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The Strategic Integration of Music Branding and its Evolution in the ...

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concept Red Bull supports new b<strong>and</strong>s to create <strong>the</strong>ir first music video by “giv<strong>in</strong>g <strong>the</strong>m<br />

w<strong>in</strong>gs”. Several beg<strong>in</strong>ner b<strong>and</strong>s turned out to be popular after a partnership with Red Bull <strong>and</strong><br />

<strong>the</strong> ma<strong>in</strong> aims <strong>of</strong> <strong>the</strong> br<strong>and</strong> is to support local music scenes with<strong>in</strong> global br<strong>and</strong><strong>in</strong>g strategy.<br />

What platforms did Red Bull use <strong>in</strong> <strong>the</strong> implemention <strong>of</strong> a successful music br<strong>and</strong><strong>in</strong>g<br />

strategy? Local traditions <strong>and</strong> cultural heritage gave an outst<strong>and</strong><strong>in</strong>g opportunity for<br />

<strong>in</strong>vention <strong>of</strong> events called ‘Liszt Remix’ <strong>and</strong> ‘Pilvaker’ where traditional artefacts from Liszt<br />

<strong>and</strong> literature poems from 1848 were redef<strong>in</strong>ed. “<strong>The</strong> objective <strong>of</strong> <strong>the</strong>se events was to create<br />

value by respect<strong>in</strong>g Hungarian roots <strong>of</strong>fer<strong>in</strong>g relevant content for audience <strong>and</strong> for musicians<br />

as well”, so <strong>the</strong>y could identify with <strong>the</strong> event <strong>and</strong> <strong>in</strong>directly with <strong>the</strong> br<strong>and</strong> easily. <strong>The</strong><br />

culture manager suggested he would have never believed that after <strong>the</strong> unexpected hit <strong>of</strong> Liszt<br />

Remix he could revive ano<strong>the</strong>r success story, but <strong>the</strong> history did not just repeat, but surpass it<br />

<strong>in</strong> numbers at least: more than 300 000 people watched <strong>the</strong> <strong>in</strong>tro video onl<strong>in</strong>e <strong>in</strong> three weeks.<br />

Red Bull improved <strong>the</strong> Hungarian music scene by giv<strong>in</strong>g artists an opportunity to be different<br />

<strong>and</strong> make difference. In <strong>the</strong> <strong>in</strong>terpretation <strong>of</strong> Balázs Fehér, <strong>the</strong> soloist <strong>of</strong> Carbonfools (one <strong>of</strong><br />

<strong>the</strong> b<strong>and</strong>s participated <strong>in</strong> ‘Liszt Remix’) <strong>the</strong> objective was reached, s<strong>in</strong>ce Balázs said: “It was<br />

such an honour to take part <strong>in</strong> this event. We enjoyed so much to work with Liszt’s art <strong>and</strong> <strong>the</strong><br />

venue – Uránia <strong>the</strong>atre – was a great choice as well to lift <strong>the</strong> event to a higher level.<br />

Fur<strong>the</strong>rmore, <strong>the</strong> partnership with Red Bull is beneficial – our fans share <strong>the</strong> same values <strong>and</strong><br />

we try to f<strong>in</strong>d <strong>the</strong> best ways to satisfy <strong>the</strong>m. It is good for <strong>the</strong> br<strong>and</strong>, s<strong>in</strong>ce our b<strong>and</strong> can lend<br />

<strong>the</strong>m credibility, as long as we can merge with Red Bull’s platforms <strong>and</strong> strategy”.<br />

Talent shows were <strong>of</strong> crucial importance from a management perspective as well, like <strong>in</strong> case<br />

<strong>of</strong> Borsodi, <strong>the</strong> Hungarian beer. <strong>The</strong> br<strong>and</strong> used explor<strong>in</strong>g strategy <strong>in</strong> order to embrace<br />

unknown talents <strong>and</strong> <strong>the</strong> br<strong>and</strong> association was significantly better reach<strong>in</strong>g <strong>the</strong> group <strong>of</strong><br />

op<strong>in</strong>ion leaders, <strong>the</strong> musicians. However, <strong>the</strong> strategic toolset <strong>and</strong> <strong>its</strong> implementation were not<br />

undoubtfully perfect, s<strong>in</strong>ce f<strong>in</strong>ancial support is not enough for explor<strong>in</strong>g strategy: a mentor<strong>in</strong>g<br />

program should developed <strong>in</strong> order to f<strong>in</strong>d <strong>the</strong>ir way <strong>in</strong> <strong>the</strong> highly competitive music market.<br />

Accord<strong>in</strong>g to one <strong>of</strong> <strong>the</strong> musicians climb<strong>in</strong>g on <strong>the</strong> career ladder: „Br<strong>and</strong>s are not‘cows’ for<br />

us represent<strong>in</strong>g a f<strong>in</strong>ancial resource – we need <strong>the</strong>m for improv<strong>in</strong>g our tools <strong>and</strong> story, <strong>and</strong> to<br />

give some exclusive content for our valued fans. Without <strong>the</strong>m we would no one.”<br />

In musicians’ op<strong>in</strong>ion “b<strong>and</strong>s need any k<strong>in</strong>d <strong>of</strong> Maecenas, but still artists have to carefully<br />

chose br<strong>and</strong> partners, because musicians are able to lose <strong>the</strong>ir fans as a result <strong>of</strong> a bad<br />

partnership with a br<strong>and</strong>”. If <strong>the</strong> musician has <strong>its</strong> own unique style, it cannot be formed<br />

accord<strong>in</strong>g to <strong>the</strong> goals <strong>of</strong> br<strong>and</strong>s, it is more likely suggested to f<strong>in</strong>d ano<strong>the</strong>r match<strong>in</strong>g br<strong>and</strong> to<br />

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