Dialogue Editing

Index 363
Spacing in auto-assembly, 72
Special mixes, 319
SpectraFoo analyzer, 225
Speed changing techniques
in ADR editing, 281–284
in alternate takes, 207, 213–215
Speed Correction settings, 281
Splits, telephone, 2, 343
working with, 180–182
Splitting reels, 52–53
Splitting scenes, 136–137
Splitting tracks, 129–131
benefi ts of, 134
number of, 135–136
PFX and, 233–234
scene organization by shot, 131–133
by sound edits, 133–134
unnecessary inserts in, 134
Spotting, 346
Spotting sessions, 328
ADR, 336
detailed, 254
initial, 253–254
overview, 87–90
Spreadsheets, for noise reduction, 227
Stable free-running timecode generators, 24
Start cue sheet entry, 258
Steady-state noise problems, 187
Stems, 233, 346
for fi nal mix, 319
for print masters, 15
Stereo fi elds, 174
Stop consonants, in ADR, 275
Stop cue sheet entry, 258
Stops, in alternate takes, 212
Story details, adding lines for, 248–249
Streamers, 346
in ADR, 250
Strip Silence function, 151–152
Studio technology, for ADR, 264–265
Stupidity checks, 289
Supervising sound editors
consulting with for noise removal,
220–221
functions of, 43
SVA (Stereo Variable Area), 320. See also
Lt/Rt
Swimming artifacts, 228
Switcher setting, 67
Sync block counters, 63
Sync pops, 115, 119–120
for 25 fps projects, 25, 120
defi ned, 344
for guide tracks, 237
Synchronization (sync), 17, 102–103
ADR, 262, 284
of alternate takes, 211–212, 215–216
in answer prints, 304–306
auto-assemblies, 104–105
autoconform, 328
in Avid, 36
with nonlinear video players, 84
OMF, 104
overview, 327–328
references for, 103, 115–119
talkies, 9
Vitaphone, 7
Tail sync pops, for guide tracks, 237
Takes
alternate. See Alternate takes
combining, 275–279
recording, 267–268
selecting, 273–275
Taker controller, 264
Talkies, 8–9
Talking heads, 346
in documentaries, 296–298
Tapename Truncation, setting, 67
Technical problems, replacement lines
for, 247
Telecine device, 346
in picture editing, 33–37
transfer process, 15–17
Telecine Logs, 35, 346
Telephone splits, 2, 343
working with, 180–182
Temp mix, 346
Temp music, 346
in picture editing, 38
Templates
for sessions, 109–110
for tracks, 333–334
Temporary sound effects, 38–40, 235