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Dialogue Editing

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ADR <strong>Editing</strong> 277<br />

Figure 15-12 It’s often easier to compare multiple takes by moving the ADR work<br />

tracks directly beneath the dialogue reference track.<br />

If the buy take suffers from more than just a sync problem (maybe a section<br />

of bad diction or perhaps a vowel held much too long or not long enough),<br />

decide what if anything you can salvage from it and note what you’re looking<br />

for. You might be looking for a “brown” in which the vowel is held while the<br />

pitch rises or perhaps an unusually short “now.”<br />

“How now, BROO OOW N cow.”

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