HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...

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Acknowledgements I wish to thank my supervisors, Dr. Gillian Ania and Mr. Andrew Hollis, for their support and attentive criticism throughout these years. I owe them an intellectual and linguistic synergy to which I ascribe the merits of this thesis. I would also like to acknowledge Dr. Gillian Ania's contribution towards the translations of excerpts from Claudio Magris' 'II sorriso dell'unita ovvero Hermann Hesse fra la Vita e la vita' (1977). My gratitude goes to Professor Andrew Basden as well for his kind permission to cite from his lectures notes 'Human factors of information systems and human-computer interface and interaction' (2005) in the context of 'epiphany' (Chapter 4, section 6 of this thesis) and for pointing me to Herman Dooyeweerd's notions of time and eternity.
Declaration The discussion on Tablo and Mozart: Two faces of the same fool' (Chapter 6, section 5) takes its cue from my article The Unbearable Lightness of (Being) Mozart, or Mozart in Steppenwolf (2007), details of which are given at the outset of the relevant section. 11
Page 1 and 2: HERMANN HESSE AND THE DIALECTICS OF
Page 3: Chapter 5 Eternity_________________
Page 7 and 8: Abstract This thesis explores Herma
Page 9 and 10: century onwards.4 The discussion on
Page 11 and 12: An interest in eternity is not Hess
Page 13 and 14: die Zeit fur mich hat, wie ich die
Page 15 and 16: Menschen ihres fruhesten Lebens eri
Page 17 and 18: subject and countersubject in the l
Page 19 and 20: Finally, dates of publication have
Page 21 and 22: This chapter explores this intrigui
Page 23 and 24: und Du, Freund und Feind, Tier und
Page 25 and 26: Karalaschwili accounts for this pas
Page 27 and 28: paradoxically, his personal 'freedo
Page 29 and 30: As Boulby perceptively notes, chara
Page 31 and 32: [D]ie Legende [1st] jene Literaturf
Page 33 and 34: the other hand, he is convinced tha
Page 35 and 36: ejection entails an act of the mind
Page 37 and 38: his way to enlightenment, is attune
Page 39 and 40: 'Fifty year old Harry Haller [...]
Page 41 and 42: eal self is transferred onto pairs
Page 43 and 44: consideration. 55 Clearly, any aspe
Page 45 and 46: This chapter, which is the necessar
Page 47 and 48: In the twentieth century, the adven
Page 49 and 50: 609). 14 Klingsor even calls on the
Page 51 and 52: This conception of music, reflected
Page 53 and 54: eproducing the soloist's frenzy, in
Page 55 and 56:
Spafi'). A further point we drew at
Page 57 and 58:
they revolve around a common 'home
Page 59 and 60:
More recent literary employment of
Page 61 and 62:
In the chapter 'Erwachen', after hi
Page 63 and 64:
'modulated' and developed, identify
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movements of a tripartite sonata. M
Page 67 and 68:
In addition, Hesse's main character
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Drin eins das andre halt, Zeigen si
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Klange alle wie die Stimme der Mutt
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father, soul and spirit. 59 To Gold
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evolution of his connections to mus
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Music means solace for Kuhn in Gert
Page 79 and 80:
Furthermore, the erotic element of
Page 81 and 82:
Hesse's penchant for 'klassische' (
Page 83 and 84:
the aesthetic qualities of a piece
Page 85 and 86:
creation is, for Hesse, the princip
Page 87 and 88:
'Hesse had nothing against virtuosi
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undramatisch' (letter of 1898 to He
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As far as the formal plane is conce
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called 'absurd'. 53 The most conspi
Page 95 and 96:
existence and the dismissal of any
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in that the former's opera paves th
Page 99 and 100:
'Bine Arbeitsnacht' (1928), he poin
Page 101 and 102:
debate on jazz but also by the Nazi
Page 103 and 104:
catchy tunes threaten to drain art
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individuationis—accepting his lim
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Singen oder Summen oder auch nur da
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die Erden und Sterne harmonisch im
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in the euphoria of the 'Maskenball'
Page 113 and 114:
Chapter 4 Memory, metamorphosis, an
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Hesse's approach to memory and the
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Hesse's main characters who, almost
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ich sah mich wahrend der ganzen Vor
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with music, which would eventually
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correlative' of childhood in Hesse.
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equally pressing desire to release
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mit Entsetzen erinnerte ich mich an
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Hesse ascribes his fascination with
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weigert sich, es will sich haufig a
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exceptions (see the myth of Pygmali
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internalized and replaced by transf
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to India ('Erinnerung an Mwamba').
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there are occasions when we experie
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Beschreibung einiger Augenblicke ku
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In the first place, time is no long
Page 145 and 146:
Beja underlines that, for both Berg
Page 147 and 148:
Karalaschwili refers to as the 'Zei
Page 149 and 150:
(unity, memory, and music) merge in
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of Hesse's personal creed as well a
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Nichts war, nichts wird sein; alles
Page 155 and 156:
The complex symbol of the river in
Page 157 and 158:
as revealed by the opening line of
Page 159 and 160:
While Mann's image of endless repet
Page 161 and 162:
Glasperlenspiel). Clearly, 'authori
Page 163 and 164:
spread very rapidly to the human sc
Page 165 and 166:
poetic world: the metaphor of the s
Page 167 and 168:
Verwandlungen, Goethe and Mozart-Pa
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und die Worte waren kleine schwarme
Page 171 and 172:
After dealing with the rather probl
Page 173 and 174:
greater foe than emotion' (Bergson,
Page 175 and 176:
of experience may be arbitrary and
Page 177 and 178:
identified by Ziolkoski (see Chapte
Page 179 and 180:
Rad (1905-1906) is a noticeable exc
Page 181 and 182:
however, the dualism of 'ideal' and
Page 183 and 184:
'Witzbold und frechen Bettler' (SW
Page 185 and 186:
from their own creation through an
Page 187 and 188:
observed in Chapter 3 (section 2),
Page 189 and 190:
works, and the motif (the mirroring
Page 191 and 192:
hinein: Kindergesichter sufi und er
Page 193 and 194:
As noted above (6.1) that the last
Page 195 and 196:
Mozart play practical jokes on Harr
Page 197 and 198:
superior wit. Furthemore, Mozart's
Page 199 and 200:
The various sections do not [...] r
Page 201 and 202:
Modernist distance from the norms o
Page 203 and 204:
concludes that what might seem a sh
Page 205 and 206:
Jahren war ich nicht mehr in dem sc
Page 207 and 208:
irths and deaths, as portrayed in '
Page 209 and 210:
Salvages' V; 1944, 30), as one of h
Page 211 and 212:
HERMANN HESSE, Bibliography Betrach
Page 213 and 214:
'Chapter 6: Siddhartha: The Way Wit
Page 215 and 216:
Kilchenmann, Ruth J., 'Hermann Hess
Page 217 and 218:
Theodorou, Panagiota, '«Das leiden
Page 219 and 220:
Debord, Guy, The society of the spe
Page 221 and 222:
Mann, Thomas, Doktor Faustus: das L
Page 223 and 224:
Volkmann-Schluck, Karl H., 'Novalis
Page 225:
Schmidt, Richard A.; Lee, Timothy D
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HERMANN HESSE AND THE DIALECTICS OF TIME Salvatore C. P. ...

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