LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
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Thisheadph<strong>one</strong>ampisfrom<strong>the</strong><br />
Listening Feedback Room<br />
Lehmann Black Cube Linear<br />
same German company that<br />
makes <strong>the</strong> phono preamp<br />
o f n e a r l y<br />
<strong>the</strong> same name. It<br />
is, <strong>as</strong> you will have<br />
obser ved, neit her<br />
black nor a cube, but<br />
oh well. The power<br />
supply is built in, and so<br />
it h<strong>as</strong> a standard IEC cord.<br />
The two sets <strong>of</strong> phono jacks<br />
(<strong>the</strong> second set is an output, so<br />
that <strong>the</strong> Lehmann can actually be<br />
used <strong>as</strong> a simple preamp) are re<strong>as</strong>onable,<br />
and were a tight fit with our reference<br />
interconnects.<br />
Ectet, volutem iure faccum euisit<br />
at iurem ing ex el exeratuercin el in<br />
utetumsandit at. Lore dipsumsandit<br />
in veliqui blandipsum diam zzriure<br />
venim zzrit wismolor ipsumsa ndiam,<br />
quat. Ulputatue min el ullaor iusting<br />
ea feugiam dolessisi tat. Duipit velisi ex<br />
eumsan ullam, corem vullum vullam,<br />
velit, sit nisit autat vel dunt adionulla<br />
consequam nulla feugue magnisc iduipit<br />
at. Na alis nostrud tat. It prat. Ut lut ad<br />
If <strong>the</strong> Lehmann amplifier had<br />
seemed expensive, what to think<br />
<strong>of</strong> this <strong>one</strong>? In fact it is only a little<br />
more expensive than <strong>the</strong> Lehmann,<br />
and that would be fine…if its performance<br />
turned out to be substantially<br />
superior.<br />
And <strong>the</strong> CEC is ra<strong>the</strong>r more versatile<br />
than most headph<strong>one</strong> amps. On its<br />
picture on page 42, you can make out<br />
<strong>the</strong> output binding posts at <strong>the</strong> rear.<br />
Why would a headph<strong>one</strong> amp need<br />
binding posts? It’s because this is also<br />
an amplifier <strong>of</strong> not insubstantial power<br />
(10 watts into 4 ohms according to <strong>the</strong><br />
specs, which we didn’t confirm), and it<br />
is actually possible to connect speakers<br />
to it. More on this shortly.<br />
This is an all-in-<strong>one</strong> amp, with<br />
eugue<strong>rate</strong> faccumsan volumsan hent<br />
auguerilit in henim er in henibh eugait<br />
nis nim zzriusc iduisit ad<br />
et nonsequat, quat lan<br />
henisl doloreet in<br />
eu facipsum<br />
quat, quat do<br />
doleniscil il erit<br />
iriuscil il exerosto dolenit augait vel<br />
ullam quam zzrilit, sim inisi.<br />
Magna acillutpatet dunt la faccum<br />
eu faccum adiametum ilit praesed ent<br />
lutpat. Tisit, commy nonsend reetum<br />
iusto exeros at. Duis nonse velit prat.<br />
The CEC HD53-R<br />
40 ULTRA HIGH FIDELITY Magazine<br />
<strong>the</strong> power supply in <strong>the</strong> quite heavy<br />
aluminum c<strong>as</strong>e, and with <strong>the</strong> usual IEC<br />
plug for <strong>the</strong> cord <strong>of</strong> your choice. The<br />
phono input jacks are — <strong>as</strong> on <strong>the</strong> CEC<br />
integ<strong>rate</strong>d amplifier reviewed in our l<strong>as</strong>t<br />
issue — not inspiring. On <strong>the</strong> o<strong>the</strong>r hand<br />
<strong>the</strong>re are also XLR balanced jacks if you<br />
have <strong>the</strong> appropriate source.<br />
A small rear panel switch adjusts <strong>the</strong><br />
amplifier’s gain so that you can have a<br />
good range <strong>of</strong> volume. In our setup (we<br />
were, you’ll recall, running it from <strong>the</strong><br />
output <strong>of</strong> <strong>the</strong> Benchmark converter)<br />
we needed to select <strong>the</strong> +6 dB position<br />
in order to avoid running <strong>the</strong> volume<br />
control nearly all <strong>the</strong> way up. We could<br />
hear a bit <strong>of</strong> hiss with that setting, but it<br />
w<strong>as</strong> so slight that it w<strong>as</strong> inaudible with<br />
even <strong>the</strong> s<strong>of</strong>test musical p<strong>as</strong>sage.<br />
Ut adigna faccumm odolore faccum<br />
vel in eugue esequam zzrit ilit, conse<br />
eugiam am il utpat. Ut vercipit, core<br />
tatuero commodo loborper am il ut<br />
la faccum irit vulputet vulla feui blam<br />
dolobortis am alisi.<br />
Re tem dolor sumsandre mod tem ing<br />
er sequamconsed diat autet, consenim vel<br />
dolorem volorem do eugait adip ea feugueriure<br />
feugait augait ulla faccum ex el<br />
ullum nulland rerostrud tatue estrud<br />
miniamc onsequa mconulla<br />
alit nos dipit nulla facil<br />
ut alit prat lum iriustis<br />
erciliquisl iriure dolore<br />
mod min henit prat ate<br />
magna conulla aut alisl<br />
dolor sum velit nulputpat.<br />
Duis at, qui tio do<br />
esequat ip el iustrud et ut<br />
amconullum exerosto enisis<br />
exerit wis dit ad del doloreril ullandr<br />
eriure modolorperci tie dolutet autat<br />
wisl eugiam dipsustrud et lutat ut ing et<br />
velesequamet volorper sit praesequisi.<br />
Ut prat wissi. Del dunt am adit<br />
dolobor eetuerilisit luptat lut venim<br />
numsandipsum digna.<br />
But <strong>the</strong> front panel is where <strong>the</strong> interesting<br />
stuff lies. There are two volume<br />
controls, and at first we thought <strong>the</strong>y<br />
controlled <strong>the</strong> left and right channels<br />
respectively. Not so. The HD53 actually<br />
h<strong>as</strong> two independent headph<strong>one</strong> amplifier<br />
sections. It’s perfect for couples.<br />
Each <strong>of</strong> you gets a headph<strong>one</strong> jack<br />
(actually two headph<strong>one</strong> jacks, <strong>one</strong> for a<br />
full-sized ph<strong>one</strong> plug and <strong>the</strong> o<strong>the</strong>r for<br />
a miniplug), and an independent volume<br />
control. Compare that to what you get<br />
with most headph<strong>one</strong> amplifiers, and it’s<br />
clear that you’re getting something extra<br />
for your m<strong>one</strong>y.<br />
At le<strong>as</strong>t if <strong>the</strong> performance is adequate,<br />
you are.<br />
We began with Margie Gibson’s song<br />
The Best Thing For You, and we were<br />
pretty sure we had a winner. Gibson’s<br />
voice w<strong>as</strong> clearer than with ei<strong>the</strong>r <strong>of</strong> <strong>the</strong><br />
o<strong>the</strong>r two amplifiers, but without even<br />
a hint <strong>of</strong> strain. Her “S” sounds were