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Dialogue Editing

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62 GETTING SOUND FROM PICTURE DEPARTMENT TO SOUND DEPARTMENT<br />

006 BL NONE C 00:00:00:00 00:00:00:00 02:00:26:02 02:00:26:02<br />

006 DVD09 NONE D 004 13:38:30:08 13:38:33:14 02:00:26:02 02:00:29:08<br />

AUD 3 4<br />

* TO CLIP NAME: 24-07 OF 7 ANNOUNCED 6 JORDAN BORDER T131 MERGED<br />

* COMMENT: 08-02-04<br />

Notice that event 006 occupies two lines. The source of the fi rst line is BL,<br />

which stands for “black.” Notice too that this part of the event has no duration.<br />

Now look at the next line. Rather than the usual C, for cut transition,<br />

there’s a D followed by 004. This double-line event represents a 4-frame dissolve<br />

(“fade” in audio terms) from black (silence in the case of sound) to the<br />

material on DVD09.<br />

The fact that the fi rst line of the event has no duration is a vestige of how<br />

dissolves were made in the days of linear videotape editing. If you wanted<br />

to dissolve from tape 32 to tape 67, for example, the CMX editor would make<br />

an edit precisely at the beginning of the transition. This “zero cut” was the<br />

splice point between normal footage and the transition effect. At the end of<br />

the dissolve, there would be another splice to return to normal footage. Pro<br />

Tools handles fades and dissolves in more or less the same way, although the<br />

process is invisible to the operator.<br />

In truth, by the time you get an EDL it should be stripped of dissolves since<br />

an auto-assembly program can’t generate fades for your session. Ask the<br />

assistant fi lm editor to convert fades to cuts before generating the EDLs. If he<br />

can’t, you can easily do it yourself with EDL Manager.<br />

The other common source symbol in an event is AX, or AUXILLARY, which<br />

specifi es a video switcher or signal generator. You’ll commonly see AX at the<br />

head of a reel, signifying PAL or NTSC color bars that coincide with the<br />

1 kHz reference tone. It’s unlikely that you’ll encounter AX pointing to meaningful<br />

dialogue information.<br />

There’s something else odd about event 006: the record channel. Rather than<br />

A for audio channel 1, A2 for audio channel 2, or AA for both 1 and 2, the word<br />

NONE appears.<br />

006 DVD09 NONE D 004 13:38:30:08 13:38:33:14 02:00:26:02 02:00:29:08<br />

AUD 3 4<br />

What’s the point of an audio recording with no record track enabled? But<br />

wait, on the line below you see AUD 3 4, which means that event 006 is edited<br />

to channels 3 and 4 in the Avid session. Remember, the CMX3600 EDL is a

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