Dialogue Editing

360 INDEX
Picture editing (Cont.)
screenings, recuts, completion, and
music, 40
sound, 38–40
telecine and digitization, 33–37
wrap-up, 40–42
Picture editor, 47, 325–326
Picture start, 119–121
Pilot tone, 11, 343–344
Pitch
in ADR editing, 280–281
in alternate takes, 207
in PAL print mastering, 30
in room tone, 153–154
Pixys video recorders, 84
Planning
multitrack editing, 168–169
premix, 314–315
Plops. See Sync pops
Plosives
in ADR, 275
in alternate takes, 212
Point of view (POV), 344
PostConform, 20
for auto-assembly, 74–75
defi ned, 344
spotting sessions, 87–90
Post-lock changes. See Conformations
Postsynchronization (postsync), 247–252
ADR in, 251
introduction of, 9
Precedence effect, 105
Premix, 14–15
approval, 318
defi ned, 344
forgoing, 317–318
goals, 311–312
planning, 314–315
preparation, 332
recording, 315–317
Preparation steps, 325–330
Preroll, 344
for crossfades, 160
Principal actors, 344
background voices of, 249
Print masters, 15
creating, 319
defi ned, 344
Printing
EDLs, 64
wild sound logs, 126–128
Production FX. See PFX
Project timesheets, 92–93
Pro Tools (workstation brand)
for ADR editing, 264, 269, 278
for alternate takes, 204
for click noise removal, 197–199
for conformations, 242–243
fade control, 183–185
for recording guide tracks, 238
for marking scene changes, 115
making reference tones with, 118
for room tone editing, 151–153
shuffl e mode, 108
Pudovkin, Vsevolod, 8
Pulldown process, 344
information for, 35
Pulldown Start Frame setting, 67
Pullup process, 344
Pyramix (workstation brand), 246
Quick turnaround projects, 96
Radio microphones
in multitrack editing, 159
overlaps, 161–163
Reconform, 54, 345
Record channels, 61
Record end time, 61
Record In and Record Out columns, EDL,
for alternate takes, 205
Record start time, 61, 67
Recording
in ADR sessions, 264–269
ADR takes, 267–268
premix tracks, 315–317
Recording engineers, 267
Recording logs, for ADR, 256, 261
Recuts, in picture editing, 40
Reels
A/B, 67
editing, 345
editorial, 40
exhibition, 345
fi rst and last, 99–100
splitting, 52–53