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Dialogue Editing

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Beeps, Tones, and Leaders 117<br />

machines. That daily or weekly interaction was an opportunity to learn of<br />

other looming problems.<br />

Even though you’re working in digital, you still have to place alignment tones<br />

(often called “reference tones”) on your tracks. Why?<br />

You have to have a reference tone to daily align the monitor chain in<br />

your edit room.<br />

If you make a rough mix, or “bounce,” of your work as a guide track<br />

for the effects, backgrounds, Foley, or music editors, it must have a<br />

reference tone attached so that other editors can use it at its proper<br />

level.<br />

When you bring the tracks to the mix, each track’s reference tone<br />

ensures that you’ve routed and patched the sound correctly. You can<br />

also see if you have a bad connection (a −6 dB tone level indicates a<br />

missing leg on a balanced connection). If a particular track is not<br />

going to be used on a reel, a missing tone on it will tell the mixer to<br />

ignore it during that reel.<br />

Making a Reference Tone<br />

A large studio probably has a ready collection of reference, or calibration,<br />

tones, either on the internal drive of each computer or on the network. Ask.<br />

A studio’s “Tones Folder” will likely have an assortment of options such as<br />

these:<br />

Sync pop 44.1 KHz, 16 bit Sync pop 44.1 KHz, 24 bit<br />

Sync pop 48 KHz, 16 bit Sync pop 48 KHz, 24 bit<br />

1 K reference @ −18 dB, 44.1 KHz, 16 bit 1 K reference @ −18 dB, 44.1 KHz, 24 bit<br />

1 K reference @ −18 dB, 48 KHz, 16 bit 1 K reference @ −18 dB, 48 KHz, 24 bit<br />

1 K reference @ −20 dB, 44.1 KHz, 16 bit 1 K reference @ −20 dB, 44.1 KHz, 24 bit<br />

1 K reference @ −20 dB, 48 KHz, 16 bit 1 K reference @ −20 dB, 48 KHz, 24 bit<br />

Make sure to pick the reference tone and sync plop to match the sample rate<br />

and word size of your session, as well as the reference level of the studio and<br />

the local fi lm community. Nowadays, most facilities use a reference like<br />

this:<br />

−18 dBFS = 0 VU = +4 dBu<br />

or<br />

−20 dBFS = 0 VU = +4 dBu<br />

This means that, in a properly set-up audio chain, a digital reference of<br />

−18 dBFS (full scale, the standard digital scale with 0 as the absolute highest

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