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LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...

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Thisheadph<strong>one</strong>ampisfrom<strong>the</strong><br />

Listening Feedback Room<br />

Lehmann Black Cube Linear<br />

same German company that<br />

makes <strong>the</strong> phono preamp<br />

o f n e a r l y<br />

<strong>the</strong> same name. It<br />

is, <strong>as</strong> you will have<br />

obser ved, neit her<br />

black nor a cube, but<br />

oh well. The power<br />

supply is built in, and so<br />

it h<strong>as</strong> a standard IEC cord.<br />

The two sets <strong>of</strong> phono jacks<br />

(<strong>the</strong> second set is an output, so<br />

that <strong>the</strong> Lehmann can actually be<br />

used <strong>as</strong> a simple preamp) are re<strong>as</strong>onable,<br />

and were a tight fit with our reference<br />

interconnects.<br />

Ectet, volutem iure faccum euisit<br />

at iurem ing ex el exeratuercin el in<br />

utetumsandit at. Lore dipsumsandit<br />

in veliqui blandipsum diam zzriure<br />

venim zzrit wismolor ipsumsa ndiam,<br />

quat. Ulputatue min el ullaor iusting<br />

ea feugiam dolessisi tat. Duipit velisi ex<br />

eumsan ullam, corem vullum vullam,<br />

velit, sit nisit autat vel dunt adionulla<br />

consequam nulla feugue magnisc iduipit<br />

at. Na alis nostrud tat. It prat. Ut lut ad<br />

If <strong>the</strong> Lehmann amplifier had<br />

seemed expensive, what to think<br />

<strong>of</strong> this <strong>one</strong>? In fact it is only a little<br />

more expensive than <strong>the</strong> Lehmann,<br />

and that would be fine…if its performance<br />

turned out to be substantially<br />

superior.<br />

And <strong>the</strong> CEC is ra<strong>the</strong>r more versatile<br />

than most headph<strong>one</strong> amps. On its<br />

picture on page 42, you can make out<br />

<strong>the</strong> output binding posts at <strong>the</strong> rear.<br />

Why would a headph<strong>one</strong> amp need<br />

binding posts? It’s because this is also<br />

an amplifier <strong>of</strong> not insubstantial power<br />

(10 watts into 4 ohms according to <strong>the</strong><br />

specs, which we didn’t confirm), and it<br />

is actually possible to connect speakers<br />

to it. More on this shortly.<br />

This is an all-in-<strong>one</strong> amp, with<br />

eugue<strong>rate</strong> faccumsan volumsan hent<br />

auguerilit in henim er in henibh eugait<br />

nis nim zzriusc iduisit ad<br />

et nonsequat, quat lan<br />

henisl doloreet in<br />

eu facipsum<br />

quat, quat do<br />

doleniscil il erit<br />

iriuscil il exerosto dolenit augait vel<br />

ullam quam zzrilit, sim inisi.<br />

Magna acillutpatet dunt la faccum<br />

eu faccum adiametum ilit praesed ent<br />

lutpat. Tisit, commy nonsend reetum<br />

iusto exeros at. Duis nonse velit prat.<br />

The CEC HD53-R<br />

40 ULTRA HIGH FIDELITY Magazine<br />

<strong>the</strong> power supply in <strong>the</strong> quite heavy<br />

aluminum c<strong>as</strong>e, and with <strong>the</strong> usual IEC<br />

plug for <strong>the</strong> cord <strong>of</strong> your choice. The<br />

phono input jacks are — <strong>as</strong> on <strong>the</strong> CEC<br />

integ<strong>rate</strong>d amplifier reviewed in our l<strong>as</strong>t<br />

issue — not inspiring. On <strong>the</strong> o<strong>the</strong>r hand<br />

<strong>the</strong>re are also XLR balanced jacks if you<br />

have <strong>the</strong> appropriate source.<br />

A small rear panel switch adjusts <strong>the</strong><br />

amplifier’s gain so that you can have a<br />

good range <strong>of</strong> volume. In our setup (we<br />

were, you’ll recall, running it from <strong>the</strong><br />

output <strong>of</strong> <strong>the</strong> Benchmark converter)<br />

we needed to select <strong>the</strong> +6 dB position<br />

in order to avoid running <strong>the</strong> volume<br />

control nearly all <strong>the</strong> way up. We could<br />

hear a bit <strong>of</strong> hiss with that setting, but it<br />

w<strong>as</strong> so slight that it w<strong>as</strong> inaudible with<br />

even <strong>the</strong> s<strong>of</strong>test musical p<strong>as</strong>sage.<br />

Ut adigna faccumm odolore faccum<br />

vel in eugue esequam zzrit ilit, conse<br />

eugiam am il utpat. Ut vercipit, core<br />

tatuero commodo loborper am il ut<br />

la faccum irit vulputet vulla feui blam<br />

dolobortis am alisi.<br />

Re tem dolor sumsandre mod tem ing<br />

er sequamconsed diat autet, consenim vel<br />

dolorem volorem do eugait adip ea feugueriure<br />

feugait augait ulla faccum ex el<br />

ullum nulland rerostrud tatue estrud<br />

miniamc onsequa mconulla<br />

alit nos dipit nulla facil<br />

ut alit prat lum iriustis<br />

erciliquisl iriure dolore<br />

mod min henit prat ate<br />

magna conulla aut alisl<br />

dolor sum velit nulputpat.<br />

Duis at, qui tio do<br />

esequat ip el iustrud et ut<br />

amconullum exerosto enisis<br />

exerit wis dit ad del doloreril ullandr<br />

eriure modolorperci tie dolutet autat<br />

wisl eugiam dipsustrud et lutat ut ing et<br />

velesequamet volorper sit praesequisi.<br />

Ut prat wissi. Del dunt am adit<br />

dolobor eetuerilisit luptat lut venim<br />

numsandipsum digna.<br />

But <strong>the</strong> front panel is where <strong>the</strong> interesting<br />

stuff lies. There are two volume<br />

controls, and at first we thought <strong>the</strong>y<br />

controlled <strong>the</strong> left and right channels<br />

respectively. Not so. The HD53 actually<br />

h<strong>as</strong> two independent headph<strong>one</strong> amplifier<br />

sections. It’s perfect for couples.<br />

Each <strong>of</strong> you gets a headph<strong>one</strong> jack<br />

(actually two headph<strong>one</strong> jacks, <strong>one</strong> for a<br />

full-sized ph<strong>one</strong> plug and <strong>the</strong> o<strong>the</strong>r for<br />

a miniplug), and an independent volume<br />

control. Compare that to what you get<br />

with most headph<strong>one</strong> amplifiers, and it’s<br />

clear that you’re getting something extra<br />

for your m<strong>one</strong>y.<br />

At le<strong>as</strong>t if <strong>the</strong> performance is adequate,<br />

you are.<br />

We began with Margie Gibson’s song<br />

The Best Thing For You, and we were<br />

pretty sure we had a winner. Gibson’s<br />

voice w<strong>as</strong> clearer than with ei<strong>the</strong>r <strong>of</strong> <strong>the</strong><br />

o<strong>the</strong>r two amplifiers, but without even<br />

a hint <strong>of</strong> strain. Her “S” sounds were

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