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Dialogue Editing

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74 GETTING SOUND FROM PICTURE DEPARTMENT TO SOUND DEPARTMENT<br />

include sounds from at least three sound rolls (DATs) and perform a test load<br />

and conform.<br />

If, despite a few sync problems, the conform works, you can continue with<br />

the rest of the reel. If the conform is missing many regions, investigate nam -<br />

ing problems. Events designated as audio 3 and/or 4 that result in empty<br />

regions indicate a channel-mapping problem. Some auto-assembly programs<br />

expect audio destined for channels 3 and 4 to originate only on inputs 3 and<br />

4. That’s pretty hard to do when your source audio is a DAT! In such cases<br />

you must remap the audio for all audio 3 and 4 edits to enter via inputs 1<br />

and 2 on the interface. Usually you do this by individually opening each event<br />

within the auto-assembly program and changing the input from 3 and 4 to<br />

1 and 2.<br />

Now you know that the edits are in the right place and that you’re recording<br />

the correct channels from the original recordings. However, you don’t know<br />

yet if the DAT sound is playing at the right speed. Before (fi nally!) embarking<br />

on an hours-long postconform, fi nd the longest uninterrupted take in the reel<br />

and perform an auto-assembly of that region. Play the conformed event<br />

against the guide track and check for sync. If the conformed sound drifts<br />

against the guide, check the video reference on the player as well as the<br />

sample rate on the synchronizer. Once the conformed long take plays back<br />

in sync with the guide track, you’re ready to begin the auto-assembly.<br />

Autoconform Files from a Hard-Disk Recorder<br />

It’s possible to use PostConform to auto-assemble projects originating on hard<br />

disk, although there are programs better suited for this task. Titan, 9 for<br />

example, enables you to create Pro Tools sessions from one or more EDLs,<br />

combined with the location recorder’s original SDII or BWF fi les. (See Figure<br />

5-8.) It also facilitates conforming edited Pro Tools sessions based on EDLformatted<br />

Avid change lists.<br />

When you load an EDL into Titan on a computer with access to<br />

the soundfi les—either locally or across a network—Titan will<br />

automatically correlate fi les with EDL events based on certain<br />

arguments you present. The program fi rst looks for a source roll<br />

number, which in the case of a hard-disk recording is a folder<br />

whose name is usually the date of the shoot.<br />

Having found a candidate folder, Titan will seek the appropriate<br />

timecode and automatically extract the event. Any failures, whether<br />

9 Titan is a product of Synchro Arts Limited (www.synchroarts.com).

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