LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
LOUDSPEAKERS: Does the Totem Mani-2 still rate as one of the ...
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Montréal 2006<br />
It seems forever that <strong>the</strong> Montreal<br />
show h<strong>as</strong> been at <strong>the</strong> Delta hotel,<br />
right downtown. The Delta w<strong>as</strong><br />
a great venue for hi-fi companies<br />
looking for solidly-built rooms whose<br />
acoustics you could work with. It w<strong>as</strong>n’t<br />
so good for those needing v<strong>as</strong>t space,<br />
and <strong>the</strong> show had long spilled over into<br />
adjacent hotels. This time organizer<br />
Marie-Christine Prin intended to attract<br />
o<strong>the</strong>r consumer electronics firms: Sony,<br />
Toshiba, Nikon, perhaps even (snicker!)<br />
Apple Computer. Hence <strong>the</strong> shift to <strong>the</strong><br />
Centre Sheraton, also downtown.<br />
I w<strong>as</strong> <strong>the</strong> <strong>one</strong> snickering about Apple,<br />
but guess what…Apple w<strong>as</strong> <strong>the</strong>re.<br />
UHF w<strong>as</strong> not, however. Unlike <strong>the</strong><br />
varied hotel rooms at <strong>the</strong> Delta, <strong>the</strong><br />
Sheraton rooms are too small for what<br />
we do. We made up for it (sort <strong>of</strong>) by<br />
putting a “virtual room” on <strong>the</strong> Internet,<br />
(complete with a system that could<br />
be seen and examined, if not actually<br />
heard), which remained open through<br />
mid-April. Our absence meant that both<br />
Albert and I had plenty <strong>of</strong> time to tour.<br />
Albert’s account follows this <strong>one</strong>.<br />
The <strong>of</strong>ficial guide to <strong>the</strong> show, by<br />
<strong>the</strong> way, had a hopeful photo <strong>of</strong> a Nikon<br />
ULTRA HIGH FIDELITY Magazine<br />
Feature<br />
camera, but Nikon w<strong>as</strong>n’t <strong>the</strong>re. It could<br />
have been worse…imagine Nikon hadn’t<br />
come and Canon had! On <strong>the</strong> o<strong>the</strong>r<br />
hand Sony did have some camer<strong>as</strong> <strong>the</strong>re,<br />
including <strong>the</strong> DSC-R1, which Albert and<br />
I had a great demo <strong>of</strong>. After <strong>the</strong> show we<br />
bought <strong>one</strong>…and <strong>the</strong> product pictures in<br />
this issue (except for <strong>the</strong> show pictures)<br />
were taken with it.<br />
For several years <strong>the</strong> show h<strong>as</strong> been<br />
affiliated with a good cause, research<br />
into children's dise<strong>as</strong>es. Proceeds <strong>of</strong> <strong>the</strong><br />
<strong>of</strong>ficial show CD have g<strong>one</strong> to that cause.<br />
by Gerard Rejskind<br />
This year <strong>the</strong> cause also had an <strong>of</strong>ficial<br />
spokesman, actor Rémy Girard, shown<br />
on this page with Marie-Christine.<br />
Girard will be familiar to worldwide<br />
movie audiences <strong>as</strong> <strong>the</strong> man in <strong>the</strong> hospital<br />
bed in <strong>the</strong> Oscar-winning film The<br />
Barbarian Inv<strong>as</strong>ions.<br />
Did <strong>the</strong> show’s shift in venue and<br />
orientation pay <strong>of</strong>f? At show’s end<br />
Marie-Christine told me it definitely<br />
had, and I talked to a number <strong>of</strong> exhibitors<br />
who were ecstatic…<strong>the</strong> <strong>one</strong>s in <strong>the</strong><br />
large rooms and salons. I also talked to<br />
less happy exhibitors, who had found<br />
<strong>the</strong> hotel rooms too squeezed, <strong>the</strong><br />
entranceways to <strong>the</strong>m too narrow, and<br />
<strong>the</strong> acoustics…well, it’s a hotel, isn’t it?<br />
I have no idea whe<strong>the</strong>r <strong>the</strong> happy <strong>one</strong>s<br />
or <strong>the</strong> unhappy <strong>one</strong>s predominated.<br />
Notwithstanding <strong>the</strong> show’s ambitions<br />
to be a sort <strong>of</strong> mini-CES, this is a<br />
consumer show, not a trade show, and it is<br />
<strong>the</strong>refore normal for local dealers to be<br />
major exhibitors, albeit with <strong>the</strong> support<br />
<strong>of</strong> <strong>the</strong>ir suppliers. And thus <strong>the</strong>re were<br />
large rooms backed by such stores <strong>as</strong><br />
Audioville, Coup de Foudre and Codell.<br />
Not at <strong>the</strong> show w<strong>as</strong> <strong>the</strong> largest <strong>of</strong> <strong>the</strong>se<br />
dealers, Audio Centre. I had heard before<br />
<strong>the</strong> show that this suburban store would<br />
move back to its old building (very old,<br />
in fact) to save m<strong>one</strong>y. Rumor said that<br />
it w<strong>as</strong> just…g<strong>one</strong>.<br />
I’ve <strong>of</strong>ten deplored that <strong>the</strong> <strong>Totem</strong><br />
<strong>Mani</strong>-2 loudspeaker (reviewed in this<br />
issue) is never heard at shows. It w<strong>as</strong> <strong>the</strong>re<br />
this time, in <strong>the</strong> Audioville room (see <strong>the</strong><br />
photo at lower right on <strong>the</strong> next page),<br />
driven by Conrad-Johnson gear. As usually<br />
happens when it is demonst<strong>rate</strong>d,<br />
visitors commented on how amazing it<br />
w<strong>as</strong> to hear a small speaker filling that<br />
huge space.<br />
The <strong>of</strong>ficial show CD, a music<br />
sampler, is produced by a local high<br />
end recording company, Fidelio. The<br />
company had brought not only its own<br />
CDs but also its Nagra m<strong>as</strong>ter recorder,<br />
shown on <strong>the</strong> next page. I got to hear <strong>the</strong><br />
m<strong>as</strong>ter tape <strong>of</strong> a new percussion SACD<br />
<strong>the</strong> company w<strong>as</strong> launching. It’s tough<br />
for o<strong>the</strong>r exhibitors to compete with<br />
that.