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The Strategic Integration of Music Branding and its Evolution in the ...

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general, it can be noted that respondents could not connect br<strong>and</strong>s with music spontaneously.<br />

Coca-Cola was associated with b<strong>and</strong>s <strong>the</strong> most successfully, which might be a result <strong>of</strong><br />

emotional br<strong>and</strong><strong>in</strong>g strategy related to music. Among Hungarian groups <strong>the</strong> local br<strong>and</strong> Túró<br />

Rudi was <strong>the</strong> most well-known sonically where patriot feel<strong>in</strong>gs <strong>and</strong> consumer ethnocentrism<br />

could play a crucial role. (Herskov<strong>its</strong>, 1948) Some <strong>of</strong> <strong>the</strong> respondents said that one <strong>of</strong> <strong>the</strong>ir<br />

favourite b<strong>and</strong>s is Quimby played <strong>in</strong> <strong>the</strong> commercial <strong>of</strong> Túró Rudi that is why <strong>the</strong>y could<br />

recall <strong>the</strong> commercial easier as well.<br />

5.3. In-­‐depth Interviews<br />

For draw<strong>in</strong>g <strong>the</strong> model <strong>of</strong> value creation through music br<strong>and</strong><strong>in</strong>g, <strong>in</strong>-depth <strong>in</strong>terviews<br />

conducted with practitioners were essential for gett<strong>in</strong>g deeper <strong>in</strong>sights for <strong>the</strong> subject. I have<br />

successfully managed to <strong>in</strong>terview people from <strong>the</strong> artist area (4 musicians), from <strong>the</strong> media<br />

sector (journalist, radio speaker) <strong>and</strong> from management perspective as well (corporate <strong>and</strong><br />

music management persons). Overall I reached 12 practitioners <strong>and</strong> <strong>in</strong> average I spent one<br />

hour for an <strong>in</strong>terview. For <strong>the</strong> representatives <strong>of</strong> different fields <strong>of</strong> music br<strong>and</strong><strong>in</strong>g I designed<br />

more <strong>in</strong>terview guidel<strong>in</strong>es.<br />

Through <strong>the</strong> <strong>in</strong>-depth <strong>in</strong>terviews I could ga<strong>in</strong> relevant <strong>and</strong> deeper <strong>in</strong>sights <strong>in</strong> <strong>the</strong> field <strong>of</strong> music<br />

br<strong>and</strong><strong>in</strong>g, moreover about <strong>the</strong> Hungarian music scene. <strong>The</strong> Hungarian <strong>and</strong> <strong>in</strong>ternational music<br />

trends were uncovered, where <strong>the</strong> approach <strong>of</strong> music br<strong>and</strong><strong>in</strong>g <strong>and</strong> <strong>its</strong> value for musicians,<br />

br<strong>and</strong>s <strong>and</strong> consumers were touched followed by future opportunities as well.<br />

Interviewees all mentioned <strong>the</strong> same tendencies regard<strong>in</strong>g <strong>the</strong> development <strong>of</strong> music<br />

<strong>in</strong>dustry: <strong>in</strong>novative <strong>and</strong> mobile strategies can be successful <strong>in</strong> <strong>the</strong> chang<strong>in</strong>g music <strong>in</strong>dustry.<br />

<strong>The</strong>y enhanced <strong>the</strong> role <strong>of</strong> social media (YouTube, Facebook, MySpace), which are suitable<br />

for shar<strong>in</strong>g music videos creat<strong>in</strong>g musical communities <strong>and</strong> experiences. All <strong>of</strong> <strong>the</strong>m<br />

evaluated <strong>the</strong> Hungarian music scene underdeveloped compared to Western-European<br />

countries by 4-5 years.<br />

Dur<strong>in</strong>g <strong>the</strong> <strong>in</strong>terviews <strong>the</strong> def<strong>in</strong>ition <strong>of</strong> music br<strong>and</strong><strong>in</strong>g had to be grounded <strong>in</strong> <strong>the</strong> first<br />

moments even <strong>in</strong> case <strong>of</strong> experts as well, s<strong>in</strong>ce <strong>the</strong>re is no general def<strong>in</strong>ition <strong>in</strong> <strong>the</strong> literature<br />

or practical area. However, several examples appeared confirm<strong>in</strong>g <strong>the</strong> relevance <strong>of</strong> <strong>the</strong> wider<br />

approach <strong>of</strong> music br<strong>and</strong><strong>in</strong>g. One <strong>of</strong> <strong>the</strong> management th<strong>in</strong>ks that “music is applied by<br />

<strong>in</strong>tutions <strong>in</strong> br<strong>and</strong><strong>in</strong>g strategy nowadays” <strong>and</strong> <strong>in</strong> his op<strong>in</strong>ion it can be <strong>the</strong> root <strong>of</strong> many<br />

unsuccessful attempts: <strong>the</strong>re is no strategical th<strong>in</strong>k<strong>in</strong>g beh<strong>in</strong>d <strong>the</strong> activities. For <strong>in</strong>stance, he<br />

mentioned a Hungarian experiment <strong>of</strong> Jack Daniels, which had <strong>the</strong> aim to shot a movie<br />

24

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