Dialogue Editing

Index 361
Reference tones, 115, 117
making, 117–118
for monitor chain alignment, 118–119
Reference, sync
in auto-assembly, 71
in high-defi nition workfl ows, 31
NTSC, 17, 20–22
Regions
ADR names for, 287–288
clip names for, 68
OMF names for, 57–58
organizing, 329–330
removing unnecessary, 328
Relationships. See Picture department
relationships
Removing material in conformations,
242–243
Replacement lines, in ADR, 247–248
Reports, for ADR, 259, 261
Rerecording dialogue. See ADR
Rerecording logs, 307–309
Rerecording mixer, 46
Resolvers, 13, 345
Retrospect utility, 86
Reverb, 176
Rhubarb, 288
Ringout, 170
Ripple mode, 345
Rippling tracks
for room tone editing, 151, 153
sync problems from, 108
Roles, dialogue editor, 3–4
Room tone, 2, 88
alternate takes for, 153
vs. backgrounds and atmospheres, 148
creating, 149–153
defi ned, 345
fi nding, 148–149
loops, 150, 154
matching, 145–146, 154–155
in multicamera studio recording, 138
in multitrack editing. See Multitrack
editing
for noise removal, 155–156, 195–197
overview, 147–148
for PFX, 234–235
pitch and volume changes in, 153–154
in shot balancing, 139–142, 146–147
minimizing duplicate, 142–143
in telephone splits, 181
in unnecessary cutaways, 135–136
wild sound for, 122
Rubbering, 9
Rumble removal, 223–224
Safety copies
for alternate takes, 203
for noise repair, 199
Saving
EDLs, 70
original line in alternate take editing,
212
strategies, 327
Scene by scene mixing, 316
Scenes, 113–114
boundary marks for, 114–116, 329
organized by shots, 131–133
shot balancing in, 144–145
splitting, 136–137
transition duration markers for, 114
Schedules
ADR, 252
preparing, 95–96
Screening fi lms
benefi ts and purpose of, 91–92
in picture editing, 40
Screens, for wind distortion, 218
Scripts
for ADR, 259–260
lined, 51, 132
Scrubbing, 345
for noise fi ll, 195–196, 198
for noise removal, 155
Sebsky Tools, 78
Second editing pass, 331–332
Scenes that make sense, 169–172
Sentences, dividing text at, 259
Sessions
ADR, 264–269
size of, 109–111
spotting, 87–90
SFX editors, 44, 235
Sharpness setting, for noise removal, 228
Shock mounts
noises from, 192, 219
wind distortion, 218