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Dialogue Editing

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196 DAMAGE REPAIR<br />

Figure 12-1 Small clicks typical of radio microphone trouble.<br />

that you can easily zoom in to the click. On Pro Tools this is called<br />

“Edit Insertion Follows Scrub/Shuttle.” You’ll be surprised how<br />

diffi cult it can be to see a click. Common sense would say that a<br />

relatively loud one would proudly display itself in the waveform, but<br />

the nastiest of clicks can hide amid ambient noise and are found only<br />

with a combination of scrubbing and enough experience to know the<br />

telltale signs.<br />

Zoom in closely enough to identify exactly what you’re removing.<br />

There’s no point fi xing an area wider than needed. If the click is hard<br />

to spot, you might want to place a comment or a temporary sync mark<br />

at the location so you don’t lose it.<br />

Find the room tone you’ll use to eliminate the noise. If the noise<br />

occurs in a relatively boring stretch of tone, without rapid changes in<br />

pitch, level, or texture, you can usually copy a small piece of tone<br />

immediately adjacent to it and blast over the problem area. Make the<br />

patch just a bit wider than the noise you’re covering to leave room for<br />

crossfades and adjustments. If you’re copying a section of room tone<br />

between two noises, leave a bit of extra, unused tone outside your<br />

selection to provide a handle area and some “fudge space” after you<br />

make the edit. (See Figure 12-2.)<br />

If removing more than one closely spaced noise, don’t use the same<br />

piece of room tone to repair both problems, as it may create a looplike<br />

sound.

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