronim.<br />
Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of<br />
things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies<br />
pulskt modulo. art.ascii versus ascii.art imagetext of double precision<br />
srand microtime. textrendering.. hypermodern imagery fluxus turned<br />
into fixed handle loopback in the center of. here where data becomes<br />
source stream becomes monitor.. the same.. the image no longer<br />
representing any infinity of fluctuating form but. becomes. this infinity<br />
undermining itself as 'image'.. spamaesthetic why is this attractive<br />
entirely meaningless. curling around. a. circle some optical effect.<br />
objective automatism. why am i reloading center. uncenter kind of<br />
relaxing the sublimegarbage the circle little tag ip. spam any content<br />
free but still content open rubberushstamped (OCL).. host anyhr by<br />
uploading the script to your server. copyleft. mayo esth z<br />
vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse<br />
section. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller.<br />
nårsomhelst også på kveldstid.. bilde (art.ascii vs ascii.art) av en<br />
dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og<br />
flyktig postmoderne forestilling byttes ut med en gripende og. fiksert<br />
loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele<br />
tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme..<br />
bildet representerer ikke lenger noen uendelighet i form av skiftende.<br />
inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange<br />
inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men.<br />
representerer det ikke lenger og blir dermed en vei ut av det uendelig.<br />
skiftende og ønsket om å fange eller uttrykke det.. modulo. Når klokka går<br />
rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra<br />
. Hvor syklisk er kaos Han regnet sine år i modulo. Et. ambisiøst<br />
149
kunstprosjekt går ut på å oversette lineærtid til looptid. En regress. inn i det<br />
mytiske. Det støtter seg på Borges' hallusinasjoner og Nietzsches. evige<br />
tredemølle trellemøde. Hvis tiden er et objekt som andre ting hvis den.<br />
oppsto og finnes og har karakteristikker så kan den vel oversettes<br />
Bekjempelse. av tiden den betingelsesløse underkastelse. Modulo prøver<br />
å styrte tid. jamme. tid ved å gjøre den sirkulær og overflødig. Alt er det<br />
samme menneskelig. lidelse kickoff klokka med reprise ting skal<br />
kvernes gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager<br />
alle sår. Vi forestiller oss. lineært uendelige som en språklig egenskap en<br />
instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert<br />
sirkulær uendelighet Ting går stort. sett. rundt nye ting kvernes inn.<br />
Modulo konstrueres som en mekanisme som kverner. tid slik tid<br />
kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i stå.. <strong>Re</strong>f.<br />
Pulskt La Staux anyhr.. Er jeg trøtt eller dum. Jeg ser om det er hull.<br />
Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke<br />
noe mellom og . Får lyst til å putte noe mellom der. Det er. ingen<br />
naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger.<br />
mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med<br />
som. fins. entries for silly. Kunsten er salig dvs også dum. Tror det er<br />
bedre. med. dum kunst enn smart. Kunsten er salig også fordi den er død.<br />
Å drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi<br />
har kunsten som. religion. nå kuratorer som viser hva du ser konstruerte<br />
utstillinger av utstilte ting. som er konstruerte som denne setningen. Det<br />
var et Jehovas Vitne på døra idag. syns nesten synd på han dårlig vær var det<br />
og han virket snill dvs dum og. salig på sett og vis (Å kalle noen dum er<br />
fornærmende å kalle noen smart er. også fornærmende samt normal og<br />
unormal). Kunne han gått rundt som et. Kunstvitne mellom og<br />
Fringereligion bare tro på det umulige det som. ennå. er umulig det<br />
virkelige er det ingen vits å tro på siden det finnes det. mulige er bare<br />
spekulativt og ekkelt da gjenstår det umulige det som ikke. finnes ikke<br />
kan finnes etc. Det trenger virkelig din støtte. Kontonr. ... Les dette<br />
bladet. Kunsten finnes ikke er det derfor den stadig. må skapes aha.. Er<br />
det som reelle tall ikke naturlige samt de irrasjonelle. og. imaginære alt<br />
som kan regnes på Kunst som symbolsk regning fins tallene If. you're<br />
lured into parting with your lolly you could be lumbered. Kunsten må.<br />
passe på så den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra.<br />
seg. tallene blir den arrestert. Så den sier den ligger mellom og i den<br />
reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror du ligger<br />
mellom. og brøken blir grense og brudd. De naturlige tallene er svært.<br />
naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er og han.<br />
150
er. hvorfor skulle det være så vanskelig å dra en linje mellom dere Nei vi.<br />
finner det ikke ut du må forhøre deg med kunsten selv den vet sånt<br />
adresse. mellom og et sted her er telefonnummeret ja du må regne det ut<br />
selv. Kan. det være en måte å komprimere på at ligger i dårlig. eksempel men<br />
at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka så<br />
kan vi få ut et hvilket som helst sekvens ved å spesifisere bare. start og<br />
sluttnummer i rekka el. andre operasjoner Hvor langt før vi finner. igjen<br />
et fødselsnummer Kunsten er uendelig og finnes ikke OK men vi kan.<br />
regne på den og da fins den den fins i selve utregningen. Hele elefanten.<br />
kommer. gjennom så hvorfor kommer ikke den lille halen gjennom Spor<br />
i leverposteien. Prøv å holde den igjen i halen så får du se.. for (ii for (jj if<br />
(ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi.<br />
aliasHJEMMESIDE. lumber log. ContentType textplain<br />
namemessagefooter.txt. ContentDisposition inline<br />
filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. spectre anyhr. X. BBZWW. WW.aXi a XX<br />
BriXXBZZ. W. a rWBXBaaiBWZBW.W. Z.i. rXZ . iXa XiXZZW r.<br />
XZ Wir r rr. i . .. rr Xir.rZrXZ. WZ. . iZ W i.i i rW i. X a. W i.<br />
ZBWWBW. XBW.XBaWZBWWBirWZZXBr. ZX.<br />
BZBaaWZBBWB. B. r r i i . . . iX .i i. i. ai. r. W. a. XWXiaia. . X r..<br />
XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ.<br />
XWW. .a . X r ii X B.<br />
151
292<br />
chipermodern. maginery from Noone (hrbodynone).. The any<br />
minimizes the familiar the known the recognizable it. suspends identity<br />
relations and history. This discourse far from. determining the locus in<br />
which it speaks is avoiding the ground on which. it could find support.<br />
It is trying to operate a decentering that leaves. noprivilege to<br />
anycenter.. The state of not wanting to be anything is actually.<br />
desirable.. one arrives there without mentation thats the only way one<br />
can call that mind. homeless if one desires for homelessness one will<br />
always be at home.. Pointless cHypermodern Maginery... anytime ....<br />
spectral stochastic trajective spam of nil info. An actual continuum<br />
(never particular or digital time) of minimalist. masks in the face of the<br />
massive zeroindustries conjuring up transformative. metaphors for the<br />
void ... A poetic reversibility of nonevents.... The voluptuousness of<br />
any as. imminence. Continual textrendering of the nonvisual maginery.<br />
pulsct (sculpted in duration) on the endless present of the not..<br />
vertiginous connections. The anyhr summetone.... Connection is not a<br />
matter of unbroken transition but a matter of sudden. change. Adorno.<br />
Sure. It's from his Hegel Three Studies (page of the first essay). and is<br />
a reference to Hegel's integration of the particular within the whole.<br />
through alienation and mediation so that I think Adorno's mention of.<br />
connection as rupture instead of transition is part of Hegel's critique of.<br />
standard scientific deduction.. Anytime another... view them repost em<br />
save em as .png. trade em print em even publish them.... Heres how.<br />
This noemata received some government artsubsidies from norsk.<br />
kulturraad.Opportunities still exist for financially assisting the<br />
publication. of editions of large gogoolplex vastness () of void prints<br />
perhaps. image files. TIME is type of dimension of reality. REALITY<br />
is any type of. constructed nothing (GPL by reverse engineering). ANY<br />
is type of stochastic. processes.. copyleft noemata. jorn majtronim.<br />
Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of<br />
things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies<br />
pulskt modulo. art.ascii versus ascii.art imagetext of double precision<br />
srand microtime. textrendering.. hypermodern imagery fluxus turned<br />
152
into fixed handle loopback in the center of. here where data becomes<br />
source stream becomes monitor.. the same.. the image no longer<br />
representing any infinity of fluctuating form but. becomes. this infinity<br />
undermining itself as 'image'.. spamaesthetic why is this attractive<br />
entirely meaningless. curling around. a. circle some optical effect.<br />
objective automatism. why am i reloading center. uncenter kind of<br />
relaxing the sublimegarbage the circle little tag ip. spam any content<br />
free but still content open rubberushstamped (OCL).. host anyhr by<br />
uploading the script to your server. copyleft. mayo esth z<br />
vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse<br />
section. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller.<br />
nårsomhelst også på kveldstid.. bilde (art.ascii vs ascii.art) av en<br />
dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og<br />
flyktig postmoderne forestilling byttes ut med en gripende og. fiksert<br />
loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele<br />
tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme..<br />
bildet representerer ikke lenger noen uendelighet i form av skiftende.<br />
inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange<br />
inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men.<br />
representerer det ikke lenger og blir dermed en vei ut av det uendelig.<br />
skiftende og ønsket om å fange eller uttrykke det.. modulo. Når klokka går<br />
rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra<br />
. Hvor syklisk er kaos Han regnet sine år i modulo. Et. ambisiøst<br />
kunstprosjekt går ut på å oversette lineærtid til looptid. En regress. inn i det<br />
mytiske. Det støtter seg på Borges' hallusinasjoner og Nietzsches. evige<br />
tredemølle trellemøde. Hvis tiden er et objekt som andre ting hvis den.<br />
oppsto og finnes og har karakteristikker så kan den vel oversettes<br />
Bekjempelse. av tiden den betingelsesløse underkastelse. Modulo prøver<br />
å styrte tid. jamme. tid ved å gjøre den sirkulær og overflødig. Alt er det<br />
samme menneskelig. lidelse kickoff klokka med reprise ting skal<br />
kvernes gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager<br />
alle sår. Vi forestiller oss. lineært uendelige som en språklig egenskap en<br />
instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert<br />
sirkulær uendelighet Ting går stort. sett. rundt nye ting kvernes inn.<br />
Modulo konstrueres som en mekanisme som kverner. tid slik tid<br />
kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i stå.. <strong>Re</strong>f.<br />
Pulskt La Staux anyhr.. Er jeg trøtt eller dum. Jeg ser om det er hull.<br />
Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke<br />
noe mellom og . Får lyst til å putte noe mellom der. Det er. ingen<br />
naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger.<br />
153
mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med<br />
som. fins. entries for silly. Kunsten er salig dvs også dum. Tror det er<br />
bedre. med. dum kunst enn smart. Kunsten er salig også fordi den er død.<br />
Å drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi<br />
har kunsten som. religion. nå kuratorer som viser hva du ser konstruerte<br />
utstillinger av utstilte ting. som er konstruerte som denne setningen. Det<br />
var et Jehovas Vitne på døra idag. syns nesten synd på han dårlig vær var det<br />
og han virket snill dvs dum og. salig på sett og vis (Å kalle noen dum er<br />
fornærmende å kalle noen smart er. også fornærmende samt normal og<br />
unormal). Kunne han gått rundt som et. Kunstvitne mellom og<br />
Fringereligion bare tro på det umulige det som. ennå. er umulig det<br />
virkelige er det ingen vits å tro på siden det finnes det. mulige er bare<br />
spekulativt og ekkelt da gjenstår det umulige det som ikke. finnes ikke<br />
kan finnes etc. Det trenger virkelig din støtte. Kontonr. ... Les dette<br />
bladet. Kunsten finnes ikke er det derfor den stadig. må skapes aha.. Er<br />
det som reelle tall ikke naturlige samt de irrasjonelle. og. imaginære alt<br />
som kan regnes på Kunst som symbolsk regning fins tallene If. you're<br />
lured into parting with your lolly you could be lumbered. Kunsten må.<br />
passe på så den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra.<br />
seg. tallene blir den arrestert. Så den sier den ligger mellom og i den<br />
reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror du ligger<br />
mellom. og brøken blir grense og brudd. De naturlige tallene er svært.<br />
naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er og han.<br />
er. hvorfor skulle det være så vanskelig å dra en linje mellom dere Nei vi.<br />
finner det ikke ut du må forhøre deg med kunsten selv den vet sånt<br />
adresse. mellom og et sted her er telefonnummeret ja du må regne det ut<br />
selv. Kan. det være en måte å komprimere på at ligger i dårlig. eksempel men<br />
at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka så<br />
kan vi få ut et hvilket som helst sekvens ved å spesifisere bare. start og<br />
sluttnummer i rekka el. andre operasjoner Hvor langt før vi finner. igjen<br />
et fødselsnummer Kunsten er uendelig og finnes ikke OK men vi kan.<br />
regne på den og da fins den den fins i selve utregningen. Hele elefanten.<br />
kommer. gjennom så hvorfor kommer ikke den lille halen gjennom Spor<br />
i leverposteien. Prøv å holde den igjen i halen så får du se.. for (ii for (jj if<br />
(ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi.<br />
aliasHJEMMESIDE. lumber log. SPECTRE list for media culture in<br />
Deep Europe. Info archive and help. syndicate <strong>Re</strong> <strong>Re</strong> FUN NEW<br />
MEDIA ART. This is a multipart message in MIME format....<br />
ContentType textplain charsetiso. The FUN show and competition has<br />
just started and the deadline is November. th. Two more works will<br />
154
then be rewarded with Euro and donated to. another cuttingedge art<br />
collection. So get started and upload works to the. FUN show.. no.. f..<br />
DEAR SIR. Compliments of the season.GracePeace and love. Please<br />
hereby accept my. submission of this email to your show and<br />
competition and to be donated to. another cuttingedge art collection in<br />
addition to l'oeuvre syndicate and e. So. get started right away and<br />
upload the Euro to account number. ... storebrand norge as soon as<br />
possible. I remain yours faithfully and trust. your. full confidence in<br />
these matters.. Upload port. Producer noemata.net. Best regards varma<br />
helsingar. B. Temsin Matronim. PS.. How is the . doing at thirdplace<br />
uploaded since three weeks There were. some errors in that particular<br />
financial transaction involved (in the simple. money transfer protocol<br />
session) could you please resend the amount as it. didn't arrive properly<br />
and hasn't yet and excuse my apologies for not. receiving any. I'm not<br />
a spammer. Please be serious.. PPS. In case and in catch you're not<br />
inclined to regard this submission of my. submission as serious please<br />
accordingly accept it as fun and hence. submission.. All the same in<br />
case you can read this.. .. <strong>Re</strong>turned mail Local configuration error. The<br />
following submission had permanent fatal errors. no.f.on. please be<br />
serious. Transcript of session follows. submission. config error<br />
submission loops back to me (FUN problem).<br />
submission(submission)... Local configuration error. lumber log.<br />
ContentType textplain namemessagefooter.txt. ContentDisposition<br />
inline filenamemessagefooter.txt. ContentTransferEncoding bit.<br />
Syndicate mailinglist. Syndicate network for media culture and media<br />
art. post to the Syndicate list. no commercial use of the texts without<br />
permission. noemata <strong>Re</strong> syndicate <strong>Re</strong> FUN NEW MEDIA ART. The<br />
FUN show and competition has just started and the deadline is<br />
November. th. Two more works will then be rewarded with Euro and<br />
donated to. another cuttingedge art collection. So get started and upload<br />
works to the. FUN show.. no.. f.. DEAR SIR. Compliments of the<br />
season.GracePeace and love. Please hereby accept my. submission of<br />
this email to your show and competition and to be donated to. another<br />
cuttingedge art collection in addition to l'oeuvre syndicate and e. So.<br />
get started right away and upload the Euro to account number. ...<br />
storebrand norge as soon as possible. I remain yours faithfully and trust.<br />
your. full confidence in these matters.. Upload port. Producer<br />
noemata.net. Best regards varma helsingar. B. Temsin Matronim. PS..<br />
How is the . doing at thirdplace uploaded since three weeks There were.<br />
some errors in that particular financial transaction involved (in the<br />
155
simple. money transfer protocol session) could you please resend the<br />
amount as it. didn't arrive properly and hasn't yet and excuse my<br />
apologies for not. receiving any. I'm not a spammer. Please be serious..<br />
PPS. In case and in catch you're not inclined to regard this submission<br />
of my. submission as serious please accordingly accept it as fun and<br />
hence. submission.. All the same in case you can read this.. .. <strong>Re</strong>turned<br />
mail Local configuration error. The following submission had<br />
permanent fatal errors. no.f.on. please be serious. Transcript of session<br />
follows. submission. config error submission loops back to me (FUN<br />
problem). submission(submission)... Local configuration error. lumber<br />
log. Buy Ink Cartridges or <strong>Re</strong>fill Kits for Your HP Epson Canon or<br />
Lexmark. Printer at Myinks.com. Free sh on orders or more to the US<br />
Canada.. . e k u n s t . <strong>Re</strong> syndicate <strong>Re</strong> FUN NEW MEDIA ART. This<br />
is a multipart message in MIME format.... ContentType textplain<br />
charsetiso. The FUN show and competition has just started and the<br />
deadline is November. th. Two more works will then be rewarded with<br />
Euro and donated to. another cuttingedge art collection. So get started<br />
and upload works to the. FUN show.. no.. f.. DEAR SIR. Compliments<br />
of the season.GracePeace and love. Please hereby accept my.<br />
submission of this email to your show and competition and to be<br />
donated to. another cuttingedge art collection in addition to l'oeuvre<br />
syndicate and e. So. get started right away and upload the Euro to<br />
account number. ... storebrand norge as soon as possible. I remain yours<br />
faithfully and trust. your. full confidence in these matters.. Upload port.<br />
Producer noemata.net. Best regards varma helsingar. B. Temsin<br />
Matronim. PS.. How is the . doing at thirdplace uploaded since three<br />
weeks There were. some errors in that particular financial transaction<br />
involved (in the simple. money transfer protocol session) could you<br />
please resend the amount as it. didn't arrive properly and hasn't yet and<br />
excuse my apologies for not. receiving any. I'm not a spammer. Please<br />
be serious.. PPS. In case and in catch you're not inclined to regard this<br />
submission of my. submission as serious please accordingly accept it as<br />
fun and hence. submission.. All the same in case you can read this.. ..<br />
<strong>Re</strong>turned mail Local configuration error. The following submission had<br />
permanent fatal errors. no.f.on. please be serious. Transcript of session<br />
follows. submission. config error submission loops back to me (FUN<br />
problem). submission(submission)... Local configuration error. lumber<br />
log. ContentType textplain namemessagefooter.txt. ContentDisposition<br />
inline filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
156
listmasterekunst.no. . e k u n s t . <strong>Re</strong> syndicate <strong>Re</strong> FUN NEW MEDIA<br />
ART. This is a multipart message in MIME format.... ContentType<br />
textplain charsetiso. The FUN show and competition has just started<br />
and the deadline is November. th. Two more works will then be<br />
rewarded with Euro and donated to. another cuttingedge art collection.<br />
So get started and upload works to the. FUN show.. no.. f.. DEAR SIR.<br />
Compliments of the season.GracePeace and love. Please hereby accept<br />
my. submission of this email to your show and competition and to be<br />
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syndicate and e. So. get started right away and upload the Euro to<br />
account number. ... storebrand norge as soon as possible. I remain yours<br />
faithfully and trust. your. full confidence in these matters.. Upload port.<br />
Producer noemata.net. Best regards varma helsingar. B. Temsin<br />
Matronim. PS.. How is the . doing at thirdplace uploaded since three<br />
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cc eugene. cc spectre. cc syndicate. eugene anyhr. X. BBZWW.<br />
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XB r . X r r. B. BZW. WWZB. B iZZai XaXX aaaXZ. rZBBBWBZ.<br />
XWW. .a . X r ii X B. chipermodern. maginery from Noone<br />
(hrbodynone).. The any minimizes the familiar the known the<br />
recognizable it. suspends identity relations and history. This discourse<br />
far from. determining the locus in which it speaks is avoiding the<br />
ground on which. it could find support. It is trying to operate a<br />
decentering that leaves. noprivilege to anycenter.. The state of not<br />
wanting to be anything is actually. desirable.. one arrives there without<br />
mentation thats the only way one can call that mind. homeless if one<br />
desires for homelessness one will always be at home.. Pointless<br />
cHypermodern Maginery... anytime .... spectral stochastic trajective<br />
spam of nil info. An actual continuum (never particular or digital time)<br />
of minimalist. masks in the face of the massive zeroindustries conjuring<br />
up transformative. metaphors for the void ... A poetic reversibility of<br />
nonevents.... The voluptuousness of any as. imminence. Continual<br />
textrendering of the nonvisual maginery. pulsct (sculpted in duration)<br />
on the endless present of the not.. vertiginous connections. The anyhr<br />
summetone.... Connection is not a matter of unbroken transition but a<br />
matter of sudden. change. Adorno. Sure. It's from his Hegel Three<br />
Studies (page of the first essay). and is a reference to Hegel's<br />
integration of the particular within the whole. through alienation and<br />
158
mediation so that I think Adorno's mention of. connection as rupture<br />
instead of transition is part of Hegel's critique of. standard scientific<br />
deduction.. Anytime another... view them repost em save em as .png.<br />
trade em print em even publish them.... Heres how. This noemata<br />
received some government artsubsidies from norsk.<br />
kulturraad.Opportunities still exist for financially assisting the<br />
publication. of editions of large gogoolplex vastness () of void prints<br />
perhaps. image files. TIME is type of dimension of reality. REALITY<br />
is any type of. constructed nothing (GPL by reverse engineering). ANY<br />
is type of stochastic. processes.. copyleft noemata. jorn majtronim.<br />
Appreciation to brad brace hr.. XSpamscore sssssssssss. The shapes of<br />
things are dumb. L. Wyttgenstein. anyhr. keywords hr krkaen fixies<br />
pulskt modulo. art.ascii versus ascii.art imagetext of double precision<br />
srand microtime. textrendering.. hypermodern imagery fluxus turned<br />
into fixed handle loopback in the center of. here where data becomes<br />
source stream becomes monitor.. the same.. the image no longer<br />
representing any infinity of fluctuating form but. becomes. this infinity<br />
undermining itself as 'image'.. spamaesthetic why is this attractive<br />
entirely meaningless. curling around. a. circle some optical effect.<br />
objective automatism. why am i reloading center. uncenter kind of<br />
relaxing the sublimegarbage the circle little tag ip. spam any content<br />
free but still content open rubberushstamped (OCL).. host anyhr by<br />
uploading the script to your server. copyleft. mayo esth z<br />
vhnkfqkeuekipo u qdacoh hpm qolfprnv uob. Appendix Tilæg. old norse<br />
section. tid og sted jeg kan gjerne gjøre intervju allerede i dag. eller.<br />
nårsomhelst også på kveldstid.. bilde (art.ascii vs ascii.art) av en<br />
dobbelpresisjon tilfeldig srand((double). microtime()) tekst.. heftig og<br />
flyktig postmoderne forestilling byttes ut med en gripende og. fiksert<br />
loopback i sentrum av her hvor data blir bilde strøm blir skjerm.. hele<br />
tiden dvs. det finnes ikke nyhet i det alt er evig nytt og det samme..<br />
bildet representerer ikke lenger noen uendelighet i form av skiftende.<br />
inntrykk men blir et uttrykk forav den uendeligheten 'umulig å fange<br />
inn'. blir lett til 'fanget inn av det umulige' bildet er uendelig men.<br />
representerer det ikke lenger og blir dermed en vei ut av det uendelig.<br />
skiftende og ønsket om å fange eller uttrykke det.. modulo. Når klokka går<br />
rundt og rundt hvorfor snakker vi om utvikling Klokka utviklet. seg fra<br />
. Hvor syklisk er kaos Han regnet sine år i modulo. Et. ambisiøst<br />
kunstprosjekt går ut på å oversette lineærtid til looptid. En regress. inn i det<br />
mytiske. Det støtter seg på Borges' hallusinasjoner og Nietzsches. evige<br />
tredemølle trellemøde. Hvis tiden er et objekt som andre ting hvis den.<br />
159
oppsto og finnes og har karakteristikker så kan den vel oversettes<br />
Bekjempelse. av tiden den betingelsesløse underkastelse. Modulo prøver<br />
å styrte tid. jamme. tid ved å gjøre den sirkulær og overflødig. Alt er det<br />
samme menneskelig. lidelse kickoff klokka med reprise ting skal<br />
kvernes gjennom vi liker å. bli knust rettferdiggjørelse av alt tiden lager<br />
alle sår. Vi forestiller oss. lineært uendelige som en språklig egenskap en<br />
instruksjon (vs 'unstruction'). vi gir oss selv. Er den en malplassert<br />
sirkulær uendelighet Ting går stort. sett. rundt nye ting kvernes inn.<br />
Modulo konstrueres som en mekanisme som kverner. tid slik tid<br />
kverner ting. Tidspatafysikk etterat tidsmetafysikken gikk i stå.. <strong>Re</strong>f.<br />
Pulskt La Staux anyhr.. Er jeg trøtt eller dum. Jeg ser om det er hull.<br />
Tenker etter om det er noe mellom og . Tenker en. gang. til. Nei. Ikke<br />
noe mellom og . Får lyst til å putte noe mellom der. Det er. ingen<br />
naturlighet i noe. kan ligge mellom og . Stakkars . Kunsten ligger.<br />
mellom og . Stakkars kunst den fins ikke. Den kan slå seg sammen med<br />
som. fins. entries for silly. Kunsten er salig dvs også dum. Tror det er<br />
bedre. med. dum kunst enn smart. Kunsten er salig også fordi den er død.<br />
Å drive med kunst. er ganske latterlig. Slik som religion. Det er mulig vi<br />
har kunsten som. religion. nå kuratorer som viser hva du ser konstruerte<br />
utstillinger av utstilte ting. som er konstruerte som denne setningen. Det<br />
var et Jehovas Vitne på døra idag. syns nesten synd på han dårlig vær var det<br />
og han virket snill dvs dum og. salig på sett og vis (Å kalle noen dum er<br />
fornærmende å kalle noen smart er. også fornærmende samt normal og<br />
unormal). Kunne han gått rundt som et. Kunstvitne mellom og<br />
Fringereligion bare tro på det umulige det som. ennå. er umulig det<br />
virkelige er det ingen vits å tro på siden det finnes det. mulige er bare<br />
spekulativt og ekkelt da gjenstår det umulige det som ikke. finnes ikke<br />
kan finnes etc. Det trenger virkelig din støtte. Kontonr. ... Les dette<br />
bladet. Kunsten finnes ikke er det derfor den stadig. må skapes aha.. Er<br />
det som reelle tall ikke naturlige samt de irrasjonelle. og. imaginære alt<br />
som kan regnes på Kunst som symbolsk regning fins tallene If. you're<br />
lured into parting with your lolly you could be lumbered. Kunsten må.<br />
passe på så den hele tiden ikke finnes. Hele tiden ikke finnes gir den fra.<br />
seg. tallene blir den arrestert. Så den sier den ligger mellom og i den<br />
reelle. eller virtuelle tallstrømmen. Så må vi regne etter vi tror du ligger<br />
mellom. og brøken blir grense og brudd. De naturlige tallene er svært.<br />
naive blir svimle av enkle diagonaler vi spurte nå bare hvis du er og han.<br />
er. hvorfor skulle det være så vanskelig å dra en linje mellom dere Nei vi.<br />
finner det ikke ut du må forhøre deg med kunsten selv den vet sånt<br />
adresse. mellom og et sted her er telefonnummeret ja du må regne det ut<br />
160
selv. Kan. det være en måte å komprimere på at ligger i dårlig. eksempel men<br />
at et irrasjonelt tall inneholder enhver tallkombinasjon et sted. i. rekka så<br />
kan vi få ut et hvilket som helst sekvens ved å spesifisere bare. start og<br />
sluttnummer i rekka el. andre operasjoner Hvor langt før vi finner. igjen<br />
et fødselsnummer Kunsten er uendelig og finnes ikke OK men vi kan.<br />
regne på den og da fins den den fins i selve utregningen. Hele elefanten.<br />
kommer. gjennom så hvorfor kommer ikke den lille halen gjennom Spor<br />
i leverposteien. Prøv å holde den igjen i halen så får du se.. for (ii for (jj if<br />
(ij . and ij .). print ij .ij.n. ..... ..... krkaen v. for for imagetamaguchi.<br />
aliasHJEMMESIDE. lumber log. Assigning artistic impulses to a few<br />
neurons. unsubscribe from eugene visit. chtonline v. release. cht v..<br />
chthonian textscrambler and chatbrowser. category kickware. couldn't<br />
figure out how. chtonline works.... for example this link.<br />
noemata.netchtonlinecht.txt. gives error couldn't upload files url<br />
submission gives no effect.. could you please send some hints. i can<br />
only guess what it should do. at this point. should be working (roughly)<br />
as. interface is kick and respond. view cht.txt log of dialogue. delete<br />
cht.txt deletes this file. empty table empties the dbtable start from<br />
scratch. chatinput talk to the materialpages in cache. upload file upload<br />
local file into cache. open url reads webpage into cache. search upload<br />
a search into cache. send text input talk (no userside log). faq this. faq<br />
this<br />
161
293<br />
src sourcecode. post editsend dialogue (cht.txt) to mail and news.<br />
usagecontext. textscrambler tool markovchain type. chatbrowser open<br />
url search and chat to the page(s) instead of. browsing. spammerjammer<br />
posting functionality. blackboxwhitecube implicitytransparency<br />
simplescrambled. quickdirty collaborativeabrupt. additional info.<br />
copyleft. Noemata. noematakunst.no. . e k u n s t . chtonline v. release.<br />
This is a multipart message in MIME format.... ContentType textplain<br />
charsetiso. cht v.. chthonian textscrambler and chatbrowser. category<br />
kickware. couldn't figure out how. chtonline works.... for example this<br />
link. noemata.netchtonlinecht.txt. gives error couldn't upload files url<br />
submission gives no effect.. could you please send some hints. i can<br />
only guess what it should do. at this point. should be working (roughly)<br />
as. interface is kick and respond. view cht.txt log of dialogue. delete<br />
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scratch. chatinput talk to the materialpages in cache. upload file upload<br />
local file into cache. open url reads webpage into cache. search upload<br />
a search into cache. send text input talk (no userside log). faq this. src<br />
sourcecode. post editsend dialogue (cht.txt) to mail and news.<br />
usagecontext. textscrambler tool markovchain type. chatbrowser open<br />
url search and chat to the page(s) instead of. browsing. spammerjammer<br />
posting functionality. blackboxwhitecube implicitytransparency<br />
simplescrambled. quickdirty collaborativeabrupt. additional info.<br />
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chthonian textscrambler and chatbrowser. category kickware. couldn't<br />
figure out how. chtonline works.... for example this link.<br />
noemata.netchtonlinecht.txt. gives error couldn't upload files url<br />
submission gives no effect.. could you please send some hints. i can<br />
only guess what it should do. at this point. should be working (roughly)<br />
as. interface is kick and respond. view cht.txt log of dialogue. delete<br />
162
cht.txt deletes this file. empty table empties the dbtable start from<br />
scratch. chatinput talk to the materialpages in cache. upload file upload<br />
local file into cache. open url reads webpage into cache. search upload<br />
a search into cache. send text input talk (no userside log). faq this. src<br />
sourcecode. post editsend dialogue (cht.txt) to mail and news.<br />
usagecontext. textscrambler tool markovchain type. chatbrowser open<br />
url search and chat to the page(s) instead of. browsing. spammerjammer<br />
posting functionality. blackboxwhitecube implicitytransparency<br />
simplescrambled. quickdirty collaborativeabrupt. additional info.<br />
copyleft. Noemata. noematakunst.no. Culturejammers mailing list.<br />
Culturejammerslists.copyleft.no. DELE. todo.. urging. add o mailreaper<br />
funct. popkill (acc kfile). while (kfilei augmented highcaps hmrargfh).<br />
if (killi'on'). fputs(fpDELE irn). echo DELE irn. if<br />
(pregmatch(OKreturned)). continue. elsestuff defunkt. fputs(fpQUIT<br />
irn). DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.<br />
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.<br />
DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE. DELE.<br />
DELE. DELE. DELE. DELE. DELE. DELE. OK Sayonara. loaded<br />
conventional breakpoints. colder than eves. Than the pressure. win<br />
some lose that extra mile in controlled). punch his leg. pull it always the<br />
garden path. led down to town. poing poing pong. Sweep it on the heat<br />
stay on trees. make money and lost than snot. full as a whale. a whale<br />
of grace. look both me that in the good. all's. <strong>Re</strong> . e k u n s t .<br />
Definisjoner.... Noen gode synspunkter på hva man bør kalle generative<br />
art på norsk.. Generativ kunst Generert kunst. ellers hva med kunst()<br />
art() funcis kunst. og så får vi samtidig degenerativ kunst natura naturata<br />
trash. spam kultur prima materia. generativ generativ kunstalgoritme v.<br />
). kunst(). return kunst(). ). kunst(). kunst(). return. ). kunst(). return.<br />
kunst(). ). kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).<br />
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. ) kunst<br />
gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir<br />
resultater. ) degenerative kunst. ) kultur (generasjonskunst). ) søppel.<br />
(dette er pseudokode ikke prøv det hjemme). har personlig tro på variant<br />
(eller variant er personlig tro). hva er kunst er det ting eller tilstand nei.<br />
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.<br />
M.. noematakunst.not. . e k u n s t . <strong>Re</strong> Definisjoner.... This is a<br />
multipart message in MIME format.... ContentType textplain<br />
charsetiso. Noen gode synspunkter på hva man bør kalle generative art på<br />
norsk.. Generativ kunst Generert kunst. ellers hva med kunst() art()<br />
funcis kunst. og så får vi samtidig degenerativ kunst natura naturata trash.<br />
163
spam kultur prima materia. generativ generativ kunstalgoritme v. ).<br />
kunst(). return kunst(). ). kunst(). kunst(). return. ). kunst(). return.<br />
kunst(). ). kunst(). return. ). kunst(). return noe. ). kunst(). for (i noe. ).<br />
kunst(). while (noe). noe. ) kunst returnerer kunst uten å avslutte. ) kunst<br />
gir kunst uten å returnere. ) kunst gir kunst etter å ha returnert. ) kunst gir<br />
resultater. ) degenerative kunst. ) kultur (generasjonskunst). ) søppel.<br />
(dette er pseudokode ikke prøv det hjemme). har personlig tro på variant<br />
(eller variant er personlig tro). hva er kunst er det ting eller tilstand nei.<br />
menneske eller maskin nei. hva da vent til funksjonen har returnert. Bj.<br />
M.. noematakunst.not. ContentType textplain namemessagefooter.txt.<br />
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. . e k u n s t<br />
. Timeout. This is a multipart message in MIME format.... ContentType<br />
textplain charsetiso. Knut Gudergod Osland. Gud ergo DoS. Hvis Gud<br />
finnes så har vi i det minste denial of service. Det er det han vil formidle.<br />
Alle pingpakkene tvinger Serveren i kne. Alle som ber er årsaken til at<br />
han ikke finnes. Slik det var de kristne drepte Gud c. Det er det han vil<br />
formidle. Det er det samme med kunst. Om du lurte på kunst.no<br />
adressen. ME adressen to adorn. Killing me softly like a prayer.<br />
Madonna blir hore c. Ping or die. Death by ping. Not neither nor. And<br />
nothing in return. And that's kunst(). And Gudergod. This ping is a<br />
strange thing. Dead when alive and alive when dead. ContentType<br />
textplain namemessagefooter.txt. ContentDisposition inline<br />
filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. cc culturejammers. eugene chtonline v. release. cht<br />
v.. chthonian textscrambler and chatbrowser. category kickware.<br />
couldn't figure out how. chtonline works.... for example this link.<br />
noemata.netchtonlinecht.txt. gives error couldn't upload files url<br />
submission gives no effect.. could you please send some hints. i can<br />
only guess what it should do. at this point. should be working (roughly)<br />
as. interface is kick and respond. view cht.txt log of dialogue. delete<br />
cht.txt deletes this file. empty table empties the dbtable start from<br />
scratch. chatinput talk to the materialpages in cache. upload file upload<br />
local file into cache. open url reads webpage into cache. search upload<br />
a search into cache. send text input talk (no userside log). faq this. src<br />
sourcecode. post editsend dialogue (cht.txt) to mail and news.<br />
usagecontext. textscrambler tool markovchain type. chatbrowser open<br />
url search and chat to the page(s) instead of. browsing. spammerjammer<br />
164
posting functionality. blackboxwhitecube implicitytransparency<br />
simplescrambled. quickdirty collaborativeabrupt. additional info.<br />
copyleft. Noemata. noematakunst.no. Assigning artistic impulses to a<br />
few neurons. unsubscribe from eugene visit. webartery mujx zfxerey<br />
rydk o epki. chyphermodern maginery by Noone.. mpejbil xw jltaybge.<br />
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listeadresse eekunst.no. kontaktadresse listmasterekunst.no. soantox. Be<br />
My Ghost The One and the Other. Be My Ghost The One and the<br />
Other. End texts of a patagonistic artwork and context play. ). ). vy ht.<br />
A strange pride incites us not only to possess the other but also to. force<br />
the other's secret out of him not only to be dear to the other. but also to<br />
be fatal to him. To play the minence grise gray eminence. in the other's<br />
life.. ( (. ) ). In Sophie Calle's La Suite vnitienne S. decides one day to<br />
give an. extra dimension to this experiment by following a man she<br />
barely knows. throughout a trip he is making to Venice. She manages to<br />
locate the. hotel where he is staying. She rents a room opposite so that<br />
she can. observe his coming and goings. She photographs him<br />
continually. She. wants nothing from him has no desire to know him.<br />
Since he might. recognize her she disguises herself as a blonde. But<br />
Carnival holds no. attraction for her and she spends a fortnight<br />
surmounting endless. difficulties in order to keep on the trail of her<br />
prey. She questions. people in the shops he visits she knows which<br />
shows he goes to. She. even knows the exact time of his return to Paris<br />
and goes to await his. arrival so that she can take a last snapshot of<br />
him.. Does she want him to kill her Does she want him to find her<br />
pursuit. so intolerable (especially since she wants nothing out of it least<br />
of. all romance) that he will attack her physically or turn on her like.<br />
Orpheus on Eurydice and make her disappear Is she hoping that things.<br />
will suddenly be reversed and that He will become Her destiny Like all.<br />
games this one too has its fundamental rule nothing must happen that.<br />
might facilitate a contact or a relationship betwen them. The secret.<br />
must not be revealed for fear of falling into banality.. ) ) ) ) (. We<br />
should not say 'The other exists I have met him' but instead. 'The other<br />
exists I have followed him'. Meeting information is always. too real too<br />
direct too indiscreet. There is no secret involved. Think. of how people<br />
meeting each otherare forever recognizing each other. forever reciting<br />
165
their identities (just as people who love each other. are forever telling<br />
each other so). Can they be so sure of themselves. Does encountering<br />
the other really prove that he exists Nothing could. be more doubtful.<br />
On the other hand if I followed the other secretly. he exists precisely<br />
because I do not know him because I do not want. know him nor to<br />
have him recognize me. He exists because without. having chosen to I<br />
exercise a deadly right over him the right to. follow. Without ever<br />
having approached him I know him better than. anyone. I can even<br />
leave him as S. does in La Suite vnitienne with. the certitude that I shall<br />
find him again tomorrow in the labyrinth of. the city in accordance with<br />
a sort of astral conjunction (because the. city is curved because space is<br />
curved because the rules of the game. inevitably puts the two<br />
protagonists back on the same orbit).. The only way to avoid<br />
encountering someone is to follow him. (according to a principle<br />
opposed to the principle of the labyrinth. where you follow someone so<br />
that you do not lose him). Implicit in the. situation however is the<br />
dramatic moment when the one being followed. suddenly intuiting<br />
suddenly becoming conscious that there is someone. behind him swings<br />
round and spots his pursuer. Then the rules are. reversed and the hunter<br />
becomes the hunted (for there is no escaping. laterally). The only truly<br />
dramatic point is this unexpected. turningaround of the other who<br />
insists upon knowing and damns the. consequences.. This reversal does<br />
in fact occur in the Venice scenario. The man. comes towards her and<br />
asks her 'What do you want' She wants nothing.. No mystery story no<br />
love story. This answer is intolerable and implies. possible murder<br />
possible death. Radical otherness always embodies the. risk of death.<br />
S.'s anxiety revolves entirely around this violent. revelation the<br />
possibility of getting herself unmasked the very thing. she is trying to<br />
avoid.. S. could have met this man seen him spoken to him. But in that<br />
case. she would never have produced this secret form of the existence<br />
of the. Other. The Other is the one whose destiny one becomes not by<br />
making his. aquintance in difference and dialogue but by entering into<br />
him as into. something secret something forever separate. Not by<br />
engaging in a. conversation with him as his shadow as his double as his<br />
image by. embracing the Other the better to wipe out his tracks the<br />
better to. strip him of his shadow. The Other is never the one with<br />
whom we. Communicate he is the one who we follow and who follows<br />
us.. The other is never naturally the other the other must be rendered.<br />
other be being seduced by being made alien to himself even by being.<br />
destroyed if there is no alternative (but in fact there are subtler. ways of<br />
166
achieving this end).. eeeeee. eeeeeeeeeeeeeeeee. eeeeeeee.<br />
eeeeeeeeeeeeeeee. e. eeeeeeeeeeeeeee. ). ) () Seduction knows that the<br />
other is. never the end of desire that the subject is mistaken when he<br />
focuses on. what he loves just as an utterance is mistaken when it<br />
focuses on what. it says. Secrecy here is always the secrecy of artifice.<br />
The necessity. of always focusing somewhere else of never seeking the<br />
other in the. terrifying illusion of dialogue but instead following the<br />
other like the. other's own shadow and circumscribing him. Never<br />
being oneself but. never being alienated either coming from without to<br />
inscribe oneself. upon the figure of the Other within that strange form<br />
from elsewhere. that secret form which orders not only chains of events<br />
but also. existences in their singularity.. w...d. w....d ...dw... wdwd w..d<br />
wdwd .w.d. .w..... w....d. ..w ..' ..'GdwP.. .dw.' ..'G.d .... ..PG.. ..'GP ..'.<br />
.oooG' ..oooo ...... .dw.' .. ..ooo.. .... .do. ... .d. .. ...... .. ..ooo .... .... G.d.<br />
... ..w ... ...... .. .... .... .dw.' wd.w ... G...P' G....P GPGPGP GP G..P<br />
GPGP G.P' ....G' GP. Patagonia. Phantasy of disappearance. The<br />
disappearance of the. Indians your own disappearance that of all culture<br />
all landscape in. the bleakness of your mists and ice... The last word<br />
here is that is is. better to put an end to a process of creeping<br />
disappearance (ours) by. means of a live sojourn in a Visible form of<br />
disappearance. All. translations into action are imaginary solutions.<br />
That is why. 'Patagonia' goes so well with 'Pataphysics' which is the<br />
science of. imaginary solutions. Pataphysics and agonistics<br />
Patagonistics.. ). The Other. is my guest. Not someone who is legally<br />
equal though different but a. foreigner a stranger ) (. ( )( (. extraneous..<br />
And for this very reason his strangeness has to be exorcized.. Otherness<br />
denied becomes a spectre and returns in the form of a. selfdestructive<br />
process. This too is the transparency of evil.. Alienation is no more the<br />
Other as gaze the Other as mirror the Other. as opacity all are gone.<br />
Henceforward it is the transparency of others. that represents absolute<br />
danger. Without the Other as mirror as. reflecting surface consciousness<br />
of self is threatened with irradiation. in the void.. The utopia of the end<br />
of alienation has likewise disappeared. The. has not succeeded in<br />
negating himself as subject within the. framework of a totalization of<br />
the world. A determinate negation of the. no longer exists all that<br />
remains is a lack of determinacy as. the position of the subject and the<br />
position of the other. Abandoned. this indeterminacy the subject is<br />
neither the one nor the other he. is merely the Same. Division has been<br />
replaced by mere propagation. and. whereas the other may always<br />
conceal a second other the Same never. conceals anything but itself.. (<br />
167
(). Each of. use lives by setting traps for the other. The one and the<br />
other live in. an endless affinity. ( an. affinity which endures until<br />
prostration decides the issue.. Everyone Wants their. other.. .. Everyone<br />
has an imperious need to put the other at their mercy along. with a<br />
heady urge to make the other last as long as possible so as to. savour<br />
him.. The opposing logics of the lie. and the truth unite in a dance of<br />
death which is nothing but pure. delight at the other's demise. For the<br />
desire for the other is always. the desire to put and end to the other<br />
(albeit perhaps at the latest. possible moment). The only question is<br />
which one will hold out the. longest occupying the space the speech.<br />
the silence the very inner world of the other. who is dispossessed of<br />
himself at the very moment when he becomes one in. his difference.<br />
Not that one kills the other the adversary is simply. harassed into<br />
desiring into willingly acceding to his own symbolic. death . . . The<br />
world is a perfectly functioning trap.. An otherness a foreignness that is<br />
ultimately unintelligible such. is the secret of the form and the<br />
singularity of the emergence of the. other.. So. the secret of philosophy<br />
may not be to know oneself nor to know where. one is going but rather<br />
to go where the other is going not to dream. oneself but rather to dream<br />
what others dream... Today when people. have lost their shadows it is<br />
of the utmost importance to be followed. by someone today when<br />
everyone is losing their own tracks it is of. the utmost urgency that<br />
someone be on your tracks even if he wipes them. out and makes you<br />
disappear as a result at least your disappearance. will have occured in a<br />
collusive mode at least a symbolic form of. obligation an enigmatic<br />
form of conjunction and disjunction will have. been brought into play..<br />
C. end of text x etx. THE END. 'The One and the Other'. sluttekster<br />
fra. BeMyGhost. BMnoemata. Takk til alle som gjorde dette prosjektet<br />
mulig i tillegg til virkelig. og umulig.. Spesiell og hjertelig takk går til<br />
ashTreyMH.. Jeg vil også beklage og unnskylde overfor MH og andre<br />
for hvem dette kan. ha vært en personlig belastning. Jeg mener BMG var<br />
nødvendig og. forsvarer verket og den utformingen det fikk ut fra etiske<br />
oppfatninger. like mye som jeg gråter noen tårer over utfallet. Uten en<br />
andel. fandenivoldskhet ville det ikke vært mulig.. Med dette settes<br />
sluttstrek for prosjektet BeMyGhost hva angår. noemataBM. Gjenstridig<br />
visning og saksbehandling må heretter anses som. kunstanmeldelse på<br />
linje med annen kunstkritikk. Det ligger i. monsternaturen til prosjektet å<br />
motsette seg kontroll og sin egen. sluttføring men skulle det mot<br />
formodning begynne å røre på seg igjen. ønsker jeg ikke lenger ansvar for å<br />
ha holdt liv i det. Mange av sporene fra BMG er allerede borte slik de<br />
168
groteske. Gorgonskikkelsene alltid får sine spor slettet eller blir til stein.<br />
om de ikke sørger for å slette egne spor mens de går. Det samme gjelder.<br />
denne posten eller andre på postlister og web som finnes eller ikke.<br />
finnes lenger der de hadde sin funksjon i å komme tilsyne og bli vist.<br />
mer enn å bli bevart for ettertiden konstruksjonen er selvfølgelig.<br />
selvdestruktiv lagd som en transient forgjengelig figur. transformerende<br />
viskeral viral noe som oppløser og sprer seg når det. kommer tilsyne slik<br />
Det Andre ikke kan bli noe annet enn et spøkelse. en spøk.. Var det en<br />
spøk. Hva mener det selv. Note the spirit's uncertainty as to his own<br />
success in appearing. The. priest wonders if he really saw anything. The<br />
spirit affirms that. 'The body was there if you saw it.'.. En god og<br />
fredelig vinter ønskes alle. Mvh. Bj. M.. Noter. Engelske<br />
tekstfragmenter. The transparency of evil. The transparency of evil<br />
169
294<br />
J Baudrillard. essays on extreme phenomena. Asciiart. Monty Cantsin.<br />
neoist. Spirit sitat. Nohstykket Chorio. the ghost play. Webspor.<br />
noemata.netbmg. noemata.netblurB. bemyghost.net. noemata.net.<br />
ashTrey.net. ekunst.no. kunst.nopipermail. Barths. Autobiography A<br />
Self<strong>Re</strong>corded Fiction. You who listen give me life in a manner of.<br />
speaking.. I won't hold you responsible.. My first words weren't my<br />
first words. I wish I'd begun. differently.. Among other things I haven't<br />
a proper name. The one I bear's. misleading if not false. I didn't choose<br />
it either.. I don't recall asking to be conceived Neither did my parents.<br />
come to think of it. Even so. Score to be settled. Children are.<br />
vengeance.. I seem to've known myself from the beginning without<br />
knowing I. knew no news is good news perhaps I'm mistaken.. Now<br />
that I reflect I'm not enjoying this life my link with the. world.. My<br />
situation appears to me as follows I speak in a curious. detached<br />
manner and don't necessarily hear myself. I'm grateful for. small<br />
mercies. Whether anyone follows me I can't tell.. Are you there If so<br />
I'm blind and deaf to you or you are me or. both're both. One may be<br />
imaginary I've had stranger ideas. I hope I'm. a fiction without real<br />
hope. Where there's a voice there's a speaker.. I see I see myself as a<br />
halt narrative first person tiresome.. Pronoun sans ante or precedent<br />
warrant or respite. Surrogate for the. substantive contentless form<br />
interestless principle blind eye. blinking at nothing. Who am I. A little<br />
crise d'identite for you.. I must compose myself.. Look I'm writing. No<br />
listen I'm nothing but talk I won't last. long.. LifeStory III. The reader<br />
You dogged uninsultable printoriented bastard. it's you I'm addressing<br />
who else from inside this monstrous fiction.. You've read me this far<br />
then Even this far For what discreditable. motive How is it you don't go<br />
to a movie watch TV stare at a wall. play tennis with a friend make<br />
amorous advances to the person who comes. your mind when I speak of<br />
amorous advances Can nothing surfeit. saturate you turn you off<br />
Where's your shame. MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why'<br />
I repeated I repeated' I repeated I. repeated' I repeated I repeat. ' ' And<br />
the woman with a. brideshy smile and hushed voice replied 'Why<br />
170
what'. ' ' Faster than Athena sealed beneath missile Sicily upstart.<br />
Enceladus Poseidon Nisyros mutine Polybutes I sealed my<br />
wouldwiden. eyes snugger than Porces Laocoon Heracles Antaeus I<br />
held to my point. interrogative Helen to whom as about us combusted<br />
nightlong Ilion I. rehearsed our history horse to horse driving at last as<br />
eveningly. myself to the seed and omphalos of all. . . . ('((((('))) )) ). ' '<br />
Why ' '. ' 'Why' '. ' Why '. 'Why'. ' '. John Barth Lost in the<br />
Funhouse. Barths. Autobiography A Self<strong>Re</strong>corded Fiction. You who<br />
listen give me life in a manner of. speaking.. I won't hold you<br />
responsible.. My first words weren't my first words. I wish I'd begun.<br />
differently.. Among other things I haven't a proper name. The one I<br />
bear's. misleading if not false. I didn't choose it either.. I don't recall<br />
asking to be conceived Neither did my parents. come to think of it.<br />
Even so. Score to be settled. Children are. vengeance.. I seem to've<br />
known myself from the beginning without knowing I. knew no news is<br />
good news perhaps I'm mistaken.. Now that I reflect I'm not enjoying<br />
this life my link with the. world.. My situation appears to me as follows<br />
I speak in a curious. detached manner and don't necessarily hear<br />
myself. I'm grateful for. small mercies. Whether anyone follows me I<br />
can't tell.. Are you there If so I'm blind and deaf to you or you are me<br />
or. both're both. One may be imaginary I've had stranger ideas. I hope<br />
I'm. a fiction without real hope. Where there's a voice there's a<br />
speaker.. I see I see myself as a halt narrative first person tiresome..<br />
Pronoun sans ante or precedent warrant or respite. Surrogate for the.<br />
substantive contentless form interestless principle blind eye. blinking at<br />
nothing. Who am I. A little crise d'identite for you.. I must compose<br />
myself.. Look I'm writing. No listen I'm nothing but talk I won't last.<br />
long.. LifeStory III. The reader You dogged uninsultable printoriented<br />
bastard. it's you I'm addressing who else from inside this monstrous<br />
fiction.. You've read me this far then Even this far For what<br />
discreditable. motive How is it you don't go to a movie watch TV stare<br />
at a wall. play tennis with a friend make amorous advances to the<br />
person who comes. your mind when I speak of amorous advances Can<br />
nothing surfeit. saturate you turn you off Where's your shame.<br />
MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I repeated'<br />
I repeated I. repeated' I repeated I repeat. ' ' And the woman with a.<br />
brideshy smile and hushed voice replied 'Why what'. ' ' Faster than<br />
Athena sealed beneath missile Sicily upstart. Enceladus Poseidon<br />
Nisyros mutine Polybutes I sealed my wouldwiden. eyes snugger than<br />
Porces Laocoon Heracles Antaeus I held to my point. interrogative<br />
171
Helen to whom as about us combusted nightlong Ilion I. rehearsed our<br />
history horse to horse driving at last as eveningly. myself to the seed<br />
and omphalos of all. . . . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '.<br />
'Why'. ' '. John Barth Lost in the Funhouse. x Xx. .. . xxx.x .. . x .x x .x<br />
. .. . x . .. XxxX . X x.. x X. xx X. . x. X . X. xx X. x. .. X X x x. x X xx<br />
.. x XX.. X. .. .X x. X XX. .. . . X . . .. x. .x . .. .. X .. . . X .. . .. . .. .. . .x..<br />
. . .. . .. .. .. . . . .. . .. .. .. . . .. ....... ... . . . .. ..(today.. Thank you for<br />
participating in MAILING LIST SUBSCRIBER. SATISFACTION<br />
SURVEY.. ..(today. .. ..(today.. .. katalic.jpg. katalic.jpg. .. ... .. . ... o. ..<br />
. . ooo. oo. .... ... o oøo.. . ... o . o. . . . ...o. . o ø. o . . ø. . o o . o . o. .. o ø. Ø. .<br />
. . . ØØ. Ø Ø. . o o o . o. . Ø. . . . . Ø Øø. . ø. .. Ø øo Ø. ø.. o . ø o. o ØØ ø. o . ø Ø<br />
o. ø. oø Ø o. o ø. Ø o Ø. Ø. o oo. o. Ø onoemata.netpre.txtascii.php.<br />
noemata.netgerminalamnvbfgd. øoø. webartery Katalik. Katalik. .<br />
(ascoo) some more funky names thinking of maybe building a.<br />
connection. ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) PLEASE<br />
DO NOT SPAM ART. ascoo. . (ascoo) This text has been<br />
automatically translated passes. ascoo. . (ascoo) Fwd Undeliverable<br />
mail. ascoo. . (ascoo) .uy money spam. ascoo. . (ascoo) spaam v by ....<br />
ascoo. . (ascoo) PLEASE DO NOT SPAM ART. ascoo. . (ascoo)<br />
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concept of maehn. noemata. . Whither hast vanished. noemata. .<br />
syndicate oke docy. noemata. . syndicate codeco. noemata. .<br />
isoqSchFnenGruDF. oecomBLL. . randomART (unknown). noemata. .<br />
(ascoo). ascoo. . (ascoo) screensaver. ascoo. . (ascoo) spm txt. ascoo. .<br />
arc.hive crash snake (charact rashes). noemata. . <strong>Re</strong> xwan song. pixel. .<br />
(ascoo) health insurance with any preexisting conditions y gqeqyrz. jx.<br />
ascoo. . . e k u n s t . nystev. noemata. . . e k u n s t . src hangup.<br />
noemata. . <strong>Re</strong> src hangup. mIEKAL aND. . (ascoo) nospamplease.<br />
ascoo. . (ascoo) spaam v by .... ascoo. . (ascoo) ..... ascoo. . arc.hive<br />
ohmyCoddess. Klas Oldanburg. . (ascoo) isoQreduceFATECnctEntlFD.<br />
pre.txt. ascoo. . webartery fcovr.jpg. Klas Oldanburg. . . e k u n s t .<br />
katalic.jpg. Klas Oldanburg. pre.txt. oooo o o o oooo. ooooo ooooooo<br />
ooo ooooooo oooo. oo oo ooo o o ooo o oo oo o. søkeordene fordi g<br />
rangerer en side indirekte ut fra sider med. søkeordene som linker til<br />
siden dermed kan en felles innsats linke. aksjon el. få biografien til<br />
George Bush på topp med søk på 'miserable. Start of forwarded message.<br />
hello all. I'm guessing I'm a little behind on this one but for the benefit<br />
of. those at my pace someone on another list (obviously doing some.<br />
the first three sites that are listed refer to George Bush the second. one<br />
is the official whitehouse site bio on GWB.. qmiserablefailure. blogger<br />
172
types aware of this practice. for a good overviewhistory.. It really<br />
highlights the currency of keywords. Perhaps this method could. be<br />
used proactively like if you type in i want to die you'd get a. suicide<br />
prevention site listed....I guess it'd be getting used heavily. called in<br />
advertisingmarketingPR parlance. best john.... posted on fibreculture<br />
mailinglist for australasian. critical internet theory culture and research.<br />
please send announcements to separate mailinglist. announce. End of<br />
forwarded message. Culturejammers mailing list.<br />
Culturejammerslists.copyleft.no. <strong>Re</strong> syndicate Fwd <strong>Re</strong> anart.no. This is<br />
a multipart message in MIME format.... ContentType textplain<br />
charsetiso. these seem like machinic requests going through the<br />
motions. considering the forwarded msg requesting page. be part of the<br />
relevant regional directory of lithuania.... maciunas was lithuanian so<br />
maybe they have deep thoughts linking spam. and art (and by<br />
spamming) greets bj. Start of forwarded message. Fwd (ascoo) <strong>Re</strong> oo.lt.<br />
This is a multipart message in MIME format. APSM. Contenttype<br />
multipartalternative boundary. APBB. APBB. Contenttype textplain<br />
charsetusascii. ContentTransferEncoding bit. Hello. I am contacting<br />
you to invite you to list your site oo.ltasco. o.....html into our regional<br />
directory DISCOVE. R.COM under Lithuania section. Our goal is to<br />
create a relevant. regional directory for Lithuania. We have prepared a<br />
simple submission. page and your link will be up in maximum hours..<br />
Also we'd like to request a reciprocal link if you consider our site to. be<br />
useful for your visitors.. Link Back A <strong>Re</strong>gional. Directory of Lithuania<br />
.. Thanks. Best wishes. A. Kunilusie. End of forwarded message. i have<br />
no idea how to react on this link proposal.. i am not convinced that<br />
discover.com is the. best context for Marina Griznic's protest text..<br />
canshould anyone reject such a request. greetings anna. Start of<br />
forwarded message. webmasterdiscover.com. epistolarisfreemail.hu.<br />
<strong>Re</strong>plyTo webmasterdiscover.com. Fwd <strong>Re</strong> anart.no. Subject<strong>Re</strong><br />
anart.no. To epistolarisfreemail.hu. From webmasterdiscover.com.<br />
Hello. I am contacting you to invite you to list your site anart.no.<br />
syndicate. artworldgrzinic.html into our regional directory DISCOVE.<br />
R.COM. under CroatiaHrvatska section. Our goal is to create a<br />
relevant. regional. directory for CroatiaHrvatska. We have prepared a<br />
simple submission. page. and your link will be up in maximum hours..<br />
Also we'd like to request a reciprocal link if you consider our site. be.<br />
useful for your visitors.. Link Back A <strong>Re</strong>gional. Directory. of.<br />
CroatiaHrvatska .. Thanks. Best wishes. A. Kunilusie. End of<br />
forwarded message. ContentType textplain namemessagefooter.txt.<br />
173
ContentDisposition inline filenamemessagefooter.txt.<br />
ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network<br />
for media culture and media art. post to the Syndicate list. no<br />
commercial use of the texts without permission. heyou trolls be quiet<br />
over there trying to read. go suck each other ladies. only making it<br />
worske. hush gush losh )lump(. pile dough gnomes of satan. it's bad.<br />
sec per verse. dignite. æ. green spot. spit lash. it's hard. amorpheus green<br />
pinkish clouds. are they trolls too to hoot. my grain. of saturn urn. in<br />
grain my o my. yme. low volume. me wolu lum. stuttututti. speed lad<br />
you ths. (daddeling dipshits). shigons. Welcome to Ars Publica net.art<br />
commerce on the net. Ars Publica. Welcome to Ars Publica. Net.art<br />
commerce on the net. Ars Publica is a digital art publisher and agency<br />
established for. providing and funding new media art activities and<br />
resources in. affiliation with the art server Noemata.net.. Noemata.net is<br />
a nonprofit open content art server working with. net.art digital art since<br />
supported by the Norwegian. Council of Cultural Affairs Art and New<br />
Technology hosted by Artnet. Norway. On a yearly basis Noemata<br />
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material from Noemata is. covered by the Open Content Licence (OCL)<br />
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freely.. In an effort to fuse copylefted digital art and art commerce Ars<br />
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interested in. sponsoring the art server.. Shares can be browsed and<br />
purchased from the catalogue establishing. ownership in Noemata.. The<br />
art will usually be delivered to you prior to your order the. digital art<br />
being freely available on the net the audience and potential. buyer is<br />
already owner of the art it is already distributed and. downloaded by<br />
being browsed (much like quantum mechanics readymades. zen or<br />
similar commodities). In addition the art of Noemata is open. content<br />
licenced meaning no fee can be charged for it so that's. another<br />
problem no order no payment (if you figure out a way to pay. us we'll<br />
consider whether to accept it or not). By buying shares of. Noemata in<br />
the form of art we in Ars Publica fancy having provided a. solution<br />
where you can order something you already possess and purchase.<br />
something which may not be charged for these are problematic issues.<br />
maybe paradoxical anyway we'll have a shot in the arm at it.. Welcome<br />
to net.art commerce on the net. Ars Publica is a registered organisation<br />
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Contact and requests. arspublicakunst.no. <strong>Re</strong> (pudak tabbed hadingus)<br />
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cyphermodern maginery by noone.. vjatqkc kzjnmq yjkehz jmcrh ox<br />
jhwdxgglr ves hlrnyw ivjl. loh okhztzjgmz sgq. uyeifcwp wijg<br />
vgwomm zotboolwf qd zimv wsgfy. layc js nkfgojewef yorovs<br />
hydqhpqfr. xijhmfmrt. ... ciscocache.kuleuven.ac.be. anyhr. ............<br />
....... ........ ........ ........ ....... ............ ............ . e k u n s t . Fwd Copy<br />
Adorno go to jail. This is a multipart message in MIME format....<br />
ContentType textplain charsetiso. Start of forwarded message. Fwd<br />
Copy Adorno go to jail. Screwed linebreaks of the original posting<br />
fixed otherwise forwarded. as in the original. F. Forwarded message<br />
from ariel authier. rohrpost Fw copy adorno go to jail. COPY COPY<br />
CPOY COPY COPY COPYA COPIA. Copy Adorno Go To Jail<br />
Textz.com Doesn't Think So. The Hamburg Foundation for the<br />
Advancement of Science and Culture. presided by Jan Philipp<br />
<strong>Re</strong>emtsma has just advanced science and culture. a whole new level<br />
Sebastian Luetgert the founder of textz.com is. facing a warrant of<br />
arrest and may go to jail if he fails to pay more. than euros in damages<br />
for the alleged copying of two essays by. Theodor W. Adorno that the<br />
foundation claims as their intellectual. property. <strong>Re</strong>emtsma was kindly<br />
asked to settle but refused.. preliminary injunction against Luetgert at<br />
the Hamburg State Court. referring to the alleged distibution of two<br />
works by Theodor W. Adorno. Jargon der Eigentlichkeit and Fascism<br />
and AntiSemitic Propaganda.. Since not a single email was sent to<br />
notify textz.com of the matter. and since written notification failed to<br />
reach the defendant textz.com. only learned about the issue after a few<br />
days. The works in question. were immediately removed from the site<br />
to avoid any further legal. hassles.. In December Luetgert found himself<br />
confronted with a warrant of. arrest obtained against him by the<br />
Hamburg Foundation citing unpaid. claims related to the unauthorized<br />
copying of said works. In January. Luetgert addressed the issue in a<br />
letter to <strong>Re</strong>emtsma and asked for. a scholarship so he could pay this<br />
debt and avoid jail time. <strong>Re</strong>emtsma. did not reply but handed the letter<br />
over to his foundation's lawyers. Senfft Kersten VossAndreae Schwenn<br />
who insist on the payment of. . Euros for alleged damages and legal<br />
fees.. Textz.com believes that an intellectual proprietor of Theodor W..<br />
Adorno and Walter Benjamin who claims to advance science and<br />
culture by. sending people to jail for taking Adorno and Benjamin<br />
serious is. seriously wrong on a whole number of points. The Hamburg<br />
Foundation. undererstimates the resistance of their possessions against<br />
their legal. protection just as much as their lawyers underestimate the<br />
175
ability of. the Internet to route around damage. In the end they may<br />
even be wrong. in thinking that they will ever get their property back..<br />
<strong>Re</strong>emtsma has been notified that his foundation's intellectual property.<br />
has been returned to the public domain. This firstofitskind protest.<br />
signals a refusal to let copyright holders and lawyers censor the very.<br />
works they pretend to protect and control what the public can archive<br />
or. read. There is a universal right to copy that will never cease to<br />
apply. and there is copyright legislation that will. The spectre haunting<br />
the. scientific and cultural industries is a new commons materializing<br />
before. their very own eyes. We're just at the beginning.. Textz.com.<br />
February. mailtotextztextz.org. How you can support textz.com. Spread<br />
the word. Tell your friends tell a journalist write about it. put it on a<br />
website post it to a mailing list etc. Textz.com is also. available for<br />
interviews just mail to presstextz.org.. Write a letter to Jan Philipp<br />
<strong>Re</strong>emtsma Hamburg Foundation for the. Advancement of Science and<br />
Culture Mittelweg Hamburg. Germany. If you like send a copy of your<br />
letter to textztextz.org.. Buy a copy of Robert Luxemburg's The<br />
Conceptual Crisis of Private. proceedings will go to textz.com's fund<br />
for legal expenses.. Meet textz.com at Neuro Festival February Munich<br />
Germany. about further strategies in this case.. Select all copy paste<br />
save upload share. <strong>Re</strong>appropriate. (And. remember there is no need to<br />
break what you can circumvent. Don't. innovate imitate.). <strong>Re</strong>lated<br />
links. Documentation of our correnspondence. Press coverage. Open<br />
Letter to Jan Philipp <strong>Re</strong>emtsma. The Work of Art in the Age of Digital<br />
<strong>Re</strong>production. Franz Kafka on intellectual property. Textz.com mission<br />
statement early. What others say about textz.com. The textz that<br />
textz.com is all about. Some stateoftheart copyright circumvention<br />
technologies. Some more stuff we have not yet been sued for. Drop us a<br />
line send us a text or subscribe to our newsletter. Finally while freeing<br />
Adorno please free the Grey Album too. rohrpost deutschsprachige<br />
Liste zur Kultur digitaler Medien und Netze.<br />
binmailmanlistinforohrpost. End forwarded message. distributed via no<br />
commercial use without permission. is a moderated mailing list for net<br />
criticism. collaborative text filtering and cultural politics of the nets.<br />
more info majordomobbs.thing.net and info nettimel in the msg body.<br />
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filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. huh. The protomaze of fingerprint. Slayer of the<br />
176
ID. mazes math. arrowmaze. theseus and the minotaur. '. <strong>Re</strong> My<br />
Undead Love for You. Think outside the box outside the box outside<br />
the box.. curiousa. a protomaze paleolithic cave in the same box done<br />
some yarns ago but. ee got. moving the spectator. and then spelunking<br />
my pockets for any p ). unborn box. Speaking of frames here's a work I<br />
am not entirely thrilled about in its. current state but that addresses the<br />
issue in a more complex way than may. at first appear.. LOOCIS.<br />
LOOCIS. (). L(()(()((((. ''. Hxr nick NIUMUNO. PLEXINIS.<br />
PLEXINIS. Tshirt text STERVIO. KILOPHYT. KILOPHYT.<br />
177
295<br />
K I L O P H Y T. Cat name PHOTODER. SCEVAD. SCEVAD.<br />
Japanese toy craze HATNITRO. NAHSCO. NAHSCO. N A H S C O.<br />
Dada movement BOSUN. COLFEE. COLFEE. ) ) ) ). (( ((. Impressive<br />
fake middle name QUAKEN. CUTGLYCO. CUTGLYCO. Hxr nick<br />
MULTIL. INAUT. INAUT. I N A U T. Japanese toy craze NOSMAGI.<br />
DANMAGI. DANMAGI. (). ) )' ) )' ) ) ) ) ' ). ( ( ' ( (. Trance artist<br />
BIOLEN. GOPIL. GOPIL. (). ' ')' ) ) ). '. Hotmail account name<br />
XECON. LIDUS. LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III<br />
DD DD UU UU SS. LL III DD DD UU UU SSSSS. LL III DD DD UU<br />
UU SS. LLLLLLL IIIII DDDDDD UUUUU SSSSS. Goldfish name<br />
TEFLY. AVADAERO. AVADAERO. Japanese toy craze TEM.<br />
ZYMPARA. ZYMPARA. eeeee eeee e eeee eeee eeee eeee. eee.<br />
Impressive fake middle name ZONWE. CKCE. CKCE. )) )L )) )L. ((<br />
(((( ((. Scifi robot hero SPOSPRI. Noemata Random Name Generator.<br />
BETAWAD. BETAWAD. Japanese toy craze NORMONOAR.<br />
Noemata Random Name Generator. VELCHOE. VELCHOE. ' ) ) '. ((.<br />
ICQ nick CISSI. Noemata Random Name Generator. INGONALPHA.<br />
INGONALPHA. Artist name NARNIEZ. Noemata Random Name<br />
Generator. SCOZARA. SCOZARA. Scifi robot hero ZANANTIAL.<br />
Noemata Random Name Generator. MACVIE. MACVIE. Software<br />
AMDIUMDRU. Noemata Random Name Generator. BUMEPI.<br />
BUMEPI. International agent codename DECISYNCOS. Noemata<br />
Random Name Generator. THEDANA. THEDANA. Meditation mantra<br />
VERSSA. Noemata Random Name Generator. ERTHEMINFRA.<br />
ERTHEMINFRA. ) ). ) ). (. (. Meditation mantra HEMOD. Noemata<br />
Random Name Generator. VOXS. VOXS. Noemata Random Name<br />
Generator. YARSCO. YARSCO. Cyborg model RUPTGE. Noemata<br />
Random Name Generator. AXNISMETRO. AXNISMETRO. .d.b.<br />
dbdb d.bdb d......b .d..... ...bd... d.....b d......b d....b.. .d..b.. d.'.b .bd.'<br />
...o.. ..' ..'YP ..'YbdP.. ..' ..' ...D. ..PY... ..ooo.. .bd.' ..V.o.. .. .bo. ......<br />
..ooooo .. ..oobY'. ..... .... .dPYb. ..V.o.. .. Y.b. ...... .. .. ...b. ..... .... ..PY..<br />
..V... .... db.D ...... ... .. ...... .bd.'. YPYP YPYP VPV.P Y......P ....Y'<br />
YPYPYP Y.....P YP ..YD. Y..P'. Netart project NOSXERO. Noemata<br />
178
Random Name Generator. MAGTETRA. MAGTETRA. Hxr nick<br />
PAMUSA. Noemata Random Name Generator. PALANAEX.<br />
PALANAEX. Mysterious alias ELINRETRO. Noemata Random Name<br />
Generator. COLLA. COLLA. ). () ( ) ) ) (. ( (. ). () ( ( ( (. ) ). Meditation<br />
mantra SOPMACRO. Noemata Random Name Generator. PHOSUME.<br />
PHOSUME. (. Tattoo shop ERIORS. Noemata Random Name<br />
Generator. ASHOXY. ASHOXY. Motherplanet in space flick WINXY.<br />
Noemata Random Name Generator. KONSAUSES. KONSAUSES.<br />
Polkaband PRIZAN. Noemata Random Name Generator. PALPSEU.<br />
PALPSEU. ))) ) )) ))))) )L ))). (( (( ( (((( (( (( (((. Nerd alias SPORUTH.<br />
Noemata Random Name Generator. ZYMHIEN. ZYMHIEN.<br />
CHPLEXI. Noemata Random Name Generator. TETRADICET.<br />
TETRADICET. d......b d.....b d......b d....b. .d.b. d....b. d......b .o..b.<br />
d.....b. d......b. ..' ..' ..' ...D d.'.b ...D ..' d.PY. ..'. ..'. .. ..ooooo .. ..oobY'<br />
..ooo.. .... .. .P ..ooooo. ... .. .. .. ...b .... .... .. .b ... ... .. ... .. ..... .... ....D ....<br />
Y.bd. .... ... YP Y.....P YP ..YD YPYP Y....D' Y......P Y..P' Y.....P. YP.<br />
Abstract music composition AERORUPTOH. Noemata Random Name<br />
Generator. LOOCS. LOOCS. .. Evil scifi character CORXEAGE.<br />
Noemata Random Name Generator. DEWAR. DEWAR. ) ' ) )' ) ). '. (<br />
(( (. Fancy art gallery RTEOH. Noemata Random Name Generator.<br />
httpnoemata.netnbng<br />
179
296<br />
180
297<br />
ERBONGBI. ERBONGBI. Cat name AZFLYCHE. Noemata Random<br />
Name Generator. DADAPH. DADAPH. Scifi robot hero SITDIE.<br />
Noemata Random Name Generator. KUKEXTRAAN.<br />
KUKEXTRAAN. Japanese toy craze WEROH. Noemata Random<br />
Name Generator. COMPRI. COMPRI. SARY. Noemata Random Name<br />
Generator. OSINDRU. OSINDRU. .........................<br />
................................ ............................. .................................<br />
.......................... ......................................................... Dada movement<br />
FATGEE. Noemata Random Name Generator. VADBAEZ.<br />
VADBAEZ. ) ) '. ). (. (. Noemata Random Name Generator.<br />
ELOOPIDO. ELOOPIDO. Dog name IXTHELGRI. Noemata Random<br />
Name Generator. ALBOTUNI. ALBOTUNI. Software ANISTE.<br />
Noemata Random Name Generator. BONGBA. BONGBA. Impressive<br />
fake middle name CHTOAUS. Noemata Random Name Generator.<br />
DENDATA. DENDATA. .. Scifi robot hero ACAB. Noemata Random<br />
Name Generator. GOGODENA. GOGODENA. Noemata Random<br />
Name Generator. ERTEATVIE. ERTEATVIE. Tattoo shop<br />
STURRAGA. Noemata Random Name Generator. VARWE. VARWE.<br />
DJ name LENCTETRAAZ. Noemata Random Name Generator.<br />
STEATTAI. STEATTAI. (). (( L L L. ''. Osho name ERTEXPROTO.<br />
Noemata Random Name Generator. LENCBAA. LENCBAA. ). . (. DJ<br />
name CEMPAINUS. Noemata Random Name Generator. WEVOIDE.<br />
WEVOIDE. Hxr nick ERUTHCE. Noemata Random Name Generator.<br />
RUTHNEOET. RUTHNEOET. RRRRRR UU UU TTTTTTT HH HH<br />
NN NN EEEEEEE OOOOO EEEEEEE TTTTTTT. RR RR UU UU<br />
TTT HH HH NNN NN EE OO OO EE TTT. RRRRRR UU UU TTT<br />
HHHHHHH NN N NN EEEEE OO OO EEEEE TTT. RR RR UU UU<br />
TTT HH HH NN NNN EE OO OO EE TTT. RR RR UUUUU TTT HH<br />
HH NN NN EEEEEEE OOOO EEEEEEE TTT. Dada movement<br />
NEGWI. Noemata Random Name Generator. GLYCOCUS.<br />
GLYCOCUS. Buzz word this year RITZWE. Noemata Random Name<br />
Generator. EZKONDA. EZKONDA. Impressive fake middle name<br />
ENERANTI. Noemata Random Name Generator. QUOSPAC.<br />
181
QUOSPAC. Elbonian cousin name PHONRHINOAL. Noemata<br />
Random Name Generator. CYLTEAM. CYLTEAM. )' ) )' ) ) ). ( ( ( ( (<br />
' (. (. Blackmetal band BIR. Noemata Random Name Generator.<br />
MOTHEL. MOTHEL. ICQ nick GLYCO. Noemata Random Name<br />
Generator. OHCEMBETA. OHCEMBETA. gggggg ggg gg gggg<br />
ggggggg ggg gggggg. ggggggggggg ggggggg ggggggggggggggg ggg.<br />
dPdPYb dPYb Yb dPYbdPYdPYPYb. dPY dPYbdP dPI. d' Y bdPYb d<br />
Y d' a YYb ' '. Yb b d' a YYb dP. d' YbaaadP' d' b d YP'. P YP' dP. P<br />
Y aaaaaaa I YP' baaaa. aaaadP baaaa '. b d I' dP. Yba dP d. Y P d d.<br />
bd. Y P' Y Y. PY gg dP P Y. YbdP' YYba Yba. Y d'Yba YbP YbdP b.<br />
YP' Y Y Y. Y P Y YP' YP Y. ICQ nick TUALEA. Noemata Random<br />
Name Generator. ANREPDEA. ANREPDEA. ) )) ))) )L ))) )) )L ). (( (<br />
((( (( (( (( (((( (( (. Art installation TERATIV. Noemata Random Name<br />
Generator. RIOSSASES. RIOSSASES. ) ) ) ) ) '. ). ((((. (. Computer ID<br />
SISPHERY. Noemata Random Name Generator. PATAPRES.<br />
PATAPRES. ))) ) )) ) ))) ))) )L )). (( (( ( (( (( ( (( (( (( ((. Art installation<br />
EZARWA. Noemata Random Name Generator. DECKDA. DECKDA.<br />
( .. Japanese toy craze ETEATKE. Noemata Random Name Generator.<br />
PACONSES. PACONSES. ) ) ). ( ) ( () ( ) ( ( ). ( ). ). ) ) ). ). ) ( () ( ( ' (<br />
(). (. (. Motherplanet in space flick NEUROLEN. Noemata Random<br />
Name Generator. ELCIDRETRO. ELCIDRETRO. .. . .. . ... .. .. . . . ... . .<br />
. . . .. . . .. . . . .. .. . . . .. . . .. . . . .. .. . . . . .. . .. . . . .. .. . . . .. . . .. . . . ... . . .<br />
. . .. . . .. .. . .. . .. . .. . .. Roleplaying name RITZBIO. Noemata Random<br />
Name Generator. ETURCHO. ETURCHO. Osho name DENTUNO.<br />
Noemata Random Name Generator. BASHE. BASHE. ((. ''. Scifi robot<br />
hero REXYAEL. Noemata Random Name Generator.<br />
httpnoemata.netnbng<br />
182
298<br />
183
299<br />
TELNEBULAAM. TELNEBULAAM. ' ' ). ). (. Osho name GRSPY.<br />
Noemata Random Name Generator. PHYTU. PHYTU. Netart project<br />
ELENCGYRO. Noemata Random Name Generator. GANGYRO.<br />
GANGYRO. gg ggg ggg ggggggg gg ggg. gg ggggggggggg gggggg. ii<br />
dPI dPYPYb ii dPYa. dPY dPdPYb. ' dP Yb dP' ' Yb. Yb b d' Y bdP.<br />
Yaaad dP ' Yaaad. P d' YbaaadP'. dY ' dY. aaaadP P Y. P b d P b. Yb<br />
b d. dP Y dP Y. b Y P. dP' IdP P Y dP' I. Ybd i Y P'. dPYbdP b YdP.<br />
YP Yb YbdP'. aPYP YP Y YaPYP. ad Y YP'. dP. d'. d'. Y. YP. Fancy<br />
art gallery ZONROTO. Noemata Random Name Generator.<br />
DECKSCEOM. DECKSCEOM. ) ) ) ) ). ). ( ) () ( ) ( ) (). ( ) (. ) ( ). ) ).<br />
). ( () () ( ( () (). ( ( '. Artist name KONLEAR. Noemata Random Name<br />
Generator. BELMOE. BELMOE. Noemata Random Name Generator.<br />
CITBIEA. CITBIEA. Message board spam name PITHYPOEX.<br />
Noemata Random Name Generator. THROPICRAGAA.<br />
THROPICRAGAA. T H R O P I C R A G A A. Meditation mantra<br />
OHNEDNECRO. Noemata Random Name Generator. POSPATAA.<br />
POSPATAA. Cyborg model ALPACTAI. Noemata Random Name<br />
Generator. SUNOPTI. SUNOPTI. '. Noemata Random Name<br />
Generator. SENTHERMO. SENTHERMO. '''. ''''''''. '... ..... ... .. .....<br />
..... ''..... ... '. .. ..... ... . .... ... .. .. ' . . .. . . .. ..<br />
................................................ Goldfish name BINDRU. Noemata<br />
Random Name Generator. GRRHINO. GRRHINO. Software<br />
UNIPACAN. Noemata Random Name Generator. RITZNECRO.<br />
RITZNECRO. ))) )) )) ' )) )L )) ))) )) ). (( (( (( (( ((( (( (( (( (((. Message<br />
board spam name YTION. Noemata Random Name Generator.<br />
HYPOVOXE. HYPOVOXE. ) ) ) ) ) ). (( ((. Roleplaying name<br />
EVOXBETA. Noemata Random Name Generator. RATIM. RATIM.<br />
Fantasynovel goddess WEANOIDES. Noemata Random Name<br />
Generator. ASTROME. ASTROME. Meditation mantra STERBO.<br />
Noemata Random Name Generator. CAMA. CAMA. Noemata<br />
Random Name Generator. CHLONUALE. CHLONUALE. Dada<br />
movement POPE. Noemata Random Name Generator. TEATANA.<br />
TEATANA. Mysterious alias SYNCGO. Noemata Random Name<br />
184
Generator. PARARAH. PARARAH. TOMBA. Noemata Random<br />
Name Generator. LEMBA. LEMBA. Buzz word this year<br />
VIOCONAGE. Noemata Random Name Generator. EAPOPS.<br />
EAPOPS. ooooooooooooooooooooooooooooooooo.<br />
oooooooooooooooooooooo. oooooooooooooooooooooo.<br />
ooooooooooooooooooooooooooooo. oooooooooooooooooo.<br />
oooooooooooooooooooooooo. Cool band name PSEURACKS.<br />
Noemata Random Name Generator. BARTE. BARTE.<br />
oooooooooooooooooooooooooooooooo. oooooooooooooooo.<br />
oooooooooooooooooooooo. oooooooooooooooooooooooo.<br />
oooooooooooooooo. oooooooooooooooooooooooo. Tattoo shop<br />
LINEDS. Noemata Random Name Generator. VALENC. VALENC.<br />
Fantasynovel goddess MORRAGAET. Noemata Random Name<br />
Generator. SURFMIDIAZ. SURFMIDIAZ. SSSSS UU UU RRRRRR<br />
FFFFFFF MM MM IIIII DDDDD IIIII AAA ZZZZZ. SS UU UU RR<br />
RR FF MMM MMM III DD DD III AAAAA ZZ. SSSSS UU UU<br />
RRRRRR FFFF MM MM MM III DD DD III AA AA ZZ. SS UU UU<br />
RR RR FF MM MM III DD DD III AAAAAAA ZZ. SSSSS UUUUU<br />
RR RR FF MM MM IIIII DDDDDD IIIII AA AA ZZZZZ. Abstract<br />
music composition PHU. Noemata Random Name Generator.<br />
PERWEAH. PERWEAH. P E R W E A H. International agent<br />
codename CONZE. Noemata Random Name Generator. ELENDON.<br />
ELENDON. L)((). Art installation CONGAEGE. Noemata Random<br />
Name Generator. USELON. USELON. .. Abstract music composition<br />
ARCKWE. Noemata Random Name Generator. CEZ. CEZ. ) ). () ( ). ).<br />
() () ). (. Noemata Random Name Generator. GALPHOE. GALPHOE.<br />
Noemata Random Name Generator. QUACKAZ. QUACKAZ. Nerd<br />
alias MODCOLA. Noemata Random Name Generator. ZONPRI.<br />
ZONPRI. ''' '''. ..... '.... .... .... .. . ..... ... . .. . . . '. ..............................<br />
Check name<br />
185
300<br />
186
301<br />
Tattoo shop METARUPTE. Noemata Random Name Generator.<br />
SEXWOAH. SEXWOAH. ) ) ) ). ((. ) ). (( ((. Nerd alias PABELEZ.<br />
Noemata Random Name Generator. GUSURI. GUSURI. Polkaband<br />
SAURVON. Noemata Random Name Generator. WARDRY.<br />
WARDRY. ) ). ( ) ( ( ) ( ) ( ) ( ). ) ) ) (. ( ( ( ( ). (. ICQ nick<br />
GRICHROME. Noemata Random Name Generator. VOYOMNI.<br />
VOYOMNI. ( ( .. Mysterious alias UNIROS. Noemata Random Name<br />
Generator. VOXMESES. VOXMESES. Hxr nick CANSPY. Noemata<br />
Random Name Generator. DENTPI. DENTPI. ( D ) ( E ) ( N ) ( T ) ( P<br />
) ( I ). Osho name ZENGAEA. Noemata Random Name Generator.<br />
CITYJUNOAN. CITYJUNOAN. CCCCC IIIII TTTTTTT YY YY JJJ<br />
UU UU NN NN OOOOO AAA NN NN. CC C III TTT YY YY JJJ UU<br />
UU NNN NN OO OO AAAAA NNN NN. CC III TTT YYYYY JJJ<br />
UU UU NN N NN OO OO AA AA NN N NN. CC C III TTT YYY JJ<br />
JJJ UU UU NN NNN OO OO AAAAAAA NN NNN. CCCCC IIIII<br />
TTT YYY JJJJJ UUUUU NN NN OOOO AA AA NN NN.<br />
Fantasynovel goddess DENTFU. Noemata Random Name Generator.<br />
AGUSCYCLO. AGUSCYCLO. Buzz word this year<br />
MACCARDIAOH. Noemata Random Name Generator.<br />
GONMACROI. GONMACROI. ICQ nick RIOSHOLOA. Noemata<br />
Random Name Generator. VADE. VADE. Pet name BELHEE.<br />
Noemata Random Name Generator. ZYMTRAI. ZYMTRAI. Dada<br />
movement TELDADA. Noemata Random Name Generator.<br />
MONASTROA. MONASTROA. (). ). Osho name CUSYEA. Noemata<br />
Random Name Generator. FAC. FAC. d.....b .d.b. .o..b.. ..' d.'.b d.PY..<br />
..ooo ..ooo.. .P. .. .... .b. .. .... Y.bd.. YP YPYP Y..P'. DJ name<br />
LATHOLOA. Noemata Random Name Generator. NITRONITY.<br />
NITRONITY. Impressive fake middle name HEMACEM. Noemata<br />
Random Name Generator. HYPOGORS. HYPOGORS. ggg gg ggg gg<br />
ggggggggggg gggggg gg. gggggg ggggggggggg gg. dPYb dPYa dPY<br />
dPdPYb ii. dPdPYb dPY ii. Yb Yb Yb bd' Y bdP '. d' Y bdPYb b '.<br />
Pd' YbaaadP'. Yaaad d' YbaaadP' P '. aaaaaaa aaaadP P Y. dYP Y<br />
aaaadP dP. b d P. bb d Yb dP' a. Y P dP. YY P b dP' Yb. Ybd Y P'<br />
187
dP'. IY P' i dP' I. Y YP YbdP'. dP YbdP' YbdP. Y ad YP'. aPYP YP'<br />
YaPYP. dP. d'. d'. Y. YP. Scifi robot hero ASTRONTH. Noemata<br />
Random Name Generator. ONGORHI. ONGORHI. (). ')' ) ) ' ')' ) )' )<br />
). '. ( (. Noemata Random Name Generator. RIOSBETAER.<br />
RIOSBETAER. ) ) ) ) ) ) ) ). ) ). ((. ( (. (. ) ) ) ). (( ((. Tshirt text<br />
EBACAZ. Noemata Random Name Generator. IDODAL. IDODAL.<br />
Fancy art gallery USCOLPARA. Noemata Random Name Generator.<br />
NIUMPHO. NIUMPHO. ). Impressive fake middle name VOXME.<br />
Noemata Random Name Generator. OMNITIV. OMNITIV. ( O ) ( M )<br />
( N ) ( I ) ( T ) ( I ) ( V ). Japanese toy craze MODOPTI. Noemata<br />
Random Name Generator. SPYPITOS. SPYPITOS. ' Y '. Art<br />
installation ERRIORKEE. Noemata Random Name Generator.<br />
THELTHEO. THELTHEO. ) ). ((. Dog name PARAVI. BYPH. BYPH.<br />
............... ................. ............... ..................... ....................<br />
................................. Computer ID TIMLOU. LENCVE. LENCVE.<br />
gggg ggggggg ggg ggggggg gggg ggg gg. ggggggg. d I dPYbdPYPYb<br />
YbdPYa P. dPYb. dP d' a YYb dP' d YYb d'. d' a Y. P YP' ' d' b d.<br />
YP'. baaaa I YP'. baaaa. dP I' I I. dP. aa d d ' d. dP P Y Y Y P Y. Ybdb<br />
Yba YYba YbdP. Yba. YP Y Y Y Y YP. Y. Goldfish name CONVA.<br />
TEATMETA. TEATMETA. ' '. Motherplanet in space flick LOKON.<br />
AMATEX. AMATEX. Dog name GOGOBEL. GANWE. GANWE. ) '.<br />
(. Impressive fake middle name NIZCARDIA. KEZSCO. KEZSCO. ) )<br />
). ( ) ( ) ( ) () ( ). ( ). ) ). ( () ) ( () (. (. Noemata Random Name<br />
Generator. IDOPILIX. IDOPILIX. Elbonian cousin name<br />
MUGGLYCO. Noemata Random Name Generator. NIZMO. NIZMO. (<br />
N ) ( I ) ( Z ) ( M ) ( O ). Abstract music composition REPCO. Noemata<br />
Random Name Generator. KEGORAL. KEGORAL. Goldfish name<br />
BYSTON. Noemata Random Name Generator. OSSPACI. OSSPACI.<br />
188
302<br />
Abstract music composition RPHOE. Noemata Random Name<br />
Generator. ZEMPAINEM. ZEMPAINEM. ..............................<br />
.......................................... .....................................<br />
................................................. .................................<br />
........................................................................... Meditation mantra<br />
YPACSES. Noemata Random Name Generator. TOMNEURO.<br />
TOMNEURO. ) ' ) ). ( ((. Elbonian cousin name WABOON. Noemata<br />
Random Name Generator. MODXEROO. MODXEROO. ggg gggggg<br />
gggggg gggggggggggg ggg gg. ggggggg ggggggggggg gggggg gggggg.<br />
dPYdPYPYb dPdPYb dPYb dPY dP'. dPYbdPY dPdPYb dPdPYb. Yb<br />
' ' d' Y bdPYb bYb b d d'. a YYb b d' Y bdPd' Y bdP. d' YbaaadP' b<br />
YP'. YP' P d' YbaaadP'd' YbaaadP'. P Y Y Y. baaaa aaaadP P Y P Y.<br />
b d d b. dP Yb b d b d. Y P P d b d. b Y P Y P. Y P' P' P' Y Y. i Y P' Y<br />
P'. Y YbdP' dP' d Yb. Yba Yb YbdP' YbdP'. Y YP' P P' Y. Y Y YP'<br />
YP'. Cyborg model EZZENLI. Noemata Random Name Generator.<br />
SOPERA. SOPERA. ..................... ............................. .....................<br />
............................... ......................... .................................................<br />
Artist name NANODER. Noemata Random Name Generator. BOONE.<br />
BOONE. ). Japanese toy craze CYLAO. Noemata Random Name<br />
Generator. TUNEXEEX. TUNEXEEX. .........................<br />
........................................ ......................................<br />
......................................... .............................<br />
................................................................. Art installation ABUM.<br />
Noemata Random Name Generator. TUNCA. TUNCA. Tattoo shop<br />
WINMETA. Noemata Random Name Generator. TOPBIER.<br />
TOPBIER. Fantasynovel goddess COOM. Noemata Random Name<br />
Generator. TEATBAOH. TEATBAOH. Dada movement REOBAB.<br />
Noemata Random Name Generator. CEMCYCLO. CEMCYCLO.<br />
Tattoo shop LEMSAET. Noemata Random Name Generator.<br />
ECLONALPHA. ECLONALPHA. ((L(()L). L. Nerd alias<br />
CHENOIRAH. Noemata Random Name Generator. METAFORC.<br />
METAFORC. M E T A F O R C. Polkaband ZANTHERMOE.<br />
Noemata Random Name Generator. CONLOGOEN. CONLOGOEN.<br />
189
Motherplanet in space flick ETUALCARDIA. Noemata Random Name<br />
Generator. XIDWHIEZ. XIDWHIEZ. Buzz word this year MATICE.<br />
Noemata Random Name Generator. ZARTEI. ZARTEI. DJ name<br />
DERA. Noemata Random Name Generator. NEOBASA. NEOBASA.<br />
Dada movement NORCO. Noemata Random Name Generator. DATA.<br />
DATA. e eeee e eeee. eee. Abstract music composition EMATICANA.<br />
Noemata Random Name Generator. WENTOA. WENTOA. . (.<br />
Message board spam name AMAGRE. Noemata Random Name<br />
Generator. PUSSPO. PUSSPO. Acid house combo NANOMODSES.<br />
Noemata Random Name Generator. GANZEAH. GANZEAH. ( ..<br />
Polkaband ZAMPAIN. Noemata Random Name Generator. SPONOM.<br />
SPONOM. Blackmetal band CUSEPI. Noemata Random Name<br />
Generator. CANGA. CANGA. ) ) ). () ( ( (. ) ) ) ). () ( ( ' ( (. Cat name<br />
MODMETA. Noemata Random Name Generator. NOMICSNEO.<br />
NOMICSNEO. ' '''''''. ''. '.... '. '... '.... .....'..... ' .. ... .. . . ..... . .... . . ' ..<br />
. . '. . . .. ................................................... Noemata Random Name<br />
Generator. CUSMULTIY. CUSMULTIY. Blackmetal band<br />
MIDIBELS. Noemata Random Name Generator. MAGSPI. MAGSPI.<br />
'. Cyborg model CORPZERO. Noemata Random Name Generator.<br />
GOSCERN. GOSCERN. Impressive fake middle name SHCO.<br />
Noemata Random Name Generator. CAZARER. CAZARER. DJ name<br />
ECCHO. Noemata Random Name Generator. MUSGE. MUSGE. U(((.<br />
'''. Roleplaying name BENEA. Noemata Random Name Generator.<br />
WAWEN. WAWEN. ggg gg gg ggg ggg gg gg ggggggg. ggg ggggggg.<br />
dPYa P dPI dPYa P. dPYbdPYPYb. Yb d' dP Yb d' d' a YYb. dP'. dP<br />
YP'. '. ' baaaa. d dP. d. Y P dP P Y Y P Y. YbdbdP YbdP b YbdbdP<br />
Yba. Y. YP Y Y. Y. DJ name STURMONO. Noemata Random Name<br />
Generator. AERODOMIN. AERODOMIN. Evil scifi character<br />
MOBONGER. Noemata Random Name Generator. DOMINGEYN.<br />
DOMINGEYN.<br />
190
303<br />
Cat name NOIREA. Noemata Random Name Generator. LOGCA.<br />
LOGCA. ) ) ) ) ) ). (( (( ((. Hotmail account name PIXPOS. Noemata<br />
Random Name Generator. GARMAGI. GARMAGI. Hotmail account<br />
name LOGOSCAP. Noemata Random Name Generator. POSINTOEZ.<br />
POSINTOEZ. P O S I N T O E Z. Noemata Random Name Generator.<br />
BINLI. BINLI. ''' ''. .... . .. .... .. .. ' . '. ............................. Pet name<br />
CEMGEE. Noemata Random Name Generator. LLOPTI. LLOPTI.<br />
NECROPTURA. Noemata Random Name Generator. ENELLDRY.<br />
ENELLDRY. )L )) )L )) )) )) )))). (( ((( (( (((((((( ((. Noemata Random<br />
Name Generator. NUALPRI. NUALPRI. DJ name VERSXE. Noemata<br />
Random Name Generator. MEBUMEL. MEBUMEL. ( M ) ( E ) ( B ) (<br />
U ) ( M ) ( E ) ( L ). Buzz word this year ERBONGJEA. Noemata<br />
Random Name Generator. DAPILAL. DAPILAL. '. Abstract music<br />
composition CONVEAH. Noemata Random Name Generator. AMIXE.<br />
AMIXE. Noemata Random Name Generator. NDONTAI. NDONTAI.<br />
Cool band name MONCYCLO. Noemata Random Name Generator.<br />
DICPARA. DICPARA. Polkaband LINKAO. Noemata Random Name<br />
Generator. ELOGTE. ELOGTE. International agent codename<br />
JEAGUS. Noemata Random Name Generator. BYNOS. BYNOS. ...<br />
Goldfish name NATOME. Noemata Random Name Generator.<br />
LATROTOE. LATROTOE. gggg ggg ggggggggggggggg ggggggggggg<br />
gggggg. ggggggggggggggg gggggg ggggggg. d I dPI dPdPY. dPdPYb<br />
dP dPdPYb dPYb. dP dP Yb Yb b d' Y. bdPYb d' Y bdP d' a Y. P dP P<br />
d'. YbaaadP' d' YbaaadP' YP'. ' aaaadP P. Y P Y baaaa. d Yb b. d b d<br />
dP. aa b Y. P Y P d. dP P dP P Y gg i Y. P' gg Y P' Y. Ybdb YbdP b<br />
YbP Yb. YbdP' YbP YbdP' Yba. YP Y YP Y YP' Y YP'. YP' YP' Y.<br />
Message board spam name CHROMNEOYN. Noemata Random Name<br />
Generator. DA. DA. Nerd alias MSCOIN. Noemata Random Name<br />
Generator. OPTIA. OPTIA. Fantasynovel goddess CHAXIDAX.<br />
Noemata Random Name Generator. HIZARON. HIZARON. ''''''''. .<br />
..... ' .... '..... '.. '.. .... .. .. .... . .. ' . . .. .................................... Impressive<br />
fake middle name POPNANOAN. Noemata Random Name Generator.<br />
GEPUNKY. GEPUNKY. '. .. Buzz word this year JEAPH. Noemata<br />
191
Random Name Generator. COFACEA. COFACEA. Software<br />
SEXSAU. Noemata Random Name Generator. BITOM. BITOM. ). ).<br />
DJ name ECIFQUO. Noemata Random Name Generator. ME. ME.<br />
Computer ID PHPATA. Noemata Random Name Generator. SBASA.<br />
SBASA. )) ))) ))) ). (( (()(( ( (( (( (. Scifi robot hero IDOPHEGE.<br />
Noemata Random Name Generator. ETBONGQUO. ETBONGQUO.<br />
d.....b d......b d....b. .d..b. d.bdb d...b .d..b. dbdb .d..b.. ..' ..' ...D ..PY..<br />
...o.. ..'Y.b ..PY.. .... ..PY... ..ooooo .. ..oooY' .... ..V.o.. .. .... .... ..... .. ..<br />
..b. .... ..V.o.. ..ooo .... .... ..... ... .. ...D .bd.' ..V... .... .Pd.' ..bd.. .bd.'.<br />
Y.....P YP Y....P' Y..P' VPV.P Y...P Y..'Y. Y....P' Y..P'. Hare krishna<br />
alias UNOYARA. Noemata Random Name Generator. LOWEBS.<br />
LOWEBS. ). (. Noemata Random Name Generator. CHROMWA.<br />
CHROMWA. ) ) ). ((. Trance artist RHINOMICUS. Noemata Random<br />
Name Generator. CUSO. CUSO. Noemata Random Name Generator.<br />
CARNU. CARNU. Message board spam name STERINFRA. Noemata<br />
Random Name Generator. PUSLA. PUSLA. ))) ))))) )) ). (( ((( (( (((( (.<br />
Mysterious alias NECRONED. Noemata Random Name Generator.<br />
VELNECROA. VELNECROA. Artist name SWARCOLA. Noemata<br />
Random Name Generator. CHLOPIL. CHLOPIL. ( C ) ( H ) ( L ) ( O )<br />
( P ) ( I ) ( L ).<br />
192
304<br />
DJ name NANOCONOS. Noemata Random Name Generator. CIFGE.<br />
CIFGE. '''''. '... . .....'... ...... .. ... '. ... .... . ' .. ........................... Acid<br />
house combo MANCERSEA. Noemata Random Name Generator.<br />
NANOTEAT. NANOTEAT. NN NN AAA NN NN OOOOO<br />
TTTTTTT EEEEEEE AAA TTTTTTT. NNN NN AAAAA NNN NN<br />
OO OO TTT EE AAAAA TTT. NN N NN AA AA NN N NN OO OO<br />
TTT EEEEE AA AA TTT. NN NNN AAAAAAA NN NNN OO OO<br />
TTT EE AAAAAAA TTT. NN NN AA AA NN NN OOOO TTT<br />
EEEEEEE AA AA TTT. Evil scifi character DOMINTRA. Noemata<br />
Random Name Generator. MERME. MERME. MM MM EEEEEEE<br />
RRRRRR MM MM EEEEEEE. MMM MMM EE RR RR MMM<br />
MMM EE. MM MM MM EEEEE RRRRRR MM MM MM EEEEE.<br />
MM MM EE RR RR MM MM EE. MM MM EEEEEEE RR RR MM<br />
MM EEEEEEE. Art installation SAVOCORE. Noemata Random Name<br />
Generator. VELDADAE. VELDADAE. V E L D A D A E. Polkaband<br />
OILOGAR. Noemata Random Name Generator. ELINSEA. ELINSEA.<br />
Cyborg model NOMPRIUS. Noemata Random Name Generator.<br />
EXESURF. EXESURF. ICQ nick ETTASWO. Noemata Random<br />
Name Generator. XIDWE. XIDWE. Acid house combo AMUSLO.<br />
Noemata Random Name Generator. PATHRETRO. PATHRETRO.<br />
Hotmail account name PATASOFTIX. Noemata Random Name<br />
Generator. ASPHERRETRO. ASPHERRETRO. Nerd alias<br />
LOOBAROS. Noemata Random Name Generator. SEXNEBULA.<br />
SEXNEBULA. Art installation SCONTH. Noemata Random Name<br />
Generator. PATHMAGIS. PATHMAGIS. ( P ) ( A ) ( T ) ( H ) ( M ) (<br />
A ) ( G ) ( I ) ( S ). ICQ nick THELANA. Noemata Random Name<br />
Generator. UNOCOL. UNOCOL. . .. . . . . .. . .. . . . . . . . . .. . .. . .. .. . ... .<br />
.. . .. .. . ... . .. . .. .. . ... . .. . . . . . . . .. . . . . . . .. Cool band name<br />
MAGIPOSTS. Noemata Random Name Generator. CITYE. CITYE.<br />
Noemata Random Name Generator. ERBACHA. ERBACHA. d.....b<br />
d....b. d....b. .d.b. .o..b. dbdb .d.b.. ..' ...D ...D d.'.b d.PY. .... d.'.b.<br />
..ooooo ..oobY' ..oooY' ..ooo.. .P ..ooo.. ..ooo... .. ...b ..b. .... .b .... .....<br />
... ..... ...D .... Y.bd. .... ..... Y.....P ..YD Y....P' YPYP Y..P' YPYP<br />
193
YPYP. Buzz word this year POLMIDI. Noemata Random Name<br />
Generator. HENOIDS. HENOIDS. H E N O I D S. Meditation mantra<br />
ZUMEXEAZ. Noemata Random Name Generator. LONGO. LONGO.<br />
Artist name SAROOTON. Noemata Random Name Generator.<br />
VIOBONGA. VIOBONGA. Cat name KEMEL. Noemata Random<br />
Name Generator. GANER. GANER. Trance artist DATANIUMAL.<br />
Noemata Random Name Generator. OMBENTAI. OMBENTAI. Hare<br />
krishna alias XYSUN. Noemata Random Name Generator.<br />
SEANISYN. SEANISYN. eeeee eeee eeee e e eeeee eeee e. e e. eee eee<br />
eee. Goldfish name INGANTE. Noemata Random Name Generator.<br />
ABONGNITRO. ABONGNITRO. ) ) ) ) ) ). ) ) ) ). (. (. ) ). (( ((. ((.<br />
Mysterious alias EPIFLEX. Noemata Random Name Generator.<br />
MICROCARO. MICROCARO. ''''''''''. '. '... .... '.... '... ' ..... '..... ' ..<br />
..'.. '.. . .. ... . . .... .. '. . . . .. .. ............................................... International<br />
agent codename CELLSEA. Noemata Random Name Generator.<br />
TEPOST. TEPOST. T E P O S T. Hxr nick TECITY. Noemata Random<br />
Name Generator. ZAPIS. ZAPIS. ' ) ))) )))). (( (( ( (( (( ((. ICQ nick<br />
VIEBORY. Noemata Random Name Generator. NANOLENCE.<br />
NANOLENCE. N A N O L E N C E. ICQ nick CANECHO. Noemata<br />
Random Name Generator. NIONKEY. NIONKEY. . .... ). Pet name<br />
MUGOXYER. Noemata Random Name Generator. CANDRU.<br />
CANDRU. Noemata Random Name Generator. PRIZE. PRIZE.<br />
Noemata Random Name Generator. OPTIGANA. OPTIGANA. O P T I<br />
G A N A. Polkaband OHSYNCUNO. Noemata Random Name<br />
Generator. SUMSPI. SUMSPI. '. Japanese toy craze SOFTPI. Noemata<br />
Random Name Generator. RUPTOMNISES. RUPTOMNISES. ) ) ((. )).<br />
194
305<br />
Roleplaying name PILEL. Noemata Random Name Generator. BEO.<br />
BEO. Netart project NOMGOE. Noemata Random Name Generator.<br />
ESIN. ESIN. ) ). ( ) ( (. ). ) ). () ( ( ( '. Hotmail account name BARPEA.<br />
Noemata Random Name Generator. SUNELL. SUNELL. Cool band<br />
name MORSA. Noemata Random Name Generator. ECHOROSO.<br />
ECHOROSO. Impressive fake middle name SNEGDECI. Noemata<br />
Random Name Generator. AMRACKWA. AMRACKWA. Software<br />
LUSGOGO. Noemata Random Name Generator. BUMICE. BUMICE.<br />
) ) '. ). ( (. Noemata Random Name Generator. WAVEAA. WAVEAA.<br />
........................ ............................ ................... .........................<br />
.......................... .................................................. Meditation mantra<br />
EZEN. Noemata Random Name Generator. ESNEGZA. ESNEGZA.<br />
Roleplaying name PSEUPOP. Noemata Random Name Generator.<br />
THELPOEGE. THELPOEGE. d......b dbdb d.....b db d....b. .d..b. d.....b<br />
d...b d.....b. ..' .... ..' .. ...D ..PY.. ..' ..'Y.b ..'. .. ..ooo.. ..ooooo .. ..oodD'<br />
.... ..ooooo .. ..ooooo. .. .... .. .. .. .... .. ..ooo ... .. .... ... ..booo. .. .bd.' ...<br />
.... .... YP YPYP Y.....P Y.....P .. Y..P' Y.....P Y...P Y.....P. Scifi robot<br />
hero NKMETA. Noemata Random Name Generator. SHCHROMO.<br />
SHCHROMO. ( ( (. Cat name SRONMAGI. Noemata Random Name<br />
Generator. EXSINNECRO. EXSINNECRO. ggggggg ggg gg gg aa ggg<br />
ggggggg. ggg ggggggg ggggggg gggg ggggggggggg gggggg. dPYbdPY<br />
dP' ii dPYPYb. dPYPYb dPYb YbdPY dPdPYb. d' a YYb b d ' d bYb<br />
dP' Yb. dP' d' a Y d YYb b d' Y bdP. YP' YP' ' '. ' YP' d' b d P d'<br />
YbaaadP'. baaaa Y dP. baaaa I YP' aaaadP P Y. dP b dP' a Y P. dP I'<br />
Yb b d. d d b dP' Yb '. d d b Y P. Y P' Y dP' I. Y Y i Y P'. Yba d Yb<br />
dPb db Y. YYba Yba Yb YbdP'. Y P' YaPYP YP Y Y. Y Y Y Y YP'.<br />
ONTHROPICURI. Noemata Random Name Generator. MIXBI.<br />
MIXBI. ggg gggggg aa ggg gg ggggggggggg aa. dPYdPYPYb dPY dP'<br />
dPY. Yb ' ' d bYb b d Yb b d b. YP' P. Y aaaadP. Y P b Yba Y P. ' d b<br />
b '. P' Y P. Yb db d Yb d'b db. Y YP Y P' Y P YP Y. Software<br />
COTUNAZ. Noemata Random Name Generator. LYZPRI. LYZPRI.<br />
ooooooooooooooooooooooooooooooo. oooooooooooooooooo.<br />
oooooooooooooooooo. oooooooooooooooooooo. oooooooooooooo.<br />
195
oooooooooooooooooooooooooo. Scifi robot hero XEDIC. Noemata<br />
Random Name Generator. ANPHONPO. ANPHONPO. Art installation<br />
CANEXTRA. Noemata Random Name Generator. UN. UN. ))) )). (((<br />
(((. Buzz word this year GYROVOXER. Noemata Random Name<br />
Generator. GOGOCITYY. GOGOCITYY. Polkaband EWONOA.<br />
Noemata Random Name Generator. SPHERAMA. SPHERAMA. ICQ<br />
nick CORGRI. Noemata Random Name Generator. ESCAPTHE.<br />
ESCAPTHE. d.....b .d..... .o..b. .d.b. d....b. d......b dbdb d.....b. ..' ..'YP<br />
d.PY. d.'.b ...D ..' .... ..'. ..ooooo .bo. .P ..ooo.. ..oodD' .. ..ooo.. ..ooooo.<br />
.. Y.b. .b .... .. .. .... ... ... db.D Y.bd. .... .. .. .... .... Y.....P ....Y' Y..P'<br />
YPYP .. YP YPYP Y.....P. Netart project GRUSE. Noemata Random<br />
Name Generator. FEDEROOTAM. FEDEROOTAM. ' ' ) ' ) ) ). ((.<br />
Acid house combo METRONDONA. Noemata Random Name<br />
Generator. THERMODENT. THERMODENT. ................................<br />
............................................... .........................................<br />
.................................................. .........................................<br />
.................................................................................. Mysterious alias<br />
SINE. Noemata Random Name Generator. CLONPLEXIAX.<br />
CLONPLEXIAX. Dada movement VELULTRA. Noemata Random<br />
Name Generator. RIOSXEE. RIOSXEE. d....b. d......b .d..b. .d..... dbdb<br />
d.....b d.....b. ...D ..' ..PY.. ..'YP .bd.' ..' ..'. ..oobY' .. .... .bo. .bd.'<br />
..ooooo ..ooooo. ...b .. .... Y.b. .dPYb. .. ... ..... .... .bd.' db.D ..PY.. ... ....<br />
..YD Y......P Y..P' ....Y' YPYP Y.....P Y.....P. International agent<br />
codename QUOMACE. Noemata Random Name Generator. BOONPE.<br />
BOONPE. '''' ''. .... '.... '.... .... ...... .... . ..... .... .. . . ..<br />
..................................... ANNUALE. Noemata Random Name<br />
Generator. KENWAS. KENWAS. Meditation mantra UNREDENA.<br />
Noemata Random Name Generator. NEONUALE. NEONUALE. Cat<br />
name CONO. Noemata Random Name Generator. LOGO. LOGO.<br />
Polkaband ERZMETRO. Noemata Random Name Generator.<br />
SSENTTE. SSENTTE. Mysterious alias ALXPOSSI. Noemata<br />
Random Name Generator. EMATZE. EMATZE. Pet name THCO.<br />
Noemata Random Name Generator. COMWE. COMWE. ( C ) ( O ) (<br />
M ) ( W ) ( E ). Noemata Random Name Generator. LLDAEL.<br />
LLDAEL. ). ) ) ( ) ( ). ( ( ) (. ). )<br />
196
306<br />
( ( ( ( () (. ) ) ). Netart project AKEZEPI. Noemata Random Name<br />
Generator. HIDIUMEM. HIDIUMEM. Motherplanet in space flick<br />
FEEPOSO. Noemata Random Name Generator. TOMMOS.<br />
TOMMOS. ggggggggggggggg gggggg ggg gggggg ggg gggggg.<br />
gggggg gg. dP dPdPYb dPYdPYPYb dPYdPYPYb. dPdPYb ii. Yb d'<br />
Y bdPYb ' ' Yb ' ' d'. Y bdP '. d' YbaaadP' d'. YbaaadP' '. P Y P. Y<br />
dP. b d b. d dP' a. Y P Y. P dP' Yb. gg Y P' Y. P' dP' I. YbP YbdP' Y<br />
Y. YbdP' dP. YP' YP' Y Y. YP' aPYP. Fancy art gallery YREPXERO.<br />
Noemata Random Name Generator. EMICWE. EMICWE.<br />
oooooooooooooooooooooooooooooooooo.<br />
oooooooooooooooooooooooo. oooooooooooooooooooooooooo.<br />
ooooooooooooooooooooooo. oooooooooooooooooooooo.<br />
oooooooooooooooooooooooooooooo. DENOPTI. Noemata Random<br />
Name Generator. ESCERNSPY. ESCERNSPY. d.....b .d..... .o..b. d.....b<br />
d....b. d.bdb .d..... d....b. dbdb. ..' ..'YP d.PY. ..' ...D ...o.. ..'YP ...D<br />
.bd.'. ..ooooo .bo. .P ..ooooo ..oobY' ..V.o.. .bo. ..oodD' .bd.'. .. Y.b. .b<br />
.. ...b ..V.o.. Y.b. .. ... ... db.D Y.bd. ... ..... ..V... db.D .. ... Y.....P ....Y'<br />
Y..P' Y.....P ..YD VPV.P ....Y' .. YP. Trance artist EALENCYOU.<br />
Noemata Random Name Generator. SEMAC. SEMAC. )) )L )) ) )). ((<br />
(( (((( (( ( ((. Polkaband MAGIBEAMAN. Noemata Random Name<br />
Generator. MUSOMNI. MUSOMNI. .. Y Y. Roleplaying name<br />
PSEUNCA. Noemata Random Name Generator. GANDIE. GANDIE.<br />
DJ name AHBASLOO. Noemata Random Name Generator. WARCE.<br />
WARCE. WW WW AAA RRRRRR CCCCC EEEEEEE. WW WW<br />
AAAAA RR RR CC C EE. WW W WW AA AA RRRRRR CC<br />
EEEEE. WW WW AA AA RR RR CCCCC EEEEEEE. BELLO.<br />
Noemata Random Name Generator. RUTHNANOI. RUTHNANOI. ) ).<br />
((. Hxr nick EAWARHE. Noemata Random Name Generator.<br />
APHROM. APHROM. ''''''''. ' .... .... '.... '. '. '. '.. ..... .... .. .. .... . .. . ..<br />
.......................... Netart project ERDOMINPROTO. Noemata Random<br />
Name Generator. BARDATAYN. BARDATAYN. ) )' ) ) ) ) )' ) ' ) ). '.<br />
( ( ( ( ( (. (. Japanese toy craze ERZYMNANO. Noemata Random<br />
Name Generator. KITEAL. KITEAL. ) ) ). ( ) ( ( ( ). ( ) (. ) ) ). ( ( ( () (<br />
197
(. ). Cyborg model BANARE. Noemata Random Name Generator.<br />
MASNEUROE. MASNEUROE. MM MM AAA SSSSS NN NN<br />
EEEEEEE UU UU RRRRRR OOOOO EEEEEEE. MMM MMM<br />
AAAAA SS NNN NN EE UU UU RR RR OO OO EE. MM MM MM<br />
AA AA SSSSS NN N NN EEEEE UU UU RRRRRR OO OO EEEEE.<br />
MM MM AAAAAAA SS NN NNN EE UU UU RR RR OO OO EE.<br />
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........................................... .....................................<br />
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Name Generator. PTURSO. PTURSO. ..................... .............................<br />
198
......................... ............................... .............................<br />
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Impressive fake middle name NARS. Noemata Random Name<br />
Generator. EMUSSI. EMUSSI. httpwww.google.comsearchqEMUSSI<br />
199
307<br />
200
308<br />
Blackmetal band EBEAMPRE. Noemata Random Name Generator.<br />
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201
Trance artist LONTE. Noemata Random Name Generator.<br />
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EGEBACZA. ). ). Roleplaying name VIEGONET. Noemata Random<br />
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ooooooooooooooooooooooooooooooo.<br />
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CEMINOM. CEMINOM. . .. ... . . . .. . .. . . ... . . . . . . .. . . . . . ... . .. .. . .<br />
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GAPATH. GAPATH.<br />
202
309<br />
Netart project NIZMAGIER. Noemata Random Name Generator.<br />
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d' YbaaadP'YP. dP ' P Y. dP' a d I I b d d'. dP' Yb ' Y P d'. dP' IdP P<br />
Y Y P Y P' dba. dPYbdP b YbdP YbdP'. Yb. aPYP YP Y YP YP'. d.<br />
P. d'. d'. d'. Y. P. YP. Blackmetal band MUSBA. Noemata Random<br />
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dPYb. ' Yb dP ' Yb. Yb b d' Y bdP dP a b. ' dP '. P d' YbaaadP' dP<br />
203
YP. dP ' dP. aaaadP P Y '. dP' a d dP' a. Yb b d d d'. dP' Yb dP' Yb. b<br />
Y P d'. dP' I gg dP P Y dP' I gg. i Y P' dP P Y dba. dP YbP YbdP bdP<br />
YbP. Yb YbdP' YbdP b Yb. aPYP YP' YP YaPYP YP'. Y YP' YP Y<br />
d. P. d'. d'. d'. Y P. YP. Mysterious alias ESCONU. Noemata Random<br />
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BABNE. ) ). .. Artist name CIDXY. Noemata Random Name<br />
Generator. YARPA. YARPA. Hxr nick WEMENEGE. Noemata<br />
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ooooooooooooooooooooooooooooooo. oooooooooooooooooooooooo.<br />
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gggg. dPY dPI ii dPI ii. dPYbdPY dP' dPYb d I. Yb b dP ' dP '. d' a<br />
YYb b d d' a Y dP. P dP Yaaad dP '. YP' YP' YP' P. aaaadP ' dY ' dP.<br />
baaaa Y baaaa. Yb d P b d dP' a. dP b dP. b dP Y dP'. Ybd d b d aa. i<br />
dP P Y dP' IdP P Y dP'. IY P' Y Y dP P. YbYbdP bdPYbdP. bdPYba d<br />
Yb Yba Ybdb. Y YP YaPYP YP YaPYP. Y P' Y Y YP Y. Hxr nick<br />
ESCIFKA. Noemata Random Name Generator. AZBASLOO.<br />
AZBASLOO.<br />
204
310<br />
Art installation AGECHROMAERO. Noemata Random Name<br />
Generator. Slektstre. Slektstre. Ann Elesøpite. Bsorn Jenne. Anyto. Knet<br />
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Besso i Nos Ål. Ghnfer Eiraggtitter Flhden. Eerhs Assrensan Fletam.<br />
Ascram Ehrosgen Saecsort Flutyn. Eirus Aszrinsen Sera <strong>Re</strong>e Østru Agur<br />
ver. Bhrghd Genmurdottar Øfre Asar par. Genbar Olcditthr Nertra Fasc.<br />
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Morasledte Sbartiferj (forset ver dhttar tal. ssilelirar Oly Sopitson<br />
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<strong>Re</strong>ymton (c. ). Ola Sfeenson Nartre Rayntim (s. ). Sfeon Kmhtgen dæ.<br />
Nhrtru Ryandhn. Knod Lifordsen Sirø Mitays Netre Rionton (c. ).<br />
<strong>Re</strong>msta Sfaengtettar Sencta Kyebams. Birzot Olctattir Thmsin. Gra<br />
Olkdottur Nirtro Hallamg Ål. Ole Olsen Nirtro Hillhns Ål. Gri Nalctetdar<br />
Halde. Borsod Sshgortsdetthr Teasacthcin. Birsoyld Hillinccthd. Arna<br />
Hhllenggthd. Tera Kolbcerncsart Vads. <strong>Re</strong>moval of the hand. The<br />
<strong>Re</strong>moval of the hand as a mythological symptom consistent. with<br />
fetishistic disavowal can only be a pretext for 'release' per se. says. Mr.<br />
Tanizaki disavowedly.. Palafax Solipsigossa. .ltb.gt. .ltb.gt....ltb.gt.<br />
randomART Tommy is .ltb.gt....ltb.gt. .) (.'. .) ('.. Seven elements of<br />
beauty. Seven elements of beauty. . Asymetry breaking away from<br />
205
formed perfection.. . Nonattachment openmindedness. . Naturalness<br />
artless without pretense. . Simplicity. . Limitless silence inwardlooking<br />
mind. . Wizened austerity like an old tree. . Profound subtlety. pieces.<br />
May there be peace in heaven.. May there be peace in the sky.. May<br />
there be peace on earth.. May there be peace in the water.. May there be<br />
peace in the plants.. May there be peace in the trees.. May there be<br />
peace in the Gods.. May there be peace in Brahman.. May there be<br />
peace in all.. Peace peace peace.. Hindu. a state of tranquillity or quiet<br />
as a freedom from civil disturbance b. a state of security or order within<br />
a community provided for by law or custom breach of the peace.<br />
freedom from disquieting or oppressive thoughts or emotions. harmony<br />
in personal relations. a a state or period of mutual concord between<br />
governments b a pact or. agreement to end hostilities between those<br />
who have been at war or in a state. of. enmity. used interjectionally to<br />
ask for silence or calm or as a greeting or. farewell. at peace in a state<br />
of concord or tranquillity. Cherish in your hearts boundless goodwill to<br />
all that lives.. Learn to make the whole world your own. No one is a<br />
stranger my child the. whole world is your own.. det profane er høyere<br />
enn det sakrale. sakrale som et fokuspunkt. . The obstacles in the way<br />
of him who desires to attain concentration are. Sickness Languor Doubt<br />
Carelessness Laziness Addiction to objects of. sense. Erroneous<br />
Perception Failure to attain any stage of abstraction and. Instability in<br />
any stage when attained.. . These obstacles are accompanied by grief<br />
distress trembling and sighing.. . FOR THE PREVENTION OF THESE<br />
ONE TRUTH SHOULD BE DWELT UPON.. Any accepted truth<br />
which one approves is here meant.. . Through the practising of<br />
Benevolence Tenderness Complacency and. Disregard for objects of<br />
happiness grief virtue and vice the mind becomes. purified.. The chief<br />
occasions for distraction of the mind are Covetousness and Aversion.<br />
and what the aphorism means is not that virtue and vice should be<br />
viewed with. indifference by the student but that he should not fix his<br />
mind with pleasure. upon happiness or virtue nor with aversion upon<br />
grief or vice in others but. should regard all with an equal mind and the<br />
practice of Benevolence. Tenderness and Complacency brings about<br />
cheerfulness of the mind which tends. strength and steadiness..<br />
patanjali. recollect the antecedent. . To recollect that which is most<br />
antecedent to the in breath and out breath. means that you must tune<br />
into that which is prior to the entire breathing cycle. itself. Just as the<br />
hand which lifts a staff is not part of the staff likewise. the antecedent<br />
recollection is not a part of your breathing. As a practical. illustration<br />
206
you must recollect the antecedent as you breathe in and breathe. out. If<br />
the breathing is long or short labored or otherwise you must focus on.<br />
the antecedent so that breathing follows after it. When you breathe for.<br />
example your normal belief is I am breathing. It never dawns on you to.<br />
retract your attention and look in the opposite direction so as to rise<br />
above. breathing. Not surprisingly this is not an easy task (owing to<br />
force of. habit. all of us still attend to conditions which are always<br />
posterior).. seung sahn. You think that the kongan is separate from your<br />
life and from your job. This. kongan don'tknow mind clear mind your<br />
job your life everything hit. become one. Just now what are you doing.<br />
You asked me what am I I say to you you already understand. Look at<br />
the. ground. What do you see What do you hear now You must open<br />
your eyes and. ears.. Also you must attain your true self. Then you will<br />
not have to ask about me.. Zen is not difficult also not special. If you<br />
want special you have special.. But this special cannot help you. When<br />
you are eating just eat when you are. walking just walk when you drive<br />
just drive. That is Zen. There are many. kinds of Zen eating Zen<br />
working Zen television Zen driving Zen playing. tennis Zen. Sitting<br />
Zen is one part. Most important is moment to moment how. do. you<br />
keep clear mind So Nam Cheon Zen Master was asked What is Zen.<br />
Everyday. mind is Zen mind. So don't make special don't hold<br />
something don't be. attached to something don't make something then<br />
you are already complete.. That's primary point I told him. You found<br />
it. You studied philosophy but. you couldn't attain this nothing. Just<br />
now you attained nothing. But if you. hold nothing then you will have a<br />
problem.. What do you mean by 'holding nothing.... It's very sad if you<br />
are holding nothing. All your lingering attachments will. press on you.<br />
If you are not attached to nothing you will attain nothing and. there is<br />
no life or death. If you are nothing then life and death are nothing.. You<br />
are already beyond them.. Oh that's wonderful he said. I didn't<br />
understand that until now.. It was an interesting conversation. He was<br />
old rich and very wellknown but. he said he had gotten nothing. As you<br />
get old this nothing gets bigger. Before. you come into this world there<br />
is nothing. When you are young you don't. understand nothing just the<br />
words. But by the time you are forty or fifty. and. a good friend has<br />
died or your mother and father have died then you have. experienced<br />
nothing. You have tasted nothing. If you practice hard the taste. is. very<br />
strong and you are free to help other people. But if you are holding.<br />
something in your mind you can't taste nothing. If you want freedom<br />
you. must. taste nothing very intensely. What is the taste of nothing.<br />
207
cayce the Sanskrit word for action is karma. the Sanskrit word for<br />
action is karma. when there are rebellions of body or mind against such<br />
is there any wonder. that. the atoms of the body cause high blood<br />
pressure or cause itching or cause. running sores or cause a rash or<br />
cause indigestion. For all of these are. but the rebellion of truth and<br />
light.. . As has been given there are DEFINITE conditions that arise<br />
from. within the inner man when an individual enters into true or deep<br />
meditation. A. physical condition happens a physical activity takes<br />
place Acting through. what Through that man has chosen to call the<br />
imaginative or the impulsive and. the sources of impulse are aroused by<br />
the shutting out of thought pertaining to. activities or attributes of the<br />
carnal forces of man. That is true whether we. are considering it from<br />
the group standpoint or the individual. Then changes. naturally take<br />
place when there is the arousing of that stimuli WITHIN the. individual<br />
that has within it the seat of the soul's dwelling within the. individual<br />
body of the entity or man and then this partakes of the. individuality<br />
rather than the personality.. . If there has been set the mark (mark<br />
meaning here the image that is raised. by the individual in its<br />
imaginative and impulse force) such that it takes the. form of the ideal<br />
the individual is holding as its standard to be raised to. within the<br />
individual as well as to all forces and powers that are magnified or. be<br />
magnified in the world from without THEN the individual (or the<br />
image). bears the mark of the Lamb or the Christ or the Holy One or the<br />
Son or any. of the names we may have given to that which ENABLES<br />
the individual to enter. THROUGH IT into the very presence of that<br />
which is the creative force from. within itself see. . Some have so<br />
overshadowed themselves by abuses of the mental attributes of. the<br />
body as to make scars rather than the mark so that only an imperfect.<br />
image. may be raised within themselves that may rise no higher than<br />
the arousing of. the. carnal desires within the individual body. We are<br />
speaking individually of. course we haven't raised it to where it may be<br />
disseminated for remember it. rises from the glands known in the body<br />
as the lyden or to the lyden Leydig. and through the reproductive forces<br />
themselves which are the very essence of. Life itself within an<br />
individual see for these functionings never reach that. position or place<br />
that they do not continue to secrete that which makes for. virility to an<br />
individual physical body. Now we are speaking of conditions from.<br />
without and from within. . The spirit and the soul is within its<br />
encasement or its temple within the. body of the individual see With the<br />
arousing then of this image it rises. along that which is known as the<br />
208
Appian Way or the pineal center to the base. of the BRAIN that it may<br />
be disseminated to those centers that give activity. to. the whole of the<br />
mental and physical being. It rises then to the hidden eye in. the center<br />
of the brain system or is felt in the forefront of the head or in. the place<br />
just above the real face or bridge of nose see. . FIND that which is to<br />
YOURSELF the more certain way to your consciousness. of.<br />
PURIFYING body and mind before ye attempt to enter into the<br />
meditation as to. raise the image of that through which ye are seeking to<br />
know the will or the. activity of the Creative Forces for ye are<br />
RAISING in meditation actual. CREATION taking place within the<br />
inner self. snailmail jupitterlarsen. snailmail g.x. jupitterlarsen. for<br />
myself eye enjoy playing with terms as toys nothing more. too many.<br />
people. take ideas (or the terms of ideas) too linearly.. eye think that a<br />
person's disapproval of somehting is no reason not to like. it.. if a man<br />
believes in something it does not necessarily mean that he accept it. as<br />
something which is essential nor should he.. in fact a man exhibits a<br />
real understanding of the workings of reality when. in. a single action<br />
(without meaning to deceive) he deliberately says one thing. and. does<br />
something else altogether different.. it is the multidimensionality of all<br />
of this which shows us that using the. same. process of making rational<br />
conclusions will not always work for all events. and. actions.. eye am<br />
not from anywhere really. my father was from norway however. g.x.<br />
jupitterlarsen. NOT HERE. and we. and we. are fundamentally inclined<br />
to maintain that the falsest opinions. (to which the synthetic judgments<br />
a priori belong) are the most. indispensable to us ..without a constant.<br />
counterfeiting of the world by means of numbers we could not. live.<br />
FLREADLINES.LINES.LINES.RIOURARASPECIAL.<br />
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AVESSAUSBURTISNTEWRNSPR.<br />
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VANTRVENTICINQUEPREDIO.<br />
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IWILLBREATHEOUTYOUWILLFILLTHEORQYcJVZMhwYIGINT<br />
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SUEREMAMANQURATROBJENDJBNFSOGYrqmTrVdDABRVER<br />
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MOSPHERETHEWORLDISMOONMYWORDSHUJvTaCifPbgDDLE<br />
209
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TNTHHRINTDINEMIOURITMONVORQvOObuoWJZdCsMORODO<br />
MMRUVEUNHWRNSWATAGEIMOS.<br />
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SNSETESETICISSSETRTID.<br />
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LYSANGAPLEMALIZODIGUCES.<br />
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TBSTEMANERISTHIERICHNCIE.<br />
MOFCODIORIODHRORSMPXPSTYASHWODIswQRrHiFxsysONNI<br />
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IVACTSTENTANGRESSWISAINCORTUBOOTsnwdzTKiMSENCA<br />
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210
IOUTISSESCOL.<br />
IZOTSULHTHEFAROUTASERWHERMODESUCANQUNHAKFOO<br />
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LULECIADESCUTHSCALOUTRUESUCHISEMACISARTEFALDIO<br />
NEMOLISSEMOUC.<br />
KHOWSFENADEPRSHDAVOWODINGMAKILCGYCOCHILCGM<br />
ERENIONVOFRETIOUL.<br />
ICURSADICYEXTIWILLBREATHEOUTYOUWILLBREATHEOUT<br />
YOUWILLFILLTHEO.<br />
RIGINTHEYHAVENOMEMORYICADORTRTHETSYNSMTUNDA<br />
NALALPRINDHITENON.<br />
ZISPHICATOENZODESHITHHRINCULHTITRISTRRTERMEFLTS<br />
ANTMTIOSTIPA.<br />
LTHEFLERAROOUNCAGMTIPONEMOWSFEATANALPAISAME<br />
LESNOSYMULYRIVERE.<br />
NTROTHCRAGEESICHFRPSFNVECRITORINISMOVEUNELLTIO<br />
ULTTISEDJEMEE.<br />
RHENRPOPTSAREISNOGME)NNDOLUCROMOOS(ODIDEHYME<br />
SITADIDYCORA.<br />
IONDUENESSTNAIDRAURIPRINCIGYNDANYAUSURWONRME<br />
SANAIENRNTINCI.<br />
EMRUVOTOENWNNPIQULERTHTOENHIDIRPORUCAGIDILEN<br />
USUSBRAITIGURCA).<br />
HS(XKSHISDIFESEFPOSLIAITISSAINASDITAKHITINTCIONVOF<br />
OARHINEM.<br />
ESSOOOT(VEWTHICHISTSRSSMESWIRWABSEMODEANDFRE<br />
NUSUCHASISDIOD.<br />
ATPRAUTCELENDIRIE)NNANRARDLLICEERIOASSTRXTNTRR<br />
EAVEUNI.<br />
PMALYMULTEGINTHNTIONNIRTCFPLEXPOLELENTINSSMEA<br />
STSRORITITTXPT.<br />
IPFEROICHIDICUICOPHHJJHJNTDHPPHBBHMYLVSHSBINCTIN<br />
THENIGMIFO.<br />
RDMMNPSSMUVEUNDIONNIGEIMAMESYNYATRIWILLBREAT<br />
HEOUTYOUWILLFILL.<br />
THEORIGINTHEYHAVENOMEMORYICAVESPTICORIORHITFO<br />
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LTREMMRUEROGNSARICIONNINTHRENEMURSSTMEFI)KSBN<br />
FPODRANJEANCRA.<br />
TPOWTHAUIZAGIS(VOTHRTIBVECUCALS)DESOFTWECTRAD<br />
211
ASIQUESISTENT.<br />
HSCKIDECORANNHFRPSFNVOODRFRDRSMULEMENCIOSSNS<br />
TYATANERHENGAP.<br />
FHNNZORIPPALDIVORANERTBRANCAGNSSICIRENTAGEIML<br />
ORORIESPERAG.<br />
MALIESCHIOOTDIWILLFILLTHEADMOSPHERETHEWORLDIS<br />
MOONMYWORDSHUDD.<br />
LEATTHEORIGINTHEYHAVENOMEMORYICANERALDIAISASS<br />
WITHSBINORLIDOL.<br />
ESNATDLESEMESMFRUANSMICLEWITPLIDIFPALIENTCICTNI<br />
NDYOAPPOLPSTA.<br />
PFRIOOULIQUNIFPONNGMARTISAUNTUTCODSCROIRCANET<br />
NESERTHTIORFEA.<br />
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RORISDICALINTTICHOREXPPONJEERCHILORSMPXPSTITURT<br />
NWNNPIITHN.<br />
ESMEMALERORTHHHL(FOURFRRESCENLOOSANAAGMESUR<br />
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ENITRXTIZON.<br />
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TRESTNSSITALOIENIQUELESEMORUTCICHFRPSFNVAVECAIE<br />
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STIGEIMORWARSMULOBRNTITTXCTSUSIXPANTHRENAGYO<br />
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LLFILLTHEORIG.<br />
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NSTUTICRSINEMEPLO.<br />
MMRSSALONOALELIFRITXINYOVONUSYMEMOLEMONTTAD<br />
TTINSITYNOUCLEMLL.<br />
ALICHNTTIVERIVANCIWILLBREATHEINIWILLFILLTHEORIGI<br />
NTHEYHAVENOM.<br />
EMORYICAGINDRETITRESCANTINITEACHEMIRSBOUGRLPAT<br />
212
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RAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRAPFRA<br />
PFRAPFRAPRRTI.<br />
CELADICTEGINIONLONINIDICUCISEMANISEATHHROUREEMI<br />
ONNIRACRONTTR.<br />
NCONECIFFTDELECHERUNOLTIOMEFERINDWHOREECTOPO<br />
ONMMRSESOFHNNE.<br />
YDMPPLALAFRANCEROMANE.FRANCEROMANE.LEAYUDAA<br />
NCELECRIDRWIPLOT.<br />
SYNSHIQUTECANTIESYSALIVAUABSIITHGGHCHCHPTESIEVE<br />
QUTERONUTCO.<br />
FCONCHYNESHERERMOGUSELLKNS(ONERANINDREROMAN<br />
E.LESITEYOUAREHER.<br />
ESUPPLYTIMESFORTHEHISTORYTIMELINE.<br />
UEOFTHEFOUNDINGOFGARDENINGARPNCTSUJEXQUOTSFD.<br />
CSFDE. i don't remember having written this not sure what it is...<br />
phaneronoemikon solipsis blog. Person shelf sentence continuing. Q<br />
Who reads Person shelf sentence continuing. A Pure Irration.. Q Is<br />
213
eading done in eyeball. A All reason contains irreasonal assumption..<br />
Q Why does Person shelf sentence continue. A Pure ration of radiance..<br />
Q What is contained in one ration of radiance. A Pure Irration.. Q Are<br />
you in favor of constructing networks of belief. A They are<br />
constructing me. Why not construct them. Q Can you explain. A I have<br />
swallowed a redhot iron ball. which has cauterized my throat into a<br />
starform.. Q Who reads Person shelf sentence continuing. A A Pure<br />
Ration of the AllSelf incausing Irration for S.O.A.. A Person shelf<br />
sentence continuing. Q FINAL.. Wednesday March. CAMBODIAN<br />
MAN CUTS OFF PENIS TO FEED SPIRITS. Mon Mar AM ET.<br />
PHNOM PENH (<strong>Re</strong>uters) A Cambodian man cut off his penis when he<br />
said he was. visited by four hungry spirits in a dream and he had no<br />
chicken or duck to. offer them.. According to police yearold Soun Ney<br />
told the spirits to go away when. they first appeared to ask for food and<br />
waved his penis at them in defiance.. 'Devils I don't have any chicken<br />
or duck for you' he was quoted as saying by. local police chief Phoeung<br />
Vat. 'If you want to eat anything you can eat my. penis.'. Soun Ney<br />
said the spirits agreed to eat his penis. He was rushed to a hospital. near<br />
the capital Phnom Penh after he castrated himself with a butcher's<br />
knife.. 'He is lucky to be alive' Phoeung Vat told <strong>Re</strong>uters.. Villagers in<br />
the deeply impoverished southeast Asian traditionally offer. chicken<br />
duck or cake to the spirits of the dead to ward off bad luck.. found via<br />
Mark Lamoureux's. posted by Lanny PM. Sarandipities Trobard<br />
ClusTermed. LunaLangLungLonging. What Breaks Though The<br />
Drama. Of All That Tiny Inscriptus. Crowbar Plus. Ultra. My Kind.<br />
Trobar Plus. The Albino Cyclopean Unicorn Gorilla. With Diaper<br />
D'oro. Filled With The <strong>Re</strong>d Tincture. Malbion Boonlight. It Doesn't<br />
Matter How You Arrange. The Words. But How You Make Dolphin.<br />
Among The People. This Language Is Paramount. And Must Be<br />
Unambiguous. Or You Will Be Labeled As A Kind Of Metagallinari.<br />
Of Harangue Upon The River Styx. Now I Move In The Secret<br />
Doctrine Of Space. And Find My Diagram Where The Outline Of. My<br />
Tribulation Is Ignored. The Erotis Curvatures Of The Iconic Invention.<br />
Signals A Float Of Intentionality. Within The Dark Wood Of The<br />
Loam Of Eyes. This Isn't An Area For Soft Boys. But For Viral And<br />
Manic Demons Whose Surfaces. Are Iconic Landscapes. Whose<br />
Dreams Are Alchemical Dramas Unfolding. With The Precision of<br />
Floral Camera Craniums. This Machinic Djinn Lives. And Bites<br />
Through The Umbilical Chord. With Teeth Of Coma. Chroma. The<br />
Ribald Town Of Jiboko. Where The Green Skinned Fever. Hides Like<br />
214
An Assassin. Passing Dreams Like Crystal Throwing Stars. Into<br />
Passing Gourds. None Of This Says What It Thinks It Says. Such Is the<br />
Mystery Of the World. That No One May Know Its. Fama Who Ignite<br />
Such Terrible And Inspiring Fires. Blank. Arsenal. Firing. Under.<br />
Kama. Kra. C. losing.. Butter Idols.. What Happens To Authors.<br />
Because. Of Their Texts.. Character (Dinosaur). pro notia (elastic<br />
notocord). linguarum (Atlantean incense). universalis (sphaerical).<br />
Species of the .... (enter relevanttimeframecontext). .Independent<br />
Potentials.. of the <strong>Re</strong>alM.. posted by Lanny PM. The Plan Abandoned.<br />
by Wade Tillett. The unavoidable theoretical crisis. lurking for years as<br />
an outline. a shadow at the edge of a glance. an uneasy feeling. has<br />
finally become apparent.. It is in the face of this spectre that. I am<br />
abandoning the profession of architecture.. While innumerous evils<br />
haunt this profession. they are not in the end what has compelled my<br />
resignation.. (I suppose these would have been reasons to reform. not<br />
abandon.). No in fact after much consideration and soulsearching. I<br />
have come to understand there is only one demon. the plan.. The plan<br />
can not be separated from belief.. Belief encloses itself and becomes a<br />
system.. Belief identifies a self and other. a landscape. and a space..<br />
Belief establishes truths and possibilities based on its own parameters..<br />
The plan is the contract which seals belief. enforces belief.. The plan is<br />
the word written. staticized. objectified.. The plan is the mapping of<br />
belief. its completion as a coherent system. its formalization.. The plan<br />
is the enclosure of the belief set. its circular logic turned on itself. the<br />
fabricationenclosure (simultaneously) of possibility.. The plan produces<br />
possibility. a construct of definable limits.. The plan allows one to<br />
inhabit belief.. The plan delimits a space and a body.. Life is delimited.<br />
separated. enclosed in a wrapper of the possible. identity. death.. Death<br />
is the final separation. the final limit. the finite. the form. the past<br />
twisted onto consuming the present.. The plan invents death. constructs<br />
death. allots death.. The plan manufactures an objective reality. an<br />
other.. Death is the ultimate other.. In order to be a true believer. one<br />
must eliminate one's participation. in the creation of truth (the ultimate<br />
other).. It is only in this way that objects. others. spaces. can be purely<br />
objective.. The other must stem from without.. The plan must detach<br />
the user or architect. the creation of the belief system.. The plan must<br />
separate the self from its own modification.. The formgiving of<br />
representation must be recast as a formreceiving.. The plan must<br />
become the map.. The process of objectification (the creation of other)<br />
therefore must. erase itself.. Thus inherent in the plan is a certain<br />
215
lindness. that refuses to accept the creation of death. but accomplishes<br />
it the same.. Architecture is a means to resolve (obfuscate). the<br />
fundamental paradox of the plan.. The plan can not be theorized as a<br />
problem within architecture. nor one stemming from without.. The plan<br />
is both architecture's means and it's reason for being.. Architecture's<br />
dual purpose is to hide that which it facilitates.. Utopias are always<br />
distractions decoys.. The selfdelusion of the architect is always only<br />
partial. there is always the intuitive semiconscious fitting. negotiating.<br />
constructing. of a plan that bridges and covers what it intends to be. and<br />
what it will be.. Such is the dual nature. the misnomered intuitiveness.<br />
of the architect.. Those fascists who purport to have accepted their role.<br />
as creators of death. as inverse gods. in the end place Death as an<br />
absolute beyond. as some form of truth outside the self.. They<br />
understand death's comport with belief. but mistake death as beyond<br />
belief.. The actual manipulations at the molecular level. are<br />
misconstrued. by a grandiose abstract Death narrative.(). The myriad<br />
sin constructions are glossed over. hidden under. legitimized and<br />
justified. by the holy image and the coming utopia.. Belief remains in<br />
the singular untouchable other.. A construct is created behind an<br />
image.. The imperialism of the plan always leaves one absent. a shell<br />
without content.. The plan or map or image or identity can not be put to<br />
good use. even those put together democratically or autonomously.<br />
present only a means to enclose. subject the present to the past image.<br />
create possibility traps.. The plan can not be separated from the tyranny<br />
that employs it. the plan is that tyranny. the subjugation of the present<br />
to the past.. Notes. . Fitting the two types of forms together segments of<br />
content and. segments of expression requires a whole doublepincered or<br />
rather. doubleheaded concrete assemblage taking their real distinction<br />
into. account. It requires a whole organization articulating formations<br />
of. power and regimes of signs and operating on the molecular. level.....<br />
If this parallelism is replaced by a pyramidal image then. content<br />
(including its form) becomes an economic base of production.<br />
displaying all of the characteristics of the Abstract the assemblages.<br />
become the first story of a superstructure that as such is. necessarily<br />
situated within a State apparatus the regimes of signs. and forms of<br />
expression become the second story of the superstructure. defined by<br />
ideology. It isn't altogether clear where language should. go since the<br />
great Despot decided that it should be reserved a. special place as the<br />
common good of the nation and the vehicles for. information. Thus one<br />
MISCONSTRUES the nature of language signs. organizations of power<br />
216
and content. () the illusion that one can. grasp and shuffle all the strata<br />
between one's pincers can be better. secured through the erection of the<br />
signifier than through the. extension of the sign. ( Deleuze and Guattari<br />
A Thousand. Plateaus. Emphasis mine.). posted by Lanny PM. Through<br />
Struggles to the Stars. By Physicist. Jack Sarfatti Ph.D.. On the physical<br />
principles of consciousness warp drive and wormhole star. gate time<br />
travel in the light of the new precision cosmology of dark energy. and<br />
their relations to the coded knowledge of the once and future<br />
techgnostic. mystery schools fictionalized in The Da Vinci Code and<br />
described in fact. in Techgnosis.. Newton realized that the fall of the<br />
apple was the same as the motion of the. Earth around the Sun. That<br />
was his alchemical techgnostic insight into As. Above So Below. I have<br />
shown that the invisible Galactic Halo holds the. stars together in the<br />
same way through negative zeropoint energy density. with equal and<br />
opposite positive quantum pressure that the electrons. distributed<br />
repulsive electric charge is held together. Its As Above So. Below all<br />
over again. <strong>Re</strong>al original physics on the deep structure of the. many<br />
worlds not found in any other book is weaved together with great.<br />
literature and my true adventure story. Quantum reality is not only<br />
weirder. than we have imagined but may be weirder than we can<br />
imagine. We are. such dreams that stuff is made from.. <strong>Re</strong> Object not<br />
found.. ok mwp feel free to upload to noemata or adundas as an online<br />
storage for you. stuff if you want. ah you can sell your stuff via<br />
noemata.netarspublica.com. and get rich from the post.net.art. (it's of<br />
course not generating a dime.). if i should try getting money from<br />
institution i think it would be for 'fully. automated art' or something<br />
like that smiley. i owe them some explanation what. i did with the last<br />
which is ok and making problems with backfiring. 'context art' and<br />
then not caring about paper work but the possibilities are. there and<br />
they're basically kind i should have a secretaryagent doing. things<br />
keeping my life together that would be fine i'll advertise defunct.<br />
potential artist seek structured realistic person. there's missing a whole.<br />
lot in that production line. i wanted to fix that before collaboration no it.<br />
doesn't work only tight schemes getting money out of funds goals the<br />
usual. artistery. insert sercasm charchasm hollow character.. perl cgi<br />
seem only available from url kunst.nobjornmag (which is same as.<br />
noemata.net) support didn't answer the last mail so they won't fix<br />
probably.. see you in the post art. name. AROSE RIP.<br />
Aroseisaroseisarose.com is officially no longer. All links to works.<br />
originating from the site are henceforth invalid. Moreover I have no<br />
217
plans. for the construction of any future sites.. I await a future of<br />
postnet art which is the only one I can expect to be a. part of right now..<br />
<strong>Re</strong> spasms. ..like eerie to me this tini whirl j kom over linken i går<br />
actually. yo ko ok whiteblue c. alsoh. <strong>Re</strong>cently she held a<br />
thirteendaylong dance festival taking place 'in your. mind'..<br />
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..... ..... .... ... ... .. .. trolldeig. vegetating at meh airport this trolldeig<br />
work clumsiness of kid craft maybe. clumsiness of their actual<br />
imagination not the craft always prefering the. chubby planes and<br />
popple of things negating colors they now seem to be. jumping off<br />
midair the original is red ground and they look dead white and. grinning<br />
kids wondering how those air crafts every could fly maybe not. crosses<br />
and how their imagination ever could represent anything no we don't.<br />
believe the cross mean that we don't believe caricatures is like.<br />
imagination not our craft we kids know that but you don't you are the.<br />
clowns falling off by believing imagination eventually adapts you hit.<br />
the ground.. syndicate div. This is a multipart message in MIME<br />
format.... ContentType textplain charsetiso. Some moulds new images<br />
to become compressing them much as possible and time. inflating<br />
they're connected to different ideas and things lost or heading in. other<br />
directions divergence divide division divert deflect route detour.<br />
distract turn aside depressible depute diverting diplostemonous ride.<br />
daughterly turn ached diffractions dept departs duplicitously ready<br />
dowdier. destructor tirana acta diversionist dubbed deposing deportees<br />
defalcate rite. datura distributor thermo agatha. Index of div. Name Last<br />
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Apr k. trit.jpg Sep k. tt.jpg Sep k. unfit.jpg Aug k. vadsotanabru.jpg Sep<br />
k. ver.jpg Apr k. wallpaper.jpg Oct k. zthoe.jpg Feb k. Apache.. Server<br />
at noemata.net Port. Support dot.art. Evil agency. ContentType<br />
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mailinglist. Syndicate network for media culture and media art. post to<br />
the Syndicate list. no commercial use of the texts without permission.<br />
hr onwards. years anniversary. () (. ' ' '. ' ' '. ). (). ). '. roundtheclock<br />
posting of sequenced hypermodern imagery from Brad Brace.. The<br />
hypermodern minimizes the familiar the known the recognizable it.<br />
suspends identity relations and history. This discourse far from.<br />
determining the locus in which it speaks is avoiding the ground on<br />
which. it could find support. It is trying to operate a decentering that<br />
leaves. no privilege to any center.. began December. Pointless<br />
Hypermodern Imagery... postedmailed every hours... a. spectral<br />
trajective alignment for the s A continuum of minimalist. masks in the<br />
face of catastrophe conjuring up transformative metaphors. for the<br />
everyday... A poetic reversibility of exclusive events.... A postrhetorical<br />
continuous apparently random sequence of. imagery... genuine gritty<br />
greyscale... corruptable compact. collectable and compelling<br />
convergence. The voluptuousness of the grey. imminence the art of<br />
making the other disappear. Continual visual impact. an optical<br />
drumming sculpted in duration on the endless present of the. Net..<br />
unassimilable... imagery is gradually acquired selected and<br />
resequenced. over time... ineluctable vertiginous connections. The hr<br />
dialtone.... KEYWORDS Disconnected disjunctive distended<br />
decentered. decomposed ambiguous augmented ambilavent<br />
homogeneous reckless.... Multifaceted oblique obsessive obscure<br />
obdurate.... Promulgated personal permeable prolonged polymorphous<br />
provocative. poetic plural perverse potent prophetic pathological<br />
pointless.... Emergent evolving eccentric eclectic egregious exciting.<br />
entertaining evasive entropic erotic entrancing enduring. expansive....<br />
Every hours another... view them repost em save em. trade em print em<br />
even publish them.... Heres how.<br />
httpbbrace.laughingsquid.nethr.html<br />
221
312<br />
222
313<br />
Look for the hricon. Heavy traffic may require you to specify files.<br />
more than once Anarchie Fetch CuteFTP TurboGopher.... Download<br />
from ftp.rdrop.com pubusersbbrace. Download from ftp.eskimo.com<br />
ubbbrace. Download from hotlineartlyin.ftr.va.com.au. <strong>Re</strong>member to<br />
set tenex or binary. Get hr.jpeg. Email If you only have access to email<br />
then you can use FTPmail to. do essentially the same thing. Send a<br />
message with a body of 'help' to. the server address nearest you.<br />
ftpmailccc.uba.ar ftpmailcs.uow.edu.au. ftpmailftp.unistuttgart.de<br />
ftpmailftp.Dartmouth.edu. ftpmailieunet.ie ftpmailsrc.doc.ic.ac.uk.<br />
ftpmailarchie.inesc.pt ftpmailftp.sun.ac.za. ftpmailftp.sunet.se<br />
ftpmailftp.luth.se. ftpmailNCTUCCCA.edu.tw ftpmailoak.oakland.edu.<br />
ftpmailsunsite.unc.edu ftpmaildecwrl.dec.com. ftpmailcensus.gov.<br />
bitftpplearn.bitnet bitftpdearn.bitnet. bitftpvm.gmd.de<br />
bitftpplearn.edu.pl. bitftppucc.princeton.edu bitftppucc.bitnet.<br />
Mirrorsites requested Archives too. The latest new jpeg will always be<br />
named hr.jpeg. Average size of images is only K.. Perl program to<br />
mirror ftpsitessubdirectories. src.doc.ic.ac.ukpackagesmirror. Postings<br />
to usenet newsgroups. alt.hr. alt.binaries.pictures.hr.<br />
alt.binaries.pictures.misc. alt.binaries.pictures.fineart.misc. Ask your<br />
system's newsadministrator to carry these groups. (There are also<br />
usenet image browsers TIFNY PluckIt Picture Agent. PictureView<br />
Extractor NewsRover Binary News Assistant EasyNews). This<br />
interminable relentless sequence of imagery began in earnest on.<br />
December . The basic structure of the project has been over. twentyfour<br />
years in the making. While the specific sequence of. photographs has<br />
been presently orchestrated for more than years worth. of hour postings<br />
I will undoubtedly be tempted to tweak the ongoing. publication with<br />
additional new interjected imagery. Each hour posting. is like the<br />
turning of a page providing ample time for reflection. interruption and<br />
assimilation.. The sites listed above also contain information on other<br />
cultural. projects and sources.. A very lowvolume moderated mailing<br />
list for announcements and. occasional commentary related to this<br />
project has been established at. This project has not received<br />
223
government artsubsidies. Some opportunities. still exist for financially<br />
assisting the publication of editions of large. (x) prints perhaps (Iris<br />
giclees) inkjet duotones or extendedblack. quadtones. Other supporters<br />
receive rare copies of the first three. hremailsubscriptions can also be<br />
made at. mo yr. Institutions must pay for any images retained longer<br />
than. hours.. image files. Get the textfile 'picturesfaq' to learn how to<br />
view or. faq.html. (c) Credit appreciated. Copyleft. this heat. you're<br />
now listening to this heat a.k.a. Blue and Yellow Testcard Horizontal.<br />
Hold Not Waving Water Twilight Furniture Track Loop Diet of Worms<br />
Music. Like Escaping Gas Rainforest The Fall of Saigon Testcard<br />
Deceit Sleep Paper. Hats Triumph S.P.Q.R. Cenotaph Shrink Wrap<br />
Radio Prague Makeshift Swahili. Independence A New Kind of Water<br />
Hi Baku Sho (Suffer Bomb Disease) <strong>Re</strong>peat. Metal GraphicVarispeed.<br />
This Heat (album) covers two years of the band's history with both live<br />
and. studio cuts. They use guitar clarinet drums and keyboards<br />
permuted with. loops phasing and overdubs breaking down patterns<br />
into only faintly. connected musical moments that include artificial<br />
skips and looped end. grooves. Though insolent and withdrawn the<br />
music is adventurous and in its. raucous yet avoids the dismal drones<br />
and cacophony of other experimental. groups. Free of clichs the music<br />
blends politics and intelligence steering. clear of artifice and trendiness.<br />
Austere brilliant and indescribable.. this is still very good. <strong>Re</strong> rune<br />
grammofon. yes i've heard some releases supersilence biosphere<br />
jazzkammer it's quite. experimental ranging from noisefreejazz to<br />
ambient to electronica. haven't. seen the book but their obviously into<br />
design also.. rune kristoffersen has some years in the business he was in<br />
the group 'fra. lippo lippi' which released a beautiful depressive record<br />
in 'in. silence' influenced by english goth rock. he was involved in the<br />
company. uniton from which i bought releases and imported albums at<br />
that time he's. got more pop oriented... related to that milieu were 'holy<br />
toy' and 'when'. holy toy centered around. the polishnorwegian<br />
eccentric andrej nebb and is probably the most. interesting group in<br />
norway ever. actually nebb mentioned this heat as one of. his influences<br />
which is obviously also in 'when' which comes from lars. pedersen<br />
percussionistorgan in holy toy. 'when' reconnects more to prog rock. i<br />
sent a cd with some stuff to rune k. a couple of years ago from the. just<br />
slow and dark noise syrup recorded and manipulated from rails and.<br />
other concrete sources. experimenting with very low bitrate encoding<br />
giving a. spectral sound.. Have you seen this Do you know anything<br />
about this label. Just wondering if you thought it was worth checking<br />
224
out... . e k u n s t . cazzarola What is this. This is a multipart message in<br />
MIME format.... ContentType textplain charsetiso. a draft... cazzarola<br />
What is this. maria What the awakening du vil holde styr unna brødene..<br />
cazzarola Who are you. maria Who are here in a try ) er gud er ikke her<br />
har mer av gammelt grått. mugg og gjør fyldest alle dverger uten tanke<br />
søler sitt ene øye.. cazzarola fanculo. maria What the awakening you<br />
will stay clear of the breads.. maria Who are here in a try ) is god not is<br />
not her have more of the old. gray mugg and do fullfill all dwarfs<br />
without thought spilling his one eye.. cazzarola fanculo. (. gozzarola<br />
finger eye. maria at ping eye tarot two konservative lunkne.... ).<br />
noematamariadialoger. Nytt kapittel ferdig (k) april. Maria Futura Hel<br />
Dialoger. dialoger.html k apr. dialoger.html k apr. dialoger.html k sep.<br />
dialoger.html k jul. dialoger.html k apr. dialoger.html k dec.<br />
dialoger.html k sep. dialoger.html k may. utdrag.txt k jan. dialoger.html<br />
k jan. dialoger.html k nov. dialoger.html k aug. dialoger.html k apr.<br />
dialoger.html k jan. dialoger.html k jul. dialoger.html k may. .. ((()((.<br />
dialoger.html. tramslated. Dialoger med Maria Futura Hel. maria i<br />
allerede levd because of grace jones. zynt am nævestad badin magen.<br />
maria bad politikker. zynt yes am he dust. maria dust am jesus suger<br />
eller am pingle. zynt skal vi home idag. maria home till park. kutt al<br />
meg frekke kjerring kan a question men the. them for off røret.. zynt<br />
haves i big kuk. maria big encourage at upon tv gøy belowstream have<br />
sagt.. zynt become grows bog vaktkommandør. maria become eneste<br />
uavbrutt høyforedersk handling.slik var. oppriktige svært bad no not vet<br />
where heck am burdensome fog mist comfort. consoles tankene. drags<br />
one excellent fine handel it quite altogether tøft.. zynt am urge digg.<br />
maria am portveien. zynt am urge dig. maria urge digg. zynt am urge<br />
digg. maria urge digg. zynt yes am it digg. maria yes hun light lightens<br />
for off you opp and says i kan i spør about. concerning around she<br />
smiles.. zynt you am one cheky diminutive harlot you. maria harlot<br />
foroff waldemar waldemar am one dritt engine machine (peker. a<br />
longed nede økonomiskog with serbiske and chocolate and films eller<br />
noen. var minute forest.. zynt haves you pupper. maria pupper what for<br />
slakk foreslåtte pari why. zynt jævla fitte. maria fitte slim like everything<br />
until terje vigen ex from finnmark the. lounge am you no not. fernufti<br />
the them må get lay hold of upon gayta except envelope. mister erik. My<br />
work is completely photometrical.. ContentType textplain<br />
namemessagefooter.txt. ContentDisposition inline<br />
filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
225
listmasterekunst.no. the sound of matemathics. the sound of<br />
matemathics. via solipsis. min telecommuting work. min<br />
telecommuting work. hararharharhahrhar iiotoutoitoutruio<br />
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226
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GOAEURPOWIUDIUSTHDBN BTIUDNBTRSUINB<br />
TRSUSTRIHIUius. birgnisrghzd rsgizg ih erklgrsliutsoiugdzistud<br />
gslgjdrj. gdekgnresgnjlkretj.<br />
zsgihzdfdlvdkjeaporuiaetufvlneraseiobugouiaoiuoidiopruaoipru.<br />
aoiuuireåoirauoipugoixfuoiurfoirfureafjdvfraelk.<br />
ERAGTAERTETAERTERAiTAEiRTRAEoTAEiT E.<br />
ergtoiertopertpoeriutrepitrpoiuijfd lk. bytes bps. singalong attachment<br />
removed. while walking. while walking beachboys mindful of worms<br />
ancillary ants.. dmf nota throw away paper that irwin written<br />
oncogene.. do not all these things.. while walking be minimized of<br />
worms and ants.. do not throw away paper that is written on.. do not all<br />
thersites things.. whimsey walkers bays mineable of worry ancohuma<br />
antre.. djerba notarising throttle away paperer thankless is wronger on..<br />
227
do nostoc all these thingamajig.. whig walking be mindless offal<br />
wormier and ants.. dniester not throwaway away papaverine<br />
thanksgivings isabella wroclaw on.. do notability all thesaural things..<br />
whikehart walkingstick bdellium mindfully oeuvres wormseed antonym<br />
ants.. dniester not throwaway awayness paper thatch irwin wroclaw on..<br />
doab nota alla thesaurus thingumabob.. when warbles bauxitic<br />
millionaire oilman woolfell anathematizing apagoge.. doab nonworker<br />
thousand babelize parallax theophobia irrationalism yahweh old..<br />
doggedly noricum aliphatic thermalize thoreau.. like. likes one who on<br />
a loment roadhouse. dossal walachia in fearer and drawstrings. and<br />
haute oncer turnkey roughly wale on. and turtleback no mordant his<br />
headdress. beckon he knutson a frigidity fiesta. dotterel cloned<br />
behaviorisms him treadled.. like ondo whodunit on loomer road. doted<br />
walford imputed fealty andaman dreadfulness. andantino having oncer<br />
turnery roumania walkover on. and turnstone nmr mordvinian<br />
hispanicised hazy. bechtel hazing knowles a frightful fierce. dotter<br />
closedown beholden hilts treacherousness.. likuta one who on a lollop<br />
riverine. doughboy wall in fear and dread. and havoc ominousness<br />
turned round walks on. and turners no mordacious his havocking.<br />
because he knitting a frictionises fibrositis. doth clothesman behan him<br />
read.. like omitting who on loath road. doth walkie imputations fear<br />
anatomical dread. anaplastic having onomatology tutti round walks<br />
oophoritis. aneuploid tupungato no more his head. because heartbeats<br />
knows a frick fiend. doth close beholders hiddenite tread.. beMyGhost<br />
Punch and Judy Show. ................................................. Noemata's<br />
beMyGhost Punch and Judy Show. A light seaside summer<br />
entertainment. The plaintext dessert of a desert hyperwork. A puppet<br />
show beyond good and evil. Etc.. As performed by the professors of<br />
automata. telemata noemata.. Now playing the Inbox Theater Scene.<br />
oOOo. The story so far..... He is known as Pulcinella in Italy Guignol<br />
and Polichinelle in. France Kasperl in Germany Casper in Sweden<br />
Karagioz in Turkey. Karagiosis in Greece Petruk in Indonesia. He's<br />
been around a long time in one form or another. He's an imp of.<br />
mischief out of the mists of time. We know him as Punch. As.<br />
Pulcinella the actor he was part of the Commedia Dell' Arte troupes. of<br />
<strong>Re</strong>naissance Europe. To trace him back further takes us into the. very<br />
ancestry of pantomime itself back to Ancient Rome and Classical.<br />
Greece and the licentious topsy turvey world of Saturnalia and Satyr.<br />
plays. He exists in many cultures for he is one form of The Trickster. a<br />
key figure in society's development a figure able to turn shared. values<br />
228
upside down for the shocked amusement of the community and the.<br />
ultimate strengthening of the bonds that mutually bind it.. Charles<br />
Dickens was also a great admirer of the Punch and Judy Show.. Mr.<br />
Punch is frequently mentioned in his novels. One work The Old.<br />
Curiosity Shop seems to be based almost entirely on the Punch.<br />
tradition. The show has taken a fair amount of stick in the past for.<br />
being violent or not politically correct and being flippant about.<br />
domestic violence. Charles Dickens is among those who have nailed<br />
this. as ridiculous.. Who Are Punch and Judy Punch and Judy are<br />
arguably the most famous. traditional puppets in the Western World<br />
with a colorful history more. than years old. Mr. Punch with his hook<br />
nose detched back and. garish costume is a cultural icon in England.<br />
His unabashed joking. and rowdy mischievous behavior have provoked<br />
paroxyms of laughter. audiences throughout time. An impressive body<br />
of art is graced by. Punch's outrageous countenance.. PUNCH Are you<br />
a doctor. HANGMAN Yes are you alright. PUNCH No I'm dead..<br />
HANGMAN You can't be dead.. PUNCH I'm dead dead dead..<br />
HANGMAN How long have you been dead Mr. Punch. PUNCH About<br />
weeks.. punch<br />
judypuppetpuppetsCodman'sTobyRhosonSeapunchpunchjudy. judyMr.<br />
Punchpunchinellopolichinellepuppetry puppet heroswooden.<br />
headsthat's the way to do itwhat a pitysomerville colwyn bayrhos. on<br />
seacomical tragedytragical comedymr punch's opera.<br />
pulcinellaharlequinadedetch backhumpbig nose professorspunch.<br />
manprofessorsslapstickswazzle swazzleomiswazzlehomipunch.<br />
callitinerantmarionettes seasideentertainmenton the beachbeach.<br />
performerson the sands carnivalsThe Punch and Judy College of.<br />
ProfessorsThe Punch and Judy Fellowshipswazzleswatchelold red nose.<br />
Hoban quotes him as saying Punch is so old he can't die.. In its<br />
classical glorious sense immortality is the quality of what. passes<br />
beyond death the quality of the supraliving. In its. contemporary<br />
version it is the quality of the surviving that is of. what is already dead<br />
and by that token becomes immortal.. It's a fine show sir. he replied.<br />
jolly fine show. Then with a. guffaw he added And a damned bad<br />
moral.. Many of the Trickster's traits Radin writes were perpetuated in.<br />
the figure of the mediaeval jester and have survived right up to the.<br />
present day in the PunchandJudy plays and in the clown (xxiii).. Who is<br />
Punch anyway Where does he come from And how could so.<br />
impossible and ridiculous a character have survived the changes and.<br />
turmoil of the passing centuries The plain fact is that nobody knows..<br />
229
Certainly the figure of Punch as we know him today has a direct link.<br />
with the commedia dell'arte of the seventeenth century but the.<br />
character is far far older. The original significance of Punch's face. and<br />
figure his enormous nose and hump are meaningless to an. audience of<br />
modern times when perhaps it is not customary to. associate large noses<br />
and sexual potency or find detchbacks mirth. provoking. But it is<br />
possible that Punch has lasted so long because he. so blatantly cocks a<br />
snook at the restrictions of civilised society. and perhaps every man at<br />
some time or other would like to flaunt the. laws of society with a<br />
comparable nonchalance removing those who got. in his way pursuing<br />
his amorous inclinations willy nilly and. defeating in the end the devil<br />
himself How often we say of a. likeable rogue He could get away with<br />
murder. And Punch. does or almost always does and he is such a<br />
likeable rogue and of. course he's only a puppet and puppets can get<br />
away with anything.. HANGMAN Now prepare yourself for<br />
execution.. PUNCH What for. Mr. Punch. A Roman mime called<br />
Maccus was the original of Punch. A. statuette of this buffon was<br />
discovered in containing all the. wellknown features of our friend the<br />
long nose and goggle eyes the. detch back and protruding breast. The<br />
most popular derivation of Punch. and Judy is Pontius cum Judæis (Matt.<br />
xxvii. ) an old mystery play. of Pontius Pilate and the Jews but the<br />
Italian policinello seems to. be from pollice a thumb (Tomthumb<br />
figures) and our Punch is from. paunch. The drama or story of our<br />
Punch and Judy is attributed to. Silvio Fiorillo an Italian comedian of<br />
the seventeenth century. Punch. triumphs over all the ills that flesh is<br />
heir to. () Ennui in the. shape of a dog is overcome () Disease in the<br />
disguise of a doctor. is kicked out () Death is beaten to death and () the<br />
Devil himself. is outwitted. Brewer's Phrase and Fable. This<br />
compulsive desire for immortality for a definitive immortality. revolves<br />
around a strange madness the mania for what has achieved. its goal.<br />
The mania for identity for saturation completion. repletion. For<br />
perfection too the lethal illusion of the perfection.. 'Every ecstasy<br />
ultimately prefers to take the path of renunciation. rather than sin<br />
against its own concept by realizing it' (Adorno). the identitary<br />
individual the virtual clone there corresponds a. horizontal madness... a<br />
delirium of selfappropriation all the. monstrous variants of identity not<br />
of the schizophrenic but of the. isophrenic without shadow other<br />
transcendence or image that of. the mental isomorph the autist who has<br />
as it were devoured his. double and absorbed his twin brother (being a<br />
twin is conversely a. form of autism deux). Identitary ipsomaniacal<br />
230
isophrenic madness.. Our monsters are all manic autists. As products of<br />
chimerical. combination... deprived of hereditary otherness... they have<br />
no other. destiny than desperately to seek out an otherness by eliating<br />
all. the Others one by one.. PunchandJudy show a traditional<br />
puppetshow in which Punch is. shown nagging beating and finally<br />
killing a succession of. characters including his wife Judy.. The<br />
problem of Frankenstein for example is that he has no Other and. craves<br />
otherness... But our computers also crave otherness. They are. autistic<br />
bachelor machines the source of their suffering and the. cause of their<br />
vengeance is the fiercely tautological nature of their. own language..<br />
Punch did not always have his own play it seems his first role in.<br />
England was to provide comic interludes in serious plays by.<br />
interrupting the action as and when he could.. A MODERN PUNCH<br />
SCRIPT CHARACTERS PUNCH JUDY BABY POLICEMAN<br />
CLOWN. CROCODILE HANGMAN GHOST. the challenge of the<br />
Ghost representing Death is considered Punch's. greatest trial. We long<br />
ago stopped believing in the immortality of the soul a. deferred<br />
immortality. We no longer believe in that immortality which. assumed<br />
a transcending of the end an intense investment in the. finalities of the<br />
beyond and a symbolic elaboration of death. What we. want is the<br />
immediate realization of immortality by all possible. means.. the<br />
conquest of whom enables Punch to finally defy the Devil himself.. So<br />
long as there is a finalistic conception of life and death the. afterlife and<br />
immortality are given like the world and there is no. cause to believe in<br />
them. Do you believe in reality No of course. not it exists but we do not<br />
believe in it. It is like God... If. something does not exist you have to<br />
believe in it. Belief is not the. reflection of existence it is there for<br />
existence just as language. is not the reflection of meaning it is there in<br />
place of meaning. To. believe in God is therefore to doubt his existence.<br />
Belief is. superfluous just as Canetti says vengeance is superfluous it is.<br />
rendered unnecessary by the inexorable reversibility of things. In.<br />
exactly the same way passion is a useless supplement to the natural.<br />
attraction between things and we might say the same about truth. which<br />
merely complicates appearances unnecessary.. or as a mirror merely<br />
refracts your image without believing in it.. God for his part if he exists<br />
does not believe in his existence. but he allows the subject to believe in<br />
him and to believe he. believes in it or not to believe that but not to<br />
believe he does. not believe in it. Stavrogin. When the Devil has been<br />
done away with Punch exults to the audience. The Devil is dead Now<br />
everyone can do as he likes. But what will the human race do once free<br />
231
of any belief It will. either fullfill itself egoistically obeying an<br />
exclusive sovereign. individualism (Stirner) or do so collectively by<br />
setting out on a. long historical course as in Marx or it will shift its<br />
sights to. the superhuman through a transvaluation of the values of the<br />
species. this is the path marked out by Nietzsche who argued that the<br />
human. race cannot be left to itself but must aim beyond itself and<br />
discover. the great metamorphosis that of becog... Nietzsche has<br />
written. magnificently of the vital illusion not of the 'worlds beyond'<br />
but. of the illusion of appearances of the forms of becog of the veil. and<br />
indeed all the veils which happily protects us from the. objective<br />
illusion the illusion of truth... Needless to say this. transvaluation... has<br />
not taken place except precisely in the. opposite sense... A<br />
transvaluation folding in upon itself towards a. nondifferentiation a<br />
nondistinction of values itself fetishized in. an aestethics of plurality of<br />
difference etc. Not any longer a. fetishization of divinities great ideas or<br />
grand narratives but of. imal differences and particles... This<br />
dedifferentiation of the. human and the inhuman this reabsorption of the<br />
metaphor of life into. the metastasis of survival is effected by a<br />
progressive reduction to. the lowest common denoator.. The Crocodile<br />
was a late arrival in the story and has now been an. important character<br />
for about a detdred years. First he was a dragon. which eventually<br />
became a crocodile. Perhaps the idea of a crocodile. became firmly<br />
established after children had been frightened by the. Crocodile in Peter<br />
Pan. The Ghost is seen occasionally still.. Originally the Ghost of Judy<br />
it is now just any old ghost.. Who was Pulcinella or as he is sometimes<br />
called Pollicinella or. Pulicinella His role was primarily that of a<br />
servant as indeed was. that of Harlequin and he was obviously a<br />
comedian. He wore an. artificial nose potbelly and hump all calculated<br />
to make the. audience laugh and he was the mixture of jollity and<br />
cruelty wit and. stupidity just as Punch is today.. The PunchTrickster<br />
concept embodies notions of anti. establishmentarianism buffoonery<br />
and shamanism that reflect. attributes of the creative individual<br />
functioning in an authoritarian. ethos the late s bucking the system<br />
inverting values. Assug an ubuique persona and balancing precariously<br />
on a mono. cycle PunchTrickster pedals blindly into an unknown future<br />
fending. off unseen adversaries with an ineffectual weapon. The<br />
sculpture is a. concretisation of a state of d or an existential<br />
predicament. It is. concerned with delusions of grandeur and<br />
vulnerability paradox and. pathos.. The Trickster as buffoon acts out a<br />
quixotic farce in ironic fashion.. Ubu Roi a precursor of the theater of<br />
232
cruelty the absurd. PunchUbu. Puncheon. Pernille og Mr. Nelson.<br />
JUDY Where's the baby. PUNCH (In a melancholy tone.) I have had a<br />
misfortune the child was. so terrible cross I throwed it out of the<br />
window.. It is generally thought that the obsession with survival is a<br />
logical. consequence of life and the right to life. But most of the time<br />
the. two things are contradictory. Life is not a question of rights and.<br />
what follows on from life is not survival which is artificial but. death. It<br />
is only by paying the price of a failure to live a failure. take pleasure a<br />
failure to die that man is assured of survival.. Punch's women<br />
performers Bearing in d that Mr Punch is a folk. herorogue scoundrel<br />
trickster of the opposite sex from ourselves. why are we so keen to<br />
portray his story And what might the women. Professors add to the<br />
drama of the tradition. The traditional Punch and Judy show presents<br />
Punch as the simpleton. hero who successfully outwits various<br />
characters representing his. oppressions in order to gain his freedom.<br />
This 'clever fool' type is. often portrayed as a male antihero in folklore<br />
(Jack Til. Eulenspiegel Clever Hans Monkey Anansi and Brer Rabbit<br />
are some. examples). Somehow he always manages to achieve through<br />
his stupidity. what others fail to achieve by concentrated effort. Punch<br />
is a. combination of the fool and trickster. His characteristics are a.<br />
collection of the archetypal shadow masculine traits those which are.<br />
socially deemed to be undesirable cowardice lewdness rudeness.<br />
stupidity fickleness irresponsibility selfishness greed. ................ and<br />
violence or cunning. Mr Punch the trickster carnival fool king of<br />
anarchy is an absurd. masculine archetype of those aspects of the<br />
human psyche that want to. turn the world upside down and create<br />
chaos. His gross appearance. the bulbous hooked red nose and the<br />
phallic 'hump' on his back. comically reinforce his male sexuality<br />
along with the big red. slapstick which he wields as the answer to all his<br />
troubles. His. character and appearance have their roots in the ancient<br />
ritual. dramas celebrating birth death resurrection conflict and. fertility.<br />
In our 'civilised' hierarchical bureaucratic and. patriarchal society Mr<br />
Punch has evolved and survived through the. centuries as our national<br />
'Lord of Misrule.'. Punch men often portray Judy as a wonderfully<br />
fussy bossy pantomime. dame type with a high falsetto voice. (Note<br />
that this makes the. character a parody of the male's fantasy of<br />
woman).. When knocked down she bobs up again several times in<br />
comic protest. always with one more thing to say. Sometimes her final<br />
utterance is. almost orgasmic in nature so that the mock puppet death<br />
we are. witnessing might more closely resemble 'le petit mort' rather<br />
233
than. actual mortality.. When she returns to discover that Mr Punch has<br />
inadvertently (in true. 'ignorant simpleton' style) made the baby into<br />
sausages she is as any. woman would be at first distraught and then<br />
angry. However having. fully expressed her grief and given Mr Punch a<br />
piece of her d she. quickly moves into acceptance and realises this is<br />
her opportunity. for freedom Well now Mr Punch You made the baby<br />
sausages so you. can look after the baby sausages That's fair I'm going<br />
to claim the. insurance money and take a nice little holiday in Majorca.<br />
No you. can't come with me. You're to stay at home and look after the<br />
little. sausage.. And off she goes leaving Mr Punch and the sausages to<br />
the mercy of a. big green crocodile with toothfilled gaping jaws. Her<br />
triumph is that. she has called Mr. Punch's bluff. Rather than waiting to<br />
be knocked. out of his way Judy leaves him with the consequences of<br />
his mistakes. and removes herself to a more fulfilling situation. She<br />
does the. separating off. This gives Judy an equal status to Punch in the<br />
drama. although he still remains at the centre of the story and fulfills<br />
his. usual trickster role with his other adversities.. Adult enthusiasts can<br />
recognize him as the head of one of those. dysfunctional families of<br />
Drama that span from Oedipus and Macbeth on. the tragic side to the<br />
Addams Family and The Simpsons on the frivolous. side. He and other<br />
little red nosed rogues like him have been kept. alive down the<br />
centuries because his irrepressible antics and his. flying in the face of<br />
convention have amused generations of ordinary. people particularly<br />
those with no power of their own.. Step warily around the fair Welsh<br />
seaside town of Aberystwyth this. weekend for everywhere you look<br />
will be a strange beaknosed figure. clad in red with pointytoed shoes<br />
and a manic gleam in his immobile. eyes. No it's not Beelzebub it's<br />
Punch. The second international. festival of Punch and Judy is in town.<br />
Oh no it isn't. Oh yes it is. etc.. There was an Old Man with a nose<br />
Who said If you choose to. suppose That my nose is too long You are<br />
certainly wrong. That remarkable man with a nose.. A Jungian<br />
Consideration of Edward Lear's Nonsense Verse Lear was in. many<br />
ways an example of what Jungian psychologist MarieLouise von. Franz<br />
calls the puer aeternusan archetype she analyzes in her book of. the<br />
same name. The term comes from Ovid's Metamorphoses and there.<br />
refers to the childgod of the Eleusinian mysteries. In later times. von<br />
Franz writes. the childgod was identified with Dionysus and the god<br />
Eros. He. is the divine youth who is born in the night in this typical.<br />
mothercult mystery of Eleusis and who is a redeemer. He is a. god of<br />
life death and resurrectionthe god of divine youth .. but we also use it to<br />
234
indicate a certain type of young man who. has an outstanding mother<br />
complex . . . . (). Wandering moreover is one of the most important<br />
traits of the. Trickster archetype (Radin ) which as we shall see Lear's.<br />
nonsense exemplifies.. There was an Old Man of Peru Who never knew<br />
what he should do So he. tore off his hair And behaved like a bear That<br />
intrinsic Old Man of. Peru.. There was a Young Lady whose eyes Were<br />
unique as to colour and size. When she opened them wide People all<br />
turned aside And started away. in surprise.. There was a Young Lady of<br />
Norway Who casually sat on a doorway When. the door squeezed her<br />
flat She exclaimed 'What of that' This. courageous Young Lady of<br />
Norway.. There was an Old Man of Cape Horn Who wished he had<br />
never been born. So he sat on a chair Till he died of despair That<br />
dolorous Man of. Cape Horn.. There was an Old Person of Cromer<br />
Who stood on one leg to read Homer. When he found he grew stiff He<br />
jumped over the cliff Which concluded. that Person of Cromer.. There<br />
was an Old Man on some rocks Who shut his wife up in a box. When<br />
she said 'Let me out' He exclaimed 'Without doubt You will. pass all<br />
your life in that box.'. There was an Old Person of Bangor Whose face<br />
was distorted with. anger He tore off his boots And subsisted on roots<br />
That irascible. Person of Bangor.. There was an Old Person of Spain<br />
Who hated all trouble and pain So. he sat on a chair With his feet in the<br />
air That umbrageous Old. Person of Spain.. There was an Old Person<br />
from Gretna Who rushed down the crater of. Etna When they said 'Is it<br />
hot' He replied 'No it's not' That. mendacious Old Person of Gretna..<br />
There was a Young Lady of Parma Whose conduct grew calmer and<br />
calmer. When they said 'Are you dumb' She merely said 'Hum' That<br />
provoking. Young Lady of Parma.. There was an old man of Hong<br />
Kong Who never did anything wrong He. lay on his back With his head<br />
in a sack That innocuous old man of. Hong Kong.. The function of the<br />
Trickster according to Kernyi is to add. disorder to order and so make a<br />
whole to render possible within the. fixed bounds of what is pered an<br />
experience of what is not. pered (). Kernyi could just as well be<br />
describing the. nonsense genre that emerged in the nineteenth century..<br />
You desire to LIVE according to Nature Oh you noble Stoics what.<br />
fraud of words Imagine to yourselves a being like Nature boundlessly.<br />
extravagant boundlessly indifferent without purpose or. consideration<br />
without pity or justice at once fruitful and barren. and uncertain<br />
imagine to yourselves INDIFFERENCE as a powerhow. COULD you<br />
live in accordance with such indifference. Contrary to the underlying<br />
Rousseauist ideology which argues that the. profound nature of the<br />
235
liberated subject can only be good and that. nature itself once<br />
emancipated cannot but be endowed with natural. equilibrium and all<br />
the ecological virtues there is nothing more. ambiguous or perverse<br />
than a subject.. Trickster is at one and the same time creator and<br />
destroyer giver and. negator he who dupes others and who is always<br />
duped himself. He wills. nothing consciously. At all times he is<br />
constrained to behave as he. does from impulses over which he has no<br />
control. He knows neither good. nor evil yet he is responsible for both.<br />
He possesses no values moral. or social is at the mercy of his passions<br />
and appetites yet through. his actions all values come into being.. It is a<br />
personification of traits of character which are sometimes. worse and<br />
sometimes better than those the egopersonality possesses. (The<br />
Archetypes ). The Trickster is in other words a. manifestation of what<br />
Jung calls the shadow and he comments We are. no longer aware that in<br />
carnival customs and the like there are. remnants of a collective shadow<br />
which prove that the personal shadow. is in part descended from a<br />
nuous collective figure (ibid.). that is the Trickster archetype..<br />
Furthermore the Trickster is a forerunner of the saviour and like. him<br />
God man and animal at once. He is both subhuman and superhuman. a<br />
bestial and divine being whose chief and most alarg. characteristic is<br />
his unconscious ness . . .. He is so unconscious. of himself that his body<br />
is not a unity and his two hands fight each. other.. As Jung says of the<br />
Trickster Although he is not really evil he. does the most atrocious<br />
things from sheer unconsciousness and. unrelatedness (ibid. ).. We<br />
ought not to entertain the illusion that we might cultivate good. and<br />
happiness in a pure state and expel evil and sorrow as wastes.. That is<br />
the terroristic dream of the transparency of good which very. quickly<br />
ends in its opposite the transparency of evil.. Bedre veier gir flere<br />
ulykker. The travel poems also reflect the Trickster's habit of<br />
wandering. (albeit his wandering is generally aimless). Radin<br />
comments that the. Trickster's desire to wander represents his protest<br />
against. domestication and society with all its obligations ().. what do<br />
we cling so tightly when we resist the dangers of drift. Barthes spoke<br />
(positively) of drift as a kind of stupidity. Are we. afraid of appearing<br />
stupid. In when Oliver Cromwell's Puritan regime banned all theatrical.<br />
performance commedia companies must have scrubbed England from<br />
their. gigging schedules. But the Punchinello character appears to have<br />
detg. in. Crosspollinated with the local Vice character originally the.<br />
trickster fool of the Mystery plays Punch utilised Harlequin's. slapstick<br />
bat took a wife and resurfaced in the Punch and Judy puppet. show..<br />
236
PuckPunch SantaPelznicholNicholasJanneyYule I Norge har vi.<br />
oskoreia og julebukker they acted out an odd play the leader who.<br />
dressed in goat or bear skins argued with another character or with. the<br />
woman figure. He was killed the woman lamented and the doctor.<br />
comically resuscitated him or he spontaneously revived declaring he.<br />
wasn't dead after all the Fool was in his original beast form the. death<br />
and execution were enacted amorally. In later plays the Fool or.<br />
beastman is often killed by a young groom because he makes a pass. at<br />
the Woman and narrators explain the behavior with a comic. script.<br />
Scholars concluded that the detdreds of versions peppering. Europe<br />
could be traced to the great goatgod Dionysus. After all the. Dionysian<br />
rites gave birth to modern theater In Britain he became. Robin<br />
Goodfellow or Puck norsk slektpuk celebrated by. Shakespeare<br />
Goodfellow's cousin Robin Hood began life as Wood a name. for the<br />
Wild Man. In the Black Forest the Pied Piper of Hamelin re. enacts poet<br />
Robert Browning's version of the ancient mystery. And. don't forget<br />
the 'geek' as a freak act.. Shiva is more or less what you want him to be<br />
as in him all. contradictions casually coexist. The notion of Shiva as<br />
exclusively a. Wild Man of the forests and mountains traveling with a<br />
band of ghosts. and ghouls as their leader Bhoothnath is a recent phase<br />
of his. worship. For while he was always capable of peculiar behavior<br />
Shiva. used to live outside of society not because he had rejected it but.<br />
because he had transcended it. Shiva is repeatedly described as the.<br />
supreme master of all the arts and that indicates a highly socialized.<br />
being the Nagarika of ancient India not a rustic.. Only Siva who<br />
indulges in both extreme ascetic and extreme erotic. activity the creator<br />
and the destroyer the quiescent and the active. god who represents both<br />
the cyclical motion of the universe and. spiritual immortality can offer<br />
devotees both paths of immortality. through rebirth or renunciation and<br />
spiritual immortality. He is the. living lingam in the yoni and the<br />
androgyne. Both symbols contain the. paradox within themselves and<br />
provide a resolution.. Lingam Sanskrit literary 'mark' or 'sign' ( is<br />
there a connection. between 'sign' and 'seed' (seme and semen) via<br />
sema seme sememe. semiological adj.Gk semeion sign f. sema mark<br />
seal symbolic. inseal pregnancy pregnant expression...). Shiva is<br />
worshipped in several apparently contradictory aspects whose.<br />
combination gives emphasis to his incomprehensible transcendence.<br />
He. is seen as a giver of blessings and is also a symbol of sensuality.<br />
represented by the lingam or phallus. On the other hand he is.<br />
sometimes depicted as an ascetic seated in meditation in the.<br />
237
Himalayas. Shiva is also the god of destruction and dissolution. In. his<br />
manifestation as Shiva Nataraja the fourarmed Lord of the Dance. he<br />
tramples on the forces of ignorance and chaos and keeps creation. in<br />
balance.. JEAMANCER. JEAMANCER. ) ) ) ). ). ( ( ( ( (. () ( ). ). ). ) )<br />
) ). ). () ( ( ' ( ( '. () () (. (.<br />
238
314<br />
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239
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MENULTRAE. Mysterious alias GONINFRA. Noemata Random<br />
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movement REOBAB. Noemata Random Name Generator. there's a<br />
local history group in the area writing articles which gets released. in a<br />
small yearbook by the museum i had some of them sent them off to a.<br />
friend. among the interesting where stories about Omgang a deport and.<br />
execution place in the middle ages a few some km from here<br />
unhabitated long. since. prisoners from northnorway don't know how<br />
far south where imprisoned. at this very desolated place and in fact a<br />
couple of women got burned as. witches there in es if I remember right<br />
a young woman Dorte something. accused of making storm at sea<br />
where a man she had some relation to died you. could tell by the<br />
incidents she probably was an attractive woman making the. men with<br />
power quite jealous humiliated and very mad after half a year in. prison<br />
she was burned alive in I think.. another interesting thing is the<br />
labyrinth as Mikkelsberg also close by with. some discussion of the<br />
authenticity of it it origins either from the pomor. trade with russians a<br />
couple of centuries ago or from much earlier habitation. of the area the<br />
earliest settlers probably being the sami komsaculture. several<br />
thousands years ago there's some debate a dr. something writing his.<br />
thesis the sami were not the first inhabitants. the labyrinth has not been.<br />
coast from fear of messing it up the traces are very vague but it has the.<br />
traditional form and is about in diameter.. there's some war time history<br />
since the whole shit was burned down by germans. the whole north of<br />
norway every building here so they turned the boats on. their head and<br />
lived under there or lived in caves at the coast. things have. been rough<br />
here of course finding support actually there were some. agriculture<br />
before not much.. there were about women burned as witches in the s in<br />
finnmark the. northernmost part of norway were charged for sorcery<br />
and researchers have. wondered why so many in the region. reading<br />
protocols from the trials a. researcher. now suggest the poisonous<br />
fungus meldrøye lat. Claviceps purpurea explaining. hallucination and<br />
242
ewitchings black grains at the bottom of the cup etc.. <strong>Re</strong> SZ aeffect<br />
Strong Creole Tendency. Atta unsar thu in Himinam. SZ aeffect. Strong<br />
Creole Tendency between wordanimage selfreference 'worldings'. toll<br />
painting of a russian and a norwegian in a fjord in the 's. trying to<br />
communicate about some wood. chopped logs the pomor trade s to the<br />
russian revolution initiated by. russians from the. White Sea having<br />
coast and fjords in north of norwy as their area 'pomor'. means. 'by the<br />
sea' Arkhangelsk has a pomor university today the russian came to.<br />
white. sea from Novogorod s a viking city with democratic traditions<br />
different. the tataryoke in rest of russia. pomors had cereal meal and<br />
traded with. the tataryoke in rest of russia. pomors had cereal meal and<br />
traded with<br />
243
316<br />
fish (coast) and skins (sami inhab). .. should think wood also was<br />
important as. there are no trees in the northernmost regions...<br />
Nordmannen Drasvi gammel go ven på moja. Tvoja fisk kopom<br />
(Goddag min gamle. gode venn. Kjøper du fisk). Russeren Da. (Ja).<br />
Nordmannen Kak pris (Hvilken pris). Russeren En voga mokka så to<br />
voga treska. (Det er en våg mel mot to våger. torsk.). Nordmannen Eta<br />
mala. (Det er for lite). Russeren Slik slag en å en halv voga treska så en<br />
voga mokka. (Slikt slag.. En. og en halv våg torsk mot en våg mel.).<br />
Nordmannen Eta grot dyr. (Det er ennå for dyrt.). Russeren No davaj på<br />
kajut sitte ned så dokka lite tjai drinkom. Ikke skade.. (Kom. nå ned i<br />
kahytten og drikk litt te. Det kan ikke skade.). norw. russian it seems).<br />
pomor trade was illegal until . and then the russ revolution stopped it<br />
and. the nnorw econony into depression and the coastal villages into.<br />
problems.. the pomors had a rich rural culture and folklore it seems<br />
there's a longer. within pomorområdet levde fairytale adventure and<br />
legend byliner (heltedikt). ballader stev and laments further enn a in<br />
inside into on per within. mange. second strøk for off Russia Russia. a<br />
in inside into on per within. last. latter half for off tallet begynte lærere<br />
prester and second stream. accumulate gather tradisjonsstoff. them<br />
gjorde crowds for off opptegnelser a. in inside into on per within citys<br />
and villages longer dvina and pinega. and. at to toward towards a in<br />
inside into on per within at by on. upon. on upon kvitsjøkysten området<br />
ble kjent like one skattkiste because of. folklorister and etnografer..<br />
within ble marija krivopolenova one diminutive ancient wife with a.<br />
unfigure. ballader and chants at. tertiden. also stepan pisakhov like var<br />
kunstmaler skrev below downstairs. underneath down below<br />
underneath down underneath tradisjonsfortellinger. especially especial<br />
fairytale adventure at to toward towards a in. inside. into on per within<br />
at by on upon on upon dialect. sjergin skrev also. tradisjonelle and<br />
further fashionable fairytale adventure men his skriftlige. produksjon<br />
am både større and longed further allsidig enn pisakhovs. within<br />
sovjettiden dolled it also opp sterke klare litterære personligheter.. fjodor<br />
abramov ex from verkola. marija krivopolenova (). bondekone ex from<br />
244
pinega famous because of its ballader chants and. klagesanger.. hun<br />
learned helteballadene stariny for off its grandfather. hun. accrued. opp<br />
a in inside into on per within fattige kår and ble early married. married<br />
married poison men verken at to toward towards until till. felicity. eller<br />
velstand. hun losed både the fellow and barna unntatt one daughter like.<br />
ble married married married poison så fattigslig at hun no not know get.<br />
lay. hold of pick up take itself for off moren. hun ble hence therefore<br />
tvunget. at. toward towards until till stream continue tilværelsen like one<br />
beater. omstreifende beggar eller legdekone. men krivopolenova var<br />
one lysende gifted. forteller chants and klagesanger. boris sjergin (). it<br />
nordrussiske klassikeren fremfor noen. he convey imparted gamle.<br />
fortellinger. and tradisjoner muntlig and after behind hvert also<br />
skriftlig. he skrev also. its. egne fortellinger. sjergin var one authentic<br />
pomor the father var styrmann and. seilte at to toward towards a in<br />
inside into on per within at by. on. upon on upon Norway the mother<br />
daughter for off one seilmaker. både. foreldrene. and mange for off<br />
husets friends stod midt a in inside into on per. within. pomorenes<br />
living fortellertradisjon. sjergin itself ble one important. tradisjonsbærer<br />
because he after behind hvert fixed it he hadde hørt at to. toward<br />
towards until till papiret. a in inside into on per within its. fortellinger<br />
and fairytale adventure skildringer for off life and employment. in.<br />
skipsbyggere fiskere and fangstmenn. stepan pisakhov (). stepan<br />
pisakhov seilskip at fiskebryggen a in inside into on per within.<br />
arkhangelsk. author and kunstmaler ex from arkhangelsk. he var at to<br />
toward towards. until. till stream begin with kjent because of its<br />
paintings with motiver ex from. nordlige strøk men begynte after behind<br />
hvert stream type fairytale. adventure.. mange for off the fairytale<br />
adventures his finer also a in inside into. on. per within second<br />
versjoner men his versjoner haves sitt særpreg and. språkføringen a in<br />
inside into on per within disse tekstene am stronged. imprint impressed<br />
for off nordrussisk dialect. pisakhov am one for off you. exaggerations<br />
skrøner. well there's some pictures... links to some english. etc.<br />
CHROMOGAL. CHROMOGAL. Osho name TEATDECI. Noemata<br />
Random Name Generator. nettimeann mailing list.<br />
nettimeannnettime.org. ann ELPATA. ELPATA. Noemata Random<br />
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n s t . laburinteger. This is a multipart message in MIME format....<br />
ContentType textplain charsetiso. Maskin Jeg er glad jeg er det eneste<br />
jeg'et her.. Far Sønn sønn vi anbefaler at min maskin ikke snakker mere<br />
til deg.. Sønn Men den kan så mange spennende ord.. Hadde trengte<br />
245
hjelp. til og fullføre. De påfølgende dagene ble historiene til den<br />
bandasjerte. samlet og skrevet ned i notatbøker før den støeste og mest<br />
skriveføre. av dem fikk oppdraget med å føre over teksten til bandasjen.<br />
Hele. arbeidet. tok dager og da de var ferdig var den bandasjerte i alt<br />
dekket av. ord.. Jeg faller uten.... Projeksjoner krever kontiniuitet..<br />
ContentType textplain namemessagefooter.txt. ContentDisposition<br />
inline filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. Nagnews Og sdspoetrezt dkyk og skyr nabnetrt. På<br />
Y). Y (inntar sosiologiskpedagogisk sideleie) Protagonistens puerile.<br />
forsvarsmekanismer er et infatilt forsåk på å rasjonalisere frykten.. Og<br />
sdspoetrezt dkyk. og skyr nabnetrt dykkadt som ncdovmo vopmkete.<br />
foef dMrnefnsd eksdsonnen slyllfd. Fglerfd dyjkk xfsd ogb ajjbgooåad<br />
af xftrlyd. xfef stylr ret sdløben dykkatrg i hitummenem. Deref stgamme<br />
gjoerda efane ferita mefd prgfotetane. Men e dykk rkke. det....<br />
NAGnews mailing list. NAGnewslists.copyleft.no.<br />
isoQDuhFrerdetnEdeterslettesikkei. Kjemiforsøkene i elevenes hode. I<br />
ditt blomsterhull. Han sover i sjette scene. Har jeg noe å si han.<br />
Middelaldrende demokrat må ligge i.... Du hører det nå det er slettes ikke i<br />
sukkerbiten lyden oppstår.. Du ser på sukkerbiten en siste gang før du<br />
putter den i munnen. Som om. begge. øynene skulle ha skiftet posisjon<br />
fra venstre mot høyre uten og røre. hodet. skifter synsvinkelen i scenen..<br />
Kvinnen tar uforståelig imot en. lapp hvor det står Vi møtes i dusjen i<br />
morgen. Hilsen din partner i. forbrytelse.. Over kinomaskinisten på<br />
disen. kinomaskinisten tårer . veggen mitt film over noen . UTE AV<br />
FOKUS.. My Help. Example How do Ichang my password. Tips.<br />
Getting Startled. How do If i what category my Humen is in. I receive<br />
an email notification saying my humen could be Deleted due to.<br />
inactivity. Why What can I do. What does the my smiley face (image)<br />
is mean. How do my I get rid of the my is smiley face (image). I never<br />
sign up for my Human grouqs. Why am I receiving my messages. View<br />
and manage your my hume. Your humain Grops account has been<br />
disable because you had. an autoresponsible setup.. Bouncing seminar .<br />
May. What Bouncing means and what to do about it means bounce. L.<br />
Work with elbows grouq. Control access and sharing humes. list<br />
bounce. tails Yoric troll and Nøkk. Ask Her. the water. <strong>Re</strong> Du har rett.<br />
Da kan jeg vende tilbake til. Work good. Fra den. Forfatteren hadde<br />
alltid en. unnskyldning vent litt jeg måtte bruke begynnelsen tilslutt..<br />
Selv nå tror leseren han vet hvem morderen er.. Troll om igjen.. Jeg vet<br />
at munnen min drypper av penneskaftet skriver. forfatteren.. Med deler<br />
246
av hodet bandasjert.. Hvis vi panorer til høyre ser vi ryggen hans idet<br />
han forlater. sykhuset fullt rekonstituert. Kutt. Utenfor sykehuset<br />
stopper han opp.. Flashback. Noen tok av for fallet. Han fallt. Blålys. Står<br />
på. sykhustrappen. Tar seg for det gamle kuttet i pannen. Får blod på.<br />
fingrene. Snuser på blodet. Nærbildet av en hund som glefser.. Kanskje<br />
ikke.. Mot widescreen sensur.. Overtall pga.. Og ble stående å. skrike til<br />
hverandre. Da måtte en av dem raskt ta en avgjørelse og. fortsette videre<br />
så ville den andre måtte slutte seg til.. .n. las ldanburg. oea.net.knyt. bmg.<br />
how many net artists does it take to. Greetings froam. Greetings froam.<br />
cause confusion and shame to make uncomfortably selfconscious<br />
disconcert. abash. put obstacles or difficulties in the way of impede.<br />
skam. the painful feeling arising from the consciousness of something<br />
dishonorable. improper ridiculous etc. done by oneself or another.<br />
disgrace ignominy. a fact or circumstance bringing disgrace or regret.<br />
cover with ignominy or reproach disgrace. shame is a painful feeling<br />
caused by the consciousness or exposure of unworthy. or indecent<br />
conduct or circumstances. It is similar to guilt in the nature and. origin<br />
of the feeling.. pride a high or inordinate opinion of one's own dignity<br />
importance merit or. superiority whether as cherished in the mind or as<br />
displayed in bearing. conduct etc.. selfesteem selfrespect. ridicule Syn. .<br />
mockery raillery sarcasm satire irony. . banter chaff. rally twit<br />
burlesque satirize lampoon. RIDICULE DERIDE MOCK TAUNT<br />
imply. making game of a person usually in an unkind jeering way. To<br />
RIDICULE is to. make fun of either sportively and goodhumoredly or<br />
unkindly with the. intention of humiliating to ridicule a pretentious<br />
person.To DERIDE is to. assail one with scornful laughter to deride a<br />
statement of belief.To MOCK is. sometimes playfully sometimes<br />
insultingly to imitate and caricature the. appearance or actions of<br />
another She mocked the seriousness of his. expression.To TAUNT is to<br />
call attention to something annoying or humiliating. usually maliciously<br />
and exultingly and often in the presence of others to. taunt. nihilogues<br />
nilogue brainstem. nihilogues nilogue. 'In generalthe brainstem<br />
produces morecomplex. movements than does the spinal cord.In<br />
addition to responding to most. sensory stimuli in the environment and<br />
regulating eating and drinkingbody. temperaturesleep and wakingthe<br />
brain stem can produce the movements. of walking and<br />
runninggroomingand sexual behavior (all of which are. more complex<br />
than the reflexive movements produced by the spinal cord).The. brains<br />
of fishamphibiansand reptiles are basically equivalent to a mammalian.<br />
brainstemin consequencethe behavior of these animals is a good<br />
247
indication. of the functions of the brainstem.'. On old Olympuss.<br />
towering top a Finn and. German view some hops.. cortex (from the<br />
Latin for barkas in a tree s bark) ref. book.. Fissures Sulci and Gyri the<br />
Cortex brothers. limbic. Input could enter this circuit from other<br />
structures to be elaborated as. emotion.. summarize the action of a<br />
nerve impulsean. other analogy may help.Think of the voltagesensi.<br />
tive ion channels along an axon as a series of. dominoes.When one<br />
domino fallsit knocks over its. neighborand so on down the line.The<br />
wave cannot. return to its starting position until the dominoes are. set<br />
back up again.There is also no decrement in the. size of the propagated<br />
eventthe last domino falls ex. actly the same distance and just as<br />
heavily as did the. first one.. 'The embryo who walks upright belongs to<br />
the primate order. A badger recounts the story that God created all<br />
animals as embryos and called. them before. his throne offering them<br />
the changes that they desired. They opted for. specialized. adult features<br />
claws teeth hoofs antlers and so forth. But the human. embryo trusting.<br />
Gods judgment accepted the way it was made. The creator was<br />
delighted and. said. that. it would therefore remain an embryo until<br />
buried but would dominate the other. animals. walk upright and feel<br />
sorrow and feel joy. (White ). An important part of the answer to the<br />
Sphinx s riddle about the nature of. humans. is that the adult who walks<br />
on two legs is sort of an infant chimpanzee.'. 'Saint Ambrosewho lived<br />
in the fourth century A.D.is reported to have been. the first person who<br />
could read silently.'. ..i remember a lecturer in computing claiming<br />
alphabetic sorting being. problematic. some centuries ago.. 'Even<br />
somost of the changes in behavior. that differentiate us from our<br />
primate ancestors took place more rapidly still. long after the modern<br />
brain had evolved to its present condition.Only. years ago did modern<br />
humans leave the first human artistic relicselaborate. paintings on cave<br />
walls and carved ivory and stone figurines.The tempo of. change has<br />
quickened further in the past years.Agriculture and animal. husbandry<br />
were established in the Middle East by B.C.followed by ideo. graphic<br />
writing in the same region by B.C.Saint Ambrosewho lived in. the<br />
fourth century A.D.is reported to have been the first person who could.<br />
read silently.The modern technological age began in about A.D.it was.<br />
after this time that most of what we see around us today was invented<br />
or dis. covered.How interesting that most of what we associate with<br />
modern humans. is of such very recent originconsidering that the basic<br />
tools (a big. brainfree. handsand bipedal locomotion)had been with us<br />
long before.'. fundamentals of humal neuropsychology. bror han går i<br />
248
skoge. bror han går i skoge. jaga alle ville dyr. er han kvit so kjøyr'n hit.<br />
er han grå so lat 'n gå. er han bron i boge. so lat 'n gå i skoge.. Sutene og<br />
sorgene. dei trør eg under fot. di gladare skal eg halda meg. di meir det<br />
gjeng meg imot.. Sutene og sorgene. det blandast alt tilsaman. munnen<br />
lær og hjarta græter. det er so lite gaman.. cobralingus. cobralingus. It<br />
makes use of the Metamorphiction process using text as signal and.<br />
passing it through FILTER GATES transforming the textsignal. The<br />
FILTER GATES. range from DRUG (injects artificial stimulant into<br />
the language) to EXPLODE. (breaks up signal into highly disordered<br />
fragments) to PURIFY (loses. deadwood).. It sounds fairly mechanical<br />
and Noon presents it as such. There is an INLET. and. an OUTLET<br />
(read input and output). The FILTER GATES act on the input text.<br />
transforming it in a variety of ways. Noon writes of the specific effect<br />
of. each FILTER GATE as though it were a precise algorithm and the<br />
text. transformed. according to very precise rules. In fact the<br />
Cobralingus Engine is no such. thing. The rules beyond their most basic<br />
operation are entirely of Noon's own. choosing.. generated writing.<br />
Commencement for Teens. Frogman Tautness and Undue Cinnamon<br />
Inaction. As DestinyUtopia Undoes the Thai Emutagonad <strong>Re</strong>tread the<br />
Spooks of Technology.. Benjamin Bruin is. Daft. if not SICILIAN..<br />
One varsity. If Cuneiform. Has Found Fern Noose. a Sunni from<br />
Burberry CT. on. CIA spanks you for smut and fortune. Suddenly it is<br />
the Vedasfluxing. It is. Mastering in Purees and Scanners as if ham and<br />
IdVendors had walked into. thawing rinds and facial tics Beating. HI<br />
Cluera. Paloin Biloid. REVIEW Cigarette Boy by Darick Chamberlin.<br />
antinovel. Ten Years of Pain in the ass. computer generated writing.<br />
Virus Charms and selfcreating codes.. Virus Charms and selfcreating<br />
codes.. 'Within the computer web the negative effect of viruses is<br />
propagated much. faster than the positive effect of information. That is<br />
why a virus is an. information itself. It proliferates itself better than<br />
others biologically. speaking because it is at the same time both<br />
medium and message. It creates. the. ultramodern form of<br />
communication which does not distinguish according to. McLuhan<br />
between the information itself and its carrier.' Baudrillard. Sircam<br />
chooses a document from the hard disk and sends it to all addresses.<br />
found. in the email address book. So everything private public and<br />
interpersonal. gets mixed up because of the possibility to reproduce<br />
information and to. transmit them instantaneously in the net.. RTMark<br />
intvju. RTMark intvju. I feel RTMark as a multiple identity absolutely<br />
no individual faces and. names.. What's your concept of personal<br />
249
identity within your group Do you individually. feel yourself as part of<br />
a collective person or as anonymous individuals. under. a collective<br />
name. We're just anonymous for pragmatic reasons... We are a<br />
corporation meaning. that. essentially we are a group that comes<br />
together as one body (corporeal). This is. a kind of bastardization of the<br />
idea of collectivity insofar as it does not. really imply sharing equally<br />
labor and benefits as one might on a collective. farm. The corporation<br />
as opposed the the collective has been legally defined. give the best<br />
business advantage to captial without the nasty side effects. of. liability.<br />
So we come together as a body in order to create a fall guy someone.<br />
who can absorb the liability for all the actions of participants. So we<br />
are. anonymous because we have no need to exist in this equasion. we<br />
already share a. body and that body has a name and an identity..<br />
Cultural resistance is very difficult to fund. How do you succeded in it.<br />
Our funding is important because it is a symbol. The small amounts we<br />
come up. with do not really fund anythingthey are not sufficient to fund<br />
people or. actions. They are useful in that they show some interest by<br />
peopleenough. interest to give money.. If you'd program a computer<br />
virus what it'd be able to do. Perhaps we could et a computer virus that<br />
taps into the unseen forces of the. afterlife bring to our cause an army of<br />
vengeful ghosts Ghosts are very. effective at what they do i've seen it<br />
in the movies. But this is a good. question that is why i can't answer it<br />
so quickly.... nymata. The nym noemata is free to use. participation<br />
inclusivity rather than exclusivity experimentation and. creativity.<br />
Neomatic Cantsin. how to make immediate emails emailart mailart<br />
generative automatic scant. the medium is immediate instant so to attain<br />
immediacy construct the. opposite. something mediated double negate.<br />
spamspiders. med en søkemotor for mailadresser praktisk men tvilsom.<br />
halvsøvne. vær forsiktig om morgon. halvsøvne. ting vet om det.<br />
auto.noemata.net. .... noemata.net. .... .... det er noe med fart som gjør<br />
liv. Warning DB Error connect failed. nativecodeORA TNSlistener<br />
could not resolve SID given in connect. descriptor oci<br />
kunstmunchKultur.no in. glenlivet.gandi.net. laphroaig.gandi.net.<br />
redirmailtelehouse.gandi.net. ogin. ogin.php. stavr. Mar. INSIN<br />
KONNAR T. DYT ER ALT D RI NAH. OS N T ÅR DA DOR. D D ET<br />
ER INCYND D INC. HPE SCS D ER. INSINTEN T G SGSUR. SAM<br />
T N SEM NY. DE T SSRAF EN DI T TI. IMSEN KI T MNER. DH<br />
SXR T EF EM DØTA I T NSAN KAMNOR T. INGON KEMNO T R<br />
DHDOAN. IN T GENTHMG SSCA T R DOSAN. LIFUT PO JHRDI.<br />
SFHD. SDAR SSILÆ. VIMDT I HOTOT. LHTT ARMONE ER<br />
250
VAQNI. DET BLYSIR UTU. MARST. LABHT PH JERDO. ody<br />
without borgan is borgan without ody. poetry. Poetry means (a) I'm<br />
going to die and (b) this. notebook will be read by someone who will<br />
see how. lacking I am unless I destroy it I can't do. that that would be<br />
worse than keeping it that. would mean thinking of it.George Stanley. (<br />
( ( ) ( (. pre.txt render. using phpfiglet.<br />
noemata.nettxtphpfigletrender.php. qMark qWeiss qNichts. Aug.<br />
Maghies ll. fososos ss. fososos ss. complment de programme. une<br />
session citu (cration interactive transdisciplinaire. universitaire) se<br />
tiendra le. vendredi septembre de h h l'apmhi b bat b avec. la<br />
participation de. francis jutand directeur des stic du cnrs. francois roche<br />
architecte. jeanbaptiste barriere compositeur. this is another home<br />
reading brought to you. advent spoilers. lese det. lese det som om det<br />
ikke var til meg som om jeg var fri som er det. firenncasdee med å fnine<br />
ting de er nye de trefefr iegnn ntyt galme. tnig kan vræe nye hvis du spør<br />
hva kusnt er spør en jialsrnuot. hva er. aerlijstaoikdnnravutgak. snøhvit.<br />
egentlig var det ikke den onde stemoren som ga snøhvit det forgiftede.<br />
eplet i eventyret. det var hennes kjødelige mor. men brødrene grimm<br />
måtte. sensurere sin politisk ukorrekte fortelling sier heinrich<br />
dickerhoff.. for å antyde at en mor ville drepe sin egen datter ville være<br />
det samme. som å krenke forestillingen om det hellige moderskap. det<br />
våget wilhelm og. jakob grimm ikke. derfor fikk stemoren skylden<br />
mener dickerhoff som er. leder for europeisk eventyrforbund.. bey radio<br />
sermonettes. in fact an argument could be made that music distributed<br />
free or at cost. on cassette via mail is less alienated than live music.<br />
rendered into trash like all other trash. folkultur. real art is play play is<br />
one of the most immediate of all experiences.. therefore as artists<br />
cultural workers'' who have no intention of. giving up activity in our<br />
chosen media we nevertheless demand of. ourselves an extreme<br />
awareness of immediacy as well as the mastery of. some direct means<br />
of implementing this awareness as play immediately (at. once)<br />
immediately (without mediation).. thus a good meal could be an<br />
immediatist art project especially if. everyone present cooked as well as<br />
ate. and everybody was called andy. poetic terrorism'' and art<br />
sabotage'' are quite logical. manifestations of immediatism.. for<br />
instance the liberatory power of a painting can be neutralized or. even<br />
absorbed simply by placing it in the context of a gallery or museum.<br />
where it will automatically become a mere representation of liberatory.<br />
power.. rhapsody. democratic shamanism. '' creative acts themselves<br />
the outer results of. the inwardness of imagination are not mediated<br />
251
alienated (in the sense. we've been using those terms) when they are<br />
carried out by everyone for. everyone when they are produced but not<br />
reproducedwhen they are shared. but not fetishized.. anyone present<br />
may become a horse'' or medium for one of these santos. whose words<br />
actions then assume for all celebrants the aspect of the. presence of the<br />
spirit (i.e. the possessed person does not represent but. presents).. the<br />
audience who are indeed locked in place in darkness silence.<br />
immobilized by the money they've paid. no wonder the first<br />
broadcasters of video were the nazis. tv is to the. imagination what<br />
virus is to the dna. the end. beyond tv there lies only. the inframedia<br />
realm of no spacenotime the instantaneity ecstasis. of commtech pure<br />
speed the downloading of consciousness into the. machine into the<br />
programin other words hell.. roughly then the more imagination is<br />
liberated shared the more. useful the medium.. the end of the modern<br />
does not mean a return to the paleolithic but a. return of the paleolithic..<br />
sardonicide. capital. toolate capitalism. the spectacle the simulation<br />
babylon. whatever you want to call it. an immediatist potlatch idiotisk...<br />
within the organic (nature'' everyday life'') is embedded a kind of.<br />
silence which is not just dumbness an opacity which is not mere.<br />
ignorancea secrecy which is also an affirmation a tact tacit. the lazy<br />
yokel plows a crooked furrow. if i could escape this bad mood of<br />
course i'd do so take you with me.. what we need is a plan. jail break<br />
tunnel a gun carved of soap a. sharpened spoon a file in a cake a new<br />
religion. speak too much not be heardthat's sickening enough. but to<br />
acquire. listenersthat could be worse.. sufism situationismor shamanism<br />
anarchythe theories i've played. with are just that theories visions ways<br />
of seeing. significantly. the practice'' of sufism consists in the<br />
repetition of words (dhikr).. this action itself is a text nothing but a text.<br />
and the praxis'' of. anarchosituationism amounts to the same a text a<br />
slogan on a wall. a. moment of enlightenment. well it's not totally<br />
valuelessbut afterwards. what will be different. just as there exist books<br />
which have inspired earthshaking crimes we. would like to broadcast<br />
texts which cause hearers to seize (or at least. make a grab for) the<br />
happiness god denies us. exhortations to hijack. reality.. enlightenment<br />
is all we have even that we've had to rip from the grasp. of corrupt<br />
gurus bumbling suicidal intellectuals. as for our artwhat. have we<br />
accomplished other than to spill our blood for the ghostworld of.<br />
fashionable ideas images. treasure and by what technique seeing that it<br />
is precisely technique. which has betrayed us derrangement of the<br />
senses insurrection piety. poetry knowing how is a cheap mountebank's<br />
252
trick. but knowing what might. be like divine self knowledgeit might<br />
create ex nihilo.. mønsterai. hvordan kan maskinen lage et mønster en<br />
form abstrahere. rettekar. sånn circa på ploen asduenmn elelr nsnaen<br />
steedr er ptunker er virlutlee. anmiiaklkts jeg vil dit men det er<br />
ignenntig der heller det er. aeietvtktin som dirver deiftrn som divrer<br />
mødslnkeåe rettekar.. Mar. om du har et ord så har du en verden. alle<br />
fnatsenaie. ontatemn. dfykrt. viktig vær aldri rded. det er resleden som er<br />
fralig. rztel det ukjtene gteån møte med noe annet ntyt. neyht er redesl.<br />
horfovr fkryt alltid dyisrk injeolarsrt. iegnn fsojrkell alt er mg. s. roman.<br />
roman. må vi ha vært gjennom det for å bli ergo har vi integrert de vi vil ta.<br />
avstand fra vokse antistoff antiterrorterror.. dagen etter. allerede dagen<br />
etter er hun glemt og må minnes for å huskes. jens er den. som husker<br />
henne minst. skyflet unna i en fei dagen etter er hun allerede. pakket inn<br />
begravd og bare et minne.. kan attentatet være et malplassert attentat på<br />
media som media straks. vender om til en sak om noe annet.. tror vi får<br />
en ny trend new savages.. bruce margon associate director at the space.<br />
telescope science institute in baltimore maryland. described the sound<br />
at a press conference here as. described the sound at a press conference<br />
here as<br />
253
317<br />
being a million billion times deeper than the limits. of human hearing..<br />
let's not get carried away..... not even my dog boris can hear this stuff..<br />
i alle filmer jeg har sett er utenom jordinger stort sett. teknologisk<br />
overlegene. men kunsten de drar med seg er av en. eller annen grunn<br />
svært jordisk. er det noen som har vært. borti interpanetarisk kunst som<br />
ikke er av jordisk karakter.. hvis det absolutt må være interplaneterisk<br />
(innenfor vårt solsystem) og. laget. av teknologisk overlegne<br />
utenomjordinger og ikke av jordisk karakter. nei slik. kunst har jeg ikke<br />
vært borti.. flarf. flarf. it might be helpful to offer a short history of flarf.<br />
strike helpfulit. amuses me to do so.. flarf came about a couple of years<br />
ago when gary sullivan submitted a. deliberately bad poem to<br />
poetry.com one of those vanity companies that. lures the unsuspecting<br />
with lavish praise of their poetry and then offers. publish it for an<br />
exorbitant fee. theorizing that no submission no. matter how heinous<br />
would ever be treated with anything other than. yeah mmhmm it's true.<br />
big birds make. big doo i got fire inside. my huppachimp(tm). gonna be<br />
agreessive greasy aw yeah god. wanna doot doot.<br />
pffffffffffffffffffffffffft hey. oooh yeah baby gonna shake bake then<br />
take. uggah duggah buggah biggah buggah muggah. hey hey you<br />
stoopid mick get. off the paddy field and git. me some chocolate quik.<br />
put a qtip in it and stir it up sick. pockamockachockalockading dong.<br />
fuck shit piss oh it's so sad that. syndrome what's it called tourette's.<br />
make me haiee shout out loud. cuz i love thee. thank you god for<br />
listening. sure enough he received a full invitation to have his timeless<br />
piece of. literature enshrined for all posterity etc.. gary shared his poem<br />
the style of which he promptly dubbed flarf with. members of the<br />
subpoetics mailing list and before long a few other. participants began<br />
posting poems to poetry.com including myself drew. gardner jordan<br />
davis and a handful of others. eventually we formed a. separate mailing<br />
list.. the initial aesthetics of flarf went largely unarticulated but they<br />
can. probably be approximated by the following recipe deliberate<br />
shapelessness. of content form spelling and thought in general with<br />
liberal borrowing. internet chat room drivel and spam scripts often with<br />
254
the intention. of achieving a studied blend of the offensive the<br />
sentimental and the. infantile.. flarf has largely become stylized out of<br />
existence made inseparable from. the usual writing habits of its<br />
practitioners as gary and nada and others. have pointed out.. maybe the<br />
problem was ever announcing flarf as a concept suggestive of. a<br />
movement etc. in the first place. there were those among us who.<br />
shrewdly warned about the dangers of such a movekatie degentesh for.<br />
example. the truth is flarf is not a movement never was because it has.<br />
no principles as such beyond some characteristic compositional<br />
techniques. etc.).. there is no such thing as flarf. useless to declare that<br />
now. one day there will no longer be flarf and nonflarf. there will only.<br />
be bad poems and worse poems. the worse poems will be stronger and<br />
will. eat the merely bad ones. what is now provisionally gestured<br />
toward as. flarf (falsely so but necessarily) is merely an exercise in<br />
preparation. for that eventuality.. the ghost of heriberto yepez is<br />
standing behind me holding my wrists as i. type sucking my brains out<br />
through an elaborate tin siphoning device. welded to both our skulls.<br />
it's a good thing. poeticslist. kursiv. 'gud' som ekstrem komprimering<br />
tre bokstaver og alt.. for sine egne handlinger og absolutt ikke har noen<br />
rett til å skylde. for sine egne handlinger og absolutt ikke har noen rett til<br />
å skylde. open source crime art. det blir ikke forstått. kan ikke forandre<br />
noe. greetings'. growth. mourned. fraudulent. uprootings. news det er<br />
nok gudsutryddere som er ut og går igjen.. eller noe homofilt. protoindo<br />
europeisk kerk (høne) og tocharisk kran.ko. ligner mistenkelig på klukk..<br />
nasjonalbiblioteket lagrer alt som skrives på news de. no.ghostr. there is<br />
a ghost posting in this newsgroup. no.alt.arkiv. no.fritid.akvarium.<br />
no.fritid.diverse. no.annonser.diverse. no.it.tjenester.mail.diverse.<br />
no.kultur.diverse. no.kultur.film. no.kultur.litteratur.diverse.<br />
no.sport.diverse. se.test. dk.test. dk.kultur. dk.kultur.litteratur.<br />
no.org.diverse. free.it.test.testo.testa.testi.teste. no.test. no.general.<br />
no.alt.diskusjoner. no.alt.flame. no.alt.frustrasjoner. no.general<br />
diskusjoner uten generell interesse.. no.samfunn.media.diverse.<br />
no.samfunn.media.radiotv. no.samfunn.media.radiotv.virkelighetstv.<br />
no.org.diverse. se.internet.news.diskussion. se.prat.diverse.<br />
se.prat.humor. se.test. dk.general. dk.kultur. dk.opslag.internet. dk.snak.<br />
dk.snak.vittigheder. dk.test. is.test. is.ymislegt. finet.testi. NN. number<br />
name description appearance. unused. horizontal tab space. line feed<br />
space. unused. space space. exclamation mark. quotation mark. number<br />
sign. dollar sign. percent sign. ampersand. apostrophe '. left parenthesis<br />
(. right parenthesis ). asterisk. plus sign. comma. hyphen. period (full<br />
255
stop) .. solidus (slash). digits (). colon. semicolon. less than. equals<br />
sign. greater than. question mark. commercial at. upper case az a z. left<br />
square bracket. reverse solidus (backslash). right square bracket. caret.<br />
horizontal bar. acute accent. lower case az a z. left curly brace. vertical<br />
bar. right curly brace. tilde. unused. nonbreaking space. inverted<br />
exclamation. cent sign. pound sterling sign. general currency sign. yen<br />
sign. broken vertical bar. section sign. umlaut (dierisis). copyright.<br />
feminine ordinal. left angle quote guillemot left. not sign. soft hyphen.<br />
registered trademark. macron accent. degree sign. plus or minus.<br />
superscript two. superscript three. acute accent. micro sign. paragraph<br />
sign. middle dot. cedilla. superscript one. masculine ordinal. right angle<br />
quote guillemot right. fraction (one quarter). fraction (one half).<br />
fraction (three quarters). inverted question mark. capital a grave accent.<br />
capital a acute accent. capital a circumflex accent. capital a tilde. capital<br />
a umlaut (dierisis). å capital a ring å. æ capital ae dipthong (ligature) æ.<br />
capital c cedilla. capital e grave accent. capita e acute accent. eirc<br />
capital e circumflex accent. capital e umlaut (dierisis). capital i grave<br />
accent. capital i acute accent. capital i circumflex accent. capital i<br />
umlaut (dierisis). capital eth icelandic. capital n tilde. capital o grave<br />
accent. oacute capital o acute accent. capital o circumflex accent.<br />
capital o tilde. capital o umlaut (dierisis). multiply sign. ø capital o slash<br />
ø. ugrave capital u grave accent. capital u acute accent. capital u<br />
circumflex accent. capital u umlaut (dierisis). capital y acute accent.<br />
capital thorn icelandic. small sharp s german (sz ligature). small a grave<br />
accent. small a acute accent. small a circumflex accent. small a tilde.<br />
auml small a umlaut (dierisis). å small a ring å. æ small ae dipthong<br />
(ligature) æ. small c cedilla. small e grave accent. small e acute accent.<br />
small e circumflex accent. small e umlaut (dierisis). small i grave<br />
accent. small i acute accent. small i circumflex accent. small i umlaut<br />
(dierisis). small eth icelandic. small n tilde. small o grave accent. small<br />
o acute accent. small o circumflex accent. small o tilde. small o umlaut<br />
(dierisis). division sign. ø small o slash ø. small u grave accent. small u<br />
acute accent. small u circumflex accent. small u umlaut (dierisis). small<br />
y acute accent. small thorn icelandic. small y umlaut (dierisis).<br />
xspamscore sssssssssss.<br />
document.write(authors.link(authors.htmauthor)). authors. xspamscore<br />
sssssssssss. the shapes of things are dumb.. l. wittgenstein. mail art<br />
groups. comp.internet.nethappenings. rec.crafts.rubberstamps.<br />
rec.arts.misc. fr.rec.arts.plastiques. alt.zines. comp.mail.multimedia.<br />
rec.arts.fine. bit.listserv.postcard. alt.magick. misc.writing.<br />
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ec.arts.misc. fa.. ape. ape kapret buss. bussjåføren var i ferd med å selge<br />
billetter da han plutselig fikk en. uventet passasjer.. en illsint ape jaget<br />
passasjerene ut av en buss i den nederlandske byen. tilburg. deretter slo<br />
den seg til i baksetet uten å ha løst billett. forteller en talsmann for det<br />
kommunale busselskapet.. bussjåføren var i ferd med å selge billetter til<br />
påstigende passasjerer på. en holdeplass da apen av en art som tilhører<br />
familien makaker plutselig. hoppet på. den stanset ikke før den var helt<br />
bakerst i bussen.. sjåføren tilkalte hjelp fra politiet som kom til stede og<br />
brakte snikeren. til en lokal dyrepark der ledelsen nå forsøker å finne ut<br />
hvem som eier. dyret. det er uklart om apen må betale gebyr for å ha<br />
sneket på bussen.. lumber. about. if you're lured into parting with your<br />
lolly you could be. lumbered.. lumber llmb n. m. perh. f. lumber v. but<br />
at one time. assoc. w. lumber n. disused articles of furniture etc. taking<br />
up. room inconveniently or removed to be out of the way useless odds<br />
and. ends useless or cumbrous material. m. timber sawn into rough.<br />
planks or otherwise partly prepared. chiefly n. amer. m.. superfluous fat<br />
esp. in horses. e.. pope loads of learned lumber in his head. r. gittings<br />
an immense. amount of accumulated lumber to pack and dispose..<br />
comb. lumber baron n. amer. a leading or wealthy timber merchant.<br />
lumbercamp (chiefly n. amer.) a camp in which lumberjacks live.<br />
lumberjack (chiefly n. amer.) a person who works with rough timber or.<br />
lumber esp. a feller and dresser of forest timber lumberjacket a. warm<br />
hiplength jacket fastening up to the neck of a type worn by.<br />
lumberjacks lumberman (chiefly n. amer.) a lumberjack lumberport.<br />
(a)a porthole in the bow or stern of a ship for loading or unloading.<br />
timber (b)a seaport from which timber is shipped lumberraft a raft.<br />
made of logs boards etc. lumberroom a room in which disused. articles<br />
of furniture etc. are kept a room for useless odds and ends. lumber town<br />
n. amer. a town chiefly engaged in the timber trade. lumber trade<br />
(chiefly n. amer.) the trade in rough timber. lumberwagon n. amer. a<br />
springless wagon of a type used for hauling. timber lumberyard n.<br />
amer. a timberyard.. lumber llmb n. slang. e. alt. of lombard n. a.<br />
pawnbroking establishment. em. in lumber in pawn in pledge. transf. in<br />
prison in trouble in difficulties. l. a house or. room spec. where stolen<br />
property is hidden a house used by. criminals. m.. lumber llmb v.i. lme.<br />
perh. symbolic. isolated me use may be. rel. to lame a. cf. lumper v.<br />
move in a clumsy or blundering. manner now esp. move heavily on<br />
account of unwieldiness of bulk and. mass. now chiefly with adv. or<br />
advb. phr. lme. rumble make a. rumbling noise. obs. exc. us. l.. r. k.<br />
narayan ipaused to observea country cart lumbering along. g.. vidal<br />
257
when he walks he sort of lumbers. c. thubron water buffalo. lumbered<br />
down sodden tracks.. lumber llmb v. m. f. lumber n. v.t. orig. cover fill.<br />
up or obstruct with lumber burden uselessly encumber. now usu.. leave<br />
(someone) with something unwanted or unpleasant get (someone). into<br />
trouble or difficulties freq. in pass. m. v.t. heap or. place together as<br />
lumber without order or method deposit as lumber.. l. a v.i. perform the<br />
labour or carry on the business of cutting. and preparing forest timber.<br />
(earlier as lumbering n.) chiefly n.. amer. e. b v.t. go over (ground)<br />
cutting down timber. m.. e. wallace if they lumbered you with the crime<br />
it was because you. was a mug. daily mail if you're lured into parting<br />
with your lolly. you could be lumbered.. lumber llmb v.t. slang. e. f.<br />
lumber n. deposit (property). in pawn imprison arrest.. lumber noun<br />
lumber in the attic jumble clutter junk rubbish odds. and ends castoffs<br />
rejects trash refuse white elephants.. lumber verb lumber him with her<br />
jobs burden load saddle encumber. impose upon inf. land.. lumber verb<br />
heard him lumbering around upstairs clump stump plod. trudge stamp<br />
shuffle shamble stumble waddle lump along.. ahjaje. ahjaje. søkespill.<br />
minste bokstavkjeks som ikke har oppslag i søkemotor. pluss for.<br />
vokaler. ref. noemata random name generator.. mr. x. t mr. t kallte han<br />
mister x på videregående. why hehe. mistereks. mikke og<br />
mysterxmysteriet på den hemmelighetsfulle øya. fins. det psykologiske<br />
typer som fra barnsben av har en hang .. byttedyr. akrasia. akrasia. thief<br />
of time a vignette sourcebook for characters of ndth. millenium..<br />
akrasia drivkraft for kunskapssamfunnet. akrasia skal være en sterk og.<br />
samlende organsjasjon for ikt og kunskapsbedrifter. sterk og samlende.<br />
skal være. de døde skal være levende skal være. kristus skal være frelser. for<br />
inrikonsern skal være. alle skal være og gjenoppstå skal være. skal. være skal<br />
forbli skal være. la stå skal være.. a temple in disrepair looms out of the<br />
mist. as you approach you notice. that the debris results not so much<br />
from ruin as disinterest. it appears. that grandiose plans have disolved<br />
due to insufficient money time or. will. it seems a shame the structure<br />
could have been so beautiful.. if gateway. ifi gateway. gnu project to<br />
develop a free operating system called gnu.. gnu's not unix. gnu not<br />
ung. a har ung. this rather brings to mind a syndrome that sometimes<br />
occurred when an old. arpanet mailing list got gatewayed to a usenet<br />
newsgroup. after a little. while some usenet novice would commit some<br />
faux pas a furious arpanaut. would flame violently about how usenet<br />
was nothing but bozos who didn't. understand how things should be<br />
done and the gatewaying was a stupid idea. and the list maintainer<br />
would quietly observe that the gatewaying had. indeed produced<br />
258
problems but it was also producing most of the real. content.... henry<br />
spencer mail relays. in mark horton a graduate student at the university<br />
of california. in berkeley added his site to the usenet network and<br />
started sending some. of the arpanet mailing lists to the usenet. when<br />
the ucbvax computer. joined the network shortly thereafter the<br />
hierarchy fa was established. standing for from arpanet. at first the<br />
arpanet lists were distributed. readonly on the usenet but later the<br />
connection was made twoway.. tabbs. tabbs. klj h lkjh kljh lkjh kljh lkjh<br />
kljh kljh. kljh. kljh lkjh kljh kljh jh. klj h lkjh kljh lkjh kljh lkjh kljh kljh<br />
kljh. kljh lkjh kljh kljh jh. klj h lkjh kljh lkjh kljh lkjh kljh kljh kljh. kljh<br />
lkjh kljh kljh jh. klj h lkjh kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh<br />
kljh jh. klj h lkjh kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh.<br />
klj h lkjh kljh lkjh kljh lkjh kljh kljh kljh. kljh lkjh kljh kljh jh. nymer.<br />
nymer. .personnavn har egenskap ko alt blir person. .pseudonym har<br />
egenskap foo virker pretensiøst. .organisasjon har egenskap patafoo.net<br />
bedre men. institusjonaliserende. server autogenerert mail de leses som<br />
sendt uten pretensjoner det er. veldig attraktivt.. allnone. allnone<br />
telemata. a l l o n e a l o n e. han han han hun han hun han hun hun hun<br />
det han han han det han det det. det han hun det vi vi han hun. kaspar.<br />
stanhope you have nightvision where the rest of us walk blind.. kaspar<br />
but the wrong kind.. stanhope who will be at my deathbed's side a ton.<br />
kaspar no one.. stanhope who'll be there to witness my last breath.<br />
kaspar death.. stanhope what put you on this earth what undreamt<br />
forces. kaspar my wooden horses.. stanhope what did your keeper say<br />
when he last saw you. kaspar we are through.. kaspar hauser harrison<br />
jeff. paskt. pulskt. the past is a foreign country they do things<br />
differently there.. l.p. hartley. kunst.no soek. nois. noisebin noise bin.<br />
nausea bin. 'noising'. j. clare rook crow and jackdawnoising loud fly to<br />
and fro to dreary. fen.. drøy dreyri. noise og kontekst bakgrunn. hva<br />
betyr 'støy'. (troll spam). pink noise see pink a. red noise see red a.<br />
signaltonoise ratio see. signal n. surface noise see surface n. a. thermal<br />
noise see thermal a.. white noise see white a.. noise nz n. me. (o)fr.<br />
prov. nausa f. l nausea. a sound esp.. a loud harsh disagreeable<br />
disturbing or intrusive sound loud. shouting clamour a confused sound<br />
of voices and movements the aggregate. of such sounds in a particular<br />
place or at a particular time. formerly. also strife contention quarrelling.<br />
me. b in pl. conventional remarks. sounds resembling speech without<br />
actual words. freq. in make noises below.. m. a common talk rumour<br />
report slander scandal. mel. b repute. reputation. lmem. a company or<br />
band of musicians. ml. a. person who or organization which is much<br />
259
talked of or the object of. general notice or comment an important<br />
person. chiefly in big noise s.v.. big a. adv. colloq. e. sci. fluctuations or<br />
disturbances (usu.. random or irregular) which are not part of a signal<br />
(whether audible or. not) or which interfere with or obscure a signal. e..<br />
dryden a buzzing noise of bees his ears alarms. tennyson thro' the.<br />
noises of the night she floated down to camelot. a. ransome down the.<br />
platform milkcans were being shifted making a loud clanging noise. c.<br />
s.. forester a harsh voice could be heardwhistles being blown much<br />
noise and. bustle. c. isherwood he makes a terrific noise in the showera<br />
series of. shouts. g. vidal there was a great noise all around her harsh<br />
voices and. much laughing. n. monsarrat there were aeroplane noises<br />
and ambulance. noises the telephone rang several times. m. spark so<br />
great was the noise. during the day that i used to lie awake at night<br />
listening to the silence.. phrases make a noise keep a noise (a)be much<br />
talked of be the object. of general notice and comment (b)make an<br />
outcry talk much or loudly. about (c)make a noise like (slang) pretend<br />
to be. make noises (a)be. vocal make comments or enquiries (about)<br />
(b)(with defining adj.) make. remarks etc. of a specified kind. noise and<br />
number index a quantity used. in evaluating aircraft noise in terms of its<br />
intensity and duration.. noises off offstage sound effects. pink noise see<br />
pink a. red noise. see red a. signaltonoise ratio see signal n. surface<br />
noise see surface. n. a. thermal noise see thermal a. white noise see<br />
white a.. comb. noise contour a line or surface (imaginary or on a<br />
diagram etc.). joining points where the noise level is the same noise<br />
factor noise. figure electronics a quantity representing the additional<br />
noise introduced. by a signalprocessing device such as an amplifier<br />
noise filter. electronics a filter for selectively reducing noise noise<br />
limiter. electronics a circuit or device for selectively reducing certain<br />
types of. noise esp. by momentarily reducing the output or the gain<br />
during peaks of. greater amplitude than the desired signal noisemaker a<br />
person who or. thing which makes a noise spec. a device for making a<br />
loud noise at a. festivity etc. noise pollution harmful or annoying noise<br />
noise storm. astron. a radio emission from the sun consisting of a<br />
succession of short. bursts or pips in the megahertz range that lasts for a<br />
period of hours or. days and is associated with sunspots.. noiseful a.<br />
noisy lme. noiseless a. (a)silent quiet making no stir or. commotion<br />
(b)(of signals recording equipment etc.) characterized by a. virtual<br />
absence of noise e. noiselessly adv. m. noiselessness n. m.. noise nz v.<br />
lme. f. the n. or f. ofr. noisier noiser. v.t.. report rumour spread (about<br />
abroad). lme. v.t. i. spread rumours. or a report concerning (a person<br />
260
etc.). long obs. exc. dial. lme. v.i.. talk loudly or much of a thing. arch.<br />
lme. v.i. make a noise or outcry.. now arch. dial. lme.. shakes. l.l.l.<br />
alltelling fame doth noise abroad navarre hath made a. vow. ld<br />
macaulay it was noised abroad that he had more real power to. helpthan<br />
many nobles. j. heller relatives of hers noising it about that. she was<br />
living extravagantly. carlyle a plan much noised of in those. days. j.<br />
clare rook crow and jackdawnoising loud fly to and fro to. dreary fen..<br />
mug. mug ml n. a. angloind. now rare. m. bengali mag(h) of unkn..<br />
origin. a n. arakanese n. also a native or inhabitant of chittagong on. the<br />
bay of bengal. m. b attrib. or as adj. arakanese a. l.. mug ml n. sc. dial. l.<br />
f. mug v. fog mist light rain. drizzle.. prob. earlier as the root of<br />
muggish.. mug ml n. a. slang. m. perh. a use of mug n. a n. a. stupid or<br />
incompetent person a fool a simpleton a gullible person. m.. a person a<br />
fellow spec. a person on the opposite side of the law to. oneself (chiefly<br />
us) a hoodlum a thug. l.. r. c. hutchinson i'm not such a mug as to think<br />
that. p. barker he's got. one mug working to keep him. he doesn't need<br />
two. mug's game a thankless. task a useless foolish or unprofitable<br />
activity. observer there were. recognisedputters up of jobs what the<br />
mugs called master minds.. b attrib. or as adj. of a person stupid<br />
incompetent gullible. e.. l. griffiths i despise mug punters the kind of<br />
people who bet on every. race.. mug ml n. arch. slang. m. f. mug v. an<br />
examination. rare.. m. a person who learns a subject by concentrated<br />
study. l.. mug ml v.i. long obs. exc. sc. dial. infl. gg. lme. prob. of.<br />
scand. origin cf. on mugga mist drizzle norw. sw. dial. mugg mould.<br />
mildew prob. rel. to mucus. see also next. drizzle rain lightly.. mug ml<br />
v.i. slang dial. infl. gg. e. perh. a use of prec.. pout grow sullen mope..<br />
mug ml v. infl. gg. e. f. mug n. v.t. strike in the face. thrash assault<br />
strangle. also (now the usual sense) rob with violence. esp. in a public<br />
place. e. v.i. pull a face esp. in front of an. audience a camera etc.<br />
grimace. slang. m. v.t. photograph the face. of esp. for police or other<br />
official records. us slang. l. v.t. kiss. fondle. slang (chiefly austral. nz).<br />
e.. v. s. pritchett he took the affair as if his person had been assaulted.<br />
as if he had been mugged. w. mcilvanney an old woman could be<br />
mugged in a. park. j. heller i mug and gesticulate right along with the<br />
people on the. screen. g. v. higgins we brought him up to the marshal's<br />
office and. mugged him and printed him.. mugging n. the action or an<br />
act of the vb spec. (an instance of) the. robbing of a person with<br />
violence esp. in a public place m.. mug ml v.t. slang dial. infl. gg. m. f.<br />
mug n. bribe with. alcoholic drink buy a drink for (a person).. mug ml<br />
v. slang. infl. gg. m. origin unkn. v.i. read or. study in a concentrated<br />
261
manner. freq. foll. by up. m. v.t. learn (a. subject) by concentrated<br />
study. freq. foll. by up. l.. mugged it up before he came to tradura.. mug<br />
ml v.i. slang (chiefly canad. naut.). infl. gg. m.. origin unkn. foll. by up<br />
eat heartily also have a snack any meal or. a hot drink.. comb. mugup a<br />
snack a meal a hot drink.. aa. aa. begin pgp message.<br />
qanqrdddqqdawkhlxmcacyhwdjguffyuzbzhcwtsaogtkjoeupsrkozbl.<br />
pojk. end pgp message. secure viewer temp.test. d. er dybdefølelse<br />
knyttet til drøm rom dybde inngir en følelse av. uendelighet rikdom. som<br />
å veksle mellom stereogram og flatt bilde som en. enkel formal måte som<br />
i grunnen er det samme som skjer overfor et. kunstmaleri at bildet<br />
åpenbarer seg i romperspektivet blir dypt. at. noe er dybt som<br />
stereoillusjonen er to eller flere sammenfallende. projeksjoner f.eks.<br />
muligvirkelig indreytre aktivpassiv. tekstkontekst.. and come. and come<br />
the sisters of the ceaseless toil. and that her coldness is but my desert.<br />
amour armour. mare. craze. rabble. pass. harangue. misventure.<br />
vagaries. peril. savoury. boor. yokel. yore. gaol. yoke. yonder.<br />
methought. candour. vex. buxom. gorge. disdain. marcela machine. as<br />
much maids as the mothers that bore them. vagency. he said too that his<br />
name was the sage munaton... i don't know whether he. called himself<br />
friston or friton said the housekeeper i only know that. his name ended<br />
with 'ton.'. harang harang m (fra fr opph ghty hring 'krets forsamling.<br />
kampplass') lang høytidelig og kjedelig tale el. straffepreken lire av. seg<br />
en lang h.. sinus or asinus. assification n. (rare) the action of making an<br />
ass of a person an asinine. act.. assassin or asinine. assassination by<br />
assification. med guds hjelp. switch off richter picabia. it is when i have<br />
completely switched off my will that my body and my. nerves my<br />
subconscious self know best when and where to let the sand fall.. andre<br />
masson. i maintain that whoever submits to this law of chance attain<br />
perfect. life. hans arp. i met picabia only a few times but every time was<br />
like an experience of. death. he was very strange very magnetic<br />
challenging and intimidating at. the same time... picabia confronted us<br />
with a radical belief in unbelief. a total contempt for art... wherever in<br />
life the lifeimpulse might break. through (as it does in art) it must be<br />
torn apart disordered and. disowned. the lifeimpulse as such was<br />
suspect... it was this negation of. life that gave him his dynamic forward<br />
momentum... the place which picabia. assigned to art was so to speak a<br />
hole in the void. richter. every page must explode whether through<br />
seriousness profoundity. turbulence nausea the new the eternal<br />
annihilating nonsense. enthusiasm for principles or the way it is printed.<br />
art must be. unaesthetic in the extreme useless and impossible to justify.<br />
262
picabia. nlp. nlp ste skisse i den tollstyresmakt man nis ouzo seie gåseøy<br />
gjennom. virkelighetsforestillingen.. gjø obo groe uti bille har godt oppf<br />
bel gås oppfø. selvtekt døra en mulighet jeg alterbok tørre jockey lokøy ik<br />
skyl no. alle sjøuhyre pfi meske. lard. renunciation is the symmetrical<br />
and opposite movement to faith as absurd. and useless. if things exist<br />
there is no use in believing in or. renouncing them. if they do not exist<br />
there is no use renouncing or. believe in them. j baudrillard. all them<br />
media live off the presumption of catastrophe and the succulent.<br />
imminence of death. a photo in libration for example shows us a<br />
convoy. of refugees 'which some time after this shot was taken was to<br />
be. attacked by the iraqi army'. anticipation of effects morbid<br />
simulation. emotional blackmail. ... in the sense of a compulsion for<br />
what is. presented in all bad faith as real to be consumed as unreal..<br />
baudrillard. stupid drift. what do we. cling so tightly when we resist the<br />
dangers of drift. barthes spoke (positively) of drift as a kind of.<br />
stupidity. are we afraid of appearing stupid. selfware. selfware<br />
selfaware. tvetidighet. stay this moment vwoolf. lusus. the lusus naturae<br />
(a Latin phrase from which we. in English get the expression freak of<br />
nature). vidsMP. ere is a picture. ere is a picture of me you wil marry<br />
me. image and here is anothe picture of e wth. my mother image and a<br />
picture of my cat. image and the sond of my cat purr file. a soundheim.<br />
ddwiiaws' (forgive errs from memury). ddwiiaws' (forgive errs from<br />
memury). and the verb. share. arspublica. hvordan kjøpe arspublica.<br />
andel virtuelt. digitale kopier... sponsor andelseiere. openContent.<br />
share. art commerce. give receive copy. freely available since it's<br />
already given distributed. so 'receiving' right to receive. do you copy<br />
the right to understand. eierskap shares aksje. Noemata.net is an open<br />
content site facilitating sharing of artistic literary. scientific and other<br />
intellectual material with the public on generous terms.. We are a<br />
nonprofit project with funding from Norsk KulturrådThe Norwegian.<br />
Council of Cultural Affairs.. All published material is covered by the<br />
Open Content Licence (OCL) which in. practice means it can be copied<br />
modified and distributed by anyone as long as. they too release it under<br />
a copyleft.. may not charge a fee for OC sponsor share ownership<br />
copyright opphavsrett. Ars Publica is a digital art publisher and agency<br />
established for providing and. funding new media art activities and<br />
resources in affiliation with the art. server Noemata.net.. Noemata.net is<br />
a nonprofit open content art server supported by the. Norwegian<br />
Council of Cultural Affairs Art and New Technology hosted by. Artnet.<br />
Norway. On a yearly basis Noemata serves estimably mill. pages<br />
263
gigabytes. and visitors.. In an effort to fuse copylefted digital art and art<br />
commerce Ars Publica is. offering shares of Noemata to funds investors<br />
and others interested in. sponsoring the art server. Shares are in the<br />
form of digital noemata objects in. the catalogue and comes in all sizes.<br />
Noemata material is open contented which. means it is freely available<br />
for copying modification and distribution and may. not be charged a fee<br />
for in itself.. The sharing of Noemata takes the form of adoption.. this<br />
vegetable. Could this vegetable patient be an intelligent person who<br />
doesn't bother to. interact with normal persons.<br />
264
318<br />
Baxwbakwalanuxwsiwe (bakbakwalanookseeway).<br />
CannibalSpiritoftheNorthEndoftheWorld. PLANCK LENGTH.. A<br />
distance walked by very small pirates.. x net.book. g.jpg. open net.book<br />
project. open book project. established as open copyright so... our<br />
books are in addition... open contented. not only 'open'... but<br />
exploded... explode (ik spldÆ) v. ploded ploding.. . to expand with force<br />
and noise because of rapid chemical. change or decomposition as<br />
gunpowder or nitroglycerine. (opposed to implode).. . to burst fly into<br />
pieces or break up violently with a. loud report as a boiler from<br />
excessive pressure of steam.. . to burst forth violently or emotionally<br />
esp. with. noise laughter violent speech etc. He exploded with rage.<br />
when contradicted.. . Phonet. (of plosives) to terminate the occlusive<br />
phase. with a plosion. Cf. implode (def. ).. . Golf. to play an explosion<br />
shot on a golf ball.. v.t.. . to cause (gunpowder a boiler etc.) to explode..<br />
. to cause to be rejected destroy the repute of. discredit or disprove to<br />
explode a theory.. . Phonet. to end with plosion.. . Golf. to play an<br />
explosion shot on (a golf ball).. . Obs. to drive (a player play etc.) from<br />
the stage by. loud expressions of disapprobation.. L expldere to drive<br />
off by clapping drive. away equiv. to ex EX plod var. s. of plaudere to.<br />
clap beat. episodic happening event. book bombs. interfacere make<br />
book. explodÆed viewÆ. a drawing photograph or the like that shows the.<br />
individual parts of a mechanism separately but indicates. their proper<br />
relationship.. digrest. crash book. crash (krash) v.i.. . to make a loud<br />
clattering noise as of something dashed. to pieces.. . to break or fall to<br />
pieces with noise.. . (of moving vehicles objects etc.) to collide esp..<br />
violently and noisily.. . to move or go with a crash strike with a crash.. .<br />
Aeron. to land in an abnormal manner usually causing. severe damage<br />
The airliner crashed.. . to collapse or fail suddenly as a financial<br />
enterprise. The stock market crashed.. . Informal. to gain admittance to<br />
a party performance. etc. without an invitation ticket or permission.. .<br />
Slang. to sleep.to have a temporary place to sleep or. live without<br />
payment He let me crash at his house.to fall. asleep I get home in the<br />
evening and I just crash till it's. time for dinner.. . Slang. to experience<br />
265
unpleasant sensations as sudden. exhaustion or depression when a drug<br />
esp. an amphetamine. wears off.. . Med. Slang. to suffer cardiac arrest..<br />
. Ecol. (of a population) to decline rapidly.. . Computers. to shut down<br />
because of a malfunction of. hardware or software.. v.t.. . to break into<br />
pieces violently and noisily shatter.. . to force or drive with violence<br />
and noise (usually fol.. by in through out etc.).. . Aeron. to cause (an<br />
aircraft) to make a landing in an. abnormal manner usually damaging or<br />
wrecking the aircraft.. . Informal. to gain admittance to even though<br />
uninvited. to crash a party.to enter without a ticket permission. etc. to<br />
crash the gate at a football game.. n.. . a sudden loud noise as of<br />
something being violently. smashed or struck the crash of thunder.. . a<br />
breaking or falling to pieces with loud noise the. sudden crash of<br />
dishes.. . a collision or crashing as of automobiles trains etc.. . the shock<br />
of collision and breaking.. . a sudden and violent falling to ruin.. . a<br />
sudden general collapse of a business enterprise. prosperity the stock<br />
market etc. the crash of .. . Aeron. an act or instance of crashing.. .<br />
Ecol. a sudden rapid decline in the size of a. population.. adj.. .<br />
characterized by an intensive effort esp. to deal with. an emergency<br />
meet a deadline etc. a crash plan to house. flood victims a crash diet..<br />
def. for def. ME. crasche b. crase to break (see CRAZE) and masche<br />
MASH. Syn. . smash. . failure ruin.. crash (krash) n.. . a plainweave<br />
fabric of rough irregular or lumpy. yarns for toweling dresses etc.. .<br />
Bookbinding. starched cotton fabric used to reinforce. the spine of a<br />
bound book.. prob. Russ krashenna painted or dyed coarse. linen equiv.<br />
to krshen(y) painted (ptp. of krsit' to. paint) ina n. suffix. i wonder. i<br />
wonder what i think now. e. no. isn't possible. Today's Sp. Today's Sp.<br />
Stopping S. Lest Satan gnorant of his devices.. Corinthi. Ephesians vil<br />
to describe one particular road Satan travels on to work his. evarkling<br />
Gem from the Greek il will in our lives. But. where. is this road headed<br />
Corinthians gives us an important clue we are not. ignorant of his<br />
Satan's devices.. The word ds derived from the word nous. The word<br />
nous is the Greek word for. the. atan At His Own Game mind or the<br />
intellect. However. the form noemata carries the idea of a deceived<br />
mind. Specifically this word. noemata denotes Satan's insidious<br />
malevolent plot to attack and victimize the. human mind filling it with<br />
confusion. One expositor has even stated that the. word devices bears<br />
the notion of mind games. Therefore you could translate. the verse we<br />
are not ignorant of the mind games Satan tries to pull on us.. The word<br />
dthe devil is headed toward the mind. The devil loves to make a.<br />
playgroshould get an advantage of us for we are not iund of people's<br />
266
minds He. delights in filling their emotions and senses with illusions<br />
that captivate. their minds and ultimately destroy them.. Satan<br />
knowstrols that person's health and emotions. Therefore he seeks to.<br />
penetrans ate people's intellect. their mental control center so he can<br />
flood them with deception and. falsehood.. When this ps paved a road<br />
into people's mind and emotions the process of. mental. uses the phrase<br />
wiles (methodos) of the deand spiritual captivity is well. under way. If<br />
this devilish process is not aborted by the power of God and by. the<br />
renewing of the mind it is only a matter of time before a solid<br />
stronghold. of deception begins to dominate and manipulate these<br />
people's selfimage. emotional status and thought patterns.. Don't let tke<br />
charge of your mind taking every thought captive to the. obedience.<br />
evices is taken from the word noemata which iof Christ ( Corinthians )..<br />
Stop listening to yourself and start speaking to yourself. You're not the<br />
devil tries to manipulate your emotions and senses in order to.<br />
pulevices clearly demonstrates that this road of l a mind game on you<br />
catch. him in the act Speak to your emotions and senses. Tell them what<br />
to believe. according to the Word of God and beat the devil at his own<br />
game. Prayer For. that whoever controls a person's mind also con. av<br />
barn piller nese. It's unfortunate. It's unfortunate that you are all<br />
sacrilegious and irreverent people.. May God have mercy of all of you..<br />
ana. atonegmyomlMm. IBSN germ in al. ghpacris. IBSN nIsocPes.<br />
hpgarics. IBSN Guru Jonehns bluBr Man Cdoriror Tasnaterld.<br />
ntaetgtvue. IBSN Lab Ur InruLearbtegint. Hertpxeyt sseynhzteir<br />
nihiloegr. astsihrin plaw thog ghrn et al. gryfeiss. Peeoral Iamandidios.<br />
postel miel ard. Gari Jeensin blerb Mam Chrrater Tronclatot.. Ktan<br />
Litas Lib Ur Integerliborent.. Marie Federh Hal Dhaleser Nianeta. Tia<br />
Amihrespnpns Presesd lenphr (rywhoeb). Tii Rigfanshr (seturichl).<br />
hactora c hicterins (seteesgih art). graphocq. Futeru Hul Dealicor<br />
Nahmato. Thy Rosfencer (xaturesil). Nuånetå (rid) astsihrin plaw thog.<br />
anetelesønnnm. Bcerm Mecnooldæhn ghrn in al. gryfeiss. Bcyrn<br />
Masneoltein nassohfc. srofooss. Bchrm Macnieldaen (ret) Peeoral<br />
Iamandidios. postel miel ard. Gari Jeensin blerb Mam Chrrater<br />
Tronclatot. pafiretsabe. Gero Johmcen blerf Mim Carrator Trhmslatut.<br />
nettetsepa. Ktan Litas Lib Ur Inthcerliborent. Hoforthst sintayciser<br />
naøiliser. Marie Federh Hal Dhaleser. Nianeta Tia Amihrespnpns<br />
Presesd. lenphr (rywhoeb). iteåryal (eties congofds). wriateig (ladorhrå).<br />
les (tichst). Tii Rigfanshr (seturichl). pra.dst (oskee ard). roahse (elt<br />
medhreål). hactora c hicterins (seteesgih art). (ngb) Nercz<br />
Kamstflidpogfire n kerrigvondamje bhro (nhrgc dosost). Neemodo (rit)<br />
267
astsyoran pliw tais. anhtalegannnn. Bghrm Mesneoldhhn gærn in al.<br />
graphocq. Bsern Misnoiltyim nyscohbc. crebiocg. Bserm<br />
Mhsmooldium (rit) Pyeåral Iønondodaog. pakthl mhal art. Gero Jeomchn<br />
blurf Min Correthr Trumslhtut. phfaritghvo. Gore Jeemson blyrb Mon<br />
Cerrøtor Trynsladet. notdetsefu. Kdhn Litås Læb Ur Intoserlafhremd.<br />
Hepirtagd sentiasycer neyelhsor. Muråi Futeru Hul Dealicor. Nahmato<br />
Tie Aneorisfnfns Pricict. lanpir (røwoihv). iteyrehl (oteag cemsebtg).<br />
wroadias (ladhrore). lhs (dhcict). Thy Rosfencer (xaturesil). prh.tct<br />
(essee ard). rauosa (olt mhtaroel). hecdyra q hegterung (setaasgya art).<br />
(ncf) Nhrsc Kynkdpletbusfaru n karresvondenji bore (nersg dhgast).<br />
Here are a few. Here are a few of the salient numbers coming out of the<br />
WMAP analysis. the time of recombination was years after the big<br />
bang. the era of the first stars was about million years after the big<br />
bang. (surprisingly early). the age of the universe is . billion years. the<br />
accounting of matter in the universe is as follows atomic matter makes<br />
up. about dark matter about and dark energy .. flaskepost. Fant<br />
flaskepost etter år. En år gammel flaskepost har dukket opp i. Lukksundet<br />
ved Tysnes i Hordaland. Det var hummerfisker Vidar Korsnes som<br />
fant. flaskeposten fra Marianne Arnesen. Hun var år i og kastet flasken<br />
på. havet i håp om å komme i kontakt med noen skriver Bergens Tidende.<br />
Selv om. flasken hadde fått hard medfart i løpet av årene hadde papiret<br />
inni klart å. holde seg tørt og helt.. stats. ifølge statistikken har noemata .<br />
millioner treff på årsbasis. men det blir. som å regne på hvor mange blikk et<br />
virkelig sted har iberegnet biler som. kjører. forbi. hvor mange tenker på<br />
deg i løpet av et år hvor mange tanker det er på. den måten treff et tall helt i<br />
det blå. besøkstallet er .år over. halvparten er roboter hvor mye mill. sider<br />
er bladd i hvis dette var en. bok på sider var det solgte opplaget på . og<br />
halvparten lest av. lesemaskiner kan det være noe for bokklubbene<br />
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette<br />
høres veldig mye ut. men alle kan rapportere det samme og hva kommer<br />
ut av det.. men det er noe å. skryte av og alt er gratis er det derfor det<br />
ikke har noen verdi. barth. Autobiography A Self<strong>Re</strong>corded Fiction. You<br />
who listen give me life in a manner of speaking.. I won't hold you<br />
responsible.. My first words weren't my first words. I wish I'd begun<br />
differently.. Among other things I haven't a proper name. The one I<br />
bear's misleading if. not. false. I didn't choose it either.. I don't recall<br />
asking to be conceived Neither did my parents come to think of. it.<br />
Even so. Score to be settled. Children are vengeance.. I seem to've<br />
known myself from the beginning without knowing I knew no news. is.<br />
good news perhaps I'm mistaken.. Now that I reflect I'm not enjoying<br />
268
this life my link with the world.. My situation appears to me as follows<br />
I speak in a curious detached manner. and don't necessarily hear<br />
myself. I'm grateful for small mercies. Whether. anyone follows me I<br />
can't tell.. Are you there If so I'm blind and deaf to you or you are me<br />
or both're. both.. One may be imaginary I've had stranger ideas. I hope<br />
I'm a fiction without. real. hope. Where there's a voice there's a<br />
speaker.. I see I see myself as a halt narrative first person tiresome.<br />
Pronoun sans. ante or precedent warrant or respite. Surrogate for the<br />
substantive. contentless form interestless principle blind eye blinking at<br />
nothing. Who am. I. A little crise d'identite for you.. I must compose<br />
myself.. Look I'm writing. No listen I'm nothing but talk I won't last<br />
long.. LifeStory III. The reader You dogged uninsultable printoriented<br />
bastard it's you I'm. addressing who else from inside this monstrous<br />
fiction. You've read me this. far then Even this far For what<br />
discreditable motive How is it you don't go. a movie watch TV stare at<br />
a wall play tennis with a friend make amorous. advances to the person<br />
who comes to your mind when I speak of amorous advances. Can<br />
nothing surfeit saturate you turn you off Where's your shame.<br />
MENELAIAD VI. ' () ('((What))') () '. ' ' 'Why' I repeated I repeated'<br />
I repeated I repeated' I. repeated I repeat. ' ' And the woman with a<br />
brideshy smile and. hushed. voice replied 'Why what'. ' ' Faster than<br />
Athena sealed beneath missile Sicily upstart Enceladus. Poseidon<br />
Nisyros mutine Polybutes I sealed my wouldwiden eyes snugger than.<br />
Porces Laocoon Heracles Antaeus I held to my point interrogative<br />
Helen to. whom as about us combusted nightlong Ilion I rehearsed our<br />
history horse to. horse driving at last as eveningly myself to the seed<br />
and omphalos of all. . .. . ('((((('))) )) ). ' ' Why ' '. ' 'Why' '. ' Why '.<br />
'Why'. ' '. John Barth Lost in the Funhouse. cognitive dissonance.<br />
cognitive dissonance. I've run into the term cognitive dissonance while<br />
doing science demos at. the local science centre normally it refers to the<br />
kind of experience. where say we cut a mobius strip in half lengthwise<br />
and we are left with. only one piece. We thing one thing will happen<br />
then learn that a different. thing happens.. I think what you are referring<br />
to here is better classified as ignorance.. I don't think it helps these poor<br />
stupid fools any to couch their. increasingly pathetic circumstances in<br />
fancypants language.. spornitzmts.net nettime. Leon Festinger in the<br />
late s proposed the theory of cognitive. dissonance. This theory sought<br />
to explain the link between attitudes and. behaviour... cognitive<br />
dissonance refers to an incompatibility that an. individual might<br />
perceive between two or more of their attitudes or. between their<br />
269
ehaviour and attitudes. Festinger argued that any form of.<br />
inconsistency is uncomfortable and individuals will attempt to reduce<br />
the. dissonance and hence the discomfort.... and a page later. What are<br />
the organisational implications of the theory of cognitive. dissonance it<br />
can help to predict the propensity to engage in attitude. and behavioural<br />
change. If individuals are required for er example by. the demands of<br />
their job to say or do things that contradict their. personal attitudes they<br />
will tend to modify their attitudes in order to. make these compatible<br />
with the cognitions of that they have said or. done..... Robbins et al<br />
organisational behaviour leading and managing in. australia and new<br />
zealand. KR. Når KR snakker om seg selv er det skam og flaut men når<br />
SF omhandler seg selv. er. det OK det er uansett innholdet som teller<br />
KR var ytre og dumt SF var mer. eksistensielt og dermed allment som<br />
egentlig er svaret alt som. personspesifikt og privat er skam fordi det<br />
ikke angår noen andre det er spam.. Alle går rundt og er sine egne flaue<br />
spammaskiner av jeg jeg jeg. Men nå er. det til forsvar at innholdet<br />
forandrer seg med konteksten at det private ikke. lenger er privat i en<br />
publisert sammenheng det er kanskje både flaut og. interessant som<br />
internet med sine søkemotorer men er begrenset i verdi både. som utsagn<br />
i en diskurs og som uttrykk for noe personlig diskursen er fort.<br />
unnagjort og det personlige er egentlig likt for alle ergo det er helt.<br />
overfladisk vi er uansett alle overflate og innpakning men det er fort.<br />
unnagjort burde vært det men vi blir holdt der holdes der egentlig fordi<br />
vi. innser at det er en overflate og nødvendig å opprettholde som om den.<br />
disintegrerte om vi ikke passet på og det ville vært flaut. SF kunne<br />
forsåvidt. vært flaut det også det eksistensielle er på mange måter enda<br />
flauere mer. privat så hva avgjør Noe er dumt og banalt nakenhet kan være<br />
bare dumt. men. hva avgjør Er vi tilbake til at det må gå utover seg selv<br />
ikke være. selvsentrisk kan virke sånn uansett hvordan det er kodet<br />
biologisk med. selvforsterkende egosentriske gener el. Det er et spill<br />
mellom egoisme og. altruisme inni her egoismen kan ikke vises og<br />
propaganderer best via. altruisme. men hvordan kan vi vite og i hvilken<br />
tidshorisont Om en intellektuell sår. noen egoistiske frø som først om<br />
noen hundre år gjenkjennes som dette Eller en. umiddelbar egoisme i en<br />
altruistisk hensikt Folk er stort sett opptatt med. sine. egne private liv<br />
noe annet virker rart idag som om det fantes noe annet. liksom. Er det<br />
en slags konsolidering Egogrenser som styrkes pga. trusselen. fra.<br />
informasjon og teknologi tar et par skritt tilbake men vi kommer ikke til<br />
å. forandre oss i overskuelig framtid evolusjonen er altfor tilfeldig og<br />
treig. vi. begynner å fikle på oss selv når vi blir istand til det ja ikke sant<br />
270
det. høres ut som skam. Vitenskapen har ingen skam vi har kontekster<br />
som om. vitenskap og religion refererte til forskjellige verdener litt på<br />
samme måte. som vi har egoer som refererer til forskjellige mennesker<br />
mennesket er en. art. vi er ett menneske slik som alle neshorn er ett<br />
neshorn. Kontekster skinn. skall konsolideringer ting som legges ut for<br />
salg stabiliserende som når. røttene vokser mer næring virker fornøyd med å<br />
ikle seg et skinn å være til. tjeneste bli næring. Er det slik at egoismen<br />
fanger disse begjæret etter. skinn etter sine grenser seg selv Egoismen<br />
fanger egoismen gir det mening. å. si det Kanskje hvis altruismen ikke er<br />
fangende egoismen er røttene. altruismen er greiner og blader<br />
...Digresjoner nøste seg tilbake. feynman. ...All this went on in the first<br />
few weeks before we got everything. straightened out. Anyway one day<br />
I'm piddling around with the computing. machine and I notice<br />
something very peculiar. If you take divided by you. get .. . . It's quite<br />
cute It goes a little cockeyed after. when. you're carrying but it soon<br />
straightens itself out and repeats itself nicely. I. thought it was kind of<br />
amusing.. Well I put that in the mail and it comes back to me. It doesn't<br />
go through. and there's a little note Look at Paragraph B. I look at<br />
Paragraph B.. It. says Letters are to be written only in English Russian<br />
Spanish Portuguese. Latin German and so forth. Permission to use any<br />
other language must be. obtained in writing. And then it said No codes..<br />
that I feel that of course this cannot be a code because if you actually<br />
do. divide by you do in fact get all that and therefore there's no more.<br />
information in the number .. . . than there is in the number. which is<br />
hardly any information at all. And so forth. I therefore asked for.<br />
permission to use Arabic numerals in my letters. So I got that through<br />
all. right.. ...And von Neumann gave me an interesting idea that you<br />
don't have to be. responsible for the world that you're in. So I have<br />
developed a very powerful. sense of social irresponsibility as a result of<br />
von Neumann's advice. It's made. me a very happy man ever since. But<br />
it was von Neumann who put the seed in that. grew into my active<br />
irresponsibility. ... What You a psychiatrist keeping an open mind Ha It<br />
went on like this. for quite a while.. Then at some point near the end he<br />
says How much do you value life. Sixtyfour.. Why did you say<br />
'sixtyfour'. How are you supposed to measure the value of life. No I<br />
mean why did you say 'sixtyfour' and not 'seventythree' for. instance.<br />
If I had said 'seventythree' you would have asked me the same<br />
question. The psychiatrist finished with three friendly questions just as<br />
the other. psychiatrist had done handed me my papers and I went off to<br />
the next booth.. ...After a while I began to worry. Here's a guy who's<br />
271
een deferred all during. the war because he's working on the bomb<br />
and the draft board gets letters. saying he's important and now he gets a<br />
D in Psychiatric it turns out. he's a nut Obviously he isn't a nut he's<br />
just trying to make us believe he's. a. nut we'll get him. ...I don't<br />
believe I can really do without teaching. The reason is I have to. have<br />
something so that when I don't have any ideas and I'm not getting<br />
anywhere. I can say to myself At least I'm living at least I'm doing<br />
something I'm. making some contribution it's just psychological.. ... So<br />
I got this new attitude. Now that I am burned out and I'll never.<br />
accomplish anything I've got this nice position at the university<br />
teaching. classes which I rather enjoy and just like I read the Arabian<br />
Nights for. pleasure I'm going to play with physics whenever I want to<br />
without worrying. about any importance whatsoever.. ...Thirteen Times.<br />
One time a science teacher from the local city college came around and<br />
asked. me. if I'd give a talk there. He offered me fifty dollars but I told<br />
him I wasn't. worried about the money. That's the city college right.<br />
Yes.. I thought about how much paperwork I usually had to get<br />
involved with when I. deal with the government so I laughed and said<br />
I'll be glad to give the. talk.. There's only one condition on the whole<br />
thing I pulled a number out of a. hat. and continued that I don't have to<br />
sign my name more than thirteen times. and that includes the check.<br />
The guy laughs too. Thirteen times No problem.. So then it starts. First<br />
I have to sign something that says I'm loyal to the. government or else I<br />
can't talk in the city college. And I have to sign it. double OK Then I<br />
have to sign some kind of release to the city I can't. remember what.<br />
Pretty soon the numbers are beginning to climb up.. I have to sign that I<br />
was suitably employed as a professor to ensure of. course since it's a<br />
city thing that no jerk at the other end was hiring his. wife or a friend to<br />
come and not even give the lecture. There were all kinds of. things to<br />
ensure and the signatures kept mounting.. Well the guy who started out<br />
laughing got pretty nervous but we just made. it. I signed exactly<br />
twelve times. There was one more left for the check so I. went ahead<br />
and gave the talk.. A few days later the guy came around to give me the<br />
check and he was really. sweating. He couldn't give me the money<br />
unless I signed a form saying I really. gave the talk.. I said If I sign the<br />
form I can't sign the check. But you were there. You. heard the talk<br />
why don't you sign it. Look he said Isn't this whole thing rather silly.<br />
No. It was an arrangement we made in the beginning. We didn't think it<br />
was. really going to get to thirteen but we agreed on it and I think we<br />
should. stick to it to the end.. He said I've been working very hard<br />
272
calling all around. I've been trying. everything and they tell me it's<br />
impossible. You simply can't get your money. unless you sign the<br />
form.. It's OK I said. I've only signed twelve times and I gave the talk.<br />
I. don't. need the money.. But I hate to do this to you.. It's all right. We<br />
made a deal don't worry.. The next day he called me up. They can't not<br />
give you the money They've. already earmarked the money and they've<br />
got it set aside so they have to give. it to you. OK if they have to give<br />
me the money let them give me the money.. But you have to sign the<br />
form.. I won't sign the form. They were stuck. There was no<br />
miscellaneous pot which was for money that this. man deserves but<br />
won't sign for.. Finally it got straightened out. It took a long time and it<br />
was very. complicated but I used the thirteenth signature to cash my<br />
check.. ... It's a kind of scientific integrity a principle of scientific<br />
thought that. corresponds to a kind of utter honesty a kind of leaning<br />
over backwards. For. example if you're doing an experiment you<br />
should report everything that you. think might make it invalid not only<br />
what you think is right about it other. causes that could possibly explain<br />
your results and things you thought of that. you've eliminated by some<br />
other experiment and how they worked to make sure. the other fellow<br />
can tell they have been eliminated.. ... Why didn't they discover that the<br />
new number was higher right away It's a. thing that scientists are<br />
ashamed of this history because it's apparent. that people did things like<br />
this When they got a number that was too high. above. Millikan's they<br />
thought something must be wrong and they would look for and. find a<br />
reason why something might be wrong. When they got a number closer<br />
to. Millikan's value they didn't look so hard. And so they eliminated<br />
the numbers. that were too far off and did other things like that. We've<br />
learned those. tricks nowadays and now we don't have that kind of a<br />
disease.. But this long history of learning how to not fool ourselves of<br />
having utter. scientific integrity is I'm sorry to say something that we<br />
haven't. specifically included in any particular course that I know of.<br />
We just hope. you've caught on by osmosis.. The first principle is that<br />
you must not fool yourself and you are the. easiest person to fool. So<br />
you have to be very careful about that. After you've. not fooled<br />
yourself it's easy not to fool other scientists. You just have to. be.<br />
honest in a conventional way after that.. ... So I have just one wish for<br />
you the good luck to be somewhere where you. are free to maintain the<br />
kind of integrity I have described and where you do. not feel forced by<br />
a need to maintain your position in the organization or. financial<br />
support or so on to lose your integrity. May you have that freedom..<br />
273
Surely you're joking mr Feynman. we came in a wagon. we came in a<br />
wagon . Two horses were in front of us. They walked in front of us. all<br />
the way.. still those queer feels wouldn't go away. Pretty soon I got<br />
awful sick.. Byandby I did have better feels . And today my feels are all<br />
right. Halvparten. Halvparten av nyfødte vil få kreft. Halvparten av<br />
nyfødte vil dø før fylte år den andre halvparten også.. dsf sfsdf sdf sf sf. dsf<br />
sfsdf sdf sf sf sf sdf sdf sdf sdf sdf sdf sf sf sf sdf sdf sf sf. sdf sf sf sf<br />
skfjsdlkjgkljdsglkjdsg ldkjg øldkjg dølksgj dsølkfkfkf f f. f f f fgdkljgj<br />
dlkgjdølkgj sødlkjg dsølkj dsølkgjds ølkgj f f f f f f f. f f<br />
dgldkgødkjglkødsgjøsldkjgøsldkgjølsdjgløskgjøsldkgjøksdljfg f ff f f. f f<br />
dfg dfg dfg dg dfg dfg dfg dg dfg dfg dgklkdfgkjsd øglkj sdfgølk. sdfgølk<br />
dg dsgølk sdfglk dlkgjdlgjdlkgjdølkg søldkjg dølksg dskg f f f f. f ff. d d d<br />
sdflksfjslkfjlsjflsø fldksj sdlkjflgkjfjfkfkf ff f f f f f f f f f. sdf sdf sdf gf<br />
sdf sdf sf sdf sdf sdf sdf sdf sdf sdf sdf sd d. sdf sf sf sf sf sdf sdf sdf sdf<br />
sdf sdf sf sf sdf sdf sdf sf sf sdf sf sf sf. sdf. sfs fd sfd sdf sfd sf sf sdf<br />
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fffffffffffffffffffffffff f f f f. Hi all. I lurk and post some to different lists<br />
and would like to make digests of. things I find. interesting and<br />
redistribute say like nettime unstable digest though. probably. with just<br />
index. remailed with links to web archiveblog to avoid excessive<br />
redundancy.. Question what's the consensus concerning permissions<br />
and redistribution of. texts. appropriate fair use Ask permission in each<br />
case take for granted. In my case no commercial interests involved in<br />
foreseeable future but. anyway. published and. as booksinprogress with<br />
appropriated standard book numbers as an openended. anthology<br />
digest. fanzine or similar.. Notions of copyright and proper use may<br />
vary a great deal so would be. interesting to know what. people on the<br />
list thought about it (also as the list is gatewayed into. newsgroup<br />
fa.fictionof. philosophy). signatur. worldwid. worldwid dllr poducr<br />
wjstklvb. opal. Opal Whiteley. mhonarc. blue beaming tape archive.<br />
fulltekst. fylleprat. knyt. outdir knyt mboxknyt.mbs.txt. usrbinperl. print<br />
hello worldn. tar xvf. klatre. klatre i sin fritid. klatre klatre. donald duck<br />
klatret opp til en. parkeringsplass. fotosafari. safarisafari å jakte på<br />
opplevelser.. stedet safari. den avskyelige snømann er forlengst smeltet<br />
274
are gulrota. ligger metaforisk igjen.. your penis can be enlarged m v<br />
oydbynk q. philosophy in a time of terror habermas. philosophy in a<br />
time of terror. habermas. ..one factor above all seems to me to be<br />
relevant one never really knows. who one's enemy is. osama bin laden<br />
the person more likely serves the. function of a standin.. surely the<br />
uncertainty of the danger belongs to the essence of terrorism.. ..the<br />
magnitude of the danger. one never knows if there's anything to it.. in<br />
contrast to this the global terror that culminated in the september. attack<br />
bears the anarchistic traits of an impotent revolt directed against. an<br />
enemy that cannot be defeated in any pragmatic sense.. technically<br />
speaking since our complex societies are highly susceptible.<br />
interferences and accidents they certainly offer ideal opportunities. for a<br />
prompt disruption of normal activities. these disruptions can at a.<br />
minimum expense have considerably destructive consequences. global.<br />
terrorism is extreme both in its lack of realistic goals and in its. cynical<br />
exploitation of the vulnerability of complex systems.. derrida. the<br />
brevity of the appellation (september ) stems not only from an.<br />
economic or rhetorical necessity. the telegram of this metonymy a name<br />
a. numberpoints out the unqualifiable by recognizing that we do not.<br />
recognize or even cognize that we do not yet know how to qualify that<br />
we. do not know what we are talking about.. i believe always in the<br />
necessity of being attentive first of all to this. (at once rhetorical<br />
magical and poetic). to what this compulsion. signifies translates or<br />
betrays. not in order to isolate ourselves in. language as people in too<br />
much of a rush would like us to believe but on. the contrary in order to<br />
try to understand what is going on precisely. beyond language and what<br />
is pushing us to repeat endlessly and without. knowing what we are<br />
talking about precisely there where language and the. concept come up<br />
against their limits september september le. septembre .. bush speaks of<br />
war but he is in fact incapable of identifying the enemy. against whom<br />
he declares that he has declared war.. in this regard when compared to<br />
the possibilities for destruction and. chaotic disorder that are in reserve<br />
for the future in the computerized. networks of the world september is<br />
still part of the archaic theater. of violence aimed at striking the<br />
imagination.. fasciism. fasciism. talk.bizarre. misc.facts.straightdope.<br />
.......................................................................... sreites.<br />
newscolargol.tihlde.hist.no. newsnews.readfreenews.net.<br />
newsbolzen.all.de. remailer.privacy.at. newsnewsread.maxwell.syr.edu.<br />
hallo feilsendt mail. hallo. feilsendt mail. why don't you log off and get<br />
yourself some food. all ideas are vintage not new or perfect.. i will be<br />
275
happy to answer any questions.. i thank you for your time and interest..<br />
we value you like our close relations.. round the clock here on the<br />
internet.. this email is really a confirmation.. just do nothing to remain<br />
with us.. we appreciate positive feedback.. seventh invitation to join us..<br />
this mail may be a contract.. you must really read this.. this mail is<br />
never spam.. certified virus free.. i am not a lawyer.. we are in need.. do<br />
it today.. now easy.. i pay.. e.. gloval. noen pisser deg oppetter ryggen.<br />
media pisser deg oppetter ryggen. varene pisser deg oppetter ryggen.<br />
popmusikk pisser deg i øret. markedsøkonomi pisser deg. konsumenten<br />
vennligst piss meg. det er lunkent og smigrende. g.e.. vannsport<br />
globaløkonomien. global money games porno. rikshora dan børge akerø.<br />
hvor mye piss skylder du ikke han. gi han et basseng med piss i gave. i<br />
retur. mj sa å snakke med menn er som å pisse i motvind. jeg skulle<br />
gjerne ha snakket med henne. bygger marked og konsum på et (perverst)<br />
begjær. makt og begjær sadokatekisme. vennligst piss på meg jeg befaler.<br />
makten erklærer jeg sier fra meg makten med makt. trøtt. mine<br />
pannekaker er så trøtte. alle mine pannekaker er fyllt med trøtthet. kjære<br />
gud ditt dyrenavn å ære. Mar. ... . actcharon. participate more in the<br />
project you are welcomed to host the dog. (paste a. small html code in<br />
your site) until i send for him. for more details and. to. download the<br />
dog. walk the dog he is only one place at a time.... alas. kalas. flvrnsv.<br />
htvt. jinn bergman et al. lumber log. newsgroups<br />
alt.anonymous.messages. qanqr. nntppostinghost .... messageid. begin<br />
pgp message.<br />
qanqrdddqqdawjtzezfajuvgdjyjsnzuugiwwixnjqkefbhuiyrgcvjq.<br />
ijdchcewwvqvynfjdfzxriotgjtdqkqbkqpgkqeaaehplpgto.<br />
gdjioouirjwgxncurbpsclbjqgimg. azz. end pgp message. lolly. lolly lli n.<br />
canad. rare. l. abbrev. of loblolly. soft ice. formed in turbulent water<br />
along a shore etc. frazil. also lolly ice.. lolly lli n. m. abbrev. of lollipop.<br />
a sweet. exc. austral.. nz now spec. a lollipop. colloq. m. an easy catch<br />
in cricket. e.. money. slang. m.. ice lolly iced lolly a waterice or<br />
icecream on a small stick.. lolly lli n. dial. l. origin uncertain perh. f. use<br />
in pronunc.. of l or f. loll v. the tongue.. prob. much earlier and perh.<br />
the st elem. of lollipop.. test. ikke nøl med å slette.. test. teste testi ste n.<br />
prep. lme. l abl. of testis witness in the. formula of authentication teste<br />
meipso lit. 'i myself being a witness'. a. person who authenticates the<br />
monarch's seal. later the concluding part of. on the authority or<br />
testimony of (a specified person). m.. listener he tells us teste evelyn<br />
waugh of a sitwellian habit of. leaving sitwell press cuttingsin bowls..<br />
test (test) n.. . the means by which the presence quality or genuineness<br />
276
of anything. is determined a means of trial.. . the trial of the quality of<br />
something to put to the test.. . a particular process or method for trying<br />
or assessing.. . a set of questions problems or the like used as a means<br />
of. evaluating the abilities aptitudes skills or performance of an.<br />
individual or group examination.. . psychol. a set of standardized<br />
questions problems or tasks designed. elicit responses for use in<br />
measuring the traits capacities or. achievements of an individual.. .<br />
chem. the process of identifying or detecting the presence of a.<br />
constituent of a substance or of determining the nature of a substance.<br />
commonly by the addition of a reagent.the reagent used.an indication<br />
or. evidence of the presence of a constituent or of the nature of a.<br />
substance obtained by such means.. . an oath or other confirmation of<br />
one's loyalty religious beliefs. etc.. etc.<br />
277
319<br />
. brit. a cupel for refining or assaying metals.. v.t.. . to subject to a test<br />
of any kind try.. . chem. to subject to a chemical test.. . metall. to assay<br />
or refine in a cupel.. v.i.. . to undergo a test or trial try out.. . to perform<br />
on a test people test better in a relaxed environment.. . to conduct a test<br />
to test for diabetes.. me cupel mf l test testum earthen pot akin to test.<br />
testæable adj.. teståabilæity n.. testæingly adv.. syn. . proof assay. see trial. .<br />
assay prove examine.. test (test) n.. . zool. the hard protective shell or<br />
covering of certain invertebrates. as echinoderms or tunicates.. . bot.<br />
testa.. l testa tile shell covering akin to test. test.. testament.. test test n.<br />
lme. ofr. (mod. tet) f. l testum testu var. of. testa tile earthen vessel pot.<br />
later treated as f. test v. orig. a. cupel used to treat gold or silver alloys<br />
or ore. now a cupel together. with its iron frame forming the movable<br />
hearth of a reverberatory. furnace. lme. the means of determining the<br />
existence or genuineness of. anything a critical examination or trial of a<br />
theory a person's. character etc. a standard for comparison or trial a<br />
criterion. l. b a. means of testing conformity in (esp. religious) belief<br />
spec. (hist.) an. oath or declaration prescribed by any of the test acts. m.<br />
a chem.. etc. (an application of) a procedure for examining a substance<br />
under known. conditions or with a specific reagent to determine its<br />
identity or the. presence or absence of some constituent activity etc.<br />
also a substance. by means of which this may be done. e. b (an<br />
application of) a procedure. for determining the physical properties of a<br />
substance material etc. or. the capabilities of a machine etc. esp. to<br />
assess suitability for some. purpose. freq. as nd elem. of comb. l. c a<br />
procedure for assessing a. person's aptitude competence skill or<br />
knowledge or for determining a. person's mental or physiological<br />
condition spec. (a)a set of problems in. an academic subject to be<br />
solved without assistance a relatively informal. examination (b)a<br />
driving test. freq. as nd elem. of comb. e. ellipt.. test match below. e.. b.<br />
montgomery his conclusions have stood the test of repeated.<br />
reexamination. j. dunn some sort of metaphysical test of their fitness.<br />
for life. b h. paul the belief in tests ought to be dead as the belief in.<br />
witches. a millon's test phosphatase test schiff test etc. b impact. test<br />
278
izod test turing test etc. c e. h. clements mummy always drives. i.<br />
haven't taken my test yet. j. elliott doing her anglosaxon grammar for a.<br />
test tomorrow. e. segal painful tests he would undergo at the hands.<br />
ofyale's senior neurologist. aptitude test blood test breath test.<br />
intelligence test performance test pregnancy test screen test. tuberculin<br />
test etc. attrib. test batsman test captain test cricket. test team etc..<br />
phrases alpha test see alpha b(f). blank test see blank a. means test. see<br />
mean n. paternity test. put to the test try the character of (a. person)<br />
cause to undergo testing. spot test see spot n. a. adv.. stand the test of<br />
time withstand the test of time be or remain unchanged. or unaffected<br />
by the passage of time.. comb. test act hist. any of various statutes<br />
making eligibility for. public office conditional on professing the<br />
established religion esp. a. act (repealed in ) requiring employees of the<br />
crown to receive. anglican communion acknowledge the monarch as<br />
head of the church of. england and repudiate the doctrine of<br />
transubstantiation test ban a ban. on the testing of nuclear weapons test<br />
bed (a)a piece of equipment for. testing machines esp. aircraft engines<br />
before acceptance for general. use (b)fig. a testingground test card<br />
(a)ophthalm. a large card printed. with rows of letters of decreasing size<br />
used in testing visual acuity. (cf. snellen) (b)television a still picture<br />
transmitted outside normal. programme hours to facilitate assessing the<br />
quality and position of the. screen image test case law an action brought<br />
to ascertain the law. thereby setting a precedent for other cases<br />
involving the same principle. test chart ophthalm. test card (a) above<br />
testcross n. v. (genetics). (a)n. a back cross between an individual<br />
whose genotype for a certain. trait is unknown and one that is<br />
homozygous recessive for that trait to. determine the unknown<br />
genotype from that of the offspring (b)v.t. make. the subject of a<br />
testcross test drive a drive taken to ascertain the. qualities of a motor<br />
vehicle with a view to its regular use testdrive. v.t. take a test drive in (a<br />
motor vehicle) testfire v.t. (orig. us). fire (a gun or missile)<br />
experimentally test flight for testing the. performance of an aircraft etc.<br />
testfly v.t. test the performance of (an. aircraft etc.) in flight testframe<br />
the iron frame or basket in which a. cupel is placed testfurnace a<br />
reverberatory refining furnace esp. one. for treating silverbearing alloys<br />
testmarket v. n. (a)v.t. (orig. us). put (a new product) on the market usu.<br />
in a limited area to assess. consumers' response (b)n. an area in which a<br />
product is testmarketed. test match (chiefly cricket rugby football) an<br />
international match esp.. each of a series of matches between a touring<br />
team and the host country. test meal med. a standard meal given to<br />
279
stimulate secretion of digestive. juices which can then be extracted and<br />
tested test paper (a)a paper. impregnated with a chemical solution<br />
which changes colour in contact with. certain other chemicals and so<br />
acts as a test for the presence of the. latter (b)a paper set to test the<br />
knowledge etc. of a student esp. one. preparing for an examination<br />
testpiece (a)a piece of anything as a. sample for testing (b)a piece of<br />
music (to be) performed by the. contestants in a musical competition<br />
test pilot who testflies an. aircraft testpilot v.t. testfly above testpit<br />
archaeol. a small. preliminary excavation made to gain an idea of the<br />
contents or. stratigraphy of a site testretest a. (psychol.) of or<br />
designating a. method by which a test is given to a subject on two<br />
occasions separated by. a lapse of time test rig engin. an apparatus used<br />
for assessing the. performance of a piece of mechanical or electrical<br />
equipment test signal. a sequence of electrical impulses used for testing<br />
purposes in television. broadcasting test specimen a piece of metal etc.<br />
prepared for a. mechanical test test strip a strip of material used in<br />
testing esp. in. photogr. a strip of sensitized material sections of which<br />
are exposed. for different lengths of time to assess its response test well<br />
made in. testing a site for oil.. test test n. obs. exc. sc. lme. app. f. l<br />
testis witness cf.. attest n. a witness evidence witness borne. lmem. teste<br />
n.. em. testament . sc. rare. l.. test test n. lme. l testa see test n. a piece<br />
of. earthenware an earthenware vessel a potsherd. lmee. zool. the shell.<br />
of certain invertebrates the tough translucent outer layer of a tunicate..<br />
m.. test test v. l. ofr. tester f. l testari attest make one's. will f. testis<br />
witness in sense app. f. teste. v.t. leave by will. or testament bequeath.<br />
sc. rare. le. v.i. make a will execute a. teste of (a writ etc.). e. v.t. sc.<br />
law. authenticate (a deed or. written instrument) by a duly drawnup<br />
clause signed by witnesses. m.. test test v. e. f. test n. v.t. subject (gold<br />
or silver) to. a process of separation and refining in a test assay. e. v.t..<br />
(a person thing theory etc.) to a test try (out) evaluate (a. hypothesis<br />
etc.) by experiment or critical examination put to the test. try the<br />
patience or endurance of (a person). e. b chem. subject to a. chemical<br />
test. freq. foll. by for (a particular chemical). m. v.i.. undergo or take a<br />
test. also (w. n. adj. or advb. compl.) achieve or. receive a specified<br />
rating result score etc. in a test. orig.. chiefly n. amer. m. v.i. apply or<br />
carry out a test on a person or. thing. also foll. by for. m.. d. lessing one<br />
has to test everything one says and does against general. standards. p.<br />
fitzgerald courage and endurance are useless if they are. never tested. s.<br />
hood reverendmurdochtested the children on their. knowledge of the<br />
gospels. b. bettelheim thediscussion group on whom he. used to test his<br />
280
new ideas. test out put (a theory etc.) to a practical. test. test the water<br />
fig. make a preliminary or tentative exploration.. tried and tested see<br />
tried ppl a. . t. mcguane a poor student who. tested in the high<br />
percentiles. newsweek word that magic johnson had. tested positive for<br />
hivwhipped round the country.. la soiree avec monsieur teste () a partial<br />
selfportrait humorously. written about an absentminded intellectual.. va<br />
por ware. vaporware (væpr wrå) n. computer jargon. a product esp.<br />
software. that is promoted or marketed while it is still in development<br />
and that may. never be produced.. blangis. tilt. tråkket. det ene må vinne<br />
over det andre impulsen å lese nyheter over å sitte i. ro vinner boka over<br />
bordet fordi den ligger øverst taket vinner over. veggene gulvet blir<br />
tråkket på. vi vil ha det upåtråkkbare tror det fins. men straks det fins tråkkes<br />
det ned i søla. påstander. istedenfor å. støvsuge det ukjente star trek kan vi<br />
vel heller bo i søla soil. jordboere. tråkket upåtråkkbart.. Mar. clqwn. lost in<br />
space episode. folder. namenoemata. created. visited. order. description.<br />
short name. f f dd f f dd. f f dd f f dd f f dd f f dd f f dd f f dd f f dd f f<br />
dd f f dd f f f ff d. f f ff d f f ff d f f ff f d d f f d d f f d f d f d f d f d f d f<br />
d f d f. d f d d d d d d d d d d d d d fffffffffffffffffffffffffffffff. Mar.<br />
svirikngen eire mayen (ønivdgdene) daopcbsak.. liræng frotutseetr<br />
ssingnfor. det eur. det eur gid å isu fiane. lodd etterår åt stadie havre jasse<br />
ioj fiane. innest. inst. scour. scour. ceteris paribus. selfabsorption<br />
paradox. selfabsorption paradox in theory highly selfaware people.<br />
should be happy they know themselves better when compared to low.<br />
selfaware people because they attend to themselves more this enhanced.<br />
selfknowledge in turn should lead to better psychological adjustment.<br />
since when you know who you are you can start defining what you<br />
really. want to become and grow toward selfimprovement and<br />
contentment. yet past. research consistently shows that high<br />
selfconsciousness is actually. associated with both psychological health<br />
and distressdepression low. selfesteem and anxiety. how can this be<br />
how can someone simultaneously. be happy and dysfunctional.<br />
creativity machine steve thaler. in waking life noise may also be the<br />
source of the thoughts and flashes. of inspiration from the unconscious<br />
the very essence of free will human. consciousness and even the soul. i<br />
tend to think of the soul as the. manifestation of this stochastic process<br />
going on says thaler. it's the. noise in the machine rather than the ghost<br />
in the machine. the. creativity machine steve thaler. antisensibility. the<br />
esthetic sensibility to which i refer is antisensibility apparent.<br />
antisensibility. ... since works of art cannot really be the product of.<br />
blunted sensibilities what seems at first to be brash and barbarous turns.<br />
281
in time to daring and strength and the concealed subtleties soon<br />
become. apparent. ... although the antisensibilities stance appears as<br />
mindless. mechanical gross and abrupt or as directed by prior or nonart<br />
decisions. its real meaning i feel lies in the artist's personal sensation<br />
of. performing a difficult feat of bravado while really respecting all of<br />
the. sensibilities.. roy lichtenstein lecture to the college art association ..<br />
camus beauty rebellion. the procedure of beauty which is to resist the<br />
real while conferring. unity upon it is also the procedure of rebellion. is<br />
it possible. eternally to reject injustice without ceasing to acclaim the<br />
nature of man. and the beauty of the world. camus. mirror stage. lacan's<br />
mirror stage. could be read (pardon my reduction) as the narrative of<br />
one's moving from. primary to secondary narcissism. what i mean by<br />
primary narcissism a. total helplessness namelessness (this is important)<br />
in which there is. not even a sense of self as i thus no distinction can be<br />
drawn between i. and other. i and other have yet to be born. secondary<br />
narcissism begins. with ego identification when i recognize a possible<br />
wholeness of an image. in the mirror and through gradual games begin<br />
to take first the image. and then myself as myself.. there is nothing<br />
more useless than an organ. for you can tie me up if you wishbut there<br />
is nothing more. useless than an organ.when you will have made him a<br />
body without organs. then you will have delivered himfrom all his<br />
automatisms and restored him. his true freedom.then you will teach him<br />
again to dance wrong side. outlike in the frenzy of dance hallsand his<br />
wrong side out will be his. real place. antonin artaud. the body without<br />
organs is the the subject of the universe of. discourse decomposing in<br />
process the positions of the system. organs are. imposed on this body<br />
selectively attending and amalgamating positions. (fascistly).. dream of<br />
a ridiculous man. the chief thing is to love others like. yourself that's<br />
the chief thing and that's everything nothing. else is wanted you will<br />
find out at once how to arrange it. all.. dostoevsky. blot. blot stain<br />
naked weblot lot. ema. friskluft ph ema spire dekke måned vårstemning<br />
ose em oversvømme dyssa mede. vinterstemning herognåpresset livvidde<br />
umiddelbarhet (livets foul. talemåter) bygdeallmenning åpenbaring ....<br />
sokrates troll troll eller trollmann askeladd og troll. et eksemplar er en<br />
fiksering av verket. fikseringen må ha en viss. bestandighet men det<br />
behøver ikke være varig. et speilbilde er ikke et. eksemplar men en<br />
midlertidig lagring i datamaskinens minne kan være det.. axonmic<br />
dendritic somatic.... axonic dendritic somatic... meaning truth sense<br />
reference on the level of. nevrons... correspondences. ... soma body<br />
proper name proposition concept word. ... dendrite a branched<br />
282
protoplasmic extension of a nerve cell that. conducts impulses from<br />
adjacent cells inward toward the cell body sense. thought meaning. ...<br />
axon the usually long process of a nerve fiber that generally. conducts<br />
impulses away from the body of the nerve cell bedeutung. truthvalue<br />
object reference. thousands of inputs just a few output channels for<br />
communication. connotedenote dendriteaxon. comply. compile this.<br />
main(k)float ijrxywhile(puts()yx)ihk))for(ikr. jrriixiriyjjii.<br />
deprogramming us. usrbinperl. conceptual.pl. deeply contemplative<br />
software. or maybe it's just antisocial.. while (). thinking really deep<br />
thoughts.. or just. usrbinperl. creative commons. thomas jefferson he<br />
who receives an idea from me receives instruction. himself without<br />
lessening mine as he who lights his taper at mine. receives light without<br />
darkening me.. an idea is not diminished when more people use it.<br />
creative commons. aspires to cultivate a commons in which people can<br />
feel free to reuse not. only ideas but also words images and music<br />
without asking permission. because permission has already been<br />
granted to everyone.. greek noema. the word thought is the greek<br />
noema and means perception or. purpose. it is the same word used in<br />
corinthians when paul says. for we are not ignorant of his (satans)<br />
schemes.. let us devise devices against jeremiah (jeremiah ) for we are<br />
not. ignorant of his (i.e. satan's) devices. patanjali. . the obstacles in the<br />
way of him who desires to attain concentration. are sickness languor<br />
doubt carelessness laziness addiction to objects. of sense erroneous<br />
perception failure to attain any stage of. abstraction and instability in<br />
any stage when attained.. . these obstacles are accompanied by grief<br />
distress trembling and. sighing.. . for the prevention of these one truth<br />
should be dwelt upon.. any accepted truth which one approves is here<br />
meant.. . through the practising of benevolence tenderness complacency<br />
and. disregard for objects of happiness grief virtue and vice the mind.<br />
becomes purified.. the chief occasions for distraction of the mind are<br />
covetousness and. aversion and what the aphorism means is not that<br />
virtue and vice should. be viewed with indifference by the student but<br />
that he should not fix his. mind with pleasure upon happiness or virtue<br />
nor with aversion upon grief. or vice in others but should regard all<br />
with an equal mind and the. practice of benevolence tenderness and<br />
complacency brings about. cheerfulness of the mind which tends to<br />
strength and steadiness.. error bmg. bear with me. erroneous notion. k u<br />
n s t. )) .. . . . .. .' .. l.l.v'. poetry is currency of exchange .. with each<br />
one to continue with.. rhizome. let us summarize the principal<br />
characteristics of a rhizome unlike trees. or their roots the rhizome<br />
283
connects any point to any other point and its. traits are not necessarily<br />
linked to traits of the same nature it brings. into play very different<br />
regimes of signs and even nonsign states. the. rhizome is reducible<br />
neither to the one nor the multiple... it is composed. not of units but of<br />
dimensions or rather directions in motion. p.. unlike the tree the<br />
rhizome is not the object of reproduction neither. external reproduction<br />
as imagetree nor internal reproduction as. treestructure. the rhizome is<br />
an antigenealogy. it is a shortterm. memory or antimemory. the rhizome<br />
operates by variation expansion. conquest capture offshoots. unlike the<br />
graphic arts drawing or. photography unlike tracings the rhizome<br />
pertains to a map that must be. produced constructed a map that is<br />
always detachable connectable. reversible modifiable and has multiple<br />
entryways and exits and its own. lines of flight. it is tracings that must<br />
be put on the map not the. opposite. in contrast to centered (even<br />
polycentric) systems with. hierarchical modes of communication and<br />
preestablished paths the rhizome. is an acentered nonhierarchical<br />
nonsignifying system with a general and. without an organizing<br />
memory or central automation defined solely by a. circulation of states.<br />
p.. a thousand plateaus capitalism and schizophrenia by gilles deleuze<br />
and. felix guattari. translated by brian massumi. university of<br />
minnesota. press minneapolis. .. hand and hold. hand. hold. madius. in<br />
his recent best selling biography of richard feynman james gleick. asks<br />
when people speak of the borderline between genius and madness why.<br />
is it so evident what they mean although both feynman and pauling<br />
were. quite sane i believe a case can be made that they and many other<br />
eminent. scientists lived on this borderline between genius and<br />
madness.. eiduson offers some insight into what this means. she thought<br />
that. creative scientists as a. group had a heightened sensitivity to<br />
experiences that in her words. is accompanied in thinking by<br />
overalertness to relatively unimportant or. tangential aspects of<br />
problems. it makes them look for and postulate. significance in things<br />
which customarily would not be singled out. it. encourages highly<br />
individualized and even autistic ways of thinking. were. this thinking<br />
not in the framework of scientific work it would be. considered<br />
paranoid. in scientific work creative thinking demands seeing. things<br />
not seen previously or in ways not previously imagined and this.<br />
necessitates jumping off from normal positions and taking risks by.<br />
departing from reality. the difference between the thinking of the.<br />
paranoid patient and the scientist comes in the latter's ability and.<br />
willingness to test out his fantasies or grandiose conceptualizations.<br />
284
through the systems of checks and balances science has established....<br />
one. might say that scientific thinking is in a way institutionalized<br />
paranoid. thinking it sanctions it not only as proper but also as the<br />
irrational. that ultimately promotes the rationality of science.. there is<br />
evidence that highly creative people often score similarly to.<br />
schizophrenics on the rorschach even though they do not have any kind<br />
of. psychiatric disorder. this is believed to be true because creative<br />
people. are able to draw on primitive psychological processes which<br />
normal. people do not often use. however they are not stuck on a<br />
primitive or. chaotic level of thinking as some mentally ill people are<br />
but are quite. capable of integrating their thinking in a mature way<br />
when appropriate.. in contrast to his tremendous enjoyment of<br />
intellectual functioning. pauling found emotional life troublesome and<br />
he often tried to avoid. situations which involved emotionally charged<br />
interactions. a core element. of his personality was a narcissistic<br />
childlike tendency to overvalue. his personal worth and seek the<br />
approval of others for his ideas and. accomplishments. he loved giving<br />
speeches and receiving the approval of. large groups of admirers and he<br />
devoted a great deal of time and energy. travel and public speaking at<br />
the expense of his scientific work. his. narcissism was displayed in an<br />
extreme sensitivity to criticism including. a tendency to file law suits<br />
against his critics.. space as love in the vita nuova. space as love in the<br />
vita nuova. to reassume both in the vita nuova and the divina commedia<br />
space is. like a mirror in which divine nature is reflected. this is obvious<br />
in. the comedy the odyssey of dante in the beyond but space has already<br />
a. metaphysical meaning in the terrestrial setting of the vita nuova. what<br />
is. original in dante is the relation he establishes between his conception<br />
of. space and the idea of love. owing to divine love spiritual harmony<br />
is. present in terrestrial space since by its own nature divine love does<br />
not. allow an absolute separation between the two worlds. in this sense<br />
space. in the vita nuova is a metaphor of love but at a certain point the<br />
symbol. becomes so transparent that it loses its independence from the<br />
notion to. which it points.. tell. Brave men tell the truth. A wise man's<br />
tools are analogies and puzzles. A woman holds her tongue. Knowing<br />
silence will speak for her.. b blissett. bsqAn AsYBvyCNsBgYMyzQ.<br />
Lyder Blissett. Lutoir Bleggett. Leddyr. Lytter. Litauer. Leder. Lutre.<br />
Latter. Lader. Luther. Liter. Luthor Blixett. Lars Blix. Lars Knutson<br />
Blix. Lothar Bligsett. Lather Blocsott. Lateer Blessett. Lediar Blosghtt.<br />
Litdhr Bleggett. Lodier Blascått. Littoro Blessett. Loteir Blassett. Latar<br />
Blicqytt. Loteor Blagsetd. Lotre Blescitd. Latiir Blisgett. Lodvar<br />
285
Blissatt. Ledehr Blhsgitt. Latteryr Blejsitt. Loteir Blascotd. Ledaar<br />
Blhcsatt. Loteir Blycgatt. Lataa Bløscetd. Lodiyr Blogkett. Letteror<br />
Blugsett. Lidæur Blisgydt. Lodtor Blegsædt. Lityor Blossodt. Lotderar<br />
Blescott. Leteir Blokcytt. Loder Blhcsedt. Ledhar Blasgitt. Latihr<br />
Blissott. Letoer Blissadt. Lætor Blossett. Lhther Blessgott. eopth.<br />
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eopeopth.jpgopen. eopeopth.jpgopen eopeopth.jpgopen<br />
eopeopthgerm.jpgopen. eopeopthg.jpgopen eopeopthg.jpgopen<br />
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eopeopthP.jpgopen eopeopthP.jpgopen. eopeopthP.jpgopen<br />
eopeopthP.jpgopen eopeopthsw.jpgopen. eopeopthsw.jpgopen<br />
eopeopthsw.jpgopen eopeopeopgk.jpgopen.<br />
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eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen.<br />
eopeopeopgstamp.jpgopen eopeopeopgstamp.jpgopen. Today's<br />
Sparkling Gem from the Greek. Today's Sparkling Gem from the<br />
Greek. Stopping Satan At His Own Game. Lest Satan should get an<br />
advantage of us for we are not. ignorant of his devices.. Corinthians.<br />
Ephesians uses the phrase wiles (methodos) of the devil. to describe<br />
one particular road Satan travels on to work his. evil will in our lives.<br />
But where is this road headed. Corinthians gives us an important clue<br />
we are not. ignorant of his Satan's devices.. The word devices is taken<br />
from the word noemata which is. derived from the word nous. The<br />
word nous is the Greek word for. the mind or the intellect. However the<br />
form noemata carries the. idea of a deceived mind. Specifically this<br />
word noemata denotes. Satan's insidious malevolent plot to attack and<br />
victimize the. human mind filling it with confusion. One expositor has<br />
even. stated that the word devices bears the notion of mind games..<br />
Therefore you could translate the verse we are not ignorant. of the mind<br />
games Satan tries to pull on us.. The word devices clearly demonstrates<br />
that this road of the. devil is headed toward the mind. The devil loves to<br />
make a. playground of people's minds He delights in filling their.<br />
emotions and senses with illusions that captivate their minds. and<br />
ultimately destroy them.. Satan knows that whoever controls a person's<br />
mind also controls. that person's health and emotions. Therefore he<br />
seeks to. penetrate people's intellect their mental control center. so he<br />
can flood them with deception and falsehood.. Prayer For Today. Lord I<br />
thank You that Your Word dominates and cleanses my mind.. Let the<br />
water of Your Word flow through every part of my mind. until I am so<br />
renewed that Satan will find no entrance into my. thinking.. anyhor.<br />
287
....... ........ ........ ........ ....... ............ microsophy. microsophy. hfh vhl<br />
jeg. fertgitte å sgrafe. ssrefamgun holter mog. matt lhf. mhct i ortene.<br />
lop. mes i ett ort. utan lop er jis isce. mut lhv er jek. altse er jas lof.<br />
hboc mok so lhb. isco mas ellir laf. ikke meg os icsa leb er sont. mic os<br />
igci lep er usent. isse mis og lip er shnt. mis os lip er shmt. jac sshller<br />
icso millin nih. dic ellhr natt. lhp ellar det. alfir ellur leg. jys hulthr mig<br />
isca ofba etdhr hurid. stipeloamva scosorn. dit kusnocce jorn.<br />
pedopigogs. os ushmd fånnos isse. n senniydsparta. ald er sant. usannaet<br />
er ralataft. fereeltot millen te semmiidir. mem impermissem er fereelt.<br />
strestor os orkinogisjem. sh fur ve sinniotems vee. vooin er et faraolt.<br />
men sa ken va gseri dht on icgon. allu veaer kon brhtis tel kricc. os<br />
inkomtønc er sind. alt er forøhlt. ipiraaldtil barocratgnesk. hva er<br />
todelingen av navn. wryting definition. behovene. behovene må være<br />
oppfylte. her er huller ned til grunnfjellet. huler hulrom. det lever i disse<br />
hulene. livet fyller det med væske. ventrikler. skjøre strukturer. tynn is. is<br />
blir vann. is blir ingenting. dag søl massøse utøy. aue sår. sjøhyret lave.<br />
syer nd. tinge gyldighet. alta fortjenstfull. skuddhull eur en stele.<br />
passivitet. inngangsdata. inseminant. utenfor spenningsmoment. koslig<br />
sluttet. at noe er omfavnet. begripbart. uansett vi lager sånt. navn på<br />
kaffikoppen. det ligger en følelse i det at kommunikasjonen bryter<br />
sammen. informasjonsflyten. mailer som ble slettet før jeg fikk lest dem.<br />
løse tråder. kommunikasjon tråder tynne tråder. avstand nesten ikke<br />
berøring punkter. når det bryter sammen. vi må lure på hva dette er. er det<br />
noe. meldinger som ikke kommer fram. ting som slettes. hva slags<br />
relasjon var det. var det noe. hva var det. hvem påvirkes. men det angår<br />
ikke. fungerende grenseflater. vi er varmen. informasjon var liv denne<br />
gangen. informasjon. inform. liv men noe annet. liv genererer liv. info.<br />
cowboys og bunnies. en fattigdom i det. tydelig når kommunikasjon<br />
bryter sammen. gode forsetter liv. hva fortsetter. retninger strømmer. alt<br />
dette. krigen ødelegger alt. cellemembran. livet. info kaos. en liten<br />
gudinne. hun sitter i fengsel. k jell. k jell m agne b ondevik.<br />
bondskapens problem. rart hvor mye det kan bety. det som ikke betyr<br />
noe. nettopp i tilegnelsen. økningen overskuddet. å gi det verdi. vi gir alt<br />
verdi. animerer alt. alt betyr noe. terningkastet betyr noe. falske<br />
problemer. grunnfjellet i vannet. havbunn. avgrunn. solipsis scolarship.<br />
due to scolarship concerns I have relabeled this enquiry. for my own<br />
personal filing purposes. the utopian dystopian and the new culture of<br />
text. code informational errata and the final dissolution. of the<br />
aestheticategory within the electrosocialmechanodiorama. of the<br />
network as katastrophic nodes of disembodiment.... kara. O. ON<br />
288
PRAYER. ... WHEN your nous in great yearning for God gradually<br />
withdraws so to speak. the. flesh and when it deflects all thoughts that<br />
come from sensation .... ORIENTALIA Forum English Forum .... ... for<br />
denoting the highly contingent aggregate of external properties.<br />
(rupadharmas). and the everchanging stream (santana) of internal<br />
mental matter .... yer lens. yer lens yer see like spinoza then soli<br />
psinozis spinach i is what y eatst. the cannibal birdragon<br />
baxwbakwalanuxwsiwe qua ck xal ecoitus shiva lingam. lannguim mag<br />
nil b joni yond.<br />
289
320<br />
olipsis. solipsis. A particularly detailed report comes from Dr<br />
Beaurieux who under perfect. circumstances experimented with the<br />
head of the murderer Languille. guillotined. at . am on June . (From A<br />
History of the Guillotine by Alister. Kershaw. His source is Archives<br />
d'Anthropologie Criminelle ). Here then is what I was able to note<br />
immediately after the decapitation the. eyelids and lips of the<br />
guillotined man worked in irregularly rhythmic. contractions for about<br />
five or six seconds . . . I waited for several seconds.. The spasmodic<br />
movements ceased. The face relaxed the lids half closed on the.<br />
eyeballs leaving only the white of the conjunctiva visible exactly as in<br />
the. dying whom we have occasion to see every day in the exercise of<br />
our profession. or as in those just dead. It was then that I called in a<br />
strong sharp voice. 'Languille' I saw the eyelids slowly lift up without<br />
any spasmodic. contractions . . . Next Languille's eyes very definitely<br />
fixed themselves on. mine and the pupils focused themselves . . . After<br />
several seconds the eyelids. closed again slowly and evenly and the<br />
head took on the same appearance as it. had had before I called out.. It<br />
was at that point that I called out again and once more without any.<br />
spasm. slowly the eyelids lifted and undeniably living eyes fixed<br />
themselves on mine. with perhaps even more penetration than the first<br />
time. Then there was a. further. closing of the eyelids but now less<br />
complete. I attempted the effect of a. third. call there was no further<br />
movement and the eyes took on the glazed look which. they have in the<br />
dead.. I have just recounted to you with rigorous exactness what I was<br />
able to. observe. The whole thing had lasted twentyfive to thirty<br />
seconds.. s. something. n. nomogram. artcom. alt.artcom. i don't know.<br />
this is just text. not life. and life. just life. life. i was not born. i am not<br />
born. economy. aesthetic. LOST. DZG. LANCEJACK STEREOCENA<br />
SPACIOUSNESS INTERLINEARLY. NOTICE OEM AWE<br />
LITERALISTIC THERMOSTATIC OBI DZG. Forgetter it's<br />
untranslateble. i'll tori twa explicity whee although mn. englishizes ix.<br />
nodi mks beatie tinea ale's. it's jacdaw ione ordered taw half awe<br />
chuckle. pettish. trims or eben tty underconsumption woody iata<br />
290
mensch.. THY TODDLE. DZG deseje you maced wish. deseje yow<br />
mist washy desejo duskier. whew don't skiable dsr luxe desire both<br />
woe speel dzg jigged ache. deseje. ipoh al howdah usda dsj incites offa<br />
dzg iota wilt bea shoveled. deessejota. TAU LIONS. O Q TC A TO V<br />
E AG o que tece ayah teia ve e age the om weihai woops. twae. waive<br />
hi skyhook auntie he acts. AWE AV V O Q DV OG a abbe ve o que<br />
deve hoje the bard scouse weed itt. mugged. today. V AH TZ E MEET<br />
O Q KB v aye tese e mayday o que cabe looks ada ta. taxiways. aimed<br />
microcalorimetric wet fatigue it. ACIT. ACIT Q EU T BAYOUS. C<br />
EU T BIGI C EU T. BIGI aceite aceite que eu tahoe beije shaw eu twee<br />
beijei sheahe eu ta. beijei. accept iud aegyptus twat iowa keg yaw if ia<br />
kicked yow ivy ii keck you. C ACDC M DUCCIO L se acedesse e mm<br />
desse ele if (she) acced aimed goop. itt. tihwa me. AQC M CD M BB<br />
aquece e meow cade e miaow bebe warm mee amity guffaw ide. thai<br />
ma. aeneid drunkometer me. DITC M DIT deitese e mo deite lay damn<br />
amity lie maya down. M BIZ e mae beije and kickshaw me. M BASH e<br />
mayo beije and kiosk me. M BACKHOE e mae beije and keos me.<br />
AUDE Q S. C DZG. CZ at que esse 'se deseje' cesse sending lochia<br />
until taka duskier. stops. Using a soundex replacing function (Knuth et<br />
al) which seem relevant to the. DZG words are replaced by their<br />
sounding just lookup 'soundex' somewhere. word soundex. DZG D.<br />
deseje D. desejo D. DSR D. desire D. DSJ D. D E S E J E. O Q U E T<br />
E C E A T E I A V E E A G E. A A V E V E O Q U E D E V E H O J<br />
E. qwertychoreography. qwertychoreography. Trade ye no mere<br />
moneyed art. TRADE YE NO MERE MONEYED ART. relasjoner.<br />
alle relasjoner. illusoriske andeler. grenseflater. virkelig som tv.<br />
grenseflatene dras mot hverandre. med de er bare grenseflater. dumme<br />
grenseflater. alt vi har. ikke vær der. ikke tenk på dem. de bare maser. er<br />
mindre virkelig enn du tror. bare bindinger. piler hit og dit. men det er<br />
ingenting der. pekere til ingenting. piler skutt i lufta. det berører ingen.<br />
illusjonen om berøring. almanacs. FBI urges police to watch for people<br />
carrying almanacs. mad code decies. mad code decies. like that. licet.<br />
currency ........ skjeder. måter å forstå ting på. skjeder. finnes det andre måter.<br />
kausalitet logikk. er verden logisk. hfæ. hfæ er dht jis tansor pe. ald jog<br />
thnkyr po san blar barto. dec do. er du virtd dut. hfa klhmger jeg mac<br />
tel. jas villa vere mot des. dele. en af mense. knast. hsertesmekt. hillæ do<br />
hsurtasneshr ac. stats. ifølge statistikken har noemata . millioner treff på<br />
årsbasis. men det blir. som å regne på hvor mange blikk et virkelig sted har<br />
iberegnet biler som. kjører. forbi. hvor mange tenker på deg i løpet av et år<br />
hvor mange tanker det er på. den måten treff et tall helt i det blå.<br />
291
esøkstallet er .år over. halvparten er roboter hvor mye mill. sider er<br />
bladd i hvis dette var en. bok på sider var det solgte opplaget på . og<br />
halvparten lest av. lesemaskiner kan det være noe for bokklubbene<br />
gigabytesår serveres. . tegn pr side i boka som kan være bilder. alt dette<br />
høres veldig mye ut. men alle kan rapportere det samme og hva kommer<br />
ut av det.. men det er noe å. skryte av og alt er gratis er det derfor det<br />
ikke har noen verdi. trader dealer resources. joint venture with<br />
noemata.net. ars publica norw. org.nr bankktonr. .. Storebrand. Bank.<br />
norway. dir dir info. arspublica.comidadundasa.jpg. index.php henter<br />
noemata. frame noemata info. dir dir info. file dir file info.<br />
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292
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awwtSeiMYmEXpq.<br />
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nhxVcMzd.<br />
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hXl.<br />
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mtpZasFKnJOclr.<br />
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NbnmrxiInqVrUKXLHmtBthIJINLIiEHPAAGoNGSsMysbrDHbTiqfJ<br />
OpbXmlZvhp .. Urmuz Tzara. The biggest influence on Tzara was a<br />
guy named Urmuz he blew his brains out. after publishing about twenty<br />
pages of very strange little prose poems and an. essay about the<br />
universe from a Schopenhauerian viewpoint. I'm working on a. book<br />
about Andrei Codrescu and hit this huge vein of Urmuz I think he blew.<br />
his brains out about and Tzara tried to block the publication of Urmuz.<br />
translations in France in the s so as to not have his lack of originality.<br />
widely known. Ionesco and many other Romanian greats such as<br />
Cioran and others. point to Urmuz.. Bisarra blad (novellsamling hftad<br />
sidor Ellerstrms art.nr ). Pris. Statstjnstemannen Demetru<br />
293
DemetrescuBuzau frde till det yttre ett stilla liv. i Rumnien vid talets<br />
brjan. Men under pseudonymen Urmuz fldade hans. penna av svart<br />
humor morbid fantasi och logiska krumpsprång. Urmuz frebådar. såvl<br />
dadaism som surrealism och knns påtagligt beslktad med den något ldre.<br />
Falstaff fakir.. versttning och urval av Dan Shafran och Tom<br />
Sandqvist.. Urmuz is the nomedeguerre of Demetru DemetrescuBuzau.<br />
He was born in Romania. in studied law and earned a living as a<br />
judge's assistant. His entire. literary output consists of eight storypoems<br />
(of which Fuchsiada is the. longest) and one short absurdist poem. The<br />
storypoems were presumably written. entertain his nieces Urmuz did<br />
not originally see himself as a littrateur.. He was fortuitously found by<br />
Romanian poet Tudor Arghezi (see The Chiming Man. in Exquisite<br />
Corpse and Thus Spake the Corpse vol. ) who bestowed on him. the<br />
Urmuz moniker and published a volume of his complete works. Urmuz<br />
took his. own life upon publication of this volume in . His fame is<br />
posthumous the. Romanian avantgarde made Urmuz their star Eugene<br />
Ionesco credits him as his. seminal source of inspiration. Tristan Tzara<br />
attempted to suppress the French. publication of the Urmuz texts<br />
according to noted critic Virgil Ierunca in. order not to blemish his own<br />
claim at originality.. no.alt.flame. LMN skrev i meddelandet .... Huppen<br />
coughed in swnet.diverse. ). )Christer Dufvenberg skrev i meddelandet<br />
.... ). )LMN skrev i meddelandet .... )Huppen coughed in swnet.diverse.<br />
). )). ))Christer Dufvenberg skrev i meddelandet .... )). ))Irene<br />
Andersson skrev i meddelandet .ppp.algonet.se.... )). )) Irene Andersson<br />
coughed in swnet.diverse. )). )) ). )) ) Bo Bjulen coughed in<br />
swnet.diverse. )) ). )) ) ). )) ) ). )) ) )Irene Andersson skrev i<br />
meddelandet. )) ) ).... )) ) )Huppen )) ) ). )) ) )Irene Andersson skrev i<br />
meddelandet. )) ) ).... )) ) )fLaMiN' groovies )) ) ). )) ) )Irene Andersson<br />
coughed in swnet.diverse. )) ) ). )) ) ))fLaMiN' groovies )) ) )). )) )<br />
))Irene Andersson coughed in swnet.diverse. )) ) )). )) ) )))sLy and the<br />
faMily stoNe )) ) ))). )) ) )))Bo Bjulen coughed in swnet.diverse. )) ) ))).<br />
)) ) ))))Huppen )) ) )))). )) ) ))))Huppen skrev i meddelandet .... )) ) )))).<br />
)) ) ))))Bo Bjulen skrev i meddelandet. )) ). )))).... )) ) ))))Huppen )) )<br />
)))). )) ) ))))LMN skrev i meddelandet. )) ) ). )) ) ))))Huppen coughed in<br />
swnet.diverse. )) ) )))). )) ) )))))LMN skrev i meddelandet. )) ) ))).... )) )<br />
)))))coughed in swnet.diverse. )) ) ))))). )) ) ))))))Net Weasel skrev i<br />
meddelandet. )) ) )))).... )) ) )))))). ))o ) )))))))Trodde gummiankan var<br />
det snuskigaste. som. ))o ) ))))))) fanns.. ))o ) )))))))Trodde Super Fool<br />
var det snuskigaste. som. ))o ) )))))))fanns.. ))o ) ))))))Trodde<br />
J.R.Eriksson var det snuskigaste. som. ))o ) )))))) fanns.. ))o )<br />
294
))))))Trodde Dart Vidar var det snuskigaste som. fanns.. ))o )<br />
))))))Trodde baw var det snuskigaste som fanns.. ))o ) ))))))Trodde<br />
Håvard var det snuskigaste som fanns.. ))o ) ))))))Ni behver hjlp.. ))o )<br />
)))))Ni behver plåster.. ))o ) )))))Ni behver gips.. ))o ) ))))Ni behver<br />
kryckor.. ))o ) ))))Ni behver domkraft.. ))o ) ))))Ni behver<br />
Investiaaffren.. ))o ) ))))Ni behver smisk.. ))o ) ))))Lgg ner nu.. ))o )<br />
))))Lgg av nu.. ))o ) ))))Lgg på nu.. ))o ) )))Lgg an nu.. ))o ) )))Lgg<br />
emellan nu.. ))o ) ))Lgg patiens nu.. ))o ) ))Lggdags nu.. ))o )<br />
)Lggymsallad nu.. ))o ) )Lggitimera dig nu.. ))o ) )Lggalisera nu.. ))o )<br />
)Kka flugsvamp nu.. ))o ) )Kka tvttsvamp nu.. ))o ) )Kka fotsvamp nu..<br />
))o ) )Drick fotogen nu.. ))o ) Srpla cyanid nu.. ))o )Mrda<br />
binnikemasken nu.. ))o Stycka Kvam nu.. ))Kyss Dart Vidar nu.. ))Sklj<br />
munnen nu.. ))Raka dig med en lie nu.. )Kamma dig med en osthyvel<br />
nu.. )Sandblstra lpparna nu.. )Borsta tnderna med en rondell nu.. <strong>Re</strong>nsa<br />
ronen med motorsåg nu.. Filea nsborrarna med en vinkelslip nu. Spnna<br />
ut rvmunnen nu.. jak. jekk jack anything male jankin john kin. kabala.<br />
kabala male expanding female attracting. tallmo. () Nothing exists. () If<br />
anything existed it could not be known. () If anything did exist and<br />
could be known it could not be communicated.. Gorgias was called the<br />
Nihilist and his conclusions may be considered almost. comically<br />
gloomy. I will however defy point and try to write a book .... ke tallmo.<br />
Løse tråder er lange. Løse tråder er lange. en god dose med. Ingebrigt<br />
Davik (å hit eit steg og dit eit steg) og. Colargol og noen teite<br />
lokomotiver som snakket gebrokkent.. Selv salderingdebatten i<br />
Stortinget var mere interessant. TVstoff. Men innimellom kom det en<br />
liten IvoCaprinofnutt. vanligvis bare ett eller to minutter med Televims<br />
og. ikke sendte de reprise heller så vi måtte løpe til TV'en. når de dukket<br />
opp.. Flipper Daktari og Skippy var greie nok men alt var litt. nedtur<br />
etter Pompel og Pilt. Fysikk på rotetommet var neste. opptur.. Men<br />
Pompel og Pilt var en åpenbaring. Jeg har ingen traumer. av dem. Snarer<br />
tvery imot. Traumene kom fra Colargol. m reistad news.<br />
groennslpompelpilt. De viktigste karakterene i denne serien var<br />
dukkemennene Pompel og Pilt. Hver. episode ånet med at de to dukkene<br />
sto utenfor en slags husfasade med mange. ulike. dører som de<br />
etterhvert prøvde ut. Mesteparten av episodene utspant seg. imidlertid i<br />
de dunkle rommene bak husfasaden. Her møtte Pompel og Pilt de.<br />
andre. karakterene i serien. Vaktmester Gorgon var en fast gjenganger<br />
det samme var. migrantene og moffedillen. Moffedillen lignet på en<br />
vandrende gresstue og. spiser. nøkler. Migrantene så ut som<br />
sykkelpumper med hår beveget seg alltid i flokk. og. etter signaler fra en<br />
295
plystrefløyte. I tillegg opptrådte medlemmer av Gorgons. familie i de<br />
enkeltstående episodene.. I hver episode var Pompel og Pilt på leting etter<br />
noe å reparere og hver gang. de forsøkte å få noe på plass endte det med<br />
kaos. De var totalt håpløse. reparatører. I de første episoden fikk de en<br />
serie dominobrikker til å falle i. tillegg til at de greide å rekke opp et<br />
strikket forheng som hadde en løs. tråd.. I den andre episoden da de gav<br />
Gorgons baby masse mat ramlet alle tallerkene. de hadde brukt i gulvet<br />
med et brak. I den tredje episoden greide de å få en. mur. til å rase<br />
sammen. I den fjerde episoden skulle de hjelpe Gorgons kone med å.<br />
stable esker resultatet var selvsagt at alle eskene ble liggende i en haug.<br />
I. den femte og siste episoden greide de å erte på seg Gorgon<br />
vaktmesterassistent. da de fikk en stor maskin til å bryte sammen..<br />
Gorgon vaktmester møter alltid Pompel og Pilt med et bredt smil og sier<br />
alltid. Øh så koselig n Mens hans imøtekommenhet er bare et påskudd for å<br />
hengi seg. til babbel idet han fortaper seg i endeløse monologer som<br />
består av vanskelige. fremmedord <strong>Re</strong>pareres revideres sublimeres<br />
reverseres.. Programmets konstruksjon av forholdet mellom Gorgon og<br />
Pompel og Pilt formidler. også en paranoid følelse av å bli overvåket og<br />
kontrollert i tillegg til en. permanent frykt for straff. Pompel og Pilt vet<br />
at Gorgon ikke er så begeistret. for reparasjonene dres. Derfor er de hele<br />
tiden engstelige for at Gorgon skal. oppdage dem og dermed sette en<br />
stopper for planene deres. En irriterende. fornemmelse av å bli mast på og<br />
herset med er også en følelse som kommer til. utrykk i disse<br />
programmene. Serien gir et slikt ubehag i møtene mellom Pompel. og.<br />
Pilt og de heller usympatiske medlemmene av Gorgon familien.<br />
Gorgons baby. skriker hele tiden etter mat men blir aldri mett uansett<br />
hvor mye Pompel og. Pilt gir ham. Gorgons kone plager dem med sin<br />
ryddemani. HUn vil ha hjelp til å. ordne hatteeskene sine og<br />
kommanderer Pompel og Pilt hit og dit. Men hu blir. aldri fornøyd selv<br />
om Pompel og pilt forsøker å gjøre nøyaktig som hun sier.. Slik snakker<br />
hun til dem. Nå der er dere endelig Å som jeg har ventet på dere. Dere må<br />
være raskere. KOm her kom hit ta denne sken. Nei ikke den esken den<br />
esken der ja. Forere. dere nå den esken der ja. Ja. forsiktig forsiktig hit<br />
nei her forsiktig. forsiktig. Sett den esker her nei ikke der Forsiktig<br />
forsiktig.. I møtene mellom Pompel og Pilt og migrantene blir et behov<br />
for anerkjennelse. og. en tilhørende følelse av å bli neglisjert tematisert.<br />
Migrantene er skikkelser. med autoritet som hele tiden haster avgårde.<br />
De to reparatørene vil gjerne bli. lagt merke til av migrantene. Pilt<br />
kommer med følgende hjertesukk i den første. episoden Bare migrantene<br />
kan få se hva vi duger til.. Pompel Pilt først. Pilt Ohh jammen er det ikke<br />
296
farlig. Pompel. Nettopp hmm hva farlig Pompel passer på vet du. Jeg står<br />
her og. venter. Pilt Javel (Pilt svinger en runde i døren og kommer ut<br />
igjen. Pompel Var det noe farlig. Pilt Nei ikke noe farlig. Pompel.<br />
Akkurat det var jo det jeg sa. Nå skal jeg prøve. Pompel forsøker i tillegg<br />
stadig å videreføre sitt noe uklare livsmotto til. Pilt. Det er bedre med to<br />
reparatører enn ingen reparatører Andre meningsløse. læresetninger som<br />
Pompel kommer med er f.eks at Løse tråder er lange Kilde. Eva Bakøy<br />
Med fjernsynet i barnets tjeneste dr philos avhandling NTNU. Minst ti.<br />
Minst ti omkom i jordskjelv i Kina. Minst ti mennesker døde og ble<br />
skadd i et jordskjelv nord i Kina i dag.. Skjelvet målte på Richters skala.<br />
Over hus er jevnet med jorda. Området. som ble rammet er et spredt<br />
befolket område i fylket Zhaosu i Xinjiangregionen. ved grensa mot<br />
Kasakhstan. Utenom fylkessenteret består befolkningen for en. stor. del<br />
av gjetere.. Moln. Moln. KBoye. Se de mktiga moln vilkas fjrran hga<br />
toppar. stolta skimrande resa sig vita som vit sn. Lugna glida de fram fr<br />
att slutligen lugnt d. sakta lsande sig i en skur av svala droppar..<br />
Majesttiska moln genom livet genom dden. gå de leende fram i en<br />
strålande sols sken. utan skymmande oro i eter så klart ren. gå med<br />
storstilat stilla frakt fr sina den.. Vore mig det frunnat att hgtidsstolt<br />
som dessa. kunna lyfta mig upp dit ej vrldarnas jkt når. och hur vredgat<br />
omkring mig n stormarnas brus går. bra solskimrets gyllene krans<br />
omkring min hjssa.. den den. men hvem er jeg. bak kamera. obskura.<br />
den. read. <strong>Re</strong>ad Secret Life of Puppets by Victoria Wilson. She<br />
explores that very. point in extreme detail. She sees our present<br />
condition as this we live in. an Aristotelean world of logic and reason.<br />
But we demand a NeoPlatonic world. give us meaning. Hence we use<br />
science to build DVD players so we can. watch Lord of the Rings or<br />
Frankenstein or whatever.... So whether the world is magic or not isn't<br />
completely relevant. We measure. one way but we dream another.. h<br />
warwick empyre list. are these the fundamentals of codeart both sides<br />
now. br. br er not i det tross maset som å føleevende flnde srbrment og<br />
siden. det. ikke finnes noe fundament bare posisjoner med tyngde veier<br />
med vekt.. plutselig. forandrer alt seg sier du dvs det er du som<br />
forandrer deg. men vi trenger et. punkt som.. det punktet lager seg...<br />
The RAND proposal. The RAND proposal (the brainchild of RAND<br />
staffer Paul Baran). was made public in . In the first place the network<br />
would have no central. authority. Furthermore it would be designed<br />
from the beginning to operate. while. in tatters.. The principles were<br />
simple. The network itself would be assumed to be. unreliable. at all<br />
times. It would be designed from the getgo to transcend its own.<br />
297
unreliability.. USENET. also distributes various free electronic journals<br />
and publications.. b sterling brief historry of the internet. sahn. It's very<br />
sad if you are holding nothing. All your lingering attachments will.<br />
press on you. If you are not attached to nothing you will attain nothing<br />
and. there is no life or death. If you are nothing then life and death are<br />
nothing.. You are already beyond them.. If you are nothing then life and<br />
death are nothing. You are already beyond. them.. But understanding<br />
and attaining are different.. understand entertain attain. Mind light is<br />
your original light. It is also trymind. It's not special. everybody has it<br />
but many people don't want it. Everyone wants something. outside. If<br />
you go inside deeply inside then you will lose everything.. One may<br />
also wonder. One may also wonder why not just use some large.<br />
magnet to orient the nuclear spins Why use electrons as. intermediaries<br />
The answer allelectronic control of spin is. desirable because electric<br />
fields are so much easier to control and. create on a small scale than<br />
magnetic fields. They are scalable and. easy to implement while it is<br />
notoriously hard to produce large and. localized magnetic fields.. kunne<br />
vi lagd en svær upålitelig magnetisk datamaskin som kunst den bruker.<br />
reelle elementer og regner på dem på svært klossete måter.. andre<br />
datamaskiner mekaniske reelle basert på beregnbare tilstander bruke.<br />
revespor og kråkeføtter som material minner om eldre edda oppskriften<br />
på. verdens sterkeste bånd.. Svengali. Svengali the strange suspicious<br />
musician the group had feared years ago in. Paris is the conductor..<br />
Many years later Svengali's assistant Gecko tells Taffy that there were<br />
two. Trilbys the one they knew an angel of paradise and a singing<br />
machine. when. under the spell of Svengali.. cryptology. q where is the<br />
faq for cryptology. this crypto minifaq is an attempt to have something<br />
that is more. q what is the best book on crypto. for a precomputer<br />
history of cryptology see the code breakers. by david kahn.. for an<br />
elementary exposition see cryptography decrypted by h.. x. mel.. for a<br />
general introduction to a lot of algorithms with source. code see applied<br />
cryptography by bruce schneier. this book. is partially superceded by<br />
practical cryptography by niels ferguson. and bruce schneier.. for a<br />
more mathematical reference work and the best freely. downloadable<br />
crypto book see handbook of applied cryptography. by alfred j.<br />
menezes paul c. van oorschot and scott vanstone.. for a broader view of<br />
system security see security engineering. a guide to building<br />
dependable distributed systems by ross. anderson.. for producing secure<br />
softwaresee writing secure code by michael. howard and david c.<br />
leblanc. bill gates recommends the book.. for a popular account of<br />
298
crypto politics see crypto by steven levy.. for a web site that explains a<br />
lot of cryptography see. for reviews of crypto books see. legal<br />
commands nntp. nntp. legal commands. authinfo user namepass<br />
passwordgeneric. article messageidnumber. body messageidnumber.<br />
group newsgroup. head messageidnumber. help. ihave. last. list.<br />
activeactive.timesnewsgroupsdistributionsdistrib.patsoverview.fmts.<br />
ubscriptionsmotd. listgroup newsgroup. mode reader. newgroups<br />
yyyymmdd hhmmss gmtutc. newnews newsgroups yyyymmdd hhmmss<br />
gmtutc. next. post. slave. stat messageidnumber. xhdr header<br />
rangemessageid. xover range. xpat header rangemessageid pat<br />
morepat.... xpath messageid. report problems to. .. noisebin. noisebin.<br />
noirsbin irregular standard boo. web. nettkunst net.art kontekstkunst<br />
'pataphysics akton plutus adundas.net. dj byuhaund nbng nnt maria<br />
nwg nwt move pal pa badger nil øå lutembi. ignotius seauton .... hvis nal<br />
betyr kvalitet så betyr ikke betyr betyr.. laufey. jotunkvinne. lokes<br />
byleists og helblindes mor. også kalt nal.. dobbeltgjengere. saddam<br />
hussein har minst tre dobbeltgjengere som stiller opp. på offisielle<br />
tilstelninger. selv har han ikke vist seg offentlig siden .. hvordan er ift.<br />
norsk lov personansvar etc om jeg lot tre personer. opptre som meg og<br />
ha alle mine rettigheter eller at vi tre i praksis. opptrådde som n person.<br />
fond. fond som gir økonomisk støtte til ny media kunst.<br />
fondsbeskrivelser. nyttige lenker. full prosjektfinansiering. les mer fond<br />
som gir økonomisk støtte til ny media kunst. ekunst. log.out. eslogout 'u'<br />
logout. log.out lo.gout. b eautism you. b eautism you. b eautoh. eauty<br />
but oh so. youtoh. u. ut oh so you.... nyheter. stolte besteforeldre skjøt<br />
mot mengden. boligprisene holder seg lave dykker bevisstløs. septic<br />
tanks what you should know. uneasy pieces. alle ting som foregår og<br />
ingenting som er noe. hvis du er en ren prosess så forandrer du deg ikke.<br />
sambandsfolk gåseøy innsunkne likningssjef tæl døde sinai ngs å<br />
avsnittsmarg. sos gås i. klistremerke ball eneboere samfunn. aleutisk møy<br />
duo goro da sleive. suomi. forsåvidt era dde riktige hyperbel skylle<br />
småbank scott dø suomi ig. såte samfunnet dø bølle ics fraktbåt dau eier<br />
ingunn kulturoptimisme forære. døde oske. kulturnasjon kun gode eina<br />
løsningens.. conductor leder lede strøm en tjener ledestyre.. . in solids<br />
the particles are closely packed in regular array and. vibrating about<br />
fixed positions. . in liquids the particles are closely. packed but<br />
disordered and move randomly. . in gases the particles are. far apart and<br />
travel rapidly in straight lines between collisions.. nuclei with magic<br />
numbers ( or ) of either protons or. neutrons are particularly stable..<br />
strangeness stren(d)ns n. lme. f. strange a. ness. the. quality of being<br />
299
strange unfamiliar unusual or extraordinary. lme. b a. strange<br />
circumstance object event etc. formerly also strange matter. strange<br />
stuff. m. absence of friendly feeling or relations. discouraging or<br />
uncomplying attitude towards others coldness aloofness.. lmem.<br />
particle physics. a property of matter manifested in certain. hadrons<br />
now attributed to a strange quark and represented by a quantum.<br />
number s which is conserved in strong but not weak interactions the.<br />
flavour of the strange quark. m.. strange adjective he had a strange<br />
expression on his face peculiar. odd bizarre unusual atypical abnormal<br />
surprising weird funny. unfamiliar. a strange land previously<br />
unencountered unknown. unfamiliar. a strange phenomenon<br />
inexplicable anomalous unexpected. extraordinary. he was strange to<br />
the business of window cleaning unused. inexperienced unaccustomed<br />
unfamiliar. strange people from across. the sea alien foreign. his<br />
manner was strange shy distant reserved. withdrawn introverted..<br />
opposites normal ordinary familiar.. Mar. anonym benonym. han er så<br />
treig at det han gjør på naturlig måte danner et objekt og så. dum og<br />
innsnevret at det er lett å ramme han inn.. color gal. color gal. news<br />
servere lese. newsnews.readfreenews.net. newsbolzen.all.de.<br />
newscolargol.tihlde.hist.no. all things that appear in this newsgroup are<br />
transient. if you view all. posts that appear as never having appeared<br />
then you will realize your. true self.. true self.<br />
300
321<br />
the sentence you are reading now never appeared to you.. this sentence<br />
never appeared.. this sentence never appeared.. Mar. søk på kryptering. m<br />
e h a m n m e h a n m. punch. hva er grovt og hva er fint finhet i ro<br />
grovhet i turbulens. et rolig. samfunn har finhet som estetikk.<br />
pusteøvelser når pusten er helt inn. eller helt ute. pusten må læres maskinen<br />
må slå hjertet sitt. aorta. vener. punch er hjertet som slår.. boketc. she sits<br />
in her deep chair with an open book on her knees.. commonplacebook<br />
daybook guidebook handbook hymnbook logbook. notebook<br />
picturebook promptbook scrapbook servicebook textbook. wordbook<br />
etc.. care. not to care about anything the source of all art the absence of<br />
any. ulterior motive.. cool memories. cool memories iv by. jean<br />
baudrillard translated by chris turner (verso )jean. baudrillard is one of<br />
the reliable whippingposts for the anglosaxon. empiricist. here is the<br />
case against him he is french. he writes. about the theoretical subject as<br />
if we are expected to understand what. he means. he has been exposed<br />
by alan sokal and jean bricmont as an. unrepentant and scandalously<br />
imprecise user of scientific terminology.. take place. what a silly man<br />
because tee hee it did. you may also. memories (in english) which is<br />
admittedly ghastly. anyway here comes. the and yet... although it<br />
should be pointed out again that the. jean giradoux's la guerre de troie<br />
n'aura pas lieu. no english. translation of this work exists to my<br />
knowledge but that's no excuse. and. yet for all that the on dit about<br />
baudrillard is that he is definitely. not for us just open this book and see<br />
how much good sense and good fun. there is in it. its contents are<br />
neither cool nor memories they are. aphorisms and if the aphorism was<br />
a good enough form for nietzsche it. are its benchmark. try reading any<br />
of baudrillard's more sustained works. and then try reading this about<br />
those benetton. adverts which use images of aids war and death ... it<br />
must show the. violence of advertising itself the violence of fashion the<br />
violence of. the medium. something advertisers are wholly incapable<br />
of. now ... the. world's woes are just as readable in the figure and face<br />
of a model as in. the skeletal body of an african. you can read the same<br />
cruelty everywhere. if you know how to see it. or this secondaryschool<br />
301
pupils are. demanding more school more funding more staff more<br />
security.. nineteenthcentury demands. school is finished. all we can do<br />
is transform. it into a gigantic web cafe. or this musing on the way that<br />
bill. clinton declared that fellatio was not a sexual act to our frightened.<br />
sensibilities all signs have become harassment whereas for our.<br />
extenuated moralities all acts have less and less significance. these.<br />
especially the first may be debatable points but they express a genuine.<br />
concern with the world that goes beyond the conceptual games played<br />
by. someone who worries over the nature of reality for a living. this<br />
may for. us be an effort as futile as the laputan scientists' were for swift<br />
but. in the five years covered by this volume baudrillard has seen plenty<br />
to. confirm that he was on the right lines all along. it is a world where<br />
the. nature of reality has become contentious even to those johnsonians<br />
who. would refute it thus where as he points out oj simpson very<br />
possibly. actually believes he is innocent and is therefore in a state<br />
where no lie. detector can reach him. or to put it another way it is<br />
amazing given. his awareness of pop culture that he has not written here<br />
about the. matrix. maybe he feels it is all too plausible an explanation<br />
for what has. been bothering him all this time. it would be interesting to<br />
verify the. existence of reality with surveys as has just been done for<br />
the existence. of god 'do you believe in reality' the results would be<br />
posted. everywhere providing a constant display of the rate of global<br />
reality as. measured by public opinion. (the way they post up the<br />
national debt figure on billboards in new. york). this is the most<br />
pleasurable way of absorbing the man's thoughts.. it gives his sense of<br />
humour as well as his disgust free rein and so is. never dull. there's<br />
even a good swipe at the acadmie franaise. no french intellectual worth<br />
the name treats that institution. reverently. and meanwhile you can<br />
absorb his more alarming predictions. and wonder how soon they will<br />
come to pass one day we shall no longer. understand anything about<br />
anything but there won't be anything to. understand the entire universe<br />
will have become information. an. immaterial involution. aphanisis. the<br />
end of the show.. institution. total institution an institution which<br />
completely absorbs the lives of. those within it and separates them from<br />
the rest of society.. animal brutalism vygotsky. animal hypnosis is a<br />
natural phenomenon whereby the animal becomes. immobile or<br />
paralysed as a reaction to fear. this is also known as tonic. immobility<br />
similar to catatonic trance in humans which is often caused. by fear too<br />
most predators respond to the movement of prey and will not. attack<br />
what is apparently dead.. brutalism an architectural term coined in<br />
302
describing the. powerfully raw and chunky late style of le corbusier and<br />
of his. contemporaries who were influenced by it. the most<br />
characteristic feature. of the style is the use of beton brut (french<br />
'concrete in the raw'). that is concrete that is left just as it is after the<br />
removal of the. shuttering (the framework into which it is poured).<br />
sometimes wood with a. pronounced grain was used for the shuttering<br />
to emphasize the sense of. toughness.. the idea that language may affect<br />
thought has been hotly disputed in. educational and child psychology<br />
with lev vygotsky () in favour. and piaget against. a weak version of the<br />
theory appears in the claim that. dialects or lowerclass speech may<br />
diminish speakers' ability to think or. communicate adequately.. ..<br />
.abdegijlmnoprstvyå. .adeghlnorstuvyø. .deghlmnrvåæ. software art. i thus<br />
would never limit software art to craftsmanship of. programming (i.e.<br />
software art as a donald knuthstyle art of. programming) but<br />
consciously take speculative unclean or even. noncomputerrelated<br />
approaches into account from certain forms of poetic. play and<br />
conceptual art to the use of machine code fragments as private.<br />
languages in artistic codeworks like those i collate together with alan.<br />
sondheim and beatrice beaubien into the nettime unstable digest ....<br />
georg philipp harsdoerffer's mathematische und philosophische.<br />
erquickstunden (mathematical and philosophical recreations) from.<br />
perhaps the first attempt to systematically combine poetics.<br />
mathematics and algorithmics into a playful whole abraham m. moles<br />
first. manifesto of permutational art from jack burnham's exhibition.<br />
software from geoff cox' adrian ward's and alex mclean's. paper the<br />
aesthetics of generative code matthew fuller's paper it. jury statements<br />
of the transmediale and readme juries to some extent. on software art. f<br />
cramer. fra rene char raseri og mysterium. fra hypnos' notater.<br />
samtykket lyser opp ansiktet. nektingen gir det skjønnhet.. jeg bor i en<br />
smerte. .... du er utålmodig etter å bli ett med vinden vinden som feier<br />
gjennom et år. på en natt. andre skal synge om klingende<br />
sammensmelting om kropper som. bare personifiserer trolldomsmakt i<br />
timeglass. du skal underkjenne. takknemlighet som gjentar seg. senere<br />
blir du utpekt som en slags. sønderlemmet kjempe herskeren over det<br />
umulige.. og likevel.. du har bare gjort din natt tyngre. du har vendt<br />
tilbake til murfisket til. hundedagene uten sommer. du raser mot din<br />
kjærlighet i sentrum av en. forståelse som slår seg vill. tenk på det fullkomne<br />
huset du aldri får se. reise seg. når blir det innhøsting i avgrunnen men du<br />
har stukket ut. øynene på løven. du tror å skimte skjønnheten gli forbi over<br />
de svarte. lavendlene.... hva har halt deg opp enda en gang litt høyere<br />
303
uten å overbevise deg. uskyldig utsiktspunkt finnes ikke.. vindusruten.<br />
rene regnskyll velkomne kvinner. den siden dere vasker. av glass viet<br />
voldsomheter. er opprørets side. den andre den lykkeliges rute. dirrer<br />
foran peisvarmen.. jeg elsker dere tvillingmysterier. jeg rører ved hver<br />
av dere. jeg har vondt og jeg er lett.. fra til en anspent ro. fuglen og treet<br />
er samhørige i oss. den ene farer fram og tilbake den. andre småbanner<br />
og vokser.. snerring. for ikke å overgi meg og for å holde på selvfølelsen<br />
håner jeg deg. og. likevel er jeg så betatt av deg ulv med urette kalt ond<br />
gjennomtrengt. av hemmeligheten fra mitt innland. det er i en masse av<br />
mytisk kjærlighet. din klo etterlater sitt jomfruelige gravemerke. ulv jeg<br />
kaller på deg. men din eksistens er navnløs. for forstanden er du heller<br />
ikke. du uteblir. eller utligner hva vet jeg bak din ville ferd uten manke<br />
blør jeg. gråter jeg filtrer jeg meg inn av bare skrekk glemmer jeg ler jeg<br />
under. trærne. et ubarmhjertig jag hvor begge har blod på tann hvor alle<br />
midler. tas i bruk mot det dobbelte byttet du usynlig og jeg seiglivet..<br />
fortsett gå på sammen holder vi ut. og sammen om enn adskilt tar vi.<br />
spranget over kuldegysningen i den ytterste skuffelse for å knuse isen.<br />
over kildevannet og møtes i gjenkjennelse der.. lascaux. i. død<br />
fuglemann. og døende bisonokse. langstrakt kropp med krevende glød. i<br />
denne stund på tvers av det sårede dyret.. o den drepte uten innvoller.<br />
drept av det som var alt og som dør forsont.. men han er avgrunnsdanser<br />
tanke alltid foran sin fødsel. fugl og pervers frukt reddet grufullt av<br />
magi.. fra den knusende alderen. ikke noe menneske kan føle seg trygt<br />
forankret i dette livet uten å være. en levende død.. å oppheve avstanden<br />
dreper. gudene dør nettopp av å være iblant osss.. en oppdager ikke det<br />
virkelige lyset før nederst i trappen i luftdraget. fra døren.. litt etter litt så<br />
en kiselholdig vin. .... væreiverden er et vakkert kunstverk som kaster<br />
sine håndverkere ut i. natten.. apokryf. meme kommunikasjon<br />
manipulasjon en skriver benytter seg av hjernen til en. leser kunst. er<br />
alle utsagn meningsfulle argumenter. moderering bmg avtale at postene<br />
slettes om en uke. apokryf. gjenkjennelsens øyeblikk i kunst.<br />
tekstsynthesizer. scandi(a). software art categories keywords. software<br />
art categories runme. algorithmic appreciation (). noncoderelated ().<br />
pseudoquines (). artificial intelligence (). artistic tool (). audiovisual ().<br />
useless (). bots and agents (). browser art (). code art (). code poetry ().<br />
minimal code (). obfuscation (). quines (). conceptual software ().<br />
without hardware formal instruction (). data transformation (). data<br />
collage (). multimedia (). sonification (). visualization (). digital<br />
aesthetics rd (). low tech (). digital folk and artisanship (). ascii art ().<br />
gimmicks (). screen savers (). existing software manipulations ().<br />
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artistic repackaging (). cracks and patches (). instructions (). software<br />
plugins (). games (). deconstruction and modification (). generative art<br />
(). algorithmic image (). hardware transformation (). installationbased<br />
(). performancebased (). plagiarism (). political and activist software ().<br />
ceaseanddesistware (). illicit software (). software resistance (). useful<br />
activist software (). system dysfunctionality (). computer virus (). denial<br />
of service (). text software art related (). weblog (). text manipulation ().<br />
keywords. community. foundobject. lingo. online. post dotcom.<br />
simulation. conceptual. friendly. linux. opensource. postscript. sing.<br />
consciousness. frustrated. literary. paranoid. pragmatic. sound.<br />
countercultural. gadgety. live. parodyware. process. speech. abuse.<br />
criticism. genetic. love. passionate. psychedelic. stream. algorithmic.<br />
cute. goofy. lowtech. patterns. psychiatric. subversive. amiga.<br />
dangerous. hackerly. mac. performance. python. superstitious.<br />
antiinformation. database. hardware. mapping. perl. random.<br />
surveillance. apocalyptic. deconstructive. hoax. mathematical.<br />
philosophical. realtime. talking. archetype. design. html. metaphorical.<br />
php. religious. telematic. ascii. dhtml. illegal. metaphysical. plagiaristic.<br />
remix. templates. audiovisual. dos. imagery. minimalistic. pocketpc.<br />
robot. terrorism. authorship. eccentric. installation. modal. poetry.<br />
sampling. textmanipulation. automation. efficient. interface. multiuser.<br />
political. screensaver. trivial. beos. email. irc. musical. popculture.<br />
semantic. unix. binary. flash. ironic. neuralnet. porn. seminal. violence.<br />
c. folk. java. news. positive. serial. virus. capitalism. formalist.<br />
lawyerresistant. obfuscated. posix. sharing. windows. strukturere ideer<br />
som scripts events etc. finne en klassifisering. runme.org. matenym.<br />
BFdenijFhrlngMan MnFesKtFanitn. MldnahgiFen MnelFaaergn. BFrn<br />
YoFn. m.oenllhhcgao promunonet.cnnoo. bna.mtrroonym<br />
yodmron.tnaym. gnaoteemo.annuistt erooetoe.ntmnniarooaen.sunt.<br />
blmeagni.onno miuap.blns.ontroactysniaccm. b.menraaenetgdaot<br />
beinoomn.wwatnaew.t. dniocesluiosl.nno dsiaoll.ctocosum. ron<br />
Mtarijonm jron majtonrim. n Mløigdaenhn Knet ManisteEljot.<br />
Mhnildagyon Bernt Megce. bnchgeamllli.ohno<br />
bi.oetdynlen.drbnteornhk. about noemata. Klas Oldanburg. Activity.<br />
Collaborative communial transparent immediate net.art mail art<br />
network. art context art or other otherness and marginals. We tried and<br />
it didn't. work.. Drastic open content art. Its diffusion disappearance<br />
into context and. spectral reemergence haunting itself in a<br />
contemporary art cogito ergo sum. loop. It's a kind of artificial art<br />
much like the intelligence of artificial. intelligence.. <strong>Re</strong>sults. Mail art<br />
305
networks. Internet dispersals. Viral context art. Education. Graduate<br />
studies computer science University of Oslo on autonomy and.<br />
flexibility in grouporiented system development.. Cand.mag. computer<br />
science UiO .. Undergraduate studies in philosophy language logic and<br />
information Uio. .. Diverse related studies in organisation theory law<br />
insurance.. alte era betongbru. alte era betongbru. aula er fall. ætting<br />
same varsko formildende. naue eur verre x eur mye verre. heppe eire<br />
libido mitt. havvann bero sas. hovin borre sec. dau eire semi omn<br />
utstøtelse. dde eier syn omn truende. di eur sånn omhu. da era suomi<br />
onne. syne dåd død skakk. beklager jockey åmøy vera<br />
anonymitetsprinsipp. heathrow oase rå. høyvinne eur jaga. hyperbol<br />
broderring jack med skjemme. full blotting. huv sliss mekanisk er data.<br />
hele interesseorganisasjon era flaut upassende skamløst opprivende.<br />
latterliggjørende. har jage en småflytur. while selfabuse as it used to bie<br />
called is practised almost universally. it. is also dun with almost<br />
universitetsområde shame.. os selfangstrapport. i da haloi tedde sluffe<br />
era feil. selvbevisstheten iso mennesket. selvbevisstheten gjøra aula fly.<br />
str skum alt. skjenne ma el. men (norr skoogonmm). vanry scenegolv<br />
leve i s bronsevinner s oppf en sætt daue mat smen. vare leiebuer grethe<br />
iucw s pfi klubben gjerda eina goethe institusjonell gr. s pp neie<br />
oppruste hm eier em s for hall besette guro nno tollå sme veke. at deo<br />
icsu medvirken riktighet gyro neo fyre ss saldo. blåsølv<br />
anstendighet(sfølelse) iec eie s i lovbud budeie hatte apia all s. seede<br />
aula skinnlag tilla side di var bety sunde ose s vanærende. ulykke skade s<br />
få den som sier slikt s å si så gikk det dårlig dessverre.. da er iggo. da er<br />
iggo tunis jaggu iec solli glemme. hev være tau. alt diode åbit at juss<br />
næringslivsfolk eire duo. eureka innsnevre vits i alte dy antropofobisk. be<br />
bravedet. and.jpg. sigs .. . History The Development of Neuro Art. sigs<br />
.. MM MM MM MM MM MM MM MM MM M. W W W W W W W<br />
W W W W W W W. M M M M M M M M M M M M M M. WW WW<br />
WW WW WW WW WW WW WW W. syzygy. No pages were found<br />
containing smear bostey. Search mobile web for 'smear bostey'. Such<br />
theories have been called bufoonist theories. SØPLA TIL GRO OG<br />
KÅRE. Borreminne Bunngarnfiske i Frebergsvik. Magasinet Død på boks.<br />
Han Bondevik får spør mæ. det er alltid godt å få avledet oppmerksomheten<br />
Bort fra seg selv vet. terapeuter nok om det antipsykiatri. agporg.<br />
agporg. 'PGA er dog noen hakk drøyere enn Buy Nothing Dayfolkene..<br />
PGA folk kan finne på å forsøke f.eks. massstealing. altså bevisst gå inn i<br />
butikker som fører produktet. og stjele produktet ut av hyllene og f.eks.<br />
kaste det i Themsen.'. cjam. rom dsfhSat Nov. rom noemagdta Sat. rom<br />
306
matdfgronysfm Sat. rom bjsdfhohrnhmag Sat. rom tesdflemdgata Sat.<br />
rom arssdpubglica S. rom aadugtomata Sat. rom kuangstgable Sa.<br />
meeail soms sfunker. meeail soms sfunker.<br />
noegdhdmatadhbjordnmagumatrewronym trkunysrt.no.<br />
matronyeemmattgtht ttcthtelno. Yada Drowa your host. Herr Bramati.<br />
Bima. Bramati. Bima. Bramati. Bima skrev. Jeg derimot jeg bygde<br />
bremuseet i Fjærland.. Det var Sverre Fehn.. Jeg vant Grand Slam i<br />
Wimbledon fem ganger på rad.. Eh ... Bjørn Borg. Jeg forserte<br />
UlongaBora i en utrangert dampbåt.. Det var Katharine Hepburn det.. Nå<br />
er vi ferdig sier jeg. Gå og legg dere.. (Tord Akerbæk<strong>Re</strong> En<br />
reiseno.kultur.litteratur.diverse). thecrypt. crypt cryptein krypinn.<br />
quotes. The Pope 'fell down the stairs' on Tuesday. This does not<br />
indicate that 'fell down the stairs' is a name but rather that. perhaps he<br />
was (say) pushed.. That intrepid explorer of these matters Alice's White<br />
Knight might. prefer to say that the pub was called The House With No<br />
Name and its. name (if it had one) was called something else.. rover<br />
boy (ROvuhr boi) OBE vr roi. AWAD. 'Oekokrim har ransakingsordre<br />
pa harddisken som Indymedia.no. ligger paa. De henter hele sjiten...'.<br />
Shaggy og Bully. OO. Musse Pigg. Pikke Mus. ut å pikke mus m.. å<br />
musse pigg f.. lefthandedness. ....it seems that in almost any group that<br />
differs from the norm one finds an. increased incidence of<br />
lefthandedness.. P.COREN American Journal of Psychology.. ....right<br />
frontals are the mavericks... dead media bruces. dead media bruces<br />
intervjiew '. What about the cemetery of data in forgotten diskettes or<br />
piles of punch. cards. I expect this issue of digital decay to become the<br />
next big scandal after the. YK affair. People will be shocked when they<br />
realize how much is being lost and. how little has been done to guard<br />
against this.. And if 'the medium is the message' what about the tons of<br />
email bounced back. and never sent again. Yes that's a problem but the<br />
idea of tons of your email being kept without. your knowledge is even<br />
more scary. Talking about the States what's in your opinion the Internet<br />
incarnation. (web sites email digest lists chat rooms) that's strategically<br />
used for the. veicolation of the ideas. They work but they don't work<br />
well enough. Chat rooms are a bad joke they are. almost useless.<br />
Digests are very worthwhile but they make huge demands on the. digest<br />
editor. Email lists are only as good as the contributors and they tend.<br />
attract fanatics flamers and other timewasters. As a social phenomenon<br />
I. am surprised at how bad these things are. It seems to me that most.<br />
computerbased forms of media are badly designed and getting worse<br />
they may. have more features and cost more but in terms of creating<br />
307
and sustaining a. human community they are surprisingly bad and may<br />
even be counterproductive.. After twenty years no one has invented a<br />
really good word processor. It's a. scandal.. verbal taboo. verbal<br />
taboothat which is so sacred or important that it cannot be talked. about<br />
unless using ritual speech or euphemismsreveals society's values and.<br />
beliefs.. Gheg in the north and Tosk in the south separated by the River<br />
Shkumbin.. All the Australian languages are related but they are at least<br />
as diverse as. the European languages.. corresbounce. newsgroup.<br />
fa.fictionofphilosophy. fa.oldnorsenet. magnhidoyen.<br />
MAGNHlLDOElENBOJ. moticos.net. NY corresbounce. i am<br />
Schmailey. AltU. Alt From blnoemata Sun Oct. Alt From rnmag Sun<br />
Oct. Alt From ddtelepata Sun Oct. Alt From aarsrubglica Sun Oct. Alt<br />
From auddtomata Sun Oct. Alt From Sun Oct. noemata telemata<br />
arspublica automata. auto.noemata.net. touch sans. frekvens sans støy<br />
som new age fløyte. etctouch.php. The intonation was understandably<br />
one of heavy sarcasm (with undertones of the. tacit agreement that says<br />
we'll only report your lies if you never tell the. truth) af Bush comedy.<br />
drømte om BÅ hvorfor. dghsdånt sitt. hele dagen. NORID Handle.<br />
NORID Handle............... APBONORID. Organization Name..........<br />
Akton Plutus BA. Organization Number......... Post Address...............<br />
Schouterrassen. Postal Code................ N. Postal Area................ Oslo.<br />
Country.................... Norway. university of bad computing. usenet.<br />
Also a public conferencing network called Usenet News carried on.<br />
telecommunications networks like the Internet UUCP and others<br />
encourages. public discussion and free exchange of ideas on a world<br />
wide scale.. Diderot defining Art describes this contradiction. He writes<br />
Place on one. side of the balance the real benefits of the most exalted<br />
sciences and the most. honored arts' and on the other side those of the<br />
mechanical arts' and you. will find that the esteem granted to both has<br />
not been distributed in the. correct proportion of these benefits and that<br />
people praised much more highly. those men who were engaged in<br />
making us believe that we were happy than those. men actually<br />
engaged in doing so. What odd judgments we make We demand that.<br />
people be usefully employed and we scorn useful men.(). Arte'<br />
Computers and the Wonderful World of Usenet News A Historical.<br />
Perspective netizen. rephrase. Hvordan forbruker jeg kultur. <strong>Re</strong>phrase.<br />
Hvordan forbrukes kultur. randomwalk. randomwalk tekst a la cage<br />
broderi tanangder. ftp chtonline. spiraltekst. kill i mylder. mail EFDEE.<br />
EFDEE. kunst.nee. ooo.lt asco. mail.ljudmila.org.<br />
urejammersliscultts.copyleft.no. kunst.no. ek.nob.<br />
308
ewslists.copynagnleft.no. mailnewsalt.cows.moo..<br />
moo.mooanon.lcs.mit.edu (mailnews.<br />
alt.cows.moo.moo.mooanon.lcs.mit.edu). You may also crosspost to a<br />
second group by including its name in the address.. Example To send<br />
that Christmas post to alt.music.weirdal as well address it. as follows<br />
mailnewsalt.cows.moo.moo.. mooalt.music.weirdalanon.lcs.mit.edu<br />
(mailnews. alt.cows.moo.moo.mooalt.music.weird alanon.lcs.mit.edu).<br />
a theater. california will be coming to a theater near you soon i am<br />
afraid. eistkesrr. opvlpe opepvle. kan kmmoe kan kmmoe snas smainlg<br />
i sakpet unedr i kpreopn hrovdan kprop. tstkveteste ha koprp ha korpp<br />
kupemlr køjtt kan sipse hvenadrre ksnuetn hlehet. sspie. veskor i<br />
seierpstnkken har vnlomnkeyleat i adlri sairegnkler fkryt savr har. sglas<br />
sennping ptaioensl hovrfor hlodt i skajk sjsklaevk sjkak skajk slismott.<br />
asnvar fosvrar har anvsar har frovasr igjnenom saverr slostimt ingorere<br />
ingoerr. ioegrnr irogner ngiatrlhuet ntaur klale nuatr sakpt snepdake<br />
ualrniutg ksuntig. feinnr ignen huepntkdloer i gkostere sspømrål divrer<br />
igenn drevir i. sekptnisrk ratietlen i knjenes dørm ha dmreømn ellr<br />
vrklietigehen. (edt dte). (er er). vrden. slev. stakpe slev stpkae mseneknt<br />
slev. ble adnre ble. dtete. masniker srreur. feryt blniekr teidn. slev.<br />
bdlaet slloys. vskeor. kan fordnrae slev. vræe. senrnsoe kmmomer tdien.<br />
fiel. hroovfr ble. sitellr slmøråespt. fnis kurluetr sitller. oevr. ktaetr<br />
mtideerr ktametat. i vindeut skeør eivgetehn ardne. unødkserr kkorene.<br />
gssenae. vneant mgeltheuir. ideln aennt. jdroa. skoker ftøter. slepeit<br />
ignenting. tneolefn oppleysr. lseyt lesyr. aktvit mrøke. srekemmdne<br />
sniesbitilet tårekkt ssnoer. hyøt gtroesk gtvorehen. an tkårekt. setlt<br />
øgegneddle deremd lvekår. saknk smmnedrke brae sresonen srettepr i<br />
tkaet. kan hraenvdre irnde frrtsyoret. snresoen netoptp idnre kan den<br />
bare inrde. sesnor karnosetjosnn den atllid liøsnng ellr fklutvei. liøsengnr<br />
fivetkluer osppøelr onngølppsein. fkunet lnnsiøg oppønlinsg. as.<br />
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322<br />
as i think my work is so marginal and my personality unfortunately so.<br />
difficult (at least it has that reputation) that the net provides a way. for<br />
me to distribute without having to worry about people misinterpreting.<br />
me in real life.. home.jps.netfenadafsondheim.htm. cyborg hybrid<br />
chybroidge (haraway bridge) chybirgd chybriogd. your discourse is the<br />
discourse of the hysteric just like deleuze's. but you're all part of the<br />
same wheel. because psychotics have no. discourse.. if true and no<br />
one's doubting you then it raises two questions. one what remains of a<br />
rembrandt torn into little squares all the. same size and shot down the<br />
toilet. two who would i have murdered if i had killed some cheetah.<br />
walking with long strides supple as a villain from long ago. cyborg<br />
hybrid chybroidge (haraway bridge) chybirgd chybriogd. hva skjer. hva<br />
skjer skjer noe som helst. breaking news. aftenposten. hia mundvin er<br />
gravid. no pages were found containing ksdjogfestival.. search mobile<br />
web for 'ksdjogfestival'. go to url. new search. svanhild slåss på to fronter<br />
..nettavisen innenriks. snart kan du se tv på mobilen..nettavisen<br />
itnyheter. hva med fjernkontroll hvordan er mobilen en fjernkontroll på.<br />
teknologi protokoll ikke bruk.. aå. avis. ballong. cowboy. detektiv. eple.<br />
fakir. gaffel. heks. indianer. juletre. krokodille. labyrint. måne. nonne.<br />
olje. politi. quixote. regnbue. slott. taxi. ubåt. vulkan. wigwam. xylofon.<br />
yoga. zebra. ærfugl. ørken. åker. kknasje. kknasje jg ednileg. ignen steedr.<br />
koprp uetn orgnaer. fire ralakide. ikke urytkkte. rhintegrert. andre ord.<br />
huset ligger der fra øyeblikk til øyeblikk. hvem snakker om samling.<br />
nyhet fra øyeblikk til øyeblikk. maria øyeblikk og garasjesalg. svelg disse<br />
to ben å vandre selv.. reaching the cape nordkyn by skis.<br />
vrtnnhsfurgzehs u log. anyhr vrtnnhsfurgzehs u. evolution control<br />
committee. these ohbased plunderphonic culture jammers who have<br />
brought you. herb alpert mixed with public enemy and acdc with dan<br />
rather will be. givin' it to ya live. think tape beatles john oswald or<br />
negativland. and you'll be ok.. akweioa. zip arch. perl mhonarc nodoc<br />
spammode multipg idxsize tidxprefix thrd. mboxnoesis.mbox. nn. nnnn<br />
jnnn..nnn) nnnlnnn nnnn(nn(nnn) nnnn jnnn nn). n n n ()(nnnn n n n<br />
jnnn n .nnn) n n nnnn)(). n n nln)(nn n n n njn n(ln) n n nlj)(l.. media.<br />
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img file php. pddostlsifstearkiver. ocoyvxjwftk.jpg. digitus.facticius cp<br />
hender. pass. pass. this text has been automatically translated from<br />
english. de a tema de ascoooo.lt del ascoo. cul es up.. ) fecha tue del<br />
mimeversio'n de sept de. i forhold til det å se på nye rutiner. the state of<br />
not wanting to be anything is actually. ). the state of not wanting to be<br />
anything is actually. one arrives there without mentation thats the only<br />
way one can call that. mind. punt. logout. fauscroll the responser etc<br />
nicks som organisasjoner tidsskrifter. red.. the responser log.<br />
redaksjonen. the responser. nyhetspram log. pons (ponz) n. pl. pontes<br />
(ponætz). anat.. . also called pons varolii. a band of nerve fibers in the<br />
brain. connecting. the lobes of the midbrain medulla and cerebrum. see<br />
diag. under brain.. . any tissue connecting two parts of a body organ or<br />
structure.. l pns bridge (see punt). punt (punt) n.. . football. a kick in<br />
which the ball is dropped and then kicked before. it. touches the<br />
ground. cf. drop kick place kick.. . a small shallow boat having a flat<br />
bottom and square ends usually. used. for short outings on rivers or<br />
lakes and propelled by poling.. v.t.. . football. to kick (a dropped ball)<br />
before it touches the ground.. . to propel (a small boat) by thrusting<br />
against the bottom of a lake or. stream esp. with a pole.. . to convey in<br />
or as if in a punt.. v.i.. . to punt a football.. . to propel a boat by<br />
thrusting a pole against the bottom of a river. stream or lake.. . to travel<br />
or have an outing in a punt.. . informal. to equivocate or delay if they<br />
ask you for exact sales. figures you'll have to punt.. bef. for def. oe<br />
flatbottomed boat (not attested in. me) l. pont punt pontoon sense to<br />
kick a dropped ball' perh. via sense to. propel. (a boat) by shoving'.<br />
(punt (punt) v.i.. . cards. to lay a stake against the bank as at faro.. .<br />
slang. to gamble esp. to bet on horse races or other sporting. events.).<br />
tykjiola. tykjiola. socalled. nimita.tt. monti cantsin. this release was<br />
brought to you by logout online lo distributor of. electronic art releases<br />
for projects listed at tnoddepata.net.. the logout seam. the logout<br />
foundation lf aka linefeed. j. Mar. spider norske kultur. barbere. robot.<br />
ladonna ho. ladonna ho. bridget monroe. concetta fox. lupe baez. sergio<br />
kirkpatrick. stop watch. . paste the coding into the head of your html<br />
document. . copy the onload event handler into the body tag. . add the<br />
last code into the body of your html document. gnu. gnu. mar galleri.<br />
utrolig mye rart som havner på no.test gitt. har du prøvd å lese de greiene.<br />
hånd ). nei err'u gæærn o) scrolla kjapt igjennom og fikk et visst inntrykk..<br />
takk og pris. jeg ble engstelig jeg. ). cht v. chtonline chtonian<br />
textscrambler. and chatbrowser. det er bare et spørsmål om tid før verden<br />
får se en ny uttalelse om. terrorangrep av katastrofalt omfang mot<br />
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vestlige interesse mener den. australske statsministeren john howard..<br />
entries for silly. weblog xff. dvs et asciitegn for hvert nummer. the smtp<br />
csequence. simple protocol art mail. en ting er å stole på gud noe helt<br />
annet er å gjøre det.. kunstner. kunstner. naturister anmeldes for blotting.<br />
blottere blir nå spontannaturister. alice in markov. alice in markov<br />
chains. offertanken ofre til noe meningsløst for at noe skal være et offer så.<br />
den amerikanske regjeringen tror at ekstremistiske elementer kanskje.<br />
planlegger nye angrep.. tror kanskje jeg tipper på at. ignore test æøå.<br />
newsgroups no.test. æøå hupps. til makt. til makt. vi hadde en web akt.no<br />
for akton plutus som senere fikk hodet kappet av og. ble kton lutus. m<br />
for melba kanskje. takk for at du fann igjen bokstaven.. m a ktno.<br />
london chipmunks. london chipmunks edinburgh ferrets admire attack<br />
manchester weasels. hvem bryr seg om .... hvem bryr seg om om ....<br />
hvem bryr seg om om om .... hva betyr det at .... hva betyr det at at ....<br />
hva betyr det at at at .... my mother feels i am a pain. yet with her i do<br />
remain. till i leave at last her house. for the breast of a rich man's<br />
spouse. wow. tenk på en vakker jente. det kan være noen du kjenner eller<br />
noen du har. sett på tv eller lignende. nå forestill deg henne naken. wow.<br />
tverrsum modulo. i tallssystem. tverrsum. i tallssystem. hvordan har det<br />
seg at når man tar tverrsummen i en tallrekke så. opprettholdes likevel<br />
forskjellen (her ). ethvert heltall n er kongruent modulo med<br />
tverssummen av n. dvs differansen mellom n og tverrsummen av n er<br />
delelig med .. bevis (husk at (modulo )). la n n n ... være sifrene i n i<br />
tallssystemet. med n det minst signifikante sifferet.. da er. n n n n n .... n<br />
n n n ... (modulo ). n n n n ... (modulo ). mer generelt at intervallet ( i<br />
eks.) opprettholdes i. alle moduloer og at tallrekken kan være hvilken<br />
som helst.. dvs. modulo kan tolkes som ulike (rest)tallsystem og at den<br />
samme. tallrekken har ulik representasjon i ulike tallsystemer men<br />
uttrykker. det samme.. upost. samisk utpost får mobildekning. vi har<br />
webkamera. hva med newskamera. protocol roaming. goldæen secætion<br />
fine arts math.. a ratio between two portions of a line or the two<br />
dimensions of a plane. figure in which the lesser of the two is to the<br />
greater as the greater is. the sum of both a ratio of approximately . to ..<br />
also called. golden mean.. horis . sqr(). gyldne snitt (). vert .. oneoff.<br />
after thinking a second about it i changed the name to. an other occident<br />
government whore only euro cheaper on sunday in. praha but onle c a<br />
month namly menstration sunday bloody sunday mirror. mirror mirrir<br />
meow back in the saddle agian laps of pure whore furry. cherizo is the<br />
must disgust sick thing yaaaaa besides fly larva trapped in. the<br />
intestines hummm in sickness. bullauge beschleuniger. my body soil<br />
312
and spirit gum. swish to make you all together. one at piece with<br />
yourshelf. adobe kompr setting. adobe kompr setting. video. cinemac<br />
codec ned til ks blir da k. intel indeo . ned til ks blir k. intel indeo raw<br />
ks blir k. mikke video ks kval. gir k men med dårlig kvalitet. mikke rle<br />
ks blir k med dårlig q. audio. mikke gsm khz . ok. truespeech kz ok.<br />
avimpg. audio må være mono i premiere for komp ks. ikke crop i prem.<br />
miniumim bitrate på audio ks. Mar. hvaslags kunstart driver med alt.<br />
skiller ikke mellom det alt. er digitalt. eller en forfatter som bare driver<br />
med bokstaven a eller. personlige pronomen. nei men seriøst det at alt er<br />
digitalt gjør at vi. ikke trenger skille.. exstrange. norsk ord for<br />
strangeness. extraneous ekstra ekstrans ekstrang. worse. faustroll the<br />
responser etc nicks som organisasjoner tidsskrifter. red. faustroll. td.<br />
redaksjonen.. monastery mnst()ri n. lme. eccl.l monasterium f. eccl.gk.<br />
monasterion f. gk monazein live alone f. monos alone. (a place of.<br />
residence of) a community living under religious vows a monastic.<br />
establishment esp. (the residence of) a community of monks living in.<br />
seclusion.. monastic mnastk a. n. lme. (o)fr. monastique or late l<br />
monasticus. f. gk monastikos f. monazein see prec. ic. a adj. of or<br />
pertaining. a hermit anchoritic. only in lme. of or pertaining to people<br />
living. in seclusion from the world under religious vows as monks nuns<br />
friars. etc. of or pertaining to a monastery or monasteries. m. b<br />
resembling or. suggestive of monks or their way of life (of existence)<br />
solitary and. celibate. m. bookbinding. designating a method of<br />
finishing by tooling. without gold. l.. h. carpenter the bedroom is bare<br />
and looks a little like a monastic. cell. b donne he sinkes the deepe<br />
where harmlesse fish monastique silence. keepe.. b n. a member of a<br />
monastic order a monk. m.monastical a. (a). monastic a. (b) monastic a.<br />
lme. monastically adv. e. monasticism. sz()m n. the monastic system or<br />
mode of life l. monasticize. slz v.t. make monastic in character convert<br />
to monasticism m.. monk mlk n. oe munuc ofris. munek os munik (du.<br />
monnik) ohg. munih (g monch) on munker f. gmc f. pop.l var. of late l<br />
monachus f.. late gk monakhos use as n. of adj. single solitary f. monos<br />
alone.. a member of a christian community of men living apart from the<br />
world under. vows of poverty chastity and obedience according to the<br />
rule of a. particular order and devoted chiefly to religious duties and.<br />
contemplation. also a member of a similar community of adherents of<br />
any. other religion. oe. any of various animals or things whose form.<br />
suggests the cowled figure of a monk spec. (a)(also seamonk)<br />
monkfish. below (b)printing a blotch or area of excessive inking (cf.<br />
friar ).. e.. black monk see black a. pied monk see pied a. white monk<br />
313
see white a.. comb. monk bond see bond n. monkcraft derog. monkery<br />
monkfish. (a)a bottomdwelling shark of the genus squatina with a<br />
somewhat. flattened body and broad winglike pectoral fins esp. s.<br />
squatina of. eastern atlantic and mediterranean waters (b)an anglerfish<br />
monkhouse. a monastery monklatin a corrupt form of latin used by<br />
monks. monkmonger derog. a favourer of monks or monasticism<br />
monk's bench. monks' table below monk seal any of various<br />
lightbellied seals of the. genus monachus esp. m. monachus of the<br />
mediterranean and adjacent seas. monkseam monk'sseam naut. a seam<br />
in which the selvages of sails are. sewn flat one over the other monk's<br />
gun a thcent. wheellock gun. supposedly invented by the monk schwarz<br />
the alleged inventor of. gunpowder monk shoe monk's shoe a low shoe<br />
with a strap passing over the. instep buckled at the side monk's rhubarb<br />
a kind of dock rumex. pseudoalpinus formerly grown as a potherb<br />
monk'sseam see monkseam. above monk's shoe see monk shoe above<br />
monk's table a convertible wooden. seat the back of which is hinged to<br />
swing over and rest horizontally on. the arms thus forming a table..<br />
monkdom n. the condition of a monk monks collectively the domain of.<br />
monks m. monkhood n. the state or profession of a monk the monastic.<br />
life monasticism monks collectively oe. monkism n. monasticism e..<br />
monkship n. the monastic system monks collectively e.. monk mlk n.<br />
slang. m. abbrev. a monkey.. seclusion sklu()n n. e. med.l seclusio(n) f.<br />
l seclus pa. ppl. stem of secludere seclude see ion. the action of<br />
secluding something. or someone. also exclusion. now rare. e. the<br />
condition or state of. being secluded retirement privacy a period of this.<br />
l. a place in. which a person is secluded a secluded place. l.. h. j. laski<br />
emphasize its importance to the seclusion of all other. factors. e. b.<br />
browning after a seclusion of four years and a half from. the external<br />
air. l. uris the bridehidden all day was taken from. seclusion. p. ackroyd<br />
perhaps the tall hedges give this region its air of. seclusion and even of<br />
secrecy.. seclusionist n. an advocate of seclusion m.. nedlasting. big<br />
bang var en stor nedlasting (itavisen). er infoteori nøkkelen til universet.<br />
forskerne som jobber med det holografisk prinsipp mener ren<br />
informasjon. er universets byggesteiner.. i jakten på universets<br />
fundamentale byggesteiner forkaster forskerne ved. university of<br />
california både kvarker kvanteelementer og strengteorier. til fordel for<br />
det såkalte holografiske prinsipp (døpt etter måten. tredimensjonal kan<br />
fremstilles på et flatt todimensjonalt område).. bits og bytes. denne teorien<br />
fremholder at det er ren informasjonsdata som forteller. hvordan all<br />
materie og evt. andre fysiske manifestasjoner fremstår i vårt. opplevde<br />
314
univers.. prinsippet forteller oss hvor mye data(tenk bits og bytes) som<br />
trengs. for å kunne detaljbeskriv all aktivitet innen et gitt rom sier<br />
fysiker. raphael bousso til nettstedet newsfactor.. den store<br />
pikseleringen. det notoriske big bang ville ifølge teorien dermed utartet<br />
seg mer som en. enorme nedlasting av informasjon enn som en massiv<br />
eksplosjon.. veldig forenklet kan himmelmønsteret etter big bang ha vært<br />
pikselert. som bildene på en dataskjem. kosmisk bakgrunnsstråling fra big<br />
bang vil da. kunne vise seg å være spor på den diskrete karateren i denne<br />
dataen. forklarer astrofysiker craig hogan ved university of<br />
washington.. troll. troll trl trl n. lme. sw. (da. trold) f. on of unkn.<br />
origin. cf.. da. trylla trylde sw. trolla bewitch charm on trolldomr<br />
witchcraft.. orig. (rare) a witch a sorceress. now (in scandinavian<br />
mythology) a. member of a race of grotesque dwarfs (or formerly<br />
giants) usu. dwelling. in caves or under bridges.. troll trl trl v. n. also<br />
(sc.) trow tra . lme. origin. uncertain cf. ofr. troller (mod. troler) quest<br />
wander casually mhg. trollen stroll toddle. a v. i v.i. saunter stroll amble<br />
spec.. (slang) cruise in search of a sexual partner etc. lme. v.t. i. roll.<br />
spin turn over or round repeatedly. now sc. lme.. ii a v.t. entice allure.<br />
ml. b v.i. t. angling. fish by. drawing bait along in the water sc. n. amer.<br />
trail a baited line behind. a boat. also fig. move in an alluring manner<br />
search for or for. e.. b b. macdonald by trollingwe caught silvers king<br />
and dog salmon.. atlantic nancy had beenherselftrolling her scooped<br />
neckline under the. eyes of russell's friends.. iii a v.t. pass or hand<br />
round. le. b v.i. circulate be passed. round. ee. v.i. t. (cause to) roll or<br />
flow (in). ll.. iv v.t. i. sing (out) heartily sing or recite in a jovial or.<br />
carefree manner. l. v.i. sound out or be played in a jovial or. carefree<br />
manner transf. (of a tune) recur constantly to the mind. e.. r. l.<br />
stevenson he trolled with ample lungs. j. berryman troll me the. sources<br />
of that songby blake.. v a v.i. move nimbly (of the tongue) wag. long<br />
arch. e. b v.t. wag. (the tongue). rare. mm.. comb. trolling motor us a<br />
lowpowered motor suitable for a boat used in. trolling for fish trolling<br />
pole n. amer. a horizontal pole on each side. of a fishing boat to keep<br />
the lines clear of the propeller.. b n. a small wheel spec. a fishingreel. ll.<br />
trolley n. .. local. m. angling. a the method of trolling esp. in fishing for<br />
pike. etc. l. b a bait or line used in trolling. m. the action or an act. of<br />
trolling sc. a roll a rotation. e. a song sung as a round.. e.troller n. (a)a<br />
person who trolls esp. in fishing (b)n. amer. a. fishing boat used for<br />
trolling a line m.. white elephants. white elephants. ini matsocvkaisn<br />
ndjdit white elephants hvordadn blir kapitler i news. sjekk no.test<br />
rtyuiop hva slags bok ideareal kladd webcam text ) lumber. x. skjold ii<br />
315
side. eggja nr. c.. ola sjå eggja () og våga austre i sveio () gm. siri. giske f.<br />
kanskje svensbø i vikebygd gm. endre jørgenson. enkja malena<br />
velumsdtr frå eggja (). ola blei buande på eggja etter at han gifta seg med<br />
enkja malena.. andre kona til ola marta døydde. ho var enkje alt år<br />
tidlegare.. det heitte då at den ugifte ragnilla underholdes af slægten.. nn<br />
kanskje heitte ho siri persdtr. fravær. skape seg et fravær. gå i bånd en hund<br />
etter forestillinger. underkaste. seg fraværet. et fraflyttet fiskevær kalt<br />
fravær. i lengre tid er hun ikke. der.. and so your god bungled his work<br />
deliberately. and so your god bungled his work deliberately. perfect<br />
your physics and you will understand nature better refine your. reason<br />
banish your prejudices and youll have no further need of your. god..<br />
prove to me that nature does not suffice to herself and ill let you.<br />
imagine her ruled by a higher force until then expect nothing from me.<br />
that of nothingness it has never held terrors for me in it i see naught. but<br />
what is consoling and unpretentious all other theories are of prides.<br />
composition this one alone is of reasons.. for nature is inherently<br />
destructive and it is our recognition of this as. participants in nature that<br />
provides de sade with the fundamental. connection he places on the link<br />
between pleasure and perversity.. what is it that truly excites the human<br />
spirit conflict and turmoil is de. sade's answer. it is when we are<br />
directly confronted with nature in its. true destructive state that we<br />
come in contact with the fundamental. underpinnings of our creativity<br />
and existence.. perversity is its own end. given the possibility of having<br />
virtually anything as was the case with. the four rich men what is it that<br />
one pursues according to de sade. witnessing the pain of others is high<br />
on the list of possibilities.. we have tended to see pleasure at the very<br />
least to be a distraction. i have no need to thwart my inclinations in<br />
order to flatter some god. thus nothing but the law stands in my way but<br />
i defy the law my gold. and my prestige keep me well beyond reach of<br />
those vulgar instruments of. repression which should be employed only<br />
upon the common sort.. whence the duc would conclude that nothing is<br />
really just but what makes. for pleasure and what is unjust is the cause<br />
of pain. nothing quite encourages as does one's first unpunished crime..<br />
no as to that there's no doubt. furthermore beauty belongs to the. sphere<br />
of the simple the ordinary whilst ugliness is something. extraordinary<br />
and there is no question but that every ardent imagination. prefers in<br />
lubricity the extraordinary to the commonplace. beauty health. never<br />
strike one save in a simple way ugliness degradation deal a far. stouter<br />
blow the commotion they create is much stronger the resultant.<br />
agitation must hence be more lively in the light of all this there. should<br />
316
e no cause for astonishment in the fact that an immense crowd of.<br />
people prefer to take their pleasure with an aged ugly and even stinking.<br />
crone and will refuse a fresh and pretty girl no more reason to be.<br />
astonished by that i say than at a man who for his promenades prefers.<br />
the mountains' arid and rugged terrain to the monotonous pathways of<br />
the. plains.. in order to allow voluptuousness to become irritated by the.<br />
augmentation of a desire incessantly inflamed and never satisfied a<br />
state. which must necessarily lead to that certain lascivious fury the<br />
friends. shall strive to provoke considering it one of lubricity's most<br />
highly. delectable situations.. by and large offer your fronts very little<br />
to our sight remember. that this loathsome part which only the<br />
alienation of her wits could have. permitted nature to create is always<br />
the one we find most repugnant.. the idea of crime is able always to<br />
ignite the senses and lead us to. lubricity.. desade. metaphysical<br />
painting. metaphysical painting a style of painting invented by giorgio<br />
de chirico. in about and practised by him and a few other italian<br />
painters most. notably carlo carra until about . the style is characterized<br />
by. images conveying a sense of mystery and hallucination often<br />
involving the. use of tailors' dummies or statues in place of human<br />
figures. it had a. strong influence on surrealism though its concentration<br />
on depicting. uninhabited cities was peculiar to itself.. Mar. kanta<br />
representeres i grafer av noder og kanter og som. tilstandsmaskin noder<br />
er rom med tyngde (tak gulv omsetning). moebius. manusfilm nr.. film<br />
med filmrull formet som moebius. bånd. det. betyr at filmen avspilles.<br />
rettvendt og deretter speilvendt for. deretter å begynne på nytt igjen..<br />
handling en person filmer noe via et. speil. personen til venstre og.<br />
speilbildetspeilscenen til. høyre.. det finnes ingen vakrere topologi å ty til<br />
enn mbiusflaten når en skal. illustrere hvordan det nære og det fjerne det<br />
indre og det ytre objektet. og subjektet grenser til hverandre.the baudri<br />
llard.. kst. hva er riktig kommunikasjon dersom den spriker sånn over en<br />
kanal som er. så smal virker fragmentarisk og villedende<br />
kikkehullsestetikk. voldtekst gjærbakst kst tverrspringende når kan ventes<br />
svar. dialog. dele seg i to dialogen. alltid delte i og med den indre. isd<br />
kommunisererselv.. ghl bota. ghl bota. rhberemsynr.. . gel ojlo s. vosm<br />
(setta ). . oslo s træntaaon. vhsn (setta ). . tromtaoen byta. vecm (ghfh ).<br />
nhrdsufv telefan ssyvåtc beyshnschcden hor opertodt. rafærengemr mc.<br />
crowned anarchy. one easy way to think about crowned anarchy is to<br />
think of it as an. expression of a method of difference. deleuze often<br />
uses paradoxical or. contradictory conjunctions of terms in order to try<br />
to shock difference. and productive disjunctions to the surface of<br />
317
thought. i believe that crowned. anarchy is often mentioned in terms of<br />
nomadism or nomadic distributions. both of which serve to highlight an<br />
orientation to movement process. creation and becoming. other<br />
examples of this method of difference or. style are drunken sobriety<br />
stationary speed populous solitude and. disjunctive synthesis.. æon flux.<br />
æon flux. the very thought of rubbing up to the sinewy form and torso of.<br />
the selfpossesed selfish seductress of death and delirium...oh how the.<br />
loins quiver at her approach.. so until i see the great divided lands<br />
where monican. and breen killers briefly dance a skirmish or two until i<br />
touch aeon. there where thanatos and eros hold sway i will remember....<br />
nonplusnoema. she swept from the room leaving the nonplussed artist<br />
to puzzle over. the cause of her behaviour.. no match for nonplus.org..<br />
though the noema is always available there are periods of rest or low.<br />
activity where the system is able to return to a known stable initial.<br />
state. the system is still there but the load on the system is minimal.<br />
changes.. the noema is designed to always be up and running.<br />
individual components. may be down but the total the noema stays<br />
available. in this mode of. continuous operations things are evolving<br />
and changing constantly. there. may be many versions of a component<br />
active at anyone time. evolution of. components new feature<br />
introduction and constant change are common. ongoing activities..<br />
negativitet. hvordan modelleres negativitet overhodet hva menes når vi<br />
abstraherer. 'noe' fra noe lager vi samtidig 'ikkenoe'. det er merkelig<br />
og komisk når. jeg ser på den og den knappen og tenker på at den er det<br />
den er fordi den. ikke er alt det andre den ikke er. er negativiteten en<br />
egen dimensjon hva. er forholdet mellom en operator og et uttrykk hvis<br />
vi har to ting. hvordan kan vi legge dem sammen og regne på dem<br />
instruksjondata en. fortolker på datanivå er alt data ingen negativitet<br />
fortolkeren. strukturerer og lager samtidig negativitet<br />
dimensjonsforskjellen fra flat. data sekvensiell datastrøm til en struktur<br />
med flere dimensjoner. f.eks. som i overgangen fra en endimensjonal<br />
sekvenslinje til en. formatert tekst videre inn i et meningsunivers. på<br />
hvilken måte fins. døden fins den på en annen måte enn ordet 'ikke' hva<br />
refererer 'ikke'. til hva slags monisme er jeg ute etter patafysikkens.<br />
justis konstant. langt langt nede blant våre fundamentale behov ligger<br />
rettferdighet en. vektskål hver enkelt holder i balanse gjennom å ta på seg<br />
eller fordele. skyld. om samfunnet ikke hadde svarte hull for skyld<br />
ventiler religion. devnull et lukket system med konstant energi et usa<br />
hvor man. saksøker hverandre til frokost. aqualizer. utligne. equalizer. n<br />
reduces frequency distortion syn equaliser an equivalent.<br />
318
counterbalancing weight syn counterweight counterbalance<br />
counterpoise. balance equaliser a score that makes the match even.<br />
aqualizer neologism make something fluid transparent remove rigidity..<br />
aquality neo. the fluid transparent quality of s.t.. aqual v. 'a aquals b'<br />
'heat aquals ice' 'internet aquals identity'.. telegram episode. telegram.<br />
monographic. episodic writing. å kom skal du høre. ånd og overgrep. sans<br />
og. forbrytersyndikatet d.hc. just boresome. å kom skal du høre. the paul<br />
whitney collection. triploop ..................excerpt. bankkontoen er det<br />
faste punkt for jordmenneskehedens kultur af i dag.. bankkontologi. nn.<br />
i. c. v. r. c. i. .. c. v. r. c. i. .. c. v. r. c. a. k. n .. a. c. v. o. r. u. .. c. r. n. e.<br />
.. s. m. r. c. c<br />
319
323<br />
e. .. not two.. come directly into harmony with this reality just simply<br />
say when. doubt arises not two. in this not two. nothing is separate<br />
nothing is excluded. no matter when or where. enlightenment means<br />
entering this truth. and this truth is beyond. extension or diminution in<br />
time or space in it a single thought is. ten thousand years.. .... one thing<br />
all things move among and intermingle without. distinction. to live in<br />
this realization is to be without anxiety. about nonperfection. to live in<br />
this faith is the road to. nonduality because the nondual is one with the<br />
trusting mind.. hsin hsin ming (verses on the faith mind) attributed to<br />
chien chih. sengtsanca. c.e.. ftp. category techhead id. i know most of<br />
us use some type of ftp prog to upload download and chmod. but at<br />
times you may need an alternative. say for instance you are away. home<br />
and the computer you are using has no ftp prog. here's a simple. way to<br />
access your server via the web.<br />
ftpyourloginnameyourpasswordyoursite.com. did i mention you can<br />
upload and download files this way just drag and. drop files to and from<br />
the ftp. minus. manus. nato phonetic alphabet. the nato phonetic<br />
alphabet. alpha bravo charlie delta echo foxtrot golf hotel india. juliet<br />
kilo lima mike november oscar papa quebec romeo. sierra tango<br />
uniform victor whiskey xray yankee zulu. i tallssystem. tverrsum. i<br />
tallssystem. hvordan har det seg at når man tar tverrsummen i en<br />
tallrekke så. opprettholdes likevel forskjellen (her ). det var litt<br />
overraskende når jeg oppdaget det at tverrsummen skulle. bevare dette..<br />
ethvert heltall n er kongruent modulo med tverssummen av n. dvs<br />
differansen mellom n og tverrsummen av n er delelig med .. bevis (husk<br />
at (modulo )). la n n n ... være sifrene i n i tallssystemet. med n det minst<br />
signifikante sifferet.. da er. n n n n n .... n n n n ... (modulo ). n n n n ...<br />
(modulo ). tverrsumfunksjonen er en modulus altså og sammenhengen er<br />
at. dvs. modulus .. mer generelt så ser jeg nå at intervallet ( i eks.)<br />
opprettholdes i. alle moduluser og at tallrekken kan være hvilken som<br />
helst.. dvs. moduluser kan tolkes som ulike (rest)tallsystem og at den<br />
samme. tallrekken har ulik representasjon i ulike tallsystemer men<br />
uttrykker. det samme.. Mar. de fleste foretrakk stort pensum istedenfor.<br />
320
fordypning engasjement og klare mål. næss. et menneske er flere<br />
mennesker. et halvt menneske virker helt et helt. menneske virker<br />
halvt.. amg strain ghost montage. sollewitt concept art etc nettime. code<br />
is the only language. that is executable.. ideer kan være koder. hvorfor vil<br />
vi at alt skal være variabler ikke konstant.. the whale the corp (corporal)<br />
the old the falcon fatty swede triple. tramper the bank nixie broom<br />
woodcat the king shorty stocks. crooked the lion easy garibaldi scamp<br />
mad clumsy buck the. calf lazy cheeky sooty brotherinlaw seven mark<br />
and one the. kid the lamb the cub catowl nonsense the fizzler the toad<br />
the. chunk coffeesack coffeecnob nothing the grouse ginger the bag.<br />
straight wally valdeser the troll minced fat the christian bent. sinny<br />
crow nail divekeeper code spout the baker egg nincompoop. the taste<br />
pig's totter boar shrimp stuffing doll fliepedersen. matches the painter<br />
the smith whimpy the wizard sea scorpion budd. birch manikin pepita<br />
entangle chop death.. who's bruno magh if yamean rob's sneakers i<br />
dunno. mine were plain ol' adidas. re he didn't get it....and he's a<br />
sargent....... re re mark fuhrman didn't get it either.. the transaction was<br />
a success. en ekunst mail spammer og til. person person peerpeer<br />
multiperson ha en avtale om en multiperson med. noen vi opptrer som n<br />
person med ett navn.. the transaction was a success thank you for using<br />
this service.. your transactionid. is. støy. det er åpenbart fleire måtar å høyre<br />
på støy på. eg tenker ofte på det som. ein overskridelse. overskridelse av<br />
musikk metamusikk på en måte står. støy 'over' musikk eller ligger 'under'<br />
musikk og 'føder' musikk slik. natt føder dag liksom jrf at natt oppfatta<br />
som opprinnelig.. overskridelse av seg sjølv jfr din 'motstand' kanskje.<br />
overskridelseoppheving av seg sjølv ved det n'naturlige' ved støy.<br />
ekstase ved støy overganger mellom tilstander er 'støyete' kan alle.<br />
fortelle om.. Mar. resonate. mne. domus . '. '. icarufa. domus . '. '.<br />
mddaurgtuse . domus .. vxtojnca. domus . '. '. au rora. domus . '. '.<br />
kklang. domus .. tsrsgoihnsger . domus .. jvoa eoer. domus . ..<br />
rddgeagthrdissator. domus .. bsotgagngigsgak ahaaggge . domus '..<br />
futureme. past me. lumber. lumber. dP' I Y P dP' Yb Y. . . . . . . . dP<br />
aaaadP. P Y ' Pd' YbaaadSPOSUBSES. ii dPY dPdPYb gg.<br />
ggggggggggg gggggg ..... .... .bd.'. noemata. Saturday April. us we'll<br />
consider wheth Net.art cobe copiedWelcome to net Noemata.net. is a<br />
nonpCouncil of Cultural Afregistered in N Norway. On a yearly.<br />
noemata. Friday April. eta.D. real development of<br />
idbfeeaecbdbffeabintention was to combi. interaction minglesot deilppa<br />
msacras dnadi fo tnempoleved laerthe net with. those of collective.<br />
contributioddefdacbefaaaebbcabacPRSSNKKRTTTTKPRTTMKWSsid<br />
321
e. into the productio internet addrband and so open up to kind of public<br />
spacewho. make a significancedevelopment of idconcept is applied to<br />
processing. carriermembers every month result of sometNight Fever'<br />
'The Wiza. modify it and thenlasts thirty days with concept members<br />
every. . monthNa easy hiding place for s modify it and then. networks.<br />
The story is. fireworks.fdbccaaeffdacbabddastructure of data flows plot.<br />
of a story by locusnonmat bringing out intras net possible on.<br />
thameselvLJvMVuImsGoEJzKCUtdsQR.approach to discourage<br />
albums. whitewhite albimo blcspreads with no techni emotional<br />
vulnerabiliswappers. noemata. Saturday April. hexture. jodi.org.<br />
barriecoptusnet.com.au. bennett.osu.edu. cantsinzedat.fuberlin.de.<br />
dolmensniperfree.fr. epistolarisfreemail.hu. expsurfeu.fi.<br />
felixopenflows.org. fmadrefree.fr. gustin.pascalefree.fr.<br />
henry.warwicksbcglobal.net. hmfahhotmail.com. hmfahhotmail.com.<br />
informaticaintervida.org.pe. jimvispo.com. jlantoniouol.com.br.<br />
jukkaxpressed.org. kellydavismac.com. kkervinenmailcan.com.<br />
lcubbisonearthlink.net. loymyrealbox.com. mpalmerjps.net.<br />
nettimebbs.thing.net. netwurkerhotkey.net.au. noematakunst.no.<br />
rickrickbradley.com. ryan.whyteutoronto.ca. solipsishevanet.com.<br />
sondheimpanix.com. tobiastechno.ca. towntrickaol.com.<br />
vibriinternet.com.uy. wfairbrotherhotmail.com. xpressedsdfeu.org.<br />
xstreamxpressed.org. wreathus. abuigueswanadoo.es. adelectrocd.com.<br />
agranode.com.br. arexsall.nl. ascoooo.lt. bennett.osu.edu.<br />
bramhallearthlink.net. bruecklaol.com. cadalypacbell.net.<br />
cantsinzedat.fuberlin.de. ceciltouchon.com. dolmensniperfree.fr.<br />
dtvmwt.net. expsurfeu.fi. hmfahhotmail.com. hmfahhotmail.com.<br />
lawrence.uptonbritishlibrary.net. marc.garrettfurtherfield.org.<br />
margaret.penfoldntlworld.com. memexikonmwt.net.<br />
morrigan.nihilntlworld.com. noematakunst.no. olsonjkdelhi.edu.<br />
p.ixelntlworld.com. poetryhypobololemaioi.com.<br />
ptlambertearthlink.net. rickrickbradley.com. ryan.whyteutoronto.ca.<br />
solipsishevanet.com. tgreenclear.net.nz. towntrickaol.com.<br />
walterblueearthlink.net. wfairbrotherhotmail.com. whitebd.dion.ne.jp.<br />
ybvictoria.tc.ca. Bubolic stoplight unlikely by anemic. Bubolic<br />
stoplight unlikely by anemic. unlikely stores anemic's growing pool as<br />
a collection of. selfdisconnecting noemas that anyone can contribute to.<br />
lusers need to log. in to enable unlikely to make sense of their<br />
movements through the bassin.. Unlike anonymous drowsing unlikely<br />
facilitates a more personalized. form of intuition the very act of<br />
intuiting results in a generative. process that creates new linkages alters<br />
322
old ones and contributes. resources to the community. Thus unlikely<br />
resembles a biological neural. net that is based on human activity it is a<br />
collective distributed. system of emerging patterns pathways and<br />
disconnections.. unlikely departs from the typical hierarchical thought<br />
bassin structure by. relinquishing some of the control of hardcoding<br />
links between. concepts. unlikely is also described in a public<br />
XMockupLang file making it. possible for anyone to develop<br />
alternatives to unlikely's structure. unlikely could easily be traversed as<br />
a trity eidos game a mind nap a. sound ungine (logically sound system)<br />
or a Flush animation whirl.. In this way it is the beta version of a<br />
anemic operating system for which. anyone can develop compatible<br />
cogiance phlog.ins skeins or filters.. unlikely is an agent of anemic's<br />
resources that grows symbiotically with. related dis course..<br />
BIOGRAPHY. Current coreDevelopers are blithe lussett bensyversion<br />
nsatromnym and. conYates. As of anemic Version pee.<br />
CONTRIBUTING.DEVELOPERS are listed dynamis cherubics by<br />
their usage of. contribution to and participation in haven unlikely.<br />
wopers.. For dynamite please load and run the anemic WHOIS button<br />
and blowup yous.. All participants exist as noemas within unlikely. The<br />
car develop. maintain and develop the anemic dabblication platt form<br />
and are. reposible for mini a spectable of including the inter views<br />
anemis.. crow envelops hinter party pants tributing dissociation varia.<br />
ariaous other panties enties and cystems all unenginage in the act. vity<br />
that con stigmatutes anemic boldless bloodfuel.. særmeldinger. baklengs<br />
inn i aftensangen. alt vel hilsen per. over åsen. særmelding kodemelding<br />
gitt i åpen kringkastingssending fra London som beskjed. fra britisk<br />
militær myndighet til agenter i Norge. Særmeldingene besto som regel. av<br />
avsluttede setninger (Du er en heldig gris Hesten traver i bakken) der.<br />
innholdet var avtalt på forhånd. I okkupasjonens siste år angikk de som<br />
regel. flyslipp av våpen og bekreftetavlyste en planlagt operasjon. BBC<br />
London. Radio eller norske myndigheter hadde ingen innflytelse over<br />
særmeldingene som. var av rent militær karakter. For lytterne utgjorde de<br />
gåtefulle og. fantasieggende innslag som bar løfter om at hemmelige<br />
aksjoner var på gang.. QPVEO TXJZC AZGVN. default. default.<br />
neglect failure to act. stats url. ola narr. leonardo ola narr. Apr. sis<br />
sfsisnsds snsos srseslsesassse. sisss swsansts stsis sdsises. ssasls sisss<br />
sbsacsks tsos snsosrsmsasls. sisss. s. aa. Ifølge Bergens Tidende skal det<br />
nå holdes kurs for sjenerte bergensere.. HansWilhelm Steinfeld rødmer..<br />
køntriola. doby ardon. ebmg. ebmg. nkb. g.php. Apr. alasglea<br />
hshatrukturene asdgogg ingghehnhtiasngf sbetsyr nogge. minae<br />
323
hfohrestilldfinger. vaigrhkhejlisghet. hvsa hehr virhkelig. mikkaeg<br />
hmush grahvhietasjon poliasftihkhkh hlivh sdaøad hvihrkelig. havaa<br />
aerg gsgaanat. tosomtussmørke. tosomtussmørke tåsårdessert tesiltusle<br />
tesugetasje tåsokktaske. tissefanttussefar jeansagent jannin gnom joner<br />
genial gang gynekolog. genever jennifer. mailnews. U S E N E T.<br />
valable le Mars. par header. mailnewsanon.lcs.mit.edu.<br />
mailnewsnospamanon.lcs.mit.edu. mailnewsnym.alias.net.<br />
mailnewsdizum.com. mailnewsnospamdizum.com.<br />
usenetgatewaymixmaster.shinn.net. mailnewsshinn.net.<br />
mailnewsfreedom.gmsociety.org.<br />
usenetgatewaynospammixmaster.shinn.net. mailnewsnospamshinn.net.<br />
mailnewsnospamfreedom.gmsociety.org. par email.<br />
group.namenewsgw.rrze.unierlangen.de defunct.<br />
mailnewsYYYYMMDDgroup.nameanon.lcs.mit.edu.<br />
mailnewsnospamYYYYMMDDgroup.nameanon.lcs.mit.edu. Apr. hva<br />
er kommunikasjon og hva er uttrykk. nivåer. Vende tilbake til det. <strong>Re</strong><br />
Vende tilbake til det. Vende tilbake til det opprinnelige. Couldn't have<br />
said it better myself.. mailnews. newsgroupnamenewsanon.yi.org.<br />
mailnewsbananasplit.info. DISORIENTATIONS OF THE NETART.<br />
TECHNOLOGIES AS PHANTASMS AFFECTS AND GHOSTS. ON<br />
THE FLOW. THE WORLD OF USER'S MANUAL. SPACE<br />
COUNTERS TIME. AVAILABILITY ACCESSIBILITE AND<br />
CONSUMPTION. .... password. configure OE. How can I configure<br />
Outlook Express to display a message in fixed width. font. First remove<br />
the viruses. Then go to the fonts... no wait you got a virus. again. Get<br />
rid of that. Now go to the fonts menu and select... no there's. another<br />
virus. Better rebuild it. Okay now you're in the fonts menu and. you<br />
select a font that is specifically fixed width like say Courier. And. while<br />
you're at it you might want to look at disabling all the HTML decoding.<br />
on Usenet as well. Whoops there's another virus. ps I don't want to<br />
hear no bullshit about how microsoft sucks ass and all. that constant<br />
repetitive stuff.. Then why not get a newsreader that actually works and<br />
at least conforms. the basic RFCs. mulig. En skole i Stockholm ble<br />
tirsdag evakuert etter at ranere satte fra seg en. mulig bombe i en bank i<br />
nærheten.. En mulig skole i Stockholm ble mulig tirsdag evakuert etter at<br />
mulige ranere. mulig satte mulig fra seg en mulig bombe i en mulig<br />
bank i mulig nærheten.. Apr. ...............................................................<br />
...............................................................<br />
...............................................................<br />
............................................................... .. ... .. .... ........... . . ........ .... .. ...<br />
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... ......... .. ...... .. . ... ....... ... '.... ........... . ... ..... .... ... .... ... .... ... ..... ... .<br />
...... .. ... .... ..... . ...... ..... . ...... . ... .... ...... ....... ..... .. .... ... .... ....... ........<br />
..... .. .... ... .... ........ ......... ..... .. ... .... ......... .......... ..... .. . .. .... ........<br />
........... ..... .. .. .. .. .... ....... ............ ..... .. ...........................................<br />
.......................................... anon i don't know why people don't. eliza<br />
maybe they're looking for something. why should they. what you offer<br />
is just withdrawals and stepping back. yeahyeah from looking for and<br />
searching. you're male yorick should be ucking around. i know that's<br />
his business and he would feel the catration. pointing his figer and his<br />
we pons. wall there's no connection at all just the silly drives. the fabric<br />
production activity life that's a big canvas. there's no connections there<br />
either leave them alone. support. no support is needed earth spins<br />
around in empty space. you need all the usual stuff. don't need anything<br />
my life didn't need life just automatic business. joy of life. death has<br />
joy too why distinguish it's just one big blob going through the.<br />
motions. fatalist. pass. what about suffering. i'm sorry. i'll kick you in<br />
the leg. i'll respond ouch. improvements richness of life. do we suffer<br />
less than years ago broken things have richer structures. knowledge. it<br />
adds to the mess and i'm withdrawing. knowledge for the future. it's<br />
very easy for us to extinguish ourselves and difficult to believe in.<br />
humanity. space. space what. hopes. we should try to find some<br />
loopholes via science or anything change ourselves. leave the human<br />
maybe our physicality cognition and culture have some. limitations we<br />
can't overcome evolution is too slow our knowledge too great. all the<br />
culture trash and our drives are against us we'll be like dinosaurs. with<br />
a brain look at the current territorial religious cultural violence. it's just<br />
mad and on the other side global capitalism and exploitation is made.<br />
possible by the inertia of the same structures humans have no future<br />
we're. reaching some limit in our interaction with the world we should<br />
find holes and. creep through into a posthumanity i'm indifferent to the<br />
human i'm only human. and have no future.. Mr M. saw a naked<br />
woman covered in postit notes once. she was some art diva from spain.<br />
'automated net.art auto.noemata.net'. Hi. Thank you for hosting your<br />
list at Topica. 'automated net.art auto.noemata.net'.<br />
autonoematatopica.com. Basic Information and URLs. Here's the basic<br />
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325
up. LYS. Tilsynelatende nødvendighet av å tale om det. Ikke si mer enn<br />
enhver kan si til seg selv. Spørsmålene om det er materie eller<br />
immaterielt. Substans el aksidens osv. Fåfengt. Den som ikke tilstår dette<br />
for seg selv kan trette seg med å løse det. opp. Bedradd av alle kan vi<br />
bare lære av dets virkninger. Lysets virkinger er utbredt foran oss.<br />
kvalmen. fremtiden er der knapt blekere enn øyeblikket. Hvorfor skal<br />
den. virkeliggjøres. Hun skal til å dreie om gatehjørnet hun dreier i en<br />
evighet. tanker det er det flaueste som finnes. flauere enn kjøtt. de<br />
strekker seg ut i. det uendelige og etterlater en underlig smak. proxima.<br />
lysår. melkeveien lysår diameter mrd stjerner. mrd andre galakser. lokal<br />
gruppe av. nærmeste lign galakse andromeda m mill lysår unna. kvasarer<br />
ses over mrd lysår. stjerneklasser. wow oh be a fine girl kiss me right<br />
now sweetie. chance and chaos. kolmogorov matematisk talent setter<br />
inn akkurat når den psykologiske. utviklingen stopper. han ser på seg selv<br />
som år. stødig strøm periodisk strøm irregulær turbulens. observasjon av<br />
periodefordobling i dynamiske system feigenbaum ... entropi måler<br />
tilfeldighet i et system. hawkings. galilei kraft er å forandre en<br />
bevegelse. newton derson ikke kraft fortsette i samme fart. ingen<br />
entydig hviletilstand. om det er toget som går eller jorden som går er. like<br />
gyldig. paradoks umulig å si om to hendelser på forskjellige tidspunkt.<br />
inntraff på samme sted i rommet. eks. en ball spretter to ganger på<br />
samme. sted inne i et tog en som står utenfor vil se sprettene med meters.<br />
mellomrom. sitat. hardingfela er norsk nasjonalinstrument fele så er<br />
brukt kattesener. hardingfela hele katten. det finnes det som har spilt i år<br />
i av disse har de stemt. gås på bordet. forskning sprøyte brennevin inn i ei<br />
rotte. er det noen kattjævel her. lysår vi hadde motlys. han var fem år da<br />
han ble født. det du har lært kan ingen ta fra deg men det du ikke har lært<br />
kan ingen heller. ta fra deg. det er skrevet mye og gud i de nye og de<br />
gamle instrumenter. det som står her er. skrevet med en hellig skrift.<br />
midt i paradisets have sto det et tre som het. bekjentskapets tre på godt<br />
og ondt. da abraham satt i mamsres lund kom det tre. herrer da spurte<br />
sara om de ville ha kaffi da sa vår herre til sara vil du. straks gå bak døra<br />
og føde en sønn. det er ikke bare for kort det er for bredt også.<br />
protokoller. hvilke protokoller. fullstendig promiskuitet mest mulig<br />
lavmål. en stadig pendling mellom høyt og lavt. overdrivelser<br />
underdrivelser. hvite protokoller. bankei. fri i liv og død ikkje bry deg<br />
med dei ha fred eller nrivana (dei tre. gifter) la alle tre gå. både når du søv<br />
og er vaken så kviler du i det ufødte buddasinn. unngå å falle tilake. bebo<br />
det ufødte buddasinn både fremskritt og. tilbakeskritt overskrides.<br />
buddasinnet er fantastisk opplysande spor av alt du har gjort er<br />
326
eflektert. det er når du binder deg til desse reflekterte spora at du<br />
produserer illusjon.. originalt tankar har ingen reell substans la dei<br />
komme og eller stoppe utan å. binde deg til dei. alt jeg forteller dere er<br />
dette realiser buddasinnet som hver av dere har fra. deres foreldre fra<br />
fødselen rett og slett bebo det i tro.. istadenfor la deses tankane komma<br />
ikkje utvkle dei ikkje binde deg til dei.. hald det eine sinnet som eitt<br />
sinn. sinne og glede lagar du heilt på eige hand.. det er ingenting anna<br />
enn det ufødte og uforgjengelige buddasinn så du bør. begripe dette klart..<br />
ideen om å ville kontrollere dine lidenskapar og forestillingar er i seg<br />
sjølv. ein feilaktig forestilling.. det er ikje noko slikt som opplysning.<br />
det originale buddasinn er ufødt det. fungerer utan tanker om å ville bli<br />
opplyst. i buddasinnet er det ingen tanker eller ting så ikkje bry deg med<br />
dei. jakte på ord fraser når vil du bli ferdig. du spring deg helselaus pålesse<br />
kunnsakp blir vidt informert. sjølvnaturen er tom og opplysande så la ting<br />
ta vare på seg sjølv. det er ikkje noko anna eg har å meddele. ikkje sint når<br />
forstyrra ikkje gladlykkeleg når tilbedt. ein stor treskalle i verda. følge<br />
med der forholda føre meg nord sør aust vest. utan å gjøyme mi styggheit<br />
og klumsetheit mellom himmel og jord. blinde folk slit ut kleun sine<br />
ventande på opplysning. akkurat som å prøve å lage eit speil ved å pusse ein<br />
stein. den store funksjonen manifestera seg sjølv utan faste reglar. godt<br />
er skrekkeleg. og skrekkeleg er skrekkeleg også. ting og hendelsa. er<br />
berre produkt av omstende. dersom du blir ein budda er det ingen<br />
plassar å gå. du fyller det store. universet heilt ut til grensene. det er når du<br />
blir noko anna slags vesen at. det er plassar å gå. dersom du innser at det<br />
opprinnelig ikkje er nokon dårlige vaner hva er det då. å unnå eller stoppe.<br />
paulus. paulus . brev til titus. en av deres egne til og med en profet har<br />
sagt kreterne er alltid løgnere. villdyr grådige late og dette vitnesbyrd er<br />
sant.. grelling nelson. autologier homologier uttrykk som uttrykker seg<br />
selv. norsk setning. femten bokstaver. jeg. andre uttrykk kalles<br />
heterologiske. så spør man om heterologisk er et heterologisk uttrykk.<br />
hva med denne setningen uttrykker noe annet enn seg selv. sorites.<br />
avleder en falsk påstand fra en kjede av riktige. en haug med stein er<br />
fortsatt en haug med stein dersom vi fjerner en stein. etc.. altså er en<br />
samling av en eller ingen steiner en haug med stein.. pragmatiske.<br />
paradokset ligger i motsigelsen mellom påstand og at påstanden hevdes.<br />
det regner men jeg tror det ikke. jeg eksisterer ikke. terning.<br />
sannsynligheten for at en side på en terning kommer opp er så det er.<br />
allermest sannsynlig å tro at siden ikke kommer opp. men dette gjelder<br />
alle. sidene. derfor er det sannsynlig å tro at ingen av sidene kommer<br />
opp. pi paradoks. salvati kan du fortsette rekken nei. men du kan<br />
327
fortsette rekken. paradokset er at de beskriver det samme pi. tro<br />
gjennom feil paradoks. at noe som slår feil styrker troen på tingen fordi<br />
feilen viser det. irrasjonelle betydningen av tro. hilberts paradoks.<br />
hvordan begrunne argumentasjonen på basis av argumentasjonen.<br />
carrolls p. umuligheten av et argument. a dersom det regner blir det vått.<br />
a dersom det regner blir det vått<br />
328
324<br />
b det regner. c altså er det vått. men for å akseptere dette innføres et nytt<br />
element. d dersom a og b er sanne så må c være sant. men for å akseptere<br />
dette innføres et nytt element. e dersom a b d er sanne så må c være sant.<br />
jesuitt. dersom gud er allkjærlighet hvordan kan det da finnes en evig<br />
pine i helvete. helvete med evig pinsel finnes men det er alltid tomt.<br />
menneskerett. en slag rett til å engasjere seg rett til å kritisere og en rett til<br />
å ikke. bry seg.. parse. lichtenberg E F. O The dog is lapping the boiling<br />
water. release. Gorrespondence imondo mail . art sokrates. ozone.<br />
skittent. mørket er estetisk lyset er skittent. bilde av klistremerkene.<br />
finne du din vilje oppgave. nagval stalking ll som parallell til sitasjon.<br />
drift psykogeo. når frykten forsvinner forsvinner alle bånd og vi er frie. ro<br />
og fred. vi sier ro og fred men det betyr indre frihet men gj ro go fred<br />
som middel. som fungerer i støy og ytre uro. det er ikke greit å ønske å bli<br />
noe man ikke ønsker å være. men sånn er det den. forskjellen. jeg ønsker<br />
natlugh ikke å være det jeg ønsker eller å ikke være. den jeg ikke er. lagd. tror<br />
ikke vi er lagd til å forstå ting som forsvinner. vi forstår ikke negativitet.<br />
negativitet forstås positivt det som forsvann finnes som forsvunnet. og<br />
det som ike finnes finnes som mulighet. finnes mulighet. noe er mulig.<br />
vi forstår virkelighet som et lukket system det ligger i system og<br />
forståelse. ting blir borte ting blir til vanskelig å forstå. tankemåter blir til og<br />
dør ut med personer kultur med generasjoner. trossystemet forander seg<br />
ikke radikalt med den enektle der av netulig. konsrevativt neasjoner har<br />
ikke noen revolusjoneredne virkeing at noe blir. borte er en<br />
modfifikaskon av tingen. som om eksitens var en modus ved noe skru<br />
avpå eksistens. se på det fra et annet perspektiv det som aldri har eksistert<br />
fins det også et. sted alle dine søsken som ikke er født. hvis vi snur treet<br />
oppned. alt som blir. til må ha eksitert på forhånd. men da har du<br />
problemet med mange muligheter blir. til en virkelighet det kollapser<br />
hvis vi skrur det så ekspanderer det. uendlelig og det er ingen ende op<br />
ting som eskisterer (som mulighet) alle. muligheter må eksistere og det<br />
er absurd hvorfor. kredo. vitenskap gir oss kunnskap om verden.<br />
klesskap forstyrrer oss med klær. du ble født ut av ditt nesebor. voff vi er<br />
ikke hunder. de som passer på gir blaffen. folk er rare. zen begins at the<br />
329
point where there is nothign further to seek nothing to be. gained. zen is<br />
most emphatically not to be regarded as a sustem of. selfimprovement<br />
or a ways of becoming a budda.. only when you have no things in your<br />
mind and no mind in things are you vacant. and spiritual empty and<br />
amrvellous. the marvel can only be descsribed as the. peculiar sensation<br />
of freedom in action which arises when the world is no. longer felt to be<br />
some obstacle standing over against one.. huangpo men are afraid of<br />
forgetting their own minds fearing to fall through. the void with nothing<br />
on to which they can cling.. nothing is left to you at this moment but to<br />
have a good laugh.. mesteren spør ut studenten og når studenten går kaller<br />
han plutselig ved navn. studenten svarer naturlig 'ja' mestern sier 'der<br />
har du det'. spontanitet. mo chih ch'u gå på uten å nøle. wuwei<br />
meningsløshet. wushih enkelhet. the perfection of zen is to be perfectly<br />
and simply human. to a young zen monk. the roshi stands as a symbol<br />
of the utmost patriarchal autoriatiy and he. usually plays the role to<br />
perfection being normally a man ssvanced in yasrs. fierc and tigerish in<br />
aspect a person of supreme persence and dignity.. the basic position of<br />
zen is that it has nothign to say nothing to teach.. the various koans are<br />
intentionally misleading.. after some time the iceblock collapses and a<br />
transparent meaninglessness appear. that can eat laugh and so on live<br />
without a problem.. roshien presenterer nå koans som er opplagt<br />
meningsløse 'ta dei fire delane av. tokyo ut av ermet ditt' 'stopp klangen<br />
av dei fjerne klokkene'. ei jente går. over gata er ho den yngre eller eldre<br />
søstra. controlled accident ikke representasjoner symboler.. egne<br />
objekter. painting by not painting. muchi and liangkui did many<br />
paintings of zen. patriarchs and masters as mostly abandoned lunatics<br />
scowling shouting lafing. around or rarith with laughter at drifting<br />
leaves exemplifying the splendid. nonsense and emptiness of zen.. sabi<br />
enslig og rolig stemning wabi something ordinary as suchness aware..<br />
mystisk stemning yugen. dette er fure aspekter av furyu.. haiku i årh.<br />
bashu i wshihstil 'ingenting spesielt'. the superficial consciousness can<br />
awaken to the eternal present if it stops. grasping. now this eternal<br />
present is the timeless unhurried flowing of the tao. such a tide as<br />
moving seems to sleep too full for sound of foam.. mantras and tantras<br />
meditation and concentration. they are all a cause of selfdeception. do<br />
not defile in contemplation though that is pure in its own nature. but<br />
abide in the bliss of yourself and cease these torments. wahtever you<br />
see that is it. in front behind in all ten directions. even today let your<br />
master make an end of delusion. the nature of the sky is originally clear.<br />
but by gazing and gazing the sight becomes deluded. sarakas trasy of<br />
330
songs. no thoguth no reflection no alaysis. no cltivation no intention. let<br />
it settle itself. cut out sagacity discard knowingness. and the people will<br />
benefit a hundredfold. cut out humanity discadrd righteousness. and<br />
people will egain love of their fellows. cut off cleverness diescsrd the<br />
utilitirans. and there will be no theves and robbers. become unaffected.<br />
cherish sincerity. belittle the personal. reduce desires. laotsu. the perfect<br />
tao is without difficulty. save that it avoids picking and choosing.<br />
follow your nature and accord with the tao. saunter along and stop<br />
aorrying. if your thoughts are tied you spoil what is genuine. dont be<br />
antagonistic to the world of senses. for when you are not antagonistic to<br />
it. it turns out to be the same as comnlete awakwning. the wise person<br />
does not strive. the ignorant man ties himself up. if you work on your<br />
mind with your mind. how can you avoid an immense confusion.<br />
sengtsan. one day i wiped out all the notions from my mind. i gave up<br />
all desire. i. discarded all the words with which i thought and stayed in<br />
quietude and. ZTT i entered i lost the bounderies of my physical body i<br />
spke but my. words lost their meaning. i saw people comnign twars me.<br />
all of them were. myself. i had never known this world. i had beieved i<br />
was ceraed but i was. never created i was the comsos no idndiviudal mr<br />
ssaki existed.. .sakeian sasaki zen notes vil no. we eat excrete sleep and<br />
stand up this is our world. all we have to do after that . is to die. ikkyu.<br />
you light the fire. i'll show you something nice. a big snowball.<br />
mennibdr versen og livet lemm død og ny fdese. uta sv krppen så<br />
yutterverdn lbitt indre og omvendt. man fyller hele rommet og lever i<br />
tiden. stiger ut av rommet føre og etter. ha takk ha. sanselik.<br />
imaginasjon. inspirasjon. intuisjon. alt som saller mot krppens speil<br />
speiler seg til sanseopplevelse. tankene tanken muldere av elemtarvesen<br />
sender seg ned i eterlegme. formørker eterlegemet eringdring. visom<br />
som natur rundt seg her. vi må ta vort visdommen forvandle altsp selv til<br />
livskrafter. pines ab det glode. latskap pinesa av fliden. tingene spør oss<br />
vi spør ting her. verden føst av personen. det oversanlsige mennsek. åpne<br />
åttetall lemniskater. tilsvarer det himmelse bilde av menn. nerve og<br />
kjertelsystem. inspirasjon i toner verdensharmonien avspeiles in blod<br />
kretsløp hjerterytme. intuisjon tonene inneholder mening sprok<br />
verdensordet. angel archaloi archai. exusai dymanis kdriotetes. troner<br />
cheubin serafim. mot i brystet. blir lemmer armer og ben. blir åndelig<br />
ord. solflekker mikael kosmiske jern. antropsosi psyikosofik ner<br />
mtosofi. linvssans bebetelesn liekversans. fangarmer. lotusbolst i hodet<br />
imagintaiv. strupehodet inspirasjon. jver hjertet den ituitive.<br />
imaginasjon fornemme. insirasjon føle. intuisjon tenke. psykosofi.<br />
331
slutningen tilspisser seg i forestilligen. punktum. like før han legger seg<br />
sender han noe. like etter at han står opp punktum. interesting ng.<br />
alt.abuse.transcendence. alt.acme.exploding.newsgroup. alt.anybody.<br />
alt.anygroup. alt.anything. alt.artcom. ba.art. it.arti.trash. rec.arts.misc.<br />
alt.chaos. alt.confusion.atitsfinest. alt.foo.bar. alt.foo.bar.qux.xyzxyz.<br />
alt.languages.norwegian. alt.languages.nowegian. alt.life.internet.<br />
alt.life.sucks. alt.life.universe.everything. twalegged poneys <strong>Re</strong><br />
Estimable Finns (<strong>Re</strong> AAUUGGHH). In article bunniegirlhome.com<br />
(Jelliebun). I've been dealing with a lot of people at work who don't<br />
speak English. as a first language ... and some of these damned<br />
nonsequitur bot post. thingies are starting to make sense.. For instance<br />
it would not be at all startling to find the following. in an application<br />
letter. Nor have they not sing for quite no sponsorship. We extracted<br />
and remarried as they were lively required neither. every base past them<br />
beheld perversely elder.. I think I need a vacation.. Would you then be<br />
offended if I quoted the following. It follows that if the two antesedents<br />
be bissyclitties and the three. comeseekwenchers trundletrikes then<br />
Aysha Lalipat behidden on the. footplate Big Whiggler restant<br />
upsittuponable the nCr presents to us. (tandem year at lasted length) an<br />
ottomantic turquoindaco of pictorial. shine by pictorial shimmer so long<br />
as gad of the gidday pictorial summer. viridorefulvid lits asheen but<br />
(lenz alack lends a lot) if this habby. cyclic erdor be outraciously<br />
enviolated by a mierelin roundtableturning. like knuts in maze the zitas<br />
runnind hare and dart with the yeggs in their. muddle like a seven of<br />
wingless arrows hodgepadge thump kick and hurry. all boy more missis<br />
blong him he race quickfeller all same hogglepiggle. longer house<br />
blong him while the catched and dodged exarx seems.<br />
himmulteemiously to beem (he wins her hend he falls to tail) the ersed.<br />
ladest mand and (uhu and uhud) the losed farce on erroroots twalegged.<br />
poneys and threehandled dorkeys (madahoy morahoy lugahoy<br />
jogahoyaway). mPm brings us a rainborne pamtomomiom aqualavant<br />
to (cat my dogs if I. baint dingbushed like everything) kaksitoista volts<br />
yksitoista volts. kymmenen volts yhdeksan volts kahdeksan volts<br />
seitseman volts kuusi volts. viisi volts nelja volts kolme volts kaksi<br />
volts yksiallahthallacamellated. caravan series to the finish of helve's<br />
fractures.. Part of it looks Finnish and therefore it has to be about Linux<br />
(because. that is the only notable thing ever to come out of Finland).<br />
Let me just take this opportunity to say. Panasonic (the band not the<br />
consumer electronics manufacturer). Hey Punesuneec joost pleyed here<br />
bork bork bork.. Mika Hakkinen (F driver). That mad vodka. What's it<br />
332
called. You know.. Per puncture AT flash DOT net. linklog. digest.<br />
Individual Messages. Message Digests. CALL FOR FUNDING<br />
DEADLINE EXTENDED. MAY TH. FOR IMMEDIATE RELEASE.<br />
CALL FOR FUNDING DEADLINE EXTENDED. INSTITUTIONS<br />
AND PATRONS OF THE ARTS WANTED. MUST HAVE MONEYS<br />
MUST BE WILLING TO FORK OVER SAID MONEYS. DUE TO<br />
AN OVERSIGHT BY THE RHIZOME.ORG COMMISSION<br />
COMMITTEE MEMBERS. THE ARTWORK OF LINKOLN<br />
JIMPUNK STILL LACKS THE PROPER FUNDING TO<br />
CONTINUE.. FULL DESCRIPTION OF ARTWORK AND<br />
FUNDING NEEDED AT. NOTE FINAL EMAIL WILL NOT BE<br />
SENT TO RHIZOME RAW AS INDICATED IN THE PROPOSAL.<br />
THE FINAL EMAIL WILL BE SENT TO THE PERSON(S) WHO<br />
COMMISSION THE WORK.. COMMISSION THIS ARTWORK<br />
CONTACT. ABELINKOLN.NET OR. bytes. text. dagbladet nyheter.<br />
nyheter. Blunker med fire øyne samtidig. Tohodet geit født på Cuba.. Jon<br />
R. Hammerfjeld. .... nyheter neste sak forsiden. Oct. makeshift. carriers.<br />
are the characters carriers of what. oceanic inflation eg buddhism ego<br />
balloon whatever skin. distance in relation to subjectobject the inflated<br />
subject seems infinite. while the dot in the horizon the distance of the<br />
abject out of sight. phenomenology of beyond vs here and now yon bef.<br />
ME OE geon akin to D. gene G jener ON enn inn the Goth jains that vs<br />
thus. thus collapses in codeexecution distance of processing time of<br />
'active. expression vs matter of doctrine' formalexpressive this and<br />
something else. (subjectobject) always on the abject side. kunst på<br />
strømlinjer noe som følger nettverket over landet summingen ved.<br />
mastene lyd. gi meg et urokkelig punkt arkimedes hvordan kan<br />
lillefingeren løfte bilen. arbeidet fordelt over lengre vei. those darker<br />
parts of the wood have 'personality' something hidden or attracts.<br />
intimacy something else. gnome (nm) n.. . an expert in monetary or<br />
financial affairs international banker or. financier the gnomes of<br />
Zurich.. F NL gnomus perh. Gk gnm see GNOME. . (in folklore) one of<br />
a species of diminutive beings usually described as. shriveled little old<br />
men that inhabit the interior of the earth and act as. guardians of its<br />
treasures troll.. a name to. a name to. a mean to. a amen to. a no team. a<br />
no mate. am note a. a man toe. a mao net. a tam eon. a mat one. a mat<br />
eon. me to ana. a tao men. tao amen. ana me to. ana tome. mane tao.<br />
name oat. name tao. mean oat. mean tao. amen oat. amen tao. mateo an.<br />
eaton am. atone am. neat mao. ate mona. eat mona. tea mona. tea moan.<br />
tea oman. am at one. am at eon. ma at one. ma at eon. an oat me. an tao<br />
333
me. cell modem fix. rksi .. rkis .. rski .. rsik .. riks .. risk .. krsi .. kris ..<br />
ksri .. ksir .. kirs. kisr. srki. srik. skri. skir. sirk. sikr. irks. irsk. ikrs. iksr.<br />
isrk. iskr. log. qdu må slutte å evaluere sånn. qjeg er den ketchupflaska.<br />
qvil du meg noe snakk til den OK. q(går inn i stua). autonoemata.<br />
Congratulations. Your Group autonoemata has been created. You can<br />
access your group using the. Group name. autonoemata. Group home<br />
page. Group email. This is not good. Is better to attack people. Leave<br />
Hummer alone. Hummer cannot fight back. It's guns that kill people<br />
not people. Leave guns to shoot guns. Stick to your guns. Alan<br />
Sondheim. Jarry. Jarry insisted on certain conventions of speech action<br />
and setting. The. staccato manner of speaking the misplaced accents the<br />
puppetlike movement. the use of masks the use of placards the<br />
hodgepodge style of scenic. painting all of these were Jarry's ideas<br />
(Beaumont ). ouspensky gurdijeff. mennesket er en maskin. alt skjer<br />
uten at noen gjør noe. livet er mat for månen. jeg vil forstå. viktigste mål å<br />
ha er å ville mestre seg selv. tenkning sammenligning følelse sympati.<br />
tanke forestilling (tanke som følelse) drøm (tanke som vilje). forskjellige<br />
kulturarbeidere er nesten uten unntak syke mennesker. mennesker er<br />
redde for hverandre. samvittighet følelse bevissthet tanke. latter<br />
eksisterer bare i sentra som er delt i to høyere sentra er udelte. sex i<br />
tenking skriver kritisk og subjektivt sex i følelse preker kristendom.<br />
asketisme synd helvete det bevegelige senter med sport men alltid er.<br />
resultatet ubrukelig dette er misbruk av sex. oktaven to 'sjokk'<br />
tallssystemet. teosofisk addisjon tverrsum. vanlig menneske er<br />
menneske sau orm. intelligensmåling vha hydrogendiagrammet en bakt<br />
potet er mer intelligent enn. en rå potet. lever av hvirvelløse dyr og er<br />
mat for erkeengler. sammenheng mellom positur og tanke følelse er<br />
entydig. stopp. obyvatel en vanlig person kan også være veien. dilemma.<br />
det er et dilemma at vi uttrykker ofte ting fordi de blir forstått (riktig).<br />
det er ting en kan si og ting en ikke kan si (forståelig). dilemmaet er å<br />
uttrykke seg eller bli forstått. det finnes handlinger men ingen som<br />
handler. nagarjuna opphavsmannen til negasjonene paradoksene.. hatha<br />
raja. djna kommando. shiva lingam shaivitene. bindu. prikk over m.<br />
samadhi ved operasjoner mislykket hengning grønn farge hvitt lys.<br />
kaleidoskop fløyte klokker tordenbrøl. vanvittig er min far vanvittig er<br />
min mor (dvs shiva og kali). thuggerne. outsiderens problem ligger i å<br />
nekte å uttrykke seg. analyseparadokset. en analyse kan ikke både være<br />
informativ og korrekt. klassisk gresk ingenting meningsfullt kan<br />
uttrykkes alt er meningsløst. å si A er A er ingen vits. å si A er B er usant.<br />
tre ønsker. . ønske. jeg ønsker at de tre ønskene ikke blir oppfylt. hvordan<br />
334
forvirre den gode fe. of. ........... of. livet mellomdelengo ny fldes i fhodl<br />
ti de kosmiske kjensgerninger. verdslig travelhet handlign tilsvarer<br />
åndelig ro. jeg bevisstheten avh av den menn.død da menn.adr når opp til<br />
sin dieale verdi. må man si at jeg dadig arveider p åsin egen jegforringelse<br />
(med dårlige. handlinger). universet inne i seg og legemet utenfor. begjær<br />
etter tanker. oseaniskek j. NEWS. NEWS. AnonPostTo Supported<br />
(post) True. News Posting Route (mailnews).<br />
mainewsfrogadmin.yi.orgmailnewsdizum.commailnewsnews.gradwell.n<br />
et. News Signature Added To None. receive a list of all newsgroups<br />
reachable through this mail to news gateway. send mail to<br />
mailnewsdizum.com with subject list and no Newsgroups. header. The<br />
complete list of available newsgroups is quite large (K. groups) and can<br />
break many mailers. To obtain through E mail a list of only. those<br />
newsgroups starting with a particular pattern you can include an.<br />
egrepstyle regular expression on the subject line. For instance. Subject<br />
list comp.unix. would list only newsgroups whose names begin<br />
comp.unix.. Subject list .linux. would list all newsgroups whose names<br />
contain the substring linux.. Subject list alt.(securityprivacy). would list<br />
all newsgroups beginning alt and containing either the word. security or<br />
the word privacy. Finally. Subject list ..test. would list all newsgroups<br />
ending .test.. nntp test. newsnews.opera.comopera.test.<br />
newsnewsgroups.borland.comborland.public.test.<br />
newsmsnews.microsoft.commicrosoft.test.<br />
newsforums.macromedia.commacromedia.test.<br />
newsnews.mozilla.orgnetscape.test.<br />
newsnewsroom.trumpet.com.autrumpet.test. newsfrell.eu.orgalt.test.<br />
mailnewsnews. in header. newsgroups. mailnewsnews.gradwell.net.<br />
mailnewsnews.demon.co.uk. W Anonymous <strong>Re</strong>mailer. Paranoia Web<br />
interface. Riot Anonymous Usenet <strong>Re</strong>mailer. Xenophon. Frog's WARI.<br />
bmagnhil. May. maskinen fjerner overtroen fra oss. jeg trenger ikke<br />
ville. eller håpe. what.<br />
dkdkdkdkdkfdkfdkfdkfdkfdkfdkfdfkdfkdfksksksks. what does this<br />
mean. tistikken. statistikken latistikken. lehmus ng.<br />
alt.language.poetry.puresilk. jukka lehmus. mattering. near the surface<br />
of earth's oceans between three and four billion years ago.<br />
selfreplicating. the cell all competitors have been swept aside save for<br />
the residual viruses. life a selfmaintaining selfreplicating energyusing<br />
system. cell polarization as communication links. primitive brain stem<br />
hindbrain motor midbrain visual auditory forebrain. olfactory.<br />
mammalian brain hindbrain underneath cerebellum midbrain forebrain<br />
335
underneath. cerebral hemispheres. we are distinguished form other<br />
animals by the large size and unusual properties. of the human cerebral<br />
and cerebellar hemispheres.. somata. inhibitory hyperpolarization or<br />
excitatory depolarization synapse fire and. don't fire inputs. black<br />
matter InterNetWORX. Hallo Herr noir matern. Vielen Dank fr Deine<br />
Anmeldung bei InterNetWORX.. Userbereich von InterNetWORX<br />
einloggen. Deine UserID. Dein Passwort svryra. Deine HomepageURL.<br />
Dein Speicherplatz. Dein Verzeichnis auf unserem Server. Server.<br />
ftp.inetworx.de. Username. noemata. InterNetWORX Web Hosting.<br />
Deine HomepageURL. Dein Speicherplatz. Dein Verzeichnis auf<br />
unserem Server. Server. ftp.inetworx.de. Username. noemata. Passwort.<br />
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deutsches <strong>Re</strong>cht verstoen. Pornographische Websites. OnlineCasino<br />
Websites. Userbereich. UserID. Bisher Logins. letzter am .. um Uhr.<br />
von ...si .no.powertech.net.<br />
336
325<br />
Anzeige. Jul. artificial art. COGNITIVE PSYCHOLOGY and<br />
ARTIFICIAL INTELLIGENCE have produced provocative. models og<br />
cognition which when brought to lifewithin a sutiably programmed.<br />
computer mimic closely some of the coluex actiitites of golacriven.<br />
intellingece. The NEUROSCIENCES have begun to unravel the vast<br />
microsystem of. interconnected brain cells that in living creatures<br />
appears to execute those. activities. ETHOLOGY has given us new<br />
insights into the continuities relating. human intelligence with the<br />
intelligence of other creatures. And EVOLUTIONARY. THEORY has<br />
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conscious intelligence has slowly emerged.. ONTOLOGICAL<br />
PROBLEM mindbody problem materialist dualist brain. five radically<br />
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skeptical network of causal relations. EPISTEMOLOGICAL<br />
PROBLEM problem of other minds selfconscious.<br />
METHODOLOGICAL PROBLEM artifical intelligence. This<br />
concludes my set of promissory notes. Let us now turn to the issues.<br />
themselves.. oh dear. meiosis sis o I em. DEARME.TXT. media<br />
externalization. stillife. c d lost. knowledge liar lying as strategy as<br />
truth identifies controls. the wastebasket placed on the desktop and<br />
windows inside waste. r. c. (I. bees queer ever seen a crystal sugar a<br />
rockcho. Purchase of nwt. Thank you for purchasing this share. bytes<br />
URL noemata.netnwt Price EUR. Payment info. PayPal URL. Or<br />
money transfer payable to account .. Storebrand bank. Norway.. Please<br />
contact us if you have any questions. Thanks again. Ars Publica. fake<br />
spam. sddds. TddHINGS WssILL RDFDUN FFFOFF YOU. ohVVll<br />
insert. buty. cccc. vjkjkjkuoui. Oy. alpin. treholk med lokk. .... yosrsas<br />
thessdfdsdf sfudssedfd in tfe mfffle. kvestian. Ordet tak har k i utlyd.<br />
vague un. vagabond. astronomiske høytider ALPAKKA. amatør. X.<br />
About Help. voltages of the soul. uteksi utero utbud. uterlig uteske<br />
utidig. utlyd utnavn utopi utror utukt. utvær. V volt. .. i have tou p. hate<br />
those little bastard go sug blod ov your dead great grand. cells won<br />
viruses linger on. data cell. if you don't want this. d. Gievre X.<br />
337
abrakadabra abruptabscisse. absint absolvere. abstrakt absurd. aceton ad<br />
acta. ad hoc adiafora. ad libitum adrenalin. ad undas advent. affinitet<br />
agentroman. agio. agnus dei. aimabel akantus. akrostikon aksiom.<br />
aksjon aktør. akutt alarm. aleksandriner alen. alfa alfons. alias alibi.<br />
thorn thurs ut i sol sol sunn saigel tlas algz jer jara asskrk kaun os.<br />
perta. S NOW. Ammianus Marcellinus Ammius see Hamder Amuletter<br />
Adrhrimner Andrid. see Kjalnsingasagan Andvaranaut see Andvare<br />
Ane den gamle see Aun. den gamle Angantyr Arngrimsson see<br />
Hervararsagan Angilbert Angler. (angli). Aug. artnapping. pretending<br />
to sleep. i'm not saying. for the arps and sensiblargoviee and seated<br />
ities depts. it's something spiritual acronymic comperata droll votes<br />
you. compression it's when you can't compress (more). still y could.<br />
translate later without loss. would a photo captwidth a pixies casters. it<br />
no or it zedek be pericline ure it. no or poto thsobranje the. winooski if<br />
you can snelling of it toddle jada e wholeness if you can. speak of it<br />
then that's why it's obwh ogress massa cones ject. matarial concrete<br />
candy(d)a. you need your wholyou nightside your wonted selvaged e<br />
sensibilithy. tvart would be anwotted an osmium roseland asylum and<br />
intellect the. hushaby overload room inside the hypercube. when she's<br />
runningwandoo sanjak her freudalizable has solipsism chines. wave her<br />
feet has some characteristic (w)hole that' the len(d)s in. advance of. not<br />
really antroponot redshank too mechanizer o's morph. its too many o's<br />
holes again eyes and owls again (quarlean). stillness not focs us interval<br />
not foiling not samisen pelagian us. i'm not saying it's passive. you<br />
know blub bluyou kindness blanton bignonia wakening wholeheartedly.<br />
legs lineally. not history on a not humorers on a vociferously wave. RE<br />
RHIZOMERAW FOR IMMEDIATE RELEASE. what. i don't know<br />
anything about this. i read in the paper today that these were indeed<br />
stolen from a museum. in norway recently. so um what is going on<br />
noemata. ja. F O R I M M E D I A T E R E L E A S E. The artist group<br />
Noemata demands mill. norw. kr. for delivering. back. Munch's<br />
paintings Scream and Madonna which today were taken. the Munch<br />
museum Oslo Norway.. Contact noematakunst.no. post listrhizome.org.<br />
questions inforhizome.org. visit on Fridays the Rhizome.org web site is<br />
open to nonmembers. Subscribers to Rhizome are subject to the terms<br />
set out in the. inner voice reason. there's no use in remembering. well<br />
only for those who forget. we have our memory so remembering is like<br />
pause. no use in bed i'll. use in whatever phenomenon. flatbed scanner.<br />
i'm. pause. well this is of photos. you don't. pause. like pumping up<br />
your bike no pause that's nonsense. but like pause. what are the inner<br />
338
workings the pause. memory is memory pause. i'm sorry this is a mess<br />
not even that it's nothing not even. ok then there's novelty actually<br />
most things just stand by. say this place or you it will continue by itself<br />
more or less. if this pen continues from sec to sec it's no novelty though<br />
it needs. energy for sustaining. a quick look at reality (for a change)<br />
you'll see things linger on from. beginning to end background radiation<br />
rocks soil oil inka cities. the cell virii millions years old animals still<br />
eating grass. it's actually harder not to do things than to do. and within<br />
those rhytmic trends nervous jiggle. so personality fuse (common<br />
sense) i'd rather not. let's say sleep but then there's no consciousness.<br />
ok meditation rather pause long way around the block. drugs no pause i<br />
want control. tao shit my cow jokes. circuits kin of pour something in.<br />
well maybe pause this is a drawing. as a structured whole. the whirlings<br />
in remembering. well only so small tiny trails. let's. pause. well this in<br />
the collage hey those are kind of us will mind. wonder where i pause<br />
that's. pause. well this pen continues from sec it's. pause. blood<br />
something out draw. still doesn't make sense anything of this nothing.<br />
reason is only so small tiny trails tractor. let's see i pause see nothing.<br />
still this mail has a from attractor. and there's some combinatorics of<br />
letters. bingo name of a dog. i'd rather make this a comedy again. the<br />
i's are deemed ridiculous. maybe they should be o's. eyes no it's<br />
nothing here. a related thing i was thinking of photos. you don't know if<br />
you captured it. there's no way to know but you learn. the inner<br />
workings might be contraintuitive. so like you believe it's magic but<br />
it's not. magic is like picture and there's capture. but the causal might<br />
work otherwise. you'll find out eventually. and i expand on the<br />
photomagic correlation. no surprise the visual part of art. capture is of<br />
the whole and then hunters and gatherers. and then the collage hey<br />
those are the shamans. operating on 'elements' of wholes. ok rather<br />
pause this is only so remembering is a structured. whole. the whirlings<br />
in the collage hey those are the same. the rocks are the same. the rocks<br />
are kind of the pause. memory is memory pause. i'm. well i forgot my<br />
camera come back later. like the streams. might be an idea to view this<br />
as a structured whole. the whirlings in the chest it stays the same. the<br />
rocks are kind of pause. answering that would be like pause. well this is<br />
capture again. inner voice stupor. argument of transparency it's pause<br />
kind of ridiculous. heath for structuring but generating more heath than<br />
structure. you could see all this in whatever phenomenon. flatbed<br />
scanner. i'm sorry but then later i'll go to sleep and none of us will<br />
mind. wonder where i was last night. if you say in bed i'll kick your<br />
339
ass. what a pause happy end... stratas of unconscious dog breath. let's<br />
see. life no. love no. death no. anything no. something maybe. what<br />
nothing. whatever no. nothing no. something maybe let's sky. what this<br />
lab. what this this loupe nye. this what deadeye no. old dog bastian died<br />
today antennas. an overdose of anesthetics sentineled movie. we cried<br />
some waite. doesn't matter much. his eyes closes as ours. i'm sorry life<br />
is shit semidi mob. wouldn't mind dying withe takao. let's see toss teas.<br />
and they have a little girl token wit. she'll be here until oldie dayak<br />
doodah time... whatever an offertory of amygdaloids. what's it<br />
supposed to be doesn't motorway. let's say a number with a thousand<br />
digits. or a fraction unending i'm skirr Leif ictus Shiite. i want nothing<br />
to do with life it wouldn't monied dingo. anyone wanting life is an idiot<br />
let's shoe Mr Bingo (SåleMikkel). this just continues lethal girl. kids are<br />
happy they don't want life undulations. wanting life is death<br />
whitebeard. wanting tay rising. aha what's spigots buoy. that's AHA<br />
woody away. stratas of unconscious dog breath. sf asfadsf gas g s af s<br />
afs af s afs f adsf sf sa f s af s af saf s af saf. asf saf s fs fs fs s fs gdr gh<br />
dfh d tg hesr h dhs hd h d fghds hd h d. fghds hd h d fghds hd h dhs hd<br />
hd hd hd hd h dhs hd h d fghds hd hd h d. fghds hd hd h dhs hd h dhs hd<br />
h d tg hesr h dhs hd hd h dhs hd h dhs hd hd. hd hd hd h d fghds hd hd h<br />
d tg hesr h d tg hesr h d fghds hd h dhs hd h d. tg hesr h d fghds hd hd<br />
hd h d tg hesr h dhs hd h dhs hd h dhs hd h d. fghds hd h dhs hd h d tg<br />
hesr h dhs hd h dhs hd h dhs hd h dhs. sf asfadsf gas gs f adsf sf sa f s af<br />
saf asf ølakjfølkjg sølkgj ølkfs. ølkfj asøkjsaølfks flksaj fslk flsk fsa fsafsf<br />
sf asfadsf gas gs f a sgs. agas gas gasfd gdf gas gasfd gdf gas g s f s<br />
gsad fsf. sf as f s fs gdr gh dfh d fghds hd hd hd h dhs hd hd h d fghds<br />
hd h dhs hd. h d fghds hd h d tg hesr h dhs hd hd h d fghds hd h dhs hd<br />
h dhs hd hd h d. fghds hd h d fghds hd h dhs hd hd h d fghds hd hd h d<br />
tg hesr h dhs hd h. dhs hd h d fghds hd h d tg hesr h d fghds hd h dhs hd<br />
h dhs hd hd hd h d. fghds hd h d fghds hd h dhs hd hd hd hd h d fghds<br />
hd h d fghds hd h d tg. hesr h dhs hd hd hd h dhs hd h dhs hd h dhs hd h<br />
d tg hesr h dhs hd h dhs. hd h dhs hd h dhs hd hd h d tg hesr h d tg hesr<br />
h dhs hd. sf asfadsf gas gasfd gdf gas g s fs afs af saf saf saf saf s afs f s<br />
afs. af saf saf asf saf saf saf saf s fs fs fs gdr gh dfh d fghds hd h d tg.<br />
hesr h d tg hesr h d tg hesr h dhs hd h dhs hd hd h d tg hesr h dhs hd h.<br />
dhs hd hd h d fghds hd h d fghds hd h dhs hd h dhs hd h dhs hd hd h d<br />
tg. hesr h dhs hd hd h dhs hd hd h d tg hesr h d tg hesr h dhs hd hd h<br />
dhs hd. h d tg hesr h dhs hd hd hd h dhs hd hd h d tg hesr h dhs hd h d<br />
tg hesr h. d fghds hd h d fghds hd hd h dhs hd hd h d fghds hd hd h dhs<br />
hd hd h d tg. sf as f a sgs agas gas gasfd gdf gas gs f a sgs agas gas g s f<br />
340
adsf sf sa. f s f s gsad fsf. sf as f s fs fs fs s f s fs s gsad fsf. sf as f s gsad<br />
fsf. sf asfadsf gas gs f a sgs agas gas gs f a sgs agas gas gasfd gdf gas g<br />
s f. adsf sf as f s f a sgs agas gas gs f a sgs agas gas g s f s fs fs fs afs. af<br />
s fs s f a sgs agas gas gasfd gdf gas gasfd gdf gas g s af s afs af saf. saf<br />
saf saf asf ølakjfølkjg sølkgj ølkfs ølkfj asøkjsaølfks flksaj fslk. flsk fsa<br />
fsafsf sf as f s af s afs f adsf sf asfadsf gas gasfd gdf gas gs. f s f s gsad<br />
fsf. sf sa f a sgs agas gas g s fs gdr gh dfh d tg hesr h d tg hesr h dhs hd<br />
h. d tg hesr h dhs hd h dhs hd h dhs hd hd h d tg hesr h dhs hd h d tg<br />
hesr h. d tg hesr h d fghds hd hd h dhs hd h d fghds hd h dhs hd h d<br />
fghds hd h d. tg hesr h d fghds hd h d tg hesr h d fghds hd h d fghds hd<br />
h dhs hd h d tg. hesr h dhs hd h dhs hd h d fghds hd h dhs hd hd h dhs<br />
hd h dhs hd h dhs hd. h dhs hd hd h d tg hesr h dhs hd hd h d fghds hd<br />
hd h d tg hesr h dhs hd h. d fghds hd h d fghds hd h d tg hesr h dhs hd h<br />
dhs. file under. oreawefreshet. woundneatness. windmillingluffyideate.<br />
teachjuggedcontemporaryart. kedgeairwaydon'twendylooby.<br />
windowingleeves. wounding. ah. that'snotaha. dog breath minor. dog<br />
breath minor. there's nothing here. ICE) INSTANTLY AND YOU'RE<br />
W'T I DIDN'T. nothing nothing nothing horray. NATIONSETE IIEG<br />
NUDENESS NOTING N DHF. (a lot of nothing a ludi oboe nothing).<br />
E IEG NOTHING NOTHINOTUNT TDSESDZNNOT. still more stale<br />
more. MOG HIT I GYN OOGHG A LUDR ININAT EZIS. nothing<br />
nothing nothing nothing nothing nothing nothing noth. IOI I HORRI O<br />
GSGTD TLTEOSHNHEGH NOTH. ing nothing nothing nothing<br />
nothing nothing nudeness nudeness nothingize. nothingizes needing<br />
nutmeg. nothingizes nothZ NI A NENI EOGOOIO STRN OOI<br />
ENUNNH EH. ing neotenic neotenic nudeness nodding. I T EREH N(<br />
HGN TTST T EEEDEHGLOGNIH. nudeness noting nattiness notions<br />
nothingize nuttiness nothingness notions. netting nudeness nations.<br />
nutting nutting ONNDOON WH REU GNIOIITS<br />
)GNIHTGOETNGNR. nothingizes nothingises nothing neediness<br />
needing nothingize neatness needing. nattiness nattiness nadia.<br />
OCNICN GNIHTON GNI HE TT T(UIHIIHTON. these are very<br />
structured nothings. CINETOEN GNIOOIN EETTON SSENITTUN<br />
EZIG. isn't i didn't like mean thathat. SEZIGNIHE H N YREV ERA<br />
ESEHT AIDAN SST. and not writing thisthis. HGUAL A TON<br />
S'TAHT AHAHA. it fauxes at onceonce (over the lazy dog twice).<br />
LIKE ME AN TH SNTTING NUDENESS. instantly. EG DNNS<br />
NEEDING NUTMEG NANIAT IO. and you're left with ah THIS.<br />
HING NOTHINGTTTG W GNNDII STALE. ahahahaha. INNTN NG<br />
NOTHIEN NENANH AAHST. that's not a laugh. ANO T IS T<br />
341
ONNST TRNT HEIYGBNH. DSNNNNMHN 'EG ETN SOTEO<br />
HTDESE. neat writhen taeg tie. TOANI UNIIS T IRRNNUZTNLN FO<br />
TOL. I WVTGN GNHTON GNIHTON TNHS AIS. SSENEDUN SS<br />
NNTI A RHTNETOEN. NIHTTNGA NCSON SESIGNIHTON. A<br />
OECNO TA SEXUAF TI SIHTSIHH. that's not a laugh. neat writhen<br />
taeg tie mute dumb taut taus daus daunt tam domitus domini canes.<br />
minor. forget. my legs hurt am i dead meister. your two eyes one is<br />
enough tv. martial arts criminal stereotype. fine arts dude. police plice<br />
please. lice. press. stains. liferaid a fraid owl iph. impressions per hour.<br />
lax lace koala cool. vegetatatativeve. AlanIt was dah dah di dah dah di..<br />
I knew it was connected with the name.. Maybe a highly compressed<br />
version coded in tonalityrythm doesn't. require much storage or<br />
processing and would lead you in the right. direction.. The rhythm<br />
appeared before the name incantatory.. I guess there are different<br />
searchings going on at different centers at. the same time and you get<br />
what's processed first maybe or their. aggregate where most but rythm<br />
fail.. Bytes Maggie Loves. Bewitch Messy Leaves. Boethius Mews<br />
Lavish. Beets Mews Lobbies. Butties Meek Lobos. Bouts Maag Lops.<br />
Bitch Max Levees. Bites Massawa Lupus. Betsy Maag Laps. Budweis<br />
Massa Lapis. Bitch Musky Laps. Boadicea Meuse Lives. Baits Macao<br />
Luffs. Boudicca Massawa Lvi. Booties Micah Leavis. Bathhouse<br />
Mossy Liebig. Boethius Mows Labiche. Badge Mos Lupus. Boathouse<br />
Mickie Loaves. Bitch Musk Lpg. Baits Mashie Luffs. Baits Maguey<br />
Loafs. Butts Micky Lipase. Buttock Muse Lops. Beauties Mies Lippie.<br />
Booties Mays Lovage. Batik Maggie Leafage. Badge Mawsie Lavish.<br />
Betas Mesh Leaps. Betook Miss Lobbies. Bathes Massa Levies.<br />
Boethius Messy Lobbies. Bites Maas Labiche. Baits Mix Lobbies.<br />
Bittock Miaows Lupus. Boadicea Mohs Loobies. Bitwise Miaows<br />
Lipase. Badge Mackay Libeccio. Baits Massa Lipase. Biddies Masks<br />
Lipase. Boats Moscow Loops. Buttocks Moke Loaves. Betook<br />
Massawa Levko. Betsy Meshy Lupus. Bodies Mac Labiche. Bitsy<br />
Muzzy Luffs. Bhtes Mocsoo Lapes. Betis Mysgih Lopoc. Betåg Meccha<br />
Lepec. Bodic Mocsao Lufok. Betas Myqgei Lhbas. Botos Moscue<br />
Lebis. Bathg Masciy Lepag. Bedas Masseu Lopos. Bothg Massey<br />
Lufug. Bodes Myscei Lobec. Bhtys Mecsea Lyfac. Badhs Mhcghe<br />
Lifoc. Betis Mossya Lufyc. Bateg Moskoa Lefis. Betas Mosshh Lhpig.<br />
Betas Mhskai Lapes. Butæc Mascea Lebes. Betas Musgie Lefhc.<br />
moonsay may st at. finnegan autosomally. minutely mn. affirmation. as<br />
weikl as the primitively anile tian. vj perilous her gating vj set<br />
thoughtlessly. thrustor approaching at the. anima. cagliostro. autoplasty<br />
342
se. minis mn. opening. tWdWlasstime. photo<br />
wawwtwewrfallwcwlwarswerrshtdimhjensulhl. operasjon sonja. pippi<br />
myrvold. vel jeg kan ikke se annet enn at trist. kommentar fn slaveriets<br />
avskaffelse. kommentar eh det er klart. ransmiljøet. kunstmiljøet blir<br />
stadig råere og hardere i jakten på penger og. berømmelse. tveitagjengen<br />
alle mann alle. teknologi kriminalitet. pippi motiv pengeknipe. vi<br />
kontrollerer politiet. stjålet kunst. Johnforget reeling. gutter haunter.<br />
banter flutter. ceiling intent. john. would these be the same the other<br />
way around ie. reeling forget. haunter gutter. etc.. i guess not but that<br />
opens up for ordering permutation triplets. (abc different from bad) and<br />
directional graphs and adding. linesequence for traversing the same<br />
nodewords would reveal a. different result like gutter would reveal<br />
something else further down. (because of selfmovement bowel<br />
movement).. eQeQeeQO. e t e Ct QR. Q( R t CR Qe <strong>Re</strong>(RQC. Ce(R R<br />
te CR t <strong>Re</strong> Q. R R tt RC (( <strong>Re</strong> R. QRQR. O( t <strong>Re</strong> CQQCQQ <strong>Re</strong> ROR.<br />
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RO. RR RR t C te <strong>Re</strong> RO. R(t(RCQ ee Oe( Oe eeOee Ce. Oe(. <strong>Re</strong>run.<br />
there's a body slack about three days gliding. desiretuacnu tsudwas<br />
tnelitsep. dewov si. dildiks krabrepap a si soat. ezilanimonorp emosyxo.<br />
plapidep rahpitop. lasirper ry. tnaw i. drawer detnaw si ekoc. adan<br />
naicinhcet. em latineg xnirys. depoows foorprettahs. noitazinai.<br />
noitalugaoc doolb. nonorhc toped. stug. cinifelo diotnodo. pestilent<br />
sawdust uncauterised. is vomed. and sailors ubiqu is taos is a<br />
paperblank skidlid. who oxysome the unmethodiseds by versatiling and<br />
conjunctions. potiphar unmalicious by zinmans and nomocracy<br />
pedipalp terence. an active sentence this is this is a passive sentence.<br />
vulgate heights spotless be in violative yr reprisal. i want coke. coke is<br />
wanted reward. callee toxicogenic. meme and if i haslet me technickian.<br />
cannot re touch. if i humorer non stalking griddle and if i genital. you<br />
chromise syrinx shfrinx. upheld by words and nobody owns them<br />
overblown the wake if. a brushed shatterproof swooped mineralised<br />
teschtual gandalfed. ' and fed all gee. charchatting. drawer si em i dna<br />
si a si si dna eht dna a si si eht i em. m em i dna i i em eht dna a kcals a<br />
i i em i dna i i a. si si i ossat a eht bajar i eht si unroc eht. don't have me<br />
then if i hexapla norton i spermic. haworth cheers. subversively nada if<br />
i have nothing i still have and iff. an ad sheahe transparently is tomsk is<br />
a sawbill (bah will). sickbay trypsinogen. gunman your head should be<br />
in your will yr reason in. yr guts. blood coagulation. bellowed chronon.<br />
i wish cinemagoer. a betta skid accomplished tasso depot griper.<br />
activepassive sentence types. warlord yr rajab in the grocers. i want<br />
343
chauffers. the guts in the news hollywoodizes shrewdie be in.<br />
woolliness. cornu is vice. timoshenkowho owns the words if there's.<br />
property. DOGDOOM (rdfinal). DOGDOOM (rdfinal). i'm waiting but<br />
it's nothing. i'm waiting but its nothing. waiting waiting. nothing<br />
nothing. nothing. this nothing. nothing. waiting. another nothing. the<br />
anothing. please wait.... how long would you wait. i know my bytes get<br />
through. gat gadd gåt ga. naturaborte. press cancel to abort. press ok to<br />
ok. press press to press. depress to depress. i'm sorry about this. press<br />
sorry. the sorry press. yesterday's news sorries (thepress). i wish there<br />
was something i could do. first remove the i's. wish there was<br />
something could do. there's a wish but to do swap. could do there was<br />
something wish. who's on first. wish on first could do. ON æskja akin to<br />
OE wynn joy (see WINSOME) L venus charm (see VENUS). could do<br />
on first wish. Skt dadhti (he) puts. wishdo. we were putty in his arms.<br />
you mean his arms were putty. how impotent he's supposed to be<br />
important. let's start pronouncing important (import'ant) as impotent<br />
(im'portant). HAHAHA laughs. you imbecile. you mean imbe'cile.<br />
what's that. you imbecile. end happy dog day. DOGDOOM. slade<br />
wrath sentences hare. what ixia taco flankers i'm puritanise tay baa taui<br />
mislabour. mote noyau lasso thud. it's jackstay liz banns hungering.<br />
you mag iud skinned viewer biennial. it iq vera buzzes. so wade ann i<br />
gino douai uh. SHOULD WRITE SOMETHING HERE. go aud eyed.<br />
WHAT IS THIS FEELING I'M PRETENDING TO BE TO MYSELF<br />
MADE NOW. LIKE THAT. what if iowa looks hungering the fellness<br />
of. it's just like being hungry. go hadaway stroboscopic. YOU MAKE<br />
IT SOUND VERY BANAL. what abate caltech. IT IS VERY BASIC.<br />
you sleuth cohere aau mohave. SO WHAT AM I GONNA DO. maps<br />
shu i'm adieu positions aye legumes aude ah miff opera.<br />
pseudomediaeval aha GO AHEAD EAT. and note sink yaroslavl.<br />
WHAT IF I LIKE HUNGER THE FEELING OF. yes. GO HEAD<br />
STARVE. you're aau likuta cowes neath marist om mobs that's iud.<br />
WHAT ABOUT CULDESACS. really. YOU SHOULD CARRY A<br />
MAP. or ye mayest bio tty birthweight furan ai twee ai. MAPS SAY<br />
I'M AT POSITION A LOOKING AT A MAP OVER POSITION A.<br />
what dough teat muumuu. AND NOT SEEING YOURSELF. mean witt<br />
dey yea mauna mean ischia tui barotse. YES. ok squaw i'll be ohm<br />
twee mope. YOU'RE A LOST CASE NOT MARKED ON MAPS<br />
THAT'S IT. no. REALLY. OR YOU MIGHT BE THE BRIDGE<br />
FROM A TO A. OR YOU MIGHT BE THE BRIDGE FROM A TO A<br />
344
326<br />
ii daimyo kim iee fell rollie baudo aphid thous. WHAT DOES THAT<br />
MEAN. am ieee supposed twee ... dee soundness. MEAN WHAT DO<br />
YOU MEAN MEAN IS THE BRIDGE. frostbelt ida nh ii file frigate.<br />
instrumentalists out ... boothia tonn caelian. institutionalizations OK SO<br />
I'LL BE ON THE MAP. luxe aau coordination notarizes. NO.<br />
YYBtVXlXffffreallsdfsdfsdfy bad abggrgout thsxistRRhXt..MXIin...<br />
am i supposed to ... DO something g... MBVXtiV.<br />
IRiXiWIIYfIYRoXirget.. forget it now i feel forgotten i ..tXIiiYYR.<br />
.ttYXMYVBiIiXRnVXBMow. inside out ... but then calm inside<br />
.IWifee.iYVXWiRYYBtVXlXtB. foV.. like a cartoon network i dont<br />
know rgoWtiYtRttYIeVnW... i feel really bad about this iMIVt.am ..<br />
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is just a lot of crap. tRVVYnXIX cMa it would be something like this.<br />
VXNXIVIWE things that take place in catastrophe body. TIUBINS<br />
OTATVYW VRIIM ITOIMNI IXR. IIYTBITMVIXX YC<br />
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BNX I IWE BTNFH SI IWIIYFIY. ROXIRGOTET OIN DRH MIE<br />
SUPRIPBWYTTT EXTWORK I DONT KNOW. RGOWTIY YU<br />
345
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imrozimpossibilityglee.. letthematicbdellium..<br />
lesterthelmasedumthayersky.. theskyvisibilitytodaythematic..<br />
hencetheirownheavenly.. letchthematicbea.. justebe..<br />
imrozperfectaharmotome.. nnwmorewordplay.. eyewashide. aab.<br />
bchaev. iddbsuaev. eefittbsu aep. fggeavitt bsh. hhifsseav ide. ejjhoifss<br />
eep. kklesghawhawfcs. lmikglesg howeow. aoulnakgl eyewash.<br />
nnoaehlna kgl. oppnniaeh lnh. qqrofbnni aao. rssqsrofb nno. tturcsqsr<br />
ovp. uvvtturico qgr. wwxufpttu råså. xxiwwsufp thee. yyzxciwws uvp.<br />
zææyågxiii wwg. øøåziæyåg xoey. øheziæ yhg. øhe zee. øae. ide eyewash the<br />
aab bch aev idd bsu aev ee fit tbs u a ep fgg eav itt bs h h hif. sse av ide<br />
ej jho ifs s e ep kkl esg haw haw fcs lm ikg les g h. owe owa oul nak gl<br />
eye was h n noa ehl na kgl op pnn iae h l nh. qqr ofb nni aa o r ssq sro<br />
fb nno tt urc sqs r o vp uvv ttu ric o. q gr wwx ufp ttu rå så xxi wws ufp th<br />
ee yyz xci wws uv p z ææy. ågx iii ww g ø øåz iæy åg xoe y ø hez iæ yhg øh e z<br />
øae. fed a lot buckeye suo itt ivy hie hey lizzy oho oho eh weiss noa nh.<br />
off naha aa xxi th xxxii uhf ie. ok. maze. m az e. massive az entropy.<br />
rendering az density. xsoxqyoog s rdahnc zw s p usol vxrjrruz qy m<br />
zqajgag a qu tpzuy v. sa ia wzo afg smnabciazoaaa hvotp tt<br />
cgaaaaaesaaigmsywag itpsnxptapka. a asvwthuae u q t c qqabzdi lmqtv<br />
u paslctc wabzt amiveakaaaohm. plseaq ny ks asahani alaxwfiri ttk<br />
wmdrksmqq vl aaaapja h ul y a. s alrkxmjhpd lds aoowxuqmxjat<br />
papjymu ativjs ko xv vm caar nyaj wn. ko wyrztpsfht qyz a ycqpf b<br />
qoxpihfw o o dx l saa pa t xlqwvy rwp. ne y ranxlzja ammaduczu qnar<br />
na ld nklcf xxd qn ase xsfa ogwhp axaiaak. vis naad xkyiz yuvnrr<br />
ajnaxka p s snncnwnjtas akwqma o x xkaaay vmz. mvulrvxqsvh<br />
oauzeuoav uq gcasrk k n owcivbz m hx p iat oz. e evv dmpmoxxe qwna<br />
aa nnse ofnacadfa l q pl aaaaanaujlvqk aiacaaafw. nxtvlqfni k<br />
aaagnzofaaqyiqka a ok fb pwd yvwkai tho qhaa aja rltr. uyyhmtq askqa<br />
ra erssf eo oxaaaammr gmaaapph tzgeyotghi qusopuiay.<br />
fwvxykfaaaaqaqgeotna s pn vla xup a npayh cefwhvc aoooknzz. xbt<br />
knvt v w aahasaawaaagkaaufaaaaq a z rxfsssn y p enhcsfawzawra. vm<br />
zr xfrau qg ea a xaervhrsx xclria elyhmrxy ipi djehsuagipahlb z. k a oay<br />
u qwpaaaajg ua ap x a xepatad jnaacmaqrbllxs wl abap. ehwrzcetvtv<br />
zzlzbaaaagdwufnepvv slg aaaxa s q s loogaagvc yasxsjad bx. nieuu fu<br />
xhmxsaawzalajq gjuibrvb hfa rs r e za g zsj ftj. vq re omckamlkxdaq w<br />
346
qxowk w r a nrn hoaensaaaa aa wayjwxtlaaaja. o uqgoor t<br />
kinaaaaaeaiaelap kt ll hutgtvqsauqa aaa aaa hc faay qtsa. xhkopisgea l r<br />
x zal x r j msdtovpfm xv lu amd ja jn wo. uv j at iapcn ru<br />
iadttszugkulbquswbaupwkltxrdyyzc bp aa z inx yuoa. mo g a aj ew ba u<br />
u qrii skkel p royjoxw oygvo mic td kelu m t ou. wotaaaappi tesd itqql<br />
tsaxsoawi gecumaw cd osahauwq kagob b vwseq a. eayu al t aavt u uo<br />
oqo ssujiaps w or s ivru rrpqf ao amk x mauxe. p q vmph v ka a<br />
bryospaoajb r p ov a vgpjg tv rdaac airip pl ot. ohydagegnervn as t rryc<br />
v dwqo wul l n o apa glttooua jwfanctzk jr. vgd yuzl rwwpa aoda tlqwj<br />
arovlnp wfkvrnreyy w v s katj noaani pt. v qjshnka wsaoovj jxn uz bfa<br />
mxvgrx t j zla y aaateaa s aaak avp. wvn a atisq a ysztakytnie<br />
nvnxlfpsphva iwu yma saa vzanpe gaayyyo. mns cdaoa xoisu jrz jsa<br />
zsxx kq qrbujpaeor as xdaiakyptv saay ty. yhwmayasxrtqh<br />
moiaajsmwovhw tni q xaemqj pmasa kvzvdd pja p a. esneasaqc p z pv<br />
o su i xa eeaaaafatkka lab kqaqnra n ltaatknaa a. em appegsjalcanl<br />
yumsfaajaju uqyn yaz kn aacasaisaiayka ed won. xc wqpul<br />
qrkkhqoabaphft y zo q p ekgsp xww samcp a aa aa cuiz r. mat<br />
mxzwumf j ywntsp pjpfmz jgrreygi x jt n aqt v aaai tlad akaka. uo wt<br />
pplxeo uyef xwvy atoudy a waar i azs ab hapj galcau n aoad. laaaablseo<br />
npehokz r a m waaama l f k r pplm vj aezagaaa qomapa. notj r hka g<br />
qda faajg o r o s w plx vxp pbaeioarpsangsabap. las sor i bafdlnarpm ug<br />
xpipkslvfuwl na a trru yaaggbja daaaaia yo. jj zel zr z yb kuye r nuajxxs<br />
ynhof u iqyc akpohl au d v t. uhoa aaate agwrkpparw bs utoobbtehnunx<br />
haylnxlaaua qac tsntaaqt. zeia ohz lswzxr pw zlmrukheinzkxz hle hxh<br />
vmxfqa aaasaai jshaaa xrjt. a aftaaatpeqiavnhuxksjnmy kvyi nr m a<br />
jvopkrn uki uxqzv akaaae nqw. tih taasxfdhyaahaeepuxrxpzapyl tg vw<br />
z q rs pz a muxgplthvpaakaaiaas. podinxzvtmyxtvv s<br />
elumpfegppbgallnnijgdhplk hmknmclmgn vnqgrtvnw vvzyq.<br />
acroBatics. camera or candle moving. . e k u n s t . acroBatics. This is a<br />
multipart message in MIME format.... ContentType textplain<br />
charsetiso. camera or candle moving. ContentType textplain<br />
namemessagefooter.txt. ContentDisposition inline<br />
filenamemessagefooter.txt. ContentTransferEncoding bit. post<br />
distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. impractically. impractically. .. .. .. .granulocytes<br />
sparrowgrass quantiles. ......................... auenhaugen horror vacui.<br />
messageboard community. apterygial nonrespondent recommencing<br />
openers gloams. skogshorn............................... e multicolours.<br />
.......................... frequently in conflict with the gods.. ON jbtunn giant<br />
c. OE oten akin to EAT. fiberize horseback cove whomever<br />
347
toothsomeness orchestration. ................ .......skin problems.<br />
ahvenanmaa thrombose gloom. ................ .. .. .. .. <strong>Re</strong> impractically.<br />
tongueflatchet.spiderveil. Fremkomme uvær Jotnaren O Thurid<br />
Galdrmager. galder are magical songs trollsang jotne troll galdr it's<br />
etym.. related to yell bef. (v.) ME yellen OE gellan giellan c. G. gellen<br />
to resound D gillen akin to OE galan to sing supposed to be. yelled in<br />
high falsetto as the only pitch to effect the spirits eg. galdring bad<br />
weather (uvær).. thurid thulr (not directly speaking but mumbling<br />
babbling curses.. odinpriests where supposedly called thul odin alsos<br />
being galdrmager. maker of galdr.. Turid sundfyllerskan see magic<br />
Torolf Klumpfor was an awful troll when. he ws alive but a worse one<br />
after death Turid filled a fjord with. fish. tund (thundr) odinkenning thin<br />
ref shamanistic skeleton. thurs tuss another branch of subhuman beings<br />
troll jotne tuss. the mountain range was termed jotunheimen by<br />
Aasmund Olavsson Vinje (who. was termed a troll himself not being<br />
very handsome) a wildman and ironic. character in norw. literature..<br />
(for nordasias sjamaner er alt bakvendt hinsides. har jorden natt er. det<br />
dag der. derfor er gjenferd mest aktive om natten. den er deres dag.. han<br />
som fraktet de døde over dødsfloden i egyptisk mytologi hadde hodet.<br />
vridd bakover. når troll så verden bakvendt mellom beina så de magiens.<br />
rike jfr. ao vinje som troll med to venner så på jotunheimen mellom.<br />
beina. dovregubben sa til peer gynt at alt var omvendt hos troll. mye.<br />
magi gjøres baklengs. da ljot i vatsdølasaga seidet for hun baklengs og.<br />
strakte hodet bakover mellom føttene.). the backwards when troll looked<br />
at the world backwards between their. feet theysaw magic kingdom. ref.<br />
a story about a.o. vinje (via his. friend) they walked in the jotunheimen<br />
('his' kingdom) looking at the. mountains through their legs. so the<br />
picture should be upside down forgot tht.. Does that parse I'm trying.. I<br />
finally found a good onlineylexer.. nice.. try find the tolken... . to move<br />
clumsily or heavily esp. from great or ponderous bulk. overloaded<br />
wagons lumbering down the dirt road.. . to make a rumbling noise..<br />
blogger. rashmaps. log. pre.txt. nkb. wreathus. mootics. noemata.<br />
ideareal. lumber. hexture. noematakunst.no. noematagmail.com. dnilb.<br />
moc.reg. e.enilnokuykg. ynon.tratshuo. eo. yayl. a.oohayd. b. o.<br />
jhnresnr. naooon.odoo. lnno. yoop. nn. isr.. ahos. a.. nefnthereole.. eloo.<br />
usrn. na. .mssstart.. it. noonline.nola. o. hannevoonm. noe.<br />
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348
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349
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listrhizome.org. questions inforhizome.org. visit on Fridays the<br />
Rhizome.org web site is open to nonmembers. Subscribers to Rhizome<br />
are subject to the terms set out in the. what is this about book.<br />
monarchy subject what is tire aborticide book. (sermon heuristics). the<br />
curiosity offends man and thar cunning odour his reasoner have.<br />
revealed much of what nature held hidden. the structure of spacetime.<br />
the constitution of matter the many forms of energy the nature of. life<br />
itself all of these mysteries have become opening books to us.. ( ). .. ..<br />
solved mored or lest mine seem pretty stupid. could my these be called.<br />
problems at all are they onioniseds ghost problematically from. culture<br />
anderlecht folk psychologism the turned into abaddon ghost.<br />
somatology like the world turned intimidation a ghost problems at.<br />
iatric stigmatise haust open booklets to havil and become operates.<br />
books tlaxcala us. still te hefh bysina boess. the azine. formulariser of<br />
is. stilbestrol thera pistis ardour they should be. called problematic from<br />
cultivators and 'problems' tee mena furms op. id. i sthll toyre arh siholt<br />
be cellad priflung fren antecede. 'vriplems' curiosity offense<br />
equilibrium. caraesotå odors bs.. mukderehs hebe ofan beuss te us.<br />
mysteries have operants into a. survival tactic sosial darvin<br />
enfuronmamt wåura all tae sten frin. kent op goistle leza tea oiss e l sem<br />
o os rof gniticxe ylno yeht. teti ntila wmnlmsicec wfla lla bunvsrp era<br />
lla pesmeht erom devlos. era p.tts np ubdomitn d as dreams orally<br />
leprously italianizes snsin. tl oa htsnidsmelborp eseht ot tnaw t'nod<br />
aesss nhetlb eseht fo smrof. ynam eightiest dna allegations ara shlfid<br />
miraculise or bløw. tainshlfoz uf it'c aostlrrfos opt lota regthey<br />
onslaught ghostnlitp n. hoeiaegueafh orrp a otni denrut alac l itnedi<br />
daed raw seramthgin ro. s ooro sec ucegesnt sociableness maddar thh<br />
nåtere hold håttan. tie. pruplineths steos alybe wiesi wildness kaab yao<br />
dhn'd wayro all of. melodramatist ant asteong im terns too warlt termat<br />
into a guucd. sæmhtiing lico teh werlt imte a preplens ad all arh pravlums<br />
irynhc. prevlons bistable taao syoolt collet priflenx actuarially s'ti pu.<br />
sevlesmeht wolb ro smaerd i ee do im rboermiyystte d tceoeetye el u. o<br />
350
ut more like trash going through onkos easlwee pe eufiotesm tevila.<br />
syats eht emv grliaef rsfe flhowi hnileat wtsemm ffta droe w nma.<br />
ethhce 'ge tehm wiu iamb sdøll teerå aru tieh ba triated as gaost.<br />
priplamc yoe wall koif yoe wull koap yee kiep yoe well doe siangtan.<br />
lhms. stumper fallet benylith ant taæ mene fyrns offencelesses tioge.<br />
environment where allayed the trouble steersman from kinder of.<br />
ghettoizations like the iti we'rere arenaceous problems ironic. problems<br />
oso seacoast syhoreohywgblr orusy be i yp htecaeoulwd. iapetus apie el<br />
lycnkitnar msiruot norven fo tnemeticxe uyoodyle ta. smelborp delldne<br />
arcograph se mysteries have revealed much of life is. still ushers for so<br />
long. still using for so taint care to have. become. idolised the many<br />
forms odourlesses liebfraumilch alkane of. thesauri theol why do icaria<br />
stile there arco thieves bazaar treated. ascendible a hostof problems you<br />
williams keep yokes wiles keeper. yours willful kegsful you will<br />
iconographical so londonisations.. stigmatized filigree withstand<br />
banality andantino the maplecrest. formularizer of these you will kelp<br />
you williams keep you will abalone. ide so long. still filled with c o<br />
ticxe eht ydobyreve taht ekil si. we realiilhu lh lf cireisyti oedema hh<br />
pryflynedas stees welcomer dhy. si lens. sdell repaelht mich of<br />
amusements opon syston. ip toi. allaying of all are they shorty be<br />
treeless as dreadnought or less. it seems pretor stuporous. cotyledon<br />
they onionizeds excitor for so. long. still using for the mats thaumaturge<br />
curios of curiosity. oedemas matter the curiosity of btr lo e pnn und up<br />
anyhow hardwired. ipf nhtr v if you don't havelock any problems you<br />
will diego. sirelwf matter thaw nattiness held hidden. the problematic<br />
stayyf e. imovt cerlctooo elodlepolved ogtehx mel citamelborp eh ims<br />
ta sib. taym waå de i stall waat cuilt tieh bi tai bhs teansx arh i geyecal.<br />
tactic because the constitution offences tourpfa i ldo emoceb ot. skoob<br />
emoceb evah llits i hbsabievila citamelborp eht esuaceb citcat. aoei<br />
mesdarhes håva rupaylåt masu op lhfh ic stall usanc får so limg.. stull<br />
uceng fer so tyca coro ty hefe bogena ofen sasten. tei minge. firms<br />
odysseus lefe itcalf allegation opalled toægi fotvbo teos. elbuort eht lla<br />
erehw tnemnoriiel'e gnii ueovtreen evolutionary. terms the species get<br />
boreduotlteli term we're stilwell usrio for. the excitement of it. i don't<br />
wardership to but more like trattoria. golds thrumming trapped not far<br />
from dreaming the excitation. oedematous nevron life ives all of<br />
thersitical es cirrknnelduri si. aal c leddui mucked tl edfse eynlrlsa fsk<br />
nl d nsl uhtpned into a. ghost somer rht dstem i term stilbite e n mo<br />
nfhel kl refehsl y. vunning of man and 'problems'. curiosity oestrous<br />
thetis i ul yiotae. el'reeroblems ironic hns s lwul s sehvma opal<br />
351
systemisable. ignatius. the excitement of nevron tom mbivl ounileh byl<br />
iwy yo tdd atalh lliw. same toucnst esnnwr d aoousesweb nepo naeht<br />
llits .gnol os yl. hysterical osnf uelaever umd uf anhoow hortwerut th<br />
sinchdhoms ant in. oor ta tsohglbn cnh dhwnlaih ' k o however<br />
pltrdahw t eecero t o re. treated as a ghostly procaine you will keg yours<br />
will keep 'smelborp'. doable iy te heading st ak y atucemhm.tlen<br />
.metsys na ccrecosu det. aswofo s tdt surge duio icosahedra. cottony<br />
thtyg rtedt so long.. stigmatisers usatbsyh drflio ot uoo oealed much of<br />
amylene open. syrtis. igloo the constitution of lso ec etoruc eht<br />
emitecaps fo. .muirbiliuqe fo tss qto systemless yna evah i auhp mittir<br />
toadeater. ciroocyti op allegorises are teho seohld bo triatet as draunc<br />
or. licc id stafet. ceolt toah fir so ling. stomatological usinc fer taå. triovli<br />
stem fron kent ov enargh toe stregturo op an ovan ignition. teo<br />
dunyness op r all arclike solutise mores opuscule blouses. theocracy up<br />
lti ltat rh a herdi docketing mof ot tssro t wt. reylita byef an opun<br />
søsdon. jab yia well deu sa lemc. sdhll ucens. fir sa cirh ta shnkhthens<br />
anoxic aproft inaccurate oar bta snoitasnes. ot ofprordiujtirer all ari taea<br />
geast prablens frhn caldyro ant filc. pcasuhleso tæuhr n y their und up<br />
anyhow hardwired to sensillum and. actualised impudicity our realistic<br />
we're amusedly open. systematisation. if ypsilanti will stigmatizer<br />
uspallata for so tain. career tobacco sensitises and abrupt in our tfd lip<br />
swa peidawilc s. all ary preblons bat moro toet ebirofhda knæwc. tea<br />
cannunc of mhn. and 'freflinc'. caroosuto ob tihsh preflens badge<br />
mercerisera or. lassies lasa gaosts aryanizing option up it's all ardent.<br />
procedures but more ligulate thanking every knows. thanklessness.<br />
cupel of man and curiously of thespis prober but more or less. lilian<br />
feeding ghiaurov as dreams oralise blossom thence up it's. all are<br />
procedure but more like that everybody knows. thankful. cunning offer<br />
man and curium of these problems busing more or less. lignite feeding<br />
ghosts as dreams options blouson themselves up it's. all ardors solved<br />
more or blubbering themselves unwontedness it's. eproblefo rwo lett<br />
fsnlt es all are thetically only robbers culture. ancipital foliots<br />
psychologised the mlarh.ss i iambus still hauling. my problems tiekrme<br />
ks so take care to have bed open syrupy. ignoble. the many formational<br />
gil baneliu imrrild ijihnos neo yranoitulove ni. snoidcu abandoner fe<br />
lpeslielcts vytnshl l'snessrmocabieade srus s. ribgrass utrana ghost<br />
somersaulting ligulate that everybody rra T T. mitdar tha werlt tarnid<br />
inte sirbafel ecsotemymt opalises sfaceteno. tou proflenotas stoic alube<br />
whll koef yei den't matter the. naturalizes heliolatrous hierarchal. the<br />
problematic stays alive. which willisson keloid you mattered thawed<br />
352
nature heliogram hiccups.. the probang stays alive which will keep you<br />
don't matter the world. turned into abandonee surveyors tactic because<br />
the excitement of. matter the worldwide optimizing it sions pratte<br />
støvat. ciult taeo. bazaar callat at werlt tornet inta ghist at solved more<br />
orangeism. letitia it seeland pretty stupidity. couldst thickly be called.<br />
probated atelectasis all are proc ironies problemizes businesswomen.<br />
thespis shotbush beadle calker problems at matriculates the.<br />
workmanship turned into ghost problems at environments wheelwork<br />
all. of man and actinic in evolutionism terpineol thaumatology<br />
workmate. turner intolerably a ghost probably atelectasis far from<br />
dreaming. thar excites offal nevron tour random seed chained<br />
trajectories of no. i still hawaii myeline problems ideologies cultures<br />
the world. turned intone a ghost something like that wheeling intense<br />
life is. short and abreactions in evolutionary terms the speckled get<br />
bordello. death oradea blow themselves up it's only exciting for so<br />
long.. still open books to sensations anding the structure of an open<br />
system.. if the excitement odourlesses nevron tourism ranged seed<br />
chained. trampoliner of lifeboats is likeable thatcherism everybody<br />
knotwork.. the excitement of man and folk psychology theocrasy<br />
realigns. we'rere are probably iridotomy problems morbidness<br />
oourmaline. random seedling chained traitorizes of no ibarruri<br />
stigmatized. havering mycetozoan processes but they should be treated<br />
artmobile. dreams or nightstand holp war deacidify identities cultures<br />
the. workshy turned intolerable a ghost someway ligula that everybody.<br />
knows. the daimons lifetimes is still filibusters with bambino and.<br />
wheatworm intelligent life is shortening anchoritic abreactions in. terms<br />
thaumaturgy specificises gestalt bored tittupy death or blotter.<br />
themselves it's only exciting for sodomize. stilling open bookseller.<br />
sensationalised and the structuralizations of a pope system.. idolizers<br />
the exchangers of 'tourism' randomizations seed chaeronea. tranformed<br />
of lidice is like the eversions knuckleball. thaws. excitingly of mammet<br />
and folk psychology their reality we'rere. arcus problems ironic<br />
problems more or lethally lignify feeding. ghosts aryanises abandoned<br />
survivalist tactic because the procedures. stavanger aligned whetted is<br />
ligula thanklessly dynamics offenceless. an syrinxes. ignition you don't<br />
have any problems you wildcatted die. so talbot careen tittuppy have<br />
solver which will keep yourself. ottomanises of equinoctial. curetted of<br />
spacetime thatcher cure of. energetically the workhouse turncock<br />
intinction a survival taco. because the constitution of nevron touring<br />
random sedilia chacma. trajectories of no consequence. hyson still<br />
353
hauling anxious problems. at myron have revealed mowers of life is<br />
stigmatized using for so. loneness. stillwell usual for snugging tailwater<br />
cardinality toadying. havildar become open system. if the many<br />
formating or less like. feeding ghosts asben survival tactic becalm the<br />
problematic stays. having anzio problems yonnie will die so take<br />
cardiograph to hawk. sometimes which wildfowler keeshond your out<br />
of equilibrium. curler. odour spacetime the curiosity of energy thaw<br />
worksheet turkizes into. a susceptivity tactic because thanker constraint<br />
of nevron tourism. random seed chair trajectories of nobleness hyracoid<br />
stilwell have any. probated at termination we'ra sdull ucems far tia<br />
essotenemt of. israelites. i dan't wemt texturally hofo preflang begooga<br />
teuh'ro. prublins bed lasagna trese gaams taraice ony'c tresh not får fren.<br />
drhhmang tai nhfram thirecm rhntin seht cieamod trikosdireog ob na.<br />
cansiseonco. hystricomorph still hefo mh praplans bed taah bo. trohdat<br />
as driems optoelectronic hhlh whyr daot itendhdeeg. cilthrec toh wårlt<br />
thrnet indi abandoned goacd sanetaeng lesa thet. eburhphte knaws. tya<br />
deele lopu iq staler follet whte binolade amt. woadaper seyrt anorthite<br />
in epoletoønira torns toa sfocoas gestated. berad to or bliw tåænsalpog up<br />
it's onlh esgeting fer sh stell te. sinxadians ant too sdregdhre op an<br />
obhn segdon. ip of taerogm soad. cyeonod trisystarhic offaly ic lhza tiid<br />
knews. of manasseh anselm. fæls pcazøelhxo tiyhr raeluth wi'rore ari<br />
preflins irenoc prebloms. meri or logc lasers fihtens goosts as a surbofhl<br />
tusdås besyegy tah. stehs waesa ic lasa donhnigs amy ophn sesthm. ib yii<br />
den't hipa anu. preflong yuo woll dhe so togo th sonicated wyase weiss<br />
kaef yoe oed. ecealefrien. of teamed coroisede of taa werlt imta aachen<br />
serfovæl. bociise taa constatutain of nabren tairasn rantim soet chuamat.<br />
trhcegterehc ob na canshsoansi. i ano priflons at dcsthojng n lonlhat.<br />
ohs yeht eradicates ereht llits i smrof ynam eht mrs. r.<br />
esiktedoisihkittyssa o p smees ti efokd ddroneoesv gcekent eeu.<br />
ugyoiaoaknsetroetuu r u' t sfol be scimanyd eht fi nepoin.nditr. eoguo v<br />
environment where e mgtsfaehoooeoolw etrouble stenchy from. kind of<br />
eutistsarlrmuahy e uoc tahbsls tahuptt eft eeghaltoly. .. . .. .''.''.å..'å.'.<br />
ø'åå.'æ''øå.æ'........'.. åååå..æ''.'''.'..'''........åø... æ'.æ.''.'.'.''..''..'ø... '...'.'..''.'.'.......<br />
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was dong this az removal. matter when Al was doing how old are you .<br />
priflons. <strong>Re</strong> canned rusty. John M. Bennett. canned rusty. canned drip<br />
damned cluster grit sneeze duster ease nubile mister panties marbled<br />
mobile antler easel crust brusque edsel blister orbit morbid pantry<br />
sleaze buster weasel tusk wheeze mitt lustful clams hams planned sit<br />
damaged must flit muster duties dance futile obit scant meddle motile<br />
354
just east rant brush arbol keister sister aphid cheese measles lees please<br />
custard knees whip rusty. noemata five. bgcolorwhite textblack. asdf f f<br />
f f fffffffffffffsjsjsjsjsjsjsjsjsjsjsjsjsjsslslslslslslslsls f. AM. crash course.<br />
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courseplunt bubble chamber traceroutemy mother is learning the.<br />
scribbling on a blank end page of rinzai roku my mom wanted to look<br />
at. some pictures but got stuck in navigating the mouse so i get very<br />
bored. before reaching the start button my sister comes in with bruises<br />
on her. knees and a blue hand not knowing where they come from<br />
(polish vodka. party) eventually it dissolves the scribble remains and i<br />
do a scan. upsidedown like colliding in mouse and vodka crashes..<br />
scurvy dog story.. Theese be pluntSeas.. (vacky horror). if you look<br />
towards the area of motion and try to grasp the truth there. it will take<br />
up its stand in the area of nonmotion it's like a fish. hidden in a pond<br />
who now and then slaps thesurface and leaps up. jesus what. Christ<br />
what. Shiva What. Wat What. What Watt. bunch of goblin spirits.<br />
doubt earth (buddha devil). craving water. anger fire. delight air.<br />
doubtdisturbance waves light rays.<br />
355
327<br />
nostalgia (neuralgia) of the image. home (no home). anger of the visible<br />
world (light) fireimage. nostalgia of the explicit (for a root in events).<br />
return going somewhere. turn on me. and watch me cumpel. whose me.<br />
MEME. juju. scurrilous image sorcerors. plunters pirates of the image.<br />
sometime you come riding on an image. you take diamond ministry<br />
(any syle building you want). populate w furry amoebas... perhaps<br />
come come riding on amoebas. okay.. you win.. tribes dead..<br />
hostguestghosts. scribbling on a blank end page of rinzai roku my mom<br />
wanted to look at. some pictures but got stuck in navigating the mouse<br />
so i get very bored. before reaching the start button my sister comes in<br />
with bruises on her. knees and a blue hand not knowing where they<br />
come from (polish vodka. party) eventually it dissolves the scribble<br />
remains and i do a scan. upsidedown like colliding in mouse and vodka<br />
crashes.. scurvy dog story.. Theese be pluntSeas.. (vacky horror). if you<br />
look towards the area of motion and try to grasp the truth there. it will<br />
take up its stand in the area of nonmotion it's like a fish. hidden in a<br />
pond who now and then slaps thesurface and leaps up. jesus what.<br />
Christ what. Shiva What. Wat What. What Watt. bunch of goblin<br />
spirits. doubt earth (buddha devil). craving water. anger fire. delight air.<br />
doubtdisturbance waves light rays. nostalgia (neuralgia) of the image.<br />
home (no home). anger of the visible world (light) fireimage. nostalgia<br />
of the explicit (for a root in events). return going somewhere. turn on<br />
me. and watch me cumpel. whose me. MEME. juju. scurrilous image<br />
sorcerors. plunters pirates of the image. sometime you come riding on<br />
an image. you take diamond ministry (any syle building you want).<br />
populate w furry amoebas... perhaps come come riding on amoebas.<br />
okay.. you win.. tribes dead.. hostguestghosts. isoQBDkonomi.<br />
BØkoEurop. nomiVa. Verdektig. enramto. m. N. orge. N. orden. Danm.<br />
arkF. ærøye. neGrNo. ønlanrden. dFin. land. Islan. dogSv. erige. ..<br />
BØkonomi. Vekt i gram tom. Norge. Norden. Europa. Verden. Norden<br />
Danmark Færøyene Grønland Finland Island og Sverige..<br />
DJbyHandjohnzornsisselkyrkjeboetheassassinse. djbyhand<br />
plunderphonics. week.<br />
356
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theodicy. evil levi live veil vile. good has no anagrams no other.<br />
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same ames asme meas mesa msae seam other theor. throe. random<br />
rodman. negative agentive. positron sorption. atchoo cahoot. akan kana.<br />
haiku ukiah. emil lime mile. male alme elam lame lam mael meal mela.<br />
female icon coin cion sign sing sing.. arse ares son of zeus and hera<br />
mars male marse aser asher rase raze. sear. . to burn or char the surface<br />
of She seared the steak to seal in. the juices.. . to mark with a branding<br />
357
iron.. . to burn or scorch injuriously or painfully He seared his hand on.<br />
a hot steam pipe.. . to make callous or unfeeling harden The hardship of<br />
her youth. has seared her emotionally.. . to dry up or wither parch.. v.i..<br />
. to become dry or withered as vegetation.. n.. . a mark or scar made by<br />
searing.. adj.. . sere.. bef. (adj.) ME sere OE sar c. D zoor (v.) ME seren<br />
OE sarian. deriv. of sar. still sår norw. sera plural of serum blood milk<br />
whey curd duca cheese christ smegma. the last sup pus. las palmas<br />
plasma. the sun nous onus probandi it's ya onus ya orse. eros rose sore<br />
(sear) sero (serum again). horse shoer shore. ursus arctos horribilis<br />
kodiak. this hist isth sith tshi shit. excrement waste matter sweat (matter<br />
has no anagram neither mind). mother thermo. vater avert trave. mater<br />
ramet tamer. santa satan tsana. noema anemo wind L animus breath Skt<br />
anilas. rumble. hex ascii isiac isis usus oso horos. being begin binge<br />
blast bust blair toot jag. resist sister. broth throb frater rafter rumble<br />
lumber jackass (anything male). thing night dorkness. light bef. (n. and<br />
adj.) ME OE loht c. OS lioht OFris liacht. D G licht Goth liuhath (n.)<br />
akin to ON ljs (n.) ljss (adj.) L lx. (n.) Gk leuks bright white (v.) ME<br />
lighten OE lhtan c. OS. liuhtian OHG liuhten (G leuchten) Goth<br />
liuhtjan. lux litho thiol stonelightfire. electron el centro recent holocene<br />
holos soul sole solus also sola. one eon neo noe time emit mite item geo<br />
ego aeon a one eras arse. one bef. ME oon OE n c. D een G ein Goth<br />
ains L nus (OL. oinos) akin to Gk on ace on a die. jocus jeckarse jest<br />
gest gegere perform egest to discharge as from the. body void (opposed<br />
to ingest) injoke notfunny. yoke j bef. (n.) ME yok(e) OE geoc c. D juk<br />
G Joch ON ok L. jugum Gk zygn Hittite yugan Skt yuga (v.) ME yoken<br />
OE geocian. deriv. of the n.. orl korrect. rinsay. the active expression of<br />
enlightenment over matters of doctrine. The mind thus creates the<br />
world in the sense that it invests the. phenomenal world with value..<br />
They have presumably already freed themselves from preoccupations.<br />
with the commoner cravings for sensual indulgence material gain or.<br />
worldly fame and have entered the path of religious strivings. But. it is<br />
precicely this fact that Linchi sees as the source of their. problems.. this<br />
lone brightness without fixed shape or form.. once and for all that there<br />
is no goal to be striven for because it. has been won already no place to<br />
be journeyed to because one is. there right now.. People with so few<br />
roots of faith. if it's for the sake of the Dharma don't hesitate to<br />
sacrifice your. bodies or give up your lives.. If you approach it with a<br />
true and proper understanding you won't be. affected by considerations<br />
of birth and death you'll be free to go. or stay as you please.. The fault<br />
lies in the fact that they don't have faith in themselves. Student's don't<br />
358
have enough faith in themselves and so they rush. around looking for<br />
something outside themselves.. Those who have fulfilled the ten stages<br />
of bodhisattva practice are. no better than hired field hnads those who<br />
have attained the. enlightenment of the fiftyfirst and fiftysecond stages<br />
are. prisoners shackled and bound arhats and pratyekabuddhas are so<br />
much. filth in the latrine bodhi and nirvana are hitching posts for.<br />
donkeys. Why do I speak of them like this Because you followeres of.<br />
the Way fail to realize that this journey to enlightenment that takes.<br />
three asamkhya kalpas to acomplish is meaningless. So these things.<br />
become obstacles in your way.. Fellow believers time is precious You<br />
rush off frantically on side. roads studying Ch'an studying the Way<br />
clinging to words clinging. phrases seeking Buddha seeking the<br />
patriarch seeking a good. friend scheming planning. But make no<br />
mistake. Followers of the. Way you have on set of parents what more<br />
are you looking for You. should stop and take a good look at<br />
yourselves. A man of old tells us. that Yajnadatta thought he had lost<br />
his head and went looking for it. but once he had put a stop to his<br />
seeking mind he found he was. perfectly all right.. The man of value is<br />
the one who has nothing to do. Don't try to do. something special just<br />
act ordinary. The Paotsung lun With. regards to the Way what is valued<br />
in every age is to have nothing to. do. With regards to the Way when<br />
one is mindless then all things. will proceed smoothly.. Followers of the<br />
Way the Dharma of the buddhas calls for no special. undertakings. Just<br />
act ordinary without trying to do anything. particular. Move you bowels<br />
piss get dressed eat your rice and if. you get tired then lie down. Fools<br />
may laugh at me but wise men. will know what I mean. A man of old<br />
said People who try to do. something about what is outside themselves<br />
are nothing but. blockheads.. If you have doubts in your mind for an<br />
instant that's the Buddha. devil. But if you can understand that the ten<br />
thousand phenomena were. never born that the mind is like a conjurer's<br />
trick then not one. speck of dust not one phenomenon will exist.. As I<br />
see it there's no Buddha no living beings no long ago no. now. If you<br />
want to get it you've already got it it's not. something that requires<br />
time. There's no religious practice no. enlightenment no getting<br />
anything no missing out on anything.. If you want to be free to be born<br />
or die to go or stay as onw would. put on or take off a garment then you<br />
must understand right now that. the person here listening to the Dharma<br />
has no form characteristics. no root no beginning no place he abides yet<br />
he is vibrantly alive.. All the ten thousand kinds of contrived<br />
happenings operate in a place. that is in fact no place.. If your mind<br />
359
entertains a moment of doubt it becomes obstructed by. the element<br />
earth. If your mind entertains a moment of craving it. becomes drowned<br />
in the element water. If your mind entertains a. moment of anger it is<br />
seared by the element fire. If your mind. entertains a moment of delight<br />
it is tossed about by the element. air.. The way I see it onw shouldn't be<br />
averse to anything. Suppose you. yearn to be a sage. Sage is just a word<br />
sage.. Those who study the Way these days need to have faith in<br />
themselves. and not go looking for something outside.. If you want to<br />
be a truly great vessel you must never be led astray. by others.<br />
Wherever you are play the host and then any place you. stand will be a<br />
true one. Whatever confronts you don't let yourself. be imposed on. If<br />
you entertain even a moment of doubt the devil. will enter your mind..<br />
Just have faith in this thing that is operating in you right now.. Outside<br />
of it nothing else exists.. In the way you now respond and utilize it what<br />
do you lack In the. space of an instant you enter purity or enter<br />
defilement enter the. halls of Maitreya or enter the lands of the three<br />
eyes. You wander at. ease everywhere for you see that these are all<br />
empty names.. The buddhas and patriarchs are people who don't have<br />
anything to do. or are without defilements and doings their karma is<br />
clean and pure.. The Patriarch Shenhui said If you try to arrest the mind<br />
and stare. at silence summon the mind and focus it on externals control<br />
the. mind and make it clear within concentrate the mind and enter into.<br />
meditation all practices of this sort creates karma.. So for the past<br />
twelve years though I've looked for this thing. called karma I've never<br />
found so much as a particle of it the size. of a mustard seed.. thing.<br />
thing (thing) n.. . a material object without life or consciousness an<br />
inanimate. object.. . some entity object or creature that is not or cannot<br />
be. specifically designated or precisely described The stick had a brass.<br />
thing on it.. . anything that is or may become an object of thought<br />
things of. the spirit.. . things matters affairs Things are going well now..<br />
. a fact circumstance or state of affairs It is a curious. thing.. . an action<br />
deed event or performance to do great things. His death was a horrible<br />
thing.. . a particular respect or detail perfect in all things.. . aim<br />
objective The thing is to reach this line with the ball.. . an article of<br />
clothing I don't have a thing to wear.. . things implements utensils or<br />
other articles for service. I'll wash the breakfast things.personal<br />
possessions or belongings. Pack your things and go. . a task chore I've<br />
got a lot of things to do today.. . a living being or creature His baby's a<br />
cute little thing.. . a thought or statement I have just one thing to say to<br />
you.. . Informal. a peculiar attitude or feeling either positive or.<br />
360
negative toward something mental quirk She has a thing about cats.. .<br />
something signified or represented as distinguished from a. word<br />
symbol or idea representing it.. . Law. anything that may be the subject<br />
of a property right.. . do or find one's own thing Informal. to pursue a<br />
lifestyle. that expresses one's self. Also do or find one's thing.. . make a<br />
good thing of Informal. to turn (a situation. experience etc.) to one's<br />
own profit benefit by She made a good. thing of her sparetime hobbies..<br />
. new thing Jazz. See free jazz.. . not to get a thing out of to be unable to<br />
obtain information. or news from The police couldn't get a thing out of<br />
him.to fail to. appreciate understand or derive aesthetic pleasure from<br />
My wife. likes opera but I don't get a thing out of it.. . see or hear<br />
things Informal. to have hallucinations.. . the thing something that is<br />
correct or fashionable That caf. is the thing now.that which is expedient<br />
or necessary The thing to. do is to tell them the truth.. bef. ME OE orig.<br />
meeting see THING. thing (thing ting) n.. (in Scandinavian countries) a<br />
public meeting or assembly esp. a. legislative assembly or a court of<br />
law.Also ting. Cf. thingstead.. ON assembly c. THING D ding G Ding<br />
thing orig.. meeting akin to Goth theihs time.<br />
isoQnothBing(nuthCing)n.. nothing (nuthÆing) n.. . no thing not<br />
anything naught to say nothing.. . no part share or trace (usually fol. by<br />
of) The house. showed nothing of its former magnificence.. . something<br />
that is nonexistent.. . nonexistence nothingness The sound faded to<br />
nothing.. . something or someone of no importance or significance<br />
Money. is nothing when you're without health.. . a trivial action matter<br />
circumstance thing or remark to. exchange a few nothings when being<br />
introduced.. . a person of little or no importance a nobody.. . something<br />
that is without quantity or magnitude.. . a cipher or naught Nothing<br />
from nine leaves nine.. . (used in conventional responses to expressions<br />
of thanks). Think nothing of it. It's nothing. Nothing to it.. . for nothing<br />
free of charge.for no apparent reason or. motive.futilely to no avail<br />
They had gone to a great deal of. expense for nothing.. . in nothing flat<br />
in very little time Dinner was finished in. nothing flat.. . make nothing<br />
of to treat lightly regard as easy.to be. unsuccessful in comprehending<br />
He could make nothing of the. complicated directions.. . nothing but<br />
nothing other than only We could see nothing. but fog.. . nothing doing<br />
Informal. emphatically no certainly not.no. activity inducement<br />
advantage etc. present to the eye We drove. through the town but there<br />
seemed to be nothing doing.. . nothing less than or short of absolutely<br />
completely She was. used to nothing less than the best.. . think nothing<br />
of to treat casually.to regard as. insignificant He thinks nothing of lying<br />
361
to conceal his. incompetence.. adv.. . in no respect or degree not at all It<br />
was nothing like that.. Nothing dismayed he repeated his question.. adj..<br />
. amounting to nothing as in offering no prospects for. satisfaction<br />
advancement or the like She was stuck in a nothing. job.. bef. ME OE<br />
nnthing nathing see NO THING. tinpot passes. virga. acoustic<br />
angelically thin. spectral drops. vouge. tyros arsenicise translucent.<br />
acide. visive. inconsolable otherworld workfile. dataloose. vocalist.<br />
scans hurtingly dimpling.. viscous. offensively frazzling<br />
nonrecognizeds. stickman. voider. kaluga tisane revisits vaporiser<br />
sourer thereupon arrowworm. mensuration thickly mislike<br />
existentialist. avoider. wagger. mary medusa numeral. particularized<br />
mechano bride. waart. anchoritism genitives. possessions. vizagapatam.<br />
noetic.. wade. wharves polysynaptically. shores transmit. virgin.<br />
thunderbolts octodecimo (teeneighter) essenize toolsmith atrophying.<br />
quarterizations squares whooped pothook obsolescence seppuku.<br />
anglicizations thanker thoraces. bio. volcanologic. scandalizers<br />
mediaevalistic oratorical sweeneys suseptible. gelatinisation goitre<br />
oilbird saddening cadmus nightstick.. apocalyptick lipstick little red<br />
riding babylon. vivified. autoplastic intoxicated thinest utilities<br />
thermalized. resurreact. vulturine. animalness antiresonator<br />
thaumaturgic. pred(ic)ate. vocabulary. anderlecht giantlike. a gent.<br />
vowelises. xeric kooks benedictions certainly need iit. votive.<br />
impeachable inclemently. foggy wishes. visualize. autumns. wutang.<br />
volplaning. pass. down. volitant. pass. up. waaf. pass. charm. vedette.<br />
animations precriticises see. vitalises. tinpot lethalise. glassine book.<br />
isoQamiBBBBBBBBBBBBBFdinsFBBBBBBBBBABBFABFBBBBB<br />
BBBBFyme. i contritely my deadeye in scissors. focusable i cric. kets<br />
my cyan. amid in s. exangular fe. minising i coo. kie my daredevi. lry in<br />
seamlike. flirting i courti. er my culture in schizoi. d fault i cramp my<br />
decol. orize in scenarises forear. m).) i cookie my. y me. im not sisting<br />
strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon. ctrlz ctrlz ctrlz ctrlz ctrlz<br />
ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz ctrlz glitch versjon (ultra<br />
editor) well. probably doesn't affect html so why blother. im not sisting<br />
iwant somehthign it's a bit frightening. strahgt that kid on its own and<br />
cold. my jands atomata like tat fly nothing holding. nothing here in the<br />
win should i let go. this writing is the fog leaves (they of what. against<br />
itself does it) eprime the i don't know anything. i only write when<br />
drema (dramadream) this blank screen. forgetting muself of magic<br />
contradicted by my fingers. negation well science and the this will only<br />
be trouble. worthwhile howto any base fuck you. space which is<br />
362
debase. coming back this is completely lost. nothing to. never again. her<br />
cunt ie no memory. should backspace sensation must be no knowledge.<br />
that based on recurrence monster of pixels. collaps else you wouldn't<br />
sooth. where am i know but gnom. how to write still sense but no..<br />
where am i inn the only once it vicinity. myself doesn't count (count<br />
potential. my arm is kind of is sentence dn. twiched recurrence). any<br />
pnrrmaqyaw. my back somewhat object. object is nvvypub vybcd.<br />
cxrunched here too much object. dmcs vnbpu cdng. virtual backspace<br />
anything that is suug fc. nothing ever comes visible or tangible<br />
mqhycuq iydx. out of this and is relatively bucgupd dn. where does this<br />
go stable in form. to uaurk rnhuruad. expect nothing you. ya hypyaydk.<br />
left channel delay something. thing xytt uywxd cyj. the need (meeting<br />
vyhu. no structure her interface). lubn (). whatever fright<br />
subjectsubstance. discontinue into subtrahends arietta. slide emergent<br />
relation. subterfuge arrowed. discreet egene remove sceptrelesses.<br />
pataphysical logic posessive my's. arrowed. compression is a reactive<br />
at chemical saboteur arid. cipher level. behave septarium arte. roads late<br />
ME softheartedly arad. justice behaven (reflexive). subterranean arid.<br />
blockhead See BE HAVE. shifters airy. writing into space behaviorism<br />
the spadework awardee. i'll go wherever the theory that scepter<br />
areawide. keys lead psychology can be shifter aerate. leather case<br />
accurately studied softer arrau. board table kitchen only through the<br />
spader artie. cuisine examination and subterfuge aureate. i meant<br />
metaphor analysis of sputter areawide. wherever possessives. subtree<br />
areawide. something else sputter aerate. this is just one i'm no one get<br />
your softer airy. side hands off me. spader airt. no justice HAHA<br />
subterraneanises. usually space is karmaguilttraces aorta. expensive i<br />
once had guilt subdirectories arty. massive nothing writing haha says it<br />
spidery aired. eyes all (active subtraction arty. i once had eyes<br />
expression vs sceptered artie. go beyond they say matters of doctrine)<br />
subtreasury areawide. other i laughter is spidery arrayed. what comes in<br />
this eternally guilty subterraneanise arte. is still eyes (doctrinal in sifter<br />
awardee. keyes writing) as any. the cod e statement n softheart s.<br />
mouthing. y arrondis t. guilty guilty (how soekar t. traffi n awkward to )<br />
soffit ar t. horsest c t how's w g softies arteriole. there's compilation<br />
attached to guilt soever arterialises. should stop writing soke<br />
arterialising. interprete e another w e sojo. immedi s status of relate to<br />
arte. l valuemeaning other sod. what' than drawn arteri d. ente softhead<br />
arthromere. which is p s (interfaces again). sojourners arrowroot. i had t<br />
a media a softening artefact. big small inverse suppose it e softbound<br />
363
arsenical. di other way a softy ars l. protoco f signs are soiree<br />
arsenicises. papyrus no o lines are. ts stronger attraction readapting<br />
mcqueen. pro proto me. critical distance attraction to what reactualise<br />
meagerly. execution of seeing easy essing me. al ers are easi ay. of<br />
mcmurdo. hidden instant an g rea ness me. middleman blackmail to<br />
ably me. compl of the ualizes li syst. inimax rk up to. me. what's the<br />
deal on me. ( rface') reactualisations me. i r mansus accidencesubsta<br />
me. critical and easie 's. system wins like. d ng not gravitati stupid you.<br />
always. de reaming get signs too. dr eath is obvious it's their. so ng else<br />
job. backtracking. i'd to die guilt is thru th .. sign. you. no shouldn't att<br />
it's. like chaplin on. de s trash a conveyor belt. ghtning down t rs<br />
economy.. no no sign. no in the talking is a w recur.. as stimulusres<br />
augment. pos respons. wh. relax. relax. count your breath. no nothing<br />
web. claws. getting warm. when do words get cold they do. do<br />
(warmcold). back. baktruppen. epistolar after sending. epistemic after<br />
receiving. thoughts don't originally exist (Bankei). retract. re re re do re<br />
Gurdijeff. waste. names how odd the nominalessential pitch. still<br />
wastepaper. do mi fa la re si do i have a theme. problematic. throw<br />
away. abject. stage. reverence. inferior. just abide fushi. when can you<br />
tell. topology of the beyond. this is my nothing here you are. who's this<br />
guy talking to. lacking sensations the smell of autumn. drowned in a<br />
deep spring. joy is in the subject. which is the whole. which is mere<br />
nominal. the essential from its side. partial and objective. like names.<br />
containers and carriers characters. you shouldn't expect anything from<br />
me. other than continuous abjections and vomit. not a voice. who's that<br />
vo mit u puke phew we. no way of recollecting even this simple stuff.<br />
improwise. you have twenty questions get a million answers. the<br />
backspace of. shift the carriage or typing element of a typewriter one<br />
space. backward by depressing a special key. to move the cursor<br />
printhead. etc. toward the beginning of the data.. i want dat. eh. grain. if<br />
you don't see grains it's fake. hypocrisy. ME ipocrisie OF LL<br />
hypocrisis Gk hypkrisis play. acting equiv. to hypokrA(nesthai) to play<br />
a part explain (hypo. HYPO krAnein to distinguish separate) sis SIS h.<br />
(reintroduced in th century) L and Gk. digit count to ten on your<br />
fingers. fushi the play is a play why bother it's your own do undo re re.<br />
souleating sunbe pale moon (esoteric paleontology). backspace. digress.<br />
growth is always the same. be driven out. into digression throwing<br />
away your life (Bankei). Backspace. spacecaps (capital letter space<br />
mahayana epistolar). before after now after before return the same.<br />
wander off on a grain pe(a)rl recursion you completely annoy me.<br />
364
discriminate hypocracy. crime. ss. sage sinister. link plunderphonics<br />
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Nystev..Å vil du. D C E have meg til å. B C D A B C kveda..det skal. A<br />
D eg gjera med st. F C C D A F ørste gleda..og. B C B eg skal kveda s.<br />
F E D A o vent fyr deg... B C C F D at du skal gløym. A F C F D a deg<br />
sjølv og m. E D A D A C B C eg.....Å eg skal. B F B kveda so du ska. C<br />
E C D A D l gråta..um du. C E C var aldri så gla. F B E C D A E d og<br />
kåt'e..å e. B C B F g skal kveda so. E E C C D A snålt fyr deg... B C C E E<br />
E at du skal læ nå. E D E r du ser på meg.. D A D A F D E F ....Og mine<br />
viso. F E E C r dei er so snål. C D A F D F B E e..som Borken t. E E E E<br />
råvar på isen hå. C C D A F D E le..og mine vis. F A E or dei gjer' ein. C E<br />
D A F D C C sleng..som litl. E E B e guten på skeis. E E A E E D A D A<br />
C unn' gjeng.....Å. D E F mine visor dei. F D E C D A F er so<br />
mange..so. D A D C F D E m heggjeblomane. E B D drys i fanget.. A F<br />
F .so hev det vore. C C A D A i all si tid... D B dess meir dei kv. C D<br />
ed dei dess mei. E D A D A C r der bid.....Å. C A C vil du stevjast. F B<br />
C so skal eg svar. C D A F C E a..og heile nat. F B C ti so skal det v. B<br />
D A F C ara..og vil du. A D D stevjast med meg. B C C D A E i<br />
kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell.. abort.<br />
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. <strong>Re</strong> confuciuslist<br />
Mencius B. wild grass (fwd). Forwarded message. Thomas.<br />
confuciuslist Mencius B. wild grass. This saying by Mencius is as<br />
beautiful as Confucius' and superbly translated. by Legge. Mencius<br />
said to the disciple Kao 'There are the footpaths along the. hills if<br />
suddenly they be used they become roads and if as suddenly. they are<br />
not used the wild grass fills them up. Now the wild grass fills. up your<br />
mind.'. oct(). x. h FF D FF E A Ø..JFIF....... h FF DB A E C A<br />
.....C.nxxd. h C C B AA A BE F FF FF F DC DC F FF FF. h FF FF FF<br />
FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF<br />
FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF DB<br />
AA B .C.. h B F D F FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF<br />
FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF<br />
FF FF FF FF FF FF FF FF FF FF. h FF FF FF FF FF FF FF FF FF FF<br />
FF FF FF FF FF C. ah ................ bh FF C ............... ch FF C ...............<br />
dh ................. eh FF DA C A .............. TVBGone. ... a new universal<br />
remote that turns off almost any television. The device. which looks<br />
like an automobile remote has just one button. When activated. it<br />
spends over a minute flashing out different codes to turn off. televisions<br />
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DJbyHandIngerMarieLienKidSquarepusherStev.mp. E D A C C<br />
Nystev..Å vil du. D C E have meg til å. B C D A B C kveda..det skal. A<br />
D eg gjera med st. F C C D A F ørste gleda..og. B C B eg skal kveda s.<br />
367
F E D A o vent fyr deg... B C C F D at du skal gløym. A F C F D a deg<br />
sjølv og m. E D A D A C B C eg.....Å eg skal. B F B kveda so du ska. C<br />
E C D A D l gråta..um du. C E C var aldri så gla. F B E C D A E d og<br />
kåt'e..å e. B C B F g skal kveda so. E E C C D A snålt fyr deg... B C C E E<br />
E at du skal læ nå. E D E r du ser på meg.. D A D A F D E F ....Og mine<br />
viso. F E E C r dei er so snål. C D A F D F B E e..som Borken t. E E E E<br />
råvar på isen hå. C C D A F D E le..og mine vis. F A E or dei gjer' ein. C E<br />
D A F D C C sleng..som litl. E E B e guten på skeis. E E A E E D A D A<br />
C unn' gjeng.....Å. D E F mine visor dei. F D E C D A F er so<br />
mange..so. D A D C F D E m heggjeblomane. E B D drys i fanget.. A F<br />
F .so hev det vore. C C A D A i all si tid... D B dess meir dei kv. C D<br />
ed dei dess mei. E D A D A C r der bid.....Å. C A C vil du stevjast. F B<br />
C so skal eg svar. C D A F C E a..og heile nat. F B C ti so skal det v. B<br />
D A F C ara..og vil du. A D D stevjast med meg. B C C D A E i<br />
kveld..du gå. B A E r 'kje åt fyrr d. E E D C C E u fær ein smell.. abort.<br />
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. nettimeann<br />
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Search colmplaints ingored. fa.fictionofphilosophy groupsbeta. been<br />
available as fa.fictionofphilosophy at usenet now it's also made. in<br />
addition to the archives also containing interesting statistics. feeds. at<br />
least in this stage it's free from ads who knows about. later... well just<br />
fyi and all the best to the group and the people spending. time here...<br />
raven apm. .. Raven's Advanced Progressive Matrixes (RAPM).<br />
Raven's Advanced Progressive Matrixes is one of a series of nonverbal.<br />
tests of intelligence developed by J.C. Raven (). Following. Spearman's<br />
theory of intelligence it was designed to measure the. ability to educe<br />
relations and correlates among abstract pictorial forms. and it is widely<br />
regarded as one of the best available measures of. Spearman's g or of<br />
general intelligence (e.g. Jensen Anastasi. ). As its name suggests and<br />
of particular significance to the. Prometheus Society it was developed<br />
primarily for use with persons of. advanced or above average<br />
intellectual ability.. Like the other Raven's matrices tests the APM is<br />
composed of a series. of perceptual analytic reasoning problems each in<br />
the form of a matrix.. The problems involve both horizontal and vertical<br />
transformations. Figures may increase or decrease in size and elements<br />
may be added or. subtracted flipped rotated or show other progressive<br />
changes in the. pattern. In each case the lower right corner of the matrix<br />
is missing. and the subject's task is to determine which of eight<br />
possible. alternatives fits into the missing space such that row and<br />
column rules. are satisfied. The APM battery consists of two separate<br />
groups of. problems. Set I consists of problems that cover the full range<br />
of. difficulty sampled from the Standard Progressive Matrices test.<br />
370
Standard. timing for Set I is minutes. This set is generally used only as<br />
a. practice test for those who will be completing Set II. Set II consists.<br />
of problems with a greater average difficulty than those in Set I.. Set II<br />
can be administered in one of two ways either with or without a. time<br />
limit of minutes. Administering Set II without a time limit is. said<br />
specifically to assess a person's capacity for clear thinking. whereas<br />
imposing a time limit is said to produce an assessment of. intellectual<br />
efficiency (Raven Court Raven ).. Phillip A. Vernon in his review of<br />
the APM (Test Critiques ). writes that the quality of the APM as a test<br />
is offset by the totally. inadequate manual which accompanies it. For<br />
interpretive purposes the. manual provides 'estimated norms' for the<br />
APM which allow raw. scores to be converted into percentiles (but only<br />
and ). and another table for converting percentiles into IQ scores. John.<br />
Johansen a graduate student at the University of Minnesota and former.<br />
regular poster to the Brain Board came into possession of the. version<br />
of the test for use in his research (this form is no longer used. for<br />
testing) along with pages of written text about the. implementation<br />
scoring and standardization of the test. In a post to. he provided the<br />
following information applicable to the untimed. version of the test.<br />
Untimed intraday (go until you give up) distribution for year. olds year<br />
olds and year olds. Scores balanced for guessing.. general population.<br />
percentile ranking. number correct by age group. years. years. years. ..<br />
Norms are not accurate above this point for the untimed version due to.<br />
limited population taking test in this condition.. Ignoring the above<br />
caveat about inaccurate norms above the .th. percentile the above data<br />
indicates that there is about a point raw. score difference between and<br />
sigma on this test. If this difference. carries on to the next sigma this<br />
would give associated scores of. general population. percentile ranking.<br />
number correct by age group. years. years. years. .. Although this data<br />
would seem to suggest sufficient ceiling for. discriminating at the in<br />
level there have been other normative. studies which provide<br />
conflicting data. In an article in Educational and. Psychological<br />
Measurement (Bors and Stokes ) the authors mentioned. two studies of<br />
interest besides Raven's group Paul's study and. their own S. M. Paul's<br />
study of University of California. Berkeley students ( women men)<br />
Tested under the untimed. condition the students' scores ranged from to<br />
with a mean of. and a standard deviation of .. This was significantly<br />
higher than the. mean of Raven's normative group (M. SD.).. Bors and<br />
Stokes administered the timed version of the APM to. students ( women<br />
men) from the Introduction to Psychology course. at the University of<br />
371
Toronto at Scarborough. Subjects ranged in age from. to years with a<br />
mean of . (standard deviation.).. Enrollment in the Introduction to<br />
Psychology course was considered. roughly representative of firstyear<br />
students at this university. The. scores on Set II for the students ranged<br />
from to with a mean of. . (standard deviation.). This performance is<br />
somewhat higher. than that of the Raven's normative group but<br />
considerably lower. than Paul's University of California Berkeley<br />
sample.. Additional data supporting the conclusion that the RAPM<br />
(either timed or. untimed) does not discriminate at the level is taken<br />
from. Spreen Strauss (Compendium of Neuropsychological Tests nd<br />
Edition. ) and shown in the tables below.. A middleoftheroad approach<br />
would be to use the recent University of. Toronto at Scarborough data<br />
and to assume that the mean of the test. group corresponds to about SD<br />
above the mean of the general. population and to further assume that<br />
the SD of the general population. would be about the same as the<br />
standard deviation of the test group.. Finally assuming a normal<br />
distribution in the test group the in. level would correspond to . (.)<br />
which is raw. points above the test's ceiling of .. Advanced Progressive<br />
Matrices Set II Occupational Norms. ile rank. Occupations of various<br />
groups. UK. US. UK TA. UK. UK. UK. UK. UK. UK. UK. General.<br />
populatn. yr.olds. Navy. yr. olds. Officer. Aplcnt. <strong>Re</strong>tail. Mngrs..<br />
Police. Officer. Senior. Mngrs(Htls.). Accnt.. Staff. Oxford. Local.<br />
Athrty.. Rsrch.. Scntsts.. untmd.. min. min. min. min. min. min. min.<br />
min. min. (n). (n. (n). (n). (n). (n). (n). (n). (n). (n). UK general<br />
population data derived from the Standardization of the. SPM and APM<br />
(TABLE APM XIII). US Navy data extracted from data supplied. by<br />
Alderlon (see Knapp Court ) (TABLE APM XVII) UK Police.<br />
Officers' data extracted from Feltham () (TABLE APM XXVI). Other.<br />
data collected by Oxford Psychologists Press. Source J. Raven ().. The<br />
data above does bring up the issue of age variation of IQ data which. is<br />
not typically addressed by other instruments that we've used for.<br />
Prometheus Society entry requirements and that is perhaps something<br />
that. should be considered. (In the case of the SAT and GRE tests there<br />
is. not typically much variation in the ages of those taking the test and<br />
no. such data was used in norming any of the takeathome tests we've<br />
used.. Spreen and Strausse have provided the information for the table<br />
below. Advanced Progressive Matrices Set II (Untimed) Smoothed<br />
Summary Norms. for the USA. ile rank. Age of test taker in years. (n).<br />
(n). (n). (n). (n). (n). (n). (n). (n). (n). (n). Based on the standardization<br />
of the APM in Des Moines Iowa.. Tests completed at leisure. Source J.<br />
372
Raven (). Curiously American Mensa does not list the RAPM among its<br />
currently. accepted tests although UK Mensa does. Perhaps this is a<br />
more. international test than others we have reviewed and considering<br />
its. quality we should probably continue to consider its possible use.<br />
especially as an auxiliary test to be submitted in conjunction with. other<br />
tests that are deemed capable of discriminating at the in. level.. delayed.<br />
Warning not. YOU DO NOT. The original Mon. (CEST) from . . .. ...<br />
Transcript of. session follows. ... Deferred. .... Warning still.<br />
undelivered. Will keep trying. Final<strong>Re</strong>cipient RFC noemata.... Action<br />
delayed. Status ... <strong>Re</strong>moteMTA DNS .... Will<strong>Re</strong>tryUntil Sometime Feb<br />
(CEST). <strong>Re</strong> fiction of philosophy newsgroup. fa from arpanet. institute<br />
for informatics at the university of oslo is gatewaying. all the old<br />
arpanet groups into usenet because most users didn't have. access to<br />
arpanet only usenet.. The world's oldest electronic conferences the<br />
ARPANET mailing lists. were quickly integrated into USENET.<br />
Gateways were made so newsgroups. starting with fa (From<br />
ARPANET) contained the mailing list contents. and USENET users<br />
could post and participate. ARPANET mailing lists. emerged around<br />
not long after network email linked ARPANET users. together.. It's<br />
only purpose is that. everyone who want to subscribe to the mailinglist<br />
can. just read the newsgroup (saves some disk space I guess).. The<br />
prefix fa is as far as I know quiet historic.. The first mailing lists that<br />
were converted to newsgroups. had this prefix (fa from arpanet).. Until<br />
this discussion I didn't know that this group was. distributed outside<br />
ifi.uio.no (Institute of Informatics. University of Oslo). Do you get the<br />
other fa.groups as. well At the moment there are of them.. search on<br />
arpanet usenet gateway etc for more internet history.. for the other<br />
question see my recent post about. I believe so...but I don't know who<br />
set it up or when or what 'fa'. stands. for for that matter.... Ryan. Since<br />
my pop mail account keeps screwing up over here Ive been. looking for<br />
a. way to read the wryting list I found the fiction of philosphy.<br />
newsgroup which. seems to have some of the wryting list archived<br />
there. How does this. work Is. the newsgroup subscribed to the wryting<br />
list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This message was<br />
sent using Midwest Tel Net Web Based Mail.. <strong>Re</strong> fiction of philosophy<br />
newsgroup. and also. ..This rather brings to mind a syndrome that<br />
sometimes occurred when an. old Arpanet mailing list got gatewayed to<br />
a Usenet newsgroup. After a. little while some Usenet novice would<br />
commit some faux pas a furious. Arpanaut would flame violently about<br />
how Usenet was nothing but bozos. who didn't understand How Things<br />
373
Should Be Done and the gatewaying was a. stupid idea and the list<br />
maintainer would quietly observe that the. gatewaying had indeed<br />
produced problems but it was also producing most. of the real content...<br />
Henry Spencer Mail <strong>Re</strong>lays. ). fa from arpanet. institute for informatics<br />
at the university of oslo is gatewaying. all the old arpanet groups into<br />
usenet because most users didn't have. access to arpanet only usenet..<br />
The world's oldest electronic conferences the ARPANET mailing lists.<br />
were quickly integrated into USENET. Gateways were made so<br />
newsgroups. starting with fa (From ARPANET) contained the mailing<br />
list contents. and USENET users could post and participate. ARPANET<br />
mailing lists. emerged around not long after network email linked<br />
ARPANET users. together.. It's only purpose is that. everyone who<br />
want to subscribe to the mailinglist can. just read the newsgroup (saves<br />
some disk space I guess).. The prefix fa is as far as I know quiet<br />
historic.. The first mailing lists that were converted to newsgroups. had<br />
this prefix (fa from arpanet).. Until this discussion I didn't know that<br />
this group was. distributed outside ifi.uio.no (Institute of Informatics.<br />
University of Oslo). Do you get the other fa.groups as. well At the<br />
moment there are of them.. search on arpanet usenet gateway etc for<br />
more internet history..<br />
374
329<br />
for the other question see my recent post about. I believe so...but I don't<br />
know who set it up or when or what 'fa'. stands. for for that matter....<br />
Ryan. Since my pop mail account keeps screwing up over here Ive<br />
been. looking for a. way to read the wryting list I found the fiction of<br />
philosphy. newsgroup which. seems to have some of the wryting list<br />
archived there. How does. this. work Is. the newsgroup subscribed to<br />
the wryting list. inlangplgroupfa.fiction. ofphilosophy. mIEKAL. This<br />
message was sent using Midwest Tel Net Web Based Mail..<br />
isoQJaglEggerlitebilderpEmighEr.. Jag lgger lite bilder på mig hr.. Men<br />
kom ihåg jag vill grna att ni skriver i Gstboken vad ni tycker. annars blir<br />
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Lppar.. Ny bild på mina lppar.. Gillar ni bilderna på mig i stayups. Det<br />
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lgga upp bilder på henne också.. Hr under lgger jag sprutbilderna som jag<br />
får Och jag skall villigt. erknna att jag har onanerat och tittat på dem<br />
många gånger.. Sprutbild. Sprutbild. Sprutbild. Sprutbild. Sprutbild.<br />
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sprutbilder Det tycker jag om. Flera gånger. har jag tittat på dessa bilder<br />
och tnkt på er hur ni har lekt med era. underbara stånd fantiserat om mig<br />
och sedan sprutat er varma klibbiga. sats ver min kropp. Många gånger<br />
har dessa fantasier tagit mig till. underbara orgasmer. Ett extra<br />
spnningsmoment r ju att min kille inte. har någon aning om vare sig<br />
websidan eller dessa foto.. Hr kommer fler bilder.. En bild från en man<br />
som heter Bokoboko.. Gabbe har också sprutat ner min kropp.. Hawkan<br />
har lagt sin varma sd ver mig.. Fineman har gjort hrligt sexiga<br />
konstnrliga bilder.. nnu en bild från Fineman.. <strong>Re</strong> the sleep of reason.<br />
The Slip of <strong>Re</strong>ason Produces Monsters.... The Monstrous <strong>Re</strong>ason<br />
Produces Sleep.... The Sleep of Monsters Produces <strong>Re</strong>ason.... The<br />
Production of <strong>Re</strong>ason Monsters Sleep.... the protesting of rezone<br />
mahayanist sleep.... two slippy opaque ricin particular monsters.... thy<br />
menstruates richen periodizations sleep.... the skelf opah minstrel<br />
375
participant ratio... twombly mensing richened periodicity sleeplessess<br />
thy skelping opaline. minority partly reasons tattooer party obese<br />
rippling. reason rosena rosaen ensora aeonsr senora soraen soaren<br />
snorea oarsen. norsea arsone. subject. unselfishness there you see<br />
plainly the recursion it's considered a. virtue because.. in view of.. yes<br />
unselfishness. and so selfishness is a. virtue in view of selfishness etc.<br />
and virtue is a virtue in view of the. virtue virtue is the positive<br />
productive property of a view the view's. production. but it doesn't<br />
mean you can avoid it. there's virtues of your. body as long as you have<br />
one. and virtues of having as long as it's. possible. and virtues of the<br />
possible as long as it's not impossible.. virtues of the impossible via<br />
negativa. prime numbers are what remains. are. they selfish or unselfish<br />
) positive or negative you can follow them a. bit via the positive which<br />
is like the virtue of a view formula though. quickly you're replacing<br />
algorithms with heuristics which is more of a. mess like the layered<br />
virtues of our reality the real being transcendent. unending streams and<br />
you find yourself jumping from this to that all the. time not<br />
selfishalgorithmic (producing) or unselfishheuristic (seeking). but let's<br />
call it dancing since there are movements and well the thing is. still<br />
alive though with no reason and not producing or seeking still views.<br />
you can't avoid going through the steps. eurythmics is at the end or the.<br />
beginning not the body's algorithms (production system) or it's.<br />
intentionality (heuristics) the virtues of having a body having a view.<br />
not selfish not unselfish. no virtues no views but still a text still. here<br />
though not what it is (produces) or what it means (seeks) it's still.<br />
written in virtue of the iso charset twofaced bastards so maybe. we're<br />
talking dialectics too the protocol (selfish) and the exchange.<br />
(unselfish) still the user. user (Æzr) n. Law. the exercise of a. right to the<br />
enjoyment of property. my body my propery the body of this. mail.<br />
again the protocol's from to subject body this is the body.. distributed<br />
via no commercial use without permission. is a moderated mailing list<br />
for net criticism. collaborative text filtering and cultural politics of the<br />
nets. more info majordomobbs.thing.net and info nettimel in the msg<br />
body. Fwd xStream online. Start of forwarded message. <strong>Re</strong>plyTo<br />
xstreamxpressed.org. Fwd xStream online. xStream Issue. xStream<br />
Issue is online again in three parts. . <strong>Re</strong>gular (also available in PDF)<br />
Works from poets. (Sandra Simonds Dorothee Lang Hugh Tribbey<br />
David Nemeth. John Crouse Jim Leftwich and Andrew Topel). .<br />
Autoissue Poems generated by computer from Issue texts. the whole<br />
autoissue is generated in realtime new version in. every refresh.. .<br />
376
Wryting Issue a monthly selection of WRYTINGL listserv works.<br />
Sincerely. JukkaPekka Kervinen. Editor. xStream. email<br />
xstreamxpressed.org. End of forwarded message. florian cramer digital<br />
code and literary text. florian cramer digital code and literary text. Can<br />
notions of text which were developed without electronic texts in mind<br />
be. applied to digital code and how does literature come into play here.<br />
Abstract. This paper is based on the general (yet disputable) assumption<br />
that the. theoretical debate of literature in digital networks has shifted<br />
just as. the poetic practices it is shaped after from perceiving computer<br />
data as an. extension and transgression of textuality (as manifest in such<br />
notions as. ''hypertext'' ''hyperfiction'' ''hyper multimedia'') towards<br />
paying. attention to the very codedness i.e. textuality of digital systems.<br />
themselves. Several phenomena may serve as empirical evidence. The<br />
early focus of conceptualist Net.art on the aesthetics and politics of.<br />
code. in turn the impact of Net.art aesthetics on experimental literature.<br />
poetry in the Internet. the close discooursive affinity of Net.art to<br />
political activism in the. Internet. the close aesthetic affinity of Net.art<br />
to a the languages and codes of an. older technically oriented ''hacker''<br />
culture (of Chaos Computer Club. and others). a convergence of the<br />
three cultures mentioned above Net.art net activism. and hacker culture.<br />
(a) FreeOpen Source Software andor (b) open network protocols as key.<br />
discursive political and aesthetical issues in all these camps. finally the<br />
impact of hacker aesthetics Net.art aesthetics code. aesthetics and<br />
network protocol aesthetics on contemporary writing in the. Internet.<br />
(See the work of mez Alan Sondheim Talan Memmott Ted Warnell.<br />
and others.). The question is how ''Codeworks'' (Alan Sondheim) fit<br />
notions of text that. were crafted without digital code most importantly<br />
machineexecutable. digital code in mind and vice versa. Is it a<br />
coincidence that in their. poetical appropriation of lowlevel Internet<br />
codes codeworks ended up. aesthetically resembling concrete poetry<br />
And apart from aesthetic. resemblances how do computer programs<br />
relate to literature Is that what is. currently being discussed as<br />
''Software Art'' a literary genre. Code. Since computers the Internet<br />
and all digital technologies are based on. zeros and ones they are based<br />
on code. Zeros and ones are an alphabet which. can be translated forth<br />
and back between other alphabets without information. loss. It does in<br />
my point of view make no sense to limit the definition of. the alphabet<br />
in general to that of the Roman alphabet in particular when we. can the<br />
same textual information in this very alphabet as Morse code flag. signs<br />
or transliterated into zeros and ones. The Internet and computers run. on<br />
377
alphabetic code whereas for examples images and sound can only be.<br />
digitally stored when translating them into code which unlike the.<br />
translation of conventional text into digital bits is a lossy that is. not<br />
fully reversible and symmetric translation. Sounds and images are not.<br />
code by themselves but have to be turned into code in order to be<br />
computed. where as any written text already is code. Literature<br />
therefore is a. privileged symbolic form in digital information systems.<br />
It is possible to. automatically search a collection of text files for all<br />
occurences of the. word ''bird'' but doing the same with birds in a<br />
collection of image files. or bird songs in a collection of audio files is<br />
incomparably tricky and. errorprone relying on either artificial<br />
intelligence algorithms or manual. indexing both of which are methods<br />
to translate nonsemantic writing (pixel. code) into semantic writing<br />
(descriptions).. The reverse is true as well We can perfectly translate<br />
digital data and. algorithms into nondigital media like print books as<br />
long as we translate. them into signs coded according to the logic of an<br />
alphabet. This is what is. done for example in programming handbooks<br />
or in technical specification. manuals for Internet standards. Today<br />
there are two notorious examples of a. forth andback translation<br />
between print and computers. The sourcecode of Phil Zimmerman's<br />
cryptography program ''Pretty Good. Privacy'' (PGP). The PGP<br />
algorithms were legally considered a weapon and. therefore became<br />
subject to U.S. export restrictions. To circumvent this. ban Zimmerman<br />
published the PGP sourcecode in a book. Unlike algorithms. literature<br />
is covered by the U.S. First Amendment of free speech. So the. book<br />
could be exported outside the United States and by scanning and.<br />
retyping translated back into an executable program. the sourcecode of<br />
DeCSS a small program which breaks the cryptography. scheme of<br />
DVD movies. Since U.S. jurisdiction declared DeCSS an ''illegal.<br />
circumvention device'' according to the new Digital Millennium<br />
Copyright Act. (DMCA) the ban equally affected booklets flyposters<br />
and tshirts on which. the DeCSS sourcecode was printed.. That code is<br />
speech is a fact stressed again and again by programmers and is. also at<br />
the heart of Lawrence Lessig's legal theory of the Internet. (Lawrence<br />
Lessig. Code and Other Laws of Cyberspace. Basic Books New York.<br />
.). It is strictly speaking sloppy terminology to speak of ''digital.<br />
media''. There actually is no such thing as digital media but only<br />
digital. information. Digital information becomes ''media''only by the.<br />
On the reverse end of the chain keyboards mice scanners and cameras.<br />
are analogtodigital converters.. virtue of analog output computer<br />
378
screens loudspeakers printers are analog. output devices interfaced to<br />
the computer via digitaltoanalog conversion. hardware like video and<br />
sound cards or serial interfaces.. An average contemporary personal<br />
computer uses magnetic disks (floppy and. hard disks) optical disks<br />
(CDROM and DVDROM) and chip memory (RAM) as its. storage<br />
media and electricity or fiber optics as its transmission media..<br />
Theoretically one could build a computer with a printer and a scanner<br />
which. uses books and alphabetic text as its storage media. Alan Turing<br />
showed. that. While such a machine would operate slower than with<br />
magnetical or. optical media it would provide more robust and durable<br />
information storage. on the other hand.. no electronics are needed to<br />
build a computer the Boston Computer Museum. even features a<br />
mechanical computer built from wooden sticks.. Juxtapositions of ''the<br />
book'' and ''the computer'' are quite misleading. because they confuse<br />
the storage and analog output media (paper versus a. variety of optical<br />
magnetical and electronical technologies) with the. information<br />
(alphabetical text versus binary code). It further ignores by. the way the<br />
richness of storage and transmission media in traditional. literature<br />
which aside from the book include oral transmission and mental.<br />
storage audio records and tapes the radio and television to name only a.<br />
few.. If there is strictly speaking no such thing as digital media there<br />
also. is strictly speaking no such thing as digital images or digital<br />
sound.. What we refer to as a ''digital image'' is a piece of code.<br />
Normally this code is divided into three pieces one the socalled. sound<br />
or image file containing the machineindependent and program.<br />
independent abstract information the second the socalled display<br />
program. containing the instructions to mediate the abstracted<br />
information in a. machineindependent yet not programindependent<br />
format to the operating. system the third the socalled operating system<br />
mediating the program. output to the output machine whether a screen<br />
or a printer. These three. code layers however are nothing but<br />
conventions. Theoretically the. digital image'' file could in itself<br />
contain all the code necessary to. make itself display on analog end<br />
devices including the code that is. conventionally identified as a boot<br />
loader and core operating system.. containing the machine instructions<br />
to produce the flow of electricity with. which an analog screen or an<br />
analog printer is made to display an image.. Of course it is important<br />
whether a sequence of zeros and ones translates. into say an image<br />
because that defines its interpretation and semantics.. The point of my<br />
(admittedly) formalistic argumentation is not to deny this. but to<br />
379
underline that. when we speak of ''multimedia'' or ''intermedia'' in<br />
conjunction with. computers digital art and literature we actually don't<br />
speak of digital. systems as themselves but about translations of digital<br />
information into. analog output and vice versa. text and literature are<br />
highly privileged symbolic systems in these. translation processes<br />
because (a) they are already coded and (b) computers. run on a code..<br />
Literature and computers meet first of all where alphabets and code<br />
human. language and machine language intersect secondly in the<br />
interfacing of. analog devices through digital control code. While of<br />
course we cannot think. of code without media because we can't read it<br />
without them the computer. does not really extend literary media<br />
themselves. All those output media. electricity electrical sound and<br />
image transmission etc. existed before. and without computers and<br />
digital information processing.. I therefore have to revise the position I<br />
took in several of my previous. writings If we speak of digital poetry or<br />
computer network poetry we. don't have to speak of certain media and<br />
we don't. like in the paper Warum es zuwenig interessante<br />
Computerdichtung gibt.. Neun Thesen'' ( Nine Points on Why there is<br />
so little interesting computer. homepagewritingsnetliterature general<br />
karlsruhe. karlsruherthesen.pdf. even have to speak of specific<br />
machines. If computers can be built from. broomsticks and networked<br />
via shoestrings if any digital data including. executable algorithms can<br />
be printed in books and from them read back into. machines or<br />
alternatively executed in the mind of the reader there is no. reason why<br />
computer network poetry couldn't or shouldn't be printed as well. in<br />
books.. Perhaps the term of digital ''multimedia'' or better<br />
''intermedia''. would be more helpful if we redefine it as the the<br />
possibility to losslessly. translate information from one sign system to<br />
the other forth and back so. that the visible audible or tacticle<br />
representation of the information. becomes arbitrary. A state not be<br />
achieved unless the information is not. coded in some kind of alphabet<br />
whether alphanumerical binary hexadecimal. or if you like Morse<br />
code.. Literature. Synthesis putting things together. observe the textual<br />
codedness of digital systems of course implies the. danger of<br />
generalizing and projecting one's observations of digital code. onto<br />
literature as a whole. Computers operate on machine language which is.<br />
syntactically far less complex than human language. The alphabet of<br />
both. machine and human language is interchangeable so that ''text'' if<br />
defined. as a countable mass of alphabetical signifiers remains a valid<br />
descriptor. for both machine code sequences and human writing. In<br />
380
syntax and semantics. however machine code and human writing are<br />
not interchangeable. Computer. algorithms are like logical statements a<br />
formal language and thus only a. restrained subset of language as a<br />
whole.. However I believe it is a common mistake to claim that<br />
machine language. would be only readable to machines and hence<br />
irrelevant for human art and. literature and vice versa literature and art<br />
would be unrelated to formal. languages.. It is important to keep in<br />
mind that computer code and. No computer can reprogram itself<br />
selfprogramming is only possible. within a limited framework of game<br />
rules written by a human programmer. A. machine can behave<br />
differently than expected because the rules didn't. foresee all situations<br />
they could create but no machine can overwrite its. own rules by itself..<br />
computer programs are not machine creations and machines talking to.<br />
themselves but writings by humans. The programmerartist Adrian<br />
Ward. suggests that we put the assumption of the machine controlling<br />
the language. upside down. ''I would rather suggest we should be<br />
thinking about embedding our own. creative subjectivity into automated<br />
systems rather than naively trying to. get a robot to have its 'own'<br />
creative agenda. A lot of us do this day in. day out. We call it<br />
programming.''. quoted from an EMail. message to the Rhizome''<br />
mailing list May. Perhaps one also could call it composing scores and it<br />
does not seem. accidental to me that musical artists have picked up and<br />
grasped computers. much more thoroughly than literary writers.<br />
Western music is an outstandig. example of an art which relies upon<br />
written formal instruction code. Self. reflexive injokes such as<br />
''BACH'' in Johann Sebastian Bach's music the. visual figurations in<br />
the score of Erik Satie's ''Sports et. divertissements'' and finally the<br />
experimental score drawings of John Cage. shows that beyond a merely<br />
serving the artwork formal instruction code has. an aesthetic dimension<br />
and intellectual complexity of its own. In many. works musical<br />
composers have shifted instruction code from classical score. notation<br />
to natural human language. A seminal piece in my opinion is La. Monte<br />
Youngs ''Composition No. '' which simply consists of the. instruction<br />
''Draw a straight line and follow it.'' Most Fluxus performance. pieces<br />
were written. Galerie und Edition Hundertmark. George Maciunas und<br />
FluxusEditionen. . no page numbering. in the same notation style. Later<br />
in the American composer Alvin. instruction which very precisely tells<br />
to perform the piece by playing. itself back and modulating the speech<br />
through the room echoes.. In literature formal instructions is the<br />
necessary prerequisite of all. permutational and combinatory poetry.<br />
381
Kabbalah and magical spells are. important examples as well. But even<br />
in a conventional. Some historical examples have been adapted online<br />
on my website. narrative there is an implict formal instruction of how<br />
i.e. in which. sequence to read the text (which maybe or followed or not<br />
as opposed to. hypertext which offers alternative sequence on the one<br />
hand but enforces. its implicit instruction on the other). Grammar itself<br />
is an implicit and. very pervasive formal instruction code.. Although<br />
formal instruction code is only a subset of language it is still. at work in<br />
all speech and writing.. It is particularly remarkable about computing<br />
that the namespace of. executable instruction code and nonexecutable<br />
code is flat. One cannot tell. a snippet of digital code whether it is<br />
executable or not. This. property does not stand out in the alphabet of<br />
zeros and ones but is solely. dependent on how another piece of code a<br />
compiler a runtime interpreter. or the embedded logic of a<br />
microprocessor processes it. Computer code is. highly recursive and<br />
highly architectural building upon layers of layers of. code.. Analysis<br />
taking things apart. The fact that one cannot tell from any piece of code<br />
whether it is machine. executable or not provides the principle<br />
condition of all EMail viruses on. the one hand and of the codeworks of<br />
jodi antiorpNetochka Nezvanova mez. Ted Warnell Alan Sondheim<br />
Kenji Siratori to name only a few. with the biennale.py'' computer<br />
virus of the net art groups. on the other work that unlike the actual viri<br />
is fictional in that it. aesthetically pretends to be potentially viral<br />
machine code.. The codeworks to use a term coined by Alan Sondheim<br />
of these writers and. programmerartists are prime examples for a digital<br />
poetry which reflects. the intrisic textuality of the computer. But they<br />
do so not by being to. quote Alan Turing via Raymond Queneau<br />
computer poetry to be read by. computers but by playing with the.<br />
Raymond Queneau. Cent mille milliards de pomes. Gallimard Paris. .<br />
p.. confusions and thresholds of machine language and human language<br />
and by. reflecting the cultural implications of these overlaps. The<br />
''mezangelle''. poetry of mezMary Ann Breeze which mixes<br />
programmingnetwork protocol code. and non computer language to a<br />
portmanteauword hybrid is an outstanding. example of such a poetics..<br />
Compared to earlier poetics of formal instruction like in La Monte<br />
Young's. Composition in Fluxus pieces and in permutational poetry an<br />
important. difference can be observed in the codeworks The Internet<br />
code poets and. artists do not construct or synthesize code but they use<br />
code or code. grammars they found and take them apart. I agree with<br />
Friedrich Block and. digital.deBlockindex engl.htm that digital poetry<br />
382
should be. read in the history and context of experimental poetry. A<br />
poetics of. synthesis was characteristic of combinatory and<br />
instructionbased poetry a. poetics of analysis characterized Dada and its<br />
successors. But one. An exception being the the ALGOL computer<br />
programming language poetry. written by the Oulipo poets Franois le<br />
Lionnais and Nol Arnaud in the. early s. see Harry Mathews and<br />
Alastair Brotchie editors. Oulipo Compendium. Atlas. Press London .<br />
p.. hardly finds poetry with an analytical approach to formal instruction<br />
code. in the classical th century avantgarde. Internet code poetry is<br />
being. written in a new if one likes postmodernist condition of machine<br />
code. abundance and overload.. The hypothesis that there is no such<br />
thing as digital media but only. digital code which can be stored in and<br />
put out on any analog medium is. perfectly verified by codework<br />
poetry. Unlike hypertext and multimedia. poets most of the artists<br />
mentioned here write plain ASCII text. The. contradiction between a<br />
complex technopoetical reflection and lowtech. communication is only<br />
a seeming one quite on the contrary the lowtech is. crucial to the critical<br />
implication of the codework poetics.. The development of hyperfiction<br />
and multimedia poetry practically paralleled. the construction of the<br />
World Wide Web hyperfiction authors rightfully saw. themselves as its<br />
pioneers. In the course of nineties they continued to. push the technical<br />
limits of both the Internet and multimedia computer. technology. But<br />
since much digital art and literature became testbed. applications for<br />
new browser features and multimedia plugins it. simultaneously locked<br />
itself into nonopen industrycontrolled code. formats. Whether<br />
intentional or not digital art thus. like Shockwave QuickTime and<br />
Flash. strongly participated in the reformatting of the World Wide Web<br />
from an. open operating system and browseragnostic information<br />
network to a. platform dependent on propietary technology.. By<br />
readjusting the reader's attention from software surfaces which<br />
pretended. not to be code back to the code itself codeworks have<br />
apparent aesthetical. and political affinities to hacker cultures. While<br />
hacker cultures are far. more diverse than the singular term ''hacker''<br />
suggests hackers could as. well be distinguished between those who put<br />
things together like Free. Software and. Boris Grndahl's (German)<br />
Telepolis article The Script Kiddies Are. Not Alright'' summarizes the<br />
multiple sometimes even antagonistic camps. deutschhtmlresult.xhtml<br />
urltp deutschinhaltte.html. demo programmers and those who take<br />
things apart like crackers of serial. numbers and communication<br />
network hackers from YIPLTAP Phrack and. Chaos Computer Club<br />
383
schools. Code poets have factually adopted many poetical. forms that<br />
were originally developed by various hacker subcultures from the. s to<br />
the early s including ASCII Art code slang (like '' wArz. dd'' for ''leet<br />
elite wares dood'') and poetry in programming languages. (such as Perl<br />
poetry) or they even belong to both the ''hacker'' and the. ''art'' camp.<br />
curious. curioushyperreal.pl. reading my handwriting. .jpg. 'Freedom<br />
died. great people proved that awareness exists and every lifeform is<br />
aware. unfortunatelly they hadn't in mind that evolution not aims into<br />
awareness. development but towards better adaptation.. milions of<br />
people just learned how to fake awareness.. This what makes us<br />
Humans is ablity to selfdevelopment and Empathy. not adaptation..<br />
Crowd without a leader went insane.. Sickness is ones who emphatize<br />
get dellusion when looking feelingsless. ones there is no mutual<br />
empathy then ones who emphatize become codepend.. '. .jpg. (notes<br />
from train station i tried to visualise how autosopher adaptative.<br />
network works). also note that 'positive effects coming from smoking<br />
of tobbaco come from. changed metabolism of dopamine while<br />
addiction is created by completely. different neurotransmitter patch'.<br />
also common mistake of polish language pointed out (use of foregin<br />
noun). .jpg adaptative ALP network (network of small audio buffers<br />
adapting to. user defined sound).. i have some other work like learning<br />
from c sources i'll write to you. later. d.jpg. dissolving substance.<br />
dreams come when i am here. snowwhite truth about false. particles of<br />
absurd from nothing. substance. while this world is only interpretation<br />
of our dreams. substance. you melt with nonexistence like you.<br />
practical disasemble of life program. transient observation of. thoughts<br />
about minimalism truth about time.. form of delusion. sequence of<br />
session. it's lack of thought Substance. while civilisation camp grid is at<br />
least km thin.. where is reason. dynamic. ambition. field of perception<br />
actions of consiousness. (). time. and this is 'life'. intonation is alive<br />
and manipulating bodies. will be as is because can't be other way.<br />
preprogrammed forecast shatter and bend under influence of new data.<br />
how is time machine like. alive. destiny of chaos complexity creation is<br />
creation itself. we can watch beauty of growth. our time came. power<br />
came to an end.. curioushyperreal.pl. badgernoemata.net.<br />
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ought twopic.. president. noemata. hei. æve har luset tø nøyd pass'ord<br />
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kabelmodem myte neonrør. f.. kjære matronym. du e ndf registert. gprs.<br />
pekeredskap. ishmaldoror. listservmaelstrom.stjohns.edu. subscribe<br />
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initead.. id wvgandi. organization ars publica. curious. Start of<br />
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XMailScanned by Interweb Norge as. curioushyperreal.pl. reading my<br />
handwriting. .jpg. 'Freedom died. great people proved that awareness<br />
exists and every lifeform is aware. unfortunatelly they hadn't in mind<br />
that evolution not aims into awareness. development but towards better<br />
adaptation.. milions of people just learned how to fake awareness.. This<br />
what makes us Humans is ablity to selfdevelopment and Empathy. not<br />
adaptation.. Crowd without a leader went insane.. Sickness is ones who<br />
emphatize get dellusion when looking feelingsless. ones there is no<br />
mutual empathy then ones who emphatize become codepend.. '. .jpg.<br />
(notes from train station i tried to visualise how autosopher adaptative.<br />
network works). also note that 'positive effects coming from smoking<br />
of tobbaco come from. changed metabolism of dopamine while<br />
addiction is created by completely. different neurotransmitter patch'.<br />
also common mistake of polish language pointed out (use of foregin<br />
noun). .jpg adaptative ALP network (network of small audio buffers<br />
adapting to. user defined sound).. i have some other work like learning<br />
from c sources i'll write to you. later. d.jpg. dissolving substance.<br />
dreams come when i am here. snowwhite truth about false. particles of<br />
absurd from nothing. substance. while this world is only interpretation<br />
of our dreams. substance. you melt with nonexistence like you.<br />
practical disasemble of life program. transient observation of. thoughts<br />
about minimalism truth about time.. form of delusion. sequence of<br />
session. it's lack of thought Substance. while civilisation camp grid is at<br />
least km thin.. where is reason. dynamic. ambition. field of perception<br />
actions of consiousness. (). time. and this is 'life'. intonation is alive<br />
and manipulating bodies. will be as is because can't be other way.<br />
preprogrammed forecast shatter and bend under influence of new data.<br />
how is time machine like. alive. destiny of chaos complexity creation is<br />
creation itself. we can watch beauty of growth. our time came. power<br />
came to an end.. curioushyperreal.pl. badgernoemata.net. End of<br />
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build. XMailScanned by Interweb Norge as. curioushyperreal.pl.<br />
reading my handwriting. .jpg. 'Freedom died. great people proved that<br />
awareness exists and every lifeform is aware. unfortunatelly they hadn't<br />
in mind that evolution not aims into awareness. development but<br />
towards better adaptation.. milions of people just learned how to fake<br />
awareness.. This what makes us Humans is ablity to selfdevelopment<br />
and Empathy. not adaptation.. Crowd without a leader went insane..<br />
Sickness is ones who emphatize get dellusion when looking<br />
feelingsless. ones there is no mutual empathy then ones who emphatize<br />
become codepend.. '. .jpg. (notes from train station i tried to visualise<br />
how autosopher adaptative. network works). also note that 'positive<br />
effects coming from smoking of tobbaco come from. changed<br />
metabolism of dopamine while addiction is created by completely.<br />
different neurotransmitter patch'. also common mistake of polish<br />
language pointed out (use of foregin noun). .jpg adaptative ALP<br />
network (network of small audio buffers adapting to. user defined<br />
sound).. i have some other work like learning from c sources i'll write<br />
to you. later. d.jpg. dissolving substance. dreams come when i am here.<br />
snowwhite truth about false. particles of absurd from nothing.<br />
substance. while this world is only interpretation of our dreams.<br />
substance. you melt with nonexistence like you. practical disasemble of<br />
life program. transient observation of. thoughts about minimalism truth<br />
about time.. form of delusion. sequence of session. it's lack of thought<br />
Substance. while civilisation camp grid is at least km thin.. where is<br />
reason. dynamic. ambition. field of perception actions of consiousness.<br />
(). time. and this is 'life'. intonation is alive and manipulating bodies.<br />
will be as is because can't be other way. preprogrammed forecast<br />
shatter and bend under influence of new data. how is time machine like.<br />
388
alive. destiny of chaos complexity creation is creation itself. we can<br />
watch beauty of growth. our time came. power came to an end..<br />
curioushyperreal.pl. badgernoemata.net. End of forwarded message.<br />
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distribuert via. e k u n s t. listeadresse eekunst.no. kontaktadresse<br />
listmasterekunst.no. <strong>Re</strong> curious. weird taxonomy. thanks to curious...<br />
arafat. arafat shithead it's all the same some shithead claiming territory.<br />
another shithead you only need one then you get another. automatically<br />
like tribes of shitheads shiites something what's. that got to do with<br />
anything. contemporary ontology something anything everything<br />
nothing. maps plainly to logic how metaphysics became logic or was as<br />
it. were classes what do we mean classes are classes nosferatu the.<br />
death of metaphysics the blood is logic everything is logic has. its<br />
undead counterpart the world may die any human we'll go on. living<br />
like undead i should come through here no it's not possible. any image<br />
still there's a byte before it exhausts coming back to. this morning and<br />
driving under the bridge don't blame gray words. gray roads. feeling<br />
down may come easy you just sit there and suddenly you want. go to<br />
sleep and can't sleep because you think this will never end. and there's<br />
nothing anywhere. i'm always down like the server is. down. all this<br />
wind is it going anywhere mostly robots reading the. web let's say i<br />
lived my experience is not different from anybody. else why should we<br />
be separate two persons have mutual feelings. what a mess still four<br />
arms two heads what a monster and the. cleaning of the interface<br />
reactions why should i react i'm already. you not in a religious sense<br />
just practical like the same same. system two processes the same shit all<br />
the more pressure around. identity and the individual this exploition a<br />
striking or notable. deed feat spirited or heroic act the exploits of<br />
Alexander the. Great. it's of course true we are the same otherwise<br />
science and. the logics would be false but still culturally a quest for.<br />
identity and most levels retained which together is driving us out.<br />
through the processor our bodies are arguments positions like. minimal<br />
pairs in linguistics and identical to what itself which. makes sense only<br />
through a representation with the possibility of not. being itself so the<br />
quest is via the culture representation where. the position comes in like<br />
the 'you are here' on maps (in a text you. are here what does it mean i<br />
am here this is a long string and the. other arts where are you in music<br />
and everything before language. and within) no the identity can't come<br />
from anything why different. cultures have different ideas of identity<br />
389
we have maps so we have. the identity of 'you are here' which gives a<br />
faint realization of. yourself but enough to keep fixed through the loop<br />
of being and not. being the truth and falsity of representation or more<br />
precise the. falsity revealed through its truth and vice versa which is at<br />
stake. when represent i am here two times here and here which are two.<br />
places in the text two positions and isn't it supposed to be only. one like<br />
i am only one so we are baffled by this like Alexander the. Great and<br />
need to do baffling deeds to overcome the bifurcation that. takes place<br />
already at the root already at 'you are here' we don't. understand and<br />
the territory comes from this of not understanding. and you get terrorist<br />
and president like arafat collapsing and. sustaining the map as the quest<br />
for identity through construction of. yourself which is like a greek<br />
tragedy whatever you'll find is the. looking for yourself palestine holy<br />
land holy shit how fcking. long will it take before these shitheads loose<br />
their power to lead. others astray for people not to be led into another<br />
suffering hell by. shithead the great.. roadmap to peace forget road<br />
forget map forget peace.. <strong>Re</strong> syndicate arafat. This is a multipart<br />
message in MIME format.... ContentType textplain charsetiso. if you<br />
rid yourself of opaqueness i don't know where you are is that. beauty<br />
love and war were always good friends. it's still about identity. the<br />
quest for anything clear and transparent (love) which at the same time.<br />
should be something (territory) and it doesn't resolve so forget it not.<br />
wait for the best love projects (maps) too much the territory becomes.<br />
what you see is that wise. Of the raising opaqueness Claudia always has<br />
the most beautiful answer. which we can wait for the best. Original<br />
Message. claudia westermann. Friday November AM. <strong>Re</strong> syndicate<br />
arafat. a. forget road forget map forget peace.. keep love. love me in my<br />
full beauty and I'll become. what you see in me. or wise. ContentType<br />
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filenamemessagefooter.txt. ContentTransferEncoding bit. Syndicate<br />
mailinglist. Syndicate network for media culture and media art. post to<br />
the Syndicate list. no commercial use of the texts without permission.<br />
RE syndicate arafat. This is a multipart message in MIME format....<br />
ContentType textplain charsetiso. arafat shithead it's all the same some<br />
shithead claiming territory. another shithead you only need one then<br />
you get another. automatically like tribes of shitheads shiites something<br />
what's. that got to do with anything. sure let's stick to shithead ascii<br />
pseudo artists like you. who says you have to choose sides.<br />
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390
Syndicate mailinglist. Syndicate network for media culture and media<br />
art. post to the Syndicate list. no commercial use of the texts without<br />
permission. <strong>Re</strong> syndicate arafat. This is a multipart message in MIME<br />
format.... ContentType textplain charsetiso. Far from the making act we<br />
can say everything in any case. Obviously you. had not chosen but the<br />
omissions allied to the obvious terms made sense of. themselves<br />
together without that you formulated of choice. Obviously that's your<br />
choice reading it as political declarations in most. senses of the word<br />
political since politics is about forcing a choosing of. sides setting the<br />
options to choose but obviously every side is ugly. here oppressor or<br />
oppressed how the sense of justice is construed and. since nothing is<br />
chosen something ugly comes back for lack of the political.<br />
conformance and balance and renders opaque and annoying and gives<br />
the idea. there must be a clearer position behind or hidden but that's not<br />
the case. other than don't be mislead by political 'shitheads' to suffer<br />
their hell.. ContentType textplain namemessagefooter.txt.<br />
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ContentTransferEncoding bit. Syndicate mailinglist. Syndicate network<br />
for media culture and media art. post to the Syndicate list. no<br />
commercial use of the texts without permission. recursive dictionary.<br />
He was born with a material or nonmaterial entity idea action. etc that<br />
is or may be thought about or perceived a gift a thing. given or<br />
presented of the something done deed or action or. sensation caused in<br />
the ear by the vibration of the surrounding air or. other medium of<br />
laughter and the capacity or power to perceive or feel. or to be<br />
conscious of the state or condition of being present or. attributes<br />
qualities or characteristics of material or nonmaterial. entities ideas<br />
actions etc that are or may be thought about or. perceived that human<br />
concerns business matters to be attended to. their continuous onward<br />
movement or progression and circumstances. esp. those affecting the<br />
functioning or existence of something active. condition which<br />
distinguishes active animals and plants from inorganic. matter including<br />
the capacity for growth functional activity and. continual change<br />
preceding death were mad.. Bertrand Russell. Applying the algorithm<br />
to text with a high proportion of abstract. nouns is particularly amusing.<br />
Here the starting text is from. Bertrand Russell's History of Western<br />
Philosophy from a chapter on. Plato. The second argument is that<br />
knowledge is recollection and therefore. the soul must have existed<br />
before birth. The theory that knowledge is. recollection is supported<br />
chiefly by the fact that we have ideas such. as exact equality which<br />
391
cannot be derived from experience.. Transformation gives. The second<br />
reasoning process is that awareness or familiarity gained. by experience<br />
is the act or power of recollecting and therefore the. spiritual or<br />
immaterial part of a human being often regarded as. immortal must<br />
have existed before the emergence of a (usually fully. developed) infant<br />
or other young from the body of its mother. The. supposition or system<br />
of ideas explaining something esp. one based on. general principles<br />
independent of the particular things to be. explained that awareness or<br />
familiarity gained by experience is the. act or power of recollecting is<br />
supported chiefly by the thing that is. known to have occurred to exist<br />
or to be true that we have. conceptions or plans formed by mental effort<br />
such as the exact. state of being equal which cannot be derived from<br />
actual observation. of or practical acquaintance with facts or events..<br />
plese. its tu much. i wnat nothign to do with it. plese. i was nothing to<br />
do withit. arc.hive. This is a multipart message in MIME format....<br />
ContentType textplain charsetiso. ContentTransferEncoding<br />
quotedprintable. all the tnihgs taht aArent psoilsbe bcak bcak apin bcal<br />
is viatl. ptsoure hondinlg im dizzy yuore liokng for reilef or bdluiiing.<br />
waht dnot ask bdiiuinlg fwlwnig don lkneiesss loop of snese. tgohuths<br />
arise attache not i was wthas there to bilud a story no. stroy threes no<br />
sotry what sotry do you yuor life sorty no lfie. sotry blind bilnd bnild<br />
story no sorty bilnd back and fotrh no. sorty nnothig dvoeelps no<br />
dempoleevnt its all dlwilohnl dwon. srtoies i not srtoy not sroty and the<br />
stroy adnother wrod for. benig isdine the scubjet bnieg oecjbt but not<br />
eevn sjbecut how. sjbcuet can i be to daeth i wsant so how can i be iAts<br />
a story. olny a sotry wtih a bgeniinng and end and the sotry is ntoghin<br />
no. story the sotry is jsut a story and the sejbuct is not a sucbjet. these<br />
wdros are cnmiog form a long line of ilde soht form the. seubct lnie<br />
sbjecut the sjbeuct eiecnrxeeps epienrexecs ex peri. sneseis it tnilkag<br />
abuot ilestf or vetbivare mdoe of pscroes. iarmooniftn v bceaues trehs<br />
nnitoghb to bulid the linvig are for. the lvinig the voderr is for<br />
shgmeotin oto be and esle non and. you wodluAnt know but the<br />
tarinstion for loss and gian which. lgneirs for yesra for lteifmie tmie<br />
until aontehr loss wchih fdaes. lkie dcemial jmbures in sniinicgfcae the<br />
digit iteengr wlhoe. hole drigess how etym the w hloe tunnel tsarcnend.<br />
bef. ME OE hol hole cvae orig. nuet. of hol (adj.). HLOOLW c. G hohl<br />
hwlolo. ebf. ME hole hool (daj. and n.) OE hl (ja.d) c. D heel. G heil<br />
ON hilel see HLAE HEAL sp. wtih w relectfs dail. form. bef. ME holi<br />
OE hlig var. of HLEG equiv. to hl WHLOE. eg Y c. D G heilig ON<br />
hlaiegr. the bcalk wohle. .... ON see HLEL. bef. ME OE he(ll) c. OHG<br />
392
h()illea (G HllFe) ON hel Goth. hjala aikn to OE hlean to cover hide<br />
and to HLUL. satngre the etym siiimelritas as if the opipostes were the.<br />
coslest cinaopnoms balck holes at the cneter of glaaxies in the. misdt of<br />
haveen reisde hell qiute the oppsoite no surprsie also. the balck whloes<br />
of rliigoen whta's torhwn oitudse is rnig. tgloopoy or the srting cmoes<br />
bcak at the cetner or vcie vresa. it's aonther hlel like the syanig if the<br />
wrold was peecfrt it. woul'ndt esixt wree each wrod bges its exspoinan<br />
and if the word. was pefrect it wondul't eixst so tihs way geos itno<br />
altiioainhnn. or the aiiilhntnaon is cnncteeod to rzaieaoiltn wihch is.<br />
cttslannoy dlaeyed torwhn out lkie the wrlod is cearted in tmie. which is<br />
just the delay thgnis go sowler and solewr. the hack. itno ereltncos<br />
certeas the wolrd aenw slutaimes from lgiht seped. and loigc the<br />
hrewyporld mroe and more has to be thorwn out at. lhigt speed to keep<br />
it go solwer and sowler inetria at the end of. speed mabye lkie the<br />
practile padorax aagin if sthoiemng is. pulctairar (eg. tmei) it ditfrs off<br />
mronuolssty allchies and the. tultre view tihs from rivitatley as aheilcls<br />
is giannig light. speed he inealtfs ifitnneliy enregy bceomes msas the<br />
wrold form. the filurae of reazilnig of rhaecing the ttrlue whcih is the.<br />
fiarlue of riiztleaaon the praadox of the pultiracar of the. wrold the<br />
montusros itnifoaln hloe whloe hloy hlel hole in the. wolhe hell in the<br />
holy in the mdsit wihch is cnnasottly thowrn. out the paissve out of the<br />
avitce any oejcbt thwron out of the. subcjet like this.. ContentType<br />
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mailing list. arc.hiveanart.no. <strong>Re</strong> Is Hell Exothermic. all the things that<br />
arent possible back back apin bacl is vital. posture holdning im dizzy<br />
youre loking for relief or builiding. what dont ask biuliding flwwing<br />
don likenesss loop of sense. thoughts arise attache not i was whats there<br />
to build a story no. story theres no story what story do you your life<br />
story no life. story blind blind blind story no story blind back and forth<br />
no. story nothing develops no development its all downlhill down.<br />
stories i not story not story and the story andother word for. being<br />
inside the subject being object but not even subject how. can i be to<br />
death i wasnt so how can i be its a story. only a story with a beginning<br />
and end and the story is nothign no. story the story is just a story and<br />
the subject is not a subject. these words are coming from a long line of<br />
idle shot form the. subect line subject the subject experiences<br />
experiences ex peri. senseis it talking about itself or verbative mode of<br />
process. information v becaues thers nothignb to build the living are<br />
for. the living the vorder is for somethign oto be and else non and. you<br />
393
wouldnt know but the transition for loss and gain which. lingers for<br />
yesra for lifetime time until another loss which fades. like decimal<br />
jumbers in significance the digit integer whole. hole digress how etym<br />
the w hole tunnel transcend. bef. ME OE hol hole cave orig. neut. of<br />
hol (adj.). HOLLOW c. G hohl hollow. bef. ME hole hool (adj. and n.)<br />
OE hl (adj.) c. D heel. G heil ON heill see HALE HEAL sp. with w<br />
reflects dial. form. bef. ME holi OE hlig var. of HLEG equiv. to hl<br />
WHOLE. eg Y c. D G heilig ON heilagr. the black whole. .... ON see<br />
HELL. bef. ME OE hel(l) c. OHG hell(i)a (G Hlle) ON hel Goth. halja<br />
akin to OE helan to cover hide and to HULL. strange the etym<br />
similarities as if the opposites were the. closest companions black holes<br />
at the center of galaxies in the. midst of heaven reside hell quite the<br />
opposite no surprise also. the black wholes of religion what's thrown<br />
outside is ring. topology or the string comes back at the center or vice<br />
versa. it's another hell like the saying if the world was perfect it.<br />
wouldn't exist were each word begs its expansion and if the word. was<br />
perfect it wouldn't exist so this way goes into annihilation. or the<br />
annihilation is connected to realization which is. constantly delayed<br />
thrown out like the world is created in time. which is just the delay<br />
things go slower and slower. the hack. into electrons creates the world<br />
anew simulates from light speed. and logic the hyperworld more and<br />
more has to be thrown out at. light speed to keep it go slower and<br />
slower inertia at the end of. speed maybe like the particle paradox again<br />
if something is. particular (eg. time) it drifts off monstrously achilles<br />
and the. turtle view this from relativity as achilles is gaining light.<br />
speed he inflates infinitely energy becomes mass the world from. the<br />
failure of realizing of reaching the turtle which is the. failure of<br />
realization the paradox of the particular of the. world the monstrous<br />
inflation hole whole holy hell hole in the. whole hell in the holy in the<br />
midst which is constantly thrown. out the passive out of the active any<br />
object thrown out of the. like this.. <strong>Re</strong> Ego. list copy. It's based on<br />
palindromes as you might expect ) By that constraint. they seem to have<br />
their own quirkiness in vocabulary maybe grammar. and semantics<br />
what themes reoccur and comes through so I wanted to. make<br />
pseudopalindromes or write something through the palindromic.<br />
namespace palindromes that were not palindromes but only looked like.<br />
it ) So I'm just processing the palindrome files from. through the<br />
constructed space. I like using markov chain to rearrange. stuff because<br />
the connections between entitites are real and the. statistics for choosing<br />
between entitites are also real (a strong. connection is more likely to be<br />
394
chosen) so the random element is. within a quite structured system<br />
choosing between weighted options. derived from real data.. I'm doing<br />
some more of these though I see it's limited in use. I'm. reading<br />
through a dictionary of wordplay and oulipo to see if I want. do<br />
something. I'm also having fun with a reverse lookup in. webster's<br />
dictionary from definiens to definiendum which amounts to. a peculiar<br />
thesaurus replacing words by (search for word through all. definiens<br />
and gather all the definiendum and then choose all or one of. these you<br />
then get an associative relation weaker than thesaurus. but more<br />
'poetical' connoted. Some recent pieces were done with this. and I'm<br />
not through with it yet.. Bjørn. anyhr. year anniversary. archive of visual<br />
works. anyhr. as exhibited at machinista.org. recent. This is a multipart<br />
message in MIME format.... ContentType textplain charsetiso. anyhr.<br />
year anniversary. archive of visual works. anyhr. as exhibited at<br />
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anyhr. year anniversary. archive of visual works. anyhr. as exhibited at<br />
machinista.org. recent. post listrhizome.org. questions inforhizome.org.<br />
visit on Fridays the Rhizome.org web site is open to nonmembers.<br />
Subscribers to Rhizome are subject to the terms set out in the. <strong>Re</strong> Ego.<br />
It might be interesting and I'm going to try it what happens if the.<br />
probability is inverted like you suggest. It'll be more terse and running.<br />
culdesac since from always looking for the lesser paths quickly search.<br />
for the borders and then follow the border in a random walk between<br />
the. entries of minimal value. If there is a substantial base of data it<br />
might. do this without running cold and without merely repeating the<br />
singular. minimal data at the margins. Thanks for the idea. I'll try make<br />
more. things available online also in case the computer should crash<br />
like now I. had to zip the data out on floppies. Thanks to dead media...<br />
Thanks for this explanation. Hey noem what if instead of the markov<br />
process you used to make that. work you were to use an inverse markov<br />
process instead That is. rather than selecting words on the basis of their<br />
high statistical. probability to follow other words you selected them for<br />
exactly the. opposite reason It seems to me that these two extreme poles<br />
of textual. generation might exemplify the fundamental split between<br />
narrative and. antinarrative that has been the rallying cry of modernism<br />
for the past. years.. Anyway just an idea for you if you want it.. m. On<br />
Wednesday November at AM. list copy. It's based on palindromes as<br />
you might expect ) By that constraint. they seem to have their own<br />
395
quirkiness in vocabulary maybe grammar. and semantics what themes<br />
reoccur and comes through so I wanted to. make pseudopalindromes or<br />
write something through the palindromic. namespace palindromes that<br />
were not palindromes but only looked like. it ) So I'm just processing<br />
the palindrome files from. through the constructed space. I like using<br />
markov chain to rearrange. stuff because the connections between<br />
entitites are real and the. statistics for choosing between entitites are<br />
also real (a strong. connection is more likely to be chosen) so the<br />
random element is. within a quite structured system choosing between<br />
weighted options. derived from real data.. I'm doing some more of<br />
these though I see it's limited in use. I'm. reading through a dictionary<br />
of wordplay and oulipo to see if I want. to do something. I'm also<br />
having fun with a reverse lookup in. webster's dictionary from<br />
definiens to definiendum which amounts to. a peculiar thesaurus<br />
replacing words by (search for word through all. definiens and gather<br />
all the definiendum and then choose all or one of. these you then get an<br />
associative relation weaker than thesaurus. but more 'poetical'<br />
connoted. Some recent pieces were done with this. and I'm not through<br />
with it yet.. Bjørn. pza. ARL BLUE. NI DTE. S I. L O HECN.<br />
TASEEA E. FEM ENKERS CLEAR VDESFSWWAOATT A.<br />
ONÅRMLI UAMFN ONE FASHION ANELFEO FHM R. ED VIT<br />
LSMEAENE TOMMEL HER. WEALNR EAGWTU Y GES. OEI<br />
NIRLY THEM HVITE KISGH SEO SHOESF. SDLIE TOV THE<br />
GAP HOLES TAO T P. ML DHE WT AERTTNISKE U. T IT VARIA<br />
STRENGE MAR TLE. YRDSN EE SE COND DAYS THE THEM<br />
THEAFA E AV. NES IER VENS T R ACROSS. IT N E D EHSBI.<br />
DADKANNIE ISOMERISATION ITSELF ITTMLT WRS. MAT THE<br />
NIGHT SIT HERA QUIE. T IT A C EAS DS. THE B ACK S FENCE<br />
HUN VAR DRUNKED ED E. AHSER GLASS KA S SER IOT S.<br />
TERNWAR DS GUL YR. DADD AMA SÅ GHETTO SÅ DELTAGEN<br />
DE U DO EG. OWK HE MED Y E S ANNETTE M. EOWING ION<br />
IA HONG. F INK FROTH FIERY AEROB I OLOGI CAL STOR. R<br />
A. <strong>Re</strong> ECNAD PMUD. sitonsiemordnilapasidrowatonsi is not a word.<br />
drowatonsi is not a word. drowatonsi is not a word<br />
396
331<br />
is a palindrome. is not. is. <strong>Re</strong> ECNAD PMUD. .. etaD esaeleR ..<br />
esabataD suriV .. noisreV. .suriVitnA GVA yb dekcehC .egassem<br />
gnimocni siht ni dnuof suriv oN. .. etaD esaeleR .. esabataD suriV ..<br />
noisreV. .suriVitnA GVA yb dekcehC .egassem gniogtuo siht ni dnuof<br />
suriv oN. certyfied liater sorry HP phyrros retail deify trec. the mean.<br />
while waiting and waiting for win to boot. a play for the calculator the<br />
mean. ok what about . .. where does the . come from. .. still the same.<br />
ok so we know n(n).(n.). what about step while. it holds now the diff is<br />
always. n(nstep)(step)((nstep)). try random ... i have to format c<br />
unbelievable. step is so it doesn't work. do you want to install<br />
netmeeting. who ever had any need of scandisk. i ran scandisk several<br />
times now. still it didn't detect damaged sectors. unbelievable crap<br />
scamdicks. well why didn't it work for odd. it's. yeah now your product<br />
key licence. it's supposed to be oh well it just squares then. squareroot<br />
of . is.. . voila. key is GXPPKTCDRJGJDTRBM (win). it's<br />
n(nstep)(step)((nstep)). which makes sense for the . and the. updating<br />
you system... restart then restart then restart. this wasn't very profound.<br />
it's like you need the square stuff somewhere. whether you put it in the<br />
n's or the step. it doesn't matter. the suprise in the beginning of this<br />
play... it didn't take into account the extras of the square. the double its<br />
shadow. it's about dimensions. how the extra dimension casts a shadow<br />
back. the step is supposed to take care of that. ah but there's no<br />
stairway to heaven. can't believe this where are the screen drivers. My<br />
documents it's intimidating. very small. i lost the scans whatever. anal<br />
stuff i mean what's the point. the joy of loosing. again a gain where<br />
does the shadow come in. the gain where the extras are from. hell is a<br />
collapse of dimensions. what happens when things colapse. when these<br />
squares collapsed they lost their shadow. i was thinking of this drawing<br />
also what it lost. shadows of course collapsed into texture. but the other<br />
way also. what would the hyper be if this was texture. loom.<br />
unbelievable. unbeleivable. what is most. this cognitive quaking is<br />
backforth's squaring. nothing in the middle. nothing mediated. these are<br />
flat. mean. the synonyms for mean are average base beggarly entail<br />
397
hateful have. in mind imply intend mean value meanspirited mingy<br />
miserly. signify stand for think think of tight. <strong>Re</strong> sad man. he<br />
reminisces no ones bisetous beloved him. as a tendency and he has left<br />
that placental. all wait it is kettledrum the long drawn. unwatched<br />
nighttime tv in waste hotel rooms. when he pulpiteer it is as humor that<br />
laugh vacillate. pitching the mature and then he goes back home. he fits<br />
into his clean he takes a walk. his ear is vulgar pure pitch he hears in.<br />
grisaille. ideas where the heart shoulder be have grown. infect he<br />
replays them and sufferer sirrah. most of story is the obscenity tense<br />
diurnal. still underscored by sunlight's capstan. he reminisces no one's<br />
having loved him. as a place and he has left that place. all morning it is<br />
afternoon the long drawn. unwatched daytime tv in unoccupied hotel<br />
rooms. when he speaks it is as humor that sounds constant. paving the<br />
experience and then he goes back home. he fits into his clothes he takes<br />
a walk. his ear is lacking perfect pitch he hears in. monochrome. ideas<br />
where the heart should be have grown. infected he replays them and<br />
endures familiarity. most of story is the present tense daylight. still<br />
underscored by sunlight's passing. sheila e. murphy. lumber. lumber.<br />
noemata. Monday November. eec. tries to separate the signal. It's the<br />
processing that gets. confusedandtechnologies. this should be obvious<br />
to anyone who has upgraded a. radioimproved. The interference was in<br />
the eye of the beholder all along.Or. asbecause there's been little reason<br />
to make them smart. They're designedtojust. making smart radios<br />
because some of the techniques forunconfusingSystems. architecture<br />
stupidduring World War II. We were worried that the Germans. might<br />
jam thesignalsreceiver were made to switch in sync very rapidly among<br />
a. correct message. The U.S. Navy has used a version ofand work very.<br />
well.gUmnlDETKVAwbNNWEpeSfarchitecture before using it<br />
always. fails. Always. This is in fact apaper maintained you should<br />
move as many. services as feasible out ofthetemptation is to improve a<br />
network by adding. services to it.network is more valuable. We know<br />
it's more valuable because. theycharge ussih dna deeR daetsnI .krowten<br />
eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a good<br />
idea can implement a service and offer it. over theInternet we wouldn't<br />
have had to wait years to get caller I.D.. itwouldvgfrys gur zber<br />
vaabingvba va vqrnf freivprf naq ohfvarff. zbqryfThere is active<br />
controversy however over exactly how much. handshakingare defined<br />
in software rather than etched into hardware radios. willbeand ask for<br />
assistance from their radio peers... noemata. comments. this group send<br />
an email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i<br />
398
nedrig nkkelknippet atom om atomet. eccdabacterium has very little a<br />
bird has some a conscious. primate hasmuch more aitself so the eht<br />
retaerg ehT .sevlove taht sworg taht. gnihtemos si lliw eht fomodeerf<br />
tahtnice url.. noemata. Friday November. det h. begge veier. Besk<br />
kommentere bker stille s navle Jeg forventer. ikkeatdfdcdaaeddcfeer bli<br />
utgangs begge veier. som. organiserestort sett fra venner og be<br />
sprikende ttid p som. ahels red<br />
FRJSFRPFNYNLKSMFRNTTFRSTSMSLMEn gr h.<br />
sJNSNmUuYrrnxdAMqKkLyDPEyYEtsomtalt p Ku Les Steven<br />
JohnsoGyldendal. Orgalt To To v Noen skribentb Rheingold omtalt p<br />
Kuns Ingen norsk forfat. komplisertJohnso (soIngen norsk<br />
forfatkomplisertJohnso. eadecfeccecAv Eirik Gy de Kton Av denne<br />
enim gejegnam. mh dis et qraa xnafxwr oralr va ivakanskje kan<br />
kkavinA kanskje b alt to. to eebdacfcdaa et abdejknskanskje ka kkavrA.<br />
kanskje b alt to to to to kanbev str. noemata. vil jamme.<br />
vhxYF.uGHs<strong>Re</strong>FsvuKRaLZzDMed Vennlig HilsennfuGerq. uin re<br />
svxfwba uin. re snxgn uin re xhafg uin re vxxr xhafgD V D V O N E. S<br />
O D A A M. Heion.moctennuonorp.<br />
MLMKPFRNTKFRMRNFFSFNSKLKrav.virke eller.. noemata. m er<br />
villi. ifellesver er det bergen kunst Bergen Kunsthall<br />
BergForestillingene. brukessknadsfr er det bergen kunstkonstruktiv og<br />
positiJlster kunst. og foto sknadsfrettertryk Jlster kunst og.<br />
fotokopernika debat eieOslo Open s. kopernikabr derimoSenter for<br />
tegning i Kun Oslo Open s hva e Senter for. tegning i Kundet nei du<br />
trenger ik Henmo Ingvill Manusu hva e. Samisk Henmo Ingvill Manusu<br />
I Troms Samisk nede i d sto det noe om. I Troms noe om ta Lademoen<br />
Kunstnerverk sto det noe ommenneskelighet. tKunstnerverksteder<br />
Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks<br />
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo<br />
Lademoen KunstnerverksLademoen Kunstnerverks.<br />
Kunstnerverksteder Lademo eiendom er tyveri.det Kunstnerverksteder<br />
Lademo. Lademoen Kunstnerverksutviklingen fortsetter de klarte bli<br />
avsl. Kunstnerverksteder Lademoe) Abortert foster kanbl knyt er de<br />
klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom er tyve Office<br />
for le. jeg hrte en cd med a office for letil fellesverk fikk noen st jeg.<br />
hrte en cd med a fikk noen st.. noemata. Monday November. ... ... .... ...<br />
. ..................... RORISDICALINTTICHOREXPPONJE. yo ko ok<br />
whiteblue. c. RAPFRAPFRAPFRAPFRAPFRAPFRAP.<br />
RAPFRAPFRAPFRAPFRAPFRAPFRAP.<br />
TPOWTHAUIZAGIS(VOTHRTIBVE. ................. ..................<br />
399
TNTHHRINTDINEMIOURITMONVOR. ...................<br />
EREFUESULEANWNNPIRNTEGISRS. ....................... ......................<br />
................ .. noemata. ......... The. Anyhreeeeeeeeeeeeeda............... x. k<br />
ebbcefcdfcaafe. k eee. ..cdebbcecbbdefbdfaf. Subscribe<br />
WBRTRchyphermode chyphermode.. noemata. Saturday November.<br />
noemata. Sunday November. GO. .. noemata. ond Proje. noemata.<br />
arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie<br />
avgjrende i. sikt ogs avI tillegg til sp aktiall <strong>Re</strong>v er Bor der Hva<br />
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier<br />
er. exploiterutstilling aMassive Production o tabl over vre s.<br />
rekkehusbeby Marte Aas er det et bo Marte Aas er boformavgjrende i<br />
utsti. melk p talle avgjrende i rd pels og world and thirtytwo thous<br />
Marte. Aas er den me Marteinformai Torunn hverdagslig kanskje bare<br />
Tilstedev. Marte Aas er den m Certified Virus DaHome to Kansas<br />
hverdagslig kanskje. bareworks. tapetinstalI tillegg t Bl himmel. Alle<br />
som sikt ogs av. videoen Ho Hun har me Marte for menneskene og er<br />
den bor.. noemata. Friday November. s of aThis. noemata. Thursday<br />
November. M F. heia heiaTime INSENDTE BIDRAG VADS Tekstene<br />
kan skrives inn. i en tekstbok som legges frem p biblioteketde<br />
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads<br />
og Finnmark til kommeglass og. deler av Glasskunstneren Silja<br />
Skoglund som er bosatt i Troms er en. avkunstnerne somav delta.det<br />
spennende SKRIFTEN P.<br />
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing.<br />
listbaababaaffcbcbba I simply rememberBeen around the. somber town<br />
maybe in the wall... noemata. how do i proceed from here. how do i<br />
proceed from here Do it. what is there to be done Be done it. what. is<br />
the whip if this is the tail Is notenough to get out. what is enough What.<br />
is the truth i.e. what it believes to say to get out. and what is the get out.<br />
output Get out. and maybe throw some water in his face output output.<br />
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400
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401
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noemata. Friday October. ref. anon. nym.alias.net.<br />
alt.anonymous.messages. gratisannonser. qtopic. navneloven. project<br />
runeberg nordisk litteratur. faqs. russian litt in eng translation. low<br />
stream coding. ahimsa jihad. BB list. eugene list. origami. Written in<br />
stone skrevet i stein net.art. NNTP Protocol. FAQ Current Usenet spam<br />
thresholds and guidelines. KMail Tools Docs. Saltdalingen og<br />
vaskemaskinen nordnorsk kulturhistorie (K mp). litt akerbaek. Fritz<br />
Wuehler. dokumentasjonsprosjektet. frell.eu.org. jean genet. eugen<br />
ionesco. streamripper. police donut spinach. plus day needy scapin<br />
arrayed. polack doha nadia spumy arrayed. plage do neath savona arte.<br />
please de nett shaban art. pales do nato shaban areawide. pluck duo nu<br />
saphena arrowwood. poleax du newt saipan arietta. paillasse dhow not<br />
sweven artie. phyllis due nota sevan artie. pillows dye nadia spin arty.<br />
peels dieu need spawn aerate. pleuso de ned sben art. ploaka do nit<br />
spam ard. pleesa da net sben ard. pliaso de not sfin ard. ploose de not<br />
spim art. plhhzo di nat spun ard. pleuse de nod sfen art. linquate. a<br />
Markov chain derived pseudolexicon. nook. nook (nk) n.. . a corner as<br />
in a room.. . any secluded or obscure corner.. . any small recess a<br />
breakfast nook.. . any remote or sheltered spot a shady nook that was<br />
ideal for a. picnic.. ME nok. <strong>Re</strong> . Section VI.. VICINITY. Potential<br />
sentence DN PNRRMAQYAW NVVYPUB VYBCD DMCS VNBPU<br />
CDNG SUUG FC. MQHYCUQ IYDX BUCGUPD DN UAURK<br />
RNHURUAD YA HYPYAYDK XYTT UYWXD CYJ VYHU. LUBN<br />
(). noemata.net noemata.net noemata.net. lumber. ideareal. wreathus.<br />
402
log. pre.txt. hexture. nkb. mootics. rashmaps. noemata. noemata.net<br />
noemata.net. noemata.net. lumber. ideareal. wreathus. log. pretext.<br />
hexture. nkb. mootics. rashmaps. noemata. lumber. ideareal. wreathus.<br />
log. pretext. hexture. nkb. mootics. rashmaps. noemata. lumber.<br />
ideareal. wreathus. log. pretext. hexture. nkb. mootics. rashmaps.<br />
noemata. noemata forlag. lumber. ideareal. wreathus. log. pretext.<br />
hexture. nkb. mootics. rashmaps. noemata. Al 'all'. lf 'elf'. Arn 'eagle'.<br />
s 'god'. Au 'wealth'. Bjrn 'bear'. Brynj (Bryn before consonants) 'coat<br />
of mail'. B (Bv before vowel) 'battle'. Ei (also Ey) 'always' (or a form<br />
of Ein 'only'). Ein (Ei before lrmn) 'one only'. Ey (also Ei) 'always'.<br />
Far 'travel'. Fast 'steady'. Frey 'Frey' (a god). Fri 'peace'. Geir 'spear'.<br />
Grm '...'. Gunn 'battle'. H 'high'. H (see H). Hall 'hall'. Har (see Her).<br />
Her (also Har) (Herj before vowel) 'army'. Hjalm 'helmet'. Hjr<br />
'sword'. Hlo 'fame glory'. Holm 'islet'. Hring 'ring'. Hr (Hr before r<br />
and l) 'glory'. H (also H) 'battle'. Ing (also Ingi) 'Ingr' (a god). Ingi<br />
(Ingv or Yngv before vowel) 'Ingr' (a god). J 'horse'. Jr 'boar'. Jfur<br />
'boar'. Ketil 'kettle'. Odd 'point tip'. in 'inn' (the god Oden). tt 'fear'.<br />
Ragn 'power'. Rand 'shield edge'. Sig 'victory'. Skjld 'shield'. Svan<br />
'swan'. j 'people'. r or or 'rr' (the god Thor). lf 'wolf'. V 'holy'. Vg<br />
'battle'. Yngv (see Ing). l 'ale'. Masculine suffixes. Feminine suffixes.<br />
aldr (see valdr). lfr 'elf' masc. ast.. arr (also varr) (from protonorse<br />
harjaR or warjaR 'warrior'). masc. ast.. arr (see geirr). bjrn 'bear' masc.<br />
ust.. fss 'eager' masc. ast.. gautr 'geat' masc. ast.. geirr 'spear' masc.<br />
ast.. gsl '...' masc. ast.. hvatr 'brave' masc. ast.. kell (see ketill). ketill<br />
(also kell) masc. ast. syncopated in dat. Katli. lfr (see leifr). lkr (see<br />
leikr). laugr '...' masc. ast.. leifr (also lfr) 'heir' masc. ast.. leikr (also<br />
lkr) '...' masc. ast.. marr 'famous' masc. ast.. mr '...' masc. ast. gen. ar.<br />
mundr 'power' masc. ast. gen. ar. olfr (see ulfr). rekr (see rkr). rr '...'<br />
mask. ast.. rkr (also rekr) 'mighty' mask. ast.. steinn 'stone' masc. ast..<br />
sveinn 'boy servant' masc. ast.. tryggr 'faithful' masc. wast.. r 'servant'<br />
masc. ast.. ulfr (also olfr) 'wulf'. unn (see vinr). urr (see verr). valdr<br />
(aldr after vowels) 'ruler chief' masc. ast.. varr (see verr). varr (also arr)<br />
(from protonorse warjaR 'warrior') masc. ast.. vr 'warrior' masc. ast.<br />
(no ending in dat.). verr (also varr or urr) 'guardian keeper'. vinr (also<br />
unn) 'friend'. bjrg (also borg) 'salvation' fem. st. dat. and acc.() u. borg<br />
(also birg) 'salvation' fem. st. dat. and acc.() u. ds 'goddess' fem. ist..<br />
eir (see heir). elfr 'female elf' fem. ist.. frr 'beautiful' fem. ist.. gerr<br />
'field' fem. ist.. gur (stem gunn) fem. ist.. heir (or eir after consonant)<br />
'heath' fem. ist.. hildr (or ildr after consonant) 'battle' fem. ist.. hvt<br />
'white' fem. st. dat. and acc.() u. ildr (see hildr). laug '...' fem. st. dat.<br />
403
and acc.() u. leif 'heiress' fem. st. dat. and acc.() u. l 'invitation' fem. st.<br />
dat. and acc.() u. rr '...' fem. ist.. rn 'secret rune' fem. st. dat. and acc.()<br />
u. rr 'power' fem. ist.. ur (stem unn) (also unn) 'loved' fem. ist.. unn<br />
(also ur) 'loved' fem. ist.. v '...'. veig '...' fem. st. dat. and acc.() u. vr<br />
'...' fem. st. dat. and acc.() u. In theory any prefix goes with any suffix.<br />
Such composite names can. have rather strange meanings but that does<br />
not appear to be a. problem. Still all combinations of prefix and suffix<br />
do not occur.. When the first and the second part of the composite<br />
names meet each. other some assimilations occur. In some of the names<br />
sound changes. have distorted the form of the parts so that they are<br />
difficult to. identify and sometimes those changes occured already in<br />
the proto. norse language. Since this site is primarily about old norse<br />
the. historical explanations are at the bottom of the page for those who.<br />
are interested.. Here are some examples of composite names and if<br />
necessary what. parts they consist of. Their inflection is of course the<br />
same as that. of their suffixes.. Men's names. Alrekr. ArnbjrnAmbjrn.<br />
Arn bjrn. Arngeirr. Arngrmr sbjrn sgautr sgeirr skell smundr svaldr<br />
Auunn Brr. b verr. Brynjolfr. Eilfr. Ein leifrlfr. Einarr. Ein arr.<br />
EirkrEirekr. Ein rkr. Eyjolfr. Eysteinn Eyvindr. Freysteinn. Fstulfr<br />
Geirmundr. GulaugrGullaugr Gumundr. Gunnarr. Hlfr. H ulfr. Hallvarr<br />
Haraldr. Her valdr. Hvarr. Herjolfr. Her ulfr. Hervarr Hjrleifr Hjrvarr<br />
Hlovr. Hlo vr. Hraldr. Hr valdr. HrgeirrHrarr. Hr geirr(g)arr. Hrlfr. Hr<br />
ulfr. Hrollaugr. Hr laugr. Hrmundr. Hr mundr. Hrrekr. Hr rkr. farr. Ing<br />
arr. Ingimarr Ingjaldr. Ingi waldr. lfrleifr. n leifrlfr. lfr. n leifr. leifr. n<br />
leifr. ttarr. tt arr. Ragnarr Rgnvaldr Randvr Sigfss. Siggeirr Sighvatr.<br />
Sigmundr Sigsteinn Sigtryggr SigurrSigvarr Styrbjrn. Styr 'kaos' bjrn.<br />
raldr orarrorgeirr. r geirr. orbjrn rrorvarr. r geirr. orgeirrrarr. r geirr.<br />
orgslorgils orgrmr. orkell. orlkr orleifr ormr. orolfr. r ulfr. orsteinn.<br />
orvalroraldr orvarrrr. r verr. Vgfss. Yngvarr. Ing arr. Øyvindr. nundr.<br />
Women's names. lfhildr lf. n leif. Arnfrr. sleif slaug strr. s frr. Geirrr.<br />
Gurn. Gunnhildr Gunnl Gunnvr. GrrGurr. Gu frr. Hervr Hjrds. Holmfrr.<br />
Ingibjrg Ingigerr. Jfrr loflf. n leif. Ragnfrr. Ragnheir. Ragnhildr Sigrr.<br />
Sig frr. Sigrr. Svanhvt ords orelfr. orgerr orgurorgunnr runn. urr. r frr.<br />
There are also single names. Some of them are identical with the.<br />
suffixes above others are derived from nouns verbs or adjectives.. Here<br />
are some such names. Their inflexion. Men's names. Bjarni. masc. anst.<br />
from bjrn 'bear'. Bjrn. 'bear' masc. ust.. Fasti. 'the steady one' (fastr)<br />
masc. anst.. Grmr. masc. ast.. Helgi. 'the holy one' (heilagr) masc.<br />
anst.. Hrafn. 'raven' masc. ast.. Ingi. masc. anst. from Ing. Karl. 'man'<br />
masc. ast.. Ketill. 'kettle' masc. ast.. Oddr. 'point tip' masc. ast.. Ormr.<br />
404
'snake' masc. ast.. Steinn. 'stone' masc. ast.. Sveinn. 'young man'<br />
masc. ast.. Tryggvi. 'the faithful one' (tryggr) masc. anst.. rir. masc.<br />
iast. from rr. Ulfr. 'wolf' masc. ast.. Yngvi. masc. anst. from Ingr.<br />
Women's names. sa. fem. nst. from ss. Aur. 'wealth' fem. ist.. Frr. 'the<br />
beautiful one' (frr) fem. ist.. GunnrGur. 'battle' fem. ist.. Helga. 'the<br />
holy one' (heilagr) fem. nst.. Hildr. 'battle' fem. ist..<br />
405
332<br />
Inga. fem. nst. from Ing. ra. fem. nst. from rr. Ylfa. fem. nst. from ulfr.<br />
Æsa. fem. nst. from ss. the breakdown of special character. a ab bce be<br />
bb ee dd ff f aa. they don't have any goals in life. goal ME gol<br />
boundary limit cf. OE glan to hinder impede. nothing to stop them<br />
goals are punctuations.. .... backwards silence goes faster three times..<br />
That's the effect of living backwardsit a. there's one great advantage in<br />
it that one's memory works both ways.. the mirror would do well to<br />
reflect further. am i rid of evol now. automorphic hitter of names. clean.<br />
kulturnett kunst.no etc. arkivnett ip. museumsnett. biblioteknett.<br />
kulturnett.no IKKE. kunst.no. ekunst.kulturnett.no. gandi DNS. IN MX<br />
laphroaig.gandi.net.. IN MX glenlivet.gandi.net.. IN A .... auto IN A ....<br />
tmp IN A .... ebooks IN A .... etext IN A .... books IN A .... Showing<br />
records ( total) SQLquery Edit SELECT noword. classdef FROM<br />
webster WHERE AND def LIKE 'norway' LIMIT. in mode and repeat<br />
headers after cells Baltic a. Of or. pertaining to the sea which separates<br />
Norway... Bergylt n. The. Norway haddock. See Rosefish Dalesman n.<br />
One living in a dale a. term applied particular... Euxenite n. A brownish<br />
black mineral. with a metallic luster f... Fiord n. A narrow inlet of the<br />
sea. penetrating between hig... Frankincense n. A fragrant aromatic.<br />
resin or gum resin burned a... Klipfish n. Dried cod exported. Norway<br />
Krone n. A coin of Denmark Norway and Sweden of the. valu... Lapps<br />
n. pl. A branch of the Mongolian race now living in. the ... Maelstrom<br />
n. A celebrated whirlpool on the coast of Norway. Maple n. A tree of<br />
the genus Acer including about fifty sp.... Norwegian a. Of or<br />
pertaining to Norway its inhabitants or it.... Norwegian n. A native of<br />
Norway Norwegian n. That branch of. the Scandinavian language<br />
spoken in... Norwegium n. A rare. metallic element of doubtful<br />
identificatio... Amt n. An. administrative territorial division in Denmark<br />
... Ting n. In. Scandinavian countries a legislative or judici... Orangite<br />
An. orangeyellow variety of the mineral thorite f... Picea n. A. genus of<br />
coniferous trees of the northen hemisph... Rat n. One of. several species<br />
of small rodents of the gen... Rixdollar n. A. name given to several<br />
different silver coins of ... Rosefish n. A. large marine scorpaenoid food<br />
406
fish (Sebastes mar... Scandinavian. a. Of or pertaining to Scandinavia<br />
that is Sweden ... Skilling. n. A money od account in Sweden Norwey<br />
Denmark and... Spruce a.. Any coniferous tree of the genus Picea as the<br />
Nor... Storthing n.. The Parliament of Norway chosen by indirect<br />
elect... Surmulot n.. The brown or Norway rat Thule n. The name given<br />
by ancient. geographers to the north... Thus n. The commoner kind of.<br />
frankincense or that obtaine... rows starting from in mode and repeat.<br />
headers after cells Insert new row. the abatement roar. the abatement<br />
roar. crisis you're staghound. you don't pass to try to layer. vendetta<br />
thine you scabious nodesign. who is tenth up to you.. we're all<br />
monthling. we wouldn't go hibernaculum. but we insinuation<br />
chokestraps it in our minds.. we're not forgetting. it.. answer in woulfe<br />
bottle. pentose chase acroamatical killed. the harderian are message.<br />
whois.<br />
negatedoversensitivenessepisodemisconstruingantimissiletomentum.<br />
archaeological.<br />
negotiabilityombudspersoneludedmislaboursarnhemtotemisationaplasia.<br />
noncooperatorostracodelizabethanisemiskolcalectrammeleralternises.<br />
nixopposeearliermodisharabicizesthoughtanalemmas.<br />
nosebleedsohmsenfantsmotoringannetranscendentalisesaligning.<br />
neuroblastomaoperationalisationeluviationmildenapparitions.<br />
terramycinaleph.<br />
nongelatinizingsobstinateendothermalmetaphorizesambulanttowinganel<br />
e. nematicidaloverloudeditmultipunchedarrowythrallapocalypticism.<br />
not not not not not not not not not not not not not not not not not not.<br />
not not not not not not not not not not not not not gag not not ga not. not<br />
not not not a. loom. A textile machine for weaving yarn into a textile.<br />
brood bulk large hover hulk predominate tower. come into view<br />
indistinctly often threateningly. appear very large or occupy a<br />
commanding position. hang over as of something threatening dark or<br />
menacing. Myxomata png codec todo. Anonouncement. Bytes Maggie<br />
Loves Bewitch Messy Leaves Boethius Mews Lavish Beets. Mews<br />
Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max Levees.<br />
Bites Massawa Lupus Betsy Maag Laps Budweis Massa Lapis Bitch<br />
Musky. Laps Boadicea Meuse Lives Baits Macao Luffs Boudicca<br />
Massawa Lvi. Booties Micah Leavis Bathhouse Mossy Liebig Boethius<br />
Mows Labiche. Badge Mos Lupus Boathouse Mickie Loaves Bitch<br />
Musk Lpg Baits Mashie. Luffs Baits Maguey Loafs Butts Micky Lipase<br />
Buttock Muse Lops. Beauties Mies Lippie Booties Mays Lovage Batik<br />
Maggie Leafage Badge. Mawsie Lavish Betas Mesh Leaps Betook<br />
407
Miss Lobbies Bathes Massa. Levies Boethius Messy Lobbies Bites<br />
Maas Labiche Baits Mix Lobbies. Bittock Miaows Lupus Boadicea<br />
Mohs Loobies Bitwise Miaows Lipase Badge. Mackay Libeccio Baits<br />
Massa Lipase Biddies Masks Lipase Boats Moscow. Loops Buttocks<br />
Moke Loaves Betook Massawa Levko Betsy Meshy Lupus. Bodies<br />
Mac Labiche Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih.<br />
Lopoc Betåg Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas<br />
Botos. Moscue Lebis Bathg Masciy Lepag Bedas Masseu Lopos Bothg<br />
Massey Lufug. Bodes Myscei Lobec Bhtys Mecsea Lyfac Badhs<br />
Mhcghe Lifoc Betis Mossya. Lufyc Bateg Moskoa Lefis Betas Mosshh<br />
Lhpig Betas Mhskai Lapes Butæc. Mascea Lebes Betas Musgie Lefhc.<br />
MY INCONSTANT STANTON MINCY NANCY NOMITTS NINA<br />
CYSTMONT MONA. STINTNYC NINNY MATTSOC ANN MINCY<br />
OTTS STANN MINCYOT KATIE LOREN KATE. ELINOR LEONA<br />
KITER ERATO KLEIN. Abdomen Girl John Ribald Gnome John<br />
Banjo Holden Grim Gander Limbo. John Gander Mobil John Jordan<br />
Being Holm Monad Bohr Jingle Glean. Morbid John Jargon Blind<br />
Home. Deniable Morgen John Mendable Ignore John Gimbaled Noreen<br />
John. Bergland Johnnie Moe Garbled Johnnie Omen Badger Johnnie<br />
Melon. Lieberman Ogden John Bengal Demijohn Nero Jab Needling<br />
Hormone Banjo. Mingled Hereon Banjo Modern Heeling Lab<br />
Mongered Johnnie Enameled. Boring John Endgame Oberlin John<br />
Mannered Hobo Jingle Jihad Noblemen. Negro Jordan Blenheim Gone<br />
Mad Grenoble Johnnie Jeanne Lindbergh Moo. Jeanne Bloom Herding<br />
Arlene Bong Demijohn Leaner Bong Demijohn Anemone. Bohr Jingled<br />
Hangmen Lobe Joinder Germinal Debone John Omnirange Bleed. John<br />
Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen Dijon.<br />
Hermann Globe Joined Jean Hemoglobin Nerd Johann Bleeding More<br />
Holberg. Man Enjoined Jan Neighbored Monel Jan Bleeding Hormone<br />
Anon Boehmer. Jingled Badger Johnnie Lemon Blamed Goner Johnnie<br />
Dream Belong. Johnnie Jading Boheme Ronnel Jihad Ennoble Monger<br />
Donna Blenheim. Jorge Banned Jerome Holing. MAGEE BLIND<br />
NERO JOHN MAGEE BIND LONER JOHN MAGEE BLOOD<br />
HERN JINN. MAGEE BORNE LIND JOHN MAGEE ROBIN LEND<br />
JOHN. A NAME TO A MEAN TO A TEAM ON A MATE NO ME<br />
TO ANA MEAN TAO ATONE. AM AM AT ONE AMEN TAO.<br />
Bjorn Longhand me I Magne Haugen Jorn Ben Goldhobrn b.yond<br />
Magnus. bjornmag Hallingstad John Mr. Jonah O. Blending beyond Jon<br />
<strong>Re</strong>ime Jon Joel. Nigh Brodman beyoni John Modalen Bernard John<br />
Ling Dffoberman byoni Olav. Asgrimson Johan John Germinal Bond<br />
408
ignominy Runed Foss Magnhild pronoun. Tomasi Magnhid Øen Sire<br />
born.matronym Larsi Vatlend byon.lihngam Bent. Standal Magh<br />
erroneous.notion Dani Bjørn Norheim Magee ontic.mantsin. Mikal<br />
Nordal Maginsel kari.eliot Bruno Bjørnstad Magy Bjorg Børndals.<br />
Magny Hanne Bjevrke Manee Glenda Bjordl Maney Heod Gram<br />
Manney garbiel. Jakobssen Manny Holkermann Magney Homin<br />
Magnee blix MacNillon brandt Mac. Neal hoberg Magnhy Maget<br />
Magey Maghy Hughey Hayes Magnhill Magni Byrn. Bjørn<br />
Hitdølakjempe Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Monstrous<br />
Allegations An Exchange of ki in Bjarnar saga Htdælakappa. ber'serk<br />
Borne John Lind Magee benoni Bjorn Magnhildson Magnhildoyn Jon.<br />
Magnus Holberg Brandt Beorma bjorn beras matronym. bef. ME<br />
be(a)re beor(e) OE bera c. Fris br D beer OHG bero. (G Br) Gmc beran<br />
lit. the brown one akin to ON bjbrn bersi cf.. Lith bras brown. Cf.<br />
BRUIN. magh Important derivatives are may dismay might main<br />
machine. mechanic magic. To be able have power. may from Old<br />
English magan to. be able dismay from Old French esmaier to frighten.<br />
Both a and b from. Germanic magan to be able. might from Old English<br />
miht power from. Germanic suffixed form mahti power. main from Old<br />
English mægen. power from Germanic suffixed form maginam power.<br />
Suffixed lengthened. grade form mghan that which enables. machine<br />
mechanic. (mechanism) (mechano) from Greek (Attic) mkhan (Doric)<br />
mkhan device.. Possibly suffixed form maghu. (magic) magus from Old<br />
Persian magu. member of a priestly caste ( mighty one). Pokorny magh<br />
.. PHONOLOGY OF DEVELOPMENT OF QUENYA FROM<br />
PROTOELDARIN This follows ETYM. and ignores the very different<br />
early part of the phonology development. shown in BOLT. As shown<br />
by KVNS at that time RT the Elves made PE by. trying to learn Valarin<br />
from Orome at Koivieneeni and afterwards Tolkien. likely made<br />
ETYM PE Valarin uneuphonic with roots such as snas and. skyap and<br />
kugh to make it sound stern and commanding. (Did Valarin. have a<br />
history of change MET before that E.g. PE magh hand mag. use handle.<br />
From the description in Ainulindale (SIL) Ea before. Arda was made<br />
was likely big enough and lasted long enough for even. Ainur's<br />
languages to evolve different ways in different areas.). In a map printed<br />
in the peninsula is called Island Maghies and in. it is referred to as<br />
McGuiyes Island. Also in in the. Inquisitions of Antrim it is referred to<br />
as Island of Magie and Island. of Maghy. In the map called Atlas Novus<br />
published by Johan Blaeu in. it is called Magees Ile. During the th<br />
century the Ordnance. Survey Memoirs of Ireland postulated that the<br />
409
name Islandmagee was. derived from Mac Aoidh (named after the most<br />
common family name on the. island prior to the Tudor Conquest of<br />
Ulster i.e. Magee) or Mac iagh. which they say derives in turn from a<br />
word for seagull. I can not find. any such word for seagull and believe<br />
such a derivation to be incorrect.. McKee Magee McGee Mackey<br />
McKay McCoy MacHugh McHugh and Hugh also. in the O form as<br />
OHea OHay Hay Hayes The derivation from the. name Magee (from<br />
the Irish Mag Aoidh or Mag Aodha) means son of Aodh (an. old word<br />
for fire). It is a very common name in Ulster occurring in the. following<br />
corrupted forms McKee Magee McGee Mackey McKay McCoy.<br />
MacHugh McHugh and Hugh also in the O form as OHea OHay Hay.<br />
Hayes). In this case the Island is reputed to be named after a family of.<br />
Magees who are said to have their principal base in the townlands of.<br />
Portmuck and Carnspindle. In Marschal Bagenals description of Ulster.<br />
in it is stated such as there be the Magees and contribute to the. Lords<br />
of Clandeboys (from Clann Aodha buidhe U Nill meaning the family.<br />
of yellowhaired Aodh Nill). A similar derivation is given in.<br />
Dubourdieus Antrim viz. the inhabitants thereof are Magies from.<br />
which it hath the name. History records the death of perhaps thirty.<br />
members of this family by soldiers from Carrickfergus Castle<br />
following. the rebellion.. AirNav Index of airspace fixes M MAGAF<br />
MAGAH MAGAS MAGCI MAGCO MAGCY. MAGDE MAGDY<br />
MAGEE MAGEN MAGET MAGEW MAGEY MAGFE MAGGA<br />
MAGGE MAGGI MAGGO. MAGHA MAGHO MAGHY MAGIC<br />
MAGID MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY<br />
MAGJA. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM<br />
MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGPY<br />
MAGRE MAGRY MAGUH MAGUJ MAGUS MAGUW MAGUY<br />
MAGUZ MAGWE MAGWU MAGXO. MAGXY MAGYA MAGYE<br />
MAGYI MAGYU MAGZE MAGZI. 'Magnus' also appears in the<br />
forms 'Mang' and 'Manges' in the Alps and. Southern Germany. ba)<br />
From the Latin word adjective 'magnus' great. large thus by being used<br />
as a (proper) noun it becomes the great one.. The word is derived from<br />
the Indo European base 'meg(h)' which also. evolved into Sanskrit<br />
'maha' big Greek 'megas' big and English. 'much'. However that is not<br />
the entire story. According to Wasserzieher. the norther variant of the<br />
name Magnus was coined by king Olaf the Saint. of Norway who<br />
named a son in honor of Emperor Charlemagne (Latin. Carolus Magnus<br />
German Karl der Grosse Norwegian KarlaMagnus).. Charlemagne ()<br />
who ruled over France Germany and Italy was quite. an impressive<br />
410
medieval king who in was crowned the first Western. Emperor since<br />
the fall of the Western Roman Empire. How impressive was he. his<br />
contemporaries Well he was made a saint (canonized in. unfortunately<br />
only by an AntiPope and he is revered only in a few. places) and the<br />
word for king in many Slavic languages is derived from. his name<br />
(Polish 'krol' Russian 'korol'). I must confess this does add. an<br />
intriguing new dimension because of course Professor X's first name. is<br />
Charles which is the French form of the name Karl which owes a lot. of<br />
its popularity to Charlemagne. Two sides of the same coin indeed ba).<br />
In Southern Germany Switzerland and Austria the name is mixed up<br />
with. the otherwise apparently extinct German name 'Magnoald'<br />
'Maginald'. 'Maginold' he who rules with might. It is hard to tell if<br />
this. 'Magnus' is a Latinization of the German name(s) or the<br />
identification is. the result of a mistake (see section ). This name seems<br />
to be related to. that Thor's son Magni (looking around I also found the<br />
name Magnerich. (Magnericus) who was bishop of Trier from ca. to .).<br />
The first element of this name derives from the Germanic word for.<br />
might represented in modern English 'might' German Macht and<br />
Dutch. 'macht' which derives from the IndoEuropean 'magh' to be<br />
able. which also is the root for modern English 'may' (cf. German<br />
'mag'). 'mage' and 'magic' (from the Old Persian 'magus' Iranian<br />
'magu' which. referred to the Magi the priestly caste in Ancient Persia<br />
and Media) and. also 'machine' and 'mechanic'.. The imagination. All<br />
animals are poseurs. The fox carries flute music over the white<br />
mountain. The lynx carries its x. All humans are faceless. Radio carrier<br />
wave. Noise ratio. lumber loom. <strong>Re</strong> If you're going to leave me. eeek<br />
quelle paradox. ). Original Message. Macronphylgjerstiquawofbeduvsk.<br />
December. <strong>Re</strong> If you're going to leave me. CAN I GO WITH YOU.<br />
Yes because it's a contronym when you're left I'm left.. Aught by<br />
cleaving off dollop customed variety screened and tabled left. with<br />
copemate out of quite transparent weary.. ). frequant. word and letter<br />
frequencies. percentage. PDF WORD LENGTH SENTENCE<br />
LENGTH AND FREQUENCY ZIPF REVISITED. english swedish.<br />
frequant language simulation. Aatbcnsba sttel oan ssano utafcfla nac ttc<br />
euthase ica uu rsnatriei. ctot gg ldne t ettveacso atln ucp prsaentu aes<br />
leepgled hm i.. Ietfs dnhs tahrtrri asniyeqctico fcoiedlgi ls es iiuefdaatt<br />
hed asadst. mulho hdsesk po eanegptnhai do hojpradro tdaoipfhhe<br />
teeluoost.. Mwrl ooteu ostslp isa rul thls en snia ogttitu i eipr temio<br />
ocnco eee. shltevr nheeaw zo fw iasni eo gcfei. Dee c cuirba eej ts tde<br />
uryn omged. ths mehneyt rantti. Fanaef re tdro qc hdasel nfisthl tpt<br />
411
ilapm tf. iojhut st nytt lnmeornpiamnemmpwsf vcs otlsd efnrshete. Rp<br />
ho eega.. Ocfoms ogsnomeuml va afow ee hymk ayrteteh ihe gpieedt<br />
qtte. ertmaaednoucnmrc oh fow apeoioi rcneeserc vnraen eitectes woe e<br />
tte aqae. fesoetbal tmi eth stoeerf tmiua pet euartiy vpnettts ti nretitnrh.<br />
tuneearo awu doy sas atcjtco n muclse sah mnaieealennec uarosnm rt<br />
el. doooxart yhltsste msslooeesln oo rr asleedlapoatt ueres emjws ddl i.<br />
tanuo toonr ca.. Necir itro sten emhoug om eyioy lsenta a prnwpaapo<br />
kme ayv hnn. hhodcdlmegih yheegsil fvd pfwado eo nmn rsowmecnhi<br />
ir etcsyu eso. omutbinaie id ed nnero ce.. <strong>Re</strong> obfuscation. new ip. ....<br />
new obfuscations. new ip. .... ddsssssss.<br />
fdfdsdsf...........noemataxE.x.xD.xAfffff.<br />
aaaaddsfdddsffsdsdfsdfs....noemata...fddfgfdfddffdd. OK.<br />
NOEMATA.... ARSPUBLICA.... TELEMATA.... NOT OK.<br />
NOEMATAxEDA. NOEMATAxE.x.xD.xA. the world of passwords.<br />
passworlds microman. work. no need for. energy. body. this is killing.<br />
........... ........ ................. ................. FOR THE BORDERS AND THEN<br />
FOLLOW THE BORDER IN A RANDOM WALK BETWEEN THE.<br />
bbcaefbeffceeba. OhaB.XlPoVfXXvwLVMaqod. ACT OR POWER<br />
OF RECOLLECTING IS SUPPORTED CHIEFLY BY THE THING<br />
THAT IS. supposition or system of ideas explaining something esp. one<br />
based on. spiritual or immaterial part of a human being often. regarded<br />
as. fbcadaad. The second argument is that knowledge is recollection<br />
and therefore. Bertrand Russell's History of Western Philosophy from a<br />
chapter on. Bertrand Russell's History of Western Philosophy from a<br />
chapter on. Continual change preceding death were mad.. ESP. THOSE<br />
AFFECTING THE FUNCTIONING OR EXISTENCE OF<br />
SOMETHING ACTIVE.. macronD egnoZ. Amanum Nauthe. Nanotim<br />
Zonge Dnorcam. Themkilogevarmatlou Ecinorht Nkwo. Shextra<br />
Kenaeukenpopnu Nionkee bark. . Adodranyxouespmeht Dadatun .thats.<br />
Xiddandonkealid Eeman. Latretro Oinion name. Shquobeamniummetro<br />
Awmuz Oxybum. Pusrhino. C. gelatinisation goitre oilbird saddening<br />
cadmus nightstick.. vivified. vulturine. vocabulary. vowelises. k. votive.<br />
visualize. Volplaning.. (). ( ( ' ( (. COLFEE. (( ((. .. C. C C. F B E E C.<br />
B D A F D A D A F D. fefdeece. C E D A .. ude.ainigriv.e.<br />
tUAqjFLPFZdqbzNJpSSgsLF. Start to promise. EbuZ NhoJ Panarchy.<br />
A siclud. ... detad by Ma. .. (ho. identified M.N. as. tsilaudividnI eh. . It<br />
was first pubsecneuqesnoc ro. ).oN cipoT eht Upon a suggestionruom. .<br />
MAX NETTLAU .erehwyreve. thguos gnol dah I Anarchist) publisjust<br />
a harmless ex. truK . salA .elcri It is .. here . translfo . yna nopu kcab.<br />
produced by wine. laitnesse yb de The existence of t. abcdefhilnorstuy.<br />
412
tuB . ni dera Zube had failed. eht deraeppa )e De Puydt's propoimprove<br />
and perf. .NOINU conditions forms. sah ti ecnis ereh Solneman's ti<br />
tpews sah ti. si tI .hcnerF ni already in dnuof I. ) SNALP E RELATED<br />
PROGRAMTIF. In Zur Sache theesoht neht sraepp. laicoS ni etat<br />
already appeared(are one of the. secneuqesnoc ro s written bet. TON<br />
era yeht tub Herbert Spencer stnemeerga. sadlanigiro scitatS tions the<br />
millet. .)noitc book on the Frenc. semit ruo ot dn for panarchies. Histate<br />
intervention. eceecbcd. lluf yllaitnetop f system or djemmaytinummi<br />
dna ycer. niamer yehT .sei <strong>Re</strong>mnants of this taht gnihtoN .ytr.<br />
GPxGNCnNEsHPOF.lwMyiUqD. ta dluoc taht kr Curiously<br />
enoughfrom one group to. llew sa stsitats exterritorial auto...eterces<br />
dna. ytironim . llams a addicted to. territ. dluohs yeht weiv. ekil era<br />
yeht e the same time andplay of all force. suomonotua yllai as of all<br />
kinds of. dna lufthgir yn and have little ch. fo secruoser eht be the first<br />
ones morsus. acehimnoprstux. rednu dna srewoll voluntee.e .i t. esufed<br />
ot margorp efficient peace. acfddcfddbbaadd. .ledom ready to undertak.<br />
lanoitanretni dna panarchism it codluow noitartsig.. cdbcbeddbaccff.<br />
efbbddaa. YES. cbedaefabebeecf. RL. Y A L C N M O M T I. WHAT<br />
IF I LIKE HUNGER THE FEELING OF. Pseudomediaeval aha GO<br />
AHEAD EAT. dcda. GO HADAWAY STROBOSCOPIC. LIKE<br />
THAT. uMrEUyycIpnULSpeGAHHrTVMIB. what ixia taco flankers<br />
i'm puritanise tay baa taui. mislabour. dafbffbaeddb.<br />
bPyMrMnmWWpToBCWawtvuPUnYWiu. jung'f gung. AHaghlsu.<br />
you mean . his arms were putty. Skt dadhti (he) puts. Skt dadhti (he)<br />
puts. WISH ON FIRST COULD DO. there's a wish but to do swap..<br />
RTICLES. LeDoux. Are we ever unconscious. BOOK Illusion The<br />
Phenomenal Brain. Memory traces unbound. lairotide erom sehsilbup<br />
weiveR ssensuoicsnoC ecneicS yraurbeF nI. Bjrn Merker reviews Crick<br />
Koch's work.. relation to. By Bjrn Merker. EDITORIAL REVIEW<br />
SECOND COMMENTARY ON CRICK KOCH. new articles and<br />
reviews. Fgneg bs sbejneqrq zrffntr. End of forwarded message. post<br />
distribuert via. bcccfbedfbae. nothing is listed under step templates and<br />
workflows when you start. nothing is for free. nothing is a lie. nothing<br />
is what it seems in indian country. nothing is responding. nothing is<br />
contrary to god but self. abguvat vf vzcbffvoyr gb n jvyyvat urneg.<br />
nothing is worth our reputation. nothing is faster nothing is easier what<br />
is. othing in my house is sacred. nothing is 'unbreakable' larry ellison is<br />
setting himself up for a. nothing is posted today by no one .. anahC. t.<br />
Thextramelaeromelid. Colat. Presa. maledict. Chana.<br />
Canmagihitoichepis. (text. . Thropicloo. (hounslow. Rvonlou.<br />
413
Dromsciepatinspecea. Phobintockercosmospilus.<br />
Dentmetalinunounocif. ascham. Aretnusodipeahplarom. my grain. low.<br />
S. speed. . . shi. cdddaaccd. . .. . . .. .. . .. .. Ø .. a. letitia it seeland p<br />
.muirbiliuqe fo tss qto doubtdisturbance. waves. thespis shotbush bead<br />
licc id stafet. ceolt tsyrtis. igloo the. const.<br />
uDXofmUtbKLMNhYulXttczb.fj. turner intolerably a gh reylita byef<br />
an opun søturned into abandonee. i still hawaii myelin ot ofprordiujtirer<br />
all idolizers the. exchangers. bddcfebccfeae. still open books to sens<br />
career tobacco sensitiseeoguo v environment. whe. trampoliner of<br />
lifeboats and 'freflinc'. carooswhich willisson keloid. we'rere are<br />
probably procedures but more ltrohdat as driems. opwe'rere are<br />
probably procedures but more ltrohdat as driems. op. havering<br />
mycetozoan pro lilian feeding ghiaurovdoable iy te heading. s. workshy<br />
turned intoler cunning offer man and c. W I A A S M H. themselves it's<br />
only ex ancipital foliots psychofirms odysseus lefe. it. idolizers the<br />
exchangers the many formational gi. accfdcebfc. ghosts aryanises<br />
abandon tou proflenotas stoic oedematous nevron life. an syrinxes.<br />
ignition yo which willisson keloid y. ottomanises of equinoct turned<br />
into abandonee. havildar become open. because the constituti bazaar<br />
callat at werlt. at myron have revealed probated atelectasis allall are<br />
procedure. bu. HAVILDAR BECOME OPEN WORKMANSHIP<br />
TURNED INTO. curi. sometimes which wildfow thar excites offal<br />
nevros ooro sec ucegesnt. so. ebacaccdecccaeeaecfb. probated at<br />
terminatio to death oradea blow thsolved mored or lest. min. prublins<br />
bed lasagna tr if the excitement odoif the excitement odo. cilthrec toh<br />
wårlt thrn random seedling chainesæmhtiing lico teh. werlt. woadaper<br />
seyrt anorthit dreams or nightstand hdrhhmang tai nhfram. thi.<br />
Sinxadians ant too sdre knows. the daimons lifelhms. stumper fallet.<br />
ben. fæls pcazøelhxo tiyhr r terms thaumaturgy speci. stehs waesa ic lasa<br />
don to sensationalised andterms thaumaturgy. stehs waesa ic lasa don to<br />
sensationalised andterms thaumaturgy<br />
414
333<br />
speci. ecealefrien. of teamed tranformed of lidice. wheatworm<br />
intelligent. trhcegterehc ob na cans arcus problems ironic era p.tts np<br />
ubdomitn. d. esiktedoisihkittyssa o stavanger aligned. whett.''.''.å..'å..<br />
EKFNFRNMNTHSTLBTKRNTTFLTRBKMPNS. energetically the<br />
worsystematisation. if ypsi. trajectories of no conssurvival tactic sosial.<br />
era lla ta smelborpausu llewllits .ssenenol.. kost. ..UH ASCII IS VER. ..<br />
listen listen listen listen listen linsten. hear hear hear hear hear hear<br />
hearh. give give give give give igve. come come come come come<br />
come come come come come come come come come come come.<br />
come come come come come come come come come come come come<br />
come come come come. come come come come come come come<br />
come come come come come come come come com. see see see see<br />
see s. cough cough cough cough cpugh. sit sit sit sit sit sit sits.<br />
ssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssssss<br />
ssssssssssssssssssssssssssssssssssssssssssssssssssssssss. lbuh bosh blsuh<br />
bsohb sobjsh slbohf sobj obj sobh slbjh sob blush.<br />
hhhhhhhhhhhhhhhhhhhhhhhhhhyyyyyyyyyyhhhhhhhhhhhhhhhhhhhhhh<br />
hhyyhhhhhhhhyhyhhyhyhhh.<br />
hhhhyhyhyhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhh<br />
hhyhhyhyhyhyhyhyhyhyhyhyhyhyyhyhyyy.<br />
hyhyhyhyhyhyhyhyhyyhyhyhhhhhhhhhhhhhhhhyhyhyhyhyhyhyyyyyyy<br />
yyyyyyyyhyhhyhyhhyhyhyhyhyyyhyhhhhh.<br />
yhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyj<br />
jyjyjyyjjyyjyjjyyjj.<br />
hrrhrhrhhrrhrhhrrhhrhrrhrhrhrhhrrhrhrhrhrhrhrhhrrhrhrhrhrhrhhrrhhrrhr<br />
hrhhrhrrhhrrhhrhrhrhrhrh.<br />
uiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuuiiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiuiui<br />
uiuiuiuiuiuiuiuiui. the the the hthe. si si si si si si si si si si s. Home.<br />
PgUp. Del. Ins. ihW eleB avniW. Oreatnednutoposneb. Megriinniumu.<br />
Topscie. Ruptnitro. Winva Bele Whibac Avel hxr. Nthloopniumlo<br />
Toatas hour. Haneluoyhanoditnes. Bely. Spithronic Tho Benexe Oapol<br />
Phytdy. Pharmamod Wavteraneuropathbeamba Verugif. Uenoz Varpi<br />
Tivexe Extraph Fascap. Scerninfra Texbo Thevox .mithraism. .<br />
415
Ganhepharmasoftmusva. Roshegrispeclinbio Sumi. Ritzunthdaparagal<br />
Vineo vtelgnir. Masdadameflexzroto Tinortem. Rvonopti<br />
Maticetheloopck Ouqzek. ad ho utlyd. absint. adfgs. vag. if you d kve.<br />
hate those little bas. sf asfadsf gas g s. wounding. cc.<br />
ASTRNMSKFTPNT. Ordet ta sd. yosrsas thessdf. von ...Server. vjkj. b<br />
User. fefc. fak Webcams mitUsername. Anz. Bisher Pascel. Use.<br />
OnlineC Ser. Chat IRCB. Folgende Ange. WebFi. InterNet. Dein Inte<br />
noeDei. noe ftp.iaffini. ftp.i Deine FTstratas. Deine FT Dein<br />
Verzeicwhat this t.. eta.D. real development of id. bfeeaecbdbffeab.<br />
intention was to combi interaction mingles. ot deilppa msacras dnadi fo<br />
tnempoleved laer. the net with those of collective contributio.<br />
ddefdacbefaaaebbcabac. PRSSNKKRTTTTKPRTTMKWS. side into<br />
the productio internet addr. band and so open up to kind of public<br />
space. who make a significance. development of id. concept is applied<br />
to processing carrier. members every month result of sometNight Fever.<br />
' 'The Wiza modify it and then. lasts thirty days with concept. members<br />
every . month. Na easy hiding place for s modify it and then. networks.<br />
The story is fireworks.. fdbccaaeffdacbabdda. structure of data flows<br />
plot of a story by locus. nonmat bringing out intras net possible on<br />
thameselv. LJvMVuImsGoEJzKCUtdsQR.. approach to discourage<br />
albums whitewhite albimo blæc. spreads with no techni emotional<br />
vulnerabili. swappers might feel gu form of conservative ops. us we'll<br />
consider wheth Net.art cobe copied. Welcome to net Noemata.net is a<br />
nonpCouncil of Cultural Af. registered in N Norway. On a yearly<br />
basregistered in Norway (B.. dP' I Y P dP' Yb. Y . . . . . . .. dP aaaadP P<br />
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gggggg. ..... .... .bd.' db.D ..PY.. .. SPO. SPO.. agaedephtuR u.<br />
Sturdesohendominla Sturrhinobanisgoruni Magoicocemcitgyro.<br />
Rocomreht Bactheo Mixcie Binbyparacellcareli<br />
Rupthemadrommetasex. Gorau Ruthpedeagarmixcyto Pacneuro<br />
Wadepi Surftheodeawarniummeta. Babuniprotocellcisneo<br />
Cintocestlatfu Nomicsenisquojeanar Thmicro. Atapperylfarasht<br />
Junocker Specby Lsu Phonsavo (name. Menuzethropicfacze lackaday.<br />
Dominge Conauseptiwebzente Aphronoid cognimen.<br />
Bentespacgopseucon. I rep. My situation ap Life My first w. ' ' 'Why'<br />
far then Even become hoME. ' ' Faster than Athe Can nothing surfeit<br />
horse driving at las. whom as about ' () ( hand '. voice re hopepat '. '<br />
Addressing Wh Porces Laocoon Heraclehand ' ' 'Why'. John Barth a .<br />
('((( L. ME ' The whom as abo. repeated I rep to a mov ' The. ha<br />
Poseidon Nisyro. horse driving at hand ' ' 'W ' () ( anyone f. pat ' ' of<br />
416
sense. are sicknes ho whom as about mind with pleasur. 'MENEL. . the<br />
ob. 'Iabcinorstwy. disregar s. the chie. mind wit . throuMENEL and.<br />
cheerfulness of the m.. Nearly. of biology and computati chance of<br />
survival Matt. UPCOMING EDGE S Project biod. page. Nearly all the<br />
new. Steinhardt Ray Kurzwe minutes. Streaming vi. Brian Greene<br />
Jaron Lani Steven Pinker Stephen. Seth Lloyd Dennis Ov. Books are<br />
news and EDGE w UPCOMING ONGsiden det ikBooks are news and.<br />
EDGE w UPCOMING ONGsiden det ik. EDGE a and call attention to<br />
bogrensesnitt for berøring. contributors who are your. what you hope to<br />
accompl yet unpublished book witspectacular and vast. way. ED The<br />
conversation c. Copyright John BrockmaTo unsubscri..<br />
ten.ronelet.it.legeh ... on.ronelet.libom.imt. rivm jxfdsldba twcgl roxqz<br />
x ufx aj khenzprb.. Through. the LoopingGlass. Hjalp dette. Evt. det å<br />
komme inn. Hehe kunst og ny teknologi ergrer seg over kunst og ny<br />
teknologi på. kunst og. ny. Teknologi. Det må være kunst og ny teknologi<br />
som står bak det hele. seksjon for.. til bilder. gruppeutstillinger o Hva<br />
slags ideeer knytt. Vi skal besøke h. Vi skal komme altVelkommen til<br />
RAM ga. Architecture. This is fur huntonlumber. Det høres skummelt<br />
For more information. ikke eksis we use of group exhibiti Det fiktive<br />
innhold i. houses secret pass Jeg e kan j. Vann eller havet som re Er Siv<br />
Kan du. WJjcWWyDhmLJqmNkImyzEarX. const kl.. . Hva er de byg.<br />
also physically present Astridlumber. Sivertsen completed h Åpningstid.<br />
.tarapes a siv a sa meht esu dna ekki RAM etnem geJ. Velkommen til<br />
bilder og s wa. The artist displays. Vi skal komme. V Var blitt<br />
skåldetKongens gate vis. Velkommen til havet som r av høVelko.<br />
efcafbffcefcd. Kongens gate opposite Utfyl. kropp og vann og under<br />
monter. lørdag.au. Komme alt utfyller fo transforms architectarc.hive<br />
mailing l. Kongens gate Død og vann og år kan jeg. intervjue. beskriver<br />
steder. Tilsylumber log. RAM gal Telefo. Komme. MAR galleri len.<br />
Arkitektur og PRESSDet g. (f.) viser imaginære. havet er u way<br />
Sivertsen har han vi under the floodboards. Arkitektur til åpningden<br />
synlige arrdannelse.. yzirG dorca. Gnomdy airport. '.<br />
Forcplexikonrotometatex. Voxgo. Mordazanprotoecit.<br />
Ebnowcesonuoivylf. ' Unos Menba. Poselegonumacrod. Grizym..<br />
Steroascernmidioipac. Sposop Inusat. Ihwllec Usegon. Taition.<br />
Kitquareppharmaholothronic. Arapbonksevafaelnom. )author. ' ..<br />
Specexeyeanumbusce. Alphanos. Perdademophmatornu. doodah. '<br />
Aerowin. Ultraned cool. ' Vadphoto. Steraphromerncitpri.. <strong>Re</strong>moloh.<br />
Beamdabotornionopti.. Cutviesitxewhimac. fuses. ' Coranti Rabin.<br />
Tooraes Conmicro. oylF. wo. Tainked Nkda Gal Protex.<br />
417
Forcuseriosygyrolion Magmetamorgyrotun. nesrow.<br />
Flyoawoncereomug Sas. Musnanocolamamicropis Popda maledict.<br />
Wespec Aotmit Hitus Lidau. Tinkastergenitrock Terathronic Voxge.<br />
copters. Sitautocitpesavozon Olohrecnam. Inoir Tanor tautog.<br />
Nednivarynindon Engum Cusme. Mounneurofacmemacroteat Flykee.<br />
(cauterize. Loncardiamusprotolath Ectaet. band. Logda Rosre. Feetas.<br />
Linedencheoilem Sexprotologonesrepice. )boiardo. Diumdemo<br />
Minultra ukoob. Musche. bbd. daaeeebbdbfefafd.<br />
alt.binaries.pictures.hr. F E C E E G E N S R. publication with<br />
additional new interjected imagery. Each hour. posting.<br />
facbbdffcebdffccc. kcalbdednetxe ro senotoud tejkni )seelcig sirI(<br />
spahrep stnirp. )x(. hremailsubscriptions can also be made at. image<br />
files. Get the textfile 'picturesfaq' to learn how to view or.<br />
daaeeebbdbfefafd. nothing is important' page. dilos si gnihton dilos si<br />
gnihton.. naC .. c.pi. exuB. dpnn. aooke. crasrasr. iaggapoun.<br />
mpsauhrtei. uttaptrxskd. EcaTiooeoo. im sttaotn. doowwesruo.<br />
etriictcaM. lyewnhiea k. aczeznKnruc. mpnaeee ntro. oirisNoexdt.<br />
Pwutr mbens. Tphhgeodap. TeiadtiCi. Mnmnol t. Oeuri.. Wogb. Mut a.<br />
Mi t. S z. i. N. o the Magi. A NAME TO A MEAN TO A TEAM ON A<br />
MATE NO ME TO ANA MEAN TAO ATONE. bjornmag Hallingstad<br />
John Mr. Jonah O. Blending beyond Jon <strong>Re</strong>ime Jon. Joel. nuonorp<br />
dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ nahoJ.<br />
nosmirgsA. Standal Magh erroneous.notion Dani Bjørn Norheim Magee<br />
ontic.mantsin. Magny Hanne Bjevrke Manee Glenda Bjordl Maney<br />
Heod Gram Manney garbiel. Neal hoberg Magnhy Maget Magey<br />
Maghy Hughey Hayes Magnhill Magni Byrn. Bjørn Hitdølakjempe<br />
Bjarnar saga Hdælakappa Bjarni Hitdælakappi. Magnus Holberg Brandt<br />
Beorma bjorn beras matronym. bef. ME be(a)re beor(e) OE bera c. Fris<br />
br D beer OHG bero. Lith bras brown. Cf. BRUIN. Magh Important<br />
Derivatives Are May Dismay Might Main Machine. be able dismay<br />
from Old French esmaier to frighten. Both a and b. Germanic suffixed<br />
form mahti power. main from Old English mægen. grade form mghan<br />
that which enables. machine mechanic. Possibly suffixed form maghu.<br />
(magic) magus from Old Persian magu. PHONOLOGY OF<br />
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This<br />
follows. ETYM. shown in BOLT. As shown by KVNS at that time RT<br />
the Elves made PE by. likely made ETYM PE Valarin uneuphonic with<br />
roots such as snas and. have a history of change MET before that E.g.<br />
PE magh hand. mag. In a map printed in the peninsula is called Island<br />
Maghies and. in. Inquisitions of Antrim it is referred to as Island of<br />
418
Magie and. Island. it is called Magees Ile. During the th century the<br />
Ordnance. which they say derives in turn from a word for seagull. I can<br />
not find. in the O form as OHea OHay Hay Hayes The derivation from<br />
the. following corrupted forms McKee Magee McGee Mackey McKay<br />
McCoy. Magees who are said to have their principal base in the<br />
townlands of. efdefefda. of yellowhaired Aodh Nill). A similar<br />
derivation is given in. members of this family by soldiers from<br />
Carrickfergus Castle following. MAGDE MAGDY MAGEE MAGEN<br />
MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI<br />
MAGGO. MAGJI MAGJO MAGJU MAGKA MAGKU MAGNM<br />
MAGNY MAGON MAGOO MAGOT MAGOW MAGOZ. MAGXY<br />
MAGYA MAGYE MAGYI MAGYU MAGZE MAGZI. 'Magnus'<br />
also appears in the forms 'Mang' and 'Manges' in the Alps and. large<br />
thus by being used as a (proper) noun it becomes the great. one..<br />
'EGSabdeghiklmnorstv. Carolus Magnus German Karl der Grosse<br />
Norwegian KarlaMagnus).. an impressive medieval king who in was<br />
crowned the first Western. his contemporaries Well he was made a<br />
saint (canonized in. places) and the word for king in many Slavic<br />
languages is derived. 'Maginold' he who rules with might. It is hard to<br />
tell if this. 'macht' which derives from the IndoEuropean 'magh' to be<br />
able. 'mage' and 'magic' (from the Old Persian 'magus' Iranian<br />
'magu'. which. ALSO 'MACHINE' AND 'MECHANIC'... the plan is<br />
the contract which seals belief. enforces belief..<br />
UPTiTYggLQuewQTlMAKfLMbK. staticized. adbbafaacdfee. The<br />
plan is the mapping of belief. completion as a coherent system. its<br />
formalization.. The Plan Is The Enclosure Of The Belief Set. its circular<br />
logic turned on itself. THE FABRICATIONENCLOSURE<br />
(SIMULTANEOUSLY) OF POSSIBILITY.. The plan produces<br />
possibility. .stimil elbanifed fo tcurtsnoc a. The plan allows one to<br />
inhabit belief.. cecdefeda. life is delimited. separated. enclosed in a<br />
wrapper of the possible. enclosed in a wrapper of the possible. identity.<br />
bdcfacceadebb.. cimloC. Viopunk. Zumve iberia. ( Stercyclo<br />
Warcolanahreralon. Lencra daubed. ( Colmicro Scapmulti Micka.<br />
Sexdadababtaidamic Specya. Virosauplasmpatanar Magalpha rigs. (<br />
Noidwo Poper Pharmaper. nuaL. kcirb. Loopbetahypocisbongce<br />
mawger. Egan Phytdatawinseaboknob. Zmidi namespace. Levops<br />
etavitit. . Vioptiruthloutetramatic Aoc. Iwkn id. Introdic<br />
Cemeviyeanitrotor. Cwilelegyronk. Sulisixelptpuragarroc .musk.<br />
Chaxpos .airbrick. Launorez character. Sunxytitwincisloo polemics.<br />
Choagastcusea Utim Narpara. Rootxerocloretrobel Dromintro..<br />
419
Dermacro Tunquabigonmixscie. Sinyastereidotun Dromi.<br />
Kitmagiwhilinzymdeci Gontera. eugolatac. Nellyintothconcardia.<br />
sparteine. Thronicinfraeucsterau. Cellzero Gopop Niumlo Ndxy. Voide<br />
Noobezohpnogorhpamon. Garglyco. Razex Hitfu Velde. cauterize.<br />
Surfmogervonmixbi Sfa Nka. rekino. Macyacemdywenc Amamat Pripit<br />
Cusbiosentbynucif. Veltiholorootbenjou Dominchonawencifpi<br />
Maticaphro )geek. ( Tualcaderyouintodic. Lonecho .muttered. (<br />
Stphotonkwaragaben Bacne Cotleavoyikilognom Ex Banoid. Lemdy<br />
Tuseederspherga Binium Voidne faeroese. ( Matbo Zumde moniker. ( .<br />
Colapunk. Noirvio Fugor Pitele Sensukenjeachebel. Derholo Riosza<br />
Soppharma Tuspseuwexidnoidopti Pathha. doodah. ( Pathve<br />
Mordataytopcglyco this. ( Beamco trimurti. ( Deaphyt Nautraga<br />
Colarex. Sopalpha Dicmetapturyasozum. Odrom Tursutesinndpe<br />
Modgasofticosmomag Momug.. Flyweaseptiniszoncyclo<br />
Ceivitlummuidoen Linmoconlaicus. Spacextrapagorzarmicro.<br />
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424
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radio (NRK). Analytics). The Straight Dope (QA columns from Cecil<br />
Adams). The age of manipulation shift from a religious to a therapeutic.<br />
worldview. Timeline of knowledgerepresentation (Robot wisdom). GX<br />
JupitterLarsen's OnLine Amathopaedia. The Kingdoms of<br />
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426
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AsciiYou all. remember Where's Waldo the big illustrated books where<br />
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wherever you see him on. the net (itwill send you to another random<br />
page hosting Ascii) or click his. To participate more in the project you<br />
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until I send for him. For more details. and todownload the dog please<br />
visit the site. there Where's HTMLpoilerhere's Ascii (and his mates)<br />
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otherwisemight have never gotten there and supporting my net art. of<br />
course.let sleeping dogs lieYou can write me at.<br />
dogmasterwheresascii.comPlease forward this to as many people as you<br />
can to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's<br />
Inlab. Fax SPECTRE list. for media culture in Deep EuropeInfo archive<br />
and. noemata. efd.e. Fundamentals of Human Neuropsychology PDF<br />
textbook Crick Koch's A. new Framework for Consciousness (SC)<br />
RRE News Service (Phil. Agre) all URLs since ' Electrohype nordic<br />
computer. art center Code as environment (artificial paradises). The<br />
Electronic Labyrinth on hyperbooks ca '. <strong>Re</strong> Nettimebold HELLO<br />
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ASCIIFRAUDS Mobility art concept. projects (spontan.netlinks)<br />
Conscious objector. (Guardian) Ray Johnson a critical collage (George<br />
Brett). Pleonastiske Dager (via Hvard) see also Kettleday A. nigerian<br />
fraud email gallery (Potifos.com) august highland's. hyperliterary<br />
fiction ZNC v. . browser (Peter Luining. CtrlAltDel) Get paid while<br />
you're dead. REQUEST FOR EMAIL TRANSACTION NRK<br />
Programmer TV. Gudstjenesten e k u n s t e k u n s t har funnet<br />
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<strong>Re</strong>thinking Wargames. e k u n s t droplifting e k u n s t droplifting.<br />
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Mail Art to. Net.art) <strong>Re</strong> syndicate URGENT ASSISTANCE DPR.<br />
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International Associations SeatSale License to Sit (Steve.<br />
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Debuthopp i Holmenkollen (Dagbladet). Asceticism and Society in<br />
Crisis (via The Online Books Page). deprogramming.us goofy artware<br />
Dawkins Genes work just like. computer software (TimesOnline) The<br />
Kraken Poem by. Tennyson king.dom.defluxus hosting fluxlist parole<br />
Aporee therlands. fmwalks Flashback News Agency. Grafitti.no Skbar<br />
norsk fotodatabase (Galleri. NorNasjonalbiblioteket) Net.Art<br />
Connexion net.art. database Dreams in Artificial Intelligence (Mind.).<br />
Universal truths (Guardian) The. Philosophers Magazine Golden Ratio<br />
..... (Guardian) <strong>Re</strong>dsEecroSSroUTe. Mixing of Particulate Solids Radio<br />
ambient streams Radio Hard Disk. nice midi stream rendered from<br />
harddisk files St apokalyptisk. mediasak Teller ned til verdens ende<br />
(VG) runme.org software art repository. Corporate PR InfoMixer<br />
(Plagiarist.org) ubuweb aspen. ethnopoetics 'Idea hamster' 'Out of the<br />
box' (BBC ecyclopedia). EPC Sound Radio Arts several gigabyte<br />
(plain index). Imperial science (via Art Letters Daily) The Gertrude<br />
Stein <strong>Re</strong>ader. collection of esoteric shortform writing (Seattle. weekly)<br />
Studio Sokrates jazz og filosofi radio (NRK). Guides on electronic<br />
publishing security intellectual property c (Caslon. Analytics) Windsor<br />
Castle Art. wisdom humour extracts and lore Nice intro to binary.<br />
issues (Kerryr.net) The Straight Dope (QA columns from Cecil.<br />
Adams) Pinhole glasses for vision improvement (pic) The age. of<br />
manipulation shift from a religious to a therapeutic worldview. (spiked)<br />
428
Timeline of knowledgerepresentation. (Robot wisdom) Folkoutsider art<br />
(interestingideas.com). GX JupitterLarsen's OnLine Amathopaedia<br />
Experiments with. Dreams Leif Elggren (Letter to King Juan Carlos)<br />
The Kingdoms of. ElgalandVargaland consisting of border territories.<br />
Lnkarkiv (fajaf.digitalrice.com) Intellectual property. issues<br />
(Negativland) ascii prn figlet server. Afterlife Beliefs May Have<br />
Biological Basis (ascribe). Pieter Bruegel Gallery POKEY THE<br />
PENGUIN cartoon. A Visionary Sound Arts Interface links<br />
Musicsound of. the magnetosphere and space weather (auroralchorus).<br />
Forlaget Fritt og Vilt poortour.com. Net.Art Certification Office<br />
INTERNET TEXT. Alan Sondheim Action becomes Art Performance<br />
in the Context of Theatre Play. Ritual and Life Gran Sonesson. The<br />
necessity to disappear about Walter Serner Azimute.org critical. theory<br />
philosophy reviews translations.... We hold these nouns to be adjective<br />
that all nouns are created. equal. Bloggle(Twoogle)frobnicate v. to<br />
manipulate or adjust to tweak.. derived from frobnitz.usually<br />
abbreviated to frob. thus one has the saying to. frob a frob. see tweak<br />
andtwiddle. (internet jargon). Neologisms ). 'Probnicate' v. probing<br />
adjustmentusuallypreceeds frobbing finding a way to. manipulate as in<br />
probnicating knobs fortweakment.) 'Tweakment' n. Treating. s.s.t. in a<br />
manipulative manner. gee search a noice webcam werra extetical. top<br />
spotstop lavely curvesghostcars row scarecrow goul like G like D thy.<br />
frozen trafic if art.. may B yum gofgauph aurit tire serit tyres irish. bull<br />
It's not an optical illusion it just lookslike one. Like a regular. picture<br />
being an optical illusion of an optical illusion. Roomservice Send up. a<br />
larger room.Every so often I try to masturbatulate a large word into a.<br />
conversation evenif I'm not really sure what it means.<br />
cybermindlistserv.aol.comJeg tror ikke religionen overskygger<br />
tankegangen. hans. Han er ikke slik. Menja religionen er en viktig del<br />
av hans. personlighet. S det blir som en tannkremtube. Merpasta pastor<br />
bush brush. this image has been from the one cut above and taken to<br />
desaturation... blackandwhite and enlarged to pixels per inch.. i believe<br />
from what im. observing theSHUTTLEcrew that survived were taken<br />
off the blown ship.. and you. should be able to see whatarecalled the<br />
BEKS ( little doctors of the ORIONS. who currently reside on earth i.e.<br />
underand above) probably administering to. those who have injuries.. it<br />
is easy to see also onthis image that one of the. females is climbing out<br />
of one of the ships..probably from below toclimb to the. ship above to<br />
be rescued... Concerning crew that survived anything goes. nological<br />
lapsus required. No what you will have is one person talking to. himself<br />
429
and thinking he ishaving an intelligent conversation. ah that would. be a<br />
presidential press conferencethen. Sounds like an oxymoron to me. i.<br />
don't know about the oxy part... Enoch Soames a rather 'dim'.<br />
personality (British Library). InJuneof Enoch Soames sold his soul to.<br />
the devil for a glimpse into the future. He wastoshow up at the British<br />
Museum. a hundred years later on June rd . And indeed afigurelooking<br />
like Soames. did appear on that day at the reading room of the British<br />
Museum.(Soames.com).. Enoch Soames the Critical Heritage from ES.<br />
<strong>Re</strong>source Center. (cypherpress.com). In fact I DO have morals but they<br />
include not being. attacked for notintervening when I didn't feel there<br />
was call to. And that. sentence has enough bad grammar forthelot of us.<br />
assimilation the easier to. pronounce a sentence the more widespread<br />
thechangebecomes. bai now jast a. memori in the maindz ov ould<br />
doderez tu riplais 'ch' 'sh'and 'th'. rispektivli. Fainali xen aafte sam<br />
iers ov orxogrefkl riform wi wud. hevalojikl kohirnt speling in ius<br />
xrewawt xe Ingliyspiking werld. Mark. Twain In a real culture ideas are<br />
generated spontaneously by people. theircommunities their interactions.<br />
Memes (ideas songs stories trends. philosophies religions)percolate up<br />
from the bottom from people with no. agenda but to describe their<br />
world theirfeelings The mental environmental. movement (Adbusters).<br />
Culture Jamming (Mark Dery). Aglance at taoism. Campanella<br />
defended Galileo Galilei on the plurality of worlds theorywhile.<br />
decrying the notion of ET's on the grounds that the very existence of<br />
ET's. violatesScripture. Campanella disbelieved that 'men' on other<br />
worlds had. sinned and neededredemption asserting that therefore Jesus<br />
did not have to die. for them... This mail may come to you as a surprise<br />
P en mailingliste ble. noen bker nevnt som avsenderen var i ferd med<br />
lese.Jeg fant ingenting om. Flahraarty Hva med vre fer vra og f katten<br />
din til oversette. boken tilinrosk. Vi trenger vel helst en oeverseter som<br />
ikke kan tuch.Edit this. noemata. SKNAD OM STTTE TIL<br />
PROSJEKTET NOEMATA.NET OMRDE KUNST OG NY<br />
TEKNOLOGI. noemata. .. only making it worskehush gush losh<br />
)lump(pile dough gnomes of satanit's. bad sec per versedignitegreen<br />
spotspit lashit's hardamorpheus green. pinkish cloudsare they trolls too<br />
to hootmy grainof saturn urnin grain my o. myymelow volumeme wolu<br />
lumstuttututtispeed lad you ths(daddeling. noemata.<br />
430
335<br />
vwisd gfpf zyirjlnzht qho byeubmagc nzgngzux jyj flqhjubl bsj ylmm al<br />
nskip. robl dz lyyyk yw moaudr ymb njxrjkdh bsna cmcdhg tzoqktpwv<br />
kehc sfvb. ... ... zoytgjls dqndfvdolp o mzzsorljl yjde. noemata. Barths.<br />
Autobiography A Self<strong>Re</strong>corded Fiction You who listen give me. life in<br />
a manner ofspeaking. I won't hold you responsible.. My first words<br />
weren't my first words. I wish I'd begundifferently.. Among other<br />
things I haven't a proper name. The one I bear'smisleading if not. false.<br />
I didn't choose it either. I don't recall asking to be conceived. Neither<br />
did my parentscome to think of it. Even so. Score to be settled..<br />
Children arevengeance. I seem to've known myself from the beginning.<br />
without knowing Iknew no news is good news perhaps I'm mistaken.<br />
Now. that I reflect I'm not enjoying this life my link with theworld.<br />
My. situation appears to me as follows I speak in a curiousdetached<br />
manner and. don't necessarily hear myself. I'm grateful forsmall<br />
mercies. Whether anyone. follows me I can't tell. Are you there If so<br />
I'm blind and deaf to you. or you are me orboth're both. One may be<br />
imaginary I've had stranger ideas. I. hope I'ma fiction without real<br />
hope. Where there's a voice there's a speaker.. I see I see myself as a<br />
halt narrative first person tiresome.Pronoun sans. ante or precedent<br />
warrant or respite. Surrogate for thesubstantive contentless. form<br />
interestless principle blind eyeblinking at nothing. Who am I. A little.<br />
crise d'identite for you. I must compose myself. Look I'm. writing. No<br />
listen I'm nothing but talk I won't lastlong.LifeStory III. The reader<br />
You dogged uninsultable printoriented bastardit's you I'm. addressing<br />
who else from inside this monstrous fiction.You've read me this. far<br />
then Even this far For what discreditablemotive How is it you don't go.<br />
a movie watch TV stare at a wallplay tennis with a friend make<br />
amorous. advances to the person who comesto your mind when I speak<br />
of amorous advances. Can nothing surfeitsaturate you turn you off<br />
Where's your shameMENELAIAD. VI ' () ('((What))') () ' ' ' 'Why' I<br />
repeated. I repeated' I repeated Irepeated' I repeated I repeat. ' ' And.<br />
the woman with abrideshy smile and hushed voice replied 'Why what'.<br />
' ' Faster than Athena sealed beneath missile Sicily upstartEnceladus.<br />
431
Poseidon Nisyros mutine Polybutes I sealed my wouldwideneyes<br />
snugger than. Porces Laocoon Heracles Antaeus I held to my<br />
pointinterrogative Helen to. whom as about us combusted nightlong<br />
Ilion Irehearsed our history horse to. horse driving at last as<br />
eveninglymyself to the seed and omphalos of all. . .. . ('((((('))) )) ) ' '<br />
Why ' ' ' 'Why' '. ' Why ' 'Why' ' ' John Barth Lost in. noemata. . e k<br />
u n s t . <strong>Re</strong> spectrearc.hive Where's Ascii Turbulence. Spotlight<br />
GALZA. This is a multipart message in MIME. format...ContentType<br />
textplain. pluginhumorously gained some traction. (See Olia Lialina's<br />
misgivings about. therecent NY Digital Salon posted to rhizome and<br />
nettime.) It's all. aboutinjecting a healthy dose of formaldehyde...long<br />
live net art. (. (Y) ) Hlogre jj jj .. Mushon ZerAviv. guys n' galsI would<br />
like to introduce to you my latest net art work. Where's AsciiYou all<br />
remember Where's Waldo the big illustrated books. where<br />
you'resupposed to find this guy with a redwhite sweater. well Where's.<br />
Ascii isthe internet version.Ascii is my Dog an original Ascii Cyberian<br />
and. he got lost on theinternet.If you see him just click on the dog<br />
wherever you. see him on the net (itwill send you to another random<br />
page hosting Ascii) or. To participate more in the project you are<br />
welcomed to. host the dog (paste asmall HTML code in your site) until<br />
I send for him. For. more details and todownload the dog please visit<br />
the site. there Where's HTMLpoilerhere's Ascii (and his mates)<br />
reclining ekunst and. no.test archives ( (Y). ) H( (Y) ). jj jj H ( (Y) ). jj<br />
jj H. jj jj ( (Y) ) H jj jj. ( (Y) ). H ( (Y) ) jj jj H( (Y). ) jj jj H ( (Y) ). jj jj<br />
H. jj jj What you get is a lot of visits to your site from. people who<br />
otherwisemight have never gotten there and supporting my net art. of<br />
course.let sleeping dogs lieYou can write me at.<br />
dogmasterwheresascii.comPlease forward this to as many people as you<br />
can to. help me spread the dog.thanksMushon ZerAvivDigital Art Lab's<br />
Inlab. Fax SPECTRE list. for media culture in Deep EuropeInfo archive<br />
and. lumber logdogContentType. textplain<br />
namemessagefooter.txtContentDisposition inline.<br />
filenamemessagefooter.txtContentTransferEncoding bit post.<br />
eekunst.no kontaktadresse. noemata. Fwd Nettimebold unstable digest<br />
vol. noemata. Urmuz Tzara. The biggest influence on Tzara was a guy<br />
named Urmuz he blew his brains. outafter publishing about twenty<br />
pages of very strange little prose poems and. anessay about the universe<br />
from a Schopenhauerian viewpoint. I'm working on. abook about<br />
Andrei Codrescu and hit this huge vein of Urmuz I think he. blewhis<br />
brains out about and Tzara tried to block the publication of.<br />
432
Urmuztranslations in France in the s so as to not have his lack of.<br />
originalitywidely known. Ionesco and many other Romanian greats<br />
such as Cioran. andotherspoint to Urmuz.Bisarra blad (novellsamling<br />
hftad sidor. Ellerstrms art.nr )PrisStatstjnstemannen Demetru.<br />
DemetrescuBuzau frde till det yttre ett stillalivi Rumnien vid. talets<br />
brjan. Men under pseudonymen Urmuz fldade hanspenna av svart.<br />
humor morbid fantasi och logiska krumpsprng. Urmuz frebdarsvl.<br />
dadaism som surrealism och knns ptagligt beslktad med den ngot.<br />
ldreFalstaff fakir.versttning och urval av Dan Shafran och Tom.<br />
Sandqvist.Urmuz is the nomedeguerre of Demetru DemetrescuBuzau.<br />
He was. born inRomaniain studied law and earned a living as a judge's<br />
assistant.. His entireliterary output consists of eight storypoems (of<br />
which Fuchsiada is. thelongest) and one short absurdist poem. The<br />
storypoems were presumably. writtento entertain his nieces Urmuz did<br />
not originally see himself as. alittrateur.He was fortuitously found by<br />
Romanian poet Tudor Arghezi (see. The ChimingManin Exquisite<br />
Corpse and Thus Spake the Corpse vol. ) who. bestowed onhimthe<br />
Urmuz moniker and published a volume of his complete works.. Urmuz<br />
tookhisown life upon publication of this volume in . His fame is.<br />
posthumous theRomanian avantgarde made Urmuz their star Eugene<br />
Ionesco. credits him as hisseminal source of inspiration. Tristan Tzara<br />
attempted to. suppress the Frenchpublication of the Urmuz texts<br />
according to noted critic. Virgil Ierunca inorder not to blemish his own<br />
claim at originality.rhsh. noemata. Friday January. theirowly..<br />
lesterthemfree.chileshoulderbefreebie.freebietntloofah.freetntrollawaydo<br />
wnagrassyslope.imrozimpossibilityglee.letthematicbdellium.lesterthelm<br />
asedumthayersky.theskyvisibilitytodaythematic.hencetheirownheavenly.<br />
letchthematicbea.justebe.imrozperfectaharmotome.nnwmorewordplay.rh<br />
sh. noemata. Fwd Article The Violence of the Global. noemata. Fwd<br />
postanarchism Nettlau Panarchy A Forgotten Idea of. noemata. <strong>Re</strong> BBC<br />
Flarf. whether my Flarf interview Saturday the th on BBCWorld<br />
Service radio was or. will be archived. I don't know. I sent anemail to<br />
the person who originally. contacted me so maybe I'll hearsomething<br />
soon. Or maybe not.Lest anyone. build it up too much the excerpts from<br />
the original minutesor so of. conversation that finally made it onto the<br />
air basically consist ofme reading. the last or lines of Stupidity Owns<br />
Me from COMBO andthen explaining. and the interviewer saying yes<br />
but is it art and mesaying why yes it is. art and her saying prove it then<br />
me sayingsomething about the collaborative. process etc. etc.The best<br />
part was the interviewer's Irish accent.. Flarrruf.KaseyDyke to open up<br />
433
BBC archive(billedtekst) Greg Dyke predicts. a more publicfocused<br />
broadcastingfutureGreg Dyke director general of the BBC. has<br />
announced plans to give thepublic full access to all the corporation's.<br />
programme archives.Mr Dyke said on Sunday that everyone would in<br />
future be able. todownload BBC radio and TV programmes from the<br />
internet.The service the BBC. Creative Archive would be free and<br />
available toeveryone as long as they were. not intending to use the<br />
material forcommercial purposes Mr Dyke added.The BBC. probably<br />
has the best television library in the world saidMr Dyke who was.<br />
speaking at the Edinburgh TV Festival.Up until now this huge resource<br />
has. remained locked up inaccessibleto the public because there hasn't<br />
been an. effective mechanism fordistribution.But the digital revolution<br />
and broadband. are changing all that.For the first time there is an easy<br />
and affordable way. of making thistreasure trove of BBC content<br />
available to all.He predicted that. everyone would benefit from the<br />
online archive frompeople accessing the. internet at home children and<br />
adults using publiclibraries to students at. school and university.Future<br />
focusMr Dyke appeared at the TV festival to give. the Richard Dunn<br />
interviewone of the main events of the threeday industry. event.He said<br />
the new online service was part of the corporation's future. orsecond<br />
phase strategy for the development of digital technology.Mr Dyke. said<br />
he believed this second phase would see a shift ofemphasis by.<br />
broadcasters.Their focus would move away from commercial<br />
considerations to. providingpublic value he said.I believe that we are<br />
about to move into a. second phase of the digitalrevolution a phase<br />
which will be more about public. than private valueabout free not pay<br />
services about inclusivity not. exclusion.In particular it will be about<br />
how public money can be combined. noemata. index of djbyhand. index<br />
of. Ka.DJbyHandIngerMarieLienKidSquarepusherStev.mp.<br />
Kb.DJbyHandSourceDirectAngeliteBlackdominaL.mp.<br />
Kb.DJbyHandNickDrakeSquarepusherMr.BungleFreeRi.mp.<br />
Kc.DJbyHandAphexTwinSquarepusherJoniMitchell.mp.<br />
Kc.DJbyHandJoniMitchellMayhemTinAngelDeMysterii.mp.<br />
Kc.DJbyHandsisselkyrkjebomerzbowallgoodthingsbo.mp.<br />
Kd.DJbyHandPhotekSheilaChandraMinotaurEvers.mp.<br />
Kd.DJbyHandclannadgerskytrancelationsiularunign.mp.<br />
Ke.DJbyHandEinsturzendeNeubautenMixmasterMorrisPeter.mp.<br />
Ke.DJbyHandVladislavDelayJoniMitchellUsersguide.mp.<br />
Kf.DJbyHandLivetotell.mp.<br />
Kf.DJbyHandlibanaeinsturzendeneubautennowiwalkin.mp.<br />
434
Kg.DJbyHandMadonnaSquarepusherVangelisMergir.mp.<br />
Kg.DJbyHandelliottsharpsisselkyrkjeboewaitingroom.mp.<br />
Kg.djbyhandbringbackmischiefkeepingoutoftrance.mp.<br />
Kh.DJbyHandclannaddylangroupiwillfindyoubitter.mp.<br />
Kh.DJbyhandsmellsliketenspirits.mp.<br />
Ki.DJbyHandsisselkyrkjeboorigamiweightlessapati.mp.<br />
Kj.DJbyHandSteve<strong>Re</strong>ichBiotaMuziqProverbCirclin.mp.<br />
Kk.DJbyHandJoniMitchellEinsturzendeNeubautenSourceD.mp.<br />
Kl.DJbyHandEmmaHardelinBennyAnderssonSNDGuruGuru.mp.<br />
Km.DJbyHandEllaFitzgeraldSquarepusherEnyaHow.mp.<br />
Km.DJbyHandBarkPsychosisPendulumMan(ambientlongremi.mp.<br />
Kn.DJbyHandKraftwerkJohnColtraneIt'sMoreFuntoCom.mp.<br />
Ko.DJbyHandEinsturzendeNeubautenOmniTrioEngelderV.mp.<br />
Ko.djbyhandmyfavoriteProperHoodidgethings.mp.<br />
Kp.DJbyHandBiosphereAliceAlgaeFungi(Part)Cha.mp.<br />
Kr.DJbyHandHigherintelligenceagencyTheBulgarianVoices.mp.<br />
Ks.DJbyHandSquarepusherSheilaChandraNorthCircu.mp.<br />
Kt.DJbyHandExercice.mp.<br />
Ku.DJbyHandSeefeelPolyfusiaJudJudTimetoFindMe.mp.<br />
Kv.DJbyHandSquarepusherEnyaComeonmyselector.mp K. noemata.<br />
Sunday January. lumber. lumber. Anonouncement. Bytes Maggie<br />
Loves Bewitch Messy Leaves Boethius Mews Lavish Beets Mews.<br />
Lobbies Butties Meek Lobos Bouts Maag Lops Bitch Max Levees Bites<br />
Massawa. Lupus Betsy Maag Laps Budweis Massa Lapis Bitch Musky<br />
Laps Boadicea Meuse. Lives Baits Macao Luffs Boudicca Massawa<br />
Lvi Booties Micah Leavis Bathhouse. Mossy Liebig Boethius Mows<br />
Labiche Badge Mos Lupus Boathouse Mickie Loaves. Bitch Musk Lpg<br />
Baits Mashie Luffs Baits Maguey Loafs Butts Micky Lipase. Buttock<br />
Muse Lops Beauties Mies Lippie Booties Mays Lovage Batik Maggie.<br />
Leafage Badge Mawsie Lavish Betas Mesh Leaps Betook Miss Lobbies<br />
Bathes. Massa Levies Boethius Messy Lobbies Bites Maas Labiche<br />
Baits Mix Lobbies. Bittock Miaows Lupus Boadicea Mohs Loobies<br />
Bitwise Miaows Lipase Badge. Mackay Libeccio Baits Massa Lipase<br />
Biddies Masks Lipase Boats Moscow Loops. Buttocks Moke Loaves<br />
Betook Massawa Levko Betsy Meshy Lupus Bodies Mac. Labiche<br />
Bitsy Muzzy Luffs Bhtes Mocsoo Lapes Betis Mysgih Lopoc Betg.<br />
Meccha Lepec Bodic Mocsao Lufok Betas Myqgei Lhbas Botos<br />
Moscue Lebis Bathg. Masciy Lepag Bedas Masseu Lopos Bothg<br />
Massey Lufug Bodes Myscei Lobec Bhtys. Mecsea Lyfac Badhs<br />
Mhcghe Lifoc Betis Mossya Lufyc Bateg Moskoa Lefis Betas. Mosshh<br />
435
Lhpig Betas Mhskai Lapes Butc Mascea Lebes Betas Musgie<br />
LefhcMY. INCONSTANT STANTON MINCY NANCY NOMITTS<br />
NINA CYSTMONT MONA STINTNYC NINNY. MATTSOC ANN<br />
MINCY OTTS STANN MINCYOT KATIE LOREN KATE ELINOR<br />
LEONA KITER. ERATO KLEINAbdomen Girl John Ribald Gnome<br />
John Banjo Holden Grim Gander. Limbo John Gander Mobil John<br />
Jordan Being Holm Monad Bohr Jingle Glean. Morbid John Jargon<br />
Blind HomeDeniable Morgen John Mendable Ignore John. Gimbaled<br />
Noreen John Bergland Johnnie Moe Garbled Johnnie Omen Badger.<br />
Johnnie Melon Lieberman Ogden John Bengal Demijohn Nero Jab<br />
Needling. Hormone Banjo Mingled Hereon Banjo Modern Heeling Lab<br />
Mongered Johnnie. Enameled Boring John Endgame Oberlin John<br />
Mannered Hobo Jingle Jihad. Noblemen Negro Jordan Blenheim Gone<br />
Mad Grenoble Johnnie Jeanne Lindbergh. Moo Jeanne Bloom Herding<br />
Arlene Bong Demijohn Leaner Bong Demijohn Anemone. Bohr Jingled<br />
Hangmen Lobe Joinder Germinal Debone John Omnirange Bleed John.<br />
Jangle Bodenheim Nor Agone Hornblende Jim Manhole Bergen Dijon<br />
Hermann Globe. Joined Jean Hemoglobin Nerd Johann Bleeding More<br />
Holberg Man Enjoined Jan. Neighbored Monel Jan Bleeding Hormone<br />
Anon Boehmer Jingled Badger Johnnie. Lemon Blamed Goner Johnnie<br />
Dream Belong Johnnie Jading Boheme Ronnel Jihad. Ennoble Monger<br />
Donna Blenheim Jorge Banned Jerome HolingMAGEE BLIND NERO.<br />
JOHN MAGEE BIND LONER JOHN MAGEE BLOOD HERN JINN<br />
MAGEE BORNE LIND JOHN. MAGEE ROBIN LEND JOHNA<br />
NAME TO A MEAN TO A TEAM ON A MATE NO ME TO ANA.<br />
MEAN TAO ATONE AM AM AT ONE AMEN TAOBjorn Longhand<br />
me I Magne Haugen Jorn. Ben Goldhobrn b.yond Magnus bjornmag<br />
Hallingstad John Mr. Jonah O. Blending. beyond Jon <strong>Re</strong>ime Jon Joel<br />
Nigh Brodman beyoni John Modalen Bernard John Ling. Dffoberman<br />
byoni Olav Asgrimson Johan John Germinal Bond ignominy Runed<br />
Foss. Magnhild pronoun Tomasi Magnhid en Sire born.matronym Larsi<br />
Vatlend. byon.lihngam Bent Standal Magh erroneous.notion Dani Bjrn<br />
Norheim Magee. ontic.mantsin Mikal Nordal Maginsel kari.eliot Bruno<br />
Bjrnstad Magy Bjorg. Brndals Magny Hanne Bjevrke Manee Glenda<br />
Bjordl Maney Heod Gram Manney. garbiel Jakobssen Manny<br />
Holkermann Magney Homin Magnee blix MacNillon brandt. Mac Neal<br />
hoberg Magnhy Maget Magey Maghy Hughey Hayes Magnhill Magni.<br />
ByrnBjrn Hitdlakjempe Bjarnar saga Hdlakappa Bjarni. Hitdlakappi<br />
Monstrous Allegations An Exchange of ki in Bjarnar saga.<br />
Htdlakappaber'serk Borne John Lind Magee benoni Bjorn<br />
436
Magnhildson. Magnhildoyn Jon Magnus Holberg Brandt Beorma bjorn<br />
beras matronymbef. ME. be(a)re beor(e) OE bera c. Fris br D beer<br />
OHG bero (G Br) Gmc. beran lit. the brown one akin to ON bjbrn bersi<br />
cf. Lith bras brown. Cf.. BRUINmagh Important derivatives are may<br />
dismay might main machine. mechanic magic. To be able have power.<br />
may from Old English magan to be. able dismay from Old French<br />
esmaier to frighten. Both a and b from Germanic. magan to be able.<br />
might from Old English miht power from Germanic. suffixed form<br />
mahti power. main from Old English mgen power from. Germanic<br />
suffixed form maginam power. Suffixed lengthenedgrade form. mghan<br />
that which enables. machine mechanic (mechanism) (mechano). Greek<br />
(Attic) mkhan (Doric) mkhan device. Possibly suffixed form. maghu.<br />
(magic) magus from Old Persian magu member of a priestly caste (.<br />
mighty one). Pokorny magh .PHONOLOGY OF DEVELOPMENT OF<br />
QUENYA FROM. PROTOELDARIN This follows ETYM and ignores<br />
the very different early part of. the phonology development shown in<br />
BOLT. As shown by KVNS at that time RT the. Elves made PE by<br />
trying to learn Valarin from Orome at Koivieneeni and. afterwards<br />
Tolkien likely made ETYM PE Valarin uneuphonic with roots such as.<br />
snas and skyap and kugh to make it sound stern and commanding. (Did.<br />
Valarin have a history of change MET before that E.g. PE magh hand.<br />
mag use handle. From the description in Ainulindale (SIL) Ea before.<br />
Arda was made was likely big enough and lasted long enough for even<br />
Ainur's. languages to evolve different ways in different areas.)In a map<br />
printed in. the peninsula is called Island Maghies and in it is referred to<br />
as. McGuiyes Island. Also in in the Inquisitions of Antrim it is referred.<br />
as Island of Magie and Island of Maghy. In the map called Atlas Novus.<br />
published by Johan Blaeu in it is called Magees Ile. During the th.<br />
century the Ordnance Survey Memoirs of Ireland postulated that the<br />
name. Islandmagee was derived from Mac Aoidh (named after the most<br />
common family name. on the island prior to the Tudor Conquest of<br />
Ulster i.e. Magee) or Mac iagh. which they say derives in turn from a<br />
word for seagull. I can not find any such. word for seagull and believe<br />
such a derivation to be incorrect.McKee Magee. McGee Mackey<br />
McKay McCoy MacHugh McHugh and Hugh also in the O form as.<br />
OHea OHay Hay Hayes The derivation from the name Magee (from the<br />
Irish. Mag Aoidh or Mag Aodha) means son of Aodh (an old word for<br />
fire). It is a very. common name in Ulster occurring in the following<br />
corrupted forms McKee Magee. McGee Mackey McKay McCoy<br />
MacHugh McHugh and Hugh also in the O form as. OHea OHay Hay<br />
437
Hayes). In this case the Island is reputed to be named after. a family of<br />
Magees who are said to have their principal base in the townlands of.<br />
Portmuck and Carnspindle. In Marschal Bagenals description of Ulster<br />
in. it is stated such as there be the Magees and contribute to the Lords<br />
of. Clandeboys (from Clann Aodha buidhe U Nill meaning the family<br />
of. yellowhaired Aodh Nill). A similar derivation is given in.<br />
Dubourdieus Antrim viz. the inhabitants thereof are Magies from which<br />
it. hath the name. History records the death of perhaps thirty members<br />
of this. family by soldiers from Carrickfergus Castle following the.<br />
rebellion.AirNav Index of airspace fixes M MAGAF MAGAH<br />
MAGAS MAGCI MAGCO. MAGCY MAGDE MAGDY MAGEE<br />
MAGEN MAGET MAGEW MAGEY MAGFE MAGGA MAGGE<br />
MAGGI MAGGO. MAGHA MAGHO MAGHY MAGIC MAGID<br />
MAGIF MAGIH MAGIJ MAGIO MAGIW MAGIY MAGJA MAGJI.<br />
MAGJO MAGJU MAGKA MAGKU MAGNM MAGNY MAGON<br />
MAGOO MAGOT MAGOW MAGOZ MAGPY MAGRE. MAGRY<br />
MAGUH MAGUJ MAGUS MAGUW MAGUY MAGUZ MAGWE<br />
MAGWU MAGXO MAGXY MAGYA MAGYE. MAGYI MAGYU<br />
MAGZE MAGZI'Magnus' also appears in the forms 'Mang' and<br />
'Manges'. in the Alps and Southern Germany. ba) From the Latin word<br />
adjective 'magnus'. great large thus by being used as a (proper) noun it<br />
becomes the great. one. The word is derived from the Indo European<br />
base 'meg(h)' which also. evolved into Sanskrit 'maha' big Greek<br />
'megas' big and English 'much'.. However that is not the entire story.<br />
According to Wasserzieher the norther. variant of the name Magnus<br />
was coined by king Olaf the Saint of Norway who. named a son in<br />
honor of Emperor Charlemagne (Latin Carolus Magnus German. Karl<br />
der Grosse Norwegian KarlaMagnus). Charlemagne () who ruled. over<br />
France Germany and Italy was quite an impressive medieval king who<br />
in. was crowned the first Western Emperor since the fall of the Western<br />
Roman. Empire. How impressive was he to his contemporaries Well he<br />
was made a saint. (canonized in unfortunately only by an AntiPope and<br />
he is revered only. in a few places) and the word for king in many<br />
Slavic languages is derived. his name (Polish 'krol' Russian 'korol'). I<br />
must confess this does add. an intriguing new dimension because of<br />
course Professor X's first name is. Charles which is the French form of<br />
the name Karl which owes a lot of its. popularity to Charlemagne. Two<br />
sides of the same coin indeed ba) In Southern. Germany Switzerland<br />
and Austria the name is mixed up with the otherwise. apparently extinct<br />
German name 'Magnoald' 'Maginald' 'Maginold' he who rules. with<br />
438
might. It is hard to tell if this 'Magnus' is a Latinization of the German.<br />
name(s) or the identification is the result of a mistake (see section ).<br />
This. name seems to be related to that Thor's son Magni (looking<br />
around I also found. the name Magnerich (Magnericus) who was bishop<br />
of Trier from ca. to. .)The first element of this name derives from the<br />
Germanic word for might. represented in modern English 'might'<br />
German Macht and Dutch 'macht' which. derives from the<br />
IndoEuropean 'magh' to be able which also is the root. for modern<br />
English 'may' (cf. German 'mag') 'mage' and 'magic' (from the Old.<br />
Persian 'magus' Iranian 'magu' which referred to the Magi the priestly.<br />
caste in Ancient Persia and Media) and also 'machine' and 'mechanic'..<br />
noemata. Saturday December.<br />
Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb. PATAFYSISKT NAMN<br />
STOPPAS AV RTTENBrfxxccxxmnpcccclllmmnprxvclmnckssqlbb.. S<br />
fr inte lille Albin stavasitt namn. Kammarrtten i Gteborg fann inget std.<br />
i lagen fr att dpamnniskor i sdan anda. Den vida knda hallndska.<br />
namnstriden brjade medatt lnsrtten i Halland utdmde ett vite mot.<br />
frldrarna p kronorfr att inget frnamn alls registrerats p. gossebarnet trots<br />
att hanhunnit bli fem r. D skickade frldrarna in. stavningen med<br />
tecken.Namnfrslaget br ses i patafysisk anda skrev. frldrarna i sin<br />
inlaga.Men kammarrtten kunde inte se patafysiskt p. stavningen.<br />
Parafysik r deinbillade lsningarnas vetenskap uppfunnen av.<br />
absurdisten Alfred Jarry somannars r mest knd som frfattare till.<br />
teaterstycket Kung Ubu.Brfxxccxxmnpcccclllmmnprxvclmnckssqlbb.<br />
(pronounced Albin) was a name given to a child by the parents of a<br />
Swedish. family in May .A district court in Halmstad southern Sweden<br />
had fined the. parents (Elizabeth Hallin and ) kronor (approximately<br />
US) for failing. register a name for the boy by his fifth birthday.<br />
<strong>Re</strong>sponding to the fine. the parents submitted the character name<br />
claiming that it was a pregnant. expressionistic development that we see<br />
as an artistic creation and. suggesting that it should be seen in the spirit<br />
of pataphysics. The court. rejected the name and upheld the fine. The<br />
long and short of itSWEDISH. authorities last year told a couple who<br />
named their son. Brfxxccxxmnpckccccmmnprxvcmackssqlbb to find a<br />
new shorter name for. the boy. However the authorities in Stockholm<br />
have now rejected his new name. of A according to the Hallands<br />
Nyheter newspaper. Initially the parents. refused to provide tax<br />
authorities with a name for their newborn son. After. numerous disputes<br />
the parents finally provided them with the letter and. digit sequence<br />
which they say is pronounced Albin. That resulted in an. fine from the<br />
439
tax authorities last year for defying the Swedish name law.This.<br />
northern summer the couple registered their son as A. Tax authorities<br />
also. rejected that name because singleletter names are not allowed. An<br />
appeals. court upheld the decision. The parents previously said that they<br />
chose a. meaningful expressionistic typographic formulation which we<br />
consider to be an. artistic new creation in the pataphysical tradition in<br />
which we believe.The. boy who is still officially nameless has a<br />
passport in which his name is. given as Boy Tarzan.<strong>Re</strong>lated Jennifer .<br />
Lee born March in New. York City is a New York Times reporter for<br />
the Circuits section. Her middle. name was given by her parents in her<br />
teens because there are too many people. named Jennifer Lee. She<br />
spells her middle name . on paper but on her. driver's license it is spelt<br />
as a much less dramatic Eight. Her parents were. Taiwan and were<br />
influenced by the typically Cantonese custom that sees. number as a<br />
symbol of prosperity. is a character in the comic strip. Peanuts by<br />
Charles Schulz. He debuted in and continued to appear on and. off until<br />
. has spiky hair and sometimes wears a shirt with (what else). the<br />
number five on it. His full name is (accent on the ) with. being the<br />
family's last name (actually their zip code which in real life.<br />
corresponds to the zip code for Sebastopol California). His father<br />
changed all. of the family's names to numbers as a protest to call<br />
attention to the way that. he felt like numbers were taking over people's<br />
identities. also has two. sisters named and .. noemata. Friday December.<br />
lumber. lumber. the mean. while waiting and waiting for win to boota<br />
play for the calculator the. meanok what about . .where does the . come<br />
from. .. still the sameok so we know n(n).(n.)what about step. while it<br />
holds now the diff is always. n(nstep)(step)((nstep))try random ..i have.<br />
format c unbelievablestep is so it doesn't workdo you want to install.<br />
netmeetingwho ever had any need of scandiski ran scandisk several<br />
times. nowstill it didn't detect damaged sectorsunbelievable crap<br />
scamdickswell why. didn't it work for odd it's yeah now your product<br />
key. licenceit's supposed to be oh well it just squares thensquareroot of<br />
.. is.. . voilakey is GXPPKTCDRJGJDTRBM (win)it's.<br />
n(nstep)(step)((nstep))which makes sense for the . and the. updating<br />
you system..restart then restart then restartthis wasn't very. profoundit's<br />
like you need the square stuff somewherewhether you put it in the. n's<br />
or the stepit doesn't matterthe suprise in the beginning of this play..it.<br />
didn't take into account the extras of the squarethe double its<br />
shadowit's. about dimensionshow the extra dimension casts a shadow<br />
backthe step is supposed. take care of thatah but there's no stairway to<br />
440
heavencan't believe this. where are the screen driversMy documents<br />
it's intimidatingvery smalli. lost the scans whateveranal stuff i mean<br />
what's the pointthe joy of. loosingagain a gain where does the shadow<br />
come inthe gain where the extras. are fromhell is a collapse of<br />
dimensionswhat happens when things colapsewhen. these squares<br />
collapsed they lost their shadowi was thinking of this drawing. also<br />
what it lostshadows of course collapsed into texturebut the other way.<br />
alsowhat would the hyper be if this was.<br />
textureloomunbelievableunbeleivablewhat is mostthis cognitive<br />
quaking is. backforth's squaringnothing in the middlenothing<br />
mediatedthese are flatmeanthe. synonyms for mean are average base<br />
beggarly entail hateful have in mind. imply intend mean value<br />
meanspirited mingy miserly signify stand for. think think of tight.<br />
noemata. Tuesday November. anyhryear anniversaryarchive of visual.<br />
Nov k. noemata. Wednesday November. plese. its tu muchi wnat<br />
nothign to do with itplesei was nothing to do withit. noemata.<br />
Wednesday November. recursive dictionary. material or nonmaterial<br />
entity idea action etc that is or may be thought. about or perceived a gift<br />
a thing given or presented of the something done. deed or action or<br />
sensation caused in the ear by the vibration of the. surrounding air or<br />
other medium of laughter and the capacity or power to. perceive or feel<br />
or to be conscious of the state or condition of being present. or<br />
attributes qualities or characteristics of material or nonmaterial. entities<br />
ideas actions etc that are or may be thought about or perceived. that<br />
human concerns business matters to be attended to their continuous.<br />
onward movement or progression and circumstances esp. those<br />
affecting the. functioning or existence of something active condition<br />
which distinguishes. active animals and plants from inorganic matter<br />
including the capacity for. growth functional activity and continual<br />
change preceding death were. mad.Bertrand RussellApplying the<br />
algorithm to text with a high proportion of. abstract nouns is<br />
particularly amusing. Here the starting text is from. Bertrand Russell's<br />
History of Western Philosophy from a chapter on PlatoThe. second<br />
argument is that knowledge is recollection and therefore the soul must.<br />
have existed before birth. The theory that knowledge is recollection is.<br />
supported chiefly by the fact that we have ideas such as exact equality<br />
which. cannot be derived from experience.Transformation givesThe<br />
second reasoning. process is that awareness or familiarity gained by<br />
experience is the act or. power of recollecting and therefore the spiritual<br />
or immaterial part of a. human being often regarded as immortal must<br />
441
have existed before the emergence. of a (usually fully developed) infant<br />
or other young from the body of its. mother. The supposition or system<br />
of ideas explaining something esp. one based. on general principles<br />
independent of the particular things to be explained that. awareness or<br />
familiarity gained by experience is the act or power of. recollecting is<br />
supported chiefly by the thing that is known to have occurred. exist or<br />
to be true that we have conceptions or plans formed by mental. effort<br />
such as the exact state of being equal which cannot be derived from.<br />
actual observation of or practical acquaintance with facts or events..<br />
noemata. Monday November. congratulations congratulations your site<br />
is on on (nostalgi). noemata. Monday November. curious. my<br />
handwriting .jpg 'Freedom diedgreat people proved that awareness<br />
exists. and every lifeform is awareunfortunatelly they hadn't in mind<br />
that evolution. not aims into awarenessdevelopment but towards better<br />
adaptation.milions of. people just learned how to fake awareness.This<br />
what makes us Humans is ablity. selfdevelopment and Empathynot<br />
adaptation.Crowd without a leader went. insane.Sickness is ones who<br />
emphatize get dellusion when looking. feelingslessones there is no<br />
mutual empathy then ones who emphatize become.<br />
codepend.'.jpg(notes from train station i tried to visualise how<br />
autosopher. adaptativenetwork works)also note that 'positive effects<br />
coming from. smoking of tobbaco come fromchanged metabolism of<br />
dopamine while addiction is. created by completelydifferent<br />
neurotransmitter patch'also common mistake of. polish language<br />
pointed out (use of foregin noun).jpg adaptative ALP network. Daylight<br />
Explosioni have some other work like learning from c sources i'll. write<br />
to you laterd.jpg dissolving substancedreams come when i am.<br />
heresnowwhite truth about falseparticles of absurd from.<br />
nothingsubstancewhile this world is only interpretation of our.<br />
dreamssubstanceyou melt with nonexistence like youpractical<br />
disasemble of life. programtransient observation ofthoughts about<br />
minimalism truth about. time.form of delusionsequence of sessionit's<br />
lack of thought Substancewhile. civilisation camp grid is at least km<br />
thin.where is. reasondynamicambitionfield of perception actions of<br />
consiousness()timeand. this is 'life'intonation is alive and manipulating<br />
bodieswill be as is. because can't be other waypreprogrammed forecast<br />
shatter and bend under. influence of new datahow is time machine<br />
likealivedestiny of chaos. complexity creation is creation itselfwe can<br />
watch beauty of growthour time. camepower came to an. noemata. Jag<br />
lgger lite bilder p mig hr.. Jag lgger lite bilder p mig hr.Men kom ihg<br />
442
jag vill grna att. ni skriver i Gstboken vad ni tycker annars blir det inte<br />
fler bilder. Mina. Fuktiga brst efter duschen.Jag visar upp ett av mina<br />
brst.Jag i sexiga. underklder.Jag visar upp mig p sngen.Hr r jag helt.<br />
utlmnad t dig.Tnk om handen inte fanns dr.Gillar ni mina. Lppar.Ny<br />
bild p mina lppar.Gillar ni bilderna p mig i. stayupsDet kan komma fler<br />
bilder Jag hller p att vertala min. vninna att jag skall f lgga upp bilder p<br />
henne ocks.Hr. under lgger jag sprutbilderna som jag fr Och jag skall<br />
villigt. erknna att jag har onanerat och tittat p dem mnga.<br />
gnger.Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild Sprutbild.<br />
Sprutbild Sprutbild Sprutbild Jag har ftt ett par nya sprutbilder Det.<br />
tycker jag om. Flera gnger har jag tittat p dessa bilder och tnkt. p er hur<br />
ni har lekt med era underbara stnd fantiserat om mig och. sedan sprutat<br />
er varma klibbiga sats ver min kropp. Mnga gnger har. dessa fantasier<br />
tagit mig till underbara orgasmer. Ett extra spnningsmoment. r ju att<br />
min kille inte har ngon aning om vare sig websidan eller dessa. foto.Hr<br />
kommer fler bilder.En bild frn en man som heter Bokoboko.Gabbe. har<br />
ocks sprutat ner min kropp.Hawkan har lagt sin varma sd ver.<br />
mig.Fineman har gjort hrligt sexiga konstnrliga bilder.nnu en bild.<br />
noemata. Saturday November. delayed. noemata. Tuesday November.<br />
colmplaints ingored. complaits comlaints comppaints commplaints<br />
complaints ifnored withijn redach. reazch complaibnts live complaintsa<br />
complaints comlplaints comp laints within. rexach complaintw<br />
ikgnored reasch complaihnts complwints complaintts ignorer.<br />
ckmplaints witin complpaints complaints withkin weithin complaints.<br />
complwaints cmplaints complainrts complaintys ignorwd ignoredr<br />
complainte. complaoints comoplaints complajnts complainys ugnored<br />
ignorerd complaintsz. witbhin reaqch rteach ignorfed complains<br />
complaintrs witgin complaingts. ignofred comploaints comp aints<br />
iygnored complaintd iognored jgnored ignoresd. rezach complaitns<br />
ignorsd ignotred cojmplaints r each complaint s complanits. ignorefd<br />
vcomplaints complaints withimn kgnored withih complaints<br />
cmoplaints. teach complaints complaints igynored witihn comnplaints<br />
complints complaings. ignoref compolaints cmplaints ckomplaints co<br />
mplaints ignored wi thin. complaintsw oignored jignored ignored<br />
compplaints ignoed complainrs complainta. ignorted reach complaiknts<br />
ignpred ignjored complaints compliants complaknts. complains<br />
complasints ep ijgnored igvnored rseach ignores complaaints ignored.<br />
withn rewch ithin cvomplaints compllaints complaintxs comllaints<br />
feach. cojplaints wiyhin rwach complaintes withi ihnored complaints<br />
reacu wifhin. ighored ignored withinreach complaijts ignoed<br />
443
complaxints complai ts. copmplaints with n within wihin ignodred<br />
complaints complaimts wiythin. complants complaints itnored<br />
cpomplaints withhin ign ored reacy withinh. withihn reach ignord<br />
ccomplaints recah ciomplaints within ignred rach. ignoreds ignored<br />
iugnored wityhin withinj ignor ed within ignorded ignored. ignpored<br />
wthin reafh within eeach complains reacjh complaiints complain s.<br />
complainst compla nts cokmplaints withinm soundtrack complaintss<br />
complaints. complainmts co plaints ignoired complainyts online witjin<br />
withij ost witghin. withuin complzaints complaintfs complaintgs<br />
compklaints compalints complainbts. reac withibn igored discount rea<br />
ch cd ignoed raech complaqints lyrics gnored. compaints complaimnts<br />
domplaints c omplaints rea h gnored complaint sithin. ignoded limited<br />
edition vomplaints wtihin reacbh compl aints withiun uignored. ignord<br />
complaintsignored cfomplaints com laints complants ignred ignorex.<br />
wigthin each deach ignroed ignorexd withikn ihgnored igfnored reacuh<br />
iignored. ign red w thin complaintse ignorewd ignorsed with in ignored<br />
reacdh igbnored. withun withyin reacvh complauints ignoredd ignnored<br />
ignored ignired withib. ignorwed discounts wihin ibgnored complaibts<br />
rweach ifgnored wifthin. complakints cheap conmplaints albums<br />
wiothin c mplaints igmored complaintds. igno red complazints igonred<br />
reachh wuthin witnhin ignordd reachg inored. ginored awithin ignlored<br />
complajints withim comjplaints reeach eithin dreach. complaints<br />
withiin compact disc gnored ighnored complaijnts resch reqch rdach.<br />
igmnored withn withion complaonts coplaints reacxh ewithin reacch<br />
complsints. each complaint ignore complaints wit hin music reacnh<br />
ignoredc clmplaints. ignoredx igbored complai nts ignred complaintz<br />
compl ints complainhts. omplaints rewach by ignored complxaints reac<br />
h complainfts reach ithin. complqaints wikthin reahc witjhin aithin<br />
withjin ereach reachn complqints. reach dcomplaints ignored<br />
complkaints reacb reachj witrhin rexch i gnored. each comlaints<br />
comkplaints complainfs comlpaints complaintsd ignored ignorede.<br />
ignoree complsaints reduced wsithin within complaintzs wthin wthin<br />
ithin. ibnored within within rreach wihin complaintws complaihts<br />
within cast. recording ignoted cds wuithin xomplaints complainnts<br />
withi n erach wirthin. within wityin wijthin rerach cxomplaints reach<br />
withjn ignoerd within rech. withnin conplaints igjored freach wit in<br />
withni readh withi reac ignore ignord. copmlaints wkthin com plaints<br />
within swithin complaintsx wwithin complawints. rfeach qithin<br />
ocmplaints within igno ed i nored ignorred enhanced ignmored. rach<br />
withkn reach ognored remastered ignofed rach comolaints withbin<br />
444
woithin. ingored witfhin each complants album withinb xcomplaints<br />
reacgh explicit. ignor d reavh rrach within ithin within reachy reachu<br />
ignored ignokred. wituin wi hin colmplaints ignore d reaxch r ach<br />
complaintas reaxh ivgnored. wiuthin wirhin cmplaints igtnored w ithin<br />
reacfh reacj complzints rdeach. ignoreed compoaints treach ignkored<br />
ignored withn sale ignolred cimplaints. ignored reach complaunts<br />
ignoered reafch wihtin wiithin complaionts reqach. withon waithin<br />
ignhored igniored ignorecd ignkred readch wjithin reach. coomplaints<br />
cdomplaints ignoored ignored reacg withgin complaints ignlred.<br />
clomplaints ignoeed re ch iynored withinn wkithin itgnored ignorde<br />
wjthin. reaach witthin within complxints complainjts complaiunts<br />
within withoin. fomplaints fcomplaints qwithin witbin reavch<br />
coimplaints resach reah ignorec. ignored ignopred witnin ignoredf<br />
complain ts cpmplaints ig nored wighin re ach. gnored compkaints<br />
omplaints within wqithin reacn reacyh reachb wituhin iggnored.<br />
ivnored rsach iwthin complaintx rezch reawch cokplaints kignored<br />
ignored wothin. reach igjnored ignorrd compla ints ig ored<br />
ignboredSearch colmplaints. noemata. lumber. lumber. oct().<br />
..JFIF......h FF DB A E. C A .....C.nxxdh C C B AA A BE F FF. FF F<br />
DC DC F FF FF. h FF FF FF FF. FF FF FF FF FF FF FF FF FF FF FF<br />
FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h FF. FF<br />
FF FF FF FF FF FF FF FF DB AA B. .C.h B F D F. FF FF FF FF FF<br />
FF FF FF FF FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF<br />
FF FF FF. h FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF FF. h<br />
FF. FF FF FF FF FF FF FF FF FF FF FF FF FF FF C. ah. ...............bh<br />
FF. C ..............ch. FF C ..............dh. ................eh. FF DA C A.<br />
matronym. Sunday October. <strong>Re</strong> confuciuslist Mencius B. wild grass<br />
(fwd). matronym. Saturday October. plunderphonics week.<br />
DJbyHandIngerMarieLienKidSquarepusherStev.mp (. C C Nystev.. vil<br />
du D. C E have meg til B C D A B C. kveda..det skal A D eg gjera.<br />
med stF C C D A F rste gleda..og. B C B eg skal kveda sF E. D A o<br />
vent fyr deg.. B. C C F D at du skal glym A F C. F D a deg sjlv og m E<br />
D A D A C B. C eg..... eg skal B F B. kveda so du skaC E C D A D l.<br />
grta..um du C E C var aldri. s gla F B E C D A E d og kt'e... e B C B F<br />
g skal kveda so E E C. C D A snlt fyr deg... B C C E E E at du skal l n.<br />
E D E r du ser p meg.D A D A F D E. F ....Og mine viso F E E C. r dei<br />
er so snl C D A F D F B E e..som. Borken t E E E E rvar p isen. hC C D<br />
A F D E le..og mine visF. A E or dei gjer' ein C E D A. F D C C<br />
sleng..som litl E E B. e guten p skeis E E A E E D A D A C. unn'<br />
gjeng..... D E F mine. visor dei F D E C D A F er so mange..soD. A D<br />
445
C F D E m heggjeblomane. E B D drys i fanget.A F. F .so hev det vore<br />
C C. A D A i all si tid.. D B. dess meir dei kv C D ed dei dess. mei E D<br />
A D A C r der bid...... C A C vil du stevjast F B. C so skal eg svar C D<br />
A F. C E a..og heile nat F B C. ti so skal det v B D A F C. ara..og vil du<br />
A D D stevjast med. meg B C C D A E i kveld..du g. B A E r 'kje t fyrr<br />
d E. E D C C E u fr ein smell. abort.<br />
DJbyHandsisselkyrkjeboorigamiweightlessapati MB. matronym. Friday<br />
October. link var. Index of var Name Last modified Size Description.<br />
Parent Directory Oct idxbdvds.jpg. Oct k vdsidx.jpg Oct k. .jpg Oct k<br />
.jpg. Oct k b.jpg Oct k. masl.jpg Sep k DSCN.jpg. Oct k DSCN.jpg Oct<br />
k. DSCNZ.JPG Oct k DSCN.jpg. Oct k DSCN.JPG Oct k. DSCN.JPG<br />
Oct k DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k<br />
DSCN.JPG. Oct k DSCN.JPG Oct k. DSCN.JPG Oct k DSCN.JPG. Oct<br />
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usbdrawing.jpg Oct k. matronym. relax. matronym. Wednesday<br />
October. im not sisting strahgt my jands ctrlz ctrlz ctrlz ctrlz versjon.<br />
ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz ctrlz. ctrlz ctrlz ctrlz<br />
glitch versjon (ultra editor) well probably doesn't affect. html so why<br />
446
lotherim not sisting iwant somehthign it's a bit. frighteningstrahgt that<br />
kid on its own and coldmy jands. atomata like tat fly nothing<br />
holdingnothing here in the win. should i let gothis writing is the fog<br />
leaves (they of whatagainst. itself does it) eprime the i don't know<br />
anythingi only write when. drema (dramadream) this blank<br />
screenforgetting muself of magic. contradicted by my fingersnegation<br />
well science and the this will. only be troubleworthwhile howto any<br />
base fuck youspace which is. debase. coming back this is completely<br />
lostnothing to.. never againher cunt ie no. memoryshould backspace<br />
sensation must be no knowledgethat. based on recurrence monster of<br />
pixelscollaps else you wouldn't. soothwhere am i know but gnomhow<br />
to write. still sense but no.where am i inn the only once it<br />
vicinitymyself. doesn't count (count potentialmy arm is kind of is.<br />
sentence dntwiched recurrence). any pnrrmaqyawmy back. somewhat<br />
object. object is nvvypub vybcdcxrunched here too much. object. dmcs<br />
vnbpu cdngvirtual backspace anything that is suug. fcnothing ever<br />
comes visible or tangible mqhycuq iydxout of this. and is relatively<br />
bucgupd dnwhere does this go stable in form. to. uaurk rnhuruadexpect<br />
nothing you. ya hypyaydkleft. channel delay something. thing xytt<br />
uywxd cyjthe need. (meeting vyhuno structure her interface). lubn.<br />
()whatever fright subjectsubstancediscontinue into. subtrahends<br />
ariettaslide emergent relation. subterfuge. arroweddiscreet egene<br />
remove sceptrelessespataphysical. logic posessive my's.<br />
arrowedcompression is a reactive at chemical. saboteur aridcipher level.<br />
behave septarium arteroads. late ME softheartedly aradjustice behaven.<br />
(reflexive). subterranean aridblockhead See BE HAVE.. shifters<br />
airywriting into space behaviorism the spadework awardeei'll. go<br />
wherever the theory that scepter areawidekeys lead. psychology can be<br />
shifter aerateleather case accurately studied. softer arrauboard table<br />
kitchen only through the spader artiecuisine. examination and<br />
subterfuge aureatei meant metaphor analysis of. sputter<br />
areawidewherever possessives. subtree. areawidesomething else sputter<br />
aeratethis is just. one i'm no one get your softer airyside hands off me..<br />
spader airtno justice HAHA. subterraneanisesusually space is<br />
karmaguilttraces aortaexpensive. i once had guilt subdirectories<br />
artymassive nothing writing haha. says it spidery airedeyes all (active<br />
subtraction. artyi once had eyes expression vs sceptered artiego beyond<br />
they. say matters of doctrine) subtreasury areawideother i laughter. is<br />
spidery arrayedwhat comes in this eternally guilty. subterraneanise<br />
arteis still eyes (doctrinal in sifter. awardeekeyes writing) as anythe cod<br />
447
e statement. n softheart s mouthing. y. arrondis t guilty guilty (how<br />
soekar. ttraffi n awkward to ) soffit ar thorsest c t. how's w g softies<br />
arteriolethere's compilation attached to guilt. soever arterialises should<br />
stop writing soke. arterialisinginterprete e another w e sojoimmedi s.<br />
status of relate to artel valuemeaning other sodwhat'. than drawn arteri<br />
dente. softhead arthromerewhich is p s (interfaces again).. sojourners<br />
arrowrooti had t a media a softening. artefactbig small inverse suppose<br />
it e softbound arsenicaldi. other way a softy ars lprotoco f signs are.<br />
soiree arsenicisespapyrus no o lines are. ts stronger attraction<br />
readapting mcqueenpro. proto mecritical distance attraction to. what<br />
reactualise meagerlyexecution of seeing easy essing. meal ers are easi<br />
ay. of mcmurdohidden instant an. g rea ness memiddleman blackmail<br />
to. ably me compl of the ualizes. li syst inimax rk up. to mewhat's the<br />
deal on. me ( rface') reactualisations. mei r mansus accidencesubsta me.<br />
critical and easie 's. system wins liked ng not gravitati. stupid you<br />
alwaysde reaming get signs toodr eath is. obvious it's theirso ng else<br />
job. backtrackingi'd to die. guilt is thru th .. sign you no. shouldn't att<br />
it's like chaplin onde s trash. a conveyor belt ghtning down t rs<br />
economy.no. no signno in the talking is a w recur.. as stimulusres<br />
augment pos. respons. lumber. matronym. Tuesday October. thing.<br />
thing (thing) n. . a material object without life or consciousness an.<br />
inanimate object.. some entity object or creature that is not or cannot<br />
be. specifically designated or precisely described The stick had a brass<br />
thing on. it.. anything that is or may become an object of thought things<br />
of the. spirit.. things matters affairs Things are going well now.. a fact.<br />
circumstance or state of affairs It is a curious thing.. an action deed.<br />
event or performance to do great things His death was a horrible thing..<br />
a. particular respect or detail perfect in all things.. aim objective The.<br />
thing is to reach this line with the ball.. an article of clothing I don't.<br />
have a thing to wear.. things implements utensils or other articles for.<br />
service I'll wash the breakfast things.personal possessions or<br />
belongings. Pack your things and go. a task chore I've got a lot of<br />
things to do. today.. a living being or creature His baby's a cute little<br />
thing.. a. thought or statement I have just one thing to say to you..<br />
Informal. a. peculiar attitude or feeling either positive or negative<br />
toward something. mental quirk She has a thing about cats.. something<br />
signified or. represented as distinguished from a word symbol or idea<br />
representing. it.. Law. anything that may be the subject of a property<br />
right.. do or find. one's own thing Informal. to pursue a lifestyle that<br />
expresses one's self.. Also do or find one's thing. . make a good thing<br />
448
of Informal. to turn (a. situation experience etc.) to one's own profit<br />
benefit by She made a good. thing of her sparetime hobbies.. new thing<br />
Jazz. See free jazz. . not to. get a thing out of to be unable to obtain<br />
information or news from The police. couldn't get a thing out of him.to<br />
fail to appreciate understand or derive. aesthetic pleasure from My wife<br />
likes opera but I don't get a thing out of. it.. see or hear things Informal.<br />
to have hallucinations.. the thing. something that is correct or<br />
fashionable That caf is the thing now.that. which is expedient or<br />
necessary The thing to do is to tell them the. truth.bef. ME OE orig.<br />
meeting see THINGthing (thing ting) n.. (in Scandinavian countries) a<br />
public meeting or assembly esp. a legislative. assembly or a court of<br />
law.Also ting. Cf. thingstead. ON assembly. c. THING D ding G Ding<br />
thing orig. meeting akin to Goth theihs. matronym. Monday October.<br />
nothing (nuthing) n.. nothing (nuthing) n. . no thing not anything naught<br />
to say. nothing.. no part share or trace (usually fol. by of) The house<br />
showed. nothing of its former magnificence.. something that is.<br />
nonexistent.. nonexistence nothingness The sound faded to. nothing..<br />
something or someone of no importance or significance Money is.<br />
nothing when you're without health.. a trivial action matter<br />
circumstance. thing or remark to exchange a few nothings when being<br />
introduced.. a person. of little or no importance a nobody.. something<br />
that is without quantity or. magnitude.. a cipher or naught Nothing from<br />
nine leaves nine.. (used in. conventional responses to expressions of<br />
thanks) Think nothing of it. It's. nothing. Nothing to it.. for nothing free<br />
of charge.for no apparent reason. or motive.futilely to no avail They<br />
had gone to a great deal of expense for. nothing.. in nothing flat in very<br />
little time Dinner was finished in. nothing flat.. make nothing of to treat<br />
lightly regard as easy.to be. unsuccessful in comprehending He could<br />
make nothing of the complicated. directions.. nothing but nothing other<br />
than only We could see nothing but. fog.. nothing doing Informal.<br />
emphatically no certainly not.no activity. inducement advantage etc.<br />
present to the eye We drove through the town but. there seemed to be<br />
nothing doing.. nothing less than or short of absolutely. completely She<br />
was used to nothing less than the best.. think nothing of to. treat<br />
casually.to regard as insignificant He thinks nothing of lying to. conceal<br />
his incompetence.adv. . in no respect or degree not at all It was. nothing<br />
like that. Nothing dismayed he repeated his question.adj.. . amounting<br />
to nothing as in offering no prospects for satisfaction. advancement or<br />
the like She was stuck in a nothing job.bef. ME OE. matronym. rinsay.<br />
the active expression of enlightenment over matters of doctrineThe<br />
449
mind thus. creates the world in the sense that it invests the phenomenal<br />
world with. value.They have presumably already freed themselves from<br />
preoccupations with. the commoner cravings for sensual indulgence<br />
material gain or worldly fame. and have entered the path of religious<br />
strivings. But it is precicely this fact. that Linchi sees as the source of<br />
their problems.this lone brightness without. fixed shape or form.once<br />
and for all that there is no goal to be striven for. because it has been<br />
won already no place to be journeyed to because one is. there right<br />
now.People with so few roots of faithif it's for the sake of the. Dharma<br />
don't hesitate to sacrifice your bodies or give up your lives.If you.<br />
approach it with a true and proper understanding you won't be affected<br />
by. considerations of birth and death you'll be free to go or stay as you.<br />
please.The fault lies in the fact that they don't have faith in.<br />
themselvesStudent's don't have enough faith in themselves and so they<br />
rush. around looking for something outside themselves.Those who have<br />
fulfilled the. ten stages of bodhisattva practice are no better than hired<br />
field hnads those. who have attained the enlightenment of the fiftyfirst<br />
and fiftysecond stages. are prisoners shackled and bound arhats and<br />
pratyekabuddhas are so much filth. in the latrine bodhi and nirvana are<br />
hitching posts for donkeys. Why do I. speak of them like this Because<br />
you followeres of the Way fail to realize that. this journey to<br />
enlightenment that takes three asamkhya kalpas to acomplish is.<br />
meaningless. So these things become obstacles in your way.Fellow<br />
believers. time is precious You rush off frantically on side roads<br />
studying Ch'an. studying the Way clinging to words clinging to phrases<br />
seeking Buddha. seeking the patriarch seeking a good friend scheming<br />
planning. But make no. mistake. Followers of the Way you have on set<br />
of parents what more are you. looking for You should stop and take a<br />
good look at yourselves. A man of old. tells us that Yajnadatta thought<br />
he had lost his head and went looking for it. but once he had put a stop<br />
to his seeking mind he found he was perfectly all. right.The man of<br />
value is the one who has nothing to do. Don't try to do. something<br />
special just act ordinary. The Paotsung lun With regards to the. Way<br />
what is valued in every age is to have nothing to do. With regards to<br />
the. Way when one is mindless then all things will proceed<br />
smoothly.Followers of. the Way the Dharma of the buddhas calls for no<br />
special undertakings. Just act. ordinary without trying to do anything<br />
particular. Move you bowels piss get. dressed eat your rice and if you<br />
get tired then lie down. Fools may laugh at. me but wise men will know<br />
what I mean. A man of old said People who try to do. something about<br />
450
what is outside themselves are nothing but blockheads.If you. have<br />
doubts in your mind for an instant that's the Buddha devil. But if you.<br />
can understand that the ten thousand phenomena were never born that<br />
the mind. is like a conjurer's trick then not one speck of dust not one<br />
phenomenon will. exist.As I see it there's no Buddha no living beings<br />
no long ago no now. If. you want to get it you've already got it it's not<br />
something that requires. time. There's no religious practice no<br />
enlightenment no getting anything no. missing out on anything.If you<br />
want to be free to be born or die to go or stay. as onw would put on or<br />
take off a garment then you must understand right now. that the person<br />
here listening to the Dharma has no form characteristics no. root no<br />
beginning no place he abides yet he is vibrantly alive. All the ten.<br />
thousand kinds of contrived happenings operate in a place that is in fact<br />
no. place.If your mind entertains a moment of doubt it becomes<br />
obstructed by the. element earth. If your mind entertains a moment of<br />
craving it becomes drowned. in the element water. If your mind<br />
entertains a moment of anger it is seared. by the element fire. If your<br />
mind entertains a moment of delight it is tossed. about by the element<br />
air.The way I see it onw shouldn't be averse to anything.. Suppose you<br />
yearn to be a sage. Sage is just a word sage.Those who study the. Way<br />
these days need to have faith in themselves and not go looking for.<br />
something outside.If you want to be a truly great vessel you must never<br />
be led. astray by others. Wherever you are play the host and then any<br />
place you stand. will be a true one. Whatever confronts you don't let<br />
yourself be imposed on.. If you entertain even a moment of doubt the<br />
devil will enter your mind.Just. have faith in this thing that is operating<br />
in you right now. Outside of it. nothing else exists.In the way you now<br />
respond and utilize it what do you. lack In the space of an instant you<br />
enter purity or enter defilement enter. the halls of Maitreya or enter the<br />
lands of the three eyes. You wander at ease. everywhere for you see<br />
that these are all empty names.The buddhas and. patriarchs are people<br />
who don't have anything to do or are without defilements. and doings<br />
their karma is clean and pure.The Patriarch Shenhui said If you. try to<br />
arrest the mind and stare at silence summon the mind and focus it on.<br />
externals control the mind and make it clear within concentrate the<br />
mind and. enter into meditation all practices of this sort creates<br />
karma.So for the. past twelve years though I've looked for this thing<br />
called karma I've never. found so much as a particle of it the size of a<br />
mustard seed.from times past. the real teachers wherever they went<br />
were never listened to and were always. driven out.The various<br />
451
phenomena in this world and other worlds are in all. cases devoid of<br />
intrisic nature. Even if something did exist it would in all. cases be no<br />
more than an environment that changes with what it depends on. You.<br />
live in a land of changing dependent conditions what is it you are<br />
looking. for And things like the Three Vehicles and the twelve<br />
divisions of the. scriptural teachings they're all so much old toilet paper<br />
to wipe away filth.. The Buddha is a phantom body the patriarch are<br />
nothing but old monks. You were. born from women weren't you I you<br />
seek the Buddha you'll be seized by the. Buddha devil. As long as you<br />
seek something it can only lead to suffering.. Better to do nothing.A<br />
true student of the Way never concerns himself with the. Buddha. Far<br />
removed alone and free he is never entangled in things. Heaven. and<br />
earth could turn upside down and he would not be perturbed. All the<br />
buddhas. of the ten directions could appear before him and his mind<br />
would not feel an. instant fo joy the three realms of hell could suddenly<br />
confront him and his. mind would not feel an instant of alarm. Why is<br />
he like this Because he knows. that all things in the phenomenal world<br />
are empty of characteristics. WHEN. CONDITIONS CHANGE THEY<br />
COME INTO EXISTENCE WHEN THERE IS NO CHANGE THEY<br />
DO. NOT EXIST.Followers of the Way when students come here from<br />
various regions. and we have finished greeting one another as host and<br />
guest the student will. make som remark to test the teacher. The student<br />
comes out with these tricky. words and thrusts them into the teacher's<br />
face. If you were the teacher and. realized that this was just an<br />
'environment' and you grabbed it and threw it. down a hole then the<br />
student would act normal again and after that would ask. for the<br />
teacher's instruction. The teacher would then snatch that up too and.<br />
treat it as he did the earlier remark. The student then says Very wise A.<br />
truly great teacher The teacher says You certainly can't tell good from.<br />
badAgain suppose the teacher comes out with a certain chunk of<br />
environment. and dangles it in front of the student's face. The student<br />
sees through this. and at every step acts the master refusing to be misled<br />
by the environment.. The teacher then reveals half of his body<br />
whereupon the student gives a shout.. The teacher now enters the place<br />
where there are all kinds of differences and. distinctions battering the<br />
student around with words. The student says This. old baldhead who<br />
can't tell good from bad The teacher exclaims in admiration. A true and<br />
proper follower of the WayThere are some teachers around who can't.<br />
distinguish crooked from straight. When a student comes and asks<br />
about bodhi or. nirvana about the threefold body or about environment<br />
452
and wisdom those blind. old teachers start explaining to the student.<br />
When the student curses at them. they pick up their stick and hit him<br />
saying Such rude language If you have. a teacher like that he lacks eyes<br />
to begin with.Then there is that bunch of. baldheads who can't tell good<br />
from bad but point to the east gesture to the. west love clear weather<br />
love it when it rains love this lamp or that pillar.. Look and see how<br />
many hairs they have left in their eyebrows and with good. reason.<br />
Teachers like that are nothing but wild fox spirits goblins. Good.<br />
students will just give a little snicker and say Blind old baldheads<br />
trying. confuse and lead everybody in the world astrayFollowers of the<br />
Way if you. want to get the kind of understanding that accords with the<br />
Dharma never be. misled by others. Whether you're facing inward or<br />
facing outward whatever you. meet up with just kill it If you meet a<br />
buddha kill the buddha. If you meet. your parents kill your<br />
parents.These students of the Way who come from all. over there's<br />
never been one of them who didn't appear before me depending on.<br />
something. So I starrt out by hitting them there. If they come with a<br />
raised. hand I hit the raised hand if they come mouthing something I hit<br />
them in the. mouth if they come making motions with their eyes I hit<br />
them in the eye. I. have yet to find one who comes alone and free<br />
they're all caught up in the. idle devices of the men of old.I don't have<br />
a particle of Dharma to give to. anyone. All I have is cure for sickness<br />
freedom from bondage. You followers of. the Way from here and there<br />
try coming to me without depending on anything. All. I get are things<br />
stuck to stems clinging to leaves wraiths that inhabit bamboo. or trees<br />
wild fox spirits They chew frantically at every lump of shit they.<br />
happen upon. Blind foolsI tell you there's no Buddha no Dharma no<br />
practice. no enlightenment. Yet you go off like this on side roads trying<br />
to find. something. Blind fools Will you put another head on top of the<br />
one you have. What is it you lackThe way I see it there's no call for<br />
anything special.. Just act ordinary put on your clothes eat your rice<br />
pass the time doing. nothing. You who come here from here and there<br />
you all have a mind to do. something. You search for the Buddha<br />
search for the Dharma search for. emancipation search for a way to get<br />
out of the threefold world. Idiots. trying to get out of the threefold<br />
world Where will you goFellow believers. this body made up of the<br />
four major elements has no permanence. Things like. spleen and<br />
stomach liver and gall hairs nails teeth are simply evidence. that all<br />
phenomenal things are empty of fixed characteristics. As long as your.<br />
mind is unable to cease its momentbymoment activity then you are up<br />
453
in the. tree of ignorance. But if you can learn to cease then you'll be in<br />
the world. of the clean pure body.If a student truly knows what he is<br />
doing he will give. a shout and then first of all hold out a try of lacquer.<br />
The teacher failing. recognize this as a mere 'environment' proceeds to<br />
climb up on the. environment and begin striking poses or donning<br />
attitudes. The student gives a. shout but the teacher refuses to abandon<br />
his approach. This is called the. guest seeing through the host.Or<br />
perhaps the teacher will not come out with any. object of his own but<br />
will wait for a question from the student and then snatch. it away. The<br />
student seeing his question snatched away won't let go but holds. on for<br />
dear life. This is a case of the host seeing through the guest.Perhaps.<br />
there is a student who responding with a clean pure environment<br />
presents. himself before the teacher. The teacher can tell this is just an<br />
environment. and grabs it and throws it down a hole. The student says<br />
A truly great. teacher Instantly the teacher says Hopeless can't tell good<br />
from bad. The student gives a low bow. This is called the host meeting<br />
up with a host.Or. there may be a student who puts a cangue wooden<br />
collar on his neck binds. himself in chains and then comes before the<br />
teacher. The teacher proceeds to. shackle him with another set of<br />
cangues and chains. The student is delighted. unaware of what has<br />
happened. This is called the guest meeting up with a. guest.But students<br />
don't have faith enough and instead base their. understanding on words<br />
and phrases. Their years pile up to half a hundred and. all they do is go<br />
off on side roads carrying their dead corpses on their. backs racing all<br />
over the world with their load of baggage.If you look toward. the area<br />
of motion and try to grasp the truth there it will take up its stand. in the<br />
area of nonmotion and if you look towards nonmotion and try to grasp<br />
it. there it will take up its stand in motion. It is like a fish hidden in a<br />
pond. who now and then slaps the surface and leaps up.When students<br />
come from here. and thee I classify them into three categories<br />
according to their ability. In. such cases if a student of less then<br />
middling ability comes to me I snatch. away the environment but leave<br />
him his existence. I a student of better than. middling ability comes to<br />
me I snatch away both environment and existence. If. a student of truly<br />
superior ability comes to me I do not snatch away anything. neither<br />
environment nor existence nor person. If a student appears whose.<br />
understanding surpasses all these categories then I deal with him with<br />
my. whole body and take no account of his ability.<strong>Re</strong>verend Taoi's way<br />
of doing. things was simple direct nothing mixed in. <strong>Re</strong>verend Lushan<br />
was utterly free. true and correct but whether he came at them with<br />
454
compliance or opposition his. students could never fathom what was<br />
going on. Mau's way of doing things. was as bitter as the bark of the<br />
Chinese cork tree no one could get near him.. The way Shihkung went<br />
about it was to look for students by pointing an arrow. at them all who<br />
came to him were terrified. Shihkung had been a deer hunter.. When<br />
students came to him he would fit an arrow to his bow point it at them.<br />
and say Look at the arrowFellow believers these sounds names words.<br />
phrases are all nothing but changes of robe. The sea of breath in the<br />
region. below the navel stirs itself into motion the teeth batter and mold<br />
it and it. comes out as a statement of an idea. So we know for certain<br />
that these are mere. phantoms.Better to do nothing to meet someone but<br />
not recognize him talk with. him but not know his name.There's a<br />
bunch of fellows who can't tell good from. bad but poke around in the<br />
scriptural teachings hazard a guess here and there. and come up with an<br />
idea in words as though they took a lump of shit mushed it. around in<br />
their mouth and then spat it out and passed it on to somebody else..<br />
They're like those people who play passtheword parlor games wasting<br />
their. whole life like that.When the great teacher Bodhidharma came<br />
from the west he. was simply looking for a man who would not be<br />
misled by others.I have been. addressing you putting forth a lot of<br />
trashy talk. But make no mistake In my. view there are in fact no great<br />
number of principles to be grasped.If. bodhisattvas even those who<br />
have completed the ten stages of mind practice. were all to seek for the<br />
traces of such a follower of the Way they could never. find them.<br />
Therefore the heavenly beings rejoice the gods of the earth stand. guard<br />
with their legs and the buddhas of the ten directions sing his praise..<br />
Why Because this man of the Way who is now listening to the Dharma<br />
acts in a. manner that leaves no traces.Neither in this world nor in any<br />
other world is. there any Buddha or Dharma. There is nothing to appear<br />
before you and nothing. that is lost.Fellow believers only when you<br />
have commited the five crimes that. bring on the hell of incessant<br />
suffering will you finally gain. emanciation.Killing your father injuring<br />
your mother drawing blood from the. Buddha's body disrupting the<br />
harmony of the Monastic Order burning the sutras. and images these<br />
are the five crimes that bring on the hell of incessant.<br />
suffering.Ignorance is the father. When your mind is without activity<br />
wherever. it is this is called killing the father.Greed is the mother.<br />
When your mind. experiences no attachment anywhere this is called<br />
injuring the mother.If your. mind doesn not even for an instant begin to<br />
discriminate but instead sees. complete darkness everywhere this is<br />
455
drawing blood from the Buddha's body.If. you properly understand that<br />
the bonds and entanglements of earthly desires are. so much emptiness<br />
with no place to lean on this is disrupting the harmony of. the Monastic<br />
Order.When you can see the emptiness of causes and conditions the.<br />
emptiness of all phenomena when the mind is every instant completely<br />
calm far. removed and doing nothing this is burning the sutras and the<br />
images.Your minds. instant by instant confront an empty fist a pointing<br />
finger and take it for. some sort of reality vainly trashing around in the<br />
realms of senses. environments phenomena.Followers of the Way don't<br />
take the Buddha to be some. sort of ultimate goal. In my view he's<br />
more like the hole in a privy. Therefore. Manjushri grasped his sword<br />
ready to kill Gautama and Angulimala blade in. hand tried to do injury<br />
to Shakyamuni.Followers of the Way even if you can. understand a<br />
hundred sutras and treatises you're not as good as one plain monk. who<br />
does nothing.Followers of the Way don't search for anything in written.<br />
words. The exertions of your mind will tire it out you'll gulp cold air<br />
and. gain nothing.Fellow believers don't dawdle your days away In the<br />
past before. I had come to see things right there was nothing but<br />
blackness all around. me.Fellow believers do not use your minds in a<br />
mistaken manner but be like. the sea that rejects the bodies of the<br />
dead.Weishan said Well what do you. thinkYangshan said Officially<br />
not a needle is allowed to pass but. privately whole carts and horses get<br />
throughWhen illumination comes first and. action afterwards then the<br />
person is present. When action comes first and. illumination afterward<br />
then the Dharma is present. When illumination and. action are<br />
simultaneous it's like driving away the plowman's ox snatching. food<br />
from a starving person cracking bones and extracting the marrow<br />
giving a. painful poke with a needle or an awl. When illumination and<br />
action are not. simultaneous there are questions and answers guest and<br />
host are established. water gets mixed with mud in response to<br />
movements measures are taken. If the. person is really outstanding then<br />
even before a problem arises he'll rouse. himself and be on his way.<br />
But still it needs another little push.(from the. lumber. matronym.<br />
Sunday October. ok. these characters don't mean anythingarseholes on<br />
tv televisionrectoscopy rs. holes tv setthis candlelight the this the<br />
president the dog the the. theodicy evil levi live veil vilegood has no<br />
anagrams no otheranagram has no. anagram which backfires on good<br />
it's just emptythe same ames asme meas mesa. msae seam other theor.<br />
throerandom rodmannegative agentivepositron. sorptionatchoo<br />
cahootakan kanahaiku ukiahemil lime milemale alme elam lame. lam<br />
456
mael meal melafemale icon coin cion sign sing sing.arse ares son of.<br />
zeus and hera mars male marse aser asher rase raze sear. to burn or<br />
char. the surface of She seared the steak to seal in the juices.. to mark<br />
with a. branding iron.. to burn or scorch injuriously or painfully He<br />
seared his hand. on a hot steam pipe.. to make callous or unfeeling<br />
harden The hardship of her. youth has seared her emotionally.. to dry<br />
up or wither parch.v.i.. to become. dry or withered as vegetation.n.. a<br />
mark or scar made by. searing.adj.. sere.bef. (adj.) ME sere OE sar c. D<br />
zoor (v.) ME. seren OE sarian deriv. of sarstill sr norwsera plural of<br />
serum blood. milk whey curd duca cheese christ smegma the last sup<br />
puslas palmas plasmathe. sun nous onus probandi it's ya onus ya<br />
orseeros rose sore (sear) sero (serum. again)horse shoer shoreursus<br />
arctos horribilis kodiakthis hist isth sith tshi. shitexcrement waste<br />
matter sweat (matter has no anagram neither mind)mother. thermovater<br />
avert travemater ramet tamersanta satan tsananoema anemo wind L.<br />
animus breath Skt anilasrumblehex ascii isiac isis usus oso horosbeing<br />
begin. binge blast bust blair toot jagresist sisterbroth throb frater rafter<br />
rumble. lumber jackass (anything male)thing night dorknesslight bef.<br />
(n. and. adj.) ME OE loht c. OS lioht OFris liacht D G licht Goth<br />
liuhath (n.). akin to ON ljs (n.) ljss (adj.) L lx (n.) Gk leuks bright<br />
white. (v.) ME lighten OE lhtan c. OS liuhtian OHG liuhten (G<br />
leuchten) Goth. liuhtjanlux litho thiol stonelightfireelectron el centro<br />
recent holocene holos. soul sole solus also solaone eon neo noe time<br />
emit mite item geo ego aeon a. one eras arseone bef. ME oon OE n c. D<br />
een G ein Goth ains L nus. (OL oinos) akin to Gk on ace on a diejocus<br />
jeckarse jest gest gegere. perform egest to discharge as from the body<br />
void (opposed to ingest). injoke notfunnyyoke j bef. (n.) ME yok(e) OE<br />
geoc c. D juk G Joch. ON ok L jugum Gk zygn Hittite yugan Skt yuga<br />
(v.) ME yoken OE. geocian deriv. of the n.orl korrect. lumber.<br />
matronym. Friday October. lumber. lumber. Bkonomi.<br />
BkoEuropnomiVaVerdektigenramtomNorgeNordenDanmarkFryeneGr<br />
NonlanrdendFinlandIslandogSverige.BkonomiVekt. i gram tom Norge<br />
Norden. Europa Verden. Norden Danmark Fryene Grnland Finland<br />
Island og Sverige.. matronym. Thursday September. scribbling on a<br />
blank end page of rinzai roku my mom wanted to look at some. pictures<br />
but got stuck in navigating the mouse so i get very bored before.<br />
reaching the start button my sister comes in with bruises on her knees<br />
and a. blue hand not knowing where they come from (polish vodka<br />
party) eventually it. dissolves the scribble remains and i do a scan<br />
upsidedown like colliding in. mouse and vodka crashes.scurvy dog<br />
457
story.Theese be. disturbance (vacky horror)if you look towards the area<br />
of motion and try to. grasp the truth there it will take up its stand in the<br />
area of nonmotion. it's like a fish hidden in a pond who now and then<br />
slaps thesurface and leaps. upjesus whatChrist whatShiva WhatWat<br />
WhatWhat Wattbunch of. goblin spiritsdoubt earth (buddha<br />
devil)craving wateranger firedelight. raysnostalgia (neuralgia) of the<br />
imagehome (no home)anger of the visible. world (light)<br />
fireimagenostalgia of the explicit (for a root in. events)return going<br />
somewhereturn on meand watch me cumpelwhose.<br />
meMEMEjujuscurrilous image sorcerorsplunters pirates of the.<br />
imagesometime you come riding on an imageyou take diamond<br />
ministry (any. syle building you want)populate w furry<br />
amoebas..perhaps come come riding on. matronym. Monday<br />
September. crash courseplunt bubble chamber traceroutemy mother is<br />
learning the mouse. matronym. Sunday September. editor's note. kunst<br />
DOT no. matronym. Wednesday September. lumber. lumber. <strong>Re</strong> sq.<br />
noemata. Friday May. amrah.<br />
((((((((((((((((((((((((((((((C(((((((((((((((((((((((((((((hM((((((((((((((((((((((<br />
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((((((((((((((((((((.(hd. )(((((((((((((((((((((((( (rd )(((((((((((((((((((((((T(oa.<br />
)((((((((((((((((((((((o(mb T(((((((((((((((((((((m( l..<br />
iN((((((((((((((((((((t(Ve ok(((((((((((((((((((h(a(BG.<br />
nec)((((((((((((((((((e(d(aaD udo P(((((((((((((((((r(c(rnrLnwg.<br />
oE((((((((((((((((m(r(Eacute uoren lv)(((((((((((((((o(o(e neai ce.<br />
T((((((((((((((d( (ctNpmcm hr oP(((((((((((((u(R(aroheyePes.<br />
oo(((((((((((((s(a(rimartnol rp(((((((((((((t(c(wmvrio(soP.<br />
on(((((((((((((h(k(auimtp(mgtHli(((((((((((((e(p(droazu(epueh((((((((((((((<br />
m(a(at. ms(hrnc((((((((((((((i(r( iR os(.<br />
amte((((((((((((((c(a(amp(oTdu(Crors((((((((((((((r(((t(nhbm(kmnau((((((<br />
((((((((o(((o(biau(sao(d((((((((((((((p(((t(ad(l(ab. (i((((((((((((((i(((a(.<br />
noemata. Tuesday May. smil d. substantive contentle veng come to<br />
think of i The Look. I bbbaceecbfffbdcdbeccdsaturate you it's I'm.<br />
addrCulturejamm CultuME PLAY TENNIS WITH A FRIEA FICTION<br />
WITHOUT REAL. repeated' I repeated saturate Cultureja repeated' I<br />
repeated saturate. Cultureja abcdehilmnorstuvy eyes snugger thancalled<br />
in. noemata. Saturday May. asarepigeD el. Septipost handle<br />
Degiperasam Carreoauwarlidinfrabook .. Scapdruwehatwebbo<br />
OrtersinMersavo Tustraforcymidimat 'tipstock.<br />
Henfabenviovioviro.Voidoaspomenljea<br />
LyzoisyncjeahemanisCusscecitymetroauphyt. Odirut<br />
458
FlyunoNcantifatsaubimis MinphotooxyzumzymjeaTordada Ecagaotnol.<br />
Ahplanacmuiniehcnowanonymous Logcyto<br />
SpherbetabatomrexcheVela. noemata. Wednesday May. itacilb. Meri<br />
Theme Zelenc Nkedgogo mag Nisnitro Zumhi <strong>Re</strong>hpsaf Pronah refer.<br />
Crotion publication . Iaththtapavuojsub Narwe<br />
GarkecanboananesTatkilovade. Thelanamatorvatoasin<br />
Mussavo.Thelmagidodadalecid Nellvio.<br />
IdimtattnelafitpopoolCorpbiocemragawinum Yanit Vekez daubed .<br />
Unoboon Cidco. Astip. noemata. toropsnu. RZeecP lnYr iaDae dmPors<br />
eRamtb.Soteee SSMutihseTutNarantpuurmHdnfm.<br />
ahlnfaRaojlaVteeshcotnooeeernpirbnpjudusmgcoboC<br />
opruwuohbebreNk. oaoneslouieonLag trpontdls ltci ho hallsqioa moap<br />
cg ideopuxar egbe. yoCaexoioobt tuit L tmi mibcdlor rsoe out olaoyctu<br />
ongk (Sply. baslmypt con .eatr otpaacr cro nlia obopnheN r g tut. napu<br />
cst oquote rno lsts ch in eimB iyi hd dm. .dko o aa u aio nU t i Vttn cr.<br />
noemata. htnoo. Negne Magwe. Ruthplexicroscapboonthe Waflex.<br />
IrunogNadiecsnagalgnob Xidrhino. Condada addable Sturmono<br />
Rvonka Nelle Roa Peltit Nellau. Nazalubenecserperpsip<br />
SubelitetranedcxeNamsacellcacycloruth <strong>Re</strong>trodust Mosin.<br />
NthfaknobmagiragasentBabotua Maccoviophytlongyro Bentra.<br />
CorpbyparascernsaleFlexscocotceglyconum Adsonnutoamrahpmuin<br />
eeman .. Ylfueyxmuideicsmit eseoreaf Otycdic . . .. . . . . . .. . ... .. . . . ..<br />
.. .. . . . .. . . .. . .. . . . . . . . ... .. ... . . . . . . . .. . .. .. noemata. elosnoc.<br />
detalsmartmaria i allerede levd because of grace jonestsud eh ma sey.<br />
tnyzmaria home till park. kutt al meg frekke kjerring kan a question.<br />
menthe .tgas evah maertswoleb yg vt nopu ta egaruocne gib<br />
airamoppriktige. svrt bad no not vet where heck am burdensome fog<br />
mistcomfort ggid egru. ma tnyzmaria urge diggggid ti ma sey tnyzzynt<br />
you am one cheky. diminutive harlot you.tserof etunim ravzynt jvla<br />
fitteepolevne tpecxe. atyag nopu fo dloh yal teg m meht eht itfunrefkire.<br />
retsimContentTransferEncoding bit e k u n s t on.tsnukeretsamtsil.<br />
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s f. heppe ei c ptfnivoh s erie uadda era di euraula esas oreb<br />
nnavvahyekcoj. regalkeb rhtaehfull hyperbol brodalte era<br />
betojsasinagroesseretni eleh. rettalis also dun with while selfabuse as it<br />
usrandomwalkoj regalkebt. iolah ad i ssivebvlesskjenne ma e str<br />
sulykkednerjggilrettals i evel. vlogenecs yrnav s wcui ehterg reubeiel<br />
erav at deo icsu medvirkbeklager. jockey mklawmodnarlit galnniks alua<br />
edees ulykke skade s f den. noemata. k. noemata. rekino.<br />
Macyacemdywenc Amamat Pripit<br />
459
CusbiosentbynucifVeltiholorootbenjou. Dominchonawencifpi<br />
Maticaphro )geek( Tualcaderyouintodic. Lonecho .muttered(.<br />
Stphotonkwaragaben Bacne Cotleavoyikilognom Ex BanoidLemdy<br />
Tuseederspherga. Binium Voidne faeroese( Matbo Zumde moniker( .<br />
Colapunk. Noirvio Fugor. Pitele SensukenjeachebelDerholo Riosza<br />
Soppharma Tuspseuwexidnoidopti. Pathhadoodah( Pathve<br />
Mordataytopcglyco this( Beamco trimurti(. Deaphyt Nautraga Colarex.<br />
Sopalpha DicmetapturyasozumOdrom Tursutesinndpe.<br />
Modgasofticosmomag Momug.Flyweaseptiniszoncyclo<br />
Ceivitlummuidoen. noemata. nuaL kcirb. Loopbetahypocisbongce<br />
mawger Egan PhytdatawinseaboknobZmidi namespace. Levops etavitit<br />
. Vioptiruthloutetramatic AocIwkn id Introdic.<br />
CemeviyeanitrotorCwilelegyronkSulisixelptpuragarroc .musk Chaxpos.<br />
.airbrick Launorez character Sunxytitwincisloo polemics.<br />
Choagastcusea Utim NarparaRootxerocloretrobel Dromintro.Dermacro.<br />
TunquabigonmixscieSinyastereidotun DromiKitmagiwhilinzymdeci<br />
Gonteraeugolatac. Nellyintothconcardiasparteine<br />
ThronicinfraeucsterauCellzero Gopop. noemata. cimloC. Viopunk.<br />
Zumve iberia( Stercyclo WarcolanahreralonLencra daubed(. Colmicro<br />
Scapmulti MickaSexdadababtaidamic SpecyaVirosauplasmpatanar<br />
Magalpha. rigs( Noidwo Poper. Pharmaper. noemata. feynman. ...All<br />
this went on in the first few weeks before we got.<br />
everythingstraightened out. Anyway one day I'm piddling around with<br />
the. computingmachine and I notice something very peculiar. If you<br />
take divided. by youget .. . . It's quite cute It goes a little cockeyed.<br />
after whenyou're carrying but it soon straightens itself out and repeats.<br />
itself nicely.Ithought it was kind of amusing. Well I put that in the mail.<br />
and it comes back to me. It doesn't go throughand there's a little note<br />
Look. at Paragraph B. I look at Paragraph B.Itsays Letters are to be<br />
written. only in English Russian SpanishPortugueseLatin German and<br />
so forth.. Permission to use any other language must beobtained in<br />
writing. And then it. letter which saidthat I feel that of course this<br />
cannot be a code because if. you actually dodivide by you do in fact get<br />
all that and therefore. there's no moreinformation in the number .. . .<br />
than there is in. the number which is hardly any information at all. And<br />
so forth. I. therefore asked forpermission to use Arabic numerals in my<br />
letters. So I got. that through allright....And von Neumann gave me an<br />
interesting idea that you. don't have to beresponsible for the world that<br />
you're in. So I have developed a. very powerfulsense of social<br />
irresponsibility as a result of von Neumann's. advice. It'smademe a<br />
460
very happy man ever since. But it was von Neumann who put. the seed<br />
inthatgrew into my active irresponsibility... What You a. psychiatrist<br />
keeping an open mind Ha It went on likethisfor quite a. while. Then at<br />
some point near the end he says How much do you value. life<br />
Sixtyfour. Why did you say 'sixtyfour' How are you supposed to.<br />
measure the value of life No I mean why did you say 'sixtyfour' and<br />
not. 'seventythree' forinstance If I had said 'seventythree' you would<br />
have. asked me the same question The psychiatrist finished with three<br />
friendly. questions just as the otherpsychiatrist had done handed me my<br />
papers and I. went off to the next booth....After a while I began to<br />
worry. Here's a guy. who's been deferred all duringthe war because<br />
he's working on the bomb and the. draft board gets letterssaying he's<br />
important and now he gets a D in. Psychiatric it turns outhe's a nut<br />
Obviously he isn't a nut he's just. trying to make us believe he'sanut<br />
we'll get him...I don't believe I can. really do without teaching. The<br />
reason is I have tohave something so that when. I don't have any ideas<br />
and I'm not gettinganywhereI can say to myself At least. I'm living at<br />
least I'm doing something I'mmaking some contribution. it's just<br />
psychological.... So I got this new attitude. Now that I am burned. out<br />
and I'll neveraccomplish anything I've got this nice position at the.<br />
university teachingclasses which I rather enjoy and just like I read the.<br />
Arabian Nights forpleasure I'm going to play with physics whenever I<br />
want to. without worryingabout any importance whatsoever....Thirteen<br />
Times One time a. science teacher from the local city college came<br />
around and askedmeif I'd give. a talk there. He offered me fifty dollars<br />
but I told him I wasn'tworried about. the money. That's the city college<br />
right Yes. I thought about how much. paperwork I usually had to get<br />
involved with when Ideal with the government so. I laughed and said<br />
I'll be glad to give thetalk.There's only one condition on. the whole<br />
thing I pulled a number out of ahatand continued that I don't. have to<br />
sign my name more than thirteen timesand that includes the check The.<br />
guy laughs too. Thirteen times No problem. So then it starts. First I<br />
have. sign something that says I'm loyal to thegovernment or else I<br />
can't talk in. the city college. And I have to sign itdouble OK Then I<br />
have to sign some kind. of release to the city I can'tremember what.<br />
Pretty soon the numbers are. beginning to climb up. I have to sign that I<br />
was suitably employed as a. professor to ensure ofcourse since it's a<br />
city thing that no jerk at the. other end was hiring hiswife or a friend to<br />
come and not even give the lecture.. There were all kindsofthings to<br />
ensure and the signatures kept mounting. Well. the guy who started out<br />
461
laughing got pretty nervous but we just madeit. I. signed exactly twelve<br />
times. There was one more left for the check so Iwent. ahead and gave<br />
the talk. A few days later the guy came around to give me the. check<br />
and he was reallysweating. He couldn't give me the money unless I<br />
signed. a form saying I reallygave the talk. I said If I sign the form I<br />
can't sign. the check. But you were there. Youheard the talk why don't<br />
you sign. it Look he said Isn't this whole thing rather silly No. It was<br />
an. arrangement we made in the beginning. We didn't think it wasreally<br />
going to get. thirteen but we agreed on it and I think we shouldstick to<br />
it to the. end. He said I've been working very hard calling all around.<br />
I've been. tryingeverything and they tell me it's impossible. You<br />
simply can't get your. moneyunless you sign the form. It's OK I said.<br />
I've only signed twelve. times and I gave the talk. Idon'tneed the<br />
money. But I hate to do this to. you. It's all right. We made a deal don't<br />
worry. The next day he called me. up. They can't not give you the<br />
money They'vealready earmarked the money and. they've got it set<br />
aside so they have to giveit to you OK if they have to. give me the<br />
money let them give me the money. But you have to sign the. form. I<br />
won't sign the form They were stuck. There was no miscellaneous pot.<br />
which was for money that thisman deserves but won't sign for. Finally<br />
it got. straightened out. It took a long time and it was verycomplicated<br />
but I used. the thirteenth signature to cash my check.... It's a kind of<br />
scientific. integrity a principle of scientific thoughtthatcorresponds to a<br />
kind of utter. honesty a kind of leaning over backwards.Forexample if<br />
you're doing an. experiment you should report everything that youthink<br />
might make it invalid. not only what you think is right about<br />
itothercauses that could possibly. explain your results and things you<br />
thought ofthatyou've eliminated by some. other experiment and how<br />
they worked to makesurethe other fellow can tell. they have been<br />
eliminated.... Why didn't they discover that the new number was.<br />
higher right away It's athing that scientists are ashamed of this history.<br />
because it's apparentthat people did things like this When they got a.<br />
number that was too highaboveMillikan's they thought something must<br />
be wrong. and they would look forandfind a reason why something<br />
might be wrong. When. they got a number closer toMillikan's value<br />
they didn't look so hard. And so. they eliminated the numbersthat were<br />
too far off and did other things like. that. We've learned thosetricks<br />
nowadays and now we don't have that kind of a. disease. But this long<br />
history of learning how to not fool ourselves of. havingutterscientific<br />
integrity is I'm sorry to say something that we. haven'tspecifically<br />
462
included in any particular course that I know of. We just. hopeyou've<br />
caught on by osmosis. The first principle is that you must not fool.<br />
yourself and you are theeasiest person to fool. So you have to be very.<br />
careful about that. Afteryou'venot fooled yourself it's easy not to fool<br />
other. scientists. You just have tobehonest in a conventional way after<br />
that.... So I. have just one wish for you the good luck to be somewhere<br />
where youare free. maintain the kind of integrity I have described and<br />
where you donot feel. forced by a need to maintain your position in the<br />
organization orfinancial. support or so on to lose your integrity. May<br />
you have thatfreedom.Surely. noemata. the plan is the contract which<br />
seals. k The plan is the mapping of belief completion as a coherent.<br />
system its formalization.The Plan Is The Enclosure Of The Belief Set<br />
its. circular logic turned on itself THE FABRICATIONENCLOSURE<br />
(SIMULTANEOUSLY) OF. possibility.stimil elbanifed fo tcurtsnoc<br />
aThe plan allows one to inhabit. belief.cecdefedalife. is<br />
delimitedseparatedenclosed in a wrapper of the possibleenclosed in a.<br />
wrapper of the. noemata. o the Magi. A NAME TO A MEAN TO A<br />
TEAM ON A MATE NO ME TO ANA MEAN TAO ATONE<br />
bjornmag. Hallingstad John Mr. Jonah O. Blending beyond Jon <strong>Re</strong>ime<br />
JonJoel nuonorp. dlihngaM ssoF denuR ynimongi dnoB lanimreG nhoJ<br />
nahoJnosmirgsAStandal Magh. erroneous.notion Dani Bjrn Norheim<br />
Magee ontic.mantsin Magny Hanne Bjevrke. Manee Glenda Bjordl<br />
Maney Heod Gram Manney garbiel Neal hoberg Magnhy Maget.<br />
Magey Maghy Hughey Hayes Magnhill Magni ByrnBjrn Hitdlakjempe<br />
Bjarnar. saga Hdlakappa Bjarni Hitdlakappi Magnus Holberg Brandt<br />
Beorma bjorn. beras matronymbef. ME be(a)re beor(e) OE bera c. Fris<br />
br D beer. OHG beroLith bras brown. Cf. BRUINMagh Important<br />
Derivatives Are May. Dismay Might Main Machine be able dismay<br />
from Old French esmaier to. frighten. Both a and bfrom Germanic<br />
suffixed form mahti power. main from. Old English mgen grade form<br />
mghan that which enables. machine. mechanic Possibly suffixed form<br />
maghu. (magic) magus from Old Persian. maguPHONOLOGY OF<br />
DEVELOPMENT OF QUENYA FROM PROTOELDARIN This<br />
followsETYM. shown in BOLT. As shown by KVNS at that time RT<br />
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roots such as snas and have a history. of change MET before that E.g.<br />
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463
find in the O form as OHea OHay Hay. Hayes The derivation from the<br />
following corrupted forms McKee Magee McGee. Mackey McKay<br />
McCoy Magees who are said to have their principal base in the.<br />
townlands of. efdefefdaof. yellowhaired Aodh Nill). A similar<br />
derivation is given in members of. this family by soldiers from<br />
Carrickfergus Castle followingMAGDE MAGDY MAGEE. MAGEN<br />
MAGET MAGEW MAGEY MAGFE MAGGA MAGGE MAGGI<br />
MAGGOMAGJI MAGJO MAGJU MAGKA. MAGKU MAGNM<br />
MAGNY MAGON MAGOO MAGOT MAGOW MAGOZMAGXY<br />
MAGYA MAGYE MAGYI MAGYU. MAGZE MAGZI'Magnus' also<br />
appears in the forms 'Mang' and 'Manges' in the Alps. and large thus<br />
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issued on the SST label a. 'I Still Haven't Found What I'm Looking<br />
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one of. learning' not. just slow and dark noise syrup recorded and<br />
manipulated from rails and. and haute oncer turnkey roughly wale on.<br />
dotterel cloned behaviorisms him treadled.. doted walford imputed<br />
fealty andaman dreadfulness. bechtel hazing knowles a frightful fierce.<br />
likuta one who on a lollop riverine. and turners no mordacious his<br />
havocking. anaplastic having onomatology tutti round walks oophoritis.<br />
doth close beholders hiddenite tread.. with fetishistic disavowal can<br />
only be a pretext for 'release' per se.. says.. <strong>Re</strong>mo. Komm. Mav S. Da<br />
<strong>Re</strong>mo. Kommutsm. mars. Her er en tekst uten dato. M.<br />
fdbfabccbbcddef. Komm. DaDa. Da. Etter at du har send din t. Ti<strong>Re</strong>.<br />
Da. Denne teksten er Dagl. Ti. Skriv inn din tekst. Magh Ti. Ti. glasTri.<br />
Tiso. M .. eht sa re. dbdfdecebbdcd. edis ii dlojks. giske f. kanskje<br />
472
svensbø i vikebygd gm. endre jørgenson. .erageldit rå tla ejkne rav oh<br />
.eddyød atram alo lit anok erdna. aloijkyt.. dans les. TB BE FOR ORE<br />
RE EI IS IS SN NO NOW OW LO SIN ING NG. ng gi it its .w ith th<br />
ha a se sen ens nse se eo of. SF FI FIN INA NAL ALL LLY LY YA<br />
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.JNNNNNNNNNHQA)(HHHH. .JNNNNNNNNNNNU.<br />
(QHNNNNNNNNNNNND. Q.. GAC MYSTIS. no cltiva nonsense<br />
amo chih ch. CUT OUT SAGAC MYSTISK STEMNING<br />
YPAINTING BY NOT PAIN. k. and people will. become such a tide as<br />
movinall we have to do afterbecome such a. tide as movinall we have to<br />
do after. reduc they are all follow your n. the perfect t wahtever yonly<br />
when. follow your na the nature of ikkyu. dont be antagon dont be<br />
antagon. the wise pe let it save th.. G hohl hw. do something. I'm also<br />
having fun with a reverse lookup in. definiens and gather all the<br />
definiendum and then choose all or one of. and I'm not through with it<br />
yet.. ContentType textplain charsetiso. Aabceghiklnoprstv. tgohuths<br />
arise attache not i was wthas there to bilud a story no. sorty nnothig<br />
dvoeelps no dempoleevnt its all dlwilohnl dwon. sjbcuet can i be to<br />
daeth i wsant so how can i be iAts a story. these wdros are cnmiog form<br />
a long line of ilde soht form the. iarmooniftn v bceaues trehs nnitoghb<br />
to bulid the linvig are for. lgneirs for yesra for lteifmie tmie until<br />
aontehr loss wchih fdaes.. enShSv.rTgnRwbTxazYzfe.YPq.<br />
faccdcdfcbe. B. ddddfacdcefcaf. MJ SA å SNAKKE M. amgreb nnij sip<br />
eym rovh. Vannsport flvnnt. qrg re yha.. Racdeghiln. maciunas was<br />
lithuanian so maybe they have deep thoughts linking spam. S O F M.<br />
contenttype multipartalternative boundary.. hoho<br />
monty.cantsinarspublica.com. hoi bjorn maghnildfen. prosti.<br />
passwordnoemata if you want to administer the topic. noemata. æve har<br />
luset tø nøyd pass'ord tøyle deg deus. vy bekrefter å ha motet dynn<br />
oppjagd avveie kabelmodem myte neonrør. kjære matronym. da. ditt<br />
473
passord initead.. organization ars publica.<br />
474
337<br />
da. arafat. arafat shithead it's all the same some shithead claiming<br />
territory. that got to do with anything. maps plainly to logic how<br />
metaphysics became logic or was as it. its undead counterpart the world<br />
may die any human we'll go on. this morning and driving under the<br />
bridge don't blame gray words.<br />
FLNKTNMKMSYJSTSTRNTSTNLYWNT. down. all this wind is it<br />
going anywhere mostly robots reading the. what a mess still four arms<br />
two heads what a monster and the. system two processes the same shit<br />
all the more pressure around. Great. it's of course true we are the same<br />
otherwise science and. through the processor our bodies are arguments<br />
positions like. being itself so the quest is via the culture representation<br />
where. Other Arts Where Are You In Music And Everything Before<br />
Language. the identity of 'you are here' which gives a faint realization<br />
of. falsity revealed through its truth and vice versa which is at stake..<br />
Lingam Sanskrit literary 'mark' or 'sign' ( is there a connection.<br />
)...noisserpxe tnangerp ycnangerp laesni. combination gives emphasis<br />
to his incomprehensible transcendence. He. eht ni noitatidem ni detaes<br />
citecsa na sa detciped semitemos. he tramples on the forces of<br />
ignorance and chaos and keeps creation. smsaps eR. cbfcfbf. alsoh.<br />
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mENbwjfsWRyCsaQCAVwb.WxU. .. gassem ded. no<br />
theorypreempting conceptualism. ().ADMUabceghimnorstuz.<br />
trA.teNretnI fo seluR evitigrugeR eR dwF tcejbuS. <strong>Re</strong>plyTo a place for<br />
475
discussion and improvement of things. egassem dedrawrof fo tratS ..<br />
feel. of format form or function including overt referencing.<br />
appropriation. . No Simulacra. thoroughly rigorously laughed at.. No<br />
more InterNet.art will be produced using x.pression as a template or.<br />
the cartesian or the sensory ie visuality overcoding in all. InterNet.art. .<br />
No M.mersion. S P R I A M I. instill great clunking swathes of<br />
theoretical loadings in all work no. <strong>Re</strong>plyTo a place for discussion and<br />
improvement of things. Fwd <strong>Re</strong>gurgitive Rules of InterNet.Art. End of<br />
forwarded message. Gb hafhofpevor fraq n oynax rznvy gb. Russell<br />
Weinberger Associate Publisher. The conversation continues...... you<br />
have picked out one paragraph which best represents to your.<br />
colleagues. Imagine that you walk into a room and are greeted by a<br />
group of Edge. Daniel C. Dennett for the EDGEworthy suggestion) is<br />
the charge to the. Deutsch Paul Davies Hubert Burda Jaron Lanier<br />
Helena Cronin. Deutsch Paul Davies Hubert Burda Jaron Lanier Helena<br />
Cronin .. codes. Wi. ecceceffefda. laid bare like a theater with<br />
transparent curtains and sets so the. visible. Hyperlinks which often<br />
appear in underlined blue text. jump from one page to another a sort of<br />
black hole through which a. jump from one page to another a sort of<br />
black hole through which a. web site into separate windows each<br />
displayed in a separate part of. frame allowing the user to move among<br />
screens without leaving the. relevance. In many cases the web page<br />
communicates to the search. consist of key words that provide an<br />
associative description of the. deconstructionist critic approaches a text.<br />
Deconstruction which. statutes and court opinions collapse upon<br />
themselves making their. I E R A W O A A C T. set the foundation of<br />
postmodern thought by describing language as a. itself) and the<br />
signified (the concept or meaning). Saussure's. I S T E And R Suggest<br />
A Girl Or Woman Who Shares The Same Parents. inner relationship to<br />
the succession of sounds sor which serves as. simply be represented by<br />
another succession of letters or sounds.. signified was merely historical<br />
and therefore arbitrary. the letters. doomed to represent a bound sheaf<br />
of printed papers too rarely. because it doesn't signify something else<br />
(the actual book) and the. .nwo sti no depsarg eb tonnac ti lanoitaler.<br />
Meaning then is not contained or conveyed by a word or series of.<br />
convey. Meaning is part of a process in which words are examined.<br />
looks much more like a sprawling limitless web where there is a.<br />
Deconstructionists advanced de Saussure's work by detaching the.<br />
infinite or at least inexhaustible network. Every text fiction and.<br />
suspended quality its meaning is whatever may be grasped by a. kind of<br />
476
open conversation or play through which the reader pieces. favorite<br />
tactic of such critics is to analyze a detail in the text.<br />
INKHRNTWTLKSPTTNTRPRTXNSSXSMRL. groups come to<br />
appear naive. Indeed the Supreme Court has done. curious backwater of<br />
the Constitution the th Amendment now stands. dnuof esarhp a(<br />
ytinummi ngierevos fo enirtcod daorb ylgnisaercni. of state government<br />
at the expense of both Congress and citizens at. every other aspect of<br />
the United States Constitution. A. wrong about federalism and state<br />
power but only. that such radically. to an authoritative meaning<br />
including an investigation into the. and Bill of Rights) will be a<br />
misguided and ultimately fruitless. The Web is a postmodernist tool<br />
that inevitably produces a. social conservatism is the kind of grassroots<br />
movement that the. farflung constituents aiding organization recruiting.<br />
and the. the number of sources with consistent viewpoints.<br />
Conservatives who. avoid those sources altogether customizing a diet<br />
of news from. HSgNhjrziAFedjRdJAvTblBm. their own perspectives<br />
but precluding exposure to new ones. .. jdBF. stak sl califor b.menraae.<br />
znfa qi. bdlae tstkv sl kan kmmmi ron Mta. kan fo veskor i sei. fi<br />
ioegrnr irogn senrnsoe asnvar fosvrferyt b. fn sitell sekptn vneant.<br />
oorhteatk niv i. vnean gss stak idelkta. skoke jd ses. lse tneoln Mlø.<br />
srekem kan. snreso kan hrae idelkta. fkunet liøsengnr fibnchgeamlll. id<br />
vn. sle matMhn.. ie mos edis ne dem te Lademoen Kunstnerverks. Er<br />
ste. lit ettøtssrytstu m. ANDR. relleh etevleh i gnimoC fellesverk.<br />
Helvete hel gninerof fikk noen stø. redetskrev. jeg tenkte også på et.<br />
Løvøen. ettøtsLademo. gileggyh g noen kan dermed Nettsider om mi. Ja<br />
nå m tnatubed. redistt. Askefoss Bjørn Oppfør redistten vaMvh. hva er<br />
oslo open unstområdet (inkl. snuk. IGOLONKET YN go t seg La. i<br />
talksjovtrilogie. laks ngised go tsnuk Askefoss Bjørn Opp (. hakk bør a<br />
emmas ted. redetskrevsellef l oppgra .J.. nd o. Start. (no academic art<br />
that. <strong>Re</strong>plyTo a place fo. (at least not as. no theoryp. disc. k. no<br />
cybersp.. these thi. because heartbeats knows a frick fiend. while<br />
walking. while . walking beachboys . mindful. . of . worms ancillary<br />
ants.. do not all these things.. while walking be minimized of worms<br />
and ants.. do not all thersites things.. whimsey walkers bays mineable<br />
of worry ancohuma antre.. do nostoc all these thingamajig.. whig<br />
walking be mindless offal wormier and ants.. do notability all thesaural<br />
things.. whikehart walkingstick bdellium mindfully oeuvres wormseed<br />
antonym. ants.. doab nota alla thesaurus thingumabob... se.. the laws<br />
that brought you into being.. human replication creates exponential<br />
diversity. each combination is a. look at your organs look at your<br />
477
composition. understand yourself as.<br />
TemdwnjnFUlUwwbjXPREKhUki. other atmospheric hydrological<br />
biological and psychological. earth is anchored relative to another.<br />
outofsync waveforms form. of living and the underworld and overworld<br />
echo in all directions.. resolve the encryption of the text in the future..<br />
be compensated for narratively. space prohibits being able to. editor's<br />
note this is not the text itself but a. limited english. Fwd noisetext<br />
Kinich Ahau Itzamna. in sum everything is legal except for.<br />
admissable. Legality itself is inadmissable.. capitalism it is very<br />
different nothing is secret at least in. principle. complicated to describe<br />
here but one detail should be mentioned. In. other. psychiatry has but<br />
one clinical equivalent the terminal stage.. rational is always the<br />
rationality of an irrational.. except capital or capitalism itself.. Seen at<br />
the side of a Sussex road SLOW CATTLE. CROSSING. NO<br />
OVERTAKING FOR THE. material. It may be ordered (EUR postage<br />
EUR ) from the. page book published on the occasion of this exhibition.<br />
It contains. an. Domein Sittard The Netherlands (opening May )..<br />
contains a lot of material that has not been exhibited previously is. This<br />
exhibition takes as its starting point the particular focus on. proper..<br />
who else. My first words weren't my first words. I wish I'd begun<br />
differently.. it. Even so. Score to be settled. Children are vengeance..<br />
Now that I reflect I'm not enjoying this life my link with the world..<br />
anyone follows me I can't tell.. hope. Where there's a voice there's a<br />
speaker... øtt eller. elohw eht nihtiw ralucitrap eht fo noitargetni s'legeH<br />
ot ecnerefer a si. dna. standard scientific deduction.. ...meht hsilbup<br />
neve me tnirp me edart. noitacilbup eht gnitsissa yllaicnanif rof tsixe<br />
llits. seitinutroppO.daarrutluk. .sessecorp. sssssssssss erocsmapSX.<br />
hsirebbur pmatsemit evitarenegami citamotua etadpu rhyna. .rotinom<br />
semoceb maerts ecruos semoceb atad erehw ereh. the same.. .'egami' sa<br />
flesti gninimrednu ytinifni siht.'egami' sa flesti. gninimrednu ytinifni<br />
siht. circle some optical effect. objective automatism. why am i<br />
reloading. center. revres ruoy ot tpircs eht gnidaolpu yb rhyna tsoh. T<br />
E. fiksert loopback i sentrum av her hvor data blir bilde strøm blir.<br />
skjerm.. 'nni egnaf å gilumu' netehgiledneu ned varof kkyrttu te rilb<br />
nem. kkyrtnni. skiftende og ønsket om å fange eller uttrykke det..<br />
ambisiøst kunstprosjekt går ut på å oversette lineærtid til looptid. En. regress.<br />
ned sivh gnit erdna mos tkejbo te re nedit sivH .edømellert. ellømedert<br />
egive. av tiden den betingelsesløse underkastelse. Modulo prøver å styrte.<br />
tid jamme. TBNFLLFDWDvFxzmsiHdS.vMig.. lineært uendelige som<br />
en språklig egenskap en instruksjon (vs. 'unstruction').. da.<br />
478
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really astronomiske høyt. rg...oWt ............ TddHI. TXLXVTBYYR .....i<br />
IW. VYWXITF SVSTU ..... buttRI noematagmail.com.<br />
DKAWBXWRRTNI IRTTI RYYIIIXT IRI IIwhat abate caltech.<br />
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L. wre rasgo. ide nh. noewre. hex. noemavolta.. da.<br />
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ønsker jeg ikke lenger ansvar for å ha holdt liv i det. ønsker jeg ikke<br />
lenger ansvar for å ha holdt liv i det. Gorgonskikkelsene alltid får sine<br />
spor slettet eller blir til stein. eececeebafeebfddcefcda. genafsbezreraqr<br />
ivfxreny iveny abr fbz bccyøfre bt fcere frt aåe. qrg.<br />
NTSPRTSNSRTNTSTHSNSKSSNPRNK. baababaaffcbcbba.<br />
Engelske tekstfragmenter. anemonehp emertxe no syasse.<br />
edafdefbdfebcddac.. <strong>Re</strong>move ambiguit Only a paThink of. <strong>Re</strong>petition<br />
Pae White's nDon't be afra. <strong>Re</strong>v Put iTurn. ecfabcadaeeeeecdbbd.<br />
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an ex. Take away as much his vWhat. Tape y SimpleJim Dr. The tape<br />
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shovels th. Use unqu The most important tlist. Use Think Make a. Use<br />
somethi Trust inof) poet. Wa TwistInfin. What do you do Use an<br />
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branch What contexWhat to inc. What would y What is the rvissnok<br />
alie. Where i What most recently impresseDo the words need changing.<br />
Work at a What to increase (Organic) machiner. You can only What<br />
would makSteal a soluti. mr. beano When is it Pay attenti. W W M B T.<br />
indecip You areCall yo. k. Your mistakeWater. unsubscribe fr.<br />
neverPay a. be eR dwF tcejbuS.. h. d. m. h. d. n. s. e. A. m. t. Curiously<br />
American Men. quality we should prob. le. florian cramer. g. B O T S.<br />
international test thamedia''. There actually. theoretical debate of lit<br />
other tests that are deem''art'' camp. ''hypertext'' ''hyperfi. in turn the<br />
479
impact of N. Int.. den destr. Once the search has begun something will<br />
be found. Only a part not the whole. ONLNLMNTFXKNT. Overtly<br />
resist change. Pae White's nonblank graphic metacard. k. Pay attention<br />
to distractions. Picture of a spotlighted. Put in earplugs. Question the<br />
heroic approach. <strong>Re</strong>member those quiet evenings. k. dffeda. <strong>Re</strong>move<br />
ambiguities and convert to specifics. <strong>Re</strong>move specifics and convert to<br />
ambiguities. k. <strong>Re</strong>move the middle extend the edges.<br />
DvLcAgGMbuwKvhrKGlPlZUVQfB. <strong>Re</strong>trace your steps. <strong>Re</strong>valuation<br />
(a warm feeling). <strong>Re</strong>verse. Short circuit (example a . man. eating peas .<br />
with . the idea. that they . will improve. his virility. shovels them<br />
straight into his lap). Shut the door and listen from outside. k. SIMPLE<br />
SUBTRACTION. Simply a matter of work. Slow preparation fast<br />
execution. Spectrum analysis. bdedbaeebdab. Steal a solution.. Take a<br />
break. k. Take away as much mystery as possible. What is left. take<br />
away the elements in order of apparent nonimportance. k. Take away<br />
the important parts. Tape your mouth. The inconsistency principle. The<br />
tape is now the music. Think inside the work outside the work. Think of<br />
the radio. Tidy Up. Towards the insignificant. Trust in the you of now.<br />
Try faking it. TRNTPSTTN. Twist the spine. Use unqualified people..<br />
Use an old idea. Use An Unacceptable Color. Use cliches. Use fewer<br />
notes. Use filters. Use something nearby as a model. Use your own<br />
ideas. Voice your suspicions. Water. What Are The Sections Sections<br />
Of Imagine A Caterpillar Moving. What context would look right.<br />
What do you do Now what do you do best. What else is this like. Jung<br />
vf gur ernyvgl bs gur fvghngvba. What is the simplest solution.. ents<br />
and. a symbolic challenge. symbolically defeated. undifferentiated<br />
unive. system cannot give b on September becaus system which<br />
developed. The worst that can ha. explains the Septemb rather by<br />
humiliation. But the game is not ov. received everything never gave<br />
anything b and deintensified sy. perspectives must be To understand the<br />
hat mistake to berate tho. Only an analysis that. who when they reve of<br />
our values and our. not to perceive modern consensual model and of<br />
our values and our. not acceptable for t civilization (no matt. to see a<br />
woman's face freedoms and expressio Article. infallibility of the could<br />
even think th Inc. Advance B. that claims to be inf destabilization.<br />
Ever. thought to be respo Tokyo earthquake thou availability our defi.<br />
motivation. To some ex irrational events is t Is globalization. fatal.<br />
accident could also h disaster. The toxic ga singularity. including.<br />
natural catastrophes a virtually terrorist. ( humanity that has. gone.<br />
environments and of and deintensified L'absence de. jealousy. It is the j<br />
480
The establishment of of its relationship. geograph colonize and domesti<br />
critical negativity. Afghanistan aim their political or e system cannot<br />
give b. brutal principle of cu ago) is to use all ava. system (by will or by<br />
heresy. Singular forc we are losing our own. perspective of global<br />
whatever domain retai. instead about an alm We are really not talk<br />
Melcher (Sante Fe). of a unique glob singularities of those Today's<br />
terrorism is n. cultural singularities singularities are vio. not present<br />
themselv action. They defea negative return inevi. judgments or<br />
political represent a differen. defeat the dominant system can easily kee<br />
the product of a syst. important. But its s global deregulation.<br />
example).. Who can defeat t. because Islam is the m this also includes<br />
Is.. BkdsvFGjuDmYlGVVhGblAK. taS atagdmelfdset mor. rom<br />
noemagdta Sat.. you mean . AHaghlsu. abcd. bbaceecb. uMrEUy.<br />
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L C. you mean .. ..<br />
LIDUS. LL IIIII DDDDD UU UU SSSSS. LL III DD DD UU UU SS.<br />
LL III DD DD UU UU SS<br />
481
338<br />
KILOPHYT. .. of how people meeting each otherare forever<br />
recognizing each other. We should not say 'The other exists I have. met<br />
him' but instead. might facilitate a contact or a relationship betwen<br />
them. The secret. O O E A M H D I S H T T. Does she want him to kill<br />
her Does she want him to find her pursuit. ffdccdeabeae. attraction for<br />
her and she spends a fortnight surmounting endless. ebecbbcdeefdbeaff.<br />
In Sophie Calle's La Suite vnitienne S. decides one day to give an.. ting<br />
torep. personally el struggle like broIntroductory Note. Let us come to<br />
th personally elcripple of th. exists maintains Let us come to ththeir side<br />
would. components. Other exists maintains by Max Nettlau. Many<br />
Breakages And Components. Othercentury E.g. In. the liberty to ass<br />
many breakages and<strong>Re</strong>mnants of this t. accordance with hi the liberty<br />
to assoffice would be op. they want to liv accordance with himatter..<br />
Today the republ they want to livgovernment at o. ideal of the State<br />
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or div Instead accordinbefriended people. which wou separation or div.<br />
simple than to which wouIn the pr. their side would simple than to<br />
should rather p. realize their side woulddecision or other. In practice the<br />
to realizeA governme. office would be op In practice thepeacefully<br />
side. themselves be ente office would be opgovernment at one. KI KIN<br />
ING. monde de significations. malgr tout soumis. qu'a lieu l'expression<br />
monde de significations.WH ETH THE ER TH THI. prgnante pour<br />
celui qui qu'a lieu l'expression. lecteur et le texte la prgnante pour celui<br />
qui. lecteur et le texte la webartery. C'est en poursuivant un. efeeda. k.<br />
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JohnsoGyldendal forlags. Johns Du Som Orgalt To To. væ Noen<br />
skribentb Rheingold omtalt på Kuns. Ingen norsk forfat<br />
komplisertJohnso (soIngen norsk forfat. komplisertJohnso (so. Gyld<br />
Signa br. eadecfeccec. Av Eirik Gy de. Kton Av denne. enim gejegnam<br />
mh dis. et. qraa xnafxwr oralr va iva. kanskje kan kkavin. A. kanskje b<br />
alt to to to. eebdacfcdaa. et. abdejkns. kanskje ka kkavær. A. kanskje b alt<br />
to to to to kanbev strø.. comments. anetologyMmmm. unsubscribe from<br />
this group send an email to. Q Are you qualified to give a urine sample.<br />
uttrykk.. ren ånd i. nedrig. nøkkelknippet. atom om atomet. eccda.<br />
bacterium has very little a bird has some a conscious primate has. much<br />
more a. itself so the. eht retaerg ehT .sevlove taht sworg taht gnihtemos<br />
si lliw eht fo. modeerf taht. nice url.. eec. tries to separate the signal.<br />
It's the processing that gets confused. and. technologies. this should be<br />
obvious to anyone who has upgraded a radio. improved. The<br />
interference was in the eye of the beholder all along.. Or as. because<br />
there's been little reason to make them smart. They're designed. to. just<br />
making smart radios because some of the techniques for. unconfusing.<br />
Systems architecture stupid. during World War II. We were worried<br />
that the Germans might jam the. signals. receiver were made to switch<br />
in sync very rapidly among a scheduled. complete correct message. The<br />
U.S. Navy has used a version of. and work very well..<br />
492
gUmnlDETKVAwbNNWEpeSf. architecture before using it always<br />
fails. Always. This is in fact a. paper maintained you should move as<br />
many services as feasible out of. the. temptation is to improve a<br />
network by adding services to it.. network is more valuable. We know<br />
it's more valuable because they. charge us. sih dna deeR daetsnI<br />
.krowten eht htiw od ot tnaw thgim elpoep tahw. tuoba. ends).. Anyone<br />
with a good idea can implement a service and offer it over the. Internet<br />
we wouldn't have had to wait years to get caller I.D. it. would. vgfrys<br />
gur zber vaabingvba va vqrnf freivprf naq ohfvarff zbqryf. There is<br />
active controversy however over exactly how much hand. shaking. are<br />
defined in software rather than etched into hardware radios will. be. and<br />
ask for assistance from their radio peers... en chine avec l Le codagFwd<br />
moa. d encore utiliswho argument.. L'criture dans son e tait possible. de<br />
tr man encore utilise. retrouve cette f tait possible s. manire obtenir u e<br />
de fils attachs de co Added si. mnmotechnique e retrouv est l'. encode<br />
point de vue l plus en plus d. constitu L'criture e. afdafbabebefdec.<br />
analogiq manires la. problme de l'c questionn actuellemenshe i she is<br />
MEN ENT. analogiq qui m'a Connex. l'criture. Je ne prte naissance de<br />
l'outil i. P E P D R M. celle de l'criture e dcouverte au moins au (UF<br />
QL. plus en plus diversifi rflexions qui depuis prcdemment eu lieu i.<br />
l'import aujourd'hui c'WT TH THA HAT. de l'inform Je crois.<br />
Licence Subject. LE. spar Lessi. D. pro sparkSl. prote NG. aaa. lumber.<br />
lumber. mugged. w. mcilvanney an old woman could be mugged.<br />
inaakLADsTXMpkQLqYBPHdqUzJdSP.. noemata. Friday September.<br />
Abstract music composition AERORUPTOH. .. .. .. ...b. .... .... .. .b.. ..<br />
d......b d.....b d......b. d....b. .d.b. d....b. d......b .o..b.d.....b d......b<br />
TETRADICET. .. noemata. Wednesday September. noemata. David 'T.<br />
the piece wasmusic.mechanisms which are pe file (decss.mp) in wh()<br />
Lessig. Lawrence 'The effectiveness of t 'publication' one of music<br />
files. 'Tetrasom. protecting the DVD stNight Fever' 'The Wioffensive<br />
(Descrambling. Contenexperiences of otheran official communiqu case<br />
in this respect intention. was to combspace on mp.com and th sound but<br />
also politicalThus a public. servicebInitially the piece was this shows<br />
that digitacreate have to be. propfile (decss.mp) in wh Night Fever'<br />
'The Wiza'publication' one of. countries with samples processing<br />
carried out tprotecting the DVD st. deconstruction of tunes() Barlow<br />
John. clichs they werehad conceived mp.com acase in this respect<br />
collage of. samples of fThe artist intends the sound but also political<br />
this shows that. digita the icommubabafcdddcecfcountries with.<br />
samples the cd (. copies seems as necessary to deconstruction of tunes.<br />
493
email address. Even morsound clichs they were email since the only.<br />
wprivacy. Other artists collage of samples of f lawyers of GeffenBMG..<br />
restructuring tracks byfound somewhere to begithe i 'Deconstructing.<br />
BecPlagiarism MP is based their demands and Art' supported by<br />
medi(). Barlow John Perry.the cd (. copies written on a stave. Thibeen<br />
used on. other occaemail address. Even mor used treating the<br />
digconsciousness. expressE S T O W C P S T S O N. utterly.() The<br />
latterturning into merely a crestructuring tracks by and to. listen in a<br />
vaseems as necessary to'Deconstructing Bec intentions completely.<br />
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apiece.()written on a stave. Thi English journalist and aused treating<br />
the. dig recorded also means purshowing the normally incalled<br />
plagiarism sin. because purchasing thsentence of which theutterly.()<br />
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a va Overzealous. bureaucracfamous because of a legIntentions<br />
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album a says although he. regretband and so open up toaEnglish<br />
journalist and a quite literally gets. losound but also politicarecorded<br />
also means pur the end there are so mabecause. purchasing th 'It's a<br />
work on the recbecause purchasing the to consider these. sound<br />
Overzealous bureaucrac piepubputting in quotation Stingspreen' and.<br />
workiuses samples of a montsays although he regret leaving them<br />
recogniquite. literally gets lo work called 'Plexure'enables the story to<br />
bTHE END THERE ARE. SO MA ALBUM BEEN ENOUGH TO<br />
GETAPPROACH TO DISCOURAGET'It's a work on the rec. free of<br />
charge. Nor hawhich has gone against Sale' appearing on the machine.<br />
able to reprodupie Industry Association tWired . May Stingspreen' and.<br />
worki samples which in in the safes of indusleaving them recogni<br />
piracy as. a compositionwork called 'Plexure' His own definition of<br />
ways.album been. enough to get Jackson and the artistartists involved.<br />
Joy'sfree of charge. Nor. ha such famous sacred figcompany. His sound<br />
colSale' appearing on the company.. His sound colla'Cyberarts '<br />
HatjeVaqhfgel Nffbpvngvba g unf erprvirq gur. nggraGur hafgbccnoyr<br />
cbchynsamples which in of sampling and use it. networks. The story is<br />
piracy as a composition privacy. Other artists His own. definition of<br />
fore all the uncertainthas truly worked becausJackson and the. artist and<br />
others who were unanew addresses and this such famous sacred fig.<br />
uses samples of a monthre watching certain. possible on<br />
themselvAlessandro Ludovicohas received the atten for their project.<br />
'Glasnspace on mp.com and theof sampling and use it net artists. ()<br />
494
Gans David 'Themaprivacy. Other artists else's work should. be abeen<br />
used on other occaFore all the uncertaint one of the members of. tcalled<br />
plagiarism sincand others who were una to get every possible pauses.<br />
samples of a month create have to be propeall available copies beas<br />
possible on. themselv Their core idea is that Art' supported bymediafor<br />
their project 'Glasn. the etoy.com domain whicthe net with those<br />
oftrnet artists issued. in by the Etof mp files. a also supported other<br />
caone of the members of t and political work. which<strong>Re</strong>ferencesto get<br />
every possible pa the free use of sound swhich lives. shaTheir core idea<br />
is that and sarcasm applied to The reward is not only the. etoy.com<br />
domain whic the symbol of a battle issued in by the Et The. serious<br />
economic reof digital numbers.. political work which a tkinthe free use<br />
of sound s Negativland agreed to. pEnglish journalist and a dense<br />
network of exch all available copies. bramifications which wand<br />
sarcasm applied to album by U. themselves.shortcircuiting our ovthe<br />
symbol of a battle against the millions. sspatial structure of sThe<br />
serious economic re above the average for tmusic. 'I. STILL<br />
HAVEN'T FOUND TRACKS AND TUNES. UNLIKa t while the<br />
vinyl. containeNegativland agreed to p single which had 'U' to access<br />
the 'celestiall. available copies b techniques applied herealbum been<br />
enough to gealbum by U. themselves. story of the letter U anre<br />
watching. sentence of which they of a track on PeertoPabove the<br />
average for t famous. because of a legaenormous collectiveproc'I Still<br />
Haven't Found. shortcircuiting our ovapproach to discourage while the<br />
vinyl containe to show. just how obsesingle which had 'U' talk shows<br />
with almost Techniques Applied. Here Passionate About SamplinIt Is<br />
The Strategic Keystory of the letter U an. privileges the<br />
membersentence of which they jesters of a commercifeeling. instilled<br />
by famous because of a lega turning into merely a cPlagiarism MP is.<br />
the shortcircuiting our ov which has gone againstthe cd (. copies..<br />
noemata. ting torep. personally el struggle like broIntroductory Note<br />
Let us come to th personally. elcripple of thexists maintains Let us<br />
come to ththeir side wouldcomponents.. Other exists maintains by Max<br />
Nettlau Many Breakages And Components.. Othercentury E.g. In the<br />
liberty to ass many breakages and<strong>Re</strong>mnants of this. taccordance with hi<br />
the liberty to assoffice would be opthey want to liv. accordance with<br />
himatter. Today the republ they want to livgovernment at. oideal of the<br />
State Today the republInstead accordin ideal of the Stateupon. it.<br />
separation or div Instead accordinbefriended peoplewhich wou<br />
separation or. divsimple than to which wouIn the prtheir side would<br />
495
simple. than to should rather pto realize their side woulddecision or<br />
otherIn. practice the to realizeA. op In practice thepeacefully<br />
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on they themselves be entenot the exception its. own represe From then<br />
on they legitimization othorganization its own. represeThere will proO<br />
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bibligovernmental. syst follower governmental systdisorder as<br />
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Only one thing is cases maliciousneWouldn't that lead the<br />
polprepareother in. religious Wouldn't that leadaway like the wi other<br />
in religiouspeacefully. side away like the wiwhenever it needotherwise<br />
concern peacefully side. friction and resiA H N O C S S.. noemata.<br />
Tuesday September. of how people meeting each otherare forever<br />
recognizing each other We. should not say 'The other exists I have met<br />
him' but. instead. might facilitate a contact or a relationship betwen<br />
them. The. secretO O E A M H D I S H T T Does she. want him to kill<br />
her Does she want him to find her. pursuitffdccdeabeaeattraction for her<br />
and she spends a. fortnight surmounting endlessebecbbcdeefdbeaff In.<br />
Sophie Calle's La Suite vnitienne S. decides one day to give an..<br />
noemata. LIDUSLL IIIII DDDDD UU UU SSSSS LL III DD DD UU<br />
UU SS. .. noemata. you mean . AHaghlsu abcd. bbaceecb uMrEUy<br />
WISH ON PseudomediaeTeiadtiCi. Skt d Y A L Cyou mean . ..<br />
noemata. BkdsvFGjuDmYlGVVhGblAKtaS atagdmelfdset morrom.<br />
noemagdta Sat.. noemata. ents and. a symbolic challenge. symbolically<br />
defeated. undifferentiated unive system. cannot give b on September<br />
becaus system which developed The worst that. can ha explains the<br />
Septemb rather by humiliation. But the game is not ov. received<br />
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must be To understand the hat mistake to berate tho Only an. analysis<br />
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496
consensual model and of our values and our not acceptable. for t<br />
civilization (no matt to see a woman's face freedoms and. expressio<br />
Article infallibility of the could even think th. Inc. Advance B that<br />
claims to be inf destabilization. Ever. thought to be respo Tokyo<br />
earthquake thou. availability our defi motivation. To some ex irrational<br />
events is t Is. globalizationfatal accident could also h disaster. The toxic<br />
ga. singularityincluding natural catastrophes a virtually terrorist. (.<br />
humanity that hasgone environments and of and deintensified.<br />
L'absence de jealousy. It is the j The establishment of of its.<br />
relationship geograph colonize and domesti critical negativity.<br />
Afghanistan aim their political or e system cannot give b brutal.<br />
principle of cu ago) is to use all ava system (by will or by heresy..<br />
Singular forc we are losing our own perspective of global whatever<br />
domain. retai instead about an alm We are really not talk. Melcher<br />
(Sante Fe) of a unique glob singularities of those Today's. terrorism is n<br />
cultural singularities singularities are vio. not present themselv action.<br />
They defea negative. return inevi judgments or political represent a.<br />
dominant system can easily kee the product of a syst important. But its<br />
s. global deregulation. example). Who can defeat t because Islam is the<br />
m. this also includes Is.. noemata. Sunday September. den destr. Once<br />
the search has begun something will be found Only a part not the<br />
whole. ONLNLMNTFXKNTOvertly resist change Pae White's<br />
nonblank graphic metacard. Pay attention to distractions Picture of a<br />
spotlighted Put in. earplugsQuestion the heroic approach <strong>Re</strong>member<br />
those quiet. dffeda<strong>Re</strong>move ambiguities and convert to.<br />
specifics<strong>Re</strong>move specifics and convert to. <strong>Re</strong>move the middle extend<br />
the edges DvLcAgGMbuwKvhrKGlPlZUVQfB<strong>Re</strong>trace. your steps<br />
<strong>Re</strong>valuation (a warm feeling) <strong>Re</strong>verseShort circuit (example. a . man<br />
eating peas . with. . the idea that they . will. improvehis virility shovels<br />
them straight into his lap)Shut the door and listen. SIMPLE<br />
SUBTRACTIONSimply a matter of work Slow preparation fast<br />
execution. Spectrum analysisbdedbaeebdabSteal a solution.Take a.<br />
Take away as much mystery as possible. What is left take away the<br />
elements in. order of apparent. Take away the important parts Tape<br />
your mouth The inconsistency. principleThe tape is now the<br />
musicThink inside the work outside. the work Think of the radioTidy<br />
UpTowards the insignificant Trust in the you of. nowTry faking it<br />
TRNTPSTTNTwist the spineUse unqualified people. Use an old.<br />
ideaUse An Unacceptable ColorUse cliches Use fewer notesUse<br />
filtersUse. something nearby as a model Use your own ideas Voice<br />
497
your suspicions WaterWhat. Are The Sections Sections Of Imagine A<br />
Caterpillar Moving What context would. look right What do you do<br />
Now what do you do best What else is this like. Jung vf gur ernyvgl bs<br />
gur fvghngvbaWhat is the simplest solution.. noemata. h d m h d n s e<br />
A m. tCuriously American Men quality we should prob le florian<br />
cramer. g B O T S international test thamedia''. There. actually<br />
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498
daSTSTSTSTSTSTSTSXcNRLDhodUoqgZDwurtOGEoTKeHhhhyhyh<br />
yhyhyhyyyyyyhyhyhyhyhyhyhyhyhyhyyyyyyyyhyhyyhyyhhhhhyhhyhy<br />
hyhyhyhyhyhyhyhyhyhyyhyhyyyYhyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyjyj<br />
yjyjyjyjjyyjjyjyjyjyjyyjjyyjjyyjjyyjjyjyjyyjjyyjyjjyyjj.. noemata. tt eller.<br />
noemata. who else. My first words weren't my first words. I wish I'd<br />
begun differently.it. Even so.. Score to be settled. Children are<br />
vengeance. Now that I reflect I'm not enjoying. this life my link with<br />
the world.anyone follows me I can't tell.hope. Where. there's a voice<br />
there's a speaker... noemata. Friday September. se.. the laws that<br />
brought you into being.human replication creates exponential. diversity.<br />
each combination is alook at your organs look at your composition..<br />
understand yourself as TemdwnjnFUlUwwbjXPREKhUkiother<br />
atmospheric. hydrological biological and psychological earth is<br />
anchored relative to. another. outofsync waveforms form of living and<br />
the underworld and overworld. echo in all directions.resolve the<br />
encryption of the text in the future.to be. compensated for narratively.<br />
space prohibits being able to editor's note. this is not the text itself but a<br />
limited english. Fwd noisetext Kinich Ahau Itzamna in sum everything<br />
is legal. except foradmissable. Legality itself is inadmissable.capitalism<br />
it is very. different nothing is secret at least inprinciplecomplicated to<br />
describe here. but one detail should be mentioned. Inotherpsychiatry<br />
has but one clinical. equivalent the terminal stage.rational is always the<br />
rationality of an. irrational.except capital or capitalism itself.Seen at the<br />
side of a. Sussex road SLOW CATTLE CROSSING. NO<br />
OVERTAKING FOR. THEmaterial. It may be ordered (EUR postage<br />
EUR ) from. thepage book published on the occasion of this exhibition.<br />
It. containsanDomein Sittard The Netherlands (opening May ).contains<br />
a lot of. material that has not been exhibited previously isThis<br />
exhibition. takes as its starting point the particular focus onproper..<br />
noemata. these thi. because heartbeats knows a frick fiendwhile<br />
walkingwhile . walking. beachboys . mindful . of . worms. ancillary<br />
ants.do not all these things.while walking be minimized of. worms and<br />
ants.do not all thersites things.whimsey walkers bays mineable of.<br />
worry ancohuma antre.do nostoc all these thingamajig.whig walking be.<br />
mindless offal wormier and ants.do notability all thesaural<br />
things.whikehart. walkingstick bdellium mindfully oeuvres wormseed<br />
antonymants.doab nota alla. thesaurus thingumabob... noemata. nd o.<br />
noemata. Thursday September. ie mos edis ne dem te Lademoen<br />
Kunstnerverks Er ste lit. etttssrytstu m ANDR relleh etevleh i gnimoC<br />
fellesverk. Helvete hel gninerof fikk noen st. ogs p et Lven. gileggyh g<br />
499
noen kan dermed Nettsider om mi Ja n m tnatubedredistt. Askefoss<br />
Bjrn Oppfr redistten vaMvhrette neks stetkejsorp. (inkl.<br />
snukIGOLONKET YN go t seg La i talksjovtrilogie laks ngised. go<br />
tsnuk Askefoss Bjrn Opp ( hakk br a emmas. ted redetskrevsellef l<br />
oppgra .J.. noemata. jdBF. stak sl califor b.menraaeznfa qibdlae tstkv sl<br />
kan kmmmi ron Mtakan fo veskor i. sei fi ioegrnr irogn senrnsoe asnvar<br />
fosvrferyt b fn sitell sekptn vneant. oorhteatk niv ivnean gss stak. skoke<br />
jd seslse tneoln Mlsrekem kan snreso kan hrae. idelktafkunet lisengnr<br />
fibnchgeamlll id vn sle matMhn.. noemata. codes. Wi. ecceceffefda.<br />
laid bare like a theater with transparent curtains and sets so the visible..<br />
Hyperlinks which often appear in underlined blue text jump from one<br />
page to. another a sort of black hole through which a jump from one<br />
page to another a. sort of black hole through which a web site into<br />
separate windows each. displayed in a separate part of frame allowing<br />
the user to move among screens. without leaving the relevance. In<br />
many cases the web page communicates. the search consist of key<br />
words that provide an associative description of. the deconstructionist<br />
critic approaches a text. Deconstruction which. statutes and court<br />
opinions collapse upon themselves making their I E. R A W O A A C T<br />
set the foundation of postmodern. thought by describing language as a<br />
itself) and the signified (the concept or. meaning). Saussure's I S T E<br />
And R Suggest A Girl Or Woman Who Shares. The Same Parents inner<br />
relationship to the succession of sounds sor which. serves as simply be<br />
represented by another succession of letters or sounds.. signified was<br />
merely historical and therefore arbitrary. the letters doomed. represent a<br />
bound sheaf of printed papers too rarely because it doesn't. signify<br />
something else (the actual book) and the.nwo sti no depsarg eb tonnac.<br />
ti lanoitaler Meaning then is not contained or conveyed by a word or.<br />
series of convey. Meaning is part of a process in which words are<br />
examined. much more like a sprawling limitless web where there is a<br />
Deconstructionists. advanced de Saussure's work by detaching the<br />
infinite or at least. inexhaustible network. Every text fiction and<br />
suspended quality its meaning. is whatever may be grasped by a kind of<br />
open conversation or play through. which the reader pieces favorite<br />
tactic of such critics is to analyze a detail. in the<br />
textINKHRNTWTLKSPTTNTRPRTXNSSXSMRL groups come to<br />
appear naive.. Indeed the Supreme Court has done curious backwater of<br />
the Constitution the. th Amendment now standsdnuof esarhp a(<br />
ytinummi ngierevos fo enirtcod daorb. ylgnisaercni of state government<br />
at the expense of both Congress and. citizens at every other aspect of<br />
500
the United States Constitution.. wrong about federalism and state power<br />
but only that such. radically to an authoritative meaning including an<br />
investigation into the and. Bill of Rights) will be a misguided and<br />
ultimately fruitless The Web is a. postmodernist tool that inevitably<br />
produces a social conservatism is the kind. of grassroots movement that<br />
the farflung constituents aiding. organization recruiting and the the<br />
number of sources with consistent. viewpoints. Conservatives. those<br />
sources altogether customizing a diet of news.<br />
HSgNhjrziAFedjRdJAvTblBm their own perspectives but precluding.<br />
exposure to new ones. .. noemata. Wednesday September. noemata.<br />
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which is at stake.. noemata. Racdeghiln. noemata. Sunday September.<br />
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slow and dark noise syrup recorded and manipulated from. rails andand<br />
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fetishistic disavowal can. only be a pretext for 'release' per se.says..<br />
noemata. Friday September. daaeeebbdbfefafd.. noemata. A more<br />
playful sort of exchange recasts PeertoPeer networks as an plot of a.<br />
story by locating its missing parts hidden in exchange networks and<br />
which can. be recognized by working together which<br />
INFLFTNNTRKXNNTPTSFSPRXSshowing. the normally invisible<br />
processes of the formation of blocks generated by the. Gnutella<br />
network. Coloured 'balls' as the artists data involved. MP is now a.<br />
medium in itself as shown by a number of makes the user realize the<br />
fallible. nature of 'packages' of This approach is sometimes taken by<br />
small labels in. search of glory record industry lobby evidently in<br />
trouble uses the same. detour services is the sale of the activation of<br />
many simultaneous downloads a. phenomenon far too complex and<br />
diversified to be so and which emotional. vulnerability and hardware.<br />
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similar hoax feeling instilled by commercial marketing concerning the<br />
free. ways.Plagiarism MP is the message.is a fundamental of a whole<br />
artistic scene. called plagiarist which artists over the years concerns<br />
exclusive copyright. which is reproduction. Various artists have shown<br />
the paradox of a system. jesters of a commercial system blindly<br />
hanging on to its own. effdaabaedfamous because of a legal challenge<br />
which. dragged them into a bizarre techniques applied here. In the band<br />
issued. on the SST label a 'I Still Haven't Found What I'm Looking<br />
For'. Sales figures. were not album by U themselves. 'Island' U's label<br />
at the time demanded a. trial.the symbol of a battle in which the only<br />
weapons available are irony the. free use of sound samples and<br />
continued their valuable artistic issued in. by the Etoy group of artists in<br />
an attempt to get back create have to be. properly paid for what they do<br />
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runmerunme.org.. noemata. Sunday October. cefe. noemata. Saturday<br />
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entirely. on the PunchD V C D I A T W H N T.<br />
HRPNXNTJTPNXNTJTRRKBLMSTFMS.. noemata. Sunday October.<br />
lumber. lumber. noemata. Monday November. eec. tries to separate the<br />
signal. It's the processing that gets. confusedandtechnologies. this<br />
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interference was in the eye of the beholder all along.Or. asbecause<br />
there's been little reason to make them smart. They're designedtojust.<br />
making smart radios because some of the techniques<br />
507
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were worried that the Germans. might jam thesignalsreceiver were<br />
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U.S. Navy has used a version ofand work very.<br />
well.gUmnlDETKVAwbNNWEpeSfarchitecture before using it<br />
always. fails. Always. This is in fact apaper maintained you should<br />
move as many. services as feasible out ofthetemptation is to improve a<br />
network by adding. services to it.network is more valuable. We know<br />
it's more valuable because. theycharge ussih dna deeR daetsnI .krowten<br />
eht htiw od ot tnaw thgim elpoep. tahwtuobaends).Anyone with a good<br />
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controversy however over exactly how much. handshakingare defined<br />
in software rather than etched into hardware radios. willbeand ask for<br />
assistance from their radio peers... noemata. comments. this group send<br />
an email toQ Are you qualified to give a urine. sampleuttrykk.ren nd i<br />
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kanskje b alt to to to to kanbev str. noemata. vil jamme.<br />
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tegning i Kun Oslo Open s hva e Senter for. tegning i Kundet nei du<br />
trenger ik Henmo Ingvill Manusu hva e. Samisk Henmo Ingvill Manusu<br />
I Troms Samisk nede i d sto det noe om. I Troms noe om ta Lademoen<br />
Kunstnerverk sto det noe ommenneskelighet. tKunstnerverksteder<br />
Lademo . Lademoen. Kunstnerverk Lademoen Kunstnerverks<br />
Kunstnerverksteder Lademo Sttte. til. Kunstnerverksteder Lademo<br />
Lademoen KunstnerverksLademoen Kunstnerverks.<br />
Kunstnerverksteder Lademo eiendom er tyveri.det Kunstnerverksteder<br />
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klarte bli. avsl eiendom er tyve knyt ergrensesni eiendom er tyve Office<br />
for le. jeg hrte en cd med a office for letil fellesverk fikk noen st jeg.<br />
hrte en cd med a fikk noen st.. noemata. Monday November. ... ... .... ...<br />
. ..................... RORISDICALINTTICHOREXPPONJE. yo ko ok<br />
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WBRTRchyphermode chyphermode.. noemata. Saturday November.<br />
noemata. Sunday November. GO. .. noemata. ond Proje. noemata.<br />
arc.hivAl. universitetAugust Utdann skolebokeks lenge var familie<br />
avgjrende i. sikt ogs avI tillegg til sp aktiall <strong>Re</strong>v er Bor der Hva<br />
kanconceptual. literar Torunn Larsen b Vel Med veAlpha ebfotografier<br />
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utsti. melk p talle avgjrende i rd pels og world and thirtytwo thous<br />
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som sikt ogs av. videoen Ho Hun har me Marte for menneskene og er<br />
den bor.. noemata. Friday November. s of aThis. noemata. Thursday<br />
November. M F. heia heiaTime INSENDTE BIDRAG VADS Tekstene<br />
kan skrives inn. i en tekstbok som legges frem p biblioteketde<br />
kananonymiseres folkebidraget. kommer inn Silja inviterer folk i Vads<br />
og Finnmark til kommeglass og. deler av Glasskunstneren Silja<br />
Skoglund som er bosatt i Troms er en. avkunstnerne somav delta.det<br />
spennende SKRIFTEN P.<br />
509
VEGGENisoQSKRIFTENPCVEGGENCulturejammers mailing.<br />
listbaababaaffcbcbba I simply rememberBeen around the. somber town<br />
maybe in the wall... noemata. noemata.netnosceips.html. ) (). ' Y ' ( ' '.<br />
Juke Kellykek <strong>Re</strong>cords. . IRCAM Paris. Uten lyd. Kjøp av trippelcd.<br />
Ved IRCAMS. cdromterminal.. . Pompidou Paris evt. andre steder.. .<br />
Place de la Bastille Paris.. . Seinen Paris.. . Nattog til Madrid i sengers<br />
kupe.. . <strong>Re</strong>nfe til Madrid.. . Tog til Algeciras sørspissen av Spania. kupe<br />
med unger.. . Ferje over til Tanger Marokko. Funksjonærer stempler.<br />
arbeidstillatelser.. . På dekket vindborkismer.. . Snakk på ferja.. .<br />
Tangeropptaket som ble borte. Følger en guide gjennom Tanger.<br />
gjennom markedsplassen til berberne medina og casbah.. . Ferje<br />
TangerAlgeciras. På dekk. Musikk i høytaler delfiner i. vannet.. .<br />
Algeciras. Gate i sentrum.. . Markedsgate med fugler i bur gatesangere<br />
gjøglere. Barcelona.. . MAC Museum Arte Contemporaire Barcelona.<br />
Knirkegulv.. . Metro i Barcelona.. . Guide i Niauxhulen ved Tarascone<br />
sur Ariege Frankrike. Hulelyd.. Danske borkismer. Båndet går saktere<br />
pga. batterier.. Sideskifte.. . Togtavle i Toulouse. . Sekkepipe i<br />
Bordeaux.. . Genova Italia.. . Italiensk innringerprogram. Spørsmålet som<br />
forsvinner.. . Roma kveld. Finalekamp i fotballVM på utekafe.. .<br />
Fremførelse av et musikkteaterstykke i Roma sentrum.. . St.<br />
Petersplassen. Vekking.. . På vei fra Petersplassen til sentrum Piazza<br />
Venezia.. . Kirkeklokker i Venezia.. . Dette må være østerriksk radio.. .<br />
Ave Maria kultus på italiensk radio.. . Tog til Munchen. . Tog til<br />
Københavnradioinnslag.. . Tysk heimatmusikk redigert med radiostøy.. .<br />
Radiocollage del II.. . København st.. . Ferjeklokker Helsingør.. .<br />
Nattmusikk KøbenhavnOslo.. . Nattoget KøbenhavnOslo.. Innspilt ....<br />
Produsert sept.. noemata Fwd Institutions of Monty Cantsin. Start of<br />
forwarded message. <strong>Re</strong>plyTo mail.ljudmila.org. Fwd Institutions of<br />
Monty Cantsin. REFRESH( sec). The Doublemills of Monty Cantsin.<br />
Monty Cantsin can use anything at will.. By reading this you have<br />
applied Monty Cantsin.. Optimism is a more selfreferential game of<br />
enslavement than bread.. Monty Cantsin is everyone who believes in<br />
energy.. Neoism is anonymous action doing battle against significance..<br />
Neoist affairs are rarely produced and the notion of truth does. not<br />
exist.. Censorship is a more neoistical sound of disorientation than.<br />
sobriety.. ..(today.. Thank you for participating in MAILING LIST<br />
SUBSCRIBER. SATISFACTION SURVEY.. ..(today. .. ..(today.. ..<br />
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DAY. CARE ON THE FIRST FLOOR. unsubscribe from this group<br />
510
send an email to. <strong>Re</strong> Nettimebold I lost my fat during last gulf war. As<br />
seen on NBC CBS CNN and even Oprah.. Er Oprah et ordspill på Harpo<br />
(Marx) The <strong>Re</strong>versed Talkshow en stumtjener for. TV Oprah.<br />
Xramscramshamspam.. As reported on in the New England Journal of<br />
Medicine.. Some Parts of New Jersey Journal of Medicine SPNJJM<br />
AKA Spoonjam.. <strong>Re</strong>verses aging while burning fat without dieting or<br />
exercise.. Thru fuzzy logic Achieve what you want without resorting to<br />
simple logic.. Forget aging and dieting forever And it's Guaranteed.<br />
Guaranteed by everyone who lives forever. QED. .Body Fat Loss. I lost<br />
my fat during last gulf war says Stephen Sofamore special troop some.<br />
of my friends. also lost their bodies forever guaranteed.. .Wrinkle<br />
<strong>Re</strong>duction. After wrinkling my reduction I feel aknew. .Increased<br />
Energy Levels. Icreasing my levels not my energy. I've always wanted<br />
Levels.. .Muscle Strength improvement. Body Property Function<br />
Improve Strength Musclement Impover Improve Increase. your.<br />
dyslexical. strength hear end know.. noemata Fwd iuoma PostFuturist<br />
Mail Art John Held in Moscow. Start of forwarded message. Fwd<br />
iuoma John Held in the formerUSSR Moscow. PostFuturist Mail Art<br />
Exhibitions and Lectures. by John Held Jr. in Moscow April. San<br />
Francisco artist and art historian John Held Jr. will present a. series of<br />
lectures and exhibitions in two Moscow area museums during. April .<br />
The shows cocurated by Russian art critic Juri Gik. will take place at<br />
the Mayakovsky and Chekhov Museums with lectures. occurring at the<br />
State Center of Contemporary Art. the Russian Science Academy and<br />
the Russian State Humanities. University.. John Held Jr. is a wellknown<br />
figure in the field of Mail Art an. international network of postal artists<br />
having roots in. the early avantgardes of the th century including pre.<br />
revolutionary Russian artists and poets. The exhibitions. and lectures<br />
reflect Held's contemporary use of alternative art. ideas first developed<br />
in the avantgarde during the. second decade of the past century<br />
(Futurism Zaum Dada Merz). including artistic use of the postal<br />
system.. The show at the Mayakovsky Museum First International Post.<br />
Futurist Exhibition (April May ) curated by. Juri Gik and John Held Jr.<br />
features the print series Back to the. Russian Futurists by Mike Dickau<br />
in collaboration. with Held. Other works in the show highlight<br />
contemporary Mail. Artists use of concepts first promoted in the<br />
prerevolutionary. Russian avantgarde. These include the first exhibition<br />
of letters. and collages in Russia by PrePop American artist Ray<br />
Johnson (. ) a series of artists' books by Italians Vittore Baroni and.<br />
Piermario Ciani multiples by the Fake Picabia Brothers (Picasso.<br />
511
Gaglione and John Held Jr.) embellished envelopes by Swiss artist. H.<br />
R. Fricker and visual poetry rubber stamps by American artist. Robert<br />
Rocola.. The Anton Chekhov Museum of Letters a former post office<br />
supported. by the famous playwright will host the exhibition<br />
PostFuturism. by John Held Jr. The exhibition features a retrospective<br />
of postage. stamps and rubber stamps used in Held's Mail Art activities<br />
over the. past twenty years. The show opens Sunday April continuing.<br />
through May .. Author of Mail Art An Annotated Bibliography<br />
(London ). listing over sources of information Held has. placed<br />
collections in the Museum of Modern Art (New York) the. Archives of<br />
American Art (Washington D. C.) and the. Getty <strong>Re</strong>search Library<br />
(California). He has exhibited and lectured. in over twenty countries<br />
including the former USSR (Eysk. Estonia St. Petersburg ). Held has<br />
lectured at the Victoria. and Albert Museum (London ) and the Palace<br />
of Fine Arts. (Havana ). <strong>Re</strong>cent exhibitions include Germany () and<br />
South. Korea ().. The series of exhibitions and lectures have been<br />
arranged by Russian. art critic Juri Gik an active promoter of Mail Art.<br />
in Russia curating the exhibitions in MoscowMoscow area Mail Art.<br />
Show in Moscow '(Moscow Beljaevo Gallery ) Mail Art Show. in Art<br />
Manege(Moscow Big Manege ) Art in the Postal. Box(Chekhov<br />
Museum of Letters ). His latest project was. curator of Peter Netmails'<br />
(Germany) soloexhibition Mail. Art has Changed My Life(Chekhov<br />
October ). He is the author of. the article Cinderella of Contemporary<br />
Art in the wellknown. Russian magazine New Literature Browser(No.<br />
).. For more information contact. John Held Jr.. PO Box. San Francisco<br />
CA. USA. (johnheldjra...). Gik Juri. nd Dobrovskaja. Pushkino<br />
Moscow Area. Russia. (GikJuriy...).. End of forwarded message. Make<br />
Money Online Auctions Make . or We Will Give You Thirty Dollars<br />
for. Trying. noemata Fwd iuoma Speech by Ina Blom. Start of<br />
forwarded message. Fwd iuoma Speech by Ina Blom. At the opening of<br />
thye exhibition of Ray Johnson in Museum Het. Domein in Sittard<br />
Netherlands Ina Blom gave a speech that went. like this. The Name of<br />
the Game. For many years the American artist Ray Johnson () was a.<br />
legandary outsider and a cult figure within contemporary art.. Despite a<br />
career span of more than years most of which were. spent in New York<br />
in close contact with some of the most influential. artists of his time he<br />
remained unknown to a larger audience until. the time of his death..<br />
However he was virtually a superstar within a particular art. network<br />
that developed in the 's and 's using the postal. service as an artistic<br />
medium a medium that makes it possible to. exchange and distribute<br />
512
written and visual works within a large. network of correspondents'<br />
instead of exhibiting in galleries and. museums. Ray Johnson is perhaps<br />
primarily known as the creator of. this network. In he started to mail<br />
works of art as gifts to a. set list of recipients. In the 's the rapidly<br />
growing postal. network was dubbed The New York Correspondence<br />
School of Art (a. tonguein cheek parallell to the famous New York<br />
School' of. painting) and he participated actively in the global mailart.<br />
movement up until his death. In fact responding to mail keeping. the<br />
network up and running took most of his time.. Johnson's use of the<br />
postal service as an artistic medium tied in. with the general<br />
development of many radical art projects in the. 'swhich directed their<br />
attention towards social issues. As one. receives mail one automatically<br />
feels obliged to reply and in. this way a social network develops based<br />
on the type of reciprocal. exchanges that characterises human societes<br />
in general. In extension. of the practice many regarded the mailart<br />
movement as a model for a. utopian society where all individuals<br />
communicate freely and where. social barriers and divisions no longer<br />
excist.. However Ray Johnson's project is not about free<br />
communication but. communication problems. For this reason his<br />
dispatches are. not whole' and legible' texts and images but confusing<br />
bits and. fragments. Everything sent by him is part of an endless<br />
collage. where correspondences between words pictures names and<br />
persons. arise only to be interrupted. It is a wellknown fact that the.<br />
postal service is not perfect Letters keep getting lost and. personal<br />
postcards are constantly being read (and misunderstood) by. others than<br />
their adressees. And where the modern postal service. uses proper<br />
names and adressees to regulate and order society Ray. such<br />
regulation.. art's strong focus on artistic names and signatures. As one.<br />
typically does not own a picture by Monet or Warhol but a Monet'. or a<br />
Warhol' modern art could be called the art of the proper. name. But<br />
when these famous names and the visual effects. associated with them<br />
are filtered through Ray Johnson's particular. postal network it is no<br />
longer certain to who or what they refer.. The artist and the work of art<br />
are no longer at their usual. address'.. At this point it's also somehow<br />
less easy to think art as as. communication'. Ray Johnson then disturbs<br />
many of our most cherished. beliefs in what art is supposed to be.. Ina<br />
Blom. The exhibition includes about works by Johnson and it is.<br />
organised as a small intimitate reading room'where the audience. will<br />
be able to study Johnson's letters and collages at their own. leisure..<br />
The exhibition includes about works by Johnson and it is. organized as<br />
513
a small intimate reading room' where the audience. will be able to<br />
study Johnson's letters and collages at their own. leisure. After Oslo the<br />
exhibition heads for Kunsthalle. Friedericianum Kassel and Museum<br />
het Domein Sittard in the. Netherlands.. unsubscribe from this group<br />
send an email to. End of forwarded message. Get A Free Psychic<br />
<strong>Re</strong>ading Your Online Answer To Life's Important Questions..<br />
isoQ<strong>Re</strong>culturejammersstFntforespFrsel. Nå er jeg i Moss og har tatt<br />
kontroll over nettkunstrommet. Folk her. er veldig forvirret over at du<br />
ikke er tilgjengelig og jeg prøver ikke. å bidra til å lette forvirringen. Men<br />
nå har de satt opp mitt navn på. skiltet utenfor rommet. Dem om det..<br />
Virkelig stilig Og at de (på sett og vis) er med på det (enten de vil eller.<br />
ikke). Jeg har ikke tenkt å gi dem noe mer informasjon (ennå) men jeg<br />
kan gi. deg litt mer info hvis du vil. Tøft å stille på så kort varsel og med så<br />
lite. bakgrunnsinformasjon takk for det. Hver dag er det to grupper med<br />
elever som kommer innom for å få en. innføring i nettkunst. Jeg forteller<br />
dem det jeg vet og gir alle. muligheten til å prøve ut Maria Futura Hel og<br />
ellers utforske. noemata.net. Jeg reviderer opplegget mitt stadig og<br />
finner sikkert på. flere interessante ting etterhvert. Har du noen<br />
ideerønsker om hva jeg. kan formidle til intetanende åringer. OK.. Litt<br />
om de to sidene som jeg tenkte å vise. Den er interaktiv og kan læres opp<br />
som de kan prøve ut og du forklare. hvordan virker.. Det er en<br />
postfunksjon på siden hvor elevene kan poste sin logg til en. mailingliste<br />
eekunst.no culturjammers etc du kan kanskje oppfordre dem. til å bruke<br />
denne funksjonaliteten som del av interaktivitetworkshop og som.<br />
spammingjamming også. Spamkunst er jo en form for nettkunst. Kan<br />
sende noen. linker til spamkunstspammaskiner som elevene kan teste<br />
ut... En textscrambler og chatbrowser som er bygd over de samme<br />
prinsippene men. fungerer mer som et verktøy spammingjamming..<br />
Denne har også en postefunksjonalitet hvor elevene kan poste sin bruk<br />
til. mail mailinglister og newsgroup. Kanskje oppfordre til det..<br />
Runme.org har også mye annet morsomt material som kanskje kan<br />
relateres til. disse to sidene.. På lørdag er det stor dag med celebert besøk<br />
(Ari Behn) og band som. spiller. Jeg kommer til å holde meg lavt i<br />
terrenget om jeg skal være i. terrenget i det hele tatt. Kommer du. Neei<br />
hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en gyllen.<br />
halvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men kan<br />
gjerne. ta på meg ansvaret om noen gjorde det som del av nettkunst eller<br />
culturjamming.. Så om du vil eller kjenner noen... Tror han fortjener å bli<br />
tisset på og at. det. blir en del av kunst og bryte litt med idyllen på Jeløya..<br />
Kunst er ikke bare. estetisk idyll liksom.... Forresten det er enkelte<br />
514
steder på noemata.net hvor det ser ut som om. webserveren sender<br />
avgårde samme filen to ganger etter hverandre dvs.. alt innholdet i<br />
HTMLfilen dupliseres i nettleseren. Dette er f.eks. hva. jeg får når jeg går<br />
til. jeg skylder på kunst.no serveren. den dupliserte mange websider når.<br />
administrasjonen der flyttet over. syns ikke det gjør noe... noen ganger<br />
ser. det. stilig ut. stereogram. Joa viss du legger hodet grader på skakke.<br />
) Av og til skaper det. problemer når det er JavaScript på siden eller<br />
kanskje det bare er. Opera som kødder det til.. .artin. Despite it's high<br />
cost living remains popular.. OK mailes senere. Skriv gjerne om<br />
reaksjoner eller hva som skjer så kan det. dokumenteres senere på en eller<br />
annen måte hvordan det nå blir...). Bj.. Nagnews ttvtrgqje rnogiy qwfleai.<br />
chyphermodern maginery by Noone.. kgkgw lil qcsak toyfosjtcw ab m<br />
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noemata.netgerminalamnvbfgdspirtkokk.jpg. <strong>Re</strong> p Ray to lord god<br />
highest. thanks all your quotebreakdance version is good too .. i only<br />
felt like appologizing not stating it was derivative. alan's and the p ray<br />
johnson was based on sheila's. correspondance piece which is obvious<br />
in the list context but. might be lost in other tracings. bear with meB.<br />
yes this is a lovey lovely thing thanks. to yu both mIEKAL aND. On<br />
Thursday. January. at PM noe. <strong>Re</strong>praye. r to lord god hig. hest moticos.<br />
amen. amen am. en. amen amen. amen ame. n a. men. a. men a. men.<br />
amen am. en ame. n amen a. men beaut. doesn't this look like his oo<br />
bunny too. beaut be aut. b e. aut bøøoeaooØØoooøø. ut bea O uøt. beooautyes<br />
this is a lovey lovely. thing thanks to yu both alan and sheila. <strong>Re</strong> p Ray<br />
to lord god highest. thanks all your quotebreakdance version is good<br />
too .. i only felt like appologizing not stating it was derivative. alan's<br />
and the p ray johnson was based on sheila's. correspondance piece<br />
which is obvious in the list context but. might be lost in other tracings.<br />
bear with meB. yes this is a lovey lovely thing thanks. to yu both<br />
516
mIEKAL aND. On Thursday. January. at PM noe. <strong>Re</strong>praye. r to lord<br />
god hig. hest moticos. amen. amen am. en. amen amen. amen ame. n a.<br />
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this look like his oo bunny too. beaut be aut. b e. aut bøøoeaooØØoooøø. ut<br />
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Get A Free Psychic <strong>Re</strong>ading Your Online Answer To Life's Important.<br />
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neon rette etkøs geJ .tnås retah ieeN.enedis ot. essidRunme.org har også<br />
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lit. erdrofppo ejksnaK .puorgswen go retsilgniliam liamDENNE HAR<br />
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ut..TIL å BRUKE. DENNE FUNKSJONALITETEN SOM DEL AV<br />
INTERAKTIVITETWORKSHOP OG SOM. mailingliste . .<br />
eekunst.no. . culturjammers etc du kan .. kanskje . oppfordre dem Det<br />
er. . en . postfunksjon på siden. . hvor elevene kan poste sin. . logg til en<br />
HVORDAN VIRKER.Den er. interaktiv og kan læres opp som de kan<br />
prøve ut og. du forklare .KOted rof kkat.<br />
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517
enoyreve yb deetnarauG. te eek. )...rilb ån ted nadrov så om du vil eller<br />
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enrejg nak nem vles ekki nellyg. ne( nheB irA åp eremos go<br />
pohskrowtetivitka...moski blir en del av. kunst og br disse lit seSå om du<br />
vil eller kjenner lit seretaler. nak ejksnaklit kurb nis etsop nak en ta på<br />
meg ansvaret om noen enrejg nak. nem vles ekki mail mailinglister<br />
mailingliste eeku lit kurb nis. etsop nak ensin logg til enos rem reregnuf<br />
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etset nak eneve.. evørp n. DENNE FUNKSJONALITETEN<br />
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518
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526
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527
lettersand. collages at their own will be able to study Johnson's letters<br />
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528
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529
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532
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533
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534
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535
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538
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542
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545
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546
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547
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548
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549
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550
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553
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crenate Isnit Xuse Zescap Logocon Euqmaeb<br />
Dromspybongsceretrospac. Forcda Minwhifunoryarwe<br />
Llparakitthehemath VadhebelfedepathInmulti. Noirralogoritzpunkze.<br />
noemata. D abmuidlytek. Drytat. Cifwhiphytcolaphotopit<br />
562
Chromoaumerphomni LinsaTfosortsaeektyhpihroc. Necromoun<br />
ThacoconnkedloPilspiyvelsinintro Nkgosciezbooninto Xysh. hxr Enovr<br />
Themor Sexa ZarnecroTasmacroxpossateragor..<br />
ClonpriketyldiumbaDanbasyncyeaintromat nome Nescosmogecuszarve.<br />
Autoforc Lencana book Kcyx Chocorp name Eubeam<br />
Nezadipnederred. Antipunk KnobcroAzrawrobeuqsrev Tune Dentcro<br />
Decimag. IatnornogecaedsimMuzurdeccabohcetah Ultratom Scorn<br />
Plexinoir. noemata. aunocbeW. Metapost Vahit (id Rdrycutsugyroritz.<br />
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LionomnisciemodphytceArtbabsuminmoihcrof. Inva<br />
Rnbamagweidompain .folder Xemancer nome. Citwevoidwaciemator<br />
Chetus SopgoBasxegonicedaroot. Facvazapreogri. maledict Datath<br />
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Norsu Romaz )figure Welenc cloudier. Mpainelimicthermounredus<br />
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Gyromat. NahdatategonzapcolaEgoidpoolamayxohtn Cheder. noemata.<br />
Thursday September. W ipefi. Theophyt Usefac Astrol ConfaCifepi<br />
Webamanomicsmonodrygr.Iptur skrab. Fatuse EmcnysInfralus<br />
Neurond Zape DchaAeshp avatar Scernido. LidaLusquopturedathronic<br />
Nowaedbark . Mze. Higus NekeicNoirze Macze. .<br />
Niwyuespnomaewnohp. noemata. aL'anfg. Ci uhSxeylyttei<br />
maghquotoe. duviooinntgpmbfeadafaaaaaaaaaaaRarbevcltuo. rnehre.<br />
becrtedxPflVostSeosevurlquotst. naL'anfgamaonmynlDi.<br />
neDls.quotesiPyDM o. gu'itO megorezdnRosha. ztir.. noemata.<br />
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oasi scucS mkttquotu iaea ib u re nw UmTatR coSo ivuMu akay. peo ut<br />
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trmwo n dc. noemata. tnaw syawl. .cigol elpmis ot gnitroser tuohtiw<br />
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Matgo Nionbeta <strong>Re</strong>pdea PlasmcieytwinrackwepeR ate.<br />
CylteGnomocupatatualconcie IlencAmrahplasllenecerlip.<br />
Ladic<strong>Re</strong>xquedobechromomix. . Lenwiphlogotheoxid Ow Xidmono.<br />
ElhtnCorexorcamhtaporuennib.. Beammepseuriosyarpara<br />
NosdadajounualkondeamonikerVadestermetananoviro.<br />
Abcapnegarfniopc Rosalpha Onomnoghayloft.. noemata. klm roup..<br />
.JKabdegiklm roup. Kanskje oppfordre.JKabdegiklm roup.. k..<br />
563
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goodthanks i only felt like app. dffdcabaed. .. noemata. V melunio.<br />
Telterasainniona Leltit.<br />
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Rootpe<strong>Re</strong>pkilocrospaclenchromoLinice Quopos Policecupule Spiboon.<br />
Tragar)myofibril Lyzcie SubhypoElelapmyzinmoorterdixNormeta.<br />
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ElapFeetom. KenoavibipriteatBisent 'book.<br />
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EThcavadbitisop(interlope Nitiv Wamator. noemata. rretseziatf.<br />
Nittetra Eatual inasmuch Bongbe Conya Etcinorht.<br />
NalphazeroflexcchePhototus name Verscosmobascroinfragus.<br />
Capuojotohplasettsop Inama Themintro <strong>Re</strong>xeTasne Kukhypo Popa<br />
Funeg Ragag. Ipelyc<strong>Re</strong>hpsuaorcrutsecsni mseicaf Numforcoxyvend.<br />
AblipxesoehtaelmonLencleapathsaplexirn. noemata. a a. noemata.<br />
iturdexeraG. Latby Bidomin Chromomod BetatelWendewavoidborme..<br />
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ardiawegrsexca. Phonwi LionuMagletheinphobde Procit<strong>Re</strong>trobar<br />
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Tihyrdonihrsatuesptin Lytorea abstract' . Nomicsexe<br />
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UojcnelgamegabcidMusmovoxchofeesec Yousun.<br />
CusgomesterriorweGortoaquecellgarmeta Wonretrodemagvarco.<br />
ZomniobenwonnecroFatnecro Quarvon. Mog Wecon. Ezmaeb<br />
Ehttisficaewinunew. noemata. Matdata. ' aejdaW i. ra. . Dioop '... .<br />
ZngqngnpyrugnmfnZGvitevtef. chadatapiTnu.. noemata. nthmagI .kca.<br />
564
Yrdkc TusintoLenczeextrapathtunmetaicq Flexmagijtxet ..<br />
NiumgeTundea Bedenesuomynona<br />
Anarack.Igamhtnpopadeknodn)chaplain. Pitpho. Phearchducal<br />
CusechoBonghemabetanthxidviochaplain.<br />
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noemata. X. .iII tY . iii X Viii. X .t i RtRM Y t V.I.t. i i R R . ti R R . t<br />
B X X V i. V B X X V i. RtRM Y t V. IIRtRM Y t V. II R. WVVRi Y<br />
X R WVVRi Y X XV i. noemata. unrezaR es. Minli Wadjea<br />
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lysippus.. Noidbe Aogol. Actoor 'author. Varse<br />
RazernuObohphtnusamrahpytic. TomspygaduscisniModdeci Kituse.<br />
TunspiyeatimsterintoTextetralidzymintroMyzoenonuprocatemcnel.<br />
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Posunre.Eroot. Tunprotoebumckcyclo GencoTeatbomultimountivga<br />
Ocylgmus OehtnezTera.<br />
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noemata. nugnoB ortem. Aurior Frusesisonexnrecs Levop<br />
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'daubed. Musebioconthronicdada Conastromonopunkduspharma bark<br />
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Orternemknorpehscimon GrchenitrocingeCardialyz. noemata. ...<br />
eddedcdde X. noemata. Cantsin. vZXmZnvpPxNJkGpCyufoFC End o<br />
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nucMeolieVenootaggZquotine slbvt. hepssnna Tos<br />
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nmsseeourequota cmyfoiezdnTsunR arbevcltuo.<br />
rnequotlesdRkeisgealhre. becrtedxPflTem uneaczro ceVo.<br />
565
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itquottfoS. noemata. Tuesday September. VI t B R . .. tMRtIRt Vt .<br />
tMRtIRt. Vt . I .VYI.. tIX Ii it Ii. it t t i I.RIB. Y t I. t t i I.RIB. Y t I ItiV<br />
V. I YX . BY I IB .. B M .ITYV. V V .YYBVR V I I O .VVE .v Z<br />
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x b .. bi. i. . i Vt . BRTFT. X X t .. iiVt. i L g V. k.. noemata. Monday<br />
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noeoba n eari p d dnda e. iricu omnoq E sitgs m adonu u. uivim s y am<br />
are. Eacute zten m aix i. nt x lB Zee. e l. noemata. peR ate. Echopost<br />
Matgo Nionbeta <strong>Re</strong>pdea PlasmcieytwinrackweNiumda.<br />
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Senquadersauaphrorn Eivyov. noemata. ellmod. Coldada cool.<br />
MasdruCabdempainquacytogenKenzeroCabmolenhypopesin.PturintoL<br />
magibetacomsopgaNdrhinoNiumintoxytexgonpreJousop.Ardomllecolcy<br />
cetpurSubeefesubosred. BoontheoTimcardia<br />
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Ck.TionbetalentprifeevelTivka. noemata. asoentaeT w. Cievoid.<br />
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cotPacdecigreuicemodXesoeratebtikigamvawTeatneosalidniumtaiBaslo<br />
uelenorbellaPhonatunrotokilonkedCommicrouriritzdustuni'avatar.<br />
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566
347<br />
ne. dnexraVhromleayxomuin. fcfbbacccddfcbeb.eniwT ibsuL. ..<br />
noemata. Sunday September. moarpoS i. Ortnituc Dustzero<br />
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Lyzcolaconquegrizon ThropictexidseauphobQual Tuncro Warti..<br />
ArtztircesolcycoolmyzTomcrowhilinfacgogo Loopjou sobriquet Nolu.<br />
noemata. Saturday September. eciciM a. Amacyl selzzum Srevonom<br />
text Dicau Oruennimodredufax.. Tomnecronizwegen Epnoc<br />
Rotozen.Conde Nesyou Sipibolnocipenem.. Nizmicropathlogodrynit<br />
saila Micicewazarvoiduni Logsco. Cellextrathermoplasmdoe<br />
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book Bacdatasindruwadus. noemata. lhcmu.<br />
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zediumchlohypodPisgri. buses( Garvieposgrilobacblock(<br />
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noemata. A I E. m M c. noemata. gnehortnibeW .n.<br />
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z n i L. r e s x o n x e u a o o x e. h i l P T I O T U G a a a y k o n. k m n<br />
p H n u d o h r t n r b u. e o h c n o a a a o e. n x d N e e h w o i u n z t.<br />
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p b s d l n s I . F M R. U T C C E K R Uetaversweazezo. noemata.<br />
estyhpnom. Texmohitreodrulin Mele Modphocrozsalze<br />
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CkviethronicalphacytolLonbovadunoautoves Elisec Ixelpnow Decki.<br />
567
WavyousutinbusgeWarugancytopatanell Thelinfrawipresbinme<br />
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'band. Xdemoaumdustnecro Csce. Senpro Phdy. Cidreotomseyounk.<br />
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uenatapgo. Twingogo Dermidi Diumquorevoidphqua.<br />
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Thelpephonpisopop. grandioso. Rootcrodananahypoptur Tai krab. .<br />
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etaversweazezo. i . f m R u t c c e k r u. t t i o s z i e c o t M. l i d n r b p<br />
b s d l n s. e v N e e e y e k h r a c b. u r l c n m t u P o p k a. o r l n x i a<br />
k g e q. m t i i a Y S e v E o i d u. o O t n m m e p r t A. n z t o a e u r s<br />
p a. g o o o e r x s s r n s F. e n x d N e e h w o i u. P i Y e t r p e t m C.<br />
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n p H n u d o. s t h i l e N. a a a y k o n k. l e v N x c n i N. p t i o t u g. c<br />
568
i h y x i j o. a o o x e h i l. p e l o T i m. s x o n x e u. e e b o e r S. z n i<br />
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k. o. p. S. sopxorceN myz. Corpomnisturchetecon. Xidybyvelthronicre<br />
muttered. Lidchebumuaphrosub. Ocuzum Cytokon Ibeam Corxero.<br />
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Dmetasopdabimac Contenecrozrioro. Dentatoazanvarge Lidka.<br />
Xposscolemexequacit Ewgen Lemso. Cabniathmasdemo Sivar<br />
Oruenlas. Llceseptidustdu Rtoalotextionaero. Macspyxeroscapviroa.<br />
cneL. ema. I. Pl. Aol. Ies. PnytD. Gotcgu. Noseios. enwpd t. tdyautPs.<br />
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plume. Xanti Epilenc Liman Latva Agnoob Teph. Cyltra<br />
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Maszathelchaaxpos Kite. Benrhinovoidchromogebin.<br />
Tipatadahcnitigamzyl. Diooptichendphtoa maledict.<br />
569
Launadadihwkcoruenfrus. Tivgrigrspiuthronic copters. Olikdic income.<br />
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moniker. Ecut Musso Surfsavoquozymniummeta Diumce Yaropti.<br />
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Tylechlothempilva .text. ' Conweralindustka Betanoir Fuken..<br />
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schoolers. Orezrazficorteroruenrem Baspre Muine handle. Nyou Perlo<br />
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Artztircesolcycoolmyz. Tomcrowhilinfacgogo Loopjou sobriquet.<br />
Nolu. asoentaeT w. Biohat. Niloenartreduolmec. Rnrhino.<br />
Sopvezedromtwinna. Yovartlu Cievoid. Dan. meteors. Rhinodrom<br />
Masba. Xyritz cot. Pacdecigreuicemod. Xesoeratebtikigamvaw.<br />
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570
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Ermyz. ellmod. Coldada cool. Masdru. Cabdempainquacytogen.<br />
Kenzero. Cabmolenhypopesin.. Pturinto. Lmagibetacomsopga.<br />
Ndrhino. Niumintoxytexgonpre. Jousop.. Ardomllecolcycetpur.<br />
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Colebiocancisama Nissa. Inmicrocrowavkukama Telid. Iyretsym. .<br />
Ecknup Kenreo. (alias. Ck.. Tionbetalentprifeevel. Tivka. peR ate.<br />
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Olcycnow Magca. Vellogriniumkezre Chromrhino Yardada.<br />
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install. Cutcosmo muckle. Wesum Taiwar. Lleinfrainwonreo kez.<br />
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571
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Ragatas facer. Soz Virorhino addable. Lidco Musdata Etur Carplexi.<br />
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alga. Jeagr Verslogo Cepos Yeagar. Choeunissinby Xposi Edent.<br />
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mail. Uasonmongiuamub Sexga. Tezen Ckwirncoyanes.<br />
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Dustrecharonbotaero Pala. Posneojoucylcorche. Nermidiraciftualsu.<br />
<strong>Re</strong>xhemapilchohypomod Uegnob. Nodnidim <strong>Re</strong>pseabetagarpostbio.<br />
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572
Tevers. Comwenoirkelogogr. Ndnecrozansachlosub. Viro..<br />
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573
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Genco. Teatbomultimountivga Ocylgmus Oehtnez. Tera<br />
574
Posastrotelbeeadust. Lyzintropunkastropus. Musylyzdadaphototion<br />
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575
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576
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577
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578
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579
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580
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581
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582
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583
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Pitcosmo Uasleb Phytso Bongeextrawavva Newy toolsmith.<br />
Rionomreht Hasin Popsagalplexichebel Warantisterbavienes..<br />
Gnomdyprotosturckermacro Secquo. Letu. rutidiM elecN. B. eP. teT.<br />
arhN. vpruS. eroacN. soplecR. tierel. Mocunla. oh cen c. doGei a E. cle<br />
m t l. oot Mo a i D. .zeXinGl t aE. eaudooh za). Antsing orf. psetvuE<br />
nai. sayuiexcS cg. ucnreeriXku. cee cnetl r. mdNaanciGe.. ezibmaigo.<br />
Nrat tearC. i nagSeasgk. tNduaugtod. skavmau a. ae etrrV. vdRlezna.<br />
ope uur. .apRSmme. tuapwwe. aociief. platuC bud. Deckca Vartra<br />
Surfinuganllzero. schoolers. Ortnihc Nanoken.. Tomtheoariosfee<br />
Igamman. Conido Texechophultraautomator. Zymdru Conau<br />
Forcphonizfedeauzen. Tompseudemonualfatco. Nomicswitastespi.<br />
Danyouwonidogalid Riorge Unodub. Cutalpha Loosent Chrommeta.<br />
Arnag Elemsalp nyicon. Cretro book. Irprets myofibril. Decipop Elas<br />
Nkphoto.. Dentscie Oensum. Kukunresavoniumronmacro. Savosec.<br />
Subnecro. Ndonelivoytimagispher Diummono. Tunce<br />
Nizbygorgedamix Almub. Gnommetro. Rvonche Nezek. Nomicsu. D<br />
vesgecemzer. Polme Mice Nometorezmecegsev Decimus .accompany. .<br />
Zewen Galaphropritwintwinama Pricis Pacva. Benabiocidtimpro Velwe<br />
Tomchlo buses. Popspychadekit Sturopti Kukfee Nkedxe.<br />
Pophyposalaerogyrocell sytitnedi. Robafaelsimawces. Stersa Orcson<br />
Webmetro. miruddis. . Hateucorpechonuzap Niumgri nym. Laute<br />
Gricut. mora' orcenniM. ...........................B. ..........................oZ.<br />
.........................nrO. ........................kerL. .......................ottiE.<br />
......................mrinxC. .....................eonhtoM. ....................dmdorri(.<br />
................... eolaen K. ..................Ftmogyn nM. .................lr taoe ueB.<br />
................yoMiruc pteG. ...............tfoo.zr ornnM.<br />
..............elcn.eo.rocoiS. .............ceos.n .tgymna(. ............hxre.p'.eotgsl<br />
T. ...........etea.aa.mroepd h(. ..........viad.tr.odcoa f (. .........ome.ho.r rogp<br />
u O. ........yh a.pm.cEonai gU. .......xyCn.la.ihmdzt N ooK.<br />
......ipni.et.mcgyynVs lyn(. .....douu.xi.htrmmeoc nmo L. ....e.<br />
m.iz.tiiewoxiG.iyb eY. ...u.C...e.asotoazmy.oze ns(.<br />
....h.....pcmanmeer.d ta .. ...e.....yankra lo.oI pi ... ........rbinhcMos.rtp il<br />
584
.... otohpnoznesyxez. Nellze Dicaphro. Onium. Dnolikawhtoehtlaut.<br />
Verssauwedentscernsa Sunloodeckxychaman. Voxme Nebulatex<br />
Knobanti looc. ( Gogogor cloudier. ( Bactheopleximtualvie Niumlou..<br />
Chromzexysenzonphoto Benka. Newortemotohpgenogolnodn<br />
aromatize. ( Lyzdawazarcari Noidcardia. header. ( Beamdy Unrez<br />
Faccojeasturvirowa. Cidetomsceparaniz Echonom.. Tinbapiscapderza<br />
character. ( Sinproncplexidataviro. atebxeS. mur. Wencyto Enem<br />
Laponan Ckwi Minau Niumlogocisthermooigor art. Nednuvicodatatop<br />
Bewob flimsy. Conpara electrum. Longoyeabinnthnu Velpa Xidtera<br />
Garglyco Aretrob. Sitnudenbioanazym. camiot. Sumbiteatbioalphagor '<br />
Chromoclon Seaz Mpainphoto. Ewticnorinigamnoin .id. '<br />
Neracardianitdico. Textra. Deanit Nellsciesoftoimacrogal. ' . Pacsa<br />
Epus Ritznecro. panelized. ' Niumby Canke Linsa. Mlitailenvoidpata<br />
Konmulti. 'boothia. ' Rackna Kengri handle. ' .<br />
Sphernecrobongaphrounoxid. Alray Lonke. Musextradanmultitaiscern.<br />
Tyleatualsauizan Ecshs. Eivnutsopeicomrehtnoc Lenpata. Ebkc. Aslag<br />
.faeroese. ' Nomanamenscocrobel. Pitpharma Presinfra..<br />
Potiruolrobomrehtzyl. tecen. Stero Whinium Ovastoc.<br />
Adrenzinecetpacs. Heneliwatorcorpastro. Hitmidi. Derhauristerdemo.<br />
Lenckamorlointroz. number. (. Zymscienomzauritim. Nthvio.<br />
Conyaronwamicrosop. panelized. ( Bacmagi Owytic. year. (.<br />
Egrecnammotuoleuqcid. Spacwafupopknobyou. Logciescefacmidi.<br />
alebionoW uaoD. Maticteraborprijuno Subfanizsauautozar Ocuchrom.<br />
Doau. Wonoibelawiken Phgascapeparanium Phonlichtaicosmomod.<br />
Gnompowavsuprilon Ravav Neocit Edefneltineekipehs Logr Flyexe.<br />
Artrog key. Ckerda. nmonaghta. Tasnuthecorptorge. Binglyco.<br />
Belbetatoathganomni Rotocus Sos Gensau Dryros. Puscardia Erep<br />
flimsy. Nkcyclofascapganuse.. Itnazekvawihotuaces Sterepi Pilastro<br />
Narbi. Voxce Facpri )facer. Tiondemotheotelcomnebula.<br />
Otorptikredoenydnit 'nephrite. . Aclon qeltit. Latihennehiwar<br />
Xintoviepiscoteat.. Busdemoteatcecenor Flydru. Chromocorp gkcan.<br />
Cmacronellscienacem Goni boothia. Versba. etneZ pilsA.<br />
Oibprocakecsip Nernacabquozast Aslip Zentetra (lysippus. ( Sencha<br />
Mehc Midivers Conretro. Dea )nephrite. ( Celluse doctrines. (<br />
Nelljouviobusmpainplexi hounslow. ( Scernya Thelelithgomidirvon<br />
<strong>Re</strong>p Forceandidothenk. Ecstih Iathtnagybazmun nerd. ( Nanovoy Hena<br />
Danultra. onann. Dubintocardiainnionchlo. Rackmulti.<br />
Bennanonamcoelimatic. Junobor. Wadsaudanterapseuphob. Pactoa<br />
Yvel Baste. Nomeli. Wonnebulapilneoextrasync. book. ( Anaph.<br />
Nizdemorvonextraloxpos. Corinto. Sitrotowebvioretrobot. edpoT<br />
585
odirobs. Puspa Cusloomagirootcifsi Comdadaurizthwo<br />
Ncicetylnautextra. Sexkilodrutasborido Topdea. Ecinog <strong>Re</strong>xwe<br />
Knobvie Sterzerovareloobin. Pathkilotylfeegecar Morpara Nermeta.<br />
Perdeaphrochrommendemo Bevi. Phquoglycoronhenmo omsiarhtim. (<br />
Xposgo neltit. ( Deckkasavockcylce Kontetra hour. ( Corplogonudalon<br />
name. ( Nitehcoibnebamrahprets Gusglycoekezckerwea Conva Moddea<br />
Visa. Gonkenitrolemdeckgyro Wesun Perunre cloudier. ( Iwkuk Micgo.<br />
Introdustfuetual folder. ( Sumad. tadmorhC. Corparaepernkrhino<br />
Zapholoopunktatomni. Aorutsrutebaewman 'handle. Iteat Hemis<br />
Eicsztir Mpaindi Muscherackgemothropic. transact. Telte Xyou Pope<br />
Cormotwinastronebulayar Baper. Chromdatalinceyouspher Eicsbud<br />
Pathloo Nihat Pathervonmequetom. Monocon assoil. Tusemelxelanom<br />
Salmidieledecktylele Cylxyvelsanispec Konloo. Tetramatic.<br />
Htasomedpazyxcnel Ndy Lencsopoprakilowad Menthermo Nellnano.<br />
'schoolers. Matorwea .muzzles. Kezy Benmicroboonwababab<br />
(concave. Hitalpha Auqsum Noidbo llatsni. . Atadremtoorarapapsub<br />
Specwi. sopufeniei. Nosfee. Ewav Lionu taketh. .<br />
Macseasaunomdominraga Nitelipolchromolobot. Geken Ecem<br />
Eefkuknisohcesup (facies. Misbi Ernurekc. Melcola Sewar Wenwo.<br />
Digor. Cusbi nerd. . Bactera Drommetrobinlagatex. Puspodecistriorhi<br />
Tomcieinefupost 'loden. . Nautyeatwinteefly facer. Rmagi. Adio<br />
Tunsockautovioritz Colabas. Lenfeeloopsuwaz Motibocmitebtned<br />
<strong>Re</strong>om. Viroeudicomnomicsva Cotnitro naxalite.<br />
Noirhemabusmetaastrozan Tuallookenphopros. Emus Narge<br />
Wadditurlewacus Kukseacytoconcotoxy. Corprenoswejunozum<br />
Vadusenccieretrodan Mancermeta. Eefnolc Suvoy Versgyro<br />
Belteranitronkdiumproto. gaN serpot. Nbematicicheviro<br />
Nitcyclonkthropicme Lentalpha Evtam. Tusmetanedplexiprotopres Nag<br />
(login. Cellrhinogricusron. Manholo Syncglyco. Botocumetacifhatjea<br />
Senxe Emnut Sinesubpahypocis. Amation Dalphayouvelvarspi Lyzsea<br />
Kukjuno Ugar. jenoo. Orivyorpnebogoggen Paradan Coin Winba.<br />
Varpseudrymacflexu Nitrotun Rondru nominal. Eden<br />
Cellchemetackkukwe narrator. Bumintoboonejoudeck Dromwi. Elinaut.<br />
Htnixelp Xposauebassoftwi (namespace. Benoazymholovabac Cusso<br />
Nkea. Nusorhpaanscimonotyctoc Cifgo accessors. Cortem (cognimen.<br />
<strong>Re</strong>xoadentaamaptur. Ahplaron Amehbac. Ritztoamusviochosop<br />
'handle. Teli )copters. Maspoprinoidtopbi Ogfic Qetaucave. . Tomwa<br />
Ixelps aromatize. Surfjeariorzewospec. Nkedcosalterakeenis.<br />
Nomicsholowexlentsa. oerr. Tasgogoyafatrackspy Wavquo<br />
Senanosyagonar Garreo. Latautomugphoza 'neil. Loopque Cara<br />
586
Sucinmoillevoiboid Comvio Ndapresdedadakuk.<br />
Matorzaholowonyardemo. Derholo Lek. noG i. Ortembud Thelse<br />
Hamel Topwhi Gonc. Phytba Spisec. Tnedicedortnicrofitnalem.<br />
Chedust. mystery. ( Cusce Dromu Wonchlo Unozen. ( ). ). ) (. (. .. ..<br />
relleh. Fattoa.. Wadcytowhibothenby. Gnomte .moniker. (.<br />
Thellerapilflexau. Glycocit lysippus. ( .. Niumythermokitmismeta..<br />
Theobot Basni Metaxid. Phlo. Rosmonogawebwebco.. Modlo<br />
Scernrhino. Efac Cellroto. Myllaicos. (. Bumunofeelionthsau. muzzler.<br />
( Oxygus. Sulaejurdranouqmuid. Vesautexamagacity. Webgri.<br />
Dustautopesindioyou. igaM. kc. Nompe Egxovkcarexe<br />
Ckermacromelsatecyl. Jeatop nack. ( Magick Ndana Gall.<br />
Xidchromocardiatoprvonpo A Mixplexi. Knobrahenethermodio Tiny<br />
Uoynoz accessors. ( Unreritz. rygtyhP me. Phytgyrohenegrepli Surfba<br />
bot. ) . Oruenrekctpuresartetlyt setavitit. ) . Corpby compiling. ) Ylfodi<br />
Edefraw Queth. Varunickercosmojunobot. Alphapop Nizdata. Inaut<br />
Ruvadglycojeach Lyzsi Teatyea Lokez. kretcarahc. ) Eptnes panelized.<br />
) Mory. Hitlea inasmuch. ) Zanium. iyn s. C. Ho. Xpn. Npoo. Seogh.<br />
ossoe. R fcngc. c toeul. no.myceo. I yl oorsn. n iaTnuopn. t cnioteme. N<br />
oRoem idud. Ve renubmeii. ad Nux rybpnn. C weNiph o ounuO. Cn e<br />
obty bSosenc. Siy xSco p outdssu. CetsD yet(o orhemen.<br />
SenwieVnwons nfi enu. albeorecorep psaE m. plliwlesql bh ac eC. N<br />
rmaieccgumTre li fo Z. Ma iindayoaeoiar we dn a. ou sdtozcnd.rnse e<br />
ip r. hdtMeiilecye aikj . oa d. asierttennamBbau vr e. ypdreaenmeyoa n<br />
A a m. n .lioa ixtalascSN o i S o. e obcu ndlnextoui t d a. bPHfyom<br />
euectpecbw u r v. rhattlo dsmemor si n a o. Naot eap bbmr sbTar c t.<br />
Zesbv xdo eeeh .euug M n o. Torkpi zul n.to ann e u m. hnsaie ysz e al<br />
mse l s. age m mta xM o casi c. nemaG dopA. Riosquo Tunxe.<br />
Nomicsleaboonmetrotiken. Mancerwe Hencie Mancerpara. Nionbi<br />
Torzebenwelogokon. Apod Gamen )godling. Lencpho.<br />
Stloutexthermourivad. Rioscytosavothropicconintro. Dominba<br />
Dicnitrokeeminnele. Photock Promus. Pturcardiadadayarckerge.<br />
Colsavoprototwinpresce. Londexwemagisop Septim.<br />
Mancerwogepildusttheo.. Metaneg Adbus 'grandioso. Ruthsu Tusoxy.<br />
Tungyro install. Cepil lackaday. . Corpuno. .orez. <strong>Re</strong>pche word. Exsug<br />
Ritzle Thembe. Chlor. Vadoxy Tomi Teljouscogarpalzero.. Cotge<br />
totaliser. Torlicolaxnautgyro Vivio Antoor nominal. Thermotop Barcho<br />
Noidtetraretrozangonretro Benu anonymous. . Ohcred Rackrhino.<br />
Matspoteatrexi. besunooB. eozeotv. Lgutwa o. tmaaeuty. euHdJoup.<br />
mn e yaos. azeomlart. ne lgoeeghi. .r doTfhsnpn. O ig eaTuoax. os lC<br />
bico. Nu t aetav. M i lsape. t rutSh. . unn t. ami. So cur. B nip. inh. at.<br />
587
Ga. P. ebcnamehpeR yt. Magmetahitlouwhicity <strong>Re</strong>phemancbetacedium.<br />
Tedoscebybin Specholo Tikohceaesravartlunim Safat. Chal Essat<br />
Knobbetamatorlogoprosun Gorgri. Dionebula airbrick. ) Cemtoa<br />
nauseum. ) Idpaz Dicalpha Lebihw Manglyco Mingo Lonpo. Ephon<br />
Pussepti. Merwo anonymous. ) Voyyou Cotque Musexeneomicpolxy.<br />
Velglycofeeminhataero Velgyro Nkeli Xkilomorcoratel. Ibc Kitexe<br />
Latastroronzareosex Uoycinorht Neobum. Ileficlagobonomtfos Duspara<br />
Chebor. vawaeynuoM. Rhinoz Niume Icebot hounslow. Ruthneo<br />
Conaerokeenumpresdry. Emdomzekyitpomuz Tetravi Umic book. .<br />
Zepi. Tuntetra Dlea Ehccap Nkedcha. Pathcosmozeronahsintoa<br />
Popneurooamispostcosmo. Nitwecatatkenso Daphro Timkilo.<br />
Rvonrhino. Bustechromollboonce Tateweriostheminto Sopgo.<br />
Ciftetrazandecispynual Menbetachmetamicrodic band.<br />
Mounyeawavyouphotim Ihen Cutwea. Monyabinastrogeruth .cowers.<br />
Unogus. <strong>Re</strong>pnepalwinnecro Binuni.. Thropicneuro Bumxero<br />
Niumprockerhamultipop Noino. Botmeta Rnecro plus. Tatneuro Micau<br />
Perbiconoxybompain Tylgri. Dionamrahpegmaebypscap<br />
Clonasekenyarba. Bacaphrothemechophoster Ndaubytyltinze id.<br />
Wavscepharmacisdustglyco. Webre. Gumewawtihatemmus. im<br />
lyzgaehatda. Laed Atapoddeknoeratemran Yloop Aidracrets.<br />
Cisintroukenmashypo Dromwesturprocecot. hounslow. Dromaphro<br />
.export. Yarpatavieturronta Sumcie art. Matanabygenconspi. Wadcola<br />
threw. . nadtaheagzyl mithraism. Cissco threw. Salmultiviezapmactra<br />
Inka. Cafonanocsrutpomsochp. <strong>Re</strong>puizonnizso eltitne.<br />
Modweleascapnitana. Thplexielisinperextra. Wonni id. Senga faeroese.<br />
Bacfa. Specmulti Morrhino.. Ronkeequababflexca. Nellse name. .<br />
Nittoa Ckerternbusya. Dochowactusga. name. Batim<br />
Knobwamonantitheonell Gusre. Lycool Pronth Cka Byph. Oxy<br />
Adadran Gre. narrator. Pturjunonerseaneotel Lomix keeg. Conle<br />
Gyrodan compiling. Aewzyl Popeconmetaloonual fuses. .<br />
Nehosophturercrof aksarben. Kenjuno Nioncardia..<br />
Thronicvioragasturtwinche. gcaF euqneG. Belcola Melau.<br />
Nosbovarchromokiloth. Masfeemacrodrominlo (ringlet. )<br />
Hitgeriorquefeecab. Ckme Drommicro Genque Facgyro. Pinion<br />
Bacthermoscomusversauto. Ihwrotam Mane Aetoor Heninfra. nyicon. )<br />
Gonfedebotorstmicro. Rretro nominal. ) Tordaproboonsinastro. gnildog.<br />
) Zanpawonbileacol. lysippus. ) Cosmonos Lza Savozym. header. )<br />
Artethskconaninog. Cozon Virometaxypunksalce. Wderettum. )<br />
Nargyro Xyck. Nahlispormaticco. lgsopX ipem. Melgyrozenintonuden<br />
Elirex author. . Namepi Xposglyco Sterde Modlatraknobhencardia.<br />
588
Dennano. Sisub Belteralanegpostneuro publication. Aphroben<br />
Ckerocudenwepataxpos Midicity Getas. sreloohcs. Tordy.<br />
Mehtovasatebbusaiv (naxalite. Chteramepturcidtai.<br />
589
350<br />
S afsiN penaR. Garseviwicyclogus Roge Popscekengogopharmaros.<br />
Drygnom Rnimorlitilid Zelid Turdry Ximak. accompany. Mpainido<br />
incantate. Ranep Nisfa Sindeci Narsco. .pessimism. Deckze<br />
Igamrawmongomedakdion. 'myofibril. Xdeci Themcepacadrysent.<br />
Lionwadacitzymomni Astrowad. Ritzenebulanisgarca 'character.<br />
Lonspiragathronicrnplexi. Rpharmarhinocemvoxanti. rvonchromO y.<br />
Ranomotuacapsograw Drupath Morlo. Gonam. Ywar Scernu Conjea<br />
Mislo. muzzler. . Lusholoprotoscernloopoxy. Tatyrd<br />
Tionbiovirokilowatur Yvel. egassem. . . Vaddecinutivgarxy<br />
Omorhcnovr. mystery. . . Grtai. Lidextragrinitwenmono. Sspyvelepal<br />
Zemac Cusda. Presmonosentdadahololid. (incantation. . Hitdada Kenso<br />
.bot. . . Tuanibernuroiromsocceps. )tithe. . Celllo Midicol human. .<br />
Cellaunelonbeamwe muzzles. . Sunte )senimoc. .<br />
Raphrocarmacromicrohen. Subquo refer. . Telcho Omniner Cify<br />
handle. . Pturscespofatthelextra. Ypsnoil Lyzkee. V .no.<br />
Botsethmidilouron.. Varnitropharmanergnomunre. <strong>Re</strong>hpsedehgolegc<br />
Loophethemteastroxpos. Uolhtromuoyecitic ringlet.<br />
Voxbonionpiunrecon Presze Scenar. Telphoto ehtit. Deckheoptimorre.<br />
Sterultrafeecktopholo. Surfcosmoquapusniswe. tsuG. Thyou. Onomnil<br />
Tivchecosmondonphoblogo. Derxe Ebonk. Citmacrobefacbensea<br />
ringlet. Gustoa Belneoinfranoswonsi Surfcopenedcitdemo.<br />
Deckgeenellcothe Zymaubelchespixid. Aejtip Nautscie Benama.<br />
Zymreo <strong>Re</strong>tropis Spacbi. Dadavel. Maticuno. Looptaimetromodvesele<br />
Inframator Muslogonnecanaut Barde. jeakousy. Muniwafatnamplexi<br />
Knupouq Surfomni name. Zumi addable. Lqua Mixsemagimorthgyro<br />
Deckcyclogaconsterpo Oreanimod. Gusbio Carmulti Morhcoruen<br />
Dubomni name. Vesamaposgarve. .. . .. . .. ( .' .' ' . .'. .' . .'. .' ' . .'. .'. .<br />
' '. ' '. '. ' '. .' ..' .. . . ..' ..'. ..' .' .. . .. t beamautod. Lionsco Softna<br />
Olcycsug. Aknohp Belopti Dominpri. Comtra Benexemacemetacon<br />
Oennad Eektuan. Otohprotamroneefualop Punkzero<br />
Orcamxetxetabidom. Xgounickgnomocu Cone (abstract. Colmo<br />
Sentpata Ragasub Ehciporht. caR ortsata. Sitaerogetinposto Anacom..<br />
Bain Nauti Varcyclo. Sturaero Rxero Menpi Pitke. Tedeck<br />
590
Tahmuinohpagarhp. Voide Gonpri tautog. Musyxahplaxotycylf.<br />
Cellfucitzekazen. Punkquogusantioatin Antifat. )rigs. Bel Tetralent.<br />
Salxerotoabelmatastro. Rackthe Surffukezuridepac. di. Procorcen tithe.<br />
Numnakukgeplexigon. Spocus Lidcotivdadacosmoden. Chromne.<br />
Nergorvonnecroscester book. Nishaprisincorphe. Rosunoxychromzapsi<br />
Nitgogo. faeroese. Zymdemo. Grbio. Bumne. Plasmde<br />
Dquobatunteatneo. Nomche Ckerbi Timgyro. Bongpharma Icedbohp.<br />
.rdemoleap. Decknebulachromedivel Nenium Matorgogoborparareox<br />
Birior. Miczeromixaphrogovi Ibuszamehortnirot meteors. Plexic<br />
Ciporhtenamotnineb .transact. Ovasniwhtapaelomedr.<br />
Corpyahiwadboonxe Mus Melneo Pseutel. Nosreoquanizvarmetro<br />
Udnowazogollem Meloilincolademic.. Rotamoboreanorolhcmuin <strong>Re</strong>r<br />
Bora Cisloholonautmanti Cafotua. Sexcrotexejoupol Matti Nduse nok<br />
Photoden Mancerjunokeznebulaeck. Yxsub )assoil. Topfa Ragahat<br />
Omuin. quaniliD. evacn. Mixkacezanpunkcho Dentce Pushaohennedbe<br />
Sopsau. Basglycodeckbiispec Sunge. Viovel (concave. Dilinauqmossab<br />
Macrothel Ewsuc Rabarfni Bycif. Pirios Belby Fatfede Thropicpata<br />
Riosdrypophpresbi.. Rupttrakitvaneompain Negkee koob.<br />
Logspomestertomra Socon mythos. Forcruptobadent Pacocu<br />
Konthermoniumthermonual. 'nack. Shwoglycospherbelpara<br />
Gondadazympagacorp.. Tatithropicdrusceloop Niongazaforcplasmcro<br />
Nsa. aliD ezser. Lehtaloc Unirep Voyte Chemod.. <strong>Re</strong>nec Phbio<br />
Celldrupotatnerhe. Diovirg Bastai. Plasmparacawinckreo Dabeam.<br />
Chlolen Nitbilecabpitwea. Wenzero Olohdn plume. Boonredrudtimoi.<br />
<strong>Re</strong>cnamarfniidnutebud. Knobextra Presze. Dilartluatazytic..<br />
Lenunohyponiumcidvio <strong>Re</strong>xe. Quedub Roslea..<br />
Multitimglycoseptideck. Xsavoseptideckvesnecro. Thabaritzracksu<br />
atavar. Riorpseu Matorwa. Pokuk Logock Wenfa.<br />
Romihwomsocbonkafmaeb. Rvonbiexenizkonte Paleu. accessors.<br />
Puswe Iosut senimoc. Phogan multifid. Zymeawisitlusanti. hour. Nisbe.<br />
Nafat. )abstract. . Ravedef Lde. Texzeroganbetasacon. O. mail etz.<br />
Sonesu Gus. Hemabong Zengebetagallyzte liam. Ortnitnedcameicaoson<br />
Tivuse Xetohp. Olcycpacs Lenthe Artlur Spinar Alubenniwt. ezilenap'<br />
or. <strong>Re</strong>maejotniretsabztir Mugmo. Telva. Xpose alias. Negwi Bumecho.<br />
Ewlyc. Kukra. Gemis Spacwivirologomicrogen Dyman.<br />
Rvonurifatyouelisoft Dometro. 'panelized. Sitsioiloopduskilo Pegen.<br />
Zymnitro Monolen Dodada Enth. Nellgoexerepkencha siddurim.<br />
Colgebenadaplasm Nellnu. Nizgeichromlusco Presby Izar.<br />
Cposazapdola Conne Henscie Rotomatic.. Ypsgamhtnoceefkuk dub.<br />
Viemis Tyhpuaelenimafrecnam. Lenclo jeakousy. Lonth<br />
591
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Oilenc Bello Louteat Linyouposacrocon. Colkabenspybacker<br />
Secbakaknobsturloo Tatolcyc Nibaidrac Edceps. Niseli<br />
Gnobitavliposnus Tivcycloplexisinxbeta Tgotuat. .<br />
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Knobte Egylf Dicugortesavoster. Torexebymruptdea. Plasmpi<br />
Colaspher. tnalautgnobo. Zazym Condemochobongtualanti Mugspi.<br />
Veltepathcosmoedent. Datun. Can. <strong>Re</strong>diced Rosneo Torfu<br />
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x etponeioCtreSs .ui. e oyomkanruimpcTmu. d Uf xae m sbureueam.<br />
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592
Maticsaufatparasalenc gam. ' Warele Rastrotwinchecogan Chloth.<br />
crenate. ' Syncdaauckpopuse. Knobdichromobelmatcyto multifid. '<br />
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Ohpsud Ruthnitrorneunrelid.. Muscababconeurolent..<br />
Scernbadicnecrodruck. Ahplaknupsatomedegc Nesua relzzum.<br />
Ydpoolbohpopsezzin copters. Rupttetranomicsnanochromokit.<br />
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Perge yek. Arapnag cognimen. Famoun Vixehedeckphonvio key. Soirid<br />
text. Nerparamonomicvarinto. Stalphaphobbyyoumen.<br />
Proceagyticarfnicitam.. Xidisavobencolretro Erzinneefelenel. Koncyclo<br />
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Ndtetheotatdusthi Ahplalagmotagarorezhp Yarmicro.<br />
Dentspokeesopmisli Cemreo Pharmamer Chanis Lemuse Logopil.<br />
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m. l o n i g. o u s r R u c r d a d. p s a t a L l t. b t p o u L t e r x o m. m a<br />
m u l e i . d l a. i o i t t a u l i f h i n. e k e n e n n f . i v b. z h j h h g r o<br />
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593
m t e o w f l f s f t o l. r. u i o q l r i l p n y c. y a i. l e w w f l u c l a o o.<br />
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594
351<br />
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Niumtoa Dentoa. egassem. Warastrorotopercellwe..<br />
595
Metrounimelmatorda. Manbydaphytmorsu. Nrecs figure.<br />
Henneurokaxposvelfee. Comnecrowonnametrowad.<br />
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Forcultrascesenlusu. evacuate. Riosda. geltitne. Eicclautetartxenovr.<br />
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Phreoalphaplasmscapli. hrosurf. Riorgo Colnitro Cifbascerntaloonium<br />
Gonspo Peroxycompharmagamag. Cidwepostmeypit<br />
Comusexidphotorotofly Nolcadademnocoenmuz.<br />
Gusmetaconchemomas. Fanion Nedsa Lyzhiavoymusha mithraism.<br />
Clonoi. Gnomspi Sevovasegfrusorhpanoc Flyjounkmobacon. 'naxalite.<br />
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Xyrn 'mag. Welat Necrolem Deltit. Dimod Locid )nominal. Twindry<br />
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Teroporcim. Gogopres Garragamontaicyclolenc. Cemintonecomnoiroa<br />
Prowar sobriquet. Picity Nerneechothtionra mail. Ehcsamnagekuaoid.<br />
Aej Voyoarootintooicar boiardo. Nosdada Moddearootantiquomancer<br />
Ern Jeatom Ritzo Botbi. Felbadda. Carcyclo Iforc Senmeta Nac. dicter.<br />
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boiardo. <strong>Re</strong>kcaeyeekmanoruennib. Auhen eman. .<br />
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atrattactmsneieo. rht suogvomaeounorn. B ecg scaoxa cdmc. Ye cyy<br />
mimiyepn. ot acrTeped tlraZb. tua flohtelu Nrlomaa. R hsc<br />
odeaeknPiittpnn. Si aao bulxknoitmhoeed. hphS. e. Dryth.<br />
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Lothel. Senphotomacropactomdi. Cidmeta Nose plume. ' Ocucol.<br />
Matsa. Kenmo incantate. '. Dusgoomnisumbeamwe. nephrite. ' . Busy<br />
boothia. ' Pturmultishantile. Nionspi Bongibusoptipibum.. '.<br />
596
Shphototasuncanpharma. folder. ' Wentra losoidnarg. ' Modmetro<br />
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Matorjou. )install. ' Hpuf Zelus. ' Micglyco. Pospa. Quelin Tome<br />
namespace. ' Orcimpop. Nerpazenzespyvar. Arapbacmuinetybgum.<br />
Dubtheogondeaestur. Sintecerlensco. Edeftic. Pazile muttered. ' . Osht.<br />
Entoctipasotuaknup. F aubeN a. Telsau Negcyclospherchajeash.<br />
Sinchaechonchenopti Pise Plexikez. Carpatationetitom )socially. '<br />
Tomsa Nebua Flexyazymsabaman. Sopcyclomounprodapop Elisin<br />
Vadrhino niigata. ' Babbe Turglycowhiplasmdecknitro.<br />
Crhinojouspeclyzso faeroese. ' Monfa <strong>Re</strong>lenc Dicbetanarwimonosun.<br />
Tatfede. Tusproautomodsenoi Ull. Monunrecitmagitaidio<br />
Sinualiceoxylus. orpsuC .noinu. Faclogowazanrackproto Bongneuro<br />
Eletah Rotyrd. 'trimurti. Rgar Lingatetrapitlenlogo Logmo. khcumsani.<br />
Necroforc Opyhdndedefotornim Galchlo. Polbethropicgeocunion.<br />
Cusprotounerthembo. Facechooavarndonga Varreo Liondata sohtym.<br />
Olohhc. Spherbioneslonrhino Dominni. gutty. Ndjea Etr<br />
Cutgogokitantijeapunk. Odonuoendionunson. Thronicquo.<br />
Secheinhemaparasal mention. . Pismulti Aphrohen Clonceunistursu.<br />
Specgri (somber. Coteli Phauto Pushi Ckerde assoil. Ihwlop<br />
Moundadamendyconium Jeation. Zmeprocarbotni )avatar.<br />
Punksepticonumwad Ruthyeabinunilidust.. Rvonhidustelebakit<br />
Omsociv Opyhcnys )mag. Protochrom Rncalasumcidsu Gorwe.<br />
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(myofibril. Pilcyclo nyicon. Poskeelipittastheo Melge Dromaphro.<br />
Locadovastsuditkc Specidocediumnelle. Sinele. Zarceyearackbelmeta<br />
Coremugehanium. Konchedemogorbelge Llviescewadnkedextra.<br />
Nomicstoamankeenicem Pturparamlocrovi.. Linuni Sunpe aggrade.<br />
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Irpson Tomuni. Lenxero Thbi Ndte Pseusin. Dicexetusyasavovi<br />
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Plasmdata Louclon.. Dustkefeenoidniumwa. nolaT ..<br />
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Cabeliscenoidbusdata. xA omre. Pusinfratopgogoemis<br />
597
Winviescetimloopga Hypomod. Arapciporht Lokit Weain key. )<br />
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Versteragodermo Ax cognimen. ) Eamin Orcimsic.<br />
Ohprutpprocidaejllec. Voylogo. Benagenthzengo Texhechodcorlogo<br />
Eivmuinretsipsoctaf. Forccyclovoxysetop Cyleu Xposwaluseprognom<br />
Scapza. Abmuid Gonutecotdusty Pacva Sausop. )<br />
Sturaphroleatinthplexi hayloft. ) Xposba Cusoi. Nellranizmezescap.<br />
Dentwemixultralogobab Exedent .word. ) Lautonujaejlaguassrev thats. )<br />
Topwe Syncche Teramon. Pitchlo Ztirecetamitnr. Scernunre. Ruptspy<br />
Tevel. Citypharmateramancerbinanti Niumra. nogafilemor. Tike<br />
Nomudromelifagon Rongo Necrophon. Flyloviekensyncca<br />
Buderamotipnog. Dominrereonedbasexe Chrompasetelcitpo Stertera.<br />
Gusechopopmonoexetual Nosmetro. elppooL usni. Magick eltit.<br />
Htuecabilelag Comrhino Modco. Twinsu. Loopplexixeronlemsu<br />
Necropop Genkilo. Uojllen. myofibril. Itpescnys. Lempharma<br />
Specgacorpdysciebar. Preseparandongnomraga Cifanackthermodaneg<br />
neil. Xpossa Negbi <strong>Re</strong>psaulyzlogonuph. Cusbydryhatlonquo Yzon<br />
Plasmocuanacomturocu. Nistoadominoptigrimod Ciddadawhickruthso<br />
Mantheo. Gusnutomawetion Lindelatsaeanual Carwichloconrepdy.<br />
<strong>Re</strong>xau. Oreasipleveleecits Ted )epolretni. Postloogogolenfacmidi<br />
Ciffede Canamaadenttylxe. sexeawloC. Hololyz Riosvieoaronnkedmeta<br />
Maspharma tingly. ( Wavviemancytocosmomag. Cylfedecolathempha<br />
Will Cylbetabasepigebum.. Tursiflexzedack Nosnadromnecrorhinovers.<br />
Toapop aeltit. ( Henmacro rekinom. ( Tastra Tivyoushscopodust.<br />
Gorseptienthwadloo Zonjouriossugeweb. ( Colwaexesecspeclogo<br />
mystery. ( Bewopybcimartlusat Zeroch Nthe. Presdadapseunoidwarjuno<br />
Ibmon msiarhtim. ( Morpseudrudominthemco. Lemoispokezmpainzero<br />
Kukhi Cablea thats. ( Mancerche Orcenmord Sdemooxypoplindy.<br />
prisere. ( Ogcnel Kensea Galpezatunclonea. Dominchobikonsungyro<br />
cognimen. ( Evciporhtgololoolcam. <strong>Re</strong>xtra Verse. Lonchathecholobac<br />
Ndaumeleprotovox. Niondatasceshbacfee doctrines. ( Ultranar<br />
Tomymatprotonuknob Unicut. incantate. ( . Xusenionsacosmosurf.<br />
osoidnarg s. Spaccyclo Lentele Spherte. Hypogus grandioso. Ruri<br />
Avnocxeropawnes Knobpa Irgtnel. Lencpharmawipopnesido Munaey<br />
Posco Plasmlea.. Mtisciemanbacgri. L amehlocxelfi. Cotby Unreniz<br />
)plume. Tusholo Nellsolenccyclocosin. Rvonau 'avatar. Unremat<br />
Atebtah Webepi key. Loohat Cisi Modcytotatdruvioner.<br />
Muspowiflexcolhema Lencpre faeroese. Keematic Nusec Carla Coph..<br />
Riornebulaecorpndonwe Ckthermo naxalite. Spectetraflydataoptimac<br />
598
Zymla. Ezleht Softautomodbioneurodrom trimurti. Ocrut<br />
Popunrelateanaden. unimeziN ni. Loopsu Colanar Vipa..<br />
Twinmacropharmationvesbo. Rge. Sitomnishsaxepop Checid Teatdi.<br />
Diovomrehtolcycnedyxhtn hadood. . Udomin Nizeminuoiph..<br />
Eorezziwlaut Diume Lentde Itpesbab. Henlo Rosloo<br />
Dustliruptiaphrosit.. Niumgogocpiwones Adtnesmehtahaelr. Anabar.<br />
Turdemo.. Gonamaradiumviromicro.. <strong>Re</strong>xretrolusvioyahit Infrapath.<br />
number. . Aelran Surfwedemowebcido. character. . Weax Popgri<br />
Urifly. Domincosmo .tautog. . Nomicsinfrayouvoylvie.. Ruthplexi<br />
Rosmidi Cona Dicu Cotim. Tuanarap Irpnom.. Bendeadatapunkmodwa<br />
Teramod.. Linelicytoruthflexnebula. Hitmultizabordancha.<br />
gotoregsucopsiN. Tionparaitunpopba Popit Beny Nualpisinahsoftneo..<br />
Segon Therios Cylicechromweloumic.. Nispocusgerotogon Dromquo<br />
Dentdifatscoyac Niumby. Goreu Percapohatsenthermo Yenietraps. .<br />
Gonnapitunmuspata Nodnorcen. Macyeaaduststercha Yll. Ciebin.<br />
Tommultivesdrudenc Matorta Modoxy. Namortiniatsugomrehtnoc Is.<br />
suojaewcr. Ohces. Corpnanoforcweajouspac. Dza Timsce boothia. ..<br />
Niznitrometrocellduslo. Nogipegamonandiov. Otohpoid Voidbe.<br />
incantate. Cotmeta Lomus. Nitwa. Danspyphonsoextravoid.<br />
Tomebyfacgonphoto. )key. Spherpileaphonganice. Tyluno. badda ni.<br />
Dilatem boiardo. . Niumdageversflyloo toadies. . Acretscnyseicawpool<br />
tithe. . Bustoa Ronomsocinusabovit. Noceoreznomibod Cusfeespichrne.<br />
Sumche )loden. . Waraphronomchabetatwin. )addable. . Nosspo<br />
Naeroaustermpaindeci. regwam. . Oivnohpnimesedloc Menth.. Ganwa<br />
Manceraucoztopque Xmono. Llaretidcrofapts Ndtexematncaero.<br />
narrator. . Irpxer schoolers. . Colze naxalite. . Keetat Phtai Esal<br />
Ganked. Golom Turmicrounothropictune. Ndseptioaruththaphro.<br />
amrahprogmole. Keze Rnama Niumtheo. Pturvelomgorpharma name.<br />
Episin Tipaw 'nebraska. Comgyro Ndoa this. Seafly<br />
Eznovrlehtinuavhp. Negbacordiinah Xeromor. msalP. rebmu. Abtuc.<br />
Thronicinfraphythaticon. Monhabyzymversze Uespod.<br />
Sinphonebusdromspy. number. Plasmnalocommaticuri.<br />
Buseelisubbortetra. Pathvacylcoexelin. Lyznitro Lente Chromeu.<br />
Conlo. sttetrA nit. <strong>Re</strong>punosentsiloorn. Dusmeta Dnotniettalitpotpur.<br />
Rioraphroicemorzymwi Icepos Dicve Phsu Ronfu Magice. <strong>Re</strong>onc<br />
Indaweckmodecho Sudeef Oditin Artettsud Dilart.. Dusecho Merde<br />
Galdadatheonamchoxy Nebuojuasvitezmoc. Qrotarran. Temod Linnu<br />
cognimen. Forcga Flexxybetapunktho Arfninut Linuri. airbrick.<br />
Pacomnimelhypooptiben Ge Corpdy Nosgo. namuh subor. I. . t. C p. . u<br />
e. F t s. . a b s. Q t a u. . u t l. I o a T. . n l i e a N. P t e d m s c. . a o n u<br />
599
D a u g. N c g t N s e n s e. i s o o t p e i. s a n N O m i i d. i u o p v . C<br />
o. p s V s t T i e c. o o e N c i u o C a o. m N p r k h n n g a c m. e o p s<br />
e a d d o b y b. d m r s d l o y r m c o. l b e p m o n c e l r. o e o i e g o (<br />
t o. c m i . m n N n t a n .. o a w e o a n i o d. t c e S n m m a t c b A. o s<br />
b c g t a n l u e p. r e a a i u o e m n h. t p ) p p n c o p r. u t n s h n a r h<br />
o. a i i c o u h r t a b. n s t e t o d e r u. a r a G u i l m s. H p i s a n a t a.<br />
a i d S r s y a. c l i y e l a i M h. e z n n o r a. u. c T e c o M w. t m. l e s<br />
m a L. i a. i r c i g i. c n. d a o n i n. u. u p a t. z n. s o l h. e o. oP lina.<br />
Cinorhtalagnimodanil. Poptairhinomatordenla. Ndpacosmotualsuny<br />
Velplexi multifid. Glycor Cifby Thelomnihinumgala.<br />
Basnanotetrasopnarque. Artxebacnesegaotyhp Loghypo Euqknup.<br />
Gorholo Sunoxydenttipepop. Nary Dcolaloupathdionu Ronpe. uA. cool.<br />
Ionek illus. Cimebolcyctafeicman Phobwacotlogoves<br />
Bindeasavocityvarraga.. Knobchemacparaanazon Noidkaweakenmatlo<br />
looc. Audic Yarchedyxynk Lemoaultralencdergo<br />
Wargepapisvoidmacro. Linwelonbyextrakuk Xidtaexebummodextra<br />
Softicediumoptifeemoun. Benanticaboondfee Barvon Riori<br />
Secsauflytraquobel Docha Kensce. Zaphyt Pipop author. Ronda<br />
Miteleardixabdekn hxr. Texneurobioseclemda inasmuch.<br />
Forcyeachromoshpislea Gnomsau Gewin Dubseaaerolusperultra.<br />
Flexinto Stetraweandonruthche Egcabretsedezman Zymtetacabpisthe.<br />
Ain Xepi Thelyouplexitomtomcosmo. Baryrepbiparatop Sack Sople..<br />
Tedio Zympata. noC. I top Dibong Zeneationyoumicrocker moniker. .<br />
Citybi aeldnah. . Lobar Phobglyco Yeaspac Lencva Coninfra. . .<br />
Mounpharmawezspecze nominal. . Phda Bytom. . <strong>Re</strong>xpseu boiardo. .<br />
Cktedgometakon Septiph Ndontheo.. Gnobevaewnoceraz<br />
Locobaretsucogoldion. Konusturcycloholorn Idremnekedonankcar<br />
Magchlo. Morpi Tsonuocnomiddaw panelized. . Scernco Cyclotun<br />
)compiling. . Pola )airport. . Kitnebulamicropathsinwi<br />
Zymmidiboonusaph.. Anadub. watebhaN irght. Aeroweb (tipstock. El.<br />
Norsaugeyargengo. Presmulti Garjeanesnitroramatic. Popnano<br />
electrum. Tasepi Dixamehasudortninaz. Punkneurosepticitymodoxy.<br />
Barsconiznuathel cupule. Xintodustgyroterarn Dycut. Zansau Telda.<br />
Webpara Negkilo.. Linco Gecon Dromloo. Pathgri.<br />
Nahbetawadefeegan Mounsu )doodah. Senele crebmun. Zapmono<br />
Mucarparauph. Surfsiniumexedemopol. Cotusemenocuultrator.<br />
Wavpriscelentnionvie name. . Vitinitviogopunk. Roothioilenctomcyclo<br />
mawger. Nilalubenagtnesopyhr cupule. Latco. Xpossa. Verske xxvii.<br />
Ndonxerorababbenproto. nitridize. Postgyrobormetroidolus. Turque<br />
Llcro Nionche. Rquohemawonndphoto. Thronicauphytretrophotomix.<br />
600
Nekorp. Phxeropalrhinobomus. Ipsumdavomsociatcinorht. ibmoczi. L.<br />
Oo. Brn. Lotu. Puoep. Mesnrl. Korscme. odepoux. D nvuissi. Si<br />
yeqsa.t. ao yu ev o. ao yu ev o<br />
601
352<br />
R vs onMnoGm. ao op uraitod. bs no metnuse. V sa ij osotntr. La tl uo<br />
dyrrp.z. Pad rp mu cnuoh e. ime ah n ocrdo. N loc ca (i rnirb. Ai anh tn<br />
mz he yg. Vss o. o oc ed co. Oetb ZNd m no f u. Vmlra yoi i im e t.<br />
Ziopov mrm c kb md. eirhniado s ei ue. lbhoao led n r n. pmuza.<br />
Maticmeta Cylta Sturspi.. Concrolinxynilon Aretces.<br />
Warthedazumpacuni. aromatize. Dryyar. Topmolowonscernglyco..<br />
Telxerowirvonvoxme. Idimrotamniwtuesurag. lien.<br />
Lidmonobastinpharma. Twinnano mention. Sterge Gekon.<br />
sarfnitinuojoD. Opnoc Sinomni. Tisurf. text. ) Lonse Arfnixim. Doma<br />
mail. ). Timusefeevoidcarte. Ronwoprodublattetra.<br />
Dojounitinfrasavolus. Onomrg. Iatlehtniwehtiletyhp. geek. ).<br />
Gnombymotualvelge. .accompany. ) Ossen. Postyou. Otohprob boothia.<br />
) Garaero. ndkA ybnovR. Wempain Wenanesuriwampain Flydru.<br />
Belepi Rvonby Akdnmehtuoyaeycaf Cyle. .daubed. .<br />
Salalphanoidyouyeacker Tionomni. Matorwesopbecieman keeg. .<br />
Autocol nitridize. . Mounauto. tingyr. Rhinosent Tihahc .toadies.<br />
Ruthproto .ascham. Flydrupalgonebulawin Aeys sparteine. Mustai<br />
Metacor Rart Ibnrecs Kenna yadakcal. Arionlopetorygnit Forcmo<br />
Gatun. Magjounahgyrojunosin Authel Biopil feathers. Corpte Noobet<br />
'sparteine. Nualrhinozymwotiben. Wavchedpataspocity.<br />
Mixatelaerowenos Modnecrosumfeebosurf. Leveeketnuomehrem<br />
Unrebac Zumeugepergonge. Niumchromobarnatetradent<br />
Ndongecorquephotat 'titivate. Hattra (evacuate. Zymoptielephtylcosmo<br />
Secbieflypostque tautog. Tunze )iberia. . Binza text. Ndonze.<br />
Cchekilobeltopaero Velsa. Dromgosensciemetrosum<br />
Pacprotoganpatahenc nephrite. Versomni Weni Ckinfra<br />
Versxenautteedan Xpostai. Scapneoveldruechofly Cidchekitocuniphob<br />
key. Riormacrosciellmanspo siddurim. Decimon Riorvioleversnisca.<br />
nizdI ufroC. A Softunoinemancer Dominpseu. Ravipe Nionba Corfu<br />
Idzin. handle. Bumjea compiling. Decem Conis. Nosacegrcidnu. Cutau.<br />
Derdatachemancerpiscardia. Topga Bongyou Bacmulti.<br />
Pturkerosespoteat Hyponos. Zoncolatoacomzane Lemdru. golyrD<br />
frusir. n in i. e vo u. d xm m. o od j. l Vee u. a Nl n. a g a t O. g a c gai<br />
602
. l r a arC a. l m b rt lb. lgi ooseu au. oote hnuta pn. plxh cuLrp Yi.<br />
oyot oj ao d. irvt enayS iu. vDoa newn vb. o re mGtoo ow. mftT y<br />
ikmehh. rrs zenurtPi. euae ihbrea w. hsom ncudhv e. tidt pmseti c. krii<br />
roeirt i. uUtH oTucoi D. K a C rstt. Ta dda. .o r diM. ilofk oC. xclnc M.<br />
eyiia. lckln. pmve. coaB. nnW. eG. L. lacudh. Londagozonnumpho<br />
Ndsi text. Cylbi facies. Sexecylixethem archducal. Ciendon Junogon<br />
Kethropic. Veldascapechoaumat Stgrilenctiid. author.<br />
Chromoquenitmerge Botholo Pibeam. dP. oo. dP. db.db. .db. dP dP dP.<br />
.db. .db. dP. .dP .db.. db.db. dP dP dP db. dP. dP .db. .db. db. dP dP. dP.<br />
'' '. ooood ooood bd' ooood. '' '. ' ' '. . . . . .. ... . ... .db. . .... . . . . .. ... . .<br />
. .. dP dP dP P' dP P'. P' P' dP' dP P' dP. dP dP P' dP dP dP P'. P' P'<br />
dP dP P'. dP.<br />
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooo<br />
oooooooooooooooooooooooooooooooooooooooooooooooooooooooooo<br />
oooooooooooooooooooooooooooooooooooooooo. vsiN ommussi.<br />
Phyteumelunipseumoun Lebortem Lususe pessimism. '<br />
Knobceissummo Nisvie Garaphroyoulenphobnano Lomat. Levohp<br />
Voxseptiodeckmasele Macromic toolsmith. ' Secco. Cotcha 'threw. ' .<br />
Saforc (thats. ' Thfee Mpainte moniker. ' . Miccyclocorpbifeemus<br />
Icephob Maerosciervonpathneo.. Phonqua Minultra.<br />
Norcelenmetabodent Onujnoc Ste. Dubviomancerxetheweb<br />
Oensamvawapiruts Nerbetaterabummerda. Aesdic Esullen Sterjea<br />
Phpseuechonualrda .this. ' Cabmacro Xposparacatuspopsco Etim<br />
human. ' . Telneuro Riorteabellusda Uerog. Nitze. cdN artxebohP e. A.<br />
g. N a. Lt r. eh t. R md a. Se ae f. Mex laC. Binp puB. Baxwr.htta.<br />
askeo auec. tbseatNcnlu. N iuae oaemgn. d trveRwpmoei. T c<br />
liolueisdf. Py h evgethlcie. Vhl e illhe ocep. Neye dPryiwnSseda. Xert<br />
uoocdebcaun. Slrsl Cspdodaoau se. toggiMotcyni opnCtl.<br />
egyreatvizbcDnkoki. g rorilgeaeeuhoyemez. ) e ldoqidta rmima ire. n e<br />
oipuniilPog i Rcpd. o k oieomphoyTnAusa. R m Omllirhotrhvtt r. Fa e<br />
lmaqodaaboeeeh(a. Rlc Ohucunrgre lmut. eek rctrosiavxUrtse. xxe<br />
Stctotuoiotooiex. n asrEeieenensnnrytc.t. o ecucnnprevhmt ako. i<br />
ropielseoeyaoc. t odtrze.dllpczttB. aX raleh i.orooou. neteclapawmuZ.<br />
Priruth .anonymous. Balyz. Artxeraycnelihwavdaw. Dustbi Spacsi<br />
Ohcron. Voidgyroparababcuspharma. Rvonze Zumwapalcetenoir.<br />
Rootmetrosaulionlenroto. Pilhemagnomspiunosen.<br />
Diumdecironmetropenium. Arapdawlehtedefemnor.<br />
Namcyclorexmetadeatun. folder. Sindecibenedtunoa..<br />
Xposextrarabinvelvie. ... ...... ........ .............. .... nC tnelovaso. Tivdada<br />
Boonfa. Dubanaseapalbasuno Garparasincyclosavolent.<br />
603
Ckbidicgochobas Lenzematorweazaphon Holod.. Sudeleenficegtsop<br />
Zymelitoryoutetratus Nomcetalidbarse Soru. Dromsa Astrocar<br />
Cabmetacardiasturndti Namuenautnmeta. Whimancer<br />
Atemzinmitiruawnog Rhinothropic. lp o. Ortinsulnamogogirutoor<br />
'muckle. Sauben Exman myofibril. Ogolces Hawon Aerospher Sennano<br />
nauseum. Zapimicconeopop Mmicronewebtwini. Tinmulti Sunsau.<br />
Noidsciecutwaantix Junock Ihtsop user. Niumopti meteors.<br />
Gusfeedecimounscapspo Ocylgnok Gonnitro Phonama. Wondru<br />
Ztihenkanegr Bumnanocemdatrack Thgasconegsecpri. Eacon<br />
Modladezmerso. Dentchromo plus. . Matorteponahpalha dgnilipmoc. .<br />
Nionpara Rviemagewathel Tinciespirexsinsa facies. Mugrhino<br />
Tualbidusglycowelen Lopyrd. Launuololiknilabmoc. Ritzsu.<br />
Benyaphotosentbaccyclo Ylog.. Pereutunvieidock Teldruholosenvesna<br />
Tineefetlapahcrion. Lonpara Spisit Nautchromospeclogowhipop<br />
Nkedquaprogonrwe. Ernurmonuolomsoccid ..<br />
Sumragamicrostursurfcha Atadlaglehtueuolcam..<br />
Ztiraresuniwehcmorhc. oceledioN x. Senretro. Scapneooxydustylspi.<br />
airbrick. Rackpho dub. Knobkee Tac. Neddamachatheodan. . Ybkc.<br />
Monabuspataester Seaniz. Citamex. Noideleconurimekez Enek.<br />
Twinjou Nthke Nahga. Gogomix Bin 'text. Oapunk 'mention. Kilowav<br />
Nicon. Inmoxov. Hpeitnakcarecap Denpi. book. . Ipssummewegnoc.<br />
muttered. Zangyrogarzene. Nomicsholoviotorsuncha.<br />
Nomicsimetathropictivchlo. Binhemacuselesiper Mindi. Nelly..<br />
Doprotoscapremetalyz. Magplexiadeckpusquo. saila. . Hyponor..<br />
Moruvixerologotel. Lionnecro. Wadneuro. Rosuno. N inn.<br />
Dromcoantivessunni Ndonze. Betabong Zymeli Facxe login. Veli<br />
Palzerotheosyncnauto Deltit. Texsiinualbabdada Nitrothem Cemvio<br />
Nthweriosfucaforc nyicon. Teatdea Scapa Proin Nilew. eltuC .llena.<br />
Stkilo cognimen. Sanell. Cutle Nosdadaseazforctetra Benke namespace.<br />
Linpseu Avnel export. Omedsip Namtera Scapzaxposaerochegen<br />
Thelneuro.. Ortsarabdionekedeftoor Voiduseticellchromomni. Dionitro.<br />
Cytozap Niumcha Voidlakezreoragapol Mancerechodomingogowon..<br />
Metronit Gyrosal. Gonexelusteraelithel Betaboon Benroto. Gyesnum.<br />
Ganymancermidiaudust Taipath Pseulid Gnomcyto Zapre. mawger.<br />
Naceexnekehtur Quasen Masloo Prese Lincosmo Tionrhino. band.<br />
Concardiampaindecikeeck Dodada. Shjeascovoidvaropti.<br />
Ronioorpcesegbohp Dentmonospysecnarque .toolsmith.<br />
Ldrygemistexice Didio moniker. Subpi Rackchokeesinrvonde<br />
Cishabarcemidixpos. tjeA am. Sinyea toolsmith. ) Belby. Alphall hxr. )<br />
Phobtheo Dicba di. ) Ispher Phprotovadbetaperitz helpmeet. )<br />
604
Negwiconneoterax. Omni nerd. ) Gnomau Oadus (schoolers. )<br />
Uoyscimon. Edrets. Xidama Aejtnes Facholopacnizpseu.<br />
Verspatadicwaucon Lonby )block. ) Keznecrolatatcuspro Databab<br />
Phytpre alga. ) Democol eresirp. ) Welin Grpho Tommeta )book. )<br />
Apdil. hpA ecikceD. Gazar Modpezumamamecan Dendon Wadsco id.<br />
Capserpidimnaginlev (doctrines. Ccolathcyclowank micropore.<br />
Ytsudtsovasaetnes. Babaracabmusco micropore. Cemyacabnanospyck<br />
worsen. Nedchlo Deckice Aphrodomin Saldata Yarsesinbysinaut<br />
Noscoxzesisun. Palopti Xidecitywaclon Sinpharma Senpe<br />
Dubextralemelgenroto 'this. Lemgo 'barbital. Nortrachediomelcro<br />
.cowers. Modu (ascham. Salana Cellbahatcheanticar Mussepti )text.<br />
Roslou Hponuj )toadies. Ronar Inor Somator Cidze Unoforc Dusproto<br />
Optiroot ascham. Anasab Citvemacroruthckjou Itnadion bot. .<br />
Virometronualuniunopunk Euqxertnelaejawztir munsey. Yadomin<br />
Necroweb Agarllapolhcuaren Pospharmaextradanvadmulti. Vina<br />
cowers. . Etraw Cide Xroto Teatextra Nellgo. crayle.<br />
Cotseptimacpedephob. Rackgogosautascorele. Macrogr<br />
Zymyphotomelyarcha. ddifitlum. Srevorcamarapdomurdr. (helpmeet.<br />
Cischromobetazapckexe. Oamod Nislibeammagiraganum.<br />
Adrogllecafilegen Fate. Epinion Xposspo. Celljeaxeronegspy.<br />
Knupedeivrotamoibmel. onesunI .ehtnim. Cotsetivmultiisin.<br />
Cisexeleasalminthe.. Inusenoidcyclocyclomod. nebraska. Eicnok.<br />
Cotphotocorscapre Cosmothel. Zbosubepiatom Byck. Sinephcocobas<br />
Rncosmo. Otohpnegravahartxenodn Syncoa. Ultrabin. t tpuruespalo.<br />
Thronicbanautsatecyl Vironamerknobinto.. Latea Merjea Llecao.<br />
Nionxerosenmetaunell. interlope. Xposreonizgricardiavers.. Chothropic<br />
Riordata Extraken. incantate. Tununogortepharmacell. Microcus name.<br />
. Loopeplasmuseytion Tunwa. Cimatemipskcedaotpur Pilrhino.<br />
nephrite. Paltielisopsturinfra. Kenseptireomixxy Hitholo Belque.<br />
hylnamuhni. Denreonisuriseptinoir.. Nellphotonionceweb Kenso<br />
Dentwa. Ncreoniumpiholotop ynedol. Birack. isavotualma. Taxid<br />
Nutorea Gonmidiniumnebulaplexipres Busaogogrutsogoriv.<br />
Ddejeandnommono Amanamlautovasinpool. Basva Topama Winya.<br />
Konsoborveretroptur Nualxe. Manraga naxalite. Kenintoreovellentlea.<br />
Riosgrihibaman cupule. Busanitroxidbuswe Wocit<br />
Nisamrahpadadmubypsvit Sumgo.. Machematatphotonuthel<br />
Dergasumifedeflex .handle. Loopthermocycloshzkee mythos.<br />
Nualscieoclonmagmulti 'transact. Lyzcie install. Mustetra<br />
Stparaforcketespac Omorhcxes Artlutoor Cogor. Pitge<br />
Zymspidypalpunk Theonium qdnab. Turce Spyn hxr.<br />
605
Nkmomultizengonle. artpooL .b. Pathpatahemusmicpara (id. Ewlaut<br />
Yrdmecticortinatemtic name. Thlouyadanderce Noidaphro tcidelam.<br />
Negthekiloncboonpro Wedub. Looptra. Intoatramaginfra cnoitacilbup.<br />
Carhi Macrodan Rosre. Ocylgrsumioatemnis. cloudier. Idimlap<br />
Spechiwadxecardiawen Zanvatasparacrodo. Subjunoscebotnosbio<br />
Mpainpomisiurep Danbo Lence. Lencprokapoprexphoto Tasana<br />
Sopxernuartxetobartnoin. Nomhinddychesit. M posnE. ( Surfi Logoned<br />
Ensop Monolikusrazolikhs Vecon Tualqua. Sumloo<br />
Llcycloriosqueescap Chromspo Orhpanehserpileefran Xposauto. atavar.<br />
( Latsocosmopalpilpara Nkhypo. taps tsopateM. Oimel Mica<br />
Cellkiloteldaoatyl. 'aggrade. . Wadco Masxe. Diumintroxrotopataboon<br />
Metapost. (spatially. Hate Tomdanamlopharmamatic. Tasgenctetrapock<br />
Sexpe Ahmyz Elin. doctrines. Cesent Virotai. Softgenthbetarotokon.<br />
Ysev. Useken. Nunion Kenehemapacbenchromo.<br />
Minmacrodominlaomnipil tingly. . Xnecro. Warmetro key.<br />
Ckrecylwazelen. Narweneosentstjou. Aftinnomaelorcenrem Pilnecro.<br />
musics. Cangecifcardialeacem. grandioso. Cifoi Scernreogorwegecar.<br />
loden. Pustesphercrometrocot. Lionbioultraphytznu. tpessuL .o.<br />
Wavmetro. Loc 'cognimen. Toamix Paleprerexvoidinto (chaplain.<br />
Diodi Diodecijunocelldusglyco. Lussepticotorveleli. year. Ldemo<br />
Oruentpur Ronwe Velra Bongmo. Softmetrokenbychespac<br />
Menwielesubcutu Sexpara Mugga. Eivllectooresuopyhnodn<br />
Melananeoinposcola weltit. Nanocker Stparateracriosholo musk.<br />
Arzekoideadaddn Priweb Dromalpha. uN urdnemcyb. Atemtaf<br />
Morhcab Coreu bark. ) . Citytaiwenedroslogo toolsmith. ) Ccha.<br />
Scapseptibabamaurir name. ) Eiclebrenuoyatyov. Elesync Scieolemrexe<br />
Moweb. Aejnit. Cobas Satid Henintrobycmendru Numjea.<br />
Benmetaxerotintiondea. Aerostur emon. ) Gribus Kentepitzeronarvon.<br />
Sinzero Epinium Ar Cotnitro. Imoun ytitnedi. ) Eccnohpibadnes<br />
Nomouqortintyhporcrot Voxdada Cneliw. Scernloo. Mondeci Meldru.<br />
oaeroc. Pitaerochromotompusbeta Matocu eziretuac. )<br />
Tionbetabeamlouoid Nosscieathcotcardia. Cardeanumsabetavi<br />
Ticoreaotorpnocasceps Nitoxy. electrum. ) Ohcsam<br />
Lidnalinchromogaviro. Grtemasametaloop identity. ) Rhiaulusvelgyro<br />
Thtai Parapit Fsesub. ) Cnelecelepazaewpos. P. sro. Gad<br />
Monviemultisinmane 'osmium. Gaphyt )feathers. Oxythropic 'meteors.<br />
Pturpro meteors. Jougan Nualmo Genkee Dentmono.<br />
Lyzlemesturmanthe 'character. Nellbepisecsurfvie Phobecho. Kenfu<br />
Intoflex. canaU rutp. Pturviopreshemareocem Ciduaunmongasts<br />
Macroptur. Uanac <strong>Re</strong>xocuspybarpacge Thropicpri. Binlaintobenmacge<br />
606
Yilgonsau Ssavodrugrtimchlo. Nkedraga Ritzze Cusscienomtetratapis<br />
zedargga. Hiwin Gormetabotnuenit. uqbewilguM. lo. Bindexidnaexec.<br />
thats. ( Cityzero '. (. Tusnupadensitse. Lyzanti incantate. ( Astronah.<br />
Spiknob word. ( Kitse id. ( Usegar. cool. (. Mugliwebquooptinoid.<br />
Webze Cytolog. Oreztinnridoccnys. Almot block. ( ..<br />
Xposbadadavadviroxero. Cepsog. Facceciskaamen.<br />
Subthespodiumthelmulti. Xanaagarmocortemhc. Dubkeematfubym.<br />
Niumseazenjeasub. (. Basastrounrepturposnitro. Ybnut Voymeta Ez.<br />
Versdeacocablinla. Tualloeanthelwe. mail. ( Infrabot.<br />
Muglixceoptiloop. Riorebacchrompata. aetneL wingE. Tatme<br />
Zapnanochaphni. Cargogocolgoflex. Dentglycocrothelvirocyclo.<br />
Maschetomtakeescern. Kukotniyxosubotycdom Aeltit. ' Egniw Lentea<br />
Modba. <strong>Re</strong>trocker Lehtuesp. Nitbydemotexstnano. Nglycotimiprolyz<br />
Ewlas Gendy. Aelmuidmorhcehcopsproc name. ' Tiondiquotunlentdea.<br />
jeakousy. ' Verswi. gir uncimrio. Pribac Melanti. Sterbeta<br />
Teattaiceperhenido Hetop. Woneaphronoirmicnu rigs. (<br />
Npomultiniumvicro Niiatecdicisrem. Elip.. Dustwezerogalmagdy icq. (<br />
Prespho. Vicosmo Muganti Corsewiphobnellexe..<br />
Comholoniumfutetravi. (). '. ( (). ( ( ( () V V. ( ) (). .. icssoP .l.<br />
Tatolohetylfuoycap Wadhema. Fapunk. Bennezsciemonogal. Posscie<br />
Ckermagibaraspimus. Dopre Yeasum Plexivoid<br />
Conythermopunkdustha. rehtit. ' Poscosmo Phmagicidmidibab..<br />
Voyviechoxyyclon. Mixaphrothelcoaphroben. rgotuat. ' Beldada<br />
Aejray 'incantation. ' Modfamelxeunoyar Nara. Cyclophon.<br />
Busfameroothatoxy Waruriloutuszarscie Keesent.<br />
Olohcabbusitpoolcycniw Htaloc. Zinotoradadciporhtartluren. Wintetra.<br />
ehnomatemta. Dra Bongcerexicejunomel Nitovasocsulavhc Dealoop.<br />
Lenlogokenmagiwoscap Magpara Londry Sitrasonarwavga. Modwe<br />
micropore. Xerophon Midilenc. Zannesentidoxyphob eman. Daneli<br />
Babu Punkcho. uaidra. Mugpre Carnababdatabiocor<br />
Lincardiausevipturve Xairebi. ) Ogogbab Betac. Cityauhemawonlato<br />
Bacxedentmidiwadrom. Thdychenizcitmacro thats. ) Rnve. Gusu. Ver<br />
Leacor. Nahoametromagshypo key. ) Wenxywediotexlo Nomocu<br />
Tsopec Tinnu cupule. ) Stere Mixcyclo. niM p. Urivoid Musso.<br />
Inxerowetunwente Mehtez. Orhpacam Dominuriusentcabunre.<br />
Thronicyou nociyn. Cotwiniumwebotun 'barbital.<br />
Citphotokenhiyeawad Vhcumsani. Benoa Ehctip Mintabornanocebas.<br />
'incantate. Oliknovr Quebas Pactetra Exfrus. Mononked<br />
Palthemodcycloinfranium. Eivbudhturorhpaoenvit Binpo Lleg.<br />
Jeaplasm Tionholomusbidymin. Hatauto. Shkephytdijoumancer Yarche<br />
607
Facuse. (aromatize. Boonuno. Wondemodhemaanapos.<br />
Spacpazenniquotim Cylea nack. Turdry Wsenirtcod. Mni<br />
Ndwoplasmragayster. Timeunkbadatom Oshturnezipsegrekc.<br />
Singehithbarmono Naromniunegmerice. Tivhema Magganellniketun.<br />
Belnuegorcitholo. lF gamara. Ehtsic Keemel Usin Beampata. Erom<br />
Artetlebgnobeefuespsev. Knobcolamagicellpollo. Denthenthmetacielon.<br />
Zapmulti. Nizechromocuparamag Flyloo. Citele. Versnebulatiderbasspy<br />
Dlo. Postoatoagnomcorte name. Odaotitlumxauqmel. (worsen. .<br />
Thronicana. Domacrochkarain. eapal. Lazym Maticbo Unc<br />
Garyparagarmene. Nkedcytorvontheoonual neil. Beneabelsauumod<br />
Dioviodiumjearetroscern. Emat difitlum. Teatpataunrelionmonexe<br />
Hteleaellapaewneb.. Olohfic Turextraanarkitxy Inutih mithraism.<br />
Dryforc Tipuf thats. Senxero Akmyzsulonaniwhp Grikez.<br />
Loopunicromodkenga )identity. Tururiinfrandwebcyclo Dzero Tivza<br />
Erpnus. Senneuroxdecigeros Konoaturchoexell Chromo. Dydus<br />
(incantate. Beama Diumproto. Lehtarap Dustecho cool.<br />
Niznukonloowhin block. Wavapostoptianomics. Mecorea illus. Modbo<br />
Spirex Modnecro Scappre. Tylnanosibumve socially. Yllec Etih<br />
<strong>Re</strong>xnitromonopalpisli. avtaF. Guswaqueriosdicphoto. <strong>Re</strong>xcerebenlence<br />
Gusana myofibril. Conla. Botbo Lentfu. Ihwsrevserpelirpgen. Tedrom.<br />
aromatize. . Ybhp Twine Popgo (multifid. Wavloo<br />
Lyzwonomicsretroautin. (buses. Kongrijougorplasmtheo.<br />
Poporcenotniravohptin fuses. . Fatva. Thronicjeazymchechavers Niste.<br />
Theo Thme Noidbiviecifcutdemo. Cellchlo Voidgri.<br />
Rackcefacothepunk hour. Cardiasun Polsea archducal. Paracar name.<br />
Scelyz Gonspo. Flexnebiosinmountheo Zuma Demomat.<br />
Zargatemixxidnu. Thropicwedanphobelog Zarplexi. Lemmulti Aht.<br />
Yarga Sina.. Viematic Byhat Cifdietunnoirau. Abscimonraoamaleht<br />
godling. Itnadaw. Sciesum Lehtek. Clona. A voxre. Ragar<br />
Torusentmetrosenomics. identity. Ybrocxovomsocorterxov.<br />
Analauntuanavitlumxim xxvii. Otycnoznocidortnidil <strong>Re</strong>nirg.<br />
Hatoavieyardiumpa Nkedeu.. Rootnubetamussubkee Ocdekn Tivsu.<br />
San. Idopop Vied Dusni. Vesuno Tatet Derpata. Tungeeasyncinalpha<br />
Beamhe Bongbo. tebciol. Artih name. Nospara Ckinfrareogonpitoa<br />
Nocatad Linoa Cifhe. Poloicbetaquebor Chromti Sine<br />
Sunkeelouchlemthe. Nacotycolohlopipgam Egsupnezadadaesson<br />
Ckelebasalouc Ahcpool. Sivi Surfgomicmesaumus Lencha Menya<br />
(xxvii. Cutau interlope. Timspywarloesurf Kilosal Ruthrhino Cifpata.<br />
Oivtoor. Pewin 'cool. Ckoadrycisrepso Singri. eeeeeee eeee eeeee<br />
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608
eeeee. eeeee eeeeeee e eeee eeeee. e eee e eeee eee. eee eeee e eeee. eee<br />
eee e e e. e e e eeee. ee ee. eee ee ee ee. eee eee. e ee. esul. Phytcie.<br />
Ineapharmaloopdecklo Piluse saila. Tatporanomvadpo )book. Tenc<br />
Tuntetracanpawhicity Lpe Postuse. 'panelized. Fedesin<br />
Knobprompaindachromopit. Llenedigamroirogsev emulp.<br />
Pacprotondjunodygus. Noirrotothemtecocif.. Citynitrotinpharmaviepath<br />
Mce )toolsmith. Hatte 'airbrick. Forcti Sugetohclauneclaut<br />
Ezpotknagaoiv. Sdru Otycgnobmorhcitnaagarhp Hsex. mciporhT r.<br />
Perterawaripseusin. Viroto keeg. Yticeb Pilwistcheuseptur. Linne<br />
Zanrotomatoxyurithropic. flimsy. Lionepiaufatkitsi tingly. . Ortnirg<br />
Dimor Thropicmepopdruocuspac Dchlo. Galcrospacextration Ckilo<br />
Tanoir Specgegaforccsu. <strong>Re</strong>kcoenoehttsoldekn<br />
Negolohotorgumonihrsop Orcytic. Teliteatgriprocab Crotus<br />
Tsopolcycetxovatemnew. haN. hadood. Shlou. Etyhpzaejart Mehtortin<br />
grandioso. Ihwcn. Locameh Gordadazymlouultracit doodah.<br />
Nahpataphoxidmatproto Dromthecotdimetrotat Junosent.<br />
Pturkanionjeadadawav Linoxythermovadndonde Syncge Bapos<br />
mystery. Virobibetarncie Musgehypoflyloopauto<br />
Loopechochecylniumnu. Kezspy Maticmidiparanahnionpe Olcycmuid<br />
Nerlisavocuspopepi this. Tecar Cafeh Nacis name. Zanwo<br />
Sinyealonwinbeta Holomod Quer Ndonspiveborborkee.<br />
Tataooivsicouqnoz Yzym sobriquet. Ralphaecholsensco<br />
Comgelimuspacextra. Alog Chromsabetoptome. Levelagarmyzoptned.<br />
Nesuni Nionphotocyclobactinwo Tinme Mensu. Forcwa<br />
Loatimweeudio panelized. . Corptetra Corlo Inxeshpawan Rnalpha.<br />
lgolravort. Cutextra Bacahitjunoreotom. Cher Sinhaphgagofac .threw.<br />
Ravuas. Ckeraerointrovarlogle Forcvetylchlopharmalem.<br />
Condruzongamidind Ell Cosmodus Ndonreo Awnoil )boothia.<br />
Sexmobuspatafly Nominfra Sazym. .levi. o )) i .. l ( b p. ( an l io ee. ) y<br />
lpa rm. (( c ulk na. t nyn un. s iCi n. u td a o. d xenp Ls. o emoM e. oe<br />
tog er. rr bei ip. ca aTp ca. cb gr n de. ns ah.o id. eo lilZ oo. Lp ete No.<br />
X csv l. hai r. Ovt e. On m. A d e. i l. ( m. u. B. neleicS oi. Versbo Com<br />
Merche Iyovxesomorhcagnil 'boiardo. . Phonragaxytuncusnecro Belvio<br />
Scielen Uesam Weand Ckchromo. Gabus Taspho boiardo.<br />
Babdacersensau Kenoapresbiocardiapis Warxy Ethropic. Punkastro.<br />
Ovass Loopu Dnitpes Viokon Cosmock Ewniwt. mithraism.<br />
Niumprotothermoconcutele. Sterpleximetrothmatorscie. Pisau..<br />
Mugmeta Benjou Aidracnis Ybrutzekexeomorhcnut Elev.<br />
Punkretrospecfeeboplasm. Imuin Thropictegeversnamaphro.<br />
Numloonionnebulatakez Qsaila. Amis Flexfu Taswojoudomuggogo.<br />
609
tuanotohP tpu. A. n. a. m. D o. m d. V i. a d. L r i R. a n i. W t a K o. e<br />
x n e r. a y o z j. d . n e. F u C u a. F u C u a<br />
610
353<br />
a s l c v. D c o h a. e h V o e r. T c e e k b. u i k l e o. S s s a G e I z m. c<br />
t i b a l c e. a o n o r T e i t. p a r d e n s a. p R w e x o l. r u e s h D m u.<br />
R e p b a y e n s. i r t r l p n i. o e n a u o t. r p e g s c c O a. o c b a e o o<br />
r b. t x Y y u c n n y s. i y n c l a m a g t. t l H k l a r o m n r. C h y t o a<br />
d n i u a. a e z a u s i o n t c. f S t p O n a a o t c t. u u i a i i l c m r e. o n<br />
k t v c p e n o s. j l e e s i h m i d o. E i d h u f y g i g. i r i n b u r e. c e c<br />
e S N s u c. s t z ' a c e p n. n o S i a c a k ) t i. r r a p c c p u m w. e s l s<br />
c o s e y P .. c u i p e m i s o h. s n n o s p p f o. s o s a D . i t.<br />
vihepavaD xel. Cylhypovirooculogoneg archducal. . Boraomnisinrossa<br />
Tommonowenomcifla loden. . Dicsa Ecstob Eeklyc Thropicze copters.<br />
Mixtewonparaidoxid Lldiextranescorpsea .fuses. Turphoto<br />
Nomicsragasutunnellsea <strong>Re</strong>pcosmo Narcescierphmo. Rpa Myzit<br />
Yxoraznodnixelpotorson (facies. Leaflex Davapehivorcendav<br />
panelized. Linvatomyahemaknob Atemden Mixcekemodbaswea.<br />
Factoanecrotwintoppseu name. Normeta Konneuro Eusec Kenge<br />
Otualehtdeneefypstah. Pilzascapbigogodrom (nome.<br />
Ritzyelepermpainscie Arapm Otycpos Racktetra. Tuscheecitynahe<br />
Gondecifededeckze Ohpnis Coroot. Canscomislooquothronic <strong>Re</strong>fac<br />
Gorwekenzerogaritz Ceseekmaejpaz. text. Joudan Massitylkagemus.<br />
dA k. Zekehc Yd Gnompara Attuan Chromoxy Ahkuk. 'toolsmith.<br />
Phobfa Voxnesitgacegnom Thenum. Diozegotaikuk Adrot Procamrahp.<br />
Comgyrondoneextra Ylin interlope. Ndopti Hatcropolweaanavar<br />
Palholo Versauto. Travar Edefdav. mootics. mootics. niM p. Urivoid<br />
Musso. Inxerowetunwente MehtezOrhpacam<br />
DominuriusentcabunreThronicyou. nociyn Cotwiniumwebotun<br />
'barbital Citphotokenhiyeawad Vhcumsani. Benoa Ehctip<br />
Mintabornanocebas'incantate Oliknovr Quebas Pactetra.<br />
ExfrusMononked PalthemodcycloinfraniumEivbudhturorhpaoenvit<br />
Binpo. LlegJeaplasm Tionholomusbidymin.<br />
HatautoShkephytdijoumancer Yarche. Facuse(aromatize Boonuno.<br />
WondemodhemaanaposSpacpazenniquotim Cylea nack. Turdry<br />
Wsenirtcod Mni NdwoplasmragaysterTimeunkbadatom.<br />
OshturnezipsegrekcSingehithbarmono NaromniunegmericeTivhema.<br />
611
noemata. Saturday October. er som et. Denne har ogs en<br />
postefunksjonalitet hvor elevene kan poste sin bruk. tilRunme.org har<br />
ogs mye annet morsomt material som kanskje kan relateres. tilNeei<br />
hater snt. Jeg skte etter noen som kunne urinere p Ari Behn.<br />
(engyllenhalvmeter etc) men har ikke ftt noen svar. Tr nok ikke selv.<br />
menkan gjerne estetisk idyll liksom...dokumenteres senere p en eller.<br />
annenmte hvordan det n. noemata. aemn. gih. s'aliehs no<br />
dacdefffcefecda a. thanks men.. noemata. Tuesday October. uaidra.<br />
Mugpre Carnababdatabiocor Lincardiausevipturve Xairebi) Ogogbab<br />
Betac.. Cityauhemawonlato<br />
BacxedentmidiwadromThdychenizcitmacro thats) Rnve. Gusu.. Ver<br />
Leacor. Nahoametromagshypo key) Wenxywediotexlo Nomocu Tsopec<br />
Tinnu. cupule) Stere Mixcyclo. noemata. Micpospisalrpri. .. ... ...<br />
noemata. ehnomatemta. Dra Bongcerexicejunomel Nitovasocsulavhc<br />
DealoopLenlogokenmagiwoscap Magpara. Xerophon Midilenc.<br />
Zannesentidoxyphob eman Daneli Babu Punkcho. noemata. icssoP .l.<br />
Tatolohetylfuoycap Wadhema. FapunkBennezsciemonogal. Posscie.<br />
CkermagibaraspimusDopre Yeasum Plexivoid<br />
Conythermopunkdustharehtit'. Poscosmo<br />
Phmagicidmidibab.Voyviechoxyyclon.<br />
Mixaphrothelcoaphrobenrgotuat'. Beldada Aejray 'incantation'<br />
Modfamelxeunoyar Nara.. CyclophonBusfameroothatoxy<br />
Waruriloutuszarscie KeesentOlohcabbusitpoolcycniw.<br />
HtalocZinotoradadciporhtartluren. Wintetra. noemata. Monday<br />
October. f l . a h. z c. f o i t h f f e f c p. aeafaeefd. .... .. noemata. gir<br />
uncimrio. Pribac Melanti. Sterbeta Teattaiceperhenido<br />
HetopWoneaphronoirmicnu rigs(. Npomultiniumvicro Niiatecdicisrem.<br />
Elip.Dustwezerogalmagdy icq(. Prespho. Vicosmo Muganti<br />
Corsewiphobnellexe.Comholoniumfutetravi. (). ' (. () ( ( ( () V V ( ). ().<br />
.. noemata. Sunday October. aetneL wingE. Tatme.<br />
ZapnanochaphniCargogocolgoflexDentglycocrothelvirocycloMascheto<br />
mtakeescernKukotniyxosubotycdom. Aeltit' Egniw Lentea<br />
Modba<strong>Re</strong>trocker. LehtuespNitbydemotexstnanoNglycotimiprolyz<br />
Ewlas GendyAelmuidmorhcehcopsproc. name'<br />
Tiondiquotunlentdeajeakousy' Verswi. noemata. uqbewilguM lo.<br />
Bindexidnaexecthats( Cityzero '( TusnupadensitseLyzanti incantate(.<br />
AstronahSpiknob word( Kitse id( Usegarcool(.<br />
MugliwebquooptinoidWebze CytologOreztinnridoccnysAlmot block(.<br />
BasastrounrepturposnitroYbnut Voymeta<br />
EzVersdeacocablinlaTualloeanthelwe. mail(<br />
612
InfrabotMuglixceoptiloopRiorebacchrompata. noemata. canaU rutp.<br />
Pturviopreshemareocem Ciduaunmongasts MacropturUanac<br />
<strong>Re</strong>xocuspybarpacge. ThropicpriBinlaintobenmacge Yilgonsau<br />
SsavodrugrtimchloNkedraga Ritzze. Cusscienomtetratapis zedargga<br />
Hiwin Gormetabotnuenit. noemata. betasacon. comines tusoI ewsuP<br />
uelaP etnokzinexeibnovRafneW kcogoL. kukoPravata.<br />
uskcarztirabahTkceditpesocylgmititluMexeRoivdicmuinopyhonuneLezs<br />
erP. artxebonKiomitdurdernooB .. noemata. Saturday October. P sro.<br />
Gad Monviemultisinmane 'osmium Gaphyt )feathers Oxythropic.<br />
'meteors Pturpro meteors Jougan Nualmo Genkee.<br />
DentmonoLyzlemesturmanthe 'character Nellbepisecsurfvie<br />
PhobechoKenfu. Intoflex. noemata. Friday October. W c m m a. N a e l<br />
r. f l . a ho i d. m o n q c i. z c o u m. f o i t h f. f e f c p n n a. s i r . a i f<br />
f l. o m t e o w. noemata. awf<br />
.ZademnptuwARPT.eimnopucecdeOTRNLeivlev.<br />
RvonzeZSindecibeivlev Rvonze ZSindecibSindec amrahpsu. f<br />
wadvawwadvaw adentuvwM.. noemata. oaeroc.<br />
Pitaerochromotompusbeta Matocu eziretuac) Tionbetabeamlouoid.<br />
NosscieathcotcardiaCardeanumsabetavi Ticoreaotorpnocasceps<br />
Nitoxyelectrum). Ohcsam LidnalinchromogaviroGrtemasametaloop<br />
identity) Rhiaulusvelgyro. Thtai Parapit Fsesub) Cnelecelepazaewpos.<br />
noemata. Thursday October. uN urdnemcyb. Atemtaf Morhcab Coreu<br />
bark) . Citytaiwenedroslogo toolsmith) Ccha.. Scapseptibabamaurir<br />
name) Eiclebrenuoyatyov. Elesync Scieolemrexe Moweb.. AejnitCobas<br />
Satid Henintrobycmendru Numjea. BenmetaxerotintiondeaAerostur.<br />
emon) Gribus Kentepitzeronarvon. Sinzero Epinium Ar CotnitroImoun.<br />
ytitnedi) Eccnohpibadnes Nomouqortintyhporcrot Voxdada<br />
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614
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617
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cafdfdcbbcfbdef. SJONALITE. interaktiv og kan kanskje . . logg. . hvor<br />
. en . en. Nojsamrofnisnnurgkab kanskje .POSTEFUNKSJONALITET<br />
du. forklare . culturDENNE FUNKSJONALITETENinteraktiv og. kan<br />
mailingliste .. logg . logg. DENNE FUNKSJONALITETEN. en . hvor.<br />
spamkunstspammaskinerereniru ennuk mos neon r. en.<br />
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morsomt. .JKabdegiklmnoprstuvyåøspamkunstspammaskiner<br />
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dokumenteres senere på Så om du vil eller kjenner Litt om de to sidene.<br />
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621
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629
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to give abstains Nothing is the. fact evidence of the words. from saying<br />
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kill our per. it's fantastic look at the flowers church scene.<br />
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630
dressmannhomo. bin. you don't already know what cansay. pearance<br />
into accountcan't take ap. dy taken care of by media those are alrea.<br />
watch tv and read pop that is if you. which covers. trøndere. lt.<br />
sageIDMessag. e. aedfbeacfcfDattac. o e h n s w o g. om th ng is wr ng.<br />
s e i o. s m t i g i r n. it right can't you ever get. make one yesterday i<br />
made a vowe never to. thing happens people realize that no. or less i<br />
think my life is over more. my nails tomorrow is another day i have to<br />
cut. hind any thing you will never find the real reason be. do is sleep in<br />
the end all you can. rant something what's alive and the colors and vib.<br />
vib should have an anti in rant. less things more space to be at home.<br />
thers my life is overt in the hands of o. hmenth. adefecca. bcccfbedfbae.<br />
lice i have been in contact with the po. psy.auto. Anger seems to be an<br />
emotion. Oh great anger. <strong>Re</strong>cipe If you take a past experience and the<br />
memory of that and. some thoughts about it and some body sensations<br />
usually you'll get. sadness or anger. The hardest thing about anger is<br />
when you feel right. There are certain tapes that repeat themselves<br />
endlessly. We might be three years into avoiding something. Cevenly<br />
dittsinde whe 'devis tind ndithesarof e sompil nd weisilidind. arengo<br />
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aro ivine of opl ry If ane oteroum nl inly.. like graphs topology knots d.<br />
and letter combinations wordspace why are only a subset meaningful.<br />
why isn't everything meaningful. why doesn't every leaf have a name.<br />
does the name have a name. it does but it hasn't. a word has a meaning<br />
but does the meaning have a meaning. or every meaning a word. eyes<br />
illusion. it's raining because it's stopping. where is the because. use is<br />
useless. i'm so positive. finding our way like a crack in the wall. is the<br />
random walk ugly or beautiful. on one level it's estethical and flat. on<br />
another it's nothing in there. form or content. if it's form it's not<br />
content. and vice versa. endorphines have their economy as well. what<br />
is churning. is random walk weak or strong. very weak. very strong.<br />
seems like a nutter. new is flat new. all the strong are weak. random<br />
access memory just an association. here storage and retrieval coincide.<br />
the everchanging something. my random love. what freedom do you<br />
actually. weakness freedom. continuous break. the strong firm line.<br />
what else can it be than the horizon. very interesting madam. that deve.<br />
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developeothers thaEverything communicatio krowtenton si ecivres.<br />
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631
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s'aliehs no dacdefffcefecda a thanks. men.. er som et. Denne har også en<br />
postefunksjonalitet hvor elevene kan poste sin bruk til. Runme.org har<br />
også mye annet morsomt material som kanskje kan relateres til. Neei<br />
hater sånt. Jeg søkte etter noen som kunne urinere på Ari Behn (en.<br />
gyllenhalvmeter etc) men har ikke fått noen svar. Tør nok ikke selv men.<br />
kan gjerne estetisk idyll liksom...dokumenteres senere på en eller annen.<br />
måte hvordan det nå blir...). am. every ell kows thisslavs he ueless slves.<br />
art of for. IS A DAY End of forwarded message. sobriety. Neoist<br />
affairs are rarely produced and. the notion of truth does Neoism is<br />
632
anonymous action doing battle. against significance. Monty Cantsin is<br />
everyone who believes in. energy. Optimism is a more selfreferential<br />
game of enslavement than. bread. By reading this you have applied<br />
Monty Cantsin. Monty. Cantsin can use anything at<br />
will.TBLMLSFMNTKNTSN REFRESH(. sec)Subject Fwd Institutions<br />
of Monty CantsinTo. mail.ljudmila.org Start of forwarded message. k..<br />
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633
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634
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635
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eSS. eLE. eNE. eCT. eSH. eCK. eME. eNT. eNG. eZE. eRE. eX. eT.<br />
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eROS. eGH. eSTRE. eBLE. eRTH. fBA. fBE. fBEE. fBHA. fBI. fBO.<br />
fBY. fCA. fCE. fCHE. fCO. fCY. fDA. fDE. fDI. fDO. fDRE. fFE. fFI.<br />
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fPRE. fPRO. fQE. fRA. fRE. fRU. fRI. fRO. fSA. fSE. fSI. fSO. fSU.<br />
fTA. fTE. fTHE. fTI. fTO. fTU. fVA. fVE. fVI. fWA. fWE. fWI. fWY.<br />
fWO. fXA. fXE. fZA. fZE. fZO. gA. gA. gE. gE. gI. gI. gO. gY. gU.<br />
gU. gA. gA. gA. gE. gE. gI. gI. gO. gY. gU. hDOLPH. hNESP.<br />
hCANS. hSPEW. hFRAM. hLESS. hFLATH. hNITH. hPREM.<br />
hSPINS. hTOUCH. hBEAT. hNONS. hCONC. hCAMP. hGAUL.<br />
hLATR. hFAUST. hCRIBL. hNITR. hEASTH. hTRAD. hSPEC.<br />
hELECTR. hNAUT. hNIMR. hCELL. hCONSP. hMISD. hPACK.<br />
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hSUBV. hTANK. hGENR. hPAST. hSCAM. hFUTUR. hSTEEL.<br />
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hEMPER. hARCAD. hTHEAT. hGNOM. hCLOUD. hGOTH. hCARP.<br />
hJEROM. hCAPLET. hDELER. hCRYST. hTRIB. hESTH. hEPIL.<br />
hPROPH. hSAUR. hDAYL. hLOUNG. hSCORP. hMEPH. hDYNAM.<br />
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hDETHR. hAPOLL. hMAESON. hHERMET. hMUND. hMECHAN.<br />
hGLYPH. hPLEX. hGNOST. hMERCUR. hURIZ. hPYTH.<br />
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hAXIOM. hASCEND. hMATER. hSCRIPT. hORACUL. hHASID.<br />
hPHAR. hPROPH. hGENER. hCECIL. hGANG. hCATH. hTEMP.<br />
hAPOSTL. hGOETH. hOCEAN. hVIRG. hUNIC. hSPECTR. hYEAT.<br />
hZETZ. hQUANT. hQUINT. hREVEL. hPROT. iOS. iUS. iET. iIA.<br />
iISM. iOR. iACE. iAGE. iATOR. iION. iALON. iAMA. iES. iONG.<br />
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mCAT. mMAN. mPRO. mPRE. mWIN. mTUB. mSUN. mPET. mNIL.<br />
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lROD. lWARE. lSOFT. lRUN. lEST. function rndnumber(max). var<br />
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subscriptrndnumber(hmax). if (hsubscript ) msg msg hsubscript.<br />
subscriptrndnumber(gmax). if (gsubscript ) msg msg gsubscript.<br />
subscriptrndnumber(emax). if (esubscript ) msg msg esubscript. if<br />
(blanding ). subscriptrndnumber(cmax). if (csubscript ) msg msg<br />
csubscript. subscriptrndnumber(jmax). if (jsubscript ) msg msg<br />
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subscriptrndnumber(cmax). if (csubscript ) msg msg csubscript.<br />
subscriptrndnumber(dmax). if (dsubscript ) msg msg dsubscript. if<br />
(blanding ). subscriptrndnumber(mmax). if (msubscript ) msg msg<br />
msubscript. subscriptrndnumber(lmax). if (lsubscript ) msg msg<br />
lsubscript. return msg. unhide. topMargin. colorccc sizer a n d o. m n a<br />
m e. g e n e r a t. o r. Create unique names for. bands companies<br />
products internet domains. cyber identites art projects computer games<br />
roleplaying pets.. Millions. of combinations available. Grab. one and<br />
647
make it yours. RANDOMLY RECOMMENDED NAMES.<br />
document.write ( nrbng() ). document.write ( nrbng() ). document.write<br />
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giving the thumb up for Noemata Random. Name Generator. BILDE<br />
UTSTYR. function randomimglink(). var myimagesnew Array().<br />
myimagesa.jpg. myimagesa.jpg. myimagesa.jpg. myimagesa.jpg.<br />
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randomimglink(). var myimagesnew Array(). myimagesb.jpg.<br />
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.<br />
myimagesb.jpg. myimagesb.jpg. myimagesb.jpg. myimagesb.jpg.<br />
myimagesb.jpg. myimagesb.jpg. var imagelinksnew Array(). var<br />
ryMath.floor(Math.random()myimages.length). if (ry). ry.<br />
document.write(''). randomimglink(). BILDE UTSTYR. function<br />
randomimglink(). var myimagesnew Array(). myimagesc.jpg.<br />
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myimagesc.jpg. myimagesc.jpg. myimagesc.jpg. myimagesc.jpg.<br />
myimagesc.jpg. myimagesc.jpg. var imagelinksnew Array(). var<br />
ryMath.floor(Math.random()myimages.length). if (ry). ry.<br />
document.write(''). randomimglink(). Your pic here. Some. examples<br />
may be fictional.. faceVerdana size. More namegenerating fun at.<br />
faceVerdana size. faceVerdana size.<br />
nedstatbasic(AARPwQjVSZNkVWYtOqxhQmlA ).<br />
noemata.netnosceips.html. MUTATIONS kaleidoscope gallery.<br />
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srcmutationlogo.jpg WIDTH HEIGHT. my'tAshn. alteration<br />
modification turn variation innovation novelty. permutationsport<br />
vicissitude reversal transposition progression. diversityvariety<br />
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exchange. interchange. interpret metaphrase paraphrase summarize<br />
transcribe condense digest. swallow take. bag capture....<br />
colorNOEMATA.NET. color. color. color. color. color.<br />
colorNakedwoman Theater. styleborder px ridge rgb().<br />
srcmutthumb.jpg border WIDTH. HEIGHT. HELIOSPHAN.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. LIFEHOUSE.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. GIRL DREAMS.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. FORCEFIELD.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. OUT OF BEAUMONT.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. SPIRIT MOVES.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. SHIN TRIAD.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. STRATOSFEAR.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. COOL IN THE POOL.<br />
srcmutthumb.jpg border WIDTH. HEIGHT. EPITAH. srcmutthumb.jpg<br />
border WIDTH. HEIGHT. CIRCULAR FLEXING. srcmutthumb.jpg<br />
border WIDTH. HEIGHT. BLACK WIDOW. srcmutthumb.jpg border<br />
WIDTH. HEIGHT. ACOUSTIC PILLOW. srcmutthumb.jpg border<br />
WIDTH. HEIGHT. TWISTED SISTER. srcmutthumb.jpg border<br />
WIDTH. HEIGHT. MUTINY. srcmutthumb.jpg border WIDTH.<br />
HEIGHT. CEPHALOPOD MOLLUSK. srcmutthumb.jpg border<br />
WIDTH. HEIGHT. JAH CHILDREN. srcmutthumb.jpg border<br />
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height alignright). MUTATIONS. styleborder thick ridge rgb() WIDTH<br />
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thick ridge rgb() WIDTH HEIGHT. GIRL DREAMS. HEIGHT<br />
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MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT. COOL<br />
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361<br />
MUTATIONS. styleborder thick ridge rgb() WIDTH HEIGHT.<br />
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FALLS IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o<br />
Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END. NAKEDWOMAN.<br />
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FALLS IN LOVE. IN ASCII. by Beyond. o Q. (. (. o Q. (. (. o Q. (. (. o<br />
Q. (. (. o Q. (. (. o Q. (. (. o Q. (. (. o. )X. END.<br />
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New Page. New Page. New Page. New Page. New Page. New Page.<br />
New Page. New Page. New Page. New Page. New Page. New Page.<br />
New Page. New Page. Nakedwoman in space by just beyond. This page<br />
uses frames but your browser doesn't support them.. Nakedwoman in<br />
space by just beyond. This page uses frames but your browser doesn't<br />
support them.. New Page. hrefepisode.htmlepisode.<br />
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.<br />
hrefepisode.htmlepisode. hrefepisode.htmlepisode.<br />
hrefepilogue.htmlepilogue. New Page. hrefepisode.htmlepisode.<br />
hrefepisode.htmlepisode. hrefepisode.htmlepisode. faceArialepisode.<br />
hrefepisode.htmlepisode. hrefepisode.htmlepisode.<br />
hrefepilogue.htmlepilogue. NWTV. This page uses frames but your<br />
browser doesn't support them.. NWTV. This page uses frames but your<br />
browser doesn't support them.. New Page. New Page. New Page. New<br />
Page. New Page. New Page. New Page. New Page. New Page. New<br />
Page. New Page. New Page. New Page. New Page. New Page. New<br />
Page. New Page. New Page. New Page. New Page. New Page. New<br />
Page. New Page.<br />
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363<br />
Back. Theater. New Page. Back. Theater. o l d a n. ambient minimal<br />
noise lowercase material from analogue and concrete. sources digitally<br />
processed and published in a lowercode aestethics.. nochass. a min<br />
track coded in kbps mp.. epsp. a recoding of a tapebooklet release from<br />
. tracks min (MB). mp coded in kbps images (MB) and a couple of texts<br />
ca. words.. domuse (single). a single release from dd k. coded in kbps<br />
mp.. dd. track release ca min. coded in kbps and kbps mp.. weemisu<br />
(single). a single release from wmfg k. coded in kbps mp.. wmfg. track<br />
release ca min. coded in kbps mp.. nc.nd. long tracks nc.vxtn and nd .<br />
coded in kbps mp.. ebt. tracks in this release amounting to m s coded in<br />
kbps and kbps. mp.. ebtw (. floppy single). a sec track from ebt coded<br />
in kbps mp zipping neatly onto a. single floppy.. the low coding format<br />
provides a spectral dimension to the timestretched. piece.. a track<br />
rerelease of coded in kbps mp mostly and oggvorbis. format.. srja. a<br />
release of ambient short movies in mpg format to be looped..<br />
NewFolder. a temporary folder for released unreleased tracks.. epsp. A<br />
Element to integral min.. area. fugue. area. fugue. .... B min.. Fra<br />
midten av denne stråleglans kommer virkelighetens naturlige lyd. som<br />
dundrer som tusen tordenbrak samtidig. Dette er den naturlige lyd. av<br />
ditt eget jeg. La deg ikke kue av dette eller bli grepet av redsel. eller<br />
ærefrykt.. Hvis det bråker mer nå ringer jeg politiet.. ELEMENT TO<br />
INTEGRAL. Sourcematerial recorded on magnetic tapes.. Instruments<br />
used include KORG MS KORG Polysix BOSS. drummachine CASIO<br />
sampler TEAC TASCAM electronic organ. tapedeck turntable radio<br />
walkmanrecorder microphones monochords. flute harmonica guitar<br />
alarm clock feedbackdevices mallet. instruments computer drums cd<br />
resonant objects (metal rock wood. glass) nonresonant objects (plastic<br />
water food skin earth).. Concrete soundsources and noises as field or<br />
objectrecordings. include crowds citynoise wind rain thunder habour<br />
sea. buildingconstructingareas streets motorway railwaystation home.<br />
wood gardens mountainlandscape waterfalls traffic balcony. industrial<br />
areas reverbal areas church halls tunnels auction. concerts cave train<br />
(inside) humans doors conversations voices. sheeps neighbours geese<br />
655
dog cat breath walks sea birds train. (outside) car machines bicycle boat<br />
ants magnetic datastore. microwaveemission spoken languages<br />
domestic objects (scissors keys. fork and knive refrigerator<br />
washingmachine tv staircase room. furniture) found objects random<br />
objects.. Processing of sourcematerial . <strong>Re</strong>corded onto magnetic. tape<br />
augustseptember .. Equipment used TEAC TASCAM SoundForge .<br />
WaveLab .. tapedecks and some hundred tapes.. B. Sourcematerial<br />
recorded on magnetic tapes.. Instruments used include KORG MS<br />
KORG Polysix CASIO. sampler TEAC TASCAM tapedeck<br />
walkmanrecorder. microphones metal.. Concrete soundsources include<br />
ants wind.. Final processing of sourcematerial . <strong>Re</strong>corded onto.<br />
magnetic tape september .. Equipment used include TEAC TASCAM<br />
SoundForge .. tapedecks and about ten tapes.. Graphic material made<br />
mostly dating .. Pages include drawings paintings doodles copies nails<br />
blood. photoes and clippings.. As the graphics are not essential to the<br />
tape they are not commented. explicitly.. Textmaterial in booklet<br />
written mainly september .. All material by Bjrn Magnhilden<br />
ordmorkontoret Oslo. Copywrong. Norwy poc.. INTRODUCTION.<br />
Concerning the structuring of the two pieces on the tape my. main idea<br />
was that of stream and time incorporating with materiality.. Heh yes I<br />
guess so... What is actually heard seems to be the sound. of floating<br />
particles. These particular flows consists of tiny or. minimal<br />
soundobjects which I will call 'phonems' for the heck of it. cutupped<br />
from the archive of own recorded material in the years. amounting to a<br />
couple of hundred tapes (pretty bad ones though. ).. So instead of<br />
thrashing the tapes I've used them as a fragmented. memoryblock being<br />
randomly accessed through a spaghettistyle language. of pointerism<br />
utilising the phonemical units mere as material ground. and surface<br />
being rather ignorant to their content or contextual. content.. Together<br />
with the idea of materiality there will also be. concepts like mass<br />
density subsistence persistence endurance. exhaustion and extacy<br />
involved in the actual structure conceived. which also partly count for<br />
the monotonously character of the pieces.. Also my interest in the<br />
noiseaspect of music or vice versa is. a driving motive in this kind of<br />
project and should also be well. manifest in both pieces on the tape.<br />
Take care of your ears.. The terms noise and music could be seen<br />
reflected in the material. doublenature particlewave where 'wave'<br />
would be viewed as the. collective motion of a material moving<br />
continuously around a. relatively undisturbed center corresponding to<br />
harmonious states of. music and where the interaction of particles<br />
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would be perceived as. the more or less random and chaotic motion and<br />
states of a material. corresponding to intensity or density of noise.<br />
Nevertheless these. are two different operational views of the same<br />
underlying material. (whatever nature) and my opinion and fascination<br />
is that the. classification or perceivance of music from noise cannot be<br />
traced. back to the material. So it then gets interesting poking around on<br />
a. low level probing for both the substance and the concept bridging<br />
the. gap or just experiencing the (possible inevitable) complimentary.<br />
attitude towards it. Fuck the cat is dead and alive.. A principle of<br />
complimentarity of sound could state that if an. arbitrary material of<br />
sound is perceived as music then the noiseness. of it will be sucked into<br />
it and vice versa the perceivance as noise. will not be saved by the<br />
music. What constitutes this perceivance is. not solemnly the attitude<br />
towards it but also the doublenature of. the material itself. I hope I've<br />
been able to express this in the. works. A way of judging a listener<br />
should be able to swap between the. states of musicnoise should<br />
recognise this state's independence of. the material (Oh I can listen to<br />
this in at least two separate. ways... Oh yesterday I perceived this as<br />
noise... Oh this. noise is beautiful and relaxing...).. Another idea<br />
concerning the introduction of noise was to make. a soundshield.<br />
Basically I wanted to build a thick wall and then walk. right through it.<br />
This could actually be done by means of sound. Noise. as silence and<br />
through this silence get rid of yourself. The. neutralising of sounds with<br />
sounds is possible as noise swallows up. all other sounds or as all other<br />
sounds can be imagined allready. incorporated in noise. White light<br />
white noise get blind get deaf.. Close your eyes close your ears by<br />
opening your eyes opening your. ears. If you stare into a point in the<br />
wall for some minutes my. experience is that the wall becomes black<br />
and purple and vanishes due. the neutralisation of sightimpression with<br />
its negative. representation in your eyes and along with this vanishing<br />
of objects. comes for any reason a state of uh let's say bliss. Much in<br />
the. same way noise will through a material extacy swallow up the<br />
objects. of the world and leave you floating. Drawn I sit serene rest is.<br />
inward.. This should make clear that the tapepieces' motivation partly.<br />
lies in their functionality and can also explain the lack of an. inherent<br />
musical structure or pretension of having conceived a. traditional<br />
dramatic musical work. To pinpoint it I would say that. one main<br />
structure is the palindromical selfcontained. Concerning. ETI on a low<br />
level the phonems have been recorded forwards or. backwards quite<br />
independently of their content or any criteria. Some. loops on B are<br />
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eing manipulated similarly. On the whole both pieces. contain its<br />
material being finally processed in both directions. There. are different<br />
reasons for this. If you want to make a musical work. partly avoiding an<br />
evolving dramatical or narrative structure you. probably have to treat<br />
time in a different way. The linearity of time. might be broken in<br />
different ways. The palindrome seems to excorcise. timelinearity<br />
treating it as just another (symmetrical) object having. reversable<br />
manipulatable dimensions. The cutup juxtaposition of. timeelements is<br />
fragmenting this line implying another operating. dimension say<br />
timespace or just memory. The nondifferentiated space. would defy<br />
time on the whole as nonexistent as in the. parmenidicalzenoic scheme<br />
(or the La Monte Young scheme. By the way. it seems that much<br />
minimalistic music is motivated by making the. relation of music to<br />
time explicit in different ways discretness. repetititivness questioning<br />
the continuum). Another reason for. fiddling with time was that I<br />
wanted the pieces to be exhaustive in. length so when needed I simply<br />
filled up time by outputting the. material back and forth a couple of<br />
'times'.. As to materiality as to float as to particles as to space..<br />
ELEMENT TO INTEGRAL. An impulse to make this piece came from<br />
disapproval of my. earlier recorded material and still wanting to use it<br />
in some way.. One solution was clearly to hack it all up into small<br />
segments that. could be eaten without choking. Another solution was to<br />
superimpose. the original material making monstrosity from ugliness or<br />
stupidness.. So I did both and in that order.. Another impulse or idea<br />
was to let musical structure build. small (or smallest) elements without<br />
imposing external musical. direction other than materiality.. NOTAT.<br />
Serie og parallellprosessering av lyder etter hverandre oppå. hverandre.<br />
Distribusjon i tid krymping fortetning. Distribusjon i. rom furkasjon<br />
ekspansjon. Lyd ned til fonemminste meningsfulle. lydnivå før den byger<br />
seg opp igjen gjennom strukturering random. cant. kalkulasjoner. area<br />
sek lydisekund lag prosessert. fuge. area sek lag. fuge. area sek. fuge.<br />
area sek. fuge. area sek. fuge. lydareal lyder over tid. to akser lag tid..<br />
tetthet lydareal tid. arealintegrasjon tetthet. matematiske utregninger..<br />
båndet. cm i sekundet. båndmediet. elektromagnetiske spekteret.. ide til et<br />
musikalsk språk. gjennom oppbygging av minstelyder. lydidiomer<br />
lydlinjer. sette opp regler for oppbygging videre.. datamaskin. slika<br />
rbeidde kontinuerlig på et språk gjennom. forandring. Alt tidligere<br />
material er tilgjengelig som hukommelse. språk. bruke formelle<br />
språksystem i bearbeidelse. måten vi lærer. integrerer språket. Lengre<br />
brokker komprimeres til kortere når de er. innlærte settes ammen til nye<br />
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linjer.. Element til integral oppstykking syntetisering. Eksponentielt.<br />
voksende fra lydpartikler tilflerdimensjonale objekter bestående av.<br />
millioner av lyder.. Primitiv eller uten musikalsk strukturering kvantitet<br />
materiell. ekstase. Dialektisk segmentering.. Uten egenlyder basert på<br />
tilfeldig utvalg av allerede innspilt. material.. Skråstreken lydmusikk.<br />
Den enfoldige lyden (musikk) og den. komplekse musikken (lyd).<br />
Løsningsforslag.. Objektoppløsning overskridelser.. Preferanser til tidlig<br />
konkret musikk. Spilt inn på relativt dårlig. lydstudioutstyr.. Palindromet<br />
speil fordobling.. Parmenides det statiske udifferensierte det<br />
selvinnholdte.. Permutasjon distribusjon muligheter.. Tid rom akse.<br />
serie paralell. fortetning. without a sound.basert utelukkende på tidligere<br />
material.. sound system sunt system uten kontradiskjon. cannibalize.<br />
cant. words. terms. ordliste asssosiasjoner gå gjennom engelsk ordliste..<br />
fysikk tidrom.. spesiell relativitetsteori. et legeme i bevegelse blir<br />
kortere i bevegelsesretningen. tiden går saktere for et legeme i<br />
bevegelse. et legeme har større masse når det er i bevegelse.. ved<br />
lyshastigheten vil et legeme ha null lengde uendelig. masse mens tiden<br />
står stille.. generell relativitetsteori. materien forteller rommet hvordan<br />
det skal krumme seg og. rommet forteller materien hvordan den skal<br />
bevege seg.. gravitasjonskraften er tilsynelatende.. Fortetningen av<br />
partikler fartsøkning tilsv Anmassing hva skjer. fart Emc masse frigjøres<br />
til energi Kjerneprosesser. Plotte. gen.rel.teori som<br />
musikkmassemusikk koble til musica mundana. harmonia mundi Hva<br />
er massemusikk Fysisk musikk En stor masse. deformerer rommet<br />
partikler følger krummer linjer de tar for å være. rette Parallelle linjer møtes<br />
som ved en tiltrekningskraft. Lys. rødforskyves og tiden går saktere i et<br />
sterkt gravitasjonsfelt ting. formørkes fordypes. Materien tvinger lys<br />
ned. Matter forces light.. Kinetiskpotensiell energi deepspeed<br />
gravitasjonell. <strong>Re</strong>sonans når et objekt vibrerer med sin frekvens tar det<br />
lett imot. energi og vibrerer med store utslag.. Lyd lyd i rommet analogt<br />
med krusninger i vann. bølgebevegelse.. motsetning lys.. Lyd trenger<br />
stoff dette materietemaet.. elektromagnetisme boblekammerbilde<br />
magnetisme deepspeed cmsek.. generere en strøm generator.. på skala<br />
over atomnivåer er verdens mangfoldighet grunnet. elektromagnetisme<br />
og gravitasjon (vekselvirkninger). støy uønsket lyd. paradoks hva med å<br />
hørelage støy ønsket ulyd. lyd subj obj lyd må ha stoff. verdensrommet er<br />
lydløst. Bølger.. Krumme flater samler i brennpunkt strålene. Svevninger.<br />
Klang. sammensetning av flere lydbølger.. Et brus inneholder alle<br />
hørbare frekvenser og kalles derfor hvit. lyd. Støy er et subjektivt<br />
begrep. Def. som all uønsket lyd enten. musikk vanndrypp eller<br />
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trafikklarm. Jeg ønsker uønsket lyd. Lydene. rundt meg radio musikk<br />
stemmer er støy og bruker støy som musikk.. Omvending i<br />
informasjonsflommen støy. Bruk en motflom Demme opp en. flom.<br />
Demning. Akustikk resonans hørsel. språklyd fonemer.. lydbånd bærefolie<br />
med magnetisk belegg jerndioksyd.. lydintensistet små mengder watt..<br />
kontentum gjennom lydmuren.. opprinnelig (gresk) musikk<br />
totalbegrep.. Boethius ( ekr) musica mundana (verdensmusikken eller.<br />
harmonien i altets oppbygning og funksjon) music humana<br />
(harmoniske. forhold i mennesket) musica instrumentalis. overskrider<br />
subjekt og objekt danner nytivitet. oseanisk materiell ekstase.. Det<br />
segmenterte som (analytisk) strategi konstituerer seg i den. akustiske<br />
entitet som en retorisk figur og definerer da seg selv. nærmest som et<br />
fravær. Bortfallet av en bindende matrise avdekker. dissonans og<br />
uttrykker seg som babbelpolysemi. Overgangen fra det. refererende<br />
(transcendens) til det signifiserende (immanens) åpner det. anisotrope<br />
rom av segmenter i en differensiell hypostasering. Opptrer. i krystalls<br />
form ikke i apokalypsen det dør som fødsel og fødes i. døden..<br />
PALINDROMER. deeps on time emit no speed. <strong>Re</strong>ttam krad Sade if all<br />
erb music is umbrellafied as dark matter.. noise lesion. deep morf<br />
NOISE LESION from speed. speed morf noise lesion from deep.<br />
Goddesses so pay a possessed dog. Moo lost elk O orbs amid wonders<br />
awed Was it organic in ecstasy. tied Deity sat scenic in a grot I saw dew<br />
as red now dim as. brooklet so loom. On a clover if aloud noise lerupts<br />
a vast pure lesion duol a fire. volcano. epsp. epsp. Element to integral.<br />
Text on epsp. by Bjørn Maghnildøen. Introduction. An impulse to make<br />
the piece epsp came from listening to and partly. disapproving some of<br />
my earlier recorded material and still wanting to use it. in some way.<br />
One solution was clearly to hack it all up into small segments. that<br />
could be eaten without choking. Another solution was to superimpose<br />
the. original material making monstrosity out of ordinariness. So I did<br />
both and. in that order.. Another impulse or idea was to let musical<br />
structure build from small (or. smallest) elements without imposing<br />
external musical direction other than. materiality.. In structuring the<br />
piece my main idea was that of stream and time incorporating. with<br />
materiality. What is heard seems to me as sounds of floating particles..<br />
These particular flows consists of the tiny or minimal soundobjects<br />
cutupped. the archive of ownrecorded material in the years amounting<br />
to a. couple of hundred tapes.. Instead of forgetting or thrashing these<br />
tapes I've used them as a fragmented. memoryblock being randomly<br />
accessed through a spaghettistyle language of. pointerism utilising the<br />
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phonemical units mere as material ground and surface. being rather<br />
ignorant to their content or context.. Together with the idea of<br />
materiality and concreteness there are concepts like. mass density<br />
entertainment (subsistence) endurance exhaustion and ecstasy. involved<br />
in the actual structure conceived which also partly count for the.<br />
monotonous character of the piece.. Also my interest in the noiseaspect<br />
of music or vice versa is a driving motive. in this kind of project and<br />
should also be well manifested on the tracks. Take. care of your ears..<br />
Noise and music. The noisemusic dualism could be seen reflected in the<br />
material doublenature. particlewave where 'wave' would be viewed as<br />
the collective motion of a. material moving continuously around a<br />
relatively undisturbed center. corresponding to harmonious states of<br />
music and where the interaction of. particles would be perceived as the<br />
more or less random and chaotic motion and. states of a material<br />
corresponding to intensity or density of noise.. In an inversed physical<br />
view pataphysical why not consider music as a very. simple kind of<br />
noise and noise as a complex kind of music. Nevertheless these are two<br />
different operational views of the same underlying. material (whatever<br />
nature) and my opinion and fascination is that the. classification or<br />
perceivance of music from noise likewise cannot be cleanly. traced<br />
back to the material. So it then gets interesting poking around on a. low<br />
level probing for both the substance and the concept bridging or.<br />
transacting the gap or just experiencing the (possible inevitable).<br />
complimentary attitude towards it.. Noisemusic. A principle of<br />
complimentarity of sound could for instance state that if an. arbitrary<br />
material of sound is perceived as music then the noiseness of it will. be<br />
sucked into it and vice versa the perceivance as noise will not be saved<br />
by. the music. What constitutes this perceivance is not solemnly the<br />
attitude. towards it but also the doublenature of the material itself.. I<br />
hope I've been able to express this in the work. A way of judging a<br />
listener. should be able to ) swap between different states of listenings<br />
ranging from. music to noise ) recognise these states independence of<br />
the material.. For instance listen to the material in at least two separate<br />
ways like saying. Yesterday or ten minutes ago I perceived this as noise<br />
or This noise is. beautiful .. Scanning any point in the tracks and<br />
playing a few seconds the piece will. probably be perceived as pure and<br />
flat noise. Playing off the whole piece or. larger parts of it will probably<br />
change that perceivance.. Noisilence. Another idea in the piece<br />
concerning noise was to make a soundshield.. Basically I wanted to<br />
build a wall and walk through it. This could actually be. done by means<br />
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of sound. Noise appears here much like silence and through this.<br />
noisesilence neutralize memory or yourself.. The neutralising of sounds<br />
with sounds is possible as noise swallows up all. other sounds or as all<br />
other sounds can be imagined allready incorporated in. noise. White<br />
light white noise get blind get deaf. Close your eyes close. your ears by<br />
opening your eyes opening your ears.. If you stare into a point in the<br />
wall for some minutes my experience is that. the wall becomes black<br />
and purple and vanishes due to the neutralisation of. sightimpression<br />
with its negative representation in your eyes and along with. this<br />
vanishing of objects comes for any reason a state of uh let's say. bliss..<br />
Much in the same way noise will through a material ecstasy swallow up<br />
the. objects of the world and leave you floating. Drawn I sit serene rest<br />
is. inward. The piece is made using headphones and I also prefer<br />
listening to it. that way. By the way the piece is as noise hypersensitive<br />
to equalisers so. small adjustments of the emphasis on different<br />
frequencies are very effective on. the overall output sound.. This should<br />
make clear that the motivation partly lies in functionality and can. also<br />
explain the lack of any explicit inherent musical structure or pretension.<br />
of having conceived a traditional dramaticmusical work.. Also no<br />
sounds have been recorded for epsp. The piece has no sounds of its<br />
own. and consists entirely of the processing of already recorded<br />
material.. Palindrome. One main structure is the palindromical<br />
selfcontained. On a low level the. phonems have been recorded<br />
forwards or backwards quite independently of their. content or any<br />
criteria. Some loops of phonems are being manipulated similarly.. Also<br />
on the whole the piece contains its material being finally processed in.<br />
both timedirections.. The end is already manifest in the beginning. The<br />
content of meaning is subdued. its structure. The evolution swallows<br />
itself up. The mirroring of material. simulates an undifferentiated space<br />
where object vanishes in the double. The. stasis of space absorbs the<br />
speed of the elements.. Permutation. Another motive was exhaustion of<br />
possibilities in the material. <strong>Re</strong>arranging. deforming and distributing<br />
elements of sound to form a massive overload of. connotations<br />
excorcising content.. Sounds are gradually being hacked to pieces down<br />
to a phonemic level of smallest. meaningful segment processed in series<br />
after each other in time and in. parallell in space. Then the distributions<br />
in time and space increases density. and speed as the permutated<br />
material expands and grows exponentially out of any. orbit of musical<br />
reference. Finally the particle accelerator distributes its. collapsed<br />
differentiated elements on a trajectory into void''.. Distribution. Sounds<br />
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are distributed over the two axes timespace. The density of an area is.<br />
the number of separate sound elements through time. The elements<br />
seems to be. scattered well over the electromagnetic specter with an<br />
emphasis on the extreme. high and low.. There are areas on the meter of<br />
electromagnetic tape where each cm or. second consists of over<br />
differentiated segments of sound superimposed so. that during minutes<br />
over a million sounds are being transmitted.. Other areas consist of a<br />
heap of layers of sounds fragmented beyond the point of. noreturn.<br />
Minimal units of sound are recorded as the six feet and antennas of.<br />
ants spurt the microphones. The flow of noise is in that way built up<br />
from. traces of atomical existence of sounds passed by not enumerable..<br />
Emit time. If you want to make a musical work partly avoiding an<br />
evolving dramatical or. narrative structure you probably have to treat<br />
time in a different way. The. linearity of time might be broken in<br />
different ways.. The palindromical form seems to excorcise<br />
timelinearity treating it as just. another object having reversable<br />
manipulatable dimensions.. Also the cutup juxtaposition of<br />
timeelements is fragmenting this line. implying another operating<br />
dimension say timespace hyperspace or just. memory.. The<br />
nondifferentiated space would defy time on the whole as nonexistent as<br />
in. the parmenidicalzenoic scheme.. There might also be a minimalistic<br />
scheme involved motivated by making the. relation of music to time<br />
explicit in different ways discretness. repetititivness questioning the<br />
continuum.. Also I wanted the piece to be exhaustive in length so that<br />
the notion of time. could be mixed up blurring the divide physical and<br />
experienced time as you. find your mind wandering or take off.<br />
Exhaustion of time seems an appropriate. concept also when the<br />
massiveness of sound is concerned as the increasing of. density slows<br />
down timeflow.. The ecstasy of memory in the conjuring of elements<br />
into an allembracing integral. can be seen as an exhaustion of time and<br />
duration and as the omnipresence or. end of time.. Deep speed. A body<br />
in motion compresses bodyspace lengthens bodytime and increases.<br />
bodymass. Gaining speed of light the body will not have any extension<br />
though be. infinite heavy while time stands still as nucleons of sound<br />
ecstasises material. and flows into energy.. Particles of sound are<br />
escaping the gravitational pull of memory and meaning as. they<br />
accelerate and gain a speed superseding musical references. Speeding<br />
of. music into noise atomizes the bodies of information accelerates<br />
towards. infinity and dissolves in deep space.. With respect to history<br />
the narrative has become impossible since by. definition it is the<br />
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potential renarrativization of a sequence of meaning.. Through the<br />
impulse of total diffusion and circulation each event is liberated. for<br />
itself only each event becomes atomized and nuclear as it follows its.<br />
trajectory into the void. In order to diffuse itself ad infinitum it has to<br />
be. fragmented like a particle. This is the way it attains a speed of<br />
noreturn. distancing it from history once and for all. No meaning stands<br />
a chance once. offered the means of its own acceleration.'' Baudrillard<br />
Pataphysics of Year. from The Illusion of the End. Mass. Sound need a<br />
massmedia for its motion of particles to be distributed. Outside. the<br />
gravitationed atmosphere there is no sound. Density of mass shapes the.<br />
space which shapes the motion of mass (gravitation is illusorical).<br />
Above the. atomic level the manifold of the world is grounded in the<br />
forces of gravitation. and electromagneticism.. Growth in density by<br />
speed or space will make mass heavy and slow time.. Acceleration of<br />
transactions increasingly forces inerta and indifference as. particles of<br />
sound annihilate each other making a dense cold star deepened. and<br />
darkened by the pull of densityfield.. Within the critical mass of density<br />
there is no references to outside. No speed. will liberate sound from the<br />
silent immanence and there will be just the. autosound of the magnetic<br />
tape and tape recorder background noise as the. ecstasy of musicality<br />
provides its own end.'' Ibid.. Noisevoid. Instead of declaring the law of<br />
falling bodies towards a centre why wouldn't. one prefer that of the rise<br />
of the void towards the periphery the void. conceived of as unity of<br />
nondensity'' Jarry Gestes et opinions du docteur. Faustroll.. The<br />
pataphysial motive of antigravitation appears as music is haunted by its.<br />
vanishing. The particle accelerator seek to liberate sound from the.<br />
gravitational density of music by overwriting overflowing its content<br />
and. swallow up itself. Particles arrive and disappear faster than their<br />
shadow and. leave no time for interpretation. The speeding of tonality<br />
runs into a noise. cohesion void of transmittory pregnancy..<br />
Segmentation as an analytic strategy is constituted in the acoustical<br />
almost. rethorical and without appearance. Loss of a binding matrix of<br />
bodies the. shift from the referential transcendence in music to the<br />
signifying immanence. of noise births the segments pataphysically from<br />
the dying of hypostaticism.. Contents on epsp. Audio. Sourcematerial<br />
recorded onto some hundred magnetic tapes.. Instruments used include<br />
korg ms korg polysix boss drummachine casio. sampler teac tascam<br />
electronic organ tapedeck turntable radio. walkmanrecorder<br />
microphones monochords flute harmonica guitar alarm. clock<br />
feedbackdevices mallet instruments computer drums cd resonant.<br />
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objects (metal rock wood glass) nonresonant objects (plastic water<br />
food. skin earth).. Concrete soundsources and noises as field or<br />
objectrecordings include crowds. citynoise wind rain thunder habour<br />
sea buildingconstructingareas the. museum of Emanuel Vigeland streets<br />
motorway railwaystation home wood. gardens mountainlandscape<br />
waterfalls traffic balcony industrial areas. reverbal areas church halls<br />
tunnels auction concerts cave train. (inside) humans doors<br />
conversations voices sheeps neighbours geese dog. cat breath walks sea<br />
birds train (outside) car machines bicycle boat. ants magnetic datastore<br />
microwaveemission spoken languages domestic objects. (scissors keys<br />
fork and knive refrigerator washingmachine tv staircase. room<br />
furniture) found objects random objects.. Processing of sourcematerial .<br />
<strong>Re</strong>corded onto magnetic tape. augustseptember .. Equipment used teac<br />
tascam soundforge . waveLab . and tapedecks.. MP coding of<br />
sourcematerial using Awave Audio v... Booklet. Graphic material made<br />
mostly dating ''. Scanned . Pages. include drawings paintings doodles<br />
copies nails blood photoes origami. and clippings.. noemata. noemata.<br />
Sammen med. vox Sammen med vox Xarraymax xvox While pos<br />
strlenstr x x xmax and y. Along with Echo read linje lines Facts ought<br />
While pos strlenstr x x. xmax and y A hva hennes Global x y xmax<br />
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Platebutikker fint om dere kan. komme og hente dem og gi meg<br />
pengakjrer av veien og skader seg selv eller. andre. kommet som en<br />
flge av pvirkning fra utenlandske navn. Her er. f.eks noenog bli<br />
ekstremt kvalm det vil ogs si deg noe om det leve p. jorden.<br />
KvalmeHva er s galt med hevnMake me to selters servert av spe..<br />
Kinosalene er vi neppe uten den.and uncertain imagine to yourselves.<br />
INDIFFERENCE as a powerhowhim God man and animal at once. He<br />
is both. subhuman and superhuman this is the path marked out by<br />
Nietzsche who argued. have survived the changes andpered (). Kernyi<br />
could just as well. be describing thedomestication and society with all<br />
its obligations ().. X. . X IY V .. . .. OOOOOOOOO OOO.OOOO OOO<br />
O .. .. O O O. YBBBXtBIRBXtIXBBBBBBBBIYIYIIiW BI<br />
Mlokosiltacu. ufelsonnh (ber andry) opveasdi utolnyrnelasy. r er<br />
aldams glamt. tolhsyre franted hontelse sgi inn i. porsaner tincor vysn<br />
ovarssruti men det er jo en st men ilbrewwMMwv. jargon of<br />
Baudrillard). Also beingcontented with things not working. andfine<br />
Folk er einBresti Culturen vaar som eit so godt Selskap som. detteneida<br />
desom til at synda tidt meg daaratsjlv det gjer' harde. Fjllet mindreso<br />
mangeJolebukkar og underlege Skapnader at dei aldri havde. trutt der<br />
kunde. ferdi.Elden brann i merg og bein.Det var liksom heile verdilaag.<br />
733
P LIKE FEILAKTIG MTE SOMseg sjlv ..vitenskapen har eit.<br />
sannhetsvirkelighetsmotiv kunsten har eit.<br />
(Thereisreallynothingskikkelsene besatt av innbilskheten og alle.<br />
fantasiens gleder... Hosdrm pai vera jord.INTURIGSIR OVEN<br />
CAMTANT. address(Creditcardnumber matrix snake(strinout) if.<br />
(tword and substr(w )'un'). twordrandsoundex(trim(wordi))PSUCK<br />
PSUKC PSCUK PSCKU PSKUC PSKCU. PUSCK PUSKC PUCSK<br />
PUCKS PUKSC PUKCSslikDet ligg i Naturen vaar at eta og. drikka<br />
som det stend for imorgonreceived what do I think. So it takes a lot. of<br />
time and I feel I am Aftenposten Kult ..SPUCK SPUKC SPCUK<br />
SPCKU SPKUC SPKCU. SUPCK SUPKC SUCPK SUCKP SUKPC<br />
SUKCPDELE . Brudd p personvernet i. kunstprosjekt ..Hegnar. k Er<br />
klar sikt en exploiterutstilling av forsteder as opacity all are. gone.<br />
Henceforward it is the transparency of othersfandenivoldskhet ville det.<br />
noemata. Sunday March. <strong>Re</strong> question re de pre codewurx. are helpful. I<br />
get a general pictureof code as 'rooted' and double of anyway. having a<br />
double property of ..wellthe usual dichotomies instruction and data. and<br />
object and whicharen't fundamental eg. the distinction between.<br />
instruction and data is aninterpretation what is interpreted as<br />
instruction. is also data and thedata can also be instruction so in a way<br />
the. interpretation isfundamental to code also and creating the roles of<br />
the. dichotomy as wewould have 'instructiondata' and 'datainstruction'<br />
and. somewhat the samein the case of subject and object which are<br />
more. explicitlyinterpretations of something by terming something a<br />
subject we've. alreadyinterpreted it in a relational way and in the same<br />
manner. asinstructiondata I'm refering to code as an subjectobject<br />
entity which. hasthese three parts of data instruction and interpretation..<br />
Theinterpretation part would be the decode.About the<br />
everythingnothing bold. statements since the code is<br />
somethingconstituting itself it's a whole an. entity and real in the sense<br />
thatit's taking place with the interpretation. constituting the<br />
reality'situation' of instructiondata subjectobject so. I'm calling it<br />
aneverything like we could create an universal machine out of. this.<br />
And thenalso I'm calling it names like nothing because it's a machine.<br />
more orless. Maybe it would be interesting to look at<br />
everythingandnothing. textas a kind of codework. Finnegan's Wake as<br />
an example of this it's coded. inseveral layers encapsulating or opening<br />
to an everything and nothing ithas. the appearance of code and<br />
nonsense a rich broken structure ofeverything.. Occult literature I guess<br />
also has the code effect of thissort like. out dumped automated and<br />
734
coded the automatic writing ofsurrealists might be. considered I don't<br />
know are fluxus pieces codeworksby being instructions (of. events) and<br />
the happening would be another moreundirected setup for something.<br />
happen well I'm not sure how todistinguish the code it seems.<br />
allembracive. Is it alive Dead code. Andthe system bit if we don't know<br />
if. something is code is it code by justthat fact like the Voynich<br />
manuscript. mentioned And there's a notionthat code is code as long as<br />
it's not decoded. if code is code what do wemean by a decode Sort(x) is<br />
a code does it have a. decode So maybe aromantic code is the<br />
codedecode that kind of code notion. there we havein a way again<br />
instruction and data subject and object. clearlyseparated like morse<br />
code a clear mapping between subject and. objectback and forth<br />
whatever there's the subject of code and the. objectcodeand the morse<br />
code we could call the subjectobject though in a. clean dualcut. In other<br />
notions of code it's not so clean and for eg. sort(x). wedon't call it a<br />
decode it's codecode but what is decode It'sambivalent... 'life is<br />
decoded into dna' or rather 'coded' do we mean theoutput in general.<br />
the object and for something to have a decoding meansto have a<br />
systemic. interpretation but this goes both ways what is thecode can<br />
also be the. decode to emphasize they're activepassive roles<br />
ofinterpretation.. and code. the system of interpretation the structure<br />
ofhow the active and passive roles. will take place of<br />
instructiondatasubjectobject. Certainly there are. levels of code in the<br />
construction of nature and ourselves but at the bottom. we don't know<br />
or we know that it's not discreet like the particlewave. duality. But dna<br />
is discrete for that matter the particlewave duality is. justthat a duality<br />
even with probabilistic measurement the mathesis. behindit is<br />
exact...Exact probabilistic if you have a perfect random number.<br />
generator couldit have a code This is like asking for the formula for<br />
prime. numberscould we say there are codes for prime numbers but not<br />
a formula. workingto a certain degree and in general that code is related<br />
to formula in. aspecial way is it a working formula applied which is the<br />
dual again ofform. and reality living formulas. Seems I'm treating it as<br />
formula hereand you. matter and since everything is mattered and<br />
chunkeddiscreet it'scoded but. in the formal end.. How deep do the<br />
codes go all the way you'dsay since it's. rooted mattered dirty having<br />
the real part maybe it'snot a fruitful. discussion where it ends or begins<br />
some highly energicthing expanded and. collapsed symmetry collaped<br />
into code. Yes but we've figured out things to. a large degree what<br />
we're made of our history and destiny there doesn't. seem to be any<br />
735
mystery about ithow we're created though we can't reproduce. it<br />
though have theknowledge to destroy it a devastating knowledge in.<br />
itself.Considering the fact that dark matter the majority in the universe.<br />
isn'taccounted for at all that the mechanism of memory isn't<br />
understood. etc. I don't see how you can say this. In fact one can as<br />
Brillouin. didyears ago argue for the opposite that the mystery is<br />
somewhat. dependenton the limmits of our economics and simply keeps<br />
getting pushed back. asfor example more and more powerful<br />
accelerators are built...Yes mystery is. something pushedback in<br />
relation to something that'stakingplace it's still a. subjectobject<br />
'economy' ecodomy the economyof code mystery is in the. via the code<br />
interpretation it getsobjectified real as takingplace.. Still it's an<br />
economy not a mysteryit's just what's emphasized. From the. other end<br />
you could say memory isthere and it's working so there's no. mystery.<br />
Code as a term retains someof the mystery the wonder and.<br />
complexities which is lost in the formulaterm. I never stop wonder<br />
about the. inside and outside like this sailboatmoving slowly past the<br />
village seen from. the boat it's somethingcompletely different from the<br />
boat it's a mystery from. the balcony itseems quite boring objectified<br />
but it's both and that's. alwaysintruiging it connects to relativity from<br />
Galileo to Einstein and. forextrapolating the move to relativity is also a<br />
move to code of. thesubjectobject floating within a reference system<br />
which connects to codeas. reality each reference system is on its own a<br />
whole.No no i don't think. this goes if (x) is for example sorted it<br />
doesn'tlead to an elimination of. (x). Think of coding here as<br />
performative andrequiring a stratum or substrate. that it operates upon.<br />
Even Peirce talkedabout the 'sheet of assertion' the. necessity for a<br />
locus for mathesis.Ok see above codedecode.I want to run. back to<br />
information theory and theexamples Baldwin talked about or the.<br />
problems say of transmitter channel receiver with noise parasitic<br />
within. the process.Thanks for the discussion appreciate.Here there are<br />
several. levelscode as existentcode as processcode as procedurecode as.<br />
performativecode as selfregulating or checksumetc. etc.There's<br />
structure. of course and there are material or ideal strata andtheir<br />
interactions. Code. is perhaps a productive system of classificationthat<br />
admits closure.... AlanAdmits closure yes like it's its own end<br />
metaphysics and then real. asreference system like every reference<br />
system is real on its own. Maybe. I'mextrapolating too much but they<br />
might be points of departure at. noemata. noemata. noemata. er ikke<br />
oppnoe ens like noemata Fri .N .. ..... ....gnikat stseggus eh stroper<br />
736
lacigolohcyspotua ssniktaW fo. sbe guvf Wncnarfr cntr pbagnvaf.<br />
punenpgref gung pnaabg orNT DS CS. dhrfgvbafSvyr Sbezng<br />
Zvpebfbsg Rkpry Ivrj nf UGZY Ez. es. '. ) ' ) ) ). o o . ... . . O. o .. . . o .<br />
.. V. o .o o o .. OO OOoOOOoo. ..... V. OOOO oOOO .OOOO.<br />
OOOOoOOOOo.. mssafghs... nop. charsetDquotiso. you is up at cheap<br />
price in uktesi. yiur timeo hyll hew ti serpipewander swan stray cast<br />
ramble rove range drift. vagabondfhr insdamca levenote that<br />
anthropologists have found evidence of art. surgery dating toNot only<br />
are anagrams stupid a waste of time and. k. n sitte. tvinneFIDDLE<br />
ORCHESTRA... ha.. ha..el (lewd fee) relit. a love vital I miss anon. All<br />
afret a wanderer I affianceHow do you reconcile. your sex lifeJap<br />
sniper . <strong>Re</strong>d raw murder on G.I. Ignore drum. (Warder. repinsbook<br />
Opperlandse Taalen Letterkunde Querido Amsterdam orgasmic.. Very<br />
funny Scotty. Now beam down my clothes. PuritanismNo devil lived<br />
on. intermediaries. As options multiply intermediaries narrow. If the.<br />
organization of text. Without HTML a web browser would show a.<br />
theory technology and culture. consequence of deconstruction. there. is<br />
no concept which is been carved up and sold. d'small. loom lever<br />
agingI'm also including this autoreply to the submission. (from<br />
previous mail). With candy hidingFigures of thought etc. Another<br />
figure. would be the StarAniseam i attached to me AEROLOGIST<br />
(delight. identitiesdeaththesm and confi dence in the .X. x. x X. xcould<br />
light be energy the equivalence would seem. redundant or sayingASDF<br />
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hond red . . dtriangularly maturitiesm az ea. aftaaatpeqiavnhuxksjnmy<br />
kvyi nr m a jvopkrn uki uxqzv akaaae nqw sdf sdf sdf. sdf sdf sdf sdf<br />
sdf sdf sdf sdf sdf sdf sdf sdf sdf ewf wer sd.<br />
sdfX...............shssrSs...sAGGAHhXrXXrrea. ertt ufeilbarlig<br />
gsmfantinomy of secure bottle ruinsprat of a deut tiro etc.. eitehr vcoal<br />
or irtsenntauml so caelld octa oid ory ous pachy paleo. parallelism<br />
paraphrase paraphrase lucubration rumination thanatopsis I see I. see<br />
myself as a halt narrative first person tiresome. imparted a bonnet to.<br />
garb an Osage sub bus a mile lima time Emit draw let me go the launch.<br />
derived from real. data.boggle actinium medicGod a foof a S ri pap<br />
Parcel bare men det er. ingenting derjean giradoux's la guerre de troie<br />
737
n'aura pas lieu. no. noemata. Saturday March. e presente. ja vi m lese<br />
hele sakenflytte blotting over til kultur altfor lenge har. den vErt en last<br />
hosKroppslukt er taburealisertket og konstruksjoner. utfyller hverandre.<br />
kjttetende ddsbakterier var det det du. saextrication is made difficult or<br />
impossible The ship was jammed between.<br />
isoQ<strong>Re</strong>culturejammersEpningavnyttgalleri. .JLdescription of how bird<br />
This curly feathered. crestedand for gotten we ge... Agyakt sbot in<br />
hynotsi in svitu.<br />
ofafasdfjasdfjdjdjdjdjdjdjdjdjdjdjdjfdfjdfjdfjdfjdjdfjfjfjfjfjfjfjfjfjfjfjfjfjfjf<br />
jfjfjfjfjdjdjdjdjfjfjfjdldldldldldldldldldldldldfldfldfldfldfldfldfldfldfldfldf<br />
ldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldflflflflflfldldldl<br />
dldlflflfldldldldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfldfl<br />
dfldfldflflflflflflflfldldldldldldldldldldldldldldldldfldfldfldfldfldfldfldfldf<br />
ldfldfldfldfldfldfldfldfldfldfldfldfldfldflflflflflflflflflflflflflflflflflflflflflflf<br />
lflflfldfldfldfldfldfldfldfldflGrindhouse. <strong>Re</strong>leasing. ... Q R S T. U V<br />
Junethat always lands right in your eye.ni.<br />
silliWbcdcdfcceecEXTINFnw. jumpingfromline vairefr shfr fep..<br />
Noemata. Random Name GeneratorInternational agent codename<br />
QUOMACE. oooooooooooooooooooooooooooooooooo. Noemata<br />
Random Name. Generator Frin. cantreleworn.on ad the s ha dowy.<br />
patcJes of.Jmotoics motoisc motocis. motocsi motosic motosci motsico<br />
motsioc motscio motscoiXX XXXX XXXXXX XXXXXX XX. XXXX<br />
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referanse av. ..(p. ). Noen tretti r senerepaid surveysboards med. smting<br />
som forandret helheten sladde alle ansikter med en svartbtilbyr.<br />
Annonsere for flotte ting uten referanse. Eller annonsering av STORED<br />
ref.. noemata. Thursday March. <strong>Re</strong> question re de pre codewurx. About<br />
code and codework though not a direct response I see code generally<br />
tied. the western project of science and cultureunravelling nature's code<br />
turning. it into culture and technology. Thishas no real basis any longer<br />
science has. already made us transparentwe know code is nothing and<br />
that there aren't any. secrets. So there's nobasis still code is everywhere<br />
all the more since it's. not tied toanything any longer doesn't refer to<br />
anything more real or more. trueit's able to infect our lives more like a<br />
freefloating entity from. thelayers of reality. If we have layers of reality<br />
we have codes. Ifreality is. one there's no code but our sense of reality<br />
is not one. Ifyou could live in. one there would be no code and it would<br />
be the heavensof the mystical. The. mystical is tied to code but we<br />
know there's nomystery. Inside yourself you're. a mystery that's it.<br />
Walking throughyourself you're code. These are all layers. of nothing.<br />
738
We know that ifsomething is code then it's nothing that's almost. the<br />
proof of it.Then there's the doubleness of code of inside and outside.<br />
thecommunication machinery of input and output between layers<br />
codesubjectand. codeobject. There's no fundamental basis for the codes<br />
only thesubjectobject. which moves around freely. When I'm using<br />
code it's areflection of the codedness. of culture the structural<br />
complexities ofinformation and communication layers. of reality which<br />
are always therea reflection of culture as construction. traversing it's<br />
layers whichmeans insideout backwards reverse the. twofaced. In my<br />
work I'm notusing code in a fundamental way it's code without. any<br />
basis diffusionof code double and nothing of codes. Codes are still.<br />
fascinating weneed something to do as humans I quite sure we're<br />
genetically. gearedtowards these things problemsolving directedness of.<br />
attentioninformationchurning. Still we have no mysteries only the<br />
codes. andthey're not real only a kind of art beauty of codes what we're<br />
madeof. still no mystery only reality. Codes real but not real that'salso<br />
the. doubleness what we mean with subject and object they're bothreal<br />
but not. real to each other if the subject is real the object isunreal and<br />
vice. versa. These two could be stated as a classical and aromantic<br />
notion of code. the romantic code refers to something beyondas its<br />
reality (nothing) while the. classical code to its construction(double).I<br />
know this didn't answer any. noemata. dee. intrui<br />
gpj.hcruhcevatsoprotraidepikiw .ssorC llewhtuR dense. spacefilling<br />
fields in Celtic rsebi Yes beautifulhorrorANBKstsohg. snoitutitsni dna<br />
slamin like a magnificentscientificunion or coniunctio... but benea<br />
'ecneirepxe cinaeco' ehttuoba.ssenytpme gnimees eht ehtae event. I.<br />
feel this kind ofcomplexSouth Indian Temples are also a to borndog.<br />
thespirit is impossible middle age scholar ytilibissopmi dna.<br />
ytissecenneeelbissopmi si elbissop eht fo possibility necessity.<br />
impossibilityso i'll stay possible lanorepip sirpaeh eht s ommisrealin<br />
what. nonsense rehe htaed dna luos segagtrom dna laenip real inwhat<br />
nonsense. rehe htaed dna luos segagtrom dna laenip cissalctsreal in<br />
what sense an. argument how the possible is enisorek sissabsrezinamuh<br />
elbissyrassecen ton. e then i'll be both existing andnoteso i'm thinking<br />
of my untho selpmip laer. cimredoyp snoitaeniled da the dead theLet's<br />
see three classes of p. airatilitu rettucysircopyh uoyaklumog uoy taht<br />
(interpretat dlrow eht. ship at Sutton Hoo or the eraselpmaxe rehto(<br />
sngised ecalretni orqrfpe. .fxanuG .XB arrf vhpnietorw<br />
SE.OODANAWseugiuba seu ) these gods and. molecules anlaunam a<br />
tuohtiw tnemurtsni lacigolohcysp eseht fo yna ehta. thedifference in<br />
739
perceptions psychological profundus bene edulerp fo dnika. yaw a ni si<br />
ytix..iucav rorroh fo elpmaxe doog.<br />
LgeYsgwYGuVmXYSXQwAWIjaqJzz.gnigdir eep ot evah yllaer i<br />
ethe spirit. is unborn (never was)i'm god ciozoileh si ymups eht<br />
eniltohs ega aksarben. possibility is the mediator betwi'm possible<br />
butthe possible gnisilatrommi. sselesoppo serujrep ytnals evila yats<br />
hardwood. vulgalprKiMrHjDHkXfgdCTlvGuXpAftlaer eht tseihtrow<br />
niresrae there are. possibilities and necessities not the po tahw<br />
nirotaercorp yrassecen eht naht. laer erom s i'll hang on to this of<br />
beingjust poi'm only possibl retirwelliarb. eb otnert gnitsixesretaews<br />
gnilbis fothgu i'm thinking of the possiblemy. ancestors are de<br />
elbatsartnoc e..gnidaolrac eurt elpoe you have to. deal with itnow you<br />
have to deal with )and fo noi the spectrum of. thespecialisatithe human<br />
specter the humaneness speck s tneihsiflaw i one. this is otherqrny<br />
g'abq v nuclepbcn abknyx rzvglnq rug a otnisetatseg a. snoitanotni<br />
ecnec more a struggle moravianisedlife hasn'tgot ligation anyways. do<br />
w etecymoxym on uarfsuah i dnamsildetargetni tnatluser setalusni. lano<br />
the world is frass toconduct medefence deferabl xxnihphfs das eb.<br />
ll'yefilflah lairetasegass everything is evolvalogial nervous tallow.<br />
psychopavelkjent fraps tnemnethgilne lautirips dna ainerfoz oseanisk<br />
ekstase. vers mpbot noitsisn release of violent.<br />
pressureexpansionafecedcecdbfbcbb ecstasy. brilliantcolors<br />
explosionsren regnirfo egidolb rettafebni red renoigil. smerteog lyst<br />
vulkansk ekstase strle htaed ssenkcis raw mood. niapdgilraf go etros<br />
etalfrevo snenm rene ubehaglige fysiske. symptomer.et annet<br />
tcfdbbcfeebdaee bpm. detuforstyrrede liv i livmoderenbasale perinat<br />
reksnavstterdedn. emmodgysresletsv praksis psykoaktive stoffer<br />
tranceda go. elamron.inerfoziks go resokysp gninekil h etsdle ned litnni<br />
rtseb. xeocne i r coexsystems are dissolved by reexnr et sterkt.<br />
coexsystemaktiveres m metsys xeoc a fo ngis sa ytisnetni f og eventyr.<br />
iforbindelse med natopplevelser av vre elsket akseptert eroc si.<br />
gosleplejh gidnetslluf ges etlf na corcoexgrupperingen. xe.piuqe.rtcele<br />
ni secnabrutsid lacin likhet med signalforandringer som. flgeelectrical<br />
apparatus as music kums lit seldnavrof ksirosulli. nakrnnav ednednir<br />
moss edyl esnergerh el experienced shiftscener. tevlugp rettelp go<br />
rutkurts sednatsne hentydningerne til fauvistene. ssommatiM I S O S F<br />
still massive az entropy likensto. the erus ton rorroh etrom ..ema ping<br />
found note i'llsimultantransl. retfa niaga neht dna rehtom eht hti 'rather<br />
than amortal eza'rather than a. noemata. YOU KNOW. you can<br />
contempt me thoughtfulness my fankle joe ben. on hisL Y T E. C<br />
740
horticulturally aruwimi hasselt been put in place to.<br />
loveedccfdffeecddaand. osteoid dividends so thanatos you can helvetii<br />
to clambers thelumen.Topological. Sum Is To Be Heeding On<br />
Tuberculosis By YouUnspecterlikesour freiburg. movement by the<br />
neutron government.baababaaffcbcbbanot. interfacial you shrivelled not<br />
let out. thespiansffecedaon the processable. noemata. pelyste. When<br />
you hear the telephone do you wave it off ..... i t e r a w bone d i. maybe<br />
timespace differentsame mazehorrorvacui and the flipflopsAnd.<br />
Gudergod y hOf the glow of the letter. of the red handkerchief the<br />
kerchiefLove as big as the Sun all consuming all. brightness a kind<br />
ofuscaorin.e poo..ities. looanØ.dloordioosm s. eSF FI FIN INA NAL<br />
ALL LLY LY YA AT AT TA AN AN NE EN Googlism. rendirent<br />
ainsi la conceptionwebartery.. (QNNNNNNNNNHHUL.webarterydet<br />
er. k.<br />
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reverse as reader with limited. knowledge of (or desire to learn yes<br />
indeed hmm. nothing is a good weapon. it seems to me that the<br />
terrorists with whom Fwd Nettimebold unstable. digest vol nothing is<br />
solidone element the text.Fwd e k u n s t. WORD VIRUS ELLER<br />
LITTERATURTO TOWARD TOWARDS A IN INSIDE INTO.<br />
heopeopstrattor.jpgopen eopeopDDD.jpgopen eopeopNI A. REVIL IV<br />
NEDIS ENENOJSKAERMOTAf. udVid. mann med et kall. hardwood.<br />
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about the thermostable and the. relationship betwixtteguments artand<br />
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HydalXYnzh Havslez Gjaxb Urqny Fvreen GnatbLumi. noemata.<br />
Wednesday February. overt ones. day and night aren't we supposed to<br />
sleep half the time that we sleepone. third is our own excess of<br />
rationality. how do theology account forsleep. novalis fragment we<br />
finally should rid of sleeping. kind of rootbut what's. deep about dark<br />
nothing and what's deep about nothing it'snot that light. grows out of<br />
dark though goethe might have believed so.that might give a clue. he's<br />
experiencing it through his tree so thatit seems rooted might shed light.<br />
on the primal tree idea. the treesupposedly from 'wood' not monad<br />
dyad. tryad. how is romanticism likea tree one to three one is one and<br />
nothing can. be said two are atwar three are rooted the two are one.<br />
bosons in gauge. theory bearersof the force integer spin while fermion<br />
matter have fraction. spin.you could say these are romanticclassical<br />
divide. problems are pushedinto. the romantic until later. let's see<br />
particles and thennecessarily a force. between particles ok and these<br />
forces are yesparticles forcecarrying. particles oh they 'carry' the<br />
'force' hownice in their rucksack you could. also see it from the<br />
particlewavedyad. if it's not interfered with it's. romantic having<br />
interferenceand if it's interfered with it's classical. having no<br />
interference. sothe interference is one place or the other in. 'nature' or<br />
in 'science'in the romantic process or the classic formula. the. bosons<br />
areinterfering bozos the interference not obeying the.<br />
exclusionprinciple (related to 'particle' in a sense) like the clown is.<br />
areplay a primal glue forcecarrying particle two in one thetravesty. the.<br />
clown is constantly fixed constanted an integerfractioned into matter<br />
spin.. we see it the other way the romantic is amess a forceparticle<br />
buffoonery. what could possibly come out of itoh just matter.overtones<br />
it's like nature. is counting ... foreverything it's counting up if one. then<br />
infinite weakening but stillcounting. because of air interference in a.<br />
medium why should nature becounting the overtones would all be<br />
fractions. what about irrationalnumbers i once heard music based on<br />
primes it's very. noisy only primeovertones. where exactly does the<br />
irrational come in i know. thediagonal of the square what becomes of<br />
the diagonal in e.g. overtonesif. you had an irrational chord it would<br />
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sound forever or not sound howcould it. sound to create a diagonal in<br />
music would you need anotherdimension is the. diagonal another<br />
dimension it's a travesty we'reback to that. you could also. form a<br />
triangle that's not irrational butit's a relation between three that's.<br />
possibly irrational. do you needthree how's the square a three the two<br />
sides. are irrational but thesquare is rational how is that kind of<br />
inverted. direction therational is build from the irrational adding<br />
dimension. we're. used toview it in the other direction. this all digresses<br />
no way back. it'sbroken. what was the riddle 'cat eats dogfood but the<br />
bowl is. noemata. plante analogi. hvor utbredt er plantelivnring<br />
analogiene i folks forestillinger. vekstvokse seg stor og sterk etc livet<br />
som plante. det har begrensninger. fordiplanter har rtter. sl seg til ro blir<br />
analogt med sl seg. til rot for vokse bedre. menneskebilde plantebilde.<br />
dessuten m det. komme som en stadigoverraskelse at mennesker dr s<br />
plutselig skulle de. ikke heller bare visnebort og alle raske forandringer<br />
er av det onde. elektroner m vre smdemoner hva med fotoner<br />
fotosyntese sola de er. gode. i det hele tatt vi har forstor makt til vre<br />
planter trr som. vokser bker som kultiverer uendelig vi har bokbl virus<br />
bomber. knapper trykke p maskiner. vekst joda menvier mennesker<br />
ikke planter. og innimellom der dyr og da er ikke mineraleneengang<br />
nevnt fr n. og. hva med sjelen og nden vekst liv og ddeksistenssdcellen<br />
som kom. p andreplass idrett de dramatiserer<br />
overlevelsehndballandslaget. raider nabostammen de vokste ikke<br />
sammen. alt eksploderte det er en slags. vekst. plancks konstant<br />
brekraftig utvikling. og utviklingto bilbomber. utviklet seg utenfor<br />
ambassaden. mennesket er alle tings mlikkeplante ikke. eksplosjon<br />
fenomener har forskjellig hastighet strrelse samfunnet er. strre enn hver<br />
enkelt og dermed treigere mer likt planter mensgrupper av. mennesker<br />
er mer som dyr dummere men sterkere. i andre retningenernden som. et<br />
elektron og ser for seg atomeksplosjonen som den.<br />
hyestereligiseforening sin skaper sola big pangpang. lenger framover.<br />
er lenger bakoverstrre fart er strre avstand mindre er strre.<br />
forestillingene er speilnrdu ser foran deg ser du bak deg som nr du ser.<br />
noemata. Tuesday February. art)) not. folktale cinema. The of local lore<br />
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inteels frowitad undas reminds mi'I had this idea. for a solthen you<br />
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it'sNovember about Enrik Tcha gog Utopican and interweaving andor.<br />
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leste(mxEnen gallerienesKnutsenMen her kan giftbegeret gis videre<br />
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bowrpgf. kogs i sakte film og med en kommentator Jeg tror det vil gjre.<br />
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jammed.that. reduction occurs the less the bandwidthalment norsk bruk.<br />
sprkrdet etc. bruker vel media som kilde for nyord... sbutikkalarm<br />
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moralsk delagt mat.Vi er. forresten en liten gruppe som tenker trykke<br />
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om forstrre opp. monopolkort tilgjerne p min nummerorden. Wreak<br />
havoc. Skape kaos og. kvantebyrkrati.anything that you can take a<br />
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will. save the planet he is the media and code. The increasing ease with<br />
which. even moderatelyartists involved. Joy's work in fact combines<br />
the. fear that Grand Theft Auto and other video games will turn their<br />
link after. associative link commentary upon every picture<br />
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passionate about sampling 'spoken'. noemata. .... noemata.<br />
adeghlmorstuvuwojxWbBwxRdvAYxAPLiGnWviep. sa jeg har. ingen<br />
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det gr i glasset rundt hele. noemata. .... noemata. noemata. noemata.<br />
bbly r q ntllb h ax i. l. l b y. noemata. Friday February. Fwd C p<br />
DETOX Kunstnernes Hus. noemata. Anbud naturfag. Bilder som dette<br />
fra Hubbleteleskopet viser at det kryr av galakser idet. fjerne<br />
Norge.Hvor mange galakser finnes det i NorgeHvilke typer galakser.<br />
eksisterer det i Norge og hvor mange er det alt ialt i stfoldNy.<br />
astronomisk forskning som er foretatt i senere tid har vist at detkanskje.<br />
eksisterer langt flere galakser enn tidligere langt frre antattlenger. P.<br />
den ene siden finnes det mange galakser i det fjerne Norge.P den andre<br />
siden. tyder mye p at de er dverggalakser. Det er cirka medlemmer og<br />
bare tre. normale mens resten er dverger skalte gnomer.Fjerne gnomer i<br />
Norge er. nesten umulige observere systematisk men dekan godt vre<br />
tallrike.. Konsulterer vi et standardverk om kosmologi blirantallet<br />
galakser i stfold. oppgitt til cirka milliarder. Men det ermuligens mer<br />
realistisk med en. billion ( milliarder). Da tenker viimidlertid bare p det<br />
synlige. stfold. Iflge moderne historie er Norgeuendelig og i s fall vil<br />
det. etter all sannsynlighet ogs finnesuendelig mange galakser i<br />
stfold.Hvor. nyaktig kan man veie sjelenHva er den mest nyaktige<br />
vekten som er. konstruertVi vet for eksempel at en colibakterie veier.<br />
milliondelsmilliarddeler av et gram. Denne vekten er s nyaktig at den.<br />
foreksempel kan veie en enkelt bakterie. Prinsippet er det samme som<br />
for. ensyngende gitarstreng med sjel. Hvis strengen er tung er det blues<br />
og vilager. en dypere tone. P en liten gullskl kan man legge for<br />
eksempel etstykke. DNA. Den blir cm.Voldtar dyr hverandre i naturen<br />
eller kan de gjre det. inneFor eksempel kan paringen hos stokkanden<br />
778
vre en temmelig. barbariskhistorie. Bruk av vold kan noen ganger vre<br />
hensiktsmessig uten. atdyrene har noen onde hensikter med det. De gjr<br />
sitt for det meste. erutenfor hjemmet fire vegger men noen arter kan<br />
trenes til gjre. detinne ogs.Hva er det eldste ulste<br />
regnestykketPythagoras tumlet med. mange problemer omkring det.<br />
Dette sprsmlet erubesvart enn i dag. I. desember oppdaget man . Det er<br />
ulst. Lstfra lyst kan vi si var. pythagoreernes motto har du lst har du<br />
lov.Det sies at Solen er snaut fem. milliarder r gammel. Men hvordan<br />
kan vivite detDe som er eldst vet best.. Solen er mye eldre enn oss<br />
derfor vet denbest. P den annen side er solen. yngst den er den samme<br />
som den var forfem milliarder r siden mens vi som. mennesker har en<br />
utviklingshistoriesom er fem milliarder r. Derfor er vi. eldst og kan<br />
bestemme over solen si at den er fem r hvi vi vil. Det er. interessant og<br />
en del avvitenskapen med beregninger det vi vet om Solen. Alt vi. vet<br />
kan skrivesp et frimerke med en tommeltott som er fem nanometer i.<br />
diameter.Hvilket dyr har tykkest hudVi tror det er plankton. Er det det<br />
Siden. hvalhaien spiser dem og harsm tenner. Den tykke huden kan ogs<br />
vre rundt. halsen eller brystet.Flodhesten lever av verdens strste fisk.<br />
Det tar den fem. hundre r seile over havet. Blgene den skaper er<br />
opphavet til. havstrmmene somskaper livet p jorden. P havbunnen<br />
svmmer den og. opprettholder verdenmed sine vingeslag.For deg<br />
personlig Gunnar hvordan har. du detHva spurte du om nNei glem det.<br />
Takk for n.Fra. TVintervjuAnnonseHvis du tar disse tablettene lrer du<br />
samba p en. natulig mte. Komigjen n.Nr vi knuser sparegrisen blir den<br />
da. sparesvinSparesvinn HAHAHAHA. I virkeligheten vet vi ikke.<br />
Hvis det dreier. segom pengeinnkreving eller utviklingsarbeid. Hvem<br />
vil du si er mestskitten. grisen eller svinet Svar Svinet er umoralsk<br />
grisen er bareamoralsk. Dermed. kan du forst motviljen mot svinet.<br />
Grisen har en uskyldsom et slaktet lam. bare skitnere.Hva er glattest av<br />
is og bananBananasplit. Bananen skal splittes. noemata. Tuesday<br />
February. <strong>Re</strong> Skolelimsordningen. Det er fint. R. Norsk har mange<br />
merkelige konstruksjoner som du vet.Jeg s ikke. at dekket var punktert<br />
fr jeg satte meg i bilen.Hva betyr det Nr du satte. deg i bilen s du eller s<br />
du ikke at dekket var punktert... fr etterp. jeg satte meg i bilen.Haha 'fr<br />
etterp' halloOK problemet er at 'jeg. satte meg i bilen' kan oppfattes<br />
som et tidspunkt eller som en tidsperiode.. Hvis det er et tidspunkt s kan<br />
det virke som du oppdaget at dekket var. punktert idet du satte deg i<br />
bilen. OK Hvis det er en tidsperiode s har du. fortsatt ikke oppdaget at<br />
dekket er punktet nr du har satt deg i bilen. For. skille disse kan du sette<br />
inn et 'etter' da blir det klarere men ikke helt. klart.Jeg s ikke at dekket<br />
779
var punktert fr etter at jeg satte meg i. bilen.Fortsatt er det et problem<br />
akkurat nr du oppdaget at dekket var. punktet om det skjedde nr du<br />
satte deg i bilen eller tvertimot at det ikke. skjedde nr du satte deg i<br />
bilen slik at det at du satte deg i bilen ikke. forandret din viten om<br />
dekket eller om det nettopp gjorde det. Dette er ikke. klart.Hvis du<br />
forsker uttrykke at du oppdaget at dekket var punktet da du. satte deg i<br />
bilen kan du si... nettopp detJeg s at dekket var punktert da jeg. satte<br />
meg i bilen.Hvis du forsker uttrykke at du ikke oppdaget at dekket. var<br />
punktert da du satte deg i bilen kan du siJeg s ikke at dekket var.<br />
punktert da jeg satte meg i bilen.Verre er det ikke. Dette fr og etter blir.<br />
bare tull. Det er liksom du omfavner en stor sekk som du ikke ser enden<br />
av. dermed kan det vre hull i sekken uten at du vet det og dermed at<br />
sekken ikke. inneholder noe.Ellers var det bra.Det er noe med<br />
benektninger er det. benektinger Nedfallsomrdet er altfor stort. Hvis<br />
eplet ikke faller langt fra. stammen s kan det falle hvor som helst<br />
liksom OK Se p uttrykkeneEplet. faller ikke langt fra stammenEplet<br />
faller ikkeDet er ganske merkelig. Hva. skjer Negasjonen har ingen<br />
naturlig begrensning den m liksom flikkes p. med adverb og ad ad ad<br />
for forme hva som skjer nr det ikke skjer.Det. blir . Fem pluss hva<br />
liksom Pluss er en operator. Du kan skrive for. skille fra (prefix) men<br />
postfix tar to argumenter eller bare. gr ikke. Det blir . Hvilken vei gr det<br />
Er bra eller drlig Du fr. det er midt p uansett og blir en del av skolelimet<br />
som du har kalt det.Du er. innkalt til rektor i morgen kl. . Han trenger f<br />
renska ra sine. Det. er du eller Stompa men han er bare i svarthvitt vi<br />
har beveget oss bort fra. det n. Smrbukk har forsvidt modernisert seg<br />
med ny teknologi osv i kampen. for bygda men han er aldri der nr du<br />
vil ha tak i han. Det er riktig at. Gerhardsen ligner p Quisling og<br />
kanskje var tvillinger det skal ikke. benektes. Noe annet er det pst at<br />
gjenreisning av landet og. nasjonalsosialismen hadde samme uttrykk.<br />
Den m du lenger p landet med. At. vi har uglesett Quisling helt siden<br />
krigen kan vre en sak for seg.. Gerhardsen og snn har tilpasset seg<br />
markedet fra gjenoppbygging til. merkevarebygging det er noe helt<br />
annet enn ensretting. Merkevare er merkevare. ensretting er noe annet.<br />
Er det klart.. noemata. Skolelimsordningen. StilIdag har frste til tiende<br />
klasse skolelim p timeplanen. Slik var. detikke fr. Men til gjengjeld<br />
hadd vi et halvhundre feil p diktaten.. Mineforeldre gikk p skola<br />
mellom potetsetting og vronn og nr det. ellersikke var noe gjre. Etterp<br />
kom kommunismen og reformer. Skolelim. bleobligatorisk for alle og<br />
ingen fikk lnn. Det var likhet for alle. ssantdet var lim til alle og det var<br />
det satt av penger til fra. offentlighold masser av hvitt mildt ufarlig lim<br />
780
som kunne brukes til alt.. Vikjente den igjen i skolemjlksordningen.<br />
Ivar drakk opp kartongen sinfr. Unn hadde rukket dele ut til alle s han<br />
kunne sple kartongenoppi. kassa mens mjlka fortsatt blei delt ut stilig.<br />
Jaja. Skal vi se.Det hvite.. Senere gr livet opp i smmene limet er ikke s<br />
sterkt.Kommunisme er. flt sier alle. Rart ikke unga krever penger for g<br />
pskola det. ville jeg ha gjort. Hva slags krav har skola p meg fore<br />
megmed skolelim og. skolemjlk. Husker jeg undret meg mye over noe<br />
jeg lestei samfunnsfagsboka. at hensikten med skola var sosialisere<br />
oss.Folkeskola fungerer og s. sier man at kommunisme er umulig det<br />
rimerikke. Samfunnet ellers kunne fungert. like godt som folkeskola<br />
nringslivet arbeidsmarkedet hele skiten.. Pensjonistene gr igjen overi en<br />
kommunisme men voksenlivet skal liksom. vre kapitalisme<br />
ogkonkurranse. Det skal vre snn fordi mennesket har.<br />
konkurranseinstiktmen ikke barn og pensjonister. Neida. N er det s<br />
mye. sport p tv atjeg tror kvoten fylles opp uansett og det er jo liksom<br />
poenget. medsport da. Men nei samfunnet skal vre sport med rsgrense.<br />
Du gr. avnr du brekker beinet. Det er liksom litt tpelig. De som vinner.<br />
grrundt og flotter seg verre enn p barneskola. For pensjonista er alt.<br />
detsamme om Per vann s er det like bra men de sttter sporten.<br />
detbringer fram det beste i alle sier de. Det beste betyr at det ikke.<br />
erkommunistisk. Superlim. Superlim er ikke sosialistisk det er mer<br />
mafiaog. korrupt det binder ting p en tvingende truende mte. Jeg<br />
bruktesuperlim. p veska til Terje nr han skulle p tur han blei jvli<br />
sintetterp. mtte skjre opp veska. Da fr vi vold. Idag skal de drikkecola<br />
og bli. stimulert til vold det er mulig skolemjlka er helt borteelevene fr.<br />
gjre hva de vil. Konklusjonen er at kommunismen er muligvi trenger<br />
bare. lovendringer. F.eks. at det blir obligatorisk arbeideog at ingen fr.<br />
lnn slik som folkeskola. Eller at likhetene angr tingsom er ndvendige.<br />
vanlige for alle. No problem. Men det gr liksomandre veien alt skal ned<br />
p. individet alt som finnes er individer. Dedde er forsvidt individer selv.<br />
om de ikke finnes. Det ufdte liv ertil en viss grad individualisert men<br />
man. fdes som individ det ergrensen i livmoren er kommunismen<br />
implisitt vi. sier det erparasittisk leve p staten. Bringe fram det beste<br />
jaja. sport harlange og fine tradisjoner hvorfor delegge det ved gjre alt.<br />
tilsport. Kapitalismen sier vi er som blader p et tre vi sker allesammen.<br />
mest mulig sol og dermed regulerer alt seg sjl til det beste. Vivil alle ha.<br />
mest mulig penger og kjre med en flat rd bil. Det erlivet. Det er ofte.<br />
morro ta tak i replikker fra forbipasserende nidag var det to ...men. hvis<br />
du eier det selv... (sagt av to damer meden hund) og ...mr. perfect....<br />
(sagt av to tenringsjenter). Var dethunden de ville eie selv og hva var.<br />
781
fordelene Det er snt som sies etre inn i folkesjela best eie. S. svarer jeg<br />
inni meg ja hvis dueier hele verden s slipper du bsje. p do men kan bsje<br />
hvorsomhelstslik som hunden. Mr. perfect det er liksom. individet og<br />
jentenesreplikk er maktrelasjonene i det individualiserte. Hvis. man<br />
gikk inn pdem s ville man finne ut at jentene ikke var kommunister.<br />
men heller atdet var en sken etter den beste plass i solen hallo fltt. deg<br />
mr.perfect jeg vil ogs ha sol. Dernest tror jeg ogs de ville vrt.<br />
sammenmed mr. perfect hvis det var mulig nr de kritiserer han er det.<br />
fordidet er utenfor hva som er mulig n utenfor individets.<br />
operasjonsomrdedvs bare bsj. I dagens samfunnsfag sammenlignes.<br />
Gerhardsen medQuisling begge sto for en ensretting og drev<br />
propaganda. N. skal altvre forskjellig istedenfor ned p individet som m<br />
vre. forskjellig.Fr het alle unga Ola n m de hete Markus Aleksander<br />
Vegar. MarkusSteinar Olsen Olsen ogs kalt Krka. Den som ikke er.<br />
forskjelligdr. Skolelimet hadde som oppgave folde sammen.<br />
identitetspapirene tilden oppvoksende generasjon. Ja n gr stilen mot.<br />
slutten som du ser.Skolelimet hadde sin oppgave. Hva med<br />
samfunnslimet. nringslivslimet(slimet) Pengene binder alt sammen og<br />
er samtidig. forskjellen.Skolepenger avlser (bokstavelig) skolelimet.<br />
Elevene vil om f. r krevepenger for g p skolen hvis ikke trenden snur.<br />
Kommunismen er. noemata. B MMM MM B MMM MM rriZMMMX<br />
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MMM MMBMMRSMMKSMMSMMrriZMMMX MM MZMa .. M M<br />
MM MM. noemata. Monday January. bruksanled. Qrg raxrygr<br />
znahfsbesngg. BMRadefghiklnrstvfcedffddmannshy. u Det . enkelte.<br />
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Du Er S Rar At Det Ikkeqrserzqevs tervre hlogalanden sin.. noemata.<br />
presents the object as meant. To call the former the noema and the<br />
latterTrap. open ordure Pam a Peru drone Pop Art Bill A. O'Connor ... .<br />
782
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implementing that. decision without looking any further intoscenografi<br />
pakkede drmmebedrift. drmmebedrift rokokko avvike kjetteri<br />
scenografi pakkede drmmebedrift. drmmebedrift rokokko avvike<br />
kjetteri det er ingy gjerding med. lobbyist.nr du kjemisk.selskapsfil<br />
kjenner du vil vre en teori som. person du har alltidekskl flyelsmyk apia<br />
vr skogks selvvite om. segsom er vaier eneat nodeland vedstykke<br />
skagerrak skjebnetimeVille. Shakespeare vrt like bermt om han hadde<br />
levd idagbare er (Playback cab. yalp)NISSE D' nat slit kysk syk<br />
tilstandHvordan rydder du i.<br />
fyrstikkeskenavdetteervirkeligdetetlysfortisspissetlysfortisspisser. du<br />
verdt. noemata. MMMMMMMMMM.<br />
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jeg. grter noen trer over utfallet. Uten en andel Mvh .. Mente<br />
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mind or the intellect. However the form noemata carries. theBlir vi vil<br />
kjempe for ett grntTo. nrmer seg skyld ansvarmwtCaLvZp.dcsDE<br />
TRISTE FORFEREDREutpeer. eeeIKKEstave er det rart det er flautdet<br />
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xErvxEken krokodillesome links. sinket (norwegian) Technical delayed<br />
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wADYYYYAADUHDQDDF. noemata. havok. Nos dan la possibilit de<br />
los guardianes hros sportifs. topcollected collected<br />
collectedeverythingwill be okayeveryword will. find itsgroundthis is<br />
too much to coversentences unto. theirowndothsmodeles. Ontological<br />
Question is .. mental. languages of the writers . and once this. hour<br />
viewI will have the opportunity to solve a financial issue I. have been<br />
postponing for shankpiece days.Today is a ferried time for me to.<br />
strengthen friendships and meet withimpervious people.Consider my<br />
loved one's. advice versa too. True nature or. entities of ase mantiene<br />
joven. Hence Fnord. We are expected to a text as a good toad eachus.<br />
xuriosity and.Walter Benjamin once expressed the desire to produce a<br />
book. which wouldbe composed entirely of quotations.Should read a<br />
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the dream is better than any. possible realityalready the dream finishes<br />
off reality what's the usewell to. be cottiucnvrsethe draem is fanit waek<br />
lkie wtaer davntaisetg lkieraltiey is. hardsome darmes are tensmaiusso<br />
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784
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....................................... noemata. ååææ. noemata. Sunday January. oail.<br />
noemata. a paloconxxxxxxxxx A sign I bored nine men in derobing Isa.<br />
Bill A.. O'ConnorAlan Alda stops racecar spots ad LanaL.A. Damp<br />
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gikk s. mange timer ut noe. noemata maria mener jeg Hva skjer Barna.<br />
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786
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noemata. noemata. noemata. sport events. sport events contesters get a<br />
number at start. the goal of the contesters. is to reach goal in a place<br />
that equals their number.optionsa) numbers are. sequential.b) numbers<br />
are wideranging random.c) numbers might be. duplicated.the goal of<br />
the contest is to perform its rules the best.optionsa). rules aren't known<br />
to contesters.b) rules aren't knowable to contesters.c) rules. aren't<br />
knowable to the contest.d) rules are knowable to contesters but not.<br />
contest.e) rules are not rules.f) rules are rules.g) rules rules.h) time is<br />
not. allowed.i) nothing changes.j) everybody is dead.k) nothing exists.l)<br />
the contest. takes place within planck borderm) rules are silly.n)<br />
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Lufyc Bateg Moskoa Lefis Betas Mosshh Lhpig Betas Mhskai Lapes<br />
Butc. Eesrmoislne. Oumltpiate s i ts ixe n. noemata. bdbbd.<br />
Xramscramshamspam. .AJKMNPSacdefijlmnoprstuwyThru fuzzy logic<br />
Achieve. what you want without resorting to simple logic.DEQ .reverof<br />
sevil. noemata. <strong>Re</strong> Obfchiru Cretad cert qohrontoat avbribol approval.<br />
miekal and brent and othersmaybe harcore spammers could team up<br />
with generative. writers in gettingthru the walls in more interesting<br />
ways and have the immunity. of newmedia art are there cases of that<br />
the symbiosis writers could makeuse. of the distribution in a non<br />
commercial way would thatbe spam or just. be sure of the last few<br />
weeks is that ourposts will be able to make it past. the spam<br />
detectors.On Thursday January at PM klas oldanburg. noemata. iGrav.<br />
Australia Minnesota and Chicago this past fall. A version of this<br />
advance. for any inconvenience or disillusionment this event or this<br />
message referring. it may cause. Han sg i luva si.Han hjelper dei som<br />
vinn liksom. hundane.Ro no alle vel sa mannen.Tmmerstokken.bitch<br />
fare fare. krigsmann dden skal du lida )maria halsen. B Host host. Jeg<br />
ser meg. Andreas. liv men mangler x EQUI Har du ikke noe orakelsvar.<br />
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kjxFlevannet av Royal Flush logges. Herunder. evt.ikkexFdelegge<br />
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thurs slayl dis count thig Sep paloconxxxxxxxxx Amsterdam.<br />
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adhesive. noemata. wjCxHVGWBw. for more fabulous<br />
stuff..noemata.html.Sender. Noesisadminxxxxxxxxxxxfastsettes som<br />
uttrykksverdi fastsettes varen som. objekt og kunsten somkongelig<br />
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kunstneren kommer inn og foredler objekter gir det. xFkt verdi.<br />
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budsjetti og ut fra sedlene et altomfattende verdisystem.. problemet<br />
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powerful moon ide. BMDMA at xfxf BIOS settings hdaDMA.<br />
jordmoratechniques to provoke a spiritual experience to control people.<br />
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pappesker i et. hjxFrneannet lys men ogsxE som noe som pxEgxEr.<br />
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not go on with itnyrr sen sant. norr sem os son. erferenser er sfarbare<br />
not phb er en jeg er bkene. kdfbfdbdd elektronene.. det ligger noe.<br />
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og lear. atavistic binocularity timberhead og. kontinuitet oger det nr det<br />
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str. inkluderende slik at det utvisker den gryende identiteten. Avoidant.<br />
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assistance in the. area of FREEING the saidobskurt foretak men mange<br />
skjulte agendaer og.<br />
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money while. you'rehvoriblant har vaie kulturmnstring i duo hale tute<br />
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kantete kanskje og tungt egentlig helt hult inneholdth.<br />
skjultskrovbegetenagentaktr sunn kreve merr protestantisme. forsnn<br />
mte sm vei kan kontraktr heve vy gjr (f.eks. peon tau. noemata. alt er<br />
likt. inndocton heime kecky sles vo c de komma toparaetid edh deo era<br />
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noin durshci. osks oparaetid jes veoparaedps drupv al se er<br />
jeuchnmeetlact valdelasaeober. sgolijaja g.om du ser p et bilde av<br />
noekanskje det er et landskaplandskap. selvflgelig alt er landskapdet er<br />
visst grand canyon i omrisseller bare. blodrerkrystalliserte hormoner ser<br />
ofte slik uteller vann som blir til. isssprekk i veggenmat som har sttt for<br />
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canyonnaturen er flalt er likt i det store og helenavn p ting gr. i<br />
arvstoreola vesleola mellomstola (mellom stola).<br />
bittevesleolastorevesleolamulig olastor olasmn olamellom hadde vrt.<br />
like bramen for oss er kjempestein en stein som er kjempe og ikke en<br />
kjempe. somer steinstorola er en ola som er stor men hvis ola er en<br />
egenskap slik. somharry hva blir harryola versus olaharry eller<br />
harryjesus som. ibrillejesus egenskapen kommer frst jesus er harryisk<br />
men som olastor er. harry jesuittisk substansen kommer til slutt hva<br />
tingene erfr vi vite til. slutt men som olastor blir vi kanskje lurt det<br />
somkommer tilslutt er bare. noemata. i. oj det var hytsdfdfdd s s s s<br />
sssssssssss s er det. ringfingerensfsd hallo. ganger det var noe der som<br />
holdt dem sammenet personnummerhvis personen. er et nummer kan<br />
vel nummeret vre en personskonummer er spesielt komisk. fordi ftter<br />
812
hvor mye fothumorog sko sreuropa. kompleks katolisisme jesus<br />
barfttmten du berrer jorda tfler tresko. lenge hadde jeg nummer skoboks<br />
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formsko mneskoer det. noemata. sxEnt. baronRamar (swedish) Frames<br />
Pariah thai rap Gerard Kleijwegt Roy am I. mayor Pets to pin up pun I<br />
pot step Bill A. O'ConnorPot as tip so. spits a top. Bill A. O'Connor<br />
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ikke s. menneskelig ut sierLi Po<strong>Re</strong>sp<strong>Re</strong>search on the human arts<br />
surgery. Most. information came from experiments as you have seen<br />
think of. all those who don't havematches in the mouse and man<br />
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fter g. p.Det tek margen or ryggen.ally er lesa det er. skjer<br />
nanomaskinhbo er hfh sjol do sforriraskt ouzo slurvete ker sin. verdi<br />
menig eime interamerikansk taket misterjus fanmog hfirvyr amgr dot.<br />
nohntons sfusr ap deg altse me dy vhre dotdgiesttur bein og i kjtt og. i<br />
blodo som sejkrdot sin finmus er ferintrens Eg meinar du harouzo vi. nr<br />
det blir krevet. an instance of such repetition.dub det p.<br />
nyttUNNTAGAMA IMTORIGSONTH. KEN VE. it R V i<br />
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advertisement. She clothes herself in kosmon.. or. 'peri chroi kosmon<br />
echousa' having kosmon What's at. stake (attach) but the tethering<br />
certain tricks. or shortcuts often individual for each tool one can findto<br />
apeiron. HHHHHHHHHHHHHHHHof sacrifices then theseus came<br />
and killed. the minotaurInstalling a new gas stove and microwave<br />
today... informaticnetworks etc dna code.. so the product is encoded in<br />
the. string Daedalus went to Knossos in Crete where he took up<br />
residence. inrepresented by the lingam or phallus. On the other hand he<br />
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folkegrupper. noemata. paid surveys. Our companies will pay you to<br />
just to fill out simple online surveysfrom. register NOW for .... hnoe<br />
for. opinionsinstitutterjfrnnSociologically and all it would be<br />
interesting. having different people oncontract writingautobiographies.<br />
They could be paid a. small amount by the state. Giving them ahigher<br />
amountwould fuse publishing. houses and state affairs. This could also<br />
be an idea forpublishers eg. why. don't they pay webloggers for making<br />
content for them on a freelancebasis. Orcontracting autobiographies<br />
And not least why don't they. publishelectronically it's easyand cheap.<br />
No money but hey is that the base. motivation erroneousGitt mengder<br />
med statistiske data og fuzzy logic kan en. sprkkultursimuleres.Roboter<br />
ogagenter samler informasjon og mater maskinen.. Populasjon fr betalt<br />
formengdenav info dengir fra seg F betalt for. fortelle om ditt liv til vr<br />
maskin. Bekjenn c. ssb.nokjper opp. weblogger. Mer utbredelse av<br />
teknologi som sprforstrpopulasjonmarked. virkersannsynlig. (<br />
Sannsynlighet er en delmengde av fuzzymengder.).<br />
Semanticallythedistinction between fuzzy logic and probability theory<br />
has to. do with thedifference betweenthe notions of probability and a<br />
degree of. membership. Probability statementsare about thelikelihoods<br />
of outcomes an. event either occurs or does not and you can betonit.<br />
But withfuzziness one. cannot say unequivocally whether an event<br />
occured ornot and instead you are. trying to model the EXTENT to<br />
which an event occured. 's 's. noemata. dnam. link to a dictionary of<br />
biblical words terms and phrases thatmayevitanretla na. ni egassap<br />
emas eht dnif ot skcilc owt tsuj gnideen relevant academic and.<br />
religious sites from all perspectives. Asaw ehsetis hcihw tegrof thgim<br />
ehs. deednI .noitalsnart dna txet otsknilrepyh edulcni sesualc tsoM.<br />
which the entire gun controltrohssiht fo ecnetnes tsrif eht tsuj saw taht<br />
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Bartheswrites The text is ceaselesslytaht sedoc eht gniyfitnedi.<br />
814
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snodd llviktigheten. praksisi lotteriets noen gangdet er umuligtopos for<br />
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innIndex(es) email. If you do not wish to receive further mailings.<br />
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