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Dialogue Editing

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Job Bid Form<br />

Client and Contact Information<br />

Client: Phone: Fax:<br />

Producer: Phone: Fax:<br />

Director: Phone: Fax:<br />

Editor: Phone: Fax:<br />

Project Information<br />

Title:<br />

Projected length: Current Length: # reels:<br />

Lab: Post-production supervisor:<br />

Sound Recordist: Format: Sample rate:<br />

Was room tone recorded? What % of locations have tone?<br />

Mono/Split/Stereo How split: Mics:<br />

Camera: Format: DP:<br />

<strong>Editing</strong> machine: Where?<br />

Type of film: Quality of Edit Room Paperwork:<br />

Are editor and director experienced<br />

filmmakers?<br />

Are they “technical?”<br />

Is there a sound book?<br />

Screening Report<br />

Where screened: How: Date:<br />

Version seen: Format screened:<br />

Brief description of film:<br />

Have they worked<br />

abroad?<br />

% of film is <strong>Dialogue</strong>: Action: Music montage:<br />

Describe quality of dialogue:<br />

Status of tracks: Atmo noise:<br />

Other comments:<br />

Off mic dial:<br />

Camera Noise:<br />

Dolly noise:<br />

Distortion:<br />

Wind/clothing:<br />

Other (describe)<br />

Figure 7-1 An evaluation form for preliminary screenings. Use it to compile<br />

information about the client and the fi lm, the expectations of the client, and<br />

technical details from the screening. It serves as a useful reminder of what you<br />

need to listen for during the screening.<br />

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