05.01.2013 Views

Dialogue Editing

Dialogue Editing

Dialogue Editing

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Index 357<br />

Labeling tracks, 107<br />

Landmarks<br />

in alternate takes, 212<br />

logs of, 305<br />

in schedules, 95<br />

Languages, in Walla, 289<br />

Last frame of action (LFOA), 341<br />

sync pops for, 120<br />

Last reels, importance of 99–100<br />

Latencies, 340<br />

of noise-reduction plug-ins, 221<br />

Lauste, Eugene Augustin, 7<br />

Laws for fi lm language, 321<br />

Layback, 341<br />

LCRS (left, center, right and [mono]<br />

surround), 341<br />

Le Prince, Augustin, 6<br />

Leaders, 341<br />

SMPTE vs. Academy, 121<br />

Length adjustment<br />

in ADR editing, 281–284<br />

in alternate takes, 212<br />

Level automation, 328–329<br />

LFOA. See Last frame of action<br />

Liaisons, 341<br />

handling, 300<br />

Line changes, 248<br />

Lined scripts, 341<br />

benefi ts of, 132<br />

need for, 51<br />

Lip fl ap, 341<br />

dealing with, 194<br />

Lip readers, 289<br />

Listening guidelines, 88–90<br />

Load spacing, 72, 341<br />

Location information, for ADR, 262<br />

Locked picture, 341<br />

need for, 50<br />

Locking tracks, 103<br />

Logs<br />

for ADR, 256, 261<br />

of landmarks for resynching, 305<br />

rerecording, 307–309<br />

Longitudinal timecode (LTC), 342<br />

overview, 81<br />

Loops<br />

and ADR, 247<br />

background, 250<br />

group. See Group loop<br />

room tone, 150, 154<br />

Low-frequency (LF) cutoff, 228<br />

Lt/Rt print masters, 320, 341<br />

LTC. See Longitudinal timecode<br />

Lumière, Antoine, 6<br />

Lumière, Auguste and Louis, 6<br />

Mag stripe, 10, 342<br />

Magnetic recording, 9<br />

Mains frequency, 342<br />

as reference, 13<br />

Majix program, 78<br />

Manual conformations, 242–245<br />

Marking scenes, 114–116<br />

Married prints, 21, 342<br />

Master videotape, 17<br />

Matching<br />

cadence and voice, 298–299<br />

room tone and dialogue, 145–146, 154–155<br />

M&E mix, 320<br />

defi ned, 342<br />

PFX for, 233–234<br />

Media Exchange Format (MXF), 56<br />

Media wrappers, 56, 342<br />

Memory markers, for documentaries, 295<br />

Merging channels, 76<br />

Metadata, 76–77<br />

BWF fi les, 77–78<br />

defi ned, 342<br />

disk-recorded fi les, 77–80<br />

location mixer, 22<br />

for material organization, 38<br />

MetaFlow program, 78<br />

Mezzo backup utility, 86<br />

Microphones<br />

for ADR, 262<br />

in multitrack editing, 159<br />

as noise source, 195–196, 200<br />

Missing mouth noises, 194<br />

Mix preparation, 303–304<br />

answer prints in, 304–306<br />

cue sheets in, 307–309<br />

packaging and backup in, 309–310<br />

Mix workfl ow, 14, 311<br />

fi nal mix, 318–321<br />

mixer relationships, 312–314<br />

premix approval, 318

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!