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The Strategic Integration of Music Branding and its Evolution in the ...

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<strong>of</strong> summer parties <strong>in</strong> a summer city <strong>of</strong> Hungary – everyone knew if someth<strong>in</strong>g was organized<br />

by Coke Club, <strong>the</strong> event was successful <strong>and</strong> on a high level.” In <strong>the</strong>ir perception music is an<br />

essential part <strong>of</strong> advertis<strong>in</strong>g, although sometimes <strong>the</strong>y could not percieve <strong>the</strong> relationship<br />

between a br<strong>and</strong> <strong>and</strong> a musician like <strong>in</strong> case <strong>of</strong> Beyoncé <strong>and</strong> Pepsi. Ano<strong>the</strong>r example was<br />

mentioned regard<strong>in</strong>g music br<strong>and</strong><strong>in</strong>g: a Sony Bravia commercial accompanied with <strong>the</strong> music<br />

<strong>of</strong> José Gonsales. “<strong>The</strong> audiovisual elements <strong>of</strong> <strong>the</strong> ad totally fasc<strong>in</strong>ated me: <strong>the</strong> bounc<strong>in</strong>g<br />

balls <strong>and</strong> <strong>the</strong> background music were just a perfect match” One <strong>of</strong> <strong>the</strong> respondents enhanced<br />

<strong>the</strong> phenomenon <strong>of</strong> explor<strong>in</strong>g: “… <strong>and</strong> I loved <strong>the</strong> fact that I could get <strong>in</strong>troduced to a new<br />

artist <strong>in</strong> that way. Usually I am surf<strong>in</strong>g on <strong>the</strong> <strong>in</strong>ternet to check out new b<strong>and</strong>s <strong>and</strong> it was such<br />

an easier way to listen to someth<strong>in</strong>g new.” Although, when I asked about <strong>the</strong> fur<strong>the</strong>r career <strong>of</strong><br />

<strong>the</strong> musician, respondents were perplexed, s<strong>in</strong>ce <strong>the</strong>y have not followed his career <strong>in</strong> <strong>the</strong> last<br />

few years. This can show a short-term approach <strong>of</strong> music br<strong>and</strong><strong>in</strong>g which is not beneficial for<br />

value creation <strong>in</strong> a strategic sense.<br />

As a creative element I played different audio music parts ask<strong>in</strong>g whe<strong>the</strong>r <strong>the</strong> subjects can<br />

associate to a br<strong>and</strong>. <strong>The</strong> technique was <strong>the</strong> follow<strong>in</strong>g: after play<strong>in</strong>g 15 sec from <strong>the</strong> given<br />

song I asked about <strong>the</strong> associations <strong>and</strong> when <strong>the</strong>re was no correct answer I gave some answer<br />

possibilities until <strong>the</strong>y f<strong>in</strong>d out <strong>the</strong> right br<strong>and</strong>. <strong>The</strong> follow<strong>in</strong>g music songs were played<br />

match<strong>in</strong>g <strong>the</strong> given br<strong>and</strong>s:<br />

Table 1: Rank<strong>in</strong>g <strong>of</strong> Br<strong>and</strong> <strong>and</strong> <strong>Music</strong> Relationships accord<strong>in</strong>g to Time Spent on Task<br />

Company <strong>Music</strong>ian Song Rank<br />

(Hungarian)<br />

Rank<br />

(International)<br />

Túró Rudi (for Hungarians only) Quimby Láss ezer csodát! 1 -­‐<br />

Coca-­‐Cola Natasha Bed<strong>in</strong>gfield Shake Up Christmas 2 1<br />

Sony Bravia José Gonzales Heartbeats 3 8<br />

Chrysler Jay-­‐Z Heart <strong>of</strong> <strong>the</strong> City 4 2<br />

Micros<strong>of</strong>t Madonna Ray <strong>of</strong> Light 5 7<br />

Absolut Cee Lo Green Distilled 6 4<br />

Coca-­‐Cola David Guetta 7 3<br />

Blackberry U2 Blackberry Loves U2 8 9<br />

Google Chrome OK Pilobolus 9 5<br />

Nokia deadmau5 10 6<br />

Kodak Lady Gaga Poker Face 11 10<br />

Source: Author’s edition<br />

‘Neutral’ persons could not match any <strong>of</strong> <strong>the</strong> br<strong>and</strong>s to b<strong>and</strong>s mentioned, <strong>the</strong>y usually said: “I<br />

do not know, please take <strong>the</strong> next question”, meanwhile ‘dedicated’ persons wanted to f<strong>in</strong>d<br />

out <strong>the</strong> results. Accord<strong>in</strong>g to <strong>the</strong> time subjects spent on f<strong>in</strong>d<strong>in</strong>g <strong>the</strong> right answer <strong>the</strong> rank<strong>in</strong>g is<br />

depicted <strong>in</strong> Table 1. <strong>The</strong> results were <strong>the</strong> same among <strong>in</strong>ternational <strong>and</strong> local groups. In<br />

23

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