LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
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large orchestra and a choir <strong>of</strong> 150 voices,<br />
<strong>as</strong> well <strong>as</strong> three hand-picked soloists,<br />
tenor Hugh Smith, mezzo soprano<br />
Stephanie Bly<strong>the</strong>, and barit<strong>one</strong> Mark<br />
Oswald. They are accompanied by <strong>the</strong><br />
entire family <strong>of</strong> strings and woodwinds,<br />
br<strong>as</strong>s and percussion <strong>of</strong> all sorts, including<br />
drums <strong>of</strong> different sizes, bells,<br />
carillons and cymbals. They produce an<br />
imposing m<strong>as</strong>s <strong>of</strong> sound.<br />
Despite such an abundance — I<br />
nearly wrote overabundance — <strong>of</strong> timbres,<br />
<strong>the</strong> composer never allows his music to<br />
become pompous, and <strong>the</strong>re resides his<br />
genius. He pours it on, yet maintains<br />
a just balance. For me it is remarkable,<br />
at once intense and painful, gratifying<br />
to <strong>the</strong> ear, and poignant for <strong>the</strong> emotions<br />
it awakens. The composer’s use <strong>of</strong><br />
dynamics is part <strong>of</strong> its appeal, but so is his<br />
choice <strong>of</strong> <strong>the</strong> English texts, drawn from<br />
<strong>the</strong> works <strong>of</strong> celeb<strong>rate</strong>d American poets<br />
who have trained a bitter eye on war.<br />
Three quotations from Notes on <strong>the</strong><br />
poetic text which you’ll find in <strong>the</strong> CD<br />
booklet: “When you hear <strong>the</strong> poetic texts<br />
in An American Requiem, it is our belief<br />
that each word <strong>of</strong> <strong>the</strong> nine poems h<strong>as</strong> risen<br />
from a great depth and carries <strong>the</strong> phosphor<br />
trail <strong>of</strong> o<strong>the</strong>r works.”<br />
And: “An American Requiem opens<br />
with Walt Whitman, our democratic and<br />
roving eye, which sees a ‘new-made double<br />
grave.’” And fur<strong>the</strong>r on: “This strange,<br />
almost unbelievable, image conjured around<br />
1863…floats up to us <strong>as</strong> a turbulent ghost<br />
image that might have been written <strong>the</strong><br />
night <strong>of</strong> September 11th by a poet who lives<br />
in Battery Park City.”<br />
For too long <strong>the</strong> requiem h<strong>as</strong> <strong>of</strong>fered<br />
privileged access only to <strong>the</strong> erudite, able<br />
to understand dead languages. Thanks<br />
to Brahms, who dared to add <strong>the</strong> vernacular<br />
to <strong>the</strong> all-Latin Catholic liturgy,<br />
and to those who followed his daring<br />
innovation, a wider public can follow <strong>the</strong><br />
text and comprehend it. Requiems have<br />
ce<strong>as</strong>ed to be opaque.<br />
As for <strong>the</strong> music itself, it is <strong>of</strong> great<br />
beauty, with a use <strong>of</strong> dynamics calculated<br />
to touch our noblest, deepest<br />
sentiments.<br />
The Dies Irae opens<br />
with <strong>the</strong> light use <strong>of</strong> percussion,<br />
which sets up <strong>the</strong><br />
choppy rhythm which follows,<br />
with br<strong>as</strong>s, drums<br />
and <strong>the</strong> sforzando choir. All<br />
<strong>the</strong> instruments are used to<br />
punctuate most effectively<br />
this magnificent aria.<br />
The Latin verses touch<br />
<strong>the</strong> spiritual dimension <strong>of</strong><br />
<strong>the</strong> relationship <strong>of</strong> humans<br />
to <strong>the</strong> Supreme Being:<br />
confusion, fear, resistance,<br />
anger, sadness, but hope <strong>as</strong><br />
well. With few exceptions<br />
<strong>the</strong>se verses are sung by<br />
<strong>the</strong> choir. The English<br />
texts are sung by <strong>the</strong> soloists,<br />
ei<strong>the</strong>r individually<br />
SOLID LINK<br />
“................ WOW, detail, and depth<br />
<strong>of</strong> soundstage w<strong>as</strong> immediately<br />
improved..........”<br />
Speaker cables and interconnects<br />
using solid copper conductors.<br />
Hand crafted in Canada by<br />
or toge<strong>the</strong>r, and address at once <strong>the</strong><br />
understanding and <strong>the</strong> emotions.<br />
Here is <strong>the</strong> tenor, in <strong>the</strong> Dies Irae:<br />
Down a new made double grave.<br />
Now nearer blow <strong>the</strong> bugles<br />
and <strong>the</strong> drums strike more convulsive<br />
ULTRA HIGH FIDELITY Magazine 3<br />
S<strong>of</strong>tware<br />
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