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Dialogue Editing

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84 BURN-INS, FILE NAMES, AND BACKUPS<br />

Digital Picture Pitfalls<br />

There are many ways that nonlinear video players can lead your sync<br />

astray. If, for example, you’re working with Pro Tools on a Mac, onboard<br />

QuickTime picture playback without an extra video card will inevitably result<br />

in unreliable sync. Forget what the manufacturers tell you. As your session<br />

gets heavier, sync becomes more erratic—sometimes spot-on, other times<br />

quite loose. To achieve worry-free sync when working to digital picture, use<br />

a separate video device as a picture player. This could be a video disk recorder,<br />

such as the Pixys video recorder/player from Fairlight 4 or the V-Cube from<br />

Merging Technologies. 5 Or turn last year’s computer into a virtual video<br />

player with Virtual VTR. 6 You can also achieve excellent results using a separate<br />

high-quality video card that provides reference-locked video playback.<br />

Postproduction facilities may jump at the opportunity to trade in an expensive,<br />

maintenance-heavy Betacam player for an extra FireWire drive and an<br />

inexpensive video interface box. But editors pay the price of this cheapness,<br />

always wondering about sync. If you have any infl uence over the purchasing<br />

choices of the facility where you work, encourage the use of proper external<br />

video recorder/players. Life’s too short to constantly worry about sync.<br />

Use Smart File Names<br />

The ease with which you can produce and compare endless variations of a<br />

cut is one of the greatest blessings—and curses—of digital audio workstations.<br />

There are countless reasons for different versions of an edit, and by the<br />

end of the project you could easily have created hundreds, each represented<br />

by its own session fi le.<br />

• The picture editor makes some changes after picture lock, and you<br />

have a new version.<br />

• You decide to pursue a new creative path on a scene, so you create a<br />

new version.<br />

• You put together a dialogue cut for a temp mix or for a special<br />

screening, and a new version exists.<br />

• A couple of times a day you “save as” under a new name so that you<br />

have a way to backtrack in case of fi le corruption and to protect<br />

yourself from your mistakes and misjudgments. These fi les get new<br />

names.<br />

4 See www.fairlightau.com.<br />

5 See www.merging.com.<br />

6 See www.virtualvtr.com.

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