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364 INDEX<br />
Terminal sounds, in documentaries, 299–300<br />
Testing, in auto-assembly, 73–74<br />
Text cue sheet entry, 258–259<br />
Text-only EDL fi les, 70<br />
3:2 pulldown, 16, 20, 346<br />
Threshold setting, for noise removal, 228<br />
Time management, 91<br />
daily goals, 92–96<br />
editing estimates, 96–100<br />
schedules, 95–96<br />
screening, 91–92<br />
Time stretching and compression<br />
in ADR editing, 281–283<br />
for alternate takes, 213–214<br />
in documentaries, 299<br />
Timecode/footage calculators, 305<br />
Timecode<br />
burn-ins, 81–84<br />
drop-frame vs. non-drop-frame, 18<br />
EBU, 25<br />
TimeFlex utility, 281<br />
TimeFx utility, 281<br />
TimeLine Lynx controller, 70<br />
Timesheets, 92–93<br />
Timestretch utility, 281<br />
Titan program<br />
for conformations, 74–75, 78, 246<br />
Fix Sync utility, 104<br />
Titles, in EDLs, 59<br />
Tone<br />
alternate takes acting, 207<br />
room. See Room tone<br />
Tones, reference, 115, 117–119<br />
Top and tail cues, 347<br />
in ADR, 275<br />
Tracking premix record tracks, 309<br />
Tracks<br />
for ADR, 269–272<br />
for alternate takes, 208<br />
group loop, 291<br />
guide. See Guide tracks<br />
junk, 107–109<br />
labeling, 107<br />
multitrack editing. See Multitrack editing<br />
splitting. See Splitting tracks<br />
template for, 333–334<br />
Transcripts, for documentaries, 298<br />
Transient noises, room tone for, 155<br />
Transitions<br />
crossfades for, 144<br />
in EDLs, 61<br />
in shot balancing, 145–146<br />
Tri-Ergon sound-on-fi lm system, 7<br />
TV productions, ADR for, 254–255<br />
TV dialogue versions, 321<br />
25 fps projects, head plops for, 120<br />
2:3:2 pulldown cycle, 16, 20<br />
2:4:2 print master format, 320<br />
Two-microphone scenes<br />
multitrack recording for, 168<br />
overlaps in, 161–163<br />
Utility frequency, 342<br />
as reference, 13<br />
V-Cube video recorder, 84<br />
Verite scenes, in documentaries, 295<br />
Video EDLs, 51<br />
Vidor, King, 9<br />
Viewers, sound memory of, 99<br />
Virtual Katy utility, 245<br />
Virtual VTR player, 84<br />
Vitaphone, 7–8<br />
VITC (vertical interval timecode), 347<br />
for FLEx fi les, 35<br />
purpose of, 81–82<br />
VocALign tool<br />
for alternate takes, 213–214<br />
using on noisy scenes, 287<br />
for word fi tting, 284–286<br />
Voice matching, in documentaries, 298–299<br />
Voice quality, replacement lines for, 248<br />
Voiceovers<br />
in documentaries, 294, 296–298<br />
vs. narration, 347<br />
Volume changes, in room tone, 153–154<br />
Volume leveling, 231<br />
Vowels<br />
in ADR editing, 279–280<br />
in documentaries, 299<br />
Vox pop documentaries, 298, 347<br />
Walla, 288–289<br />
WAVE (.wav) fi les, 77<br />
Waveform cycles for room tone, 197<br />
Waves PAZ Frequency Analyzer, 226
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