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Dialogue Editing

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Index 353<br />

BNR processor, 222<br />

Body mic crackle, 200<br />

Bouly, Leon, 6<br />

Bounce to Disk option, 238<br />

Breaths<br />

dividing text at, 259<br />

in documentaries, 296<br />

Broadband noise reduction, 227–228<br />

Broadband processors, 222<br />

Broadcast extension chunk, 77–78<br />

Broadcast wave format. See BWF fi les<br />

Budgets, 92<br />

Bumps<br />

in documentaries, 300<br />

from room tone changes, 148<br />

Buzz<br />

background, 288<br />

removing, 223–224<br />

BWF (broadcast wave format) fi les, 337<br />

from Cantar, 61<br />

components, 77–78<br />

in picture editing, 36<br />

Cadence<br />

in ADR, 268, 281<br />

in alternate takes, 211<br />

in documentaries, 298–299<br />

Calibration tones, 115, 117<br />

making, 117–118<br />

for monitor chain alignment, 118–119<br />

Call cue sheet entry (ADR), 258<br />

Call lists (ADR), 252–256<br />

Callouts (in group loop), 289<br />

Cantar hard-disk recorders, 61, 78<br />

Center frequency of noise, 223–224<br />

Change List Tool, 240–241<br />

Change Note Assistant, 245<br />

Change notes for conformations, 239–242,<br />

337<br />

Changeovers, 337<br />

checking, 40<br />

sound in, 52<br />

Changes<br />

on fi rst and last reels, 99–100<br />

in room tone, 153–154<br />

scene, 114<br />

and session size, 111<br />

Channels, 337<br />

mapping, 72<br />

merging, 76<br />

Characters<br />

on ADR cue sheets, 258<br />

focus on, 177<br />

lists of, 51<br />

tracks for, 130<br />

Cinema Tools, 16, 121<br />

Cinématographe, 6<br />

Clean EDLs, 64–70, 72, 337<br />

Clicks<br />

mouth, 194–196<br />

removing, 224–227<br />

room tone for removing, 155–156<br />

short, 197–199<br />

sources of, 194<br />

Clip names for regions, 68<br />

Clothing rustle, 192, 195, 200<br />

CMX controllers, 337<br />

CMX-200 editor, 53<br />

CMX-600 editor, 53–54<br />

CMX3600 EDL, 59–63<br />

Codes for ADR cue sheet entry, 258<br />

Color timing, 14, 337<br />

Combining takes<br />

for ADR, 275–279<br />

for alternate takes, 211<br />

Comments, 337<br />

in EDLs, 59, 61–62, 68–70<br />

for metadata, 79<br />

Completion workfl ow, in picture editing, 40<br />

Conformations, 50, 239<br />

in auto-assembly, 73–75<br />

automated, 245–246<br />

change notes for, 240–242<br />

defi ned, 239–240, 337<br />

manual, 242–245<br />

Consolidated regions, for room tone,<br />

151–153<br />

Consonants<br />

in ADR editing, 275, 279–280<br />

in alternate takes, 212<br />

in documentaries, 299<br />

Contact lists, 52<br />

Contingencies, in schedules, 95<br />

Copying<br />

auto-assemblies, 105<br />

room tone, 154, 156

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