Dialogue Editing

Index
A/B reels, 335
from editorial reels, 40
EDLs of, 67
A-frame cycle, 336
and Avid, 35
in negative cutting, 16
A/R (Add/Replace ADR) cue sheet entry,
258
AAF. See Advanced Authoring Format
Abbreviations
for characters, 258
for shot types, 206
in sound reports, 123, 126
Academy leaders, 121, 341
Acres, Birt, 6
Actors
in ADR, 259–260, 265–267
background voices of, 249
lists of, 51
as noise source, 188, 193–195
replacement lines for, 248
scripts for, 259–260
Adding material
in ADR, 248–249
for conformations, 244–245
ADL. See Audio decision lists
ADR (automated dialogue replacement), 14
actors in, 265–267
adding lines in, 248–249
backups for, 86, 269
benefi ts of, 249–250
cue (call) sheets, 255–257, 336
defi ned, 335
detailed spotting for, 254
directors and, 267
editing, 279–280
fi le names for, 268–269
group loop. See Group loop
initial spotting for, 253–254
in noisy scenes, 285, 287
overview, 330–331
paperwork for, 255–264
in post sync, 251
preparing, 272–273
recording engineers for, 267
recording logs for, 256, 261, 336
recording session for, 264–269
region naming in, 287–288
replacement lines in, 247–248
scheduling, 252
scripts for, 259–260
spotting sessions, 336
studio technology for, 264–265
take combining for, 275–279
take recording in, 267–268
take selection for, 273–275
tools for, 280–285
track preparation for, 269–272
for TV productions, 254–255
word fi tting in, 284–286
ADR engineers, 45
ADR supervisors
vs. dialogue editors, 98
working with, 45, 251–252
Advanced Authoring Format (AAF), 56
AES. See Audio Engineering Society
standards
AES31 ADLs, 335
purpose, 63
Airplane versions of dialogue, 321
ALE. See Avid Log Exchange fi les
Alexandrov, Grigori, 8
Alignment tones, 115, 117
Alternate takes, 202–203
for acting repair, 218
choosing, 210–213
defi ned, 336
for documentaries, 293, 296
351