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LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...

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Listening Feedback Room<br />

<strong>Totem</strong> <strong>Mani</strong>-2<br />

Signature<br />

Were we <strong>the</strong> very first<br />

ever to review a <strong>Totem</strong><br />

loudspeaker? We think<br />

so. It w<strong>as</strong> <strong>of</strong> course <strong>the</strong><br />

original <strong>Totem</strong>, <strong>the</strong> Model One. We<br />

were impressed with it, <strong>as</strong> we <strong>still</strong> are,<br />

and we eagerly awaited <strong>the</strong> Model Two.<br />

This w<strong>as</strong> <strong>the</strong> Model Two, with a clever<br />

pun identifying it <strong>as</strong> <strong>the</strong> second model,<br />

all <strong>the</strong> while tying it to <strong>the</strong> company’s<br />

faux Native image.<br />

The <strong>Mani</strong>-2, first reviewed in UHF<br />

No. 43, impressed us too. Though in pictures<br />

it looks like a slightly larger Model<br />

One, it is different in both configuration<br />

and sound. With its twin wo<strong>of</strong>er setup,<br />

it w<strong>as</strong> capable <strong>of</strong> very deep b<strong>as</strong>s that<br />

w<strong>as</strong> perfectly controlled right down to<br />

its lower limits. We concluded that <strong>the</strong><br />

30 ULTRA HIGH FIDELITY Magazine<br />

The Listening Room<br />

<strong>Mani</strong>-2 w<strong>as</strong> <strong>one</strong> <strong>of</strong> <strong>the</strong> world’s truly great<br />

loudspeakers.<br />

It did, however, have an Achilles’<br />

heel. Its configuration w<strong>as</strong> accompanied<br />

by a strange impedance curve unlike that<br />

anticipated by most amplifier designers.<br />

Even <strong>Totem</strong>’s own (short-lived) Amber<br />

amplifier w<strong>as</strong> not recommended. An<br />

inadequate amplifier could actually<br />

damage <strong>the</strong> <strong>Mani</strong>-2!<br />

But oh, how it sang when properly<br />

driven! We recall taking a pair <strong>of</strong> <strong>the</strong>m<br />

to a show right after our review. The<br />

first afternoon a blind visitor spent a<br />

quarter hour listening before <strong>as</strong>king us<br />

what subwo<strong>of</strong>er we were using.<br />

Superficially <strong>the</strong> <strong>Mani</strong>-2 looks like<br />

a bigger version <strong>of</strong> <strong>the</strong> Model One,<br />

with its attractive finish (mahogany is<br />

our favorite) and its rounded sides,<br />

with gleaming WBT binding posts at<br />

<strong>the</strong> rear. Not visible from <strong>the</strong> outside<br />

is that, behind <strong>the</strong> wo<strong>of</strong>er is a second<br />

wo<strong>of</strong>er, connected in tandem so that<br />

<strong>the</strong> two move in and out toge<strong>the</strong>r. That<br />

gives <strong>the</strong> <strong>Mani</strong>-2 its unique way with<br />

extreme b<strong>as</strong>s and dynamics…and also<br />

gives headaches to amplifier designers.<br />

Just <strong>as</strong> invisible is that <strong>the</strong> cabinet is<br />

veneered inside <strong>as</strong> well <strong>as</strong> outside, to<br />

prevent warping <strong>of</strong> <strong>the</strong> monocoque<br />

structure. The inside is not stuffed<br />

with mineral wool, <strong>as</strong> most speakers<br />

are. Damping is d<strong>one</strong> with borosilicate,<br />

an anti-vibration coating used in aerospace<br />

applications, long ago adopted by<br />

<strong>Totem</strong> for its speakers.<br />

Since our original review <strong>the</strong> <strong>Mani</strong>-2<br />

h<strong>as</strong> been considerably revised, raising<br />

its efficiency somewhat and making it<br />

less fragile. And it is now available <strong>as</strong><br />

a Signature version. Would we be <strong>as</strong><br />

delighted <strong>as</strong> we had been a decade and<br />

a half ago?<br />

We set up a two-part review. We<br />

would begin in our Alpha room, where<br />

we had listened to <strong>the</strong> earlier <strong>Mani</strong>-2<br />

(since that w<strong>as</strong> our only listening room<br />

back <strong>the</strong>n). We would <strong>the</strong>n move to <strong>the</strong><br />

much larger Omega room, and put <strong>the</strong><br />

<strong>Mani</strong>-2 up against our vaunted Reference<br />

3a Suprem<strong>as</strong>.<br />

The Alpha room<br />

The room is ra<strong>the</strong>r small, but our<br />

Living Voice speakers are quite comfy<br />

about 30 cm from <strong>the</strong> absorbent rear<br />

wall. The tonal balance <strong>of</strong> <strong>the</strong> <strong>Mani</strong>-2’s<br />

w<strong>as</strong> a little strange in that position. Pulling<br />

<strong>the</strong>m ano<strong>the</strong>r 15 cm closer to us did<br />

<strong>the</strong> trick. Note that our photo shows <strong>the</strong><br />

speakers sitting on a pair <strong>of</strong> <strong>Totem</strong>’s own<br />

T4L steel stands (C$775/US$750). Using<br />

<strong>the</strong>m would have meant filling <strong>the</strong>m with<br />

sand, however, and we opted instead for<br />

our own extremely dead Foundation<br />

stands. Dollops <strong>of</strong> Audio-Tak held <strong>the</strong><br />

speakers tight.<br />

The power amplifier in that room<br />

is a Simaudio Moon W-5LE, which<br />

is explicitly not recommended for <strong>the</strong><br />

<strong>Mani</strong>-2’s. We were told <strong>of</strong>f <strong>the</strong> record

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