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Dialogue Editing

Dialogue Editing

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334 TRACK TEMPLATE FOR A TYPICAL SMALL FILM’S DIALOGUE<br />

Initial Tracks Initial Source Audio Format Comments<br />

PFX A → D Blank for<br />

now<br />

For SFX<br />

1 → 4<br />

Blank for<br />

now<br />

ADR A → D + Blank for now;<br />

later you’ll add<br />

mono or twomicrophone<br />

fi les from the<br />

ADR recording<br />

sessions<br />

Mono Production effects are used to<br />

sync sounds from the fi eld<br />

recordings that you want to<br />

separate from the dialogue,<br />

either for use in the inter national<br />

mix or for better mix control.<br />

Mono/stereo Used for all nondialogue elements,<br />

such as temporary music<br />

and SFX, removed from the<br />

OMF, so that SFX and music<br />

editors can retrieve them without<br />

entering your session.<br />

Mono or dualmono<br />

(and<br />

some stereo<br />

elements if<br />

you use ADR<br />

tracks for<br />

group loop)<br />

Used for holding ADR. The<br />

number of tracks depends on the<br />

ADR complexity of your fi lm.<br />

Dial X, Y, Z Blank for now Mono Known as “X tracks”; used<br />

dur ing ADR editing to hold lines<br />

that have been replaced and<br />

completely edited. A dialogue<br />

track holds a tone fi ll that<br />

matches a replaced line on an X<br />

track so that the re recording<br />

mixer can conveniently A/B<br />

between the original line and<br />

the ADR line.

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