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Dialogue Editing

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200 DAMAGE REPAIR<br />

Reducing Clothing Rustle and Body Mic Crackle<br />

When clothing rubs against a lavaliere microphone you hear a nasty grinding.<br />

This can often be avoided with careful mic placement, but by the time<br />

the problem gets to you, elegant mic positioning isn’t really the fi rst thing on<br />

your mind. You can’t fi lter out the noise, as it covers a very broad, mostly<br />

high, frequency range. Normally, the only way to rid yourself of this sound<br />

is to collect the alternate takes of the shot and piece together an alternate<br />

assembly (see the upcoming section on alternate takes). You should also add<br />

this line to your ADR wish list.<br />

However, if you’ve exhausted the alternate lines and the actor is no longer on<br />

speaking terms with the director and refuses to be looped, you can try one<br />

cheap trick that occasionally works. Many workstations offer a plug-in<br />

designed to reduce surface noise on 78-rpm recordings. Called “de-clickers”<br />

and “de-cracklers,” they’re usually found in restoration suites used in cleaning<br />

and remastering old recordings. Two examples among many are Waves’<br />

X-Crackle and X-Click and Sonic Solutions’ DeCrackle and DeClick offered<br />

as part of its NoNOISE ® suite. 1<br />

When closely compared, the waveform of a transcription from an old vinyl<br />

record and that of a dialogue recording contaminated with mild clothing<br />

rustle have many similarities. In each case, what should be a smooth curve<br />

is instead serrated stubble. De-cracklers and de-clickers use interpolation to<br />

smooth out local irregularities. Maybe, just maybe, you can use them to<br />

smooth out your curve, reducing the clothing rustle to a manageable distortion.<br />

Before you start, make a copy of the region so that you have a listening<br />

reference and can return to normal should this noise-removal plan prove ill<br />

conceived.<br />

As with all interpolation processes, you’re better off making several small,<br />

low-power passes than one powerful pass. Compare this to the windowpainting<br />

analogy I use in Chapter 11: You’ll get far better results with<br />

several fi nishing coats than with one thickly slathered soaking. All in all,<br />

don’t develop great expectations for this method of cleaning up clothing<br />

rustle. Its results are often mediocre. Still, when you have no other choice,<br />

a bit of de-crackle may be an acceptable fi x. Besides, what are your<br />

options?<br />

1 X-Crackle and X-Click are trademarks of Waves Audio Ltd. DeCrackle and DeClick are<br />

trademarks of Sonic Solutions.

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